Wrap Yourself in Warmth—Wool Cape Sewalong

UPCYCLED SKI
SWEATER AND BLUE
DIAMOND DUFFLE
by Denise Alonso

The Trusted Sewing Source WINTER 2024

Bundlefor Up
Winter
6 Projects to Keep You
Cozy as the Temps Drop

Hit The Slopes

In a Custom Sweatshirt

Sustainable Sources
Explore Creative Reuse
Stores Around the Country

sewdaily.com

Feel the Heat

DIY HAND WARMERS
TO FIGHT THE CHILL
Books for Sewists of All Levels
Gift or keep this holiday season

Made to Measure Singer: The Complete Photo Sewing Machine Magic

An Easy Guide to Drafting and Guide to Sewing, 3rd Edition Make the Most of Your Machine
Sewing a Custom Wardrobe - by Nancy Langdon by Steffani Lincecum
16 Pattern-Free Projects
by Elisalex Jewell

Customize Your Cross-Stitch: Creative Embroidery Satisfying Stitches

Friends and Family and Beyond Learn Simple Embroidery
Learn to customize, prepare, Inspiration, tips, techniques, Techniques and Embrace the
stitch, and finish your very own and projects from three Joys of Stitching by Hand
personalized cross-stitch professional artists by Hope Brasfield
creations by Jenny Billingham, Sophie
by Lizzy Dabczynski-Bean, Timms, Theresa Wensing
The Team at Stitch People
quarto.com

Save 30% on these and more sewing and embroidery titles at quarto.com!
Enter code SN1023 at checkout now through December 31, 2023.

Available wherever fine books are sold, including Amazon, Barnes & Noble,
Bookshop, Books-a-Million, and your local independent bookstore.
 16 FROM FASHION SCHOOL Meet Nina 64 BLUE DIAMOND DUFFLE This whimsical
Chen, a passionate and determined fashion design yet practical bag is the perfect companion for your
CONTENTS student at Syracuse University. weekend getaways, keeping you organized and
adding a touch of wintery magic to your travel
22 WINTER FABRICS Whether you’re a seasoned adventures.
sewing pro or a novice looking to embark on a
winter sewing adventure, we’ve got you covered 69 FESTIVE GLITTER CLUTCH Shine brighter
with the finest selection of fabrics and tips to keep than the star on top of the tree with a dazzling new
you warm and stylish. glitter vinyl clutch!

25 SEW SCRAPPY: WINTER WARMERS 72 TOASTY THROW Get ready for the perfect
Stitch up these practical fleece scrap-busting hand winter afternoon with this cozy wearable blanket
warmers and keep your hands toasty during the sure to keep you warm all winter.
frosty winter months.
75 APRÈS SKI PILLOW Elevate the wintertime
31 DIGITAL EXCLUSIVE: CRESTED BUTTE ambiance of your home by incorporating a cozy
WINTER WOOL CAPE Get ready to embrace touch with an upcycled sweater pillow adorned
the cold with grace and flair—let the Winter Wool with couched wintery words.
Cape be your go-to choice for all your winter
adventures!

38 TAILORING The art of sewing is a diverse

one. Instead of creating garments, Michele
69
Matsumoto alters clothing to make the wearer
more comfortable and confident.

43 BUFFALO CHECK HOODIE Turn your basic

sweatshirt into a fashion-forward powerhouse by
adding a full front zipper—now it’s not just cozy, it’s
also versatile and effortlessly chic.

46 UPCYCLED SKI SWEATER Gear up for the

slopes in style with a custom-made sweatshirt,
crafted by upcycling not one, but two oversized
sweatshirts!

49 SOIRÉE CHEMISE Elevate your winter party

attire by creating the perfect slip dress, where
luxurious fabrics and a tailored fit harmonize for an
exquisite and cozy ensemble.

53 KIMBERLY’S SEWING SPACE Check out

Kimberly’s sewing studio, where she stitches up her
handmade garments.

56 SEW DAILY TOP 20 Introducing the Sew

Daily Top 20 Honorees: twenty inspiring leaders
from the sewing industry.

61 SEWSTAINABLE: BACK COUNTRY SKIRT

Transform a thrifted or used sleeping bag into a
fashionable and versatile outdoor activity skirt.

WINTER 2024
64
ISSUE 392

2 W W W . S E W D A I L Y. C O M WINTER 2024
 www.sewdaily.com
sewnews@goldenpeakmedia.com
72 61
EDITORIAL
Editor in Chief Meg Healy
Digital Editor Kathleen Cubley
Content Creator Sadie Metter
Editorial Coordinator Kimberly Payne
Technical Editor Kimberly Payne

ART
Group Art Director Kerry Jackson
Graphic Designer Meredith Steele
Photography Brien Hallowell
Stylist Briana McDivitt-Smith
Hair and Makeup Beauty on Location Studio
Illustrator Kimberly Payne

MARKETING & ADVERTISING

Marketing Manager Riane Menardi Morrison
Ad Trafficker Kay Sanders
Account Executives Lisa Buelow
Kiley Jo Stevensen

Chief Executive Officer

Chief Content Officer
Jeffrey Litvack
Kate Lee Butler
46
Chief Integration Officer Nicole Woods
Chief Marketing Officer Kimberly Greenlee
Chief Sales Officer Farrell McManus
VP, Strategy Andrew Flowers
Newsstand Sales Ron Murray, NPS Media Group
rmurray@npsmediagroup.com

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TO ORDER BACK ISSUES: Go to www.sewdaily.com. COLUMNS IN EVERY ISSUE
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U.S. and Canada. 13 MEET THE MAKER: Monica Tetteh 5 Editor’s Letter
RETAILERS: If you are interested in carrying this magazine in
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Sew News Winter 2024
Copyright ©2023 by Peak Media Properties, LLC. All rights reserved. Nothing
78 Get the Look: Sweater Weather
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PRINTED IN THE USA

W W W . S E W D A I L Y. C O M 3
GET SEWCIAL
1 THREADS
Ignore the pun that may or may not be intentional, but
Threads—the newest social media platform—is a
great channel to kick-start a sewing account or help
grow your brand. Whereas Instagram is a visual
medium that may be preferable for artists, Threads
offers pictures and videos alongside text-based
communication. And its sister app, Instagram, can help
already established sewing accounts and influencers
create a deeper connection with their followers.

2 MAKE NINE CHALLENGE

In 2015, Ro of Home Row Handcraft created the “Make Nine”
sewing challenge. Eight years later, the challenge is still
popular. It lets sewists plan out projects and holds them
accountable. The challenge is simple: Determine nine projects
you want to complete in a year. As you go through the
months, share your work on social media and see what others
are up to. It’s a great way to find creative inspiration and learn
about other sewists in the wonderful sewing community as
well as kick start your new year’s sewing projects. Here, to
Make Nine 2024!

MAKERPLACE BY MICHAELS
3 Are you looking for an alternative to the usual
online creative marketplaces, either as a shopper
or a creator? Earlier this year, Michaels, the arts
and crafts superstore, launched MakerPlace. Sell
your handmade items online, teach a live online
class, or create how-tos and earn affiliate pay by
sharing links to the supplies others would need
to create their own handmade treasures.

WORTH A FOLLOW
4 @sew_through_time on Instagram is historical garment
eye candy! Whether you are interested in historical
costumes or just love an inspiring feed, check out the
frocks that Maria shares. Her photos are gorgeous and the
garments each are a masterpiece.

