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Igcse Art Coursework 2014

The document provides guidance for students struggling with their IGCSE Art Coursework in 2014. It emphasizes developing strong time management, research, creativity, writing, and feedback seeking skills. While external assistance is common, students should maintain academic integrity. If overwhelmed, students should consult teachers for support to overcome challenges without compromising standards. The learning process is important for developing independent academic skills.

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100% found this document useful (2 votes)
68 views9 pages

Igcse Art Coursework 2014

The document provides guidance for students struggling with their IGCSE Art Coursework in 2014. It emphasizes developing strong time management, research, creativity, writing, and feedback seeking skills. While external assistance is common, students should maintain academic integrity. If overwhelmed, students should consult teachers for support to overcome challenges without compromising standards. The learning process is important for developing independent academic skills.

Uploaded by

afjwduenevzdaa
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Writing coursework can be a challenging task, and I understand that students often face difficulties in

managing time, conducting research, and expressing their thoughts coherently. The IGCSE Art
Coursework in 2014, like any coursework, demands creativity, critical analysis, and a deep
understanding of the subject matter. Students are expected to showcase their artistic skills,
demonstrate knowledge of art history, and articulate their ideas effectively.

However, it's important to note that while seeking assistance is common, it's equally crucial to
maintain academic integrity. Ordering coursework from external sources, such as ⇒
HelpWriting.net ⇔, can be tempting for those facing time constraints or struggling with the
assignment. Nevertheless, it's essential to weigh the ethical considerations of such services.

If you find yourself overwhelmed with your IGCSE Art Coursework in 2014, consider the following:

1. Time Management: Break down the coursework into smaller tasks and create a realistic
timeline. Allocate specific time slots for research, drafting, and revision.
2. Research Skills: Thorough research is crucial for an art coursework. Explore various art
movements, techniques, and relevant artists to enhance the depth and quality of your work.
3. Creativity: Your coursework is an opportunity to showcase your artistic skills and creativity.
Experiment with different styles and mediums to make your work stand out.
4. Feedback: Seek feedback from your peers, teachers, or mentors. Constructive criticism can
help you refine your ideas and improve the overall quality of your coursework.
5. Writing Skills: Art coursework often involves written components. Ensure that your writing
is clear, concise, and well-organized. Practice articulating your thoughts effectively.

If, despite your best efforts, you still find yourself struggling, it's advisable to consult your teachers
or academic advisors for guidance. They can provide valuable insights and support to help you
overcome challenges without compromising academic integrity.

