Spaghetti Western - Manual
Spaghetti Western - Manual
Dear Customer,
Enjoy,
FluffyAudio Team
CONTENTS
1 - INSTRUMENTS LIST 3
2 - INTERFACE 6
KONTAKT INSTRUMENT SETTINGS 6
INSTRUMENT SETTINGS - STANDARD 6
• ARTICULATIONS 7
• MICROPHONES 7
• REVERB 7
• VELOCITY CONTROL 8
• RELEASE VOLUME 8
KEYBOARD 8
INSTRUMENT SETTINGS - STRUM 9
• STRUM 9
• STRUM DESIGNER 10
3 - INSTRUMENTS OVERVIEW 11
ACOUSTIC GUITAR 11
CLASSICAL GUITAR 12
ELECTRIC GUITAR 13
ELECTRIC BARITONE GUITAR 14
ELECTRIC BASS 15
BANJO 16
BLUES HARMONICA - CHROMATIC HARMONICA 16
TRUMPET 17
PICCOLO TRUMPET 17
CORNET 18
RECORDER 18
DRUM KIT - TIMPANI - GLOCKENSPIEL 19
TUBULAR BELLS 19
OCARINA LOW - OCARINA MID - OCARINA HIGH 20
WHISTLE 20
COUNTRY SINGER 21
OPERA SINGER 21
FORTY NINER 22
JEWS HARP 22
ENGLISH HORN 23
OUTLAWS CHOIR 23
VINTAGE STRINGS 24
WESTERN SOUNDS 24
4 - TIPS 25
CREDITS 26
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The best musical ideas happen when you’re having fun!
By following this motto, we developed Spaghetti Western, a unique library inspired by the Sergio Leone trilogy and
the typical soundscapes of the most famous Spaghetti Western movies.
Conceived as a joke over a year ago, we were looking for something particularly fun and easy to play and settled
on this idea. We found it to be an inspiring tool that could strongly drive the hand, the heart and the mind of the
composer. As in the desert, where mirages can drive you far away from the planned destination, you’ll find the
same happens in Spaghetti Western: time flies and you’ll find yourself wandering the Old West, surrounded by
unsavory figures. Not to worry, though; in Spaghetti Western you’ll be equipped with the necessary gear to be the
hero of the story.
We sincerely hope that you have as much fun in this friendly musical battle as we did during the recordings.
1 - INSTRUMENTS LIST
There are 28 different instruments in Spaghetti Western and they are available in the “Instruments” folder:
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Each of them could have different patches with different behaviors:
• ACOUSTIC GUITAR
»» Acoustic Guitar - Strum - MW Dynamics
»» Acoustic Guitar
• BANJO
»» Banjo
• BLUES HARMONICA
»» Blues Harmonica - MW Dynamics
• CHROMATIC HARMONICA
»» Chromatic Harmonica - MW Dynamics
• CLASSICAL GUITAR
»» Classical Guitar - Strum - MW Dynamics
»» Classical Guitar
• CORNET
»» Cornet - MW Dynamics
• COUNTRY SINGER
»» Country Singer - MW Dynamics
• DRUM KIT
»» Drum Kit
• ELECTRIC BASS
»» Electric Bass - MW Dynamics
• ELECTRIC GUITAR
»» Electric Guitar - Tremolo
»» Electric Guitar - No Tremolo
»» Electric Guitar - MW TremoloFreq
»» Electric Guitar - MW TapeGain
»» Electric Guitar - MW Rotator
»» Electric Guitar - MW Distortion
»» Electric Guitar - MW DelayTime
• ENGLISH HORN
»» English Horn - MW Dynamics
• FORTY NINER
»» Forty Niner
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• GLOCKENSPIEL
»» Glockenspiel
• JEWS HARP
»» Jews Harp - MW PhraseSpeed
• OCARINA HIGH
»» Ocarina High - MW Dynamics
• OCARINA LOW
»» Ocarina Low - MW Dynamics
• OCARINA MID
»» Ocarina Mid - MW Dynamics
• OPERA SINGER
»» Opera Singer - MW Dynamics
»» Opera Singer (Fast Legato) - MW Dynamics
• OUTLAWS CHOIR
»» Outlaws Choir Vowels
»» Outlaws Choir Words
• PICCOLO TRUMPET
»» Piccolo Trumpet - MW Dynamics
• RECORDER
»» Recorder - MW Dynamics
• TIMPANI
»» Timpani - MW Dynamics
• TRUMPET
»» Trumpet - MW Dynamics
• TUBULAR BELLS
»» Tubular Bells
• VINTAGE STRINGS
»» Vintage Strings - MW Dynamics
• WESTERN SOUNDS
»» Western Sounds
• WHISTLE
»» Whistle - MW Dynamics
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2 - INTERFACE
This is an example of standard interface of an instrument of Spaghetti Western library. As you can see, most
patches share more or less the same GUI but two, “Acoustic Guitar - Strum” and “Classical Guitar - Strum”, have a
different one. See below for details.