4 W W W . S E W D A I L Y. C O M WINTER 2024
EDITOR
DEAR READERS AND SEWING ENTHUSIASTS,
This winter issue is packed with projects using unique fabrics,
thrifty refashions, and lots of chilly weather creativity. Whether
you are heading out for a weekend on the snowy slopes,
enjoying a little après ski beverage on a sunny patio, or
snuggling up on the couch, we have just the right projects
lined up.

We are focusing on ways to add extra warmth, working with

unique fabrics such as fleece, wool, sweater knits, and other
warm textiles in new and innovative ways.

Here are a few highlights in this issue—but you’ll want to spend

time reading it cover to cover!

• Create a one-of-a-kind sweater by upcycling two oversized

sweatshirts (page 46).

• Snuggle up with a wearable blanket to keep you extra

cozy (page 72) and a couched sweater pillow made from an
upcycled sweater (page 75).

• Get more mileage from an old sleeping bag by hacking it

into a skirt (page 61).

• Make a roomy puffer-style duffle bag for a winter weekend

getaway (page 64).

• Get dressed up with a silky slip dress perfect for date night
(page 49) and a festive glittery clutch (page 69).

• And be sure to join us for the Crested Butte Winter Wool

Cape sew-along: the perfect wool outer layer for this winter.
More details on page 31.
SEW DAILY
NETWORK ON Beyond patterns you will love to sew, we also have inspiring
YOUTUBE! stories in this issue. Grab a cup of your favorite warm beverage
and read Meet the Maker (page 13) to learn more about the
Join us on YouTube for sewing super-creative Monica Tetteh of That’s Sew Monica. Discover
how-tos, inspiration, trends, and a self-taught sewist by the name of Daine Coppola, who saves
more. There’s a new sewing money by altering his own clothes in our People Who Sew
video every week. (page 20). Learn what a great resource creative reuse shops
can be in The Common Thread (page 34). Our Business
Spotlight features the creative maker Jesi Josten of Hip Violet,
COMING UP who sews for all the babies in our lives. In Fashion School, we
introduce you to a fashion student and share their journey.
JUMP INTO SPRING SEWING WITH
THE SEW NEWS SPRING 2024 ISSUE, Get ready for winter season sewing, inspiration, creativity, and
ON NEWSSTANDS FEBRUARY 2024. expert instructions in this issue of Sew News.
YOU CAN EXPECT TRENDY SHEER
Happy Stitching,
SILHOUETTES, HOME DÉCOR IDEAS
TO REFRESH YOUR RESIDENCE, AND Meg Healy
SPORTY SPRING PROJECTS. and the SEW NEWS team

W W W . S E W D A I L Y. C O M 5
READER TIPS
for winter sewing!
NAPKIN RING HACK TAKE CARE OF YOUR EYES AND POSTURE
I got some marble napkin rings from a thrift store and Sewing can be a time-consuming activity, so it’s
made pattern weights by sewing little sleeves for the important to take care of yourself. Ensure proper
rings. They work like a charm! lighting to reduce eye strain, and maintain good
Karen R. posture to avoid discomfort or injury while sewing.
Anonymous

MASTER THE ART OF PRESSING

Pressing is not the same as ironing. Invest in a good
steam iron and press your seams at every stage of SURGICAL HEMOSTATS
the sewing process. This will result in crisper, more Also known as hemostatic forceps, these clamp-
professional-looking garments. Pay special attention to like tools are excellent for turning small fabric
pressing darts, pleats, and seam allowances, as they play pieces right side out or holding small items
a crucial role in the final appearance of your creation. steady while you sew.
Jenny N. Kim K.

GOT A TIP?
DM US ON SOCIAL MEDIA,
OR EMAIL US AT SEWNEWS@
GOLDENPEAKMEDIA.COM
WITH ALL YOUR TIPS, AND YOU
COULD BE FEATURED IN AN
UPCOMING ISSUE!

6 W W W . S E W D A I L Y. C O M WINTER 2024
STAFF PICKS
1
1. Take your sewing projects to the next level
and create your own custom printed fabric.
The revolutionary new Brother PrintModa
Studio Fabric Printer prints custom designs,
personalized patterns, and templates in
vibrant color on fabric and will transform
your crafting and sewing experience. The
PrintModa Studio Fabric Printer is for the
sewist who seeks creative outlets for self-
expression. Combine it with the highly
innovative Artspira app for truly custom
creative tools. www.brother-usa.com

2. Jenerates Seam Circles—Created by Jen Hogg,

a semifinalist of The Great British Sewing Bee, this
gorgeous gift set is perfect for the sewist on every list.
Add seam allowances in style. Made from wood and
packaged in a lovely tin, the Jenerates Seam Circles
Gift Set 3 includes seam circles, sewing ruler, and hand
sewing wax. www.jenhogg.co.uk

W W W . S E W D A I L Y. C O M 7
 3
3. Needle Sharp sewing kits, fabric, and patterns
monthly subscription boxes make sewing a handmade
wardrobe easy and creative. Whether you’re a newer
sewist or an expert without the time or energy to plan
your next project, their subscription boxes are designed
to make sewing your own clothes a breeze. Makes a
great gift, too! www.needle-sharp.com

4. Make 1-Weekend Gifts by the editors of C&T

Publishing—In a world where time seems to be an
ever-dwindling resource, Make 1-Weekend Gifts arrives
as a delightful savior, offering readers the perfect
recipe for crafting heartfelt and charming gifts in the 4
span of just a single weekend. Bursting with creativity
and brimming with inspiration, this book proves that
meaningful gestures need not be compromised by
time constraints. www.ctpub.com

5
5. Precision Glue Stick Tip by 2311 Arts and Crafts—
Using a glue stick in your sewing practice can offer
several benefits and make certain tasks easier. From
hemming to precise positioning and so many other
applications, glue sticks are a sewist’s must-have tool.
2311 Arts and Crafts takes this tool to the next level
with their Precision Glue Stick Tips! Find it in the
2311 Arts and Crafts Etsy shop.

8 W W W . S E W D A I L Y. C O M WINTER 2024
 6
6. Sewing The Curve: Learn How to Sew
Clothes to Boost Your Wardrobe and
Your Confidence by Jenny Rushmore of
Cashmerette. Mastering the art of sewing
your own garments has the potential to
revolutionize your life. No longer will you
have to endure the discomfort of trying
to squeeze into poorly fitting attire that
doesn’t align with your preferences. Nor will
you need to face the challenge of locating
suitable clothing in your specific size. Let
Jenny show you how to elevate you sewing
skills and your confidence, one gorgeous
garment at a time. www.cashmerette.com

7. These fabric marking pens have a small,

accurate writing point that leaves a thin yet
7
nicely visible line and works extraordinarily
well on nearly all fabrics. So what you get is
a thin, accurate, and clearly visible mark that
stays visible for as long as you want and is
removed with an easy pass of a hot iron. A
must-have for all sewing and quilting lovers!
www.madamsew.com

8
8. Sew Station Caddy by The Mud Place is an
adorable addition to any sewing room. Add a
touch of modern whimsy to your sewing supply
storage options. It’s a pincushion, bobbin storage,
and scissor holder all in one and super cute to
boot! Find it in The Mud Place’s Etsy shop.

