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Emerlad Island Sunset-Partitura y Partes

The document is a musical score for an orchestral piece titled "Atardecer en la Isla Esmeralda". It contains multiple parts for different instruments including piccolo, flutes, oboe, bassoon, clarinets, contrabass, bass clarinet, contrabass clarinet, alto saxophones, and clarinets. The score provides the musical notes and instrumentation for each instrument to play together harmoniously.

Uploaded by

Joel Ramos Cueva
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
134 views69 pages

Emerlad Island Sunset-Partitura y Partes

The document is a musical score for an orchestral piece titled "Atardecer en la Isla Esmeralda". It contains multiple parts for different instruments including piccolo, flutes, oboe, bassoon, clarinets, contrabass, bass clarinet, contrabass clarinet, alto saxophones, and clarinets. The score provides the musical notes and instrumentation for each instrument to play together harmoniously.

Uploaded by

Joel Ramos Cueva
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Atardecer en la Isla Esmeralda JGP

  = 80
1

         
  
1
Piccolo


   
         
1
Flute 1

    
         
      
1
  

Flute 2


   
         
1
Oboe

            
  
1
Bassoon 1

   
          
1

                           
    
3
B♭ Clarinet 1


 
   
                     

1

    
                   
3
B♭ Clarinet 2


 
      
               
1
     
                  
 
3
B♭ Clarinet 3


 
 
- Contra bass


 
1
             
+ conra bass

  
  
Bass Clarinet

 
Contrabass Clarinet


           
    
1
Alto Saxophone 1

           
  
1
Alto Saxophone 2

   
  
    
 
       

1
                      
(Clarinets)

  


 
Tenor Saxophone

 
3
-contra alto

 
        
1
        

  
+ contra alto

  
Baritone Saxophone


Eb Contra Alto Clarinet

 
  
                  
1

 
B♭ Trumpet 1

               
       
1




B♭ Trumpet 2

            
        
1

 
B♭ Trumpet 3


             
1
            
  
(Clarinets)

           
3

            

 
F Horn 1 & 2

 
                  
  
1

     
F Horn 3 & 4

           
 
1


Trombone 1

              
1

     
Trombone 2

           
 
1


Euphonium

          
     
1

+ double bass


Tuba

 
Double Bass

         
  
1
Mallet Percussion 1

       
        
1 Chimes
Mallet Percussion 2

              
1
Timpani

            

1
Percussion 1

            

1
Percussion 2

2
11           

17

Picc.

          

11
Fl. 1

          

11
Fl. 2

          

11
Ob.

               
         

 
11


Bsn. 1

11          
B♭ Cl. 1 

          
11
B♭ Cl. 2

        
       
11

    
B♭Cl. 3


11

                
 
B. Cl.

  
Cb. Cl.

11  
A. Sax . 1           

          

11
A. Sax. 2

          
11
T. Sax.


    
11
              
  
Bar. Sax.

 
Ca. Cl.

11   
                       
    
 

B♭ Tpt. 1

       
                 
3

      
11

  
B♭ Tpt. 2


3

                   
               
11
     
3

 Divisi
B♭ Trp 3



    
                          
                   
11

 
F Hn. 1 2

         
      
         
3
11
     
 
        
F Hn. 3 4

11    
         
Tbn. 1  

           

11


              
        
Tbn. 2

    
 

               
11

  
 Divisi
Euph.

 
      
11
             
+ double bass

  
Tba.


Db.

11           
Mallets 1 

          

11
Mallets 2

           

11
Timp.

          
11
Perc. 1

            
11
Perc. 2

 
3
21                                  
rit.

   
24

 
  
Picc.

           
3


21


Fl. 1

           

21


Fl. 2

     
                       
            
21

  
Ob.

                        
  
3
21


Bsn. 1

       
21

                  
3

               
3
B♭ Cl. 1


 
    
      
21

                            
3
B♭ Cl. 2


 
            
21

        

                     
  
3
B♭Cl. 3


 

21

                      

B. Cl.

  
Cb. Cl.

21  
A. Sax . 1            

           

21
A. Sax. 2

   
                                      
21


 
T. Sax.


3

     
21
                  
  
Bar. Sax.