Remember that academic success is not just about the final result but also about the learning process.
Developing the skills to tackle coursework independently is an important aspect of your academic
journey.
If I could improve this page even further I would consider inserting a wider variety of details and
textures. I then used the pictures of the Statue of Liberty and the street in Manhattan to continuously
give the idea of people’s silhouettes in different situations of the day. I found the outcome
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matter so that the folds of cloth take on the appearance of a steep backdrop of hills, with memories
symbolising her past etched and buried in the fabric landscape. I decided to make a larger one and a
smaller one to show movement and a dynamic scene compared to the profile drawing, which looks
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together. Igcse art design coursework examples letto 12 volte. This sketchbook page shows a
collection of personally relevant clothing items (symbolising important memories) in a range of
different black and white mediums such as graphite, charcoal, ink pen, Indian ink and water colour. I
have also included a collage of a section of John Singer Sargent’s Carnation, Lily, Lily, Rose, which
he painted at dusk for a short period of time each day, when the light was just right. On some parts I
used 3D acrylic to create three-dimensional lines and dots. I sewed some of the contours of the face
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sotoollare.blogspot.com Source. Alongside written analysis of his compositions, techniques and
approach to subject matter, Nikau imitates parts of his paintings and draws diagrams of complete
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Update existing review Submit review Cancel It's good to leave some feedback. Please comment
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demonstrates a stunning understanding of composition, coupled with mature, in-depth investigation
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adamkempart 3 years ago Hi Maria. I discovered, virtually past error, the wonderful world of
printmaking and have experimented with linoleum prints and plastic-plate etchings. I think the result
of the page is curious because all the work seems to blend well together and creates a composition
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throughout the whole page in a certain direction. I then decided to overlap the little girl’s photo
printed on acetate over these photos to give an effect of depth and perspective, and I also feel that it
offers a creative contrast between color and black and white. I was shown examples of work of
lower quality, with annotations that achieved a high mark. I didn’t want to grow up; everything
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together with the position of the Statue of Liberty.
The bottom work was completed in timed conditions without teacher input, allowing students to gain
an understanding of the final Art exam conditions. This page started from the drawing on the left,
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position of the Statue of Liberty. Write a review Update existing review Submit review Cancel It's
good to leave some feedback. The A3 response piece of the bunny clock was completed in a formal
assessment and was supported with earlier composition sketches. I so developed the three faces of a
model from a magazine to complete my folio. Aug 11 2020 explore georgia tandy s board gcse art on
pinterest. I believe that the use of colour is one of my strengths in this piece considering I managed
to use many tints and still have a pleasant composition. Easy Love Art Images Drawing Pictures
Easy Love Art Images Pencil. On some parts I used 3D acrylic to create three-dimensional lines and
dots. I then developed the same idea of contours on an Arab adult female wearing a burqa. Whether
its a Windows, Macintosh, iOs or Android operating-system, you'll be in a position to download
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effect was messy and not what I imagined before doing my batik. One of the elements that was hard
to describe and paint was the daughter on the steps, because I wanted to go along her minimal (so
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is torn on the tiptop-left corner of the sheet): Grayson Perry and Roy Lichtenstein. I started looking
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techniques and approach to subject matter, Nikau imitates parts of his paintings and draws diagrams
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my piece is the utilise of color and the combination of mediums on the page. The cambridge igcse art
design syllabus aims to encourage a personal response by stimulating imagination sensitivity
conceptual thinking powers. Be it a Windows, Mac pc, iOs or Google android operating-system,
you'll be able to download images utilizing the download button. I started etching the figure of the
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pleased with the result considering the lines were very defined and made a clear picture. We ve got
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controlled, skilful application of paint, this work is an excellent conclusion to her project, showing a
highly personal response to the her theme. Coursework preparation folio iv (front): Etchings Woman
(this page has a fold-out panel as shown) I started developing this page past looking at a photo of a