W W W . S E W D A I L Y. C O M 9
BASIC SKILLS
Sewing accidents are inevitable
no matter how careful or

SEWING skilled the sewist. Irons

malfunction and melt or
scorch fabric, scissors slip

SAVES and snip in the wrong place,

pins leave unwanted holes,
and seam rippers rip more
than stitches. Fortunately,
there are ways to fix or mask
common sewing accidents.

TEAR REPAIR
Unlike holes that need covering
with a patch or darning, tears can
be fixed with a narrow seam.

Reinforce the torn edges by placing

1⁄2" wide strips of fusible interfacing
as close as possible to both edges
on the wrong side. Fuse in place
following the manufacturer’s
instructions.

Fold the fabric to bring the tear

edges right sides together; pin. With
a short straight stitch, sew a scant
1⁄4" away from the raw edge. Stitch
parallel to the tear, beginning and
ending on the fold to form a point
1⁄4" beyond each tear end, as for a
dart point. Backstitch at each end to
secure, and then zigzag the raw
edges to prevent raveling.

Press the seam to one side,

pressing the points as flat as
possible (1). Disguise the mend by
stitching a mirror-image tuck on
the opposite side of the garment
as if it were a planned design
element. Decorate the mend with
beading, appliqué, trim, or visible
mending stitches. For example, if
you accidentally cut the foldline on
the center-front fold, mend the cut
and cover it with a row of beading
(2). If the cut is near gathers or
pleats, adjust them so the mend
is hidden in the fabric folds.

10 W W W . S E W D A I L Y. C O M WINTER 2024
CLIPS & SNIPS Revive smashed pile with a steam
Enclosed seams need grading, the treatment. Put the garment on a
1
curves clipped, and the corners hanger, hang it on the bathroom
trimmed and turned. shower rod, fill the tub with the
hottest water available, and then
If you clipped through the stitching, close the bathroom door for about
reinforce the clipped area using a an hour. The pile will bloom and the
small circle of fusible interfacing. wrinkles will disappear.
Overstitch with a short stitch length,
beginning 1⁄2" from the clipped area. Unwanted press marks don’t always
Stitch 1⁄8" inside the original seam- go away with re-pressing, as fibers
line, stitching past the clip and can be smashed and damaged.
blending into the original stitching
line. To remove a press mark, hold the
iron above the mark and steam
For symmetry, such as on collars, generously. Rub the mark with your 2
overstitch the opposite collar end to fingers or a clothes brush, and then
match. If you poke through one of re-press. For fabrics that don’t water
the collar points, re-stitch both spot, spray the area lightly with water,
points so they look the same on the rub the mark, and re-press. For
finished garment (3). delicate fabrics and woolens, always
use a press cloth to prevent and treat
IRONING ACCIDENTS the problem.
Good sewists know that pressing is
a key component of sewing, but If water doesn’t work, spray the
irons can cause scorches, smashed mark with a one-half water, one-
pile, press marks, and bubbled half white vinegar solution; rub and
interfacing, and spitting soleplates re-press. Test the vinegar solution on
can cause water spots. a fabric scrap.
3
If the iron was set at too high a If the iron spits and drips, leaving
temperature, held down too long, or water spots on your fabric, don’t
the thermostat malfunctioned and panic. Place an absorbent, white
left a scorch mark, spot-clean, press cloth under the water spot.
launder, or dry-clean the fabric. Place another press cloth over the
spot. Spray lightly with water; press.
If laundering, pretreat the scorched Often this will disburse the ring. Test
area using stain remover, and then on a scrap first.
use bleach that’s appropriate for the
fiber content and color. For woolens, Fabrics sold folded on bolts have a
spot-clean the scorch with a solution crease mark down the center. The
of one-half hydrogen peroxide and crease can be difficult to remove
one-half water. Spot-rinse with water, even after washing the fabric. Try a
and then blot with a dry cloth. Repeat one-half vinegar and one-half water
the application as needed. solution, or use spray starch when
pressing the crease. The starch
For fuzzy, thick woolens, use bolsters smashed fibers, and the
fine-grit sandpaper to carefully slight shine distracts from the crease,
remove the upper layer of scorched making it less visible.
fibers and reveal undamaged fibers.
If all else fails, cover the scorch with
a patch or appliqué.

W W W . S E W D A I L Y. C O M 11
SNAGS & SEAM SLIPPAGE
Whether on wovens or knits, resist
4
the urge to simply clip off a snag
since a hole could form as a result.
Instead, use a tiny crochet hook to
pull the loop to the wrong side.
tip Be meticulous about
keeping your iron soleplate
Alternatively, use a needle and clean. A buildup of fibers,
thread. From the garment wrong detergent, and fabric-
side, insert the eye end of a threaded softener residues, fusible
needle through the fabric as close as resins, or starch can scorch
possible to the snag. Wrap the
or rub off on fabric.
thread around the snag, and then
grasp the needle and thread togeth-
er underneath, using them to pull
the snag to the wrong side (4).
5
Seam slippage occurs when a
garment is too tight or should’ve
been underlined because the fabric is
loosely woven or slippery. To fix
a slipped seam, first perform the spit
and scratch maneuver as you would
for pinholes to realign the fabric
weave where it slipped.

Fuse two narrow strips of fusible

interfacing over the stitching line
on the seam wrong side. Over-
stitch the seam (5).

AVOID BUBBLED If the blistered look persists,

tip If pressing doesn’t INTERFACING
try quilting or topstitching the
area with decorative thread.
remove pinholes from fabric,
Rows or grids of straight or
try the spit-and-scratch Even if you followed the manu-
simple utility stitches, scat-
maneuver—moisten your facturer’s instructions, fusible
tered embroidered motifs, or
fingertip, and then rub the interfacing can look bubbled
free-motion swirls sewn with
holes gently with your or blistered, especially after a
a darning foot will make the
few launderings.
fingernail. For dry-clean-only problem look intentional (A).
fabric, use a small paintbrush To undo the damage, first try
to dab the hole sparingly with re-pressing. Often a little more
heat, steam, and pressure will
water. Carefully scratch at the A
force the fusible resins into
holes, and then cover with a
the fabric and eliminate the
press cloth; press. bubbles.
If re-pressing doesn’t work,
try pulling apart the layers.
Press the interfacing to soften
the resins, and then quickly
and carefully pull the layers
apart. Allow to cool and don’t
re-press; the interfacing will
now behave like a sew-in.

12 W W W . S E W D A I L Y. C O M WINTER 2024
MEET THE MAKER

MONICA
TETTEH
Monica Tetteh of That’s Sew Monica is a sewing
and creative force! She began her sewing journey
to honor the memory of her late mother, and
while doing so she found so many crafty things to
be inspired by and ways to inspire others. Monica
is a marketing events strategist, and she loves to
combine her love of DIY and the event world.

Sew News: Describe your perfect day.

Monica: My perfect day would be spent on the
beach with my sewing machine and of course
my family. A perfect day is filled with all of my
favorite things.

SN: What is your best way to decompress?

M: I love to decompress after a long day by
relaxing at home, lighting a candle, and sewing.
Sewing relaxes me and is great stress reliever.

SN: What is your greatest extravagance?

M: When I was in college (and before kids),
I splurged on a pair of boots at a Canadian
boutique. I still own them and love them.