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• ARTICULATIONS
Select an articulation by clicking on it. You can unload an articulation by clicking on the light grey rectangle on its
left.
You can set a keyswitch for an articulation by clicking on the right on the note label. Then press a MIDI note outsi-
de the range of the instrument to set the new keyswitch.
• MICROPHONES
Click on the little spot near the mic name to activate or disable a certain mic position. Drag the dot left or right to
change the amount of volume for each mic position.
• REVERB
With this control it is possible to select a reverb from a list and set its value.
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• VELOCITY CONTROL
Here you can change the velocity curve by moving the three arrows as in the figure below.
• RELEASE VOLUME
This slide is not present in all the instruments of Spaghetti Western and it controls the volume of the release. It is
important because there are specific situations in which you want more or less release.
KEYBOARD
In Spaghetti Western there are two different ways to show the range of the instrument on the Kontakt keyboard
and that depends on different sound groups or on different effects:
»» Standard
»» Special
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INSTRUMENT SETTINGS - STRUM
Acoustic Guitar and Classical Guitar have a patch for the strum with a specific interface.
Just below there are different panels that allow you to make some changes or to control some settings on the
instrument:
»» STRUM
»» STRUM DESIGNER
»» MICROPHONES (same as standard interface)
»» REVERB (same as standard interface)
»» VELOCITY CONTROL (same as standard interface)
Just over the Strum button there is a panel where you can see the chord you played.
• STRUM
The Strum button enables and disables the automatic strumming. When enabled the guitar will strum the chords
according to the voicings played on your keyboard. When disabled you have to manually strum using the two
assigned keyswitches.
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• STRUM DESIGNER
The strum designer allows you to craft the type of strum needed.
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3 - INSTRUMENTS OVERVIEW
Every instrument has its qualities and its behavior, below we will go into them one by one.
Where not specified the articulations work as normal.
ACOUSTIC GUITAR
Lucio de la Pacha
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CLASSICAL GUITAR
12
ELECTRIC GUITAR
13
ELECTRIC BARITONE GUITAR
James McGuitar
14
ELECTRIC BASS
Jack McGuitar
15
BANJO
Adna
16
TRUMPET
PICCOLO TRUMPET
17
CORNET
RECORDER
18
DRUM KIT - TIMPANI - GLOCKENSPIEL
TUBULAR BELLS
19
OCARINA LOW - OCARINA MID - OCARINA HIGH
WHISTLE
Arthur
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COUNTRY SINGER
Leyla
According to rumor, Leyla’s mother was the first cowgirl to fight alongside
her people, dying in a musical battle and leaving Leyla in swaddling
clothes. The village took care of the baby and Leyla grew up to become
a fierce woman, strong and brave; tough and severe. From an early age
she handled guitars and flutes as well as pistols and rifles, dreaming of
fighting great musical battles to avenge her mother’s death.