21 
Ca. Cl.

          
B♭ Tpt. 1 

          

21
B♭ Tpt. 2

          

21

  
B♭ Trp 3

              


                      
21
           
3

 
F Hn. 1 2

  

3

            
            
          
     
  
3
21
            
3

 Divisi

F Hn. 3 4

  
                
    
21

  

Tbn. 1

                 
 
21

   
           
Tbn. 2

                 
             
3
21

 
Euph.

 
 
3

 
      
21
                  
  
Tba.

21    
Db.

         
Mallets 1 

           

21
Mallets 2

            

21
Timp.

               

21
 

Perc. 1

          
21
Perc. 2

4
32             
    
 = 92 38

  
Picc.

 
                   
  
 
                 
      
32 oboe

 
Fl. 1

 
               
32


Fl. 2

  

                
       
32 solo

 
Ob.

          
     
32
  

Bsn. 1

   
               
32  
           
       
         
  
B♭ Cl. 1

  
        
32

      
 
B♭ Cl. 2

    
32

             
 
B♭Cl. 3

         

32 - contra bass

    
B. Cl.


Cb. Cl.

32                

 
A. Sax . 1

           
    
32
A. Sax. 2

               
32


T. Sax.

          

32
    
- contra alto


Bar. Sax.
Ca. Cl.

32           
B♭ Tpt. 1    

         
      
32


B♭ Tpt. 2

               
32
B♭ Trp 3

        
       
32


F Hn. 1 2

         
     
32
F Hn. 3 4

   
             

32


Tbn. 1

                
32

 
Tbn. 2

                

32


Euph.

           
  
32
   
- double bass


Tba.
Db.

32           
      
Bells


Mallets 1

           

32
   
Xylophone


Mallets 2

             

32

 Snare Side Stick


Timp.

    
              
32
  
 Tabourine 
Perc. 1

Irish Bones (orCastanets)


   3    
                                             
32 3 3


 
Perc. 2
5
  
43                     
45 rit.

       
tutti

     


Picc.

              


 

       
  
  
 
   
43 tutti

   
                                                    
Fl. 1

    
         
     
  
    
      
43 tutti



Fl. 2

      


                        
43
   
tutti


Ob.

         
                
 
43


Bsn. 1

 

     
  
43  
           
  

   
      
tutti


B♭ Cl. 1

    
43
              
 
B♭ Cl. 2

  
43

                 
 
B♭Cl. 3

       

43

          
       
B. Cl.

     
Cb. Cl.

43                        



        
tutti


A. Sax . 1

            
   
43


A. Sax. 2

                 
43


T. Sax.

          
 
43
               
 
Bar. Sax.
Ca. Cl.

43    


                
       
tutti


B♭ Tpt. 1

          

43
B♭ Tpt. 2

          

43
B♭ Trp 3

    
           
43


F Hn. 1 2

    
43
            

F Hn. 3 4

                       
    
43

 
Tbn. 1

                       
    
43

 
Tbn. 2

      
 

                   
43

 
Euph.

           
  
43
               
 
Tba.
Db.

43      


                     
  
tutti


Mallets 1

     
                     
43
  
tutti


Mallets 2

            

43
Timp.

                 
43
   
   
    
Perc. 1

        
43


Perc. 2
6

    
56

54    
           
 = 108 63



    
Picc.

    
            
54


54          
Fl. 1

     
Fl. 2                  

      
         
      
54
Ob.

           
       
54


Bsn. 1

54         
      
      
    

B♭ Cl. 1

       
    
     
54
 

B♭ Cl. 2

       
 
    
54
    

B♭Cl. 3

       

54
    
+ contra bass

  
B. Cl.
Cb. Cl.

54               
A. Sax . 1  
              
 
54
A. Sax. 2

               
54
T. Sax.

          
   
54
  
Bar. Sax.
Ca. Cl.

54            
B♭ Tpt. 1   

             

54
B♭ Tpt. 2

              
54
B♭ Trp 3

                
54
F Hn. 1 2

               
54
F Hn. 3 4

           
     
54
Tbn. 1
 
            
   
54
Tbn. 2
 
              
    
54
Euph.

       
        
54
    
(bass clarinet)


Tba.
Db.

54 
Mallets 1                 

                

54
Mallets 2

          
                                   
54

             
  
Timp.

                
        
54
    
Bass Drum

                  
Perc. 1

  
  
                                                       
     
54 3 3

        
Toms (or bongos)

  
Perc. 2
7
66        

    

   
         

    
   
Picc.