SN: What is your most treasured possession?

M: Earrings that my late mother bought me
Photos courtesy of the artist

when I was in high school. They have my name

engraved on them.

W W W . S E W D A I L Y. C O M 13
 SN: Where do you find inspiration?
M: I find inspiration in everything I
see. Being from Ghana and New York
City, I’ve always been surrounded by
inspiration—from the architecture to
the culture and people. Currently, I
find inspiration in movies, magazines,
and the fashion shows I watch. I often
dream of a make or see it in my head
before I bring it to life.

SN: Do you have any other favorite

hobbies?
M: I most definitely do. I love to paint
and DIY. I am creative by nature and
find joy in showcasing my art through
my hands.

SN: What is your favorite fabric to

work with?
M: I enjoy working with cotton,
especially Ankara African wax print
fabric. I love the shape it takes during
sewing, and I love how you can
manipulate it. The prints tell a story,
and for every outfit I create using the
fabric, there is a story to tell.

SN: What is your favorite sewing

snack?
M: Chocolate in any form is my
favorite snack.

SN: Who is your favorite social media

sewing influencer to follow?
M: I don’t have one favorite; I have
tons! Everyone I follow is my favorite
sewing influencer, because there is
something I love about each of them.

SN: Is there a particular motto you

follow in your work and life?
M: Yes, I have two: “Time is of the
essence, so live your life” and “You are
the essence of your style, so wear it
proudly!”

14 W W W . S E W D A I L Y. C O M WINTER 2024
Check out more from Monica on her website,
www.thatssewmonica.com.

W W W . S E W D A I L Y. C O M 15
 SN: Who first introduced you to
sewing?

FROM Nina: I was first introduced to

Fashion SCHOOL
BY SNEHA KC
sewing by my Bible teacher. She
used to sew dresses for some of
the other girls at church, and it
mesmerized me because I always
had to wear the same dress. I
thought, “Wouldn’t it be wonderful
if I could make some new dresses
Meet Nina Chen, a passionate and determined fashion
of my own?” So, she started to
design enthusiast currently pursuing her dreams at teach me after Bible studies and
Syracuse University. What sets her apart is her deliberate even gifted me my first sewing
decision to study fashion design at Syracuse University, machine.
a choice that diverges from the conventional path of
enrolling in a specialized fashion school. Nina‘s narrative SN: Tell us about your earliest
promises to be a source of inspiration for aspiring future memory of sewing a garment or
accessory.
fashion designers.
N: My earliest memories of sewing
garments were for my Barbie dolls
when I was growing up. Since I
was young and my family didn’t
have extra money floating around,
I would take apart old clothing I
had to make new clothing for my
Barbies to dress up in.

The earliest memory of making

a piece of clothing for myself
was probably around elementary
school. I had found some amazing
fabric from an estate sale and
thought it would be nice as a dress.
But my fatal mistake was that I cut
the dress to the width of my hips,
which made the dress fit like a
paper bag with long straps.

SN: When and how did you begin to

take a serious interest in sewing?
N: I pursued sewing as a genuine
hobby when I finally learned how
to use a sewing machine. I used to
hand sew most of my projects, so
machine sewing was hard for me
to get into. But once I learned how
Photos courtesy of the artist

to use a sewing machine, I was

addicted to the feeling of running
my seams through the machine
and having the piece come out in
a fraction of the time it would have
taken me by hand and look 1000%
nicer. From there, I started to
experiment with different designs,
seams, and details since I could do

16 W W W . S E W D A I L Y. C O M WINTER 2024
more with less time (because the
sewing machine made everything
faster).

SN: Why did you choose to attend a

fashion design program at a regular
university instead of a design
school? What made you decide to
attend Syracuse University?
N: This is a great question because
this was something I constantly
asked myself when I was looking
at and applying to schools. I was
hesitant to go to a traditional
fashion or art school because I had
come from a science, technology,
engineering, and math (STEAM)
focused high school, and I needed
a fall-back plan in case pursuing the
arts backfired on me.

I chose Syracuse University because

it has a small fashion program with
a good business school and plenty
of other subjects I could major in,
just in case. I also wanted to attend
a university with a mix of different-
minded people because I feel
like my creative process is heavily
influenced by the experiences I
have and the people I meet

SN: What aspects of Syracuse’s

fashion design program do you like
best?
N: I like how intimate the program
is and how supportive our
professors are of our interests. We
have a lot of creative freedom in
what we choose to do, and I know
that my professors will always be
there to support me if I need it.

SN: Is there a particular sewing-

related class or project that helped
you grow?
N: The tailoring class I took junior
year was particularly helpful since
I came in as a very strong sewer.
Through that class, I was able to
get a deeper understanding of
how certain techniques could alter
the form the fabric took on—such
as stitching padding in a collar or
pressing seams in certain ways.

W W W . S E W D A I L Y. C O M 17
SN: Describe your style or aesthetic function and wear and tear that SN: What advice would you give to
as a designer. the garment will go through, which beginner sewers or students who
will usually dictate which stitches, want to pursue design as a career?
N: I definitely haven’t fine-tuned
seams, and construction techniques N: I would tell them to follow
my style or aesthetic as a designer,
go into the garment.
but when creating designs, I always through on the projects they are
aim to capture a story or feeling. I working on. Not every piece you
see designing and sewing as an art SN: After graduation, how do you make is a winner, but by practicing
form, and each piece is a story that is want to move forward in your and finishing every project, you
waiting to be told. career? will learn so much more from
N: I definitely want to pursue a job the mistakes you make than by
SN: How exactly do you incorporate in the design world, but I know that breezing through a garment
sewing into your designs? my pieces might not necessarily without any issues.
be mass-marketable. So, I want to
N: Every stitch that I take or don’t
create a small label where each
take is intentional. When creating
garment that I produce is made
clothing, I always think about the
with intention and care.

