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Daybreak1955 (Chet) Transcription

This document is a musical transcription of the jazz standard "Daybreak" performed by Chet Baker on his 1955 album Chet Baker Sings and Plays. The transcription shows the melody, harmony, and chord progressions played over three verses of the song. Baker performs the song on trumpet with accompaniment from bass and drums. The transcription provides the musical notation to document Baker's jazz interpretation of the classic song.

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Donat-Sélim Schoeps
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© © All Rights Reserved
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86 views2 pages

Daybreak1955 (Chet) Transcription

This document is a musical transcription of the jazz standard "Daybreak" performed by Chet Baker on his 1955 album Chet Baker Sings and Plays. The transcription shows the melody, harmony, and chord progressions played over three verses of the song. Baker performs the song on trumpet with accompaniment from bass and drums. The transcription provides the musical notation to document Baker's jazz interpretation of the classic song.

Uploaded by

Donat-Sélim Schoeps
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Trumpet in B♭

Daybreak
Chet Baker Sings and Plays (1955)

           
                 
3

       
           
3 [Dr.]

            
     
Theme F6 B♭7 FΔ7 D7



                       
G7 C7 B♭6 D♭9 C7

          
          
F6 D-7 Dø7 CΔ7 G♭-7 B7


gliss.

       
D-7 G7 G-7 C7

         

            
      
F6 B♭7 FΔ7 D7


     
                  
G7 C7 B♭6 D♭9 C7

   
           
C-7 F7♭9 B♭6 E♭7

       
   
A-7 D7 G-7 C7 F6

  
            
[Bass]

Transcribed by Kei Yokota 2022.1


Daybreak - 2

 
2


[Vocal]

     
               
Solo

 
D6 G7 DΔ7 B7

       
              
E7 A7 G6 B♭9 A7

 

   
          
D6 B-7 Bø7 AΔ7 E♭-7 A♭7

 
      

     A7    
              
 
B-7 E7 E-7


3

  
                  
D6 G7 DΔ7 B7

  

 G6 
    
             
E7 A7 B♭9 A7

   
3

         
              

A-7 D7♭9 G6 C7

  
3

          
             

3


3

Transcribed by Kei Yokota 2022.1

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