               


     
66

 
       
Fl. 1

        


            
66

 
       
Fl. 2

        


            
66

 
Ob.

           
 
          
66
Bsn. 1

66          
                                    
 
B♭ Cl. 1

       
                           
66
          
 
B♭ Cl. 2

       
 
        
         
66
           
 
B♭Cl. 3

      

66
                   
   
B. Cl.

 
Cb. Cl.

66         



                  
 
 
A. Sax . 1

 
                                   
66

 
A. Sax. 2

            

66
T. Sax.

       
        
66
     
+ contra alto + contra alto

 
Bar. Sax.
Ca. Cl.

66             
B♭ Tpt. 1 

             
66
B♭ Tpt. 2

            

66
B♭ Trp 3

      
          
66
   
 
F Hn. 1 2

             

66


F Hn. 3 4

                   

66
 
 
Tbn. 1

              

66
Tbn. 2

             
         
66

 
Euph.

       
 
66
                       

   

Tba.
Db.

66         
         
            
 
        
Mallets 1

                 
    
66

 
Mallets 2

                    
66
                         
  
Timp.

              
                
66
       
                       

Perc. 1

     
                               
                       
66


Perc. 2

 
8
79            
 
     
 
 
Picc.


                            
             

79
  
 
 
Fl. 1

     
                      
     
79
   
 
 
Fl. 2

    

   
                         
79
   

Ob.

                
 
79


Bsn. 1

79         
                                   
 
B♭ Cl. 1

       
                         
79
          
 
B♭ Cl. 2

       
 
   

        
   
79
           
 
B♭Cl. 3

            

79
       
   
B. Cl.
Cb. Cl.

79       


                 
    
  
A. Sax . 1

  
                            
79
  
  
A. Sax. 2

 
                                
  
79
   
  
T. Sax.

           
       
79
  
+ contra alto

 
Bar. Sax.
Ca. Cl.

79             
B♭ Tpt. 1 

             
79
B♭ Tpt. 2

            

79


B♭ Trp 3

          
      
79

    
 
F Hn. 1 2

             

79


F Hn. 3 4

     
79
              
    
 
Tbn. 1

              

79


Tbn. 2

                
 
     
79

 
Euph.

             
 
79
           
 
 
Tba.
Db.

79             
Mallets 1    

            
   
79


Mallets 2

                  
   
79

                     
   
Timp.

                  
 
79
              
                      

Perc. 1

      
                            
                      
79


Perc. 2

  
9
92              
Picc. 

             

92
Fl. 1

             

92
Fl. 2

             

92
Ob.

                
                     
  
92
  

Bsn. 1

92         
                         

B♭ Cl. 1

        
                 
92
       

B♭ Cl. 2

        
            
   
92
         

B♭Cl. 3

        
             
    
92
         
B. Cl.


Cb. Cl.

92             
A. Sax . 1 

            

92
A. Sax. 2

             
92
T. Sax.

                                       
92
   

Bar. Sax.
Ca. Cl.

92             
B♭ Tpt. 1 

             
92
B♭ Tpt. 2

             
92
B♭ Trp 3

             

92
F Hn. 1 2

             

92
F Hn. 3 4

              
92
Tbn. 1 

              

92
Tbn. 2

              

92
Euph.

              
 
92
Tba.
Db.

92              
Mallets 1 

             
              
92
  
mariba

 
Mallets 2

          
               
92

                  
  
Timp.

                Bass Drum   
     
92
        
                  
Perc. 1

  
    
                            
               
92
  
Toms (or bongos)


Perc. 2

 
10
105         
           
                  
  

Picc.

           


                         
105
 

Fl. 1

           


                           
105
 

Fl. 2

 

                  
                   
105
 

Ob.

        
                     
105
      
  
Bsn. 1

105        
                          
 
B♭ Cl. 1

       
                
105
         
 
B♭ Cl. 2

   
       
                          
105

   
 
B♭Cl. 3

       
 
    
105

                  
-conra bass + contra bass

  
B. Cl.

  
Cb. Cl.

105     
                                    
 

A. Sax . 1

                           



105
   

A. Sax. 2

                         


    
  
105
 

T. Sax.

   

 
              
 
105
      
- contra alto + contra alto

  
Bar. Sax.
Ca. Cl.