18 W W W . S E W D A I L Y. C O M WINTER 2024
STATEMENT OF OWNERSHIP, MANAGEMENT AND CIRCULATION (required by Act of August 12, 1970:
Section 3685, Title 39, United States Code). 1. Sew News. 2. (ISSN: 0273-8120). 3. Filing date: 10/1/23. 4. Issue
frequency: Quarterly. 5. Number of issues published annually: 4. 6. The annual subscription price is $29.95.
7. Complete mailing address of known office of publication: Peak Media Properties, LLC, 500 Golden Ridge
Rd., Suite 100, Golden, CO 80401-9552. Contact person: Deborah Paolello. 8. Complete mailing address
of headquarters or general business office of publisher: Peak Media Properties, LLC, 500 Golden Ridge Rd.,
Suite 100, Golden, CO 80401-9552. 9. Full names and complete mailing addresses of publisher, editor, and
managing editor. Publisher, Jeffrey Litvack, Peak Media Properties, LLC, 500 Golden Ridge Rd., Suite 100,
Golden, CO 80401-9552; Editor, Meg Healy, Peak Media Properties, LLC, 500 Golden Ridge Rd., Suite 100,
Golden, CO 80401-9552; Managing Editor, N/A . 10. Owner: Peak Media Properties, LLC; Jeffrey S. Litvack,
CEO, 500 Golden Ridge Rd., Suite 100, Fort Golden, CO 80401-9552. 11. Known bondholders, mortgages
and other security holders owning or holding 1 percent of more of total amount of bonds, mortgages or other
securities: None. 12. Tax status: Has Not Changed During Preceding 12 Months. 13. Publisher title: Sew News.
14. Issue date for circulation data below: Fall ‘23. 15. The extent and nature of circulation: A. Total number
of copies printed (Net press run). Average number of copies each issue during preceding 12 months: 23,484.
Actual number of copies of single issue published nearest to filing date: 21,735. B. Paid circulation. 1. Mailed
outside-county paid subscriptions. Average number of copies each issue during preceding 12 months: 14,498.
Actual number of copies of single issue published nearest to filing date: 12,817. 2. Mailed in-county paid sub-
scriptions. Average number of copies each issue during preceding 12 months: 0. Actual number of copies of
single issue published nearest to filing date: 0. 3. Sales through dealers and carriers, street vendors and counter
sales. Average number of copies each issue during preceding 12 months: 2,423. Actual number of copies of
single issue published nearest to filing date: 2,382. 4. Paid distribution through other classes mailed through the
USPS. Average number of copies each issue during preceding 12 months: 0. Actual number of copies of single
issue published nearest to filing date: 0. C. Total paid distribution. Average number of copies each issue during
preceding 12 months: 16,921. Actual number of copies of single issue published nearest to filing date: 15,199.
D. Free or nominal rate distribution (by mail and outside mail). 1. Free or nominal outside-county. Average
number of copies each issue during preceding 12 months: 0. Actual number of copies of single issue published
nearest to filing date: 0. 2. Free or nominal rate in-county copies. Average number of copies each issue during
preceding 12 months: 0. Actual number of copies of single issue published nearest to filing date: 0. 3. Free or
nominal rate copies mailed at other Classes through the USPS. Average number of copies each issue during
preceding 12 months: 0. Actual number of copies of single issue published nearest to filing date: 0. 4. Free or
nominal rate distribution outside the mail. Average number of copies each issue during preceding 12 months:
423. Actual number of copies of single issue published nearest to filing date: 542. E. Total free or nominal rate
distribution. Average number of copies each issue during preceding 12 months: 423. Actual number of copies
of single issue published nearest to filing date: 542. F. Total free distribution (sum of 15c and 15e). Average
number of copies each issue during preceding 12 months: 17,344. Actual number of copies of single issue pub-
lished nearest to filing date: 15,741. G. Copies not Distributed. Average number of copies each issue during
preceding 12 months: 6,140. Actual number of copies of single issue published nearest to filing date: 5,994. H.
Total (sum of 15f and 15g). Average number of copies each issue during preceding 12 months: 23,484. Actual
number of copies of single issue published nearest to filing date: 21,735. I. Percent paid. Average percent of
copies paid for preceding 12 months: 97.6% Actual percent of copies paid for preceding 12 months: 96.6% 16.
Electronic Copy Circulation: A. Paid Electronic Copies. Average number of copies each issue during preced-
ing 12 months: 1,612. Actual number of copies of single issue published nearest to filing date: 1,500. B. Total
Paid Print Copies (Line 15c) + Paid Electronic Copies (Line 16a). Average number of copies each issue during
preceding 12 months: 18,533. Actual number of copies of single issue published nearest to filing date: 16,699.
C. Total Print Distribution (Line 15f) + Paid Electronic Copies (Line 16a). Average number of copies each issue
during preceding 12 months: 18,955. Actual number of copies of single issue published nearest to filing date:
17,241. D. Percent Paid (Both Print & Electronic Copies) (16b divided by 16c x 100). Average number of copies
each issue during preceding 12 months: 97.8%. Actual number of copies of single issue published nearest
to filing date: 96.9%. I certify that 50% of all distributed copies (electronic and print) are paid above nominal
price: Yes. Report circulation on PS Form 3526-X worksheet. 17. Publication of statement of ownership will be
printed in the Winter ‘24 issue of the publication. 18. Signature and title of editor, publisher, business manager,
or owner: Jeffrey S. Litvack, Publisher. I certify that all information furnished on this form is true and complete.
I understand that anyone who furnishes false or misleading information on this form or who omits material or
information requested on the form may be subject to criminal sanction and civil actions.

W W W . S E W D A I L Y. C O M 19
PEOPLE WHO SEW BY SADIE METTER

DAINE
COPPOLA
Meet Daine Coppola, a site manager for
a prominent New York City construction
company. Well, that’s his day job. In the early
morning, evenings, and on weekends, you can
find Daine sewing in his NYC loft, located—
appropriately—in the garment district.

Daine’s journey began simply enough; he

wanted control over the fit of his clothing.
In the past, Daine spent hours and lots
of money at tailoring shops having his
clothing altered to fit his frame just
right. Being in the construction industry,
his clothing demands are as tough as
anything on a job site—durable, reliably
custom-built, and understated is what
he is after. He started by altering his
T-shirts, restructuring them to fit more
proportionately to his post-COVID frame.

When it comes to pants, Daine pretty

much exclusively wears Carhartt canvas
double-knee work pants—in every season,
on and off the job site. Off the rack, these
pants are always too long for Daine and
Photos courtesy of the artist

have a massive 10" wide opening at the

foot. Daine likes to keep the pants roomy
around the waist and thigh but tapers
them into an 8" opening with a length that
creates some stacking above the boot.

20 W W W . S E W D A I L Y. C O M W I N T E R 2 0 2 4
Daine has been sewing and tailoring his own
clothes for two years now, and in that time he
has honed his skills tremendously. He believes
firmly in the “10,000-hour rule”: the idea that to
master a skill takes 10,000 hours of work. To
achieve a high level of excellence, Daine has
dedicated himself to practice and furthering his
knowledge—though he admits he still has much
more to learn.

Tailoring has elevated Daine’s confidence and

comfort in his wardrobe, and he’s working
toward perfecting his process for altering
his own clothing—proving that tailoring and
alterations are an accessible trade for anyone
interested in putting in the time to learn the skill.

Here are Daine’s tips for tailoring his trusty

Carhartt pants:
• Determine the width of the opening at the
ankle; I base that on how I want it to fall
over my footwear.
• Measure the existing, unaltered opening
and subtract the desired width. You are
left with the amount to take in at the
ankle.
• To make the adjustment even, divide that
number by 2; this is the amount you will
take from both the inseam and outseam.
Mark that adjustment on the pant leg.
• Using chalk, draw a straight line from the
knee to the marking for the adjusted ankle
width.
• When sewing, start at the ankle opening
and stitch up the leg along the chalk line
until you “die” in the seam. This creates a
smooth transition from the taper to the
existing pant line.

W W W . S E W D A I L Y. C O M 21
 Winter
Fabrics
As the chilly winds start to blow and snowflakes
dance in the air, it’s time to bring out the warmth
and coziness in our sewing projects! Welcome to
our winter sewing, where we dive into the world
of fabrics and textiles perfectly suited for your cold-
weather creations.
Whether you’re a seasoned sewing pro or a novice
looking to embark on a winter sewing adventure,
we’ve got you covered with the finest selection of
fabrics and tips to keep you warm and stylish.

22 W W W . S E W D A I L Y. C O M WINTER 2024
 EMBRACE THE SOFTNESS OF
FLANNEL
There’s nothing quite like the feel of flannel
against your skin on a frosty day. Flannel is
a classic choice for winter sewing projects
such as pajamas, shirts, and cozy blankets.
Its brushed surface traps heat, making it an
ideal fabric for staying warm during the colder
months. Choose from an array of delightful
patterns and colors to add a touch of charm to
your winter wardrobe.