model with a butterfly on her mouth and some lithographs by Barnett Newman, especially Untitled
(The Weep), that I decided to really include on my page to show my starting point and the influences
I have had to make this projection come to life. As I felt more confident, I decided to print on many
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For the last of the three women wearing the burqa I decided to sew some of the contours using
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looked frequently for example boards online to no avail, including looking on the Edexcel website,
but I found the example work out dated and not in line with the needs of ESL students. I then used
the photocopy that I colored by accident with fabric ink to cover the mistake and I find the effect
interesting and creative. I feel that this gives a unique effect to the page because it shows that the
same image can be replicated successfully onto other materials. Managing time, allotting definite
submission deadlines for self, enough practice will eventually break the mental blockage of Art
submission being tedious and stressful. These were quite easy to make but I found the technique very
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fabric landscape. Also, the line suddenly striking through the first impress creates a very strong and
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that has impact and provides students with the challenge of applying tone in the opposite way to
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quite complex to put together, because I had many ideas and themes I wanted to include and I had
to work out which ones could be combined together effectively to create a pleasing composition. I
have found it very difficult in the past to find exemplar boards for the igcse art course. Agnes gained
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etching plate on the page overlapping it with a print to show where all of this started from, and also
to introduce again this theme of transparencies that I have developed in this and other pages. I have
therefore put together a pdf document of exemplar work from my current cohort of year 11 igcse
students who completed a project focussed on the theme. I decided to make a larger one and a
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from and I wanted to adapt them harmonically on the infinite available. This piece of piece of work
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for the techniques. Whether its a Windows, Mac, iOs or Android operating-system, you'll be able to
download images utilizing the download button. If I could improve this slice of work I would
attempt to create some more than interesting furnishings with the batik on the big piece of cloth, so
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Crowds expression concealment paper moments in time moving images rhythm. Acrylics unleashed
other suggested resources resources have not been through the cambridge quality assurance process
but have been found to provide useful support for the. To complete this page I used a plastic sheet,
an etching tool, screen printing ink, an etching press, heavyweight rough paper, and prints of the
original photo, photocopier, and glue sticks and hot glue. To develop this page I used a plastic
canvas, an etching tool, screen printing ink, an etching press, heavyweight crude paper, textured
materials, watercolors, a print of the original photo, glue sticks and hot mucilage. To develop the
composition on the page I used many materials: cotton fiber, Image Maker, tracing paper,
photocopies, acetate, magazine pages, sewing cotton and a needle, acrylic paint, fine brushes, a black
calligraphy pen, 6B and 2B pencils for the contours on tracing paper and felt tip pens. I applied the
photocopy of the silhouette on the fabric with Prototype Maker and and then did a mirror image
with batik wax. Silkscreen printing ink etching on paper, acrylic, watercolors, postage, wax crayons
Third in sequence, Polke Dots in Wonderland, aims to establish a rather straight connexion with
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drawings, equally sometimes the direction of the light source isn't clear. Afterwards I created the lino
prints, I worked on 1 of them with pieces of collage paper, to see how this would bear upon the
impress.
I sewed some of the contours of the face on one as I did for the Arab woman and then I created a
negative image of the sewing on the one at the top by coloring with felt tip pens the spaces created
by the threads I sewed. I feel that this gives a unique effect to the page because it shows that the
same image can be replicated successfully onto other materials. I applied the photocopy of the
silhouette on the fabric with Prototype Maker and and then did a mirror image with batik wax. The
last 'big' slice of work I created for this page was a pencil cartoon from direct observation of the
Tolomeo lamp of the famous Italian designer Artemide. Near the image maker on the bottom left,
there is a detail of the original collage cut up and sewed back together with colored thread. I also
included on the folio some pieces torn out from a photo of the lithograph Untitled (The Weep) by
Barnett Newman, in order to show where I got my inspiration. In such webpage, we also have
number of images out there. Along with photocopies of Jim Dine’s work (printed directly onto the
sketchbook page) Nikau completes outstanding imitations of his technique, using Indian ink, charcoal
and acrylic paint. This work took a actually long time to consummate because I had never sewn