105                     
                   
  

B♭ Tpt. 1

        
                    
105
       

B♭ Tpt. 2

        
                 
    
105
       

B♭ Trp 3

   

 
                                  
  
105


F Hn. 1 2

     
                                  
  
105


F Hn. 3 4

              
            
105

 
Tbn. 1

            
 

           
105

 
Tbn. 2

             
            

105

  
Euph.

       
              
105
     
- double bass

    
Tba.


Db.

105             
Mallets 1 

           
   
105

Mallets 2

              
             
105

                 
   
Timp.

                         
 
105
                    
                            
Perc. 1

   
       
                                         
                    
105
    
   
Perc. 2
11
118                
        
 = 80
  
rit.


Picc.

 
                      
 
118


Fl. 1

           
    
118
 

Fl. 2

              
             
118


Ob.

        
                                     
    
118

 

Bsn. 1

118           
                     


             
B♭ Cl. 1

   
   
                        
 
118
  
           
B♭ Cl. 2

   
      
                       
118
  
           
B♭Cl. 3

  
      
                        
118
  
- Contra bass

    
B. Cl.


Cb. Cl.

118           
A. Sax . 1      

               

118
A. Sax. 2

               
118
          
(Clarinets)


T. Sax.

        
                                
  
118

     
-contra alto

 
Bar. Sax.
Ca. Cl.

118           
B♭ Tpt. 1      

          
     
118
B♭ Tpt. 2

                
118
B♭ Trp 3

            
                
118


F Hn. 1 2

             
               
118
F Hn. 3 4


                
 
118
Tbn. 1

                
 
118
Tbn. 2

         
 
     
 
          
118


Euph.

      + double bass  
                           
118

             
Tba.


Db.

118          
Mallets 1       

          
      
118 Chimes
Mallets 2

           
     
118
Timp. 

               

118
Perc. 1

               

118
Perc. 2

12
130 
               
Picc.                        
    

                         
3

   
     
130

 
Fl. 1

            
3

         
130
Fl. 2  

            
                               
130
Ob.

 
                     
3
130
Bsn. 1
 
130
                      
                   
3
B♭ Cl. 1

 
                      
130

                   
3
B♭ Cl. 2

 
            
         
130

         

        
3
B♭Cl. 3

 
 

130
      
+ conra bass

          
     
B. Cl.


Cb. Cl.

130  
A. Sax . 1                     

                    
130
A. Sax. 2

  
          
      
   
130
         
     

 
T. Sax.
3


   
130


             
    
+ contra alto



Bar. Sax.

130  
Ca. Cl.

                                  


 
B♭ Tpt. 1


                     
            
130

  
B♭ Tpt. 2

      
                         
130

   Divisi
B♭ Trp 3

         
                   
            
130
F Hn. 1 2
 
   
            
      
130
       

F Hn. 3 4

        
                 
130


Tbn. 1

                     

130

        
Tbn. 2

                 

130


Euph.

            
   
130
     
 
+ double bass


Tba.

130 
Db.

Mallets 1                     


                      
130
Mallets 2

                     

130
Timp.

                    
130
Perc. 1

                    
130
Perc. 2

13
140          
Picc. 

          

140
Fl. 1

          

140
Fl. 2


                    
140
Ob.

                         

             
 
140


140
Bsn. 1

                    
3

B♭ Cl. 1

                    
140
B♭ Cl. 2

        
       
140
             

B♭Cl. 3



140

                       
 
B. Cl.


Cb. Cl.

140 
A. Sax . 1                     

                    
140
A. Sax. 2

                    
140
T. Sax.

    
140
                   
  
Bar. Sax.

 
Ca. Cl.

140     
                          
 
B♭ Tpt. 1

        
      
           
3

     
140

 
B♭ Tpt. 2


3

              
                   
140
      
3

  
B♭ Trp 3

 
   
                                           
       
140

   
F Hn. 1 2

 
3
3

         
                            
              
3
140
  
   Divisi 
         
F Hn. 3 4

    
              
140
Tbn. 1

                     

140

 
140               
                     
Tbn. 2

                
   
3

  
        
  Divisi 
Euph.

 

3

 
       
140
                 
 
+ double bass


Tba.

140 
Db.

Mallets 1                     


                    
140
Mallets 2

                     
140
Timp. 
                    
140
Perc. 1

                     
140
Perc. 2

14
150            
Picc.  