GET SNUGGLY WITH FLEECE

When it comes to ultimate warmth, fleece
takes the crown! This soft and insulating fabric
is perfect for creating jackets, hats, scarves,
and mittens that will keep you toasty outdoors.
Fleece comes in various weights, so you can
tailor your projects to different temperature
needs. Additionally, anti-pill fleece ensures your
creations remain in top-notch condition even
after multiple washes.

WOOL: TIMELESS ELEGANCE

Wool is a timeless classic for winter sewing,
offering both warmth and sophistication. From
classic wool coats and skirts to stylish capes
and cardigans, this versatile fabric lends itself to
an array of projects. Choose from various types
of wool, such as wool flannel, boiled wool,
or wool crêpe, depending on your project’s
requirements.

W W W . S E W D A I L Y. C O M 23
COZY UP WITH CHENILLE
Chenille fabric is a delightful choice for winter
sewing, thanks to its velvety softness and plush
texture. Create snugly throws, plush bathrobes,
or even soft stuffed animals with this wonderful
material. Its versatility and warmth make it an
excellent addition to your winter sewing stash.

KNIT FABRICS: STRETCHY AND

COMFORTABLE
Knit fabrics are known for their stretch and
comfort, making them ideal for winter clothing
projects such as sweaters, leggings, and
dresses. Choose from a variety of knit types,
such as jersey, French terry, sweater knit, and
rib knit, depending on the level of warmth and
style you desire.

tip To enhance the warmth of your winter sewing

projects, consider using a layer of insulating materials
such as interlining, batting, or even Thinsulate to trap
heat and keep you extra cozy.

Pick your pattern, gather your fabric, and get ready for some
wintertime sewing!

24 W W W . S E W D A I L Y. C O M WINTER 2024
SEW SCRAPPY:
Winter Warmers
BY SADIE METTER

The chilly winter winds are making their

presence known! Stitch up these
practical fleece scrap-busting
hand warmers and keep your
hands toasty during the
frosty winter months.

Download the Winter Warmers pattern from

www.sewdaily.com/sn_reader_exclusives for
free with code SNWINTER24.
W W W . S E W D A I L Y. C O M 25
SUPPLIES 1
• Scrap fabric (fleece, flannel, or
cotton)
• Dried flax seeds
• Small funnel
• Pinking shears
• Cutting machine (optional)
• Winter Warmers pattern (see
“Design”)

PREPARE
Download the Winter Warmers
template or SVG file. If using the
template, print and cut out. If using
the SVG file and a cutting machine,
upload the file to your cutting
machine design application.
2
Cut four pieces from fabric.

CONSTRUCT
Seam allowance is 1⁄4" unless other-
wise noted.

Place two pieces with wrong sides

together; pin around the outside
edge. Stitch the outside edge, leaving
the bottom open for filling (1).

Using a small funnel, fill the mitten

with flax seeds. Leave enough room
to easily sew the bottom in the next
step.

Pin the bottom raw edge together

and stitch closed.

Trim the outside edge with pinking

sheers (2).
USAGE
DESIGN
Download the Winter Warmers pattern from
www.sewdaily.com/sn_reader_exclusives for • Microwave for 30 seconds or place near another heat
free with code SNWINTER24. source for a few seconds. Pop them into your pockets
and keep your hands nice and warm!
• Spot-clean surface if needed. Do not put in washer.

26 W W W . S E W D A I L Y. C O M WINTER 2024
W W W . S E W D A I L Y. C O M 27
BUSINESS SPOTLIGHT

JESI JOSTEN
OF
HIP VIOLET

In this business spotlight series, we are highlighting

makers who use their craft to earn extra income.
Sewing is truly a superpower: sewists can create, mend,
alter, and earn money doing so. Today we talk with
business owner Jesi Josten of Hip Violet.

Sew News: Tell us a little bit about

yourself and how sewing came into
your life.

Photos courtesy of the artist

Hip Violet: My fascination with
sewing started around middle
school. I had this little Kewpie doll
that I wanted to make some clothes
for, so I remember getting out my
mom’s sewing basket and some
leftover terry-cloth scraps. I did a
terrible job and made a huge mess, for fun for the next few years, and too: Instagram @ItsHipViolet and
but something about it made me when my daughter was born in Facebook/TikTok @HipViolet.
want to keep trying. When I was in 2007 my interest became rekindled
high school, I decided I wanted to when I started adding patches SN: Describe a day in the life of
sew a pair of pajama pants. Much and appliqués to her onesies—and running Hip Violet.
to the horror of my Grandma Ginny making her some oversized baby
HV: On days when I’m sewing, I’ll
(who taught home economics bibs, which ended up becoming
go over my orders and map out
and was a sewing judge for the the backbone of my business, Hip
what needs to be made. Although
local 4-H fair), I laid the fabric out Violet.
I try to make multiples of each
on the floor and traced my legs.
product as I go, that isn’t always
I then proceeded to hand stitch SN: Where and how do you sell possible, so I often make things
the pants since our old Singer your products? Where can people to order. I usually start off with
sewing machine was notoriously learn more about you online and the quick and easy things like can
cranky. Those pants fell apart pretty shop for your merchandise? coolers and regular (not appliquéd)
quickly, but I later made a pair of
HV: I sell my baby bibs, appliquéd bibs, since I love to tick things off
corduroy skater-girl pants with a tie
bodysuits, and can coolers online my to-do list. Next, I’ll tackle my
waist—and guess what? They stayed
at www.HipViolet.com and on Etsy more time-consuming items like
together, thanks to the magic of
at www.Etsy.com/shop/HipViolet. I appliquéd bibs and onesies. When
this thing called a “backstitch,” and
also have a wholesale shop through I get larger wholesale orders in, I
my life was changed. (P.S. I still
Faire Wholesale. I have a ton of may spend a day on each kind of
have the corduroy pants!) I sewed
fun posting on my social media, product. Either way, I love working

28 W W W . S E W D A I L Y. C O M WINTER 2024
assembly-line style. And I’m always that come from my favorite shops! graphic design skills to design and
looking for ways to shave a few I also love thrifting, and I love the print my own fabric for bibs that are
minutes off my time, so batch “thrill of the hunt.” I’ll grab fun exclusive to Hip Violet. I started out
sewing is the way to go! yardage at a thrift shop if I can find with Colorado’s iconic Red Rocks
it. Plus, Denver has several thrift Amphitheater, and now I have a
If I have a lighter sewing day, I’ll shops that specifically sell craft- whole line of baby bibs and can
spend time adding new products to related items, where I can often coolers featuring some of the most
my websites, making social media find awesome designer fabric for a popular national parks. I’m also
posts, or designing new products. bargain! concentrating more on wholesale
Almost every day ends with a quick orders. I’m proud to say that more
trip to the post office to drop off I also love the crafty vendor than 25 shops across the country
the day’s orders. Luckily there is a community. Not only have I made now carry my items!
USPS branch right across the street some lifelong friends because we
from me! happened to be “booth neighbors” And after selling at craft shows
at a craft show, but there are also for more than 15 years, I realized
SN: What’s one thing you wish some really helpful Facebook pages that I might be able to help people
you knew before starting your where we can all share tips and who are new to the craft show
business? tricks and bounce ideas off each scene. I have so many friends who
other. would love to start selling their
HV: I wish I had thought a little
items but are overwhelmed with
more about my business name. I
SN: What are Hip Violet’s next exactly how to begin. So I started
had no idea Hip Violet would still
steps? What are Jesi’s next a craft show consulting company
be going strong 15 years later and
business adventures? called The Crafty Works (www
how important your name can
.TheCraftyWorks.com). I have an
be. My daughter Violet had just HV: This past year has had a lot of
e-book that explains everything
gone through treatment for hip changes for my little business! I’ve
from choosing the right shows to
dysplasia when I started selling, so been making baby bibs since 2008
how to set up and display your
it seemed fitting to name it after using a similar formula: find cute
items. I also offer one-on-one
her. Little did I know that I would fabric, make cute bibs. But this year
consulting and graphic design
have another kiddo (my son Will in I’m venturing out into using my
2009), who doesn’t love the fact
that his sister has a whole business
named after her. Whoops! I do love
that my business name has brought
more attention to kids with hip
dysplasia, and it’s unique enough
to remember—but it’s something I
wish I could go back and rethink.

