Copyright
Copyright
§ 1 General Problem
The aim:
§ To introduce in the current and difficult Problem of Copyright!
The ease of copying and the
possibility of reproduction
raise the Question:
Invention Idea
Transforming
Patent Intellectual Property
§ It regulates the reproducion of It regulates the copy of
material works Intellectual works, like music,
§ It must be granted literature and films, computer
programs and paintings
§ It lasts 20 Years than it has to be
It is valid at once
extended
It lasts 70 Years after death of
§ Problem: an intensive patent- the author (Ger)
research. Existing Patents may
not be infringed. independent Development is
possible, so there is no risk of
infringement
What is Copyright?
§ A form of Intellectual Property for a defined period of time.
§ „fixed in tangible form“
Why Copyright?
It secures his holder the exclusive right
§ to produce copies,
§ to sell these copies,
§ to import or export the work.
§ to perform or to display the work public.
§ to create derivate works.
§ to sell these rights to others.
Producers get the control of the distribution (copy of the work) for
extended time-limit.
§ The creator of a new work as well as the public are able to get all the
benefits of the creation of a new original work
§ „public domain“
to lose the control over they copyrighted content. This threatend their
profit.
The first sale will permit their first buyer to redistribute a work for free.
The authorship incentives will be destroyed.
United States Constitution
The Congress shall have the power …
To promote the Progress of Science and useful arts, by
securing for limited Times to Authors and Inventors the
exclusive Rights to their respective Writings and Discoveries.
§ ensure that new knowledge will be developed and circulated through the
society.
According to the Copyright-Lobby and entertainment-industry, the
Copyright should intensified,
§ 1. Right for multiply:
§ Between 8. Sep. 2003 and 6. Mar. 2005 were (at least) 12840 User sued,
about 9231 in the whole USA and 2864 in Europa (168 User in Germany)
Consequence:
§ A new form af property is established: The intellectual Property, and this
with deterrence, fear and propaganda.
The European Union Copyright (EUCD)
§ Directive 2001/29/EC of the European Parliament (May 22, 2001)
§ Controls the right in digital, in the online-area and the copyright definition .
§ Aim: Harmonsation of aspects of copyright and related rights in the information society
§ EU‘s implementation of the 1996 WCT
§ Time-limit for state change-direction 22.12.2002
Critigue:
§ Controversal Directive: most heavily Lobby paper to pass the EP.
§ Generally regarded as a victory for copyright-owning interest over copyright-users
interest.
§ Many important details are not specified.
§ EU member states have significant freedom for certain aspects of implementation
Four of five changes are considered:
§ Right for multiply
§ Right for accessibility
§ Right for technical protection
§ Right for Copyright Management Information
The EU has made various EU directives on copyright law which member
states has to implement.
§ „1. Korb“ was the first draft (infosoc directive) of the German goverment
to implement into German UrhG
§ Since Sep. 29, 2004 the draft for 2.Korb of the UrhG-Reform was
published.
§ BMJ has set a time limit to express the opinion on the draft. End on Nov.
13, 2004.
More than 60 Statements are published
(http://www.urheberrecht.org/topic/Korb-2/)
§ less are recommends the draft, more against.
„action-alliance“:
Goettinger Declaration to Copyright for Education and Research from
July 5, 2004 (http://www.urheberbuendnis.org/)
Annotation: How accessible are Information and knowledge?
§ Will decide on education and Develop-opportunity of every citizen in the
Information-society
§ Legal rules have an effective influence on the question, if in our society
an open and connected Communication- and Information-structure is
possible.
Problem:
§ At the adaption from 2001/29/EU to UrhG are only the rights for the
commercial Industry considered.
§ The Chances of the new electronical medium aren´t for the benefit of the
general public.
„In a digital and connected Information-Society, the access for the world wide
Information should be provided everybody, at every time on every place for
the purpose of education and sciences.“
Example: On-the-Spot-Consultation
§ special electronical Terminals, to whom copyright protected works are
readable.
§ Problem:Terminals are only allowed in Public Libraries, Museum and
Educations.
not allowed for example in libraries of institutes and others smaller
institutions.
§ §52b (UrhG) regulates, that not more copies may be accessable at the
same time than the stock of the Library.
§ Strange: This limitation is not pretended in the EU-directive and the
benefit of the electronical accessibility fails.
§ The Seminar-Copy:
The Museeum has setted up some PC´s for his visitors to show light-
sensitive handpaintings via intranet.
This forbidden,
because §53 is too restrictive, §58: you need a permission of the
copyright holder (VG Bild-Kunst)
(http://www.urhberrechtsbuendnis.de/fall_museum.html)
Digital Copyright
6. Conclusion and an Outlook
§ It exist a „trend“: The stakeholders get together with the U.S Goverment
to negotiate the law.
§ But nobody represents the citizens.
§ Stop the trend to „pay per play“, „pay per view“, „pay per listen“, …
§ Copyright it is not a natural law!! It is worth to fight (raise your voice) for
a copyright that follow the interest all of us! But it will be complicated!
What can we do?
The chief purpose of copyright is to promote learning, and learning would
be frustrating if facts and ideas could not be freely used and reused.
§ Give your vote the www.urheberrechtsbuendnis.de that put it for the
interest of education and research.
§ http://en.wikipedia.org/wiki/copyright
§ http://europa.eu.int/comm/internal_market/copyright/overview/
§ http://www.loc.gov/copyright/title17/
§ http://www.riaa.com
§ http://www.eff.org/IP/DMCA
§ http://www.wipo.org/
§ http://www.urheberrecht.org
§ http://www.urheberrechtsbuendnis.de
§ http://www.attac.de/wissensallmende/basistext/
§ http://www.ieee-security.org/Cipher/BookReviews/2001/
§ http://www.gseis.ucla.edu/howard/Copyright
§ Literature:
Jessica Litman, Digital Copyright, New York 2001, Prometheus Books,
ISBN: 1-57392-889-5,