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490 Music

This document outlines the syllabus for the Ph.D. entrance test in the Department of Music for the 2023-24 session. Section A covers research methodology topics such as defining research, objectives of research, areas of research in Indian music, and importance of sources like manuscripts, films, recordings, and interviews. Section B covers musical subjects including the historical development and contributions to various periods, musical styles and instruments, aesthetics theories, and the contemporary Indian music scene. A list of 20 suggested books on Indian music research is also provided.

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Santosh Malviya
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89 views

490 Music

This document outlines the syllabus for the Ph.D. entrance test in the Department of Music for the 2023-24 session. Section A covers research methodology topics such as defining research, objectives of research, areas of research in Indian music, and importance of sources like manuscripts, films, recordings, and interviews. Section B covers musical subjects including the historical development and contributions to various periods, musical styles and instruments, aesthetics theories, and the contemporary Indian music scene. A list of 20 suggested books on Indian music research is also provided.

Uploaded by

Santosh Malviya
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Department of Music

Syllabus for Ph.D. Entrance Test for Session 2023-24

Section A
(Research Methodology)

1) Research - Its definition and Concept.


2) Objectives of Research.
3) Prominent areas and scopes of Research in Indian Music.
4) Importance of Manuscript, Granths & books in research.
5) Role of different forms of fine arts in the research of music i.e. Sculpture, Frescoes, Paintings,
Literature.
6) Importance of Cinema, Documentary Films, Discs & Tapes, & other recordings in research.
7) Usage & Evaluation of Internet as a source of research .
8) Importance of Compositions and Oral tradition in research of music.
9) Importance of Interview in a research project.
10)Role of Questionnaire in data collection for a research project.
Section B
(Subject)

1) Origin & Development of Scale with particular reference to Shruti- Swara Sthapana ;
Gram Moorchhna Padhiti ; Swar Samvad.
2) Historical development of Music during the following periods.
i) Vedic Period ii) Hindu Period iii) Mughal Period
iv) British Period v) Post- Independence Period

3) Contribution of Punjab in the field of Indian Classical Music.


4) Historical development of the following Gayan & Vadan Styles.
i) Prabandh ii) Dhrupad iii) Dhamar iv) Khayal v) Thumri vi) Tarana
vii) Maseetkhani Gat viii) Razakhani Gat
5) Classification of Indian Musical Instruments.
6) Study of Prominent Gharanas of Hindustani music, their relevance & development in modern
times.
7) Evoluation & development of Notation system, its merits & demerits along with importance in
music education.
8) Comparative Study of Hindustani & Karnatak Styles of music with special reference to Swar , Raag
& Taal systems.
9) Indian and Western theories of Aesthetics with particular study of Rasa- Sidhant.
10) Study of Raag-classification with particular reference to Gram Raag, Dashvidh, Shudh- Chhayalag,
sankiran, Raag Ragini, Mela Raag, Ragaang, Thaat- Raag, Time Theory.
11) Contemporary Indian Music scenario in Global perspective and its prominent figures.
12) Evaluation of the role of media in the propagation of Indian Music.
Suggested books:

i) Bhartiya Sangeet evam Shodh Pravidhi: Monorma Sharma

ii) Sangeet mein Anusandhan ki Samassiyaen: Subhadra Chaudhary

iii) Living Idioms in Hindustani Music: Pandit Amar Nath

vi) Sangeet mein Shodh Pravidhi: Alka Nagpal

v) Research Methods in Indian Music: Najma Parveen Ahmad

vi) Sangeet Bodh - Sharat Chander Shridhar Pranjape.

vi) Punjab Vich Sangeet Kala Da Nikas te Vikas - Dr. Panna Lal Madaan

vii) Punjab Ki Sangeet Parampara - Dr. Geeta Paintal

viii) Sangeet Visharad - Vasant

ix) Sangeet Chintamani - Acharya Kailesh Chander Dev Brahaspati

x) Bhartiya Sangeet Vadya - Dr. Lal Mani Mishra

xi) Hindustani Sangeet Mein Raag Ki Utpatti Evam Vikas : Sunanda Pathak

xii) Bhartiya Sangeet Ka Ithihaas- Dr. Sharat Chander Shridhar Pranjape

xiii) Sangeet Mein Gharano Ki Charcha- Dr. Sharat Chander Shridhar Pranjape.

xiv) Musical Instuemetns of India- B.C. Deva

xv) Bhartiya Sangeet Mein Soundriya Shastar - Dr. Anupam Mahajan

xvi) Sangeet Sidhant Ate Sohaj Shastar- Dr . Darshan Singh Nanda

xvii) Gayan Kal - Dr Yashpal Sharma.

xviii) Nibandh Sangeet - Lakshami Narayan Garg

xix) Tradition of Hindustani music, A sociolical approach - Dr,. Nivedita Uppal

xx) Bharati Sangeet Swar Lipi Padhati - Dr. Devinder K

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