SN: What is your best business

resource?
HV: Being a bargain shopper! As we
all know, the prices of fabric and
supplies have really gone up over
the past few years, which can make
earning a living with a handmade
business especially tricky. I pretty
much only buy fabric and supplies
when they are on sale. I definitely
stalk the sales flyers and emails

W W W . S E W D A I L Y. C O M 29
services. I’m really excited to help son, or running to the fabric store SN: Social media is a great way
the next generations of crafters (I have to go, it’s my job!). And if to connect with customers and
start their successful businesses! I’m swamped and running behind, promote your business, and you do
I can still be at home while I sew a fabulous job utilizing it. What’s your
SN: What one piece of advice late into the night since my studio favorite platform to use?
do you have for makers who are is in my basement. I also love that
thinking of turning their craft into when I have a big success, it’s all HV: Because running a handmade
a business? me! I did it! It feels great to look at business does tend to be a little
where I started versus where I am lonely, I absolutely love connecting
HV: My very best piece of advice
now and know that I accomplished with my customers through social
is to price your products correctly!
it on my own. media. I think part of the draw of
I see so many amazing makers
who never make it past the 2-year buying handmade is you can really
mark because they aren’t charging The worst part is dealing with all get to know the maker and their
what they are worth, so they never the not-so-fun business things like story, so I try to have fun with my
make a profit. There are some great taxes and licenses and insurance. social media and let my customers
handmade item pricing calculators I hire out whatever I can, but I still see who I am as well as what I
online that can give you an idea have to know how to handle a lot make. Instagram has been my
about where to start your pricing— of things that give me a headache favorite over the years since it’s
and I bet it’s much higher than you just thinking about. easy to use and my posts are seen
thought! We all love making things, by the most people. I had a pretty
but if you want to do it for your job, Another downside is that I often large following previously, but
you also need to make a profit and feel a bit lonely sewing away in unfortunately I had to restart from
not feel weird about it. my basement all by myself. I wish I scratch a few months ago—I’m glad
had a few other people to bounce to be back! You can follow me on
business ideas off of and get advice Instagram @ItsHipViolet.
SN: Describe the best and worst
from. I’m a one-woman show, so
parts of being your own boss.
often those things are discussed Find Hip Violet at
at the dinner table instead of in a www.thecraftyworks.com and
HV: The best part is definitely the
board room. A special thanks to my on Instagram @itshipviolet.
freedom to do what I want, when
family and friends for putting up
I want! I love that working from
with all my business talk over the
home means I can spend the
years!
morning on a field trip with my

30 W W W . S E W D A I L Y. C O M WINTER 2024
DIGITAL EXCLUSIVE

CRESTED BUTTE
WINTER WOOL CAPE
By Kimberly Payne

THE PATTERN
Welcome to the world of timeless elegance and cozy
sophistication! We are thrilled to introduce you to our brand-
new Crested Butte: Winter Wool Cape sewing pattern, crafted
to elevate your winter wardrobe to new heights of style,
warmth, and comfort. Embrace the enchanting allure of the
season with this versatile garment that seamlessly blends
fashion and functionality. With tailored welt pockets, belt, and
lapel made from luxurious wool fabric, this pattern is a must-
have addition for all sewing enthusiasts seeking to create a
chic and captivating outerwear piece. Get ready to embrace
the cold with grace and flair—let the Winter Wool Cape be
your go-to choice for all your winter adventures!

Whether you’re strolling through a winter

wonderland or attending a formal event,
our Winter Wool Cape will envelop you in
warmth while making an unforgettable
fashion statement.

Download the Crested Butte Winter Wool Cape pattern

from www.sewdaily.com/sn_reader_exclusives
for free with code SNWINTER24.

W W W . S E W D A I L Y. C O M 31
 WANT TO SEW ALONG WITH
KIMBERLY AND SADIE?
Join Kimberly and Sadie on Sew Daily for an
interactive workshop sew-along of the pattern. Sadie
will walk you through all the pattern steps from start
to finish with Kimberly sharing her tips and tricks for
the pattern from Kimberly's Corner. Registration for
the workshop can be found at www.sewdaily.com.

32 W W W . S E W D A I L Y. C O M WINTER 2024
W W W . S E W D A I L Y. C O M 33
THE COMMON THREAD

Creative Reuse
CENTERS
BY SADIE METTER
Thrifting has become increasingly popular
over the past few years, and now there’s a
new way to thrift: crafty thrifting!

T
hese new shops, sometimes called creative reuse
centers, offer fun new places for makers to shop.
They are typically non-profit organizations that collect
donations and discarded supplies from the public that can be
sold and reused, giving these materials a new life. Many of
these businesses resell items to the public for bargain prices or
donate them to schools and educators, organizations, or other
groups for further reuse.

Lancaster Creative Reuse Their Mission

(www.lancastercreativereuse.org) “The mission of Lancaster Creative
Lancaster Creative Reuse (LCR) is a Reuse is to connect community
donation-based art, craft, and sewing excess to those who can use
supply store that helps reduce it creatively. Through the low-
waste by offering used supplies for cost store, Open Craft Table, and
artists, paper crafters, upcyclers, education programs, LCR inspires
DIYers, dressmakers, fiber artists, creativity, increases access to the arts
needleworkers, quilters, and so much through affordability, and encourages
more. This is an exciting way to reuse.” —LCR
explore your creative side while also
being mindful of our environment Donations
and your pocketbook. LCR accepts sewing notions, fabric,
scrapbooking supplies, art supplies,
At LCR you can find everything from pictures, paintings, yarn, cross-stitch
fabric scraps to rolls of wallpaper materials, general craft supplies,
to old jewelry findings. They take holiday items, candlemaking supplies,
the “reduce, reuse, recycle” motto new candles, basketmaking supplies,
seriously and work hard to connect jewelry crafting supplies, florals,
community excess to those who ribbons, picture frames, tile, wood
can use it creatively. Not only that, items, sewing machines, paper
but they also offer educational and products, lace, stamps, stained glass–
community outreach programs to making supplies, mats, mat frames,
inspire creativity and encourage reuse. beads, books, and magazines.