       
                                                 
150

  
Fl. 1

       
                   
3

                     
       
150

  
Fl. 2

       
                                       
3

         
150

  
Ob.

        
 
                  
3
150
Bsn. 1

150 
        
                                                 
3
B♭ Cl. 1

 
 
 
                    
150

          
                
       
3
B♭ Cl. 2

 
 
 
                 
150

          
                        
3
B♭Cl. 3

 
 
    

150

                     
 
B. Cl.


Cb. Cl.

150 
 
A. Sax . 1                      

                       
150
A. Sax. 2

            
                                       
   
150


 
T. Sax.

   
3

  
150
                    
  
Bar. Sax.

150 
Ca. Cl.

B♭ Tpt. 1                        

                       
150
B♭ Tpt. 2

                       
150
B♭ Trp 3

       
                
                             
150

    
3
F Hn. 1 2

    
                     

                             
  
150
     
3
F Hn. 3 4

  
                
            
150

  

Tbn. 1

                
            
150

  
Tbn. 2

    
                        
      
150
 
 
Euph.


   
           
150
               
  
Tba.

150   
Db.

 
Mallets 1                       

   
                      
150
Mallets 2

    
                     
150
Timp.

        
                  
150
  

Perc. 1

 
                      
150
Perc. 2

15
161         
    

Picc.

          
 
161


Fl. 1

  
          
161


Fl. 2

  
          
161
Ob.

          
  
161
Bsn. 1
  
161  
  
                         
  
     
        
3


B♭ Cl. 1

  
      
161

                     
              

  
   
3
B♭ Cl. 2

  
      
161

                            
      
       
3
B♭Cl. 3

  
 
  
161
        
- Contra bass

        
 
B. Cl.


Cb. Cl.

161   
        
A. Sax . 1
  
        

161
A. Sax. 2
  

            
161
T. Sax.

  
       

161
Bar. Sax.
Ca. Cl.

161         
B♭ Tpt. 1     

        
    
161
B♭ Tpt. 2

        
 
161

  
B♭ Trp 3

         
 
161
F Hn. 1 2
  
         
 
161
F Hn. 3 4
  
  
         
 
161


Tbn. 1

           
 
161


Tbn. 2

           
 
161
Euph.

          
  
161
  
Tba.
Db.

161           
              

Mallets 1

   
                       
161


Mallets 2

            
 
161
Timp.

          
 
161
Perc. 1

          
 
161
Perc. 2

Piccolo

Atardecer en la Isla Esmeralda



              
JGP

  
 = 80 1 17 24

   

     
     
            
rit.


27

  3

         

45

 

    
38


32
= 92 tutti

 
           
  

46

  


           
rit.

      
51

 
56

           
 = 108

 
63

        
56


 
       
      
 
76

  
 
  
                    
 
89


   = 80 
                     
  
rit.

 
111


 
   
2

                           
128

 
3

           
         
133

 
   
169
Flute 1

Atardecer en la Isla Esmeralda


   
   
JGP


   

 = 80 1 17 24 rit.  = 92

 
 
    
             
     
38
  

         
36 oboe


   
    


        
    
45
  
    
42 tutti


      
   
       

47

 
         
56

       
rit.

   
 = 108

52

       
              
63

 
58

 

              
             

77


    
                     
  
86

                     
              
   
107


                          
2

   
   
 = 80

rit.


114

 

      
         
    
 

131

 3

  
         
                    
136

 

    
             
 
     
155

 3

   

   
161
Flute 2

Atardecer en la Isla Esmeralda JGP

         
            
 = 80 1
  

   
   
17 24  = 92
  
9
rit.

 
           

45

          
38 tutti


36


    

      
    

                        
 
47

 
                 

56

        
rit.

   
 = 108
      
52

       
              
63

 
58

 

              
  
          

77


    
                     
   
86

                     
              
   
107


  
2

  
            
rit.  = 80
   
114

       
               

133

      
     
                     
152

  3

   

             
 
157
Oboe

Atardecer en la Isla Esmeralda


 
   
JGP

    
  
 = 80 1 17 24

       

 
       
                    
27
rit.

  3

      
      
38

 
 = 92
      
33
solo

 
 
 
      
    
45

 
40 tutti

         
        
45

     





    
50 rit.