earlier. If you would like to share your own art project (or that of your students), please read our
submission guidelines. I didn’t want to grow up; everything moves so fast, too fast to catch all the
little details, which is why childhood, time and freedom were key themes in my work. The right part
does not continue the scene on the left and this choice is intentional, because I wanted to overlap
images and create a study of the same place seen by two different perspectives. I decided to overlap
some etchings onto some photocopies of the original image using a photocopier. I saw some
lithographs by Barnett Newman at the Pollock and the Irascibles Exhibition in Milan and they
interested me particularly. I then painted the hands on the felt with glossy black acrylic, because I
thought it looked a lot like the texture of Hume’s original painting. Coursework preparation page 2
(front): Gary Hume This page has been quite complex to put together, because I had many ideas and
themes I wanted to include and I had to work out which ones could be combined together
effectively to create a pleasing composition. I decided to use various colours such every bit reddish,
green, yellow, blue and black, because I felt that mixing more than colors on the same print gave an
idea of three-dimensions and perspective. Olivia specialised in Painting and Related Media and was
awarded 99%; the highest result in Spain (October 2014). I and so decided to overlap the little
girl'south photograph printed on acetate over these photos to give an effect of depth and perspective,
and I besides feel that information technology offers a creative dissimilarity between colour and
black and white. The big piece of fabric on the left is a combination of a photocopy and a batik
piece, on which I used Epitome Maker for the outset fourth dimension. After I created the lino prints,
I worked on one of them with pieces of collage paper, to see how this would affect the print. The
bottom etching instead has fabrics photocopied onto it, creating an appealing effect of
transparencies. To make the composition more pleasing, I also used an odd number of elements (7) on
my page. I found the outcome interesting, so I decided to include this in my page. In such webpage,
we additionally provide number of images out there. I looked at ii artists to complete this projection,
and I have included photos of their work on the page to show a direct comparing (Perry is on the
bottom-right corner, while Lichtenstein is torn on the tiptop-left corner of the sheet): Grayson Perry
and Roy Lichtenstein. I have included a montage of the same photos I created on my computer
where I compared the movement of the girl's arm together with the position of the Statue of Liberty.
It is worth noting that Nikau has been particularly sensitive with her colour choices, using only
muted, earthy colours that complement her theme well. If you re looking for Igcse Art Coursework
Examples you've come to the right place. For this folio I take used: graphite pencils (2B, 4B, 5B, 6B,
7B, 8B, 9B), watercolor graphite, putty rubber, watercolors, calligraphy pen, white chalk, charcoal,
photography film, acetate, tracing newspaper, newspaper, acrylic paints, glue stick and PVA glue to
combine all the elements on the folio.
I looked frequently for example boards online to no avail including looking on the edexcel website
but i found the example work out dated and not in line with the needs of esl students. If you would
like to share your own art project (or that of your students), please read our submission guidelines.
The cambridge igcse art design syllabus aims to encourage a personal response by stimulating
imagination sensitivity conceptual thinking powers. A strength of this page is the use of colour and
texture that create a unique collage of patterns and all the effort and creativity I have put into it, as it
took me a lot of fourth dimension to develop all the pieces on the page. In such webpage, we
additionally provide number of images out there. Strengths of the submission include a high level of
skill in recording and observation, sincere personal reflections and evaluation as evidenced by the
written notes and a great use of a variety of materials, media and process in the submission as Agnes
developed towards her final piece. Our customer service team will review your report and will be in
touch. ?0.00 5.00 3 reviews Download Save for later ?0.00 5.00 3 reviews Download Save for later
Last updated 19 February 2019 Share this Share through email Share through twitter Share through
linkedin Share through facebook Share through pinterest adamkempart 4.40 43 reviews Not the right
resource. I of the primary strengths I can identify in this piece is the use of unlike materials and the
experimentation with new techniques, such as sewing and wire cartoon. Meanwhile, the batik on the
right is done with the standard batik technique and then I colored the fabric with batik dye. Near the
image maker on the bottom left, there is a detail of the original collage cut up and sewed back
together with colored thread. Bringing together subjects which expresses a personal response to the
theme Secrets, Treasures and Memories (focusing particularly on her cultural heritage) Nikau
combines Maori carvings, greenstone necklaces, family jewellery and poi in folds of cloth. The
cambridge igcse art design syllabus aims to encourage a personal response by stimulating
imagination sensitivity conceptual thinking powers of observation and analytical ability. I decided to
make a series of etchings for my IGCSE final outcome piece, and I am very proud of the result I
have achieved. Agnes also successfully combined objects and skills from much earlier in the
submission to bring a strong sense of cohesion and purpose to her whole submission. One of the
elements that was hard to draw and paint was the girl on the steps, because I wanted to keep her
minimal (so she didn’t affect the scene of the door) and because I didn’t know how to make her look
three dimensional. If I could improve this folio I would try and use more than types of surfaces to
print on and as well unlike colors of ink, in lodge to achieve a furthermore interesting effect. I looked
frequently for example boards online to no avail including looking on the edexcel website but i found
the example work out dated and not in line with the needs of esl students. I then decided to place it
on my page and extend it with another drawing from direct observation. Agnes chose Wayne
Thiebaud and his use of thick paint and rich colour provided a great contrast to the previous work of
Jim Dine. To make the composition more pleasing, I also used an odd number of elements (7) on my
page. The bottom etching instead has fabrics photocopied onto it, creating an appealing effect of
transparencies. It is in this page in tarika s igcse art portfolio that her exceptional skill really becomes
evident. See other similar resources ?0.00 5.00 3 reviews Download Save for later Not quite what
you were looking for. Along with photocopies of Jim Dine’s work (printed directly onto the
sketchbook page) Nikau completes outstanding imitations of his technique, using Indian ink, charcoal
and acrylic paint. This piece was heavily inspired and influenced by one of my favourite artworks by
Ciaee Ching. If I could meliorate this page even further I would consider inserting a wider
multifariousness of details and textures. This book has high-resolution images so that fine details and
annotation are clear, making it an excellent resource for students and schools. This work was
completed over Year 10 and the first term of Year 11 and comprised of 4 x A2 sheets (8 sides) of
supporting work plus a final piece. IGCSE Last Outcome Etchings As Sigmar Polke said: There has
to exist an element of risk-taking for me in my work. I decided to use various colours such every bit
reddish, green, yellow, blue and black, because I felt that mixing more than colors on the same print
gave an idea of three-dimensions and perspective.
I made the ii silhouettes on the bottom with colored wire, tissue paper and PVA glue. This piece was
heavily inspired and influenced by one of my favourite artworks by Ciaee Ching. I call back a
strength of my piece is the utilise of color and the combination of mediums on the page. I sewed
some of the contours of the face on one as I did for the Arab woman and then I created a negative
image of the sewing on the one at the top by coloring with felt tip pens the spaces created by the
threads I sewed. I of the primary strengths I can identify in this piece is the use of unlike materials
and the experimentation with new techniques, such as sewing and wire cartoon. I added on the
smaller daughter a clothes made out of paper and, to replicate the effect of the fabric folding around
her trunk, I glued a newspaper by folding it in specific points and layering on top a fine wash of
turquoise watercolor. Time also plays a key part in many of my pieces, including the idea that
although it flies by so quickly, there are still many time-stopping moments. Silkscreen press ink
etching on newspaper, fabrics, magazine cutouts, wax crayons, photocopies I decided to suit my
etchings in pairs. If I could improve this piece of work I would try to create some more interesting
effects with the batik on the big piece of fabric, so that the colors would look more precise and
intentional. There is a lot of work behind the scenes of this page, in which Agnes developed this
balanced composition through photography. I then developed the same idea of contours on an Arab
adult female wearing a burqa. To develop this page I used a plastic sheet, an etching tool, screen
printing ink, an etching press, heavyweight rough paper, textured materials, watercolors, a print of
the original photo, glue sticks and hot glue. We have 30 images about igcse art and design
coursework adding pictures, photos, pictures, wallpapers, and more. I found the outcome interesting,
so I decided to include this in my page. Agnes chose Wayne Thiebaud and his use of thick paint and
rich colour provided a great contrast to the previous work of Jim Dine. Here Nikau cleverly
rearranges her subject matter so that the folds of cloth take on the appearance of a steep backdrop of
hills, with memories symbolising her past etched and buried in the fabric landscape. If you would like
to share your own art project (or that of your students), please read our submission guidelines. The
big piece of fabric on the left is a combination of a photocopy and a batik piece, on which I used
Epitome Maker for the outset fourth dimension. A collection of gcse igcse and a level art exam topic
interpretations and ideas to help students prepare for their 2013 art exams. Women in art. Crowds
expression concealment paper moments in time moving images rhythm. It is in this page in tarika s
igcse art portfolio that her exceptional skill really becomes evident. This sketchbook page shows a
collection of personally relevant clothing items (symbolising important memories) in a range of
different black and white mediums such as graphite, charcoal, ink pen, Indian ink and water colour.
