- 7iano | rade 3 } ieces & Exercises Trinity Guildhall examinations i j 012-2014 |Contents ‘Anonymous Polonaise BWV Anh. 128 from Notebook for Anna Magdalena) 2 Handel Sonatina HWV 585 —_____— aus Mozart Menuet in F 5 —————<—_____—— Burgmiller Pastoraie op. 100 no. 3 —_______—- ——-—— Mendelssohn Romance i sandré Requiem for a Little Bird Reger ange Frage (Anxious Question), no. 8 from Aus der Jugendzeit oP, Po ae Nakada Song of Twilight —_______— = sar —— Rollin Jazzy Joey So ie pe Sega eee Alternative pieces for this grade Bortkiewicz Through the Desert from Romantic Piano Anthology voi. 1) Schott ED 12912 Grechaninov Nurse's Tale op. 119 no. 8 Schott £0 1467 (from Das Grossvaterbuch (The Grandfather's Album)) Maxwell Davies _No.Tof Six Secret Songs (from A Century of Plano Music Grades '-4) Bosworth BOEOOSI2# Mayer Marche Miniature (from The Joy of Romantic Piano book 1) Yorktown Music Press YK 274! Monn Minuet (from Little Piano Book: The Age of J S Bach) Peters EP 445, Oesten PojkarMazurka op. 155 na. 2 (trom Sonatinen ~ Preparatory Sonatina Album) Peters EP 319 [Play da capo repeat and the F major section repeat in the examination} i Rodrigo Cancién del Hada Rubia (from E1 Album de Cecilia Para Piano) UMP 188? Zilcher Wiegentied (from Nacht und Traume) Schott ED 904 ipoli Versi (Fugetten) 1 (from Little Piano Book: Masters Before J S Bach) Peters EP 4 ‘a peces inthis vue have Been ected with regard to current concepts of per rener practice. Fingering, dynamics, articulation and pedal fra peen suggested to assist candidates and thet teachers in developing ther oN) interpretations. Markings in squere Brackets are ecitoriat Recommended metroneme markings are give as 2 use, but not definite, perlonmance ‘guide forall pieces. Repeats of more than a few bars shouldbe omitted in the examination unless otherwise instructed in the slabus or n this Trinity must Boge ‘aida capo and dal segno instructions should be observed. Every effort nas been made to trace and acknowledge the copyright owne!s 94 right has been omitted or it any detail is incorrect, Tiny crea Larkdonapotoises and wil ety his in any subsequent reprietsftowing notification. “finity Callege London would keto thank John Kemer, Pamela Lisard, Micngel Round, peter Vita and John York for teir work on this Sees Music typeset by Moira Roach and New Notations London, Important Concldates and teachers must refer to the Information & Regulations booklet ¢wowrinityguilchall.co.uk/essentiaiinformatl far all examination requirements and regulations. Sylabuses and further ‘information can be obtained from your Trinity GullPolonaise BWV Anh. 128 from Notebook for Anna Magdalena Anonymous [4= 69-80} )) ‘ eT ae Wa a gs ee es Dynamics are ecitorial, 2 Copyright © 2011 Trinity College LondonSonatina HWV 585 George Frideric Handel 685-1759) a) (2) (3) ree ete é & a 34 16 { Dynamics and articulation are editorial, = nonin see 3Menuett in F K.S Wolfgang Amadeus Mozart 756-1791) Menuet [2= 112-126) a) infges basa 4 St rl —— iF Dynamics are editorial, ‘The repeats should be played in the examination and candidates are encouraged to vary the dynamics the second time, 4 ‘Copyright © 201 Trinity College LondenPastorale op. 100 no, 3 Johann Buramatier (1806-1874) Andantino |..~ 63-76) es a pedolce cantabile spyright © 201 Trinity College London Poot 5Romance Felix Mendelssohn 9809-1847) Andante [J 76-88) 6 Copyriant © 20M Trinity College LondonRequiem for a Little Bird Gustave Sandré (1843-1916) Adagio (. = 63-72] Copyright © 2011 Trinity CoWege London 7Bange Frage (Anxious Question) no. 8 from Aus der Jugendzeit op. 17 Max Reger (8734916) Innig, zart J = 46-60 ‘ 5 eee en a in ee Copyright © 20H Trinity Cotlege LondonSong of Twilight Yoshinao Nakada ‘Tranquillo |. = $2-60] Roe pnd time pp) T t 1 7 3 3 5 1 repeat should be played inthe examination. omposer's metronome mark d= 69, pyright ©1976 by Ongaku No Tomo Sha Corp, Tokyo, Japan 9Jazzy Joey Catherine Rollin 2 i Jose. Copyright ©1995 Alfred Publishing Co, Inc. 0 All Rights Reserved, Used by Permission. da eea "Exercises la. Keeping One's Balance - tone, balance and voicing Con moto 4108-120 Ib. A Little Off-beat - tone, balance and voicing Ritmico [J =80-92) 1 32 2 Copyright © 2011 Trinity Cotege London2a. Mountain Mists - coordination Dreamily [+= 69-80] ps th. he a rh. a 'b. Up Hill and Down - co-ordination ‘Moderate Waltz tempo |. = 100-112) $ 4 Re, #20 fn & Ba #2 HP * Pd Ph & yright © 201 Trinity College London B3a. Over and Under - finger & wrist strength and flexibility Playful (/=76-88) 3b. Nimble Jack - finger & wrist strength and flexibility Briskly | 66-76) ‘The repeat should be played in the examination, 4 Copyright © 20 Trinity College London