100% found this document useful (1 vote)
882 views3 pages

PDF Preview - Imela (Thank You) Satb

This musical work is titled 'Imela (Thank You)' and is for mixed choir with piano or band accompaniment. The lyrics express gratitude to God for His goodness, faithfulness, mercy, and grace despite not being worthy. It recounts how Christ's sacrifice made a way to enter God's presence and sing His praises.

Uploaded by

Raymond Ray
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
100% found this document useful (1 vote)
882 views3 pages

PDF Preview - Imela (Thank You) Satb

This musical work is titled 'Imela (Thank You)' and is for mixed choir with piano or band accompaniment. The lyrics express gratitude to God for His goodness, faithfulness, mercy, and grace despite not being worthy. It recounts how Christ's sacrifice made a way to enter God's presence and sing His praises.

Uploaded by

Raymond Ray
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 3

Imela (Thank You)

for mixed choir SATB (+ Piano/Band accomp.)


W&M by Nathaniel Bassey
Transcr./Arr. by Klaus "Eddy" Ackermann
 = 75
G♭2 D♭2 A♭m7(add11) G♭/ D♭
     4                              
  4
Verse 1
PR
Lead Vocals
G♭2 D♭2

8

           
or Sopranos

              
When I think u pon Your good ness and Your faith ful ness each day, I'm con

A♭m7(add11) G♭2/ D♭ D♭7



13

                          
 
vinced it's not be cause I am wor thy to re ceive the kind of love that You give. But I'm
Verse 2
 
G♭2 D♭2
EV
17

             
        
(opt. Sop. grate ful for Your mer cy and I'm grate ful for Your grace and be
 
Altos     
part)

       
   uh

     
21 A♭m7(add11) G♭2/ D♭ D♭7sus4

                     
IE
cause of how You've poured out Your self I have come to sing this song out in praise. I me
   
      
   
 
Chorus 1
W
 
G♭2 D♭/ A♭m7 C♭2

25 F

                           
 
               
la! I me la! O ka ka, On ye ke ru wa. I me

                     
  

scored by Klaus "Eddy" Ackermann - www.klaus-ackermann.com


 
29 G♭2 D♭2 A♭m7(add11) G♭/ B♭

                
  
        
la! I me la! E ze mo
 
          
   
Verse 3
PR
C♭Δ/ D♭ G♭2 D♭2

32

         
unis. (Men 8vb)

             
Who am I to sing Your prais es? Who am I to wor ship You?

A♭m7(add11)

36

               
It's Your blood that makes the dif ference in me
EV
 
38 div. G♭2/ D♭ D♭7

        
 
        
  
 
         
and made a way to en ter in to Your throne. I could

    
    

 
(opt. Bass part)
Verse 4

 
41 G♭2 D♭2

              
    
IE
  
      
not come near Your pre sence, I could nev er sing Your song, but the

            
  
(opt. Bass part)
W
      
45 A♭m7(add11) D♭ G♭2/ D♭7sus4

                              
         
sac ri fice on Cal va ry's tree
           
       
is the reas on I can cry out to

day!
 
I me

  
  
 

2 scored by Klaus "Eddy" Ackermann - www.klaus-ackermann.com


Chorus 2+3

 
G♭2 D♭/ A♭m7 C♭2 G♭2

49 F

                                    

                    
la! I me la! O ka ka, On ye ke ru wa. I me la! I me
 
                   
   
PR
1. 2.

 
54 D♭2 A♭m7 G♭/ B♭ C♭ C♭/ D♭ C♭ A♭m7 G♭/ B♭ C♭/ D♭

                        
      
la! E ze mo I me (mo) E ze mo
    
                     
    
opt. instrumental Solo
E♭m7 D♭/ F G♭ C♭Δ E♭m7 D♭/ F G♭/ B♭ C♭Δ

60

                      
EV
Bridge 1 unis. (Men 8vb)
E♭m7 D♭/ F G♭(4-3) C♭Δ E♭m7 D♭/ F

64

                                     
On ye di ka gi? E ke ne di ri gi, On ye ne me ma. On ye di ka gi? E ke ne di ri gi, On
Bridge 2 1st x: Drums only

      B♭
67 G♭(4-3)/ 3xC♭Δ E♭m7 D♭/ F G♭(4-3) C♭Δ

                             
IE
 
             
ye nag wo ria. On ye di ka gi? E ke ne di ri gi, On ye ne me ma.

                   
3x
  
   
W
 
70 E♭m7 D♭/ F G♭(4-3)/ B♭ C♭Δ

         
              
 
           
On ye di ka gi? E ke ne di ri gi, On ye nag wo ria.

         
    
    

scored by Klaus "Eddy" Ackermann - www.klaus-ackermann.com 3

You might also like

pFad - Phonifier reborn

Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


Alternative Proxies:

Alternative Proxy

pFad Proxy

pFad v3 Proxy

pFad v4 Proxy