34 W W W . S E W D A I L Y. C O M WINTER 2024
Classes, Events, and Parties
LCR offers crafty classes and special
events throughout the year. Party
planners can give the gift of creativity
to partygoers by booking a crafting
party at their location. LCR has held
events for birthdays, baby showers,
educational field trips, and team
building—just to name a few. They
can accommodate up to 12–15
crafters per event and offer a variety
of crafty options.

Community Outreach
LCR has joined forces with other
organizations in the community
to offer outreach to recreational
programs, workshops for teens,
youth programs, and an extensive list
of schools and other organizations
that support the surrounding
Lancaster community.

If you’re in the Lancaster area and are

looking for a new crafting project or
materials for an existing one, be sure
to check out LCR. Or look for other
such organizations that are popping
up across the country, offering
a great selection of sustainable
supplies at affordable prices.

Location
1865 Lincoln Highway East, only can you find interesting supplies the year and are taught by local
Lancaster, Pennsylvania for your next project or craft, but artists and craftspeople. You can
you’ll also be helping support a vital even rent studio space at ReCreative
ReCreative Denver component of the community. or become a workshop member.
(www.recreativedenver.org) Workshop members get access to
ReCreative Denver is the perfect Donations ReCreative’s tools, workspaces, and
place to explore your creative ReCreative Denver diverts materials storage areas any time they are open.
side. This non-profit organization destined for the landfill by collecting
encourages reuse and creative reuse and redistributing them to people Every second Saturday of the month,
through arts education, community who can use them for education, ReCreative Denver hosts a volunteer
engagement, and environmental art, and inspiration. Community day when they ask for help from
stewardship. Located in the heart members and local businesses the community to sort through
of Denver’s Santa Fe Art District, can reduce waste and help enrich donations. Volunteers get to meet
ReCreative is a unique store offering education and the arts. other volunteers and creatives from
an ever-changing treasure trove of the Denver community, plus they get
items such as yarn, fabric, paper of Classes, Events, Studio Space, and first dibs on the donations received—
all colors and sizes, specialty items Volunteering and a 10 percent discount! How cool
donated by local artists, sewing ReCreative Denver offers classes is that?
notions, and so much more. The on various arts and crafts. Currently
possibilities are endless at ReCreative they offer book binding, needle Location
Denver, and you never know what felting, and natural printmaking. 765 Santa Fe Drive, Denver, Colorado
treasures you may discover. Not Their offerings change throughout

W W W . S E W D A I L Y. C O M 35
 FIND YOUR
CREATIVE REUSE
CENTER
There are dozens of creative
reuse centers around the country.
We encourage you to do a search
and see if there is one near you.
You won’t be sorry!

Seattle ReCreative goods helps fund arts programming classes, camps, summer camps, and
(www.seattlerecreative.org) and supply free creative materials various outreach workshops.
Seattle ReCreative is a 501(c)(3) and workshops to the community.
non-profit located on the traditional Impact
land of the first people of Seattle, Their Mission In 2015, Seattle ReCreative diverted
the Duwamish people past and Seattle ReCreative is a non-profit nearly 60 tons of usable materials
present, that honors with gratitude organization dedicated to promoting from the waste stream.
the land itself and the Duwamish creativity, community, and
tribe. Seattle ReCreative collects environmental stewardship through Two Locations
donations of used materials that creative reuse and art education. 8408 Greenwood Ave. N.,
would otherwise end up in a landfill Seattle, Washington
from local businesses and individuals Classes
to redistribute to the community. Seattle ReCreative offers craft 6521 5th Ave. S.,
Proceeds from the resale of these support, adult classes, children’s Seattle, Washington

36 W W W . S E W D A I L Y. C O M WINTER 2024
Arizona Maine • ReClaim It (reclaimitpdx
• The ART Resource Center • Ruth’s Reusable Resources .org) Portland, Oregon
(sites.google.com/view/ (ruths.org/4-public-store) • SCRAP Creative Reuse
artresourcecenter) Tempe, Portland, Maine (portland.scrapcreativereuse.org)
Arizona Maryland Portland, Oregon
California • SCRAP Creative Reuse Pennsylvania
• Art FORM (artformsandiego (baltimore.scrapcreativereuse • FABSCRAP (fabscrap.org
.org) San Diego, California .org) Baltimore, Maryland /philadelphia) Philadelphia,
• The East Bay Depot for Creative Massachusetts Pennsylvania
Reuse (creativereuse.org) • Make & Mend • Pittsburgh Center for Creative
Oakland, California (makeandmendshop.com) Reuse (pccr.org) Pittsburgh,
• Reuse Arts & Crafts Somerville, Massachusetts Pennsylvania
(berkeleycraftsstore.com) • Swanson’s Fabrics • The Resource Exchange
Berkeley, California (swansonsfabrics.com) Turners (theresourceexchange.org)
• Scrap (scrap-sf.org) San Falls, Massachusetts Philadelphia, Pennsylvania
Francisco, California
Michigan Rhode Island
Colorado • Arts & Scraps (artsandscraps.org) • Creative Reuse Center of Rhode
• Art Parts Creative Reuse Center Detroit, Michigan Island (creativereusecenterri.org)
(artpartsboulder.org) Boulder, • Learning from Scratch (lfs East Providence, Rhode Island
Colorado .zyrosite.com) Grand Rapids, South Carolina
• The Craft Box (craftboxcolorado Michigan • ReCraft (recraftgvl.org)
.com) Wheat Ridge, Colorado • SCRAP Creative Reuse (annarbor Greenville, South Carolina
• Who Gives a SCRAP .scrapcreativereuse.org) Ann
(whogivesascrapcolorado.com) Tennessee
Arbor, Michigan
Colorado Springs, Colorado • Smart Art + Craft Supplies
Minnesota (smartartandcraft.org) Nashville,
Connecticut • ArtStart (artstart.org) St. Paul, Tennessee
• EcoWorks (ecoworksct.org) Minnesota • Turnip Green Creative Reuse
North Haven, Connecticut
Missouri (turnipgreencreativereuse.org)
Florida • Arrow Creative Reuse Nashville, Tennessee
• The Repurpose Project (arrowcreativereuse.org) Texas
(repurposeproject.org) Springfield, Missouri • Austin Creative Reuse
Gainesville, Florida • City Sewing Room (austincreativereuse.org) Austin,
• Resource Depot (resourcedepot (citysewingroom.org/shop) St. Texas
.org/shopping) West Palm Louis, Missouri • Houston Center for Creative
Beach, Florida
New York Reuse (recycledarthouston
• Reusable Resources Adventure
• Craft Bits & Pieces .org) Houston, Texas
Center (isaeplay.org/play
(fairportcraftbitsandpieces.com) • Spare Parts (sparepartssa
-materials/reusable-resources
Fairport, New York .org) San Antonio, Texas
-adventure-center) West
Melbourne, Florida • FABSCRAP (fabscrap.org) Virginia
Brooklyn, New York • 757 Creative Reuse Center
Georgia • SewGreen (sewgreenrochester (creativereusecenter.org)
• Scraplanta Creative Reuse .org) Rochester, New York Norfolk, Virginia
(scraplanta.org) Atlanta, Georgia
North Carolina • SCRAP Creative Reuse
• Starlandia Reclaimed Creative
• Reconsidered Goods (richmond.scrapcreativereuