Scribd
Upload
144 views11 pages

Michele McLaughlin - A Beautiful Distraction

The document is a musical score for a piano solo piece titled 'A Beautiful Distraction'. It contains notation for the piano part as well as synthesized sounds. The score includes the time signature, key signatures, dynamics, and other musical notation over its multiple pages.

Uploaded by

Hernandes Perosa
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
144 views11 pages

Michele McLaughlin - A Beautiful Distraction

The document is a musical score for a piano solo piece titled 'A Beautiful Distraction'. It contains notation for the piano part as well as synthesized sounds. The score includes the time signature, key signatures, dynamics, and other musical notation over its multiple pages.

Uploaded by

Hernandes Perosa
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 11

A Beautiful Distraction Arranged and Adapted

for MuseScore
Piano solo by Frank Gregorio
w Reverb & Synth
Composed by Michele McLaughlin

 = 108
      


     

   
Piano Calmato poco Rubato - dynamics and tempo
 
   
   
Piu 

   
 
   


Piu 
Warm Synthesizer

 
   
   
   

5
      Am


  
                           
Pno. Piu 
    
  
  


    
Am
     




Synth. 

    
  
  
    

© - 2013 - Michele McLaughlin - All rights reserved


2

    
10 Am F F C C


          
    
Pno.
  
    
      
    

    
F C

          


    
Synth.
  
    
    
      
    
 = 90
  
15 E E7 Am F

    


   
                   
Pno. Piu 
 
Rit. Lento
       
   

   
E E7 Am F

         


 
Synth.

         
   
   

© - 2013 - Michele McLaughlin - All rights reserved


3


C G Dm G
 
19

  


      
                
      
Pno.  Piu  
        
       

  
C G Dm G

  


   
Synth.

        
      
 
  

C F Dm F

23

  


                   
Pno.
     
Piu 
         
        

   
C F Dm F

  


   
Synth.

       
      
 
   

© - 2013 - Michele McLaughlin - All rights reserved


4  = 80  = 88
 F
         
27 C G Am


         
      
 Piu 
Poco Rit.   
Pno.

     Lento
 
       

 Piu 
   
C G Am F

  


  
  
 

   
Synth.

      

       
 Piu 
   
 = 80  = 88
 
C G Am F
 
31

   


     
     
Pno. Piu 
         
Poco Rit.

     

   
C G Am F

  


  
  
Synth.

          
    

   

© - 2013 - Michele McLaughlin - All rights reserved


 = 102 5
 = 80
35 C

G Am
   F  
     
    


     
Pno.
  Accel.
   
Poco Rit.
     
      
   
C G Am F

  


    
Synth.

         
      
   

C
  
G
 
Dm
     G
                   


    
39



Pno.

         
     
   
C G Dm G

  


   

Synth.

      
  
     
   

© - 2013 - Michele McLaughlin - All rights reserved


6

       
C F Dm F
     
43

           


     


Pno.

      
     
    
   
C F Dm F

  


 
  

Synth.

       
  
    


   

        
C G
 Am      
F

47

     


  

Piu 
  
Pno.

 
       

 
   
C G Am F

  


  
  
  
Synth.

       
   
   

© - 2013 - Michele McLaughlin - All rights reserved


7

          
51 C G Am F

  


    
     
 
Pno.

  
          
  
  
   
C G Am F

  


    
  
Synth.

     
      

   

   
C G Dm G

55


                      
      
Pno. 
           
      

   
C G Dm G

  


   
Synth.

         
      

   

© - 2013 - Michele McLaughlin - All rights reserved


8
C F Dm F

59

    


                    
Pno.
     
           
        

   
C F Dm F

  


   
Synth.

         
  
    


   

63 C G Am F

                 


         
  

Pno. 
           

       

   
C G Am F

  


    
 
Synth.

  
        
     
   

© - 2013 - Michele McLaughlin - All rights reserved


 = 95  = 108 9
C G
Am

Am

F

    
67


  
   
    
Piu 

Pno.

      
Rit.
 
   
 


    
C G Am Am F

       


  
   

Synth.

        
   
 


    

F   E E 
72 C C


  
        
  
Pno.

    
    
 
    
F C C E E

            



Synth.

    
    

    

© - 2013 - Michele McLaughlin - All rights reserved


10  = 130
 
    
   
    
 
Am F C
       
Am F C
  
77

   



Pno.

Moto
 Accel.
 
     
        

     
Am Am F F C C

            


     
Synth.

 
       
        

     

 

G
   
        
83 G Am Am F F

Pno.

 


















G Am F

            


    
Synth.


     
     
     

© - 2013 - Michele McLaughlin - All rights reserved


 = 80 11
 = 105  = 100  = 90  = 70
  
G
 C C
 
    
89 G
 
G

G

   


  
 
Pno. Poco Rit.
  
Deaccel.

   
     

     
C C G G G G

            


   
Synth.

  
     

   
     
 = 60
 
C C

 
95

 


 
Pno.

 



C C


  


Synth.

 


© - 2013 - Michele McLaughlin - All rights reserved

You might also like

pFad - Phonifier reborn

Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


Alternative Proxies:

Alternative Proxy

pFad Proxy

pFad v3 Proxy

pFad v4 Proxy