       
      
 = 108

   
56 63

 
55


      
              
  
75

 
   
                          
    
85
  
                      
2

    
92

  
              
            
113
rit.  = 80

  
                         
  
130

 
3


                    
135

 
                     

144

       
                      
    
152

  3

   
    
           
157
Bassoon 1

Atardecer en la Isla Esmeralda


         
JGP

        
 = 80 1 17

 

 
                   
21
24 rit.

 
   
3

      
 = 92 38 45

   
33

 
 
                  
    
47
rit.

  
56

               
 = 108 63


56


  
              
 
71

 
              
               

93

 
    
 
                    
100

 
                         
   
115

 

                            
 = 80
 
122 rit.


   
2

                  
129

         
                
139

                          

146


                    

152

  
   
168
B♭ Clarinet 1

Atardecer en la Isla Esmeralda JGP

   
 = 80 1
     
                  


 17 
     
    
5

     
  
3


24

  
      
24

                   

 
     
 = 92
    
rit.

 
29


   
3


   
 
            
  
   
     
  
   

36
38


 
          
 
45


 
    

    
tutti
42


      
                
 
47

  
56

             


rit.  = 108
 
52
 
2

 
  
63

                      
64


       
         
      
   

71

 
  
        
              
78


     

        
              
85


   
         
                
92


  

 

               

 
99


  
                          
112


      
 
       
    
rit.


119



           
 = 80
   
125

                    
 
         
   
131


        
3


3

                      
137

      
   

148

            

           
154

          
    
3


 

      
  
160

                     


       
     
165

       
3



B♭ Clarinet

Atardecer en la Isla Esmeralda JGP

   
 = 80 1
     
                  


 17 
        
 
5


       
3


24

    
    
24

                   

 
     
 = 92
    
rit.

 
29


   
3


     
38 45

         
36

         
    
rit.

 
45

 


56

      
 = 108 63

              
55


     
                     
  
68



     
2

                       
74

 
    
             
       
    
81

         
                    
88

 
  
 
   
                      
95


  
          

             
109


    
                        
116

  
                   
 = 80

rit.

   
123

    

 

      
129

     
             
3


 
              
    
134

                
142
3

  
   

150

                  
 

           
 
155

 
          
3

 


    

 
161

                
    
3

 
 


       
     
166

  
Clarinet in B♭

Atardecer en la Isla Esmeralda JGP

 
1

 
 = 80 1
   
                   


 
     
      
5

    
  
3


17

             

    
17

    
24

  
     
24

               

 
 
 = 92
     
rit.

 
29


      
3

    
36
38 45

             

 
45 rit.

               
 
 
56

   
 = 108 63

             
55

  

     
 
            
68


     
2

                       
74

 
  
                    
81

     
                                
87

 
 

                         
94

   
                      
107


  
                          
113


    
            
120 rit.

   
 = 80
    
126

                       

 
      
  
     
132

      
3

            
         
138

      
             
146

  

3

           
152

               
    
3

 

         
  
157

            

         
163

              
      
3

 



168

  
Bass Clarinet

Atardecer en la Isla Esmeralda JGP


1

   
 = 80
        
- Contra bass + conra bass

   
   

17

 
10

                
  
 24


20

                
    
 

 
 = 92
  
38 45

 
30 rit.

    
- contra bass

   

      
45

                 


56

   
63
 = 108

rit.

     
53

  
+ contra bass

   

   
                    
68

    

 
  
          
             
78


  
  
2

 
           
               
93


   
               
100

      
-conra bass + contra bass

 
   
                         
115

     
 
                    
122 rit.  = 80
 
- Contra bass

  

 
129

           
+ conra bass

      
 


138

                   
  


147

                   
 
 
    
156

       


- Contra bass

     
  


165

           

Alto Saxophone

Atardecer en la Isla Esmeralda JGP

     
1

        
 = 80 17  = 92
24 rit.


  
           
45

   
38


36 tutti

 
        
         
    
48

       
   
56

  
 = 108

63


rit.


53


      
        
 
75

  
    
                
  
85



                            
92

 

 rit.
                  
113  = 80

                      
132

                      
143
 
 
             
2

  
154
Alto Saxophone 2

Atardecer en la Isla Esmeralda


     = 92
JGP

 = 80 
1

    
1
17 24 rit.