One night, a distant sound awoke her. After a long ride following a
subdued melody she reached the shore of a shallow river, where, reflected
in the waters, she saw the man who would give her all the sweetness and
love she had never received before. When the man saw her, he suddenly
stopped playing, and in his astonishment the recorder fell into the river.
Promptly, Leyla dove into the river and recovered the precious instrument
in the dangerous waters. From that moment forward Leyla and the man—
John Lute—spent the days together in music and passion.
Leyla disappeared during the Battle of the Broken Bells. Nobody knows
anything about her since then, though her love knows that she’s still alive
and that soon they will be reunited to play again.
OPERA SINGER
She enjoys chatting with Paul P. Harper in the saloon. The three
Trompeta Brothers are all in love with her, and occasionally they
fail their musical battles while they’re trying to impress her by
hitting the high “C” or “E sharp” with their brasses.
- Performed by Jimin Oh -
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FORTY NINER
Scrooge spends his days in his large house on the edge of the
village, alone, whistling, bubbling, screaming or shouting—and
sometimes just imitating the musicians he hates the most.
He rarely goes out, but when he does, he is accompanied by
his only friend, Arthur. There are many tales about him and his
melodies. The children of the village intimidate the little ones
by saying that justlistening to him could lead to trouble and bad
fortune. Some say that the village musicians drove him insane,
while others say that he is league with Lucio de la Pacha.
JEWS HARP
Paul P. Harper
Some have said that the “P” in his middle name stands
for Paul again, because when he plays you can hear two
people playing instead of one.
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ENGLISH HORN
OUTLAWS CHOIR
- Performed by Gruppo Vocale Novecento, Simone Mor, Paolo Ingraito, Olmo Chittò, Matteo Melchiori -
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VINTAGE STRINGS
WESTERN SOUNDS
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4 - TIPS
»» There are 28 instruments in Spaghetti Western, their functionality and their behavior can differ from each
other, so we recommend reading the specifications of each one before using it;
»» The choice of microphones is not homogeneous for each instrument, so you will notice differences
between different “Far” or “Close” of different instruments. This is because unlike other FluffyAudio
libraries we decided to sample these instruments in a recording studio without large spaces, just to be
able to better manage the different microphones set required. So for example “Spot” and “Close” are not
always microphones at different distances but they could be different perspectives of the same sound;
»» We recorded the instruments and their articulations based on how they are used in the music of Ennio
Morricone. We listened to his works in Sergio Leone’s films and get ideas from how they sound in that
context. If some articulations are missing, it is because they are not present in that music. We hope this
choice could be a value added and not a limit to your inspiration!
»» It is always possible to save RAM memory by disabling unused articulations (page 7);
»» As always in the interface we offer you the possibility to use a reverb chosen from a long list offered by
Kontakt (page 7), but for a more accurate result we recommend using an external reverb, on one or more
instruments in a group;
»» Don’t be shy to open Kontakt settings to cutomize the patch settings of the instruments, if you feel
something has to be changed to match the sound in your head go ahead and try, just remember to save in
a different file!
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CREDITS
FluffyAudio is composed by Paolo Ingraito, Olmo Chittò,
Simone Mor, Matteo Melchiori, Gabriela Llerena.
We would also like to thank all our friends and collaborators who helped us in this year-long project: in particular
Matteo Bolpagni, Riccardo Barba, Mattia Chiappa, Mike Marino, David Shaw, Daniel James, Dirk Elhert, Antongiulio
Frulio, Mokke’s Drum, l’Associazione FIlarmonica “Isidoro Capitanio” di Brescia, Beppe Facchetti, Giorgio Finulli,
Simone Grazioli, Matteo Mantovani, Francesca Covelli, Andrea Gentilini, Elvira Coot, Tiziano Reguzzi, Giancarlo
Inmidi.
And finally, thanks to you, the reader, for believing in our instruments and for creating awe-inspiring music with
them.
Sincerely,
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