The bottom work was completed in timed conditions without teacher input, allowing students to gain
an understanding of the final Art exam conditions. If you re looking for Igcse Art And Design
Coursework you've arrived at the right place. One of the elements that was hard to describe and
paint was the daughter on the steps, because I wanted to go along her minimal (so she didn't affect
the scene of the door) and considering I didn't know how to brand her look iii dimensional. For my
IGCSE final consequence I decided to produce a series of etchings to emphasize and highlight once
again two master aspects that I take considered throughout my Coursework portfolio: repetition
(every bit my intention was always to produce pieces that were either related or worked into in
different ways) and experimentation (as I tried to combine many techniques and I followed a 'trial
and fault' process to complete my etchings). One of the strengths I can see in this piece is the
interesting mix of different materials, such as different papers, fabric and linoleum. This work took a
really long time to complete because I had never sewn before. I first did the rightmost drawing with
calligraphy pen on tracing paper and I then photocopied it and colored it using red felt tip pens, as in
the original image I found the garment was of a bright scarlet red. Art design igcse. Top in malaysia
for art design igcse 0400 for three years in a row. We have 30 graphics about igcse art and design
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trip to inspire and are students develop. I then used the photocopy that I colored by accident with
fabric ink to cover the mistake and I find the effect interesting and creative. I then colored the
etchings with watercolors both on fabric and paper. I starting time did the rightmost drawing with
calligraphy pen on tracing paper and I then photocopied it and colored it using reddish felt tip pens,
as in the original image I found the garment was of a bright scarlet red. Time also plays a key part in
many of my pieces, including the idea that although it flies by so quickly, there are still many time-
stopping moments. I then developed the three faces of a model from a magazine to complete my
page. If you would like to share your own art project (or that of your students), please read our
submission guidelines. If you re looking for Igcse Art And Design Coursework Examples you've
come to the perfect place. It gives a completely different feel and finish to pencil and I found it lot
faster to work with. If you are teacher or student of the cie art and design curriculum cambridge
igcse 0400 and a level 9704 these articles are for you. I believe the watercolor is perfect for the wall
because it creates an interesting texture that almost looks like a brittle and old wall. I then painted
the hands on the felt with glossy black acrylic, because I thought it looked a lot like the texture of
Hume’s original painting. Save Image Pauline Verges Igcse Art Coursework 2014 Verdala
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Art Design Read advice and guidance from experienced teachers about the controlled tests
coursework projects and the a2 art personal study. Enrico’s project is a very interesting example:
although it draws upon first-hand observation, it does not have have a large emphasis upon realism. I
decided to make a larger one and a smaller one to show movement and a dynamic scene compared
to the profile drawing, which looks quite static. I used silhouettes of different people and
experimented with them, blending them together to create an interesting and investigative effect.
Mar 8 2017 explore sjiim s board igcse coursework examples on pinterest. See more ideas about gcse
art sketchbook sketch book art sketchbook. The contours of the landscape remind me of the creases
of wearable that I accept been looking at with the photo that portrays the woman in a burqa. Nearly
the image maker on the bottom left, in that location is a detail of the original collage cut up and
sewed back together with colored thread. I used details from the collages mentioned, fabric,
paradigm maker, photocopies, needle and colored thread, copper embossing foil, a biro pen, zippers,
fibre mesh, watercolors, acrylics, hot mucilage, PVA gum and a mucilage stick. I have a question, are
you not required to have any writing at all on the boards. Part time programmes available all year
around enroling now full time programmes start december to january and september to october
exceptions may apply. At the beginning I was not pleased with the effect, because I expected the
lines of the face to be more defined, whereas on the majority of the prints they were quite abstract. I
think the page is fabricated upwardly by a 'series of mistakes' and that I accept used the work in a
artistic and innovative style because I composite pieces that I thought would have never looked good
together. Complete igcse art and design past papers the cambridge igcse art design syllabus aims to
encourage a personal response by stimulating imagination sensitivity conceptual thinking powers of
observation and analytical ability. Agnes supported observational class work with photos to further
develop these studies in her own time. To improve this page I would make the details more accurate
and I would focus more on the shadows and highlights. I hope this is helpful for anyone who faced
the same challenge as me. The acrylic ornamentation is interesting because it stands out on the folio
and makes it more expressive and center-communicable.

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