 
            
38 45


37


    = 108  
     
56

   
  
63


rit.


53


       
              
  
75

  
  
                                

85

 

                            
92

 

   = 80
                
113
rit.

                      
131

                      
142


                 

153

2

  
169
Tenor Saxophone

Atardecer en la Isla Esmeralda JGP

   
 = 80

     
1

                  
(Clarinets)

 


 
3

     
      
       
17 24

    
6


    
                     
  
25

 
3


         
 
rit.
 = 92 38

 
30



                 
44
45 rit.


  
         
56

      
 = 108 63


56

 
        
           
 
86

                                 
    
107

  
         
 = 80

   
rit.
           
114
(Clarinets)





2
  
      
        

 
 
131

  
 
 3

                      
138

    
                             
149


     
         
           
155

 3

 
     
161
Baritone Saxophone

Atardecer en la Isla Esmeralda JGP


     
 = 80 1 -contra alto
               
 


17

                   
9

 
+ contra alto

 
 

24

                 
19

    

    
 = 92
             
29 rit. - contra alto

 
 
     
38 45

         
37


   
56

     
 = 108
  
63

     
52 rit. + contra alto

 
  + contra alto   
                   
73

 
 
  
                                 
88


+ contra alto

 

      
                  
96

 
- contra alto


  + contra alto      
2

                
      
110

 

      rit.       
           



118

 


      
 
 = 80 -contra alto
       

   
125

  

  
                     
133
+ contra alto

 

                    
   
142

  

         
               
151

 

 
   
 
160
B♭ Trumpet 1

Atardecer en la Isla Esmeralda



JGP

    
            
 = 80 1


 
     
          
17


12

  
    = 92  
3

      
24 38 45


18
rit.
tutti

     
           
 
45

  = 108
           
56

          
50
rit.

             
        
63

   
64


            = 80
          
rit.


112

                     
130

 
     
                        
137



3

2

                  
142

                     
150

 
       
160
B♭ Trumpet

Atardecer en la Isla Esmeralda



JGP

    
           
 = 80 1


 
     
          
  
17

 
12

 

3

   = 92  
  
24

     
38 45


rit.


24

   
56

  
 = 108
 
63

   
rit.

  
45


  
                         
109


  = 80
                 
123
rit.


                               
135

  
   
                     

140

3  

                      
147
 
 

2

       
158
Trumpet in B♭

Atardecer en la Isla Esmeralda



JGP

                        
1
 = 80 1

 

 
           
               
17

 
13 3

 Divisi
 
   = 92  
 
24

  
38 45


24
rit.

   
56

  
 
 = 108

63

   
rit.

  
53

 
  
          
               
109

  = 80
  
              
123
rit.


                  
    
135

   Divisi
3 
   
                           
140

    


                    
146

 
           
156

  
F Horn 1 & 2

Atardecer en la Isla Esmeralda JGP

     

 = 80 1
  
               
 
(Clarinets)



  
       
  

5

         
     
3




 
                          
11


                  
3


       
17


17

 

            
3

   
24

                  
22


 
          
 = 92
  
rit.

  
    
28
3

  

      
 
     
35
38 45


   
  
56  = 108

           
50
rit. 63



     
              
75

    
    
  
2

             
       

91

 

        
                   
 = 80
  
rit.


112

  
     
       
     

129

              
                  
134



                                  
140

 
     
3

                     
    
146

 

3


        
   

                   
151
3


 


                      
156

 
  
169
F Horn 3 & 4

Atardecer en la Isla Esmeralda



JGP

             
 = 80 1

      

              
      
17

   
14

 

               
24

  
                 
3


20

 Divisi  

             
              
26


3

 
 = 92 
     
rit. 38 45

   
31


    

56  = 108
   
rit. 63

        
47


  
   
                
77

 
  
            
           
111
rit.  = 80


     
              
   
128
    
         
2

    
       
133

             
                 
139

 


       
                       

       
3
146

 Divisi


   
    
  
                  
151


3

 
 


                 
 
  
156

 
 
 
169
Trombone 1

Atardecer en la Isla Esmeralda


          
JGP

       
 = 80 1

 

           
       
17 24


14


   
          
 = 92
   
29 rit.

  
   
              
38 45


37



 
 
 
   
         
56
 = 108 63

    
52 rit.

 

                   
  
73

 
          
          
  
88

 
    = 80
                       

111
rit.


            
          
130


           
             

138
   
2

                 
145

 
                    
 
154

  


  

169
Trombone 2

Atardecer en la Isla Esmeralda


    
JGP

           
 = 80 1 17 24

 
rit.

  
  
             
 = 92 38 45


32

  

         

             

47 rit.

     

      
   
56  = 108 63

 
55

 
  
                         
 = 80

110
rit.

                     

129

                     

139

      
   
            
149

  
 
         
  
158
Euphonium

Atardecer en la Isla Esmeralda


          
JGP

       
 = 80 1

 


          17 
                     
  
14

  

             
24

 
Divisi

   
             
3

  
20


 
 
3

           
          
 = 92

26 rit.

  

               
38 45


36


     
 
 
 
     
      
   
56
 = 108

50 rit.


 63        
     
       
58

 
        
           

79

 
                     
   
107

  
       rit.
2

               
116

 
                    
 = 80
 
126

                  
       

134


         
                            
   
141

  


Divisi

          
                   
   
3

    
    
147


 
 
3

 
                     
 
153

 

    

168
Tuba

Atardecer en la Isla Esmeralda



JGP

  
 = 80 1
               
 
+ double bass



 
17 24

                
16

 
+ double bass

 

   
 = 92
               
rit.

 
26

 
- double bass


 45 

       
38

          
36

 
                   
56
 = 108
    
50 rit.


    
 
63

               

58 (bass clarinet)

 
  
    
         
73

       
 
 
  
   
          
88

        
 

    - double bass  
                  

111

        

  + double bass   = 80
2

                  
rit.

 
120

           

              
      
129
+ double bass

 
                  
   
138
+ double bass

  

 
                
     
147

 
 

 
     
              
156


Glockenspiel

Atardecer en la Isla Esmeralda


    
JGP


     
 = 80 1 17 24  = 92
 
rit.
Bells



    
                     
45


38

   
36 tutti

          
         
48

  = 108 

    
 
56


63

               
53
rit.


    = 80
      
     
rit.


76


                     
128


                     
138

 
                     
148

   
   
                 
  
158


Vibraphone

Atardecer en la Isla Esmeralda JGP

   
  
1

      
 = 80 17 24

 
1 Chimes

 
     
 = 92 45


38


rit.

   
31 tutti
Xylophone

 
     

              
45

    
       
  
56  = 108 63

      
51
rit.


   
                          
  
73


       
            
80

      
mariba



    = 80
          
 
rit.

      
103

 

    Chimes
                  

128


                     
138

 
                     
148
   
     

2

                 
158


Timpani

Atardecer en la Isla Esmeralda JGP

     
1

       
 = 80 1 17 24 rit.  = 92 38 45


 
   
                    
56
 = 108

45
rit.

    


      
        
63

              
60

  

         
                 
68



          
                  
77

  
  
         
            
85

 

           
            
95

  
  
                   
               
103

 
 
        
         
110
rit.  = 80
    
 
                     

129
   
2

                  
139

                     

149

 
    
  
159
Percussion 1

Atardecer en la Isla Esmeralda


   
JGP

          
 = 80 1 17 24

  
rit.

 
 = 92 Snare Side Stick
     
             
Tabourine 38

 
33

 
     
   

       
45 rit.

   
44

56  
   
            
 = 108
       
56
Bass Drum

                 
63  
     
           
     
64

            
  

           
         
 
74

           
 
    
           
       
83

                 
  
    
         Bass Drum 
       
93

              
  
  
                               
103

                   
  
   
2

           
    
  
111
rit.  = 80

           

                      
128

                      
139

   
                 
150

 
 
   
159
Percussion 2

Atardecer en la Isla Esmeralda


    
JGP

      
 = 80 1 17 24 rit.

    3
 = 92
                             
Irish Bones (or Castanets)
3
33


    
             
38

  
37
3 45

 
     
      
rit.
45

56

            
 = 108
         
3 3

 
54 Toms (or bongos)


     
                           
63

         
59

 
   
                     
               
67

 
   
                   
                 
76

  
     
               
                
85

  
   
2

                             
        
96 Toms (or bongos)

 

      
                                  
           
104

  

   
                   
 = 80
     
rit.

   
111

                      
128

                     
139


                       
149

 
   
160

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