German Idealism
German Idealism
2 German Idealism
1. General characteristics of idealism
Now we must direct ourselves to a complex philosophical system, which
was developed during the high point of Romanticism, and which would
leave its mark on the history of contemporary philosophy: German idealism.
The Kantian system sought to respond to the ultimate skepticism of
empiricism. According to its internal principles, the possibility of the
physical and mathematical sciences and the impossibility of a scientific
metaphysics had been proven. At the same time, it founded a morality based
on the imperatives of practical reason, building a formal ethics of duty. But
the Kantian system, rather than being a final answer to the ultimate questions
of the human soul, dragged along behind it a metaphysical heritage: the
assertion of the unknowable thing-in-itself, which was seen in the eyes of
his followers as something incoherent, as a veritable philosophical scandal.
Leonard Reinhold (1758-1823), Salomon Maimon (1753-1800),
Sigismund Beck (1761-1840), and Gottlob Ernst Schultze (1761-1833),
Kant's early critics, gave different answers to that problem. The first spoke
of the thing-in-itself as something unknowable and unable to be represented:
it was only the logical foundation of a sensation that the subject had not
produced. Maimon, in turn, eliminates the thing-in-itself, because, he says, it
is unintelligible. Beck considers the starting point of transcendental
philosophy to be the action of producing a representation: there is no
receptivity from without, and therefore, this problem of the thing-in-itself is
not even raised. Schultz, in turn, demonstrates the incoherence of the Kantian
system: either we return to the skepticism of Hume, or admit the
knowableness of things other than the subject, thereby reverting to
dogmatism.
Fichte, the first great idealist, believes that the idea of a thing that has, in
itself, an existence independent of any power of representation, goes beyond
thought itself, and is reduced, therefore, to pure fantasy. Instead, philosophy
must start at the root: the action of the self, which posits the self; a self that
must be pure and absolute. With this assertion arose idealism.
The world outside the mind, according to idealism, is the product of
thought. The Copernican revolution initiated by Kant is thus brought to its
culmination. But what does it mean to say that the world is produced by
thought? The thought that we refer to is not, of course, the mind of the
particular individual, an entity too weak to sustain the whole universe.
Idealists propose a super- individual intelligence, or, in other words, an
absolute subject.
The transcendental Kantian self becomes, in Fichte, a metaphysical
principle that simultaneously gives rise to the starting point of
philosophizing: the absolute self. In idealism, all of reality is the process of
self-expression or self-manifestation of infinite reason. Through Fichte,
Schelling, and Hegel, philosophical thought returns to the metaphysical. This
is metaphysics of a Spinozan sort: that is, from the point of view of the
totality.
At the heart of German idealism we find a great confidence in the power of
reason, until we get to Hegel, who believed it was not only desirable but
possible to have knowledge of the Absolute through philosophy. Along with
this confidence it is important to emphasize the theological element of
idealism. Fichte, Schelling, and Hegel were students of theology, and they
tried to clarify the relationship between the finite and the infinite. Their
answers are different, but each of the three cases demonstrates the influence
of their studies in their youths.
As we have indicated, idealism developed in the heart of Romanticism.
However, we could say that the Romantic writers par excellence were
litterateurs rather than philosophers. It is true that Fichte, Schelling, and
Hegel were in agreement with the Romantic artists in many points of view,
but we reiterate that it cannot be said that the idealist philosophy is the
"official" philosophical expression of Romanticism. The importance of the
Infinite, the Absolute, the vision of totality, unity of historical development—
all are certainly characteristics common to the Romantics and the idealists.
In this sense, the philosopher most imbued with the artistic ethos of
Romanticism is Schelling. However, Fichte and Hegel's concepts of nature
do not coincide entirely with Goethe's vitalism. The primacy of privileged
feelings over rational knowledge, and the proposed assimilation of poetry
and philosophy, has little to do with the rationalist attitude that underlies
Fichte's intellectual intuition or Hegel's absolute philosophical knowledge.
Ultimately, we must affirm a spiritual affinity between the Romantic
Movement and German idealism, but at the same time it is necessary to point
out their differences.
The idealist systems of the nineteenth century have no prior parallel in the
history of philosophy, apart from the Scholastic thought of the thirteenth
century. The aspiration to a universal, totalizing, and final vision of the
universe is truly impressive. However, despite idealism's lofty speculation,
it is not free of arbitrariness, ambiguity, and contradictions. The collapse of
idealism as a system that took place after Hegel's death in 1831 showed the
fragility of a philosophical system built on such Promethean efforts.
Nonetheless, the legacy of Hegelian idealism would become an obligatory
reference point for the philosophers who followed him. Moreover, we could
say with certainty that the philosophy of the second half of the nineteenth
century would be developed in a dialogue—sometimes open, sometimes
hidden, at times calm, and at times combative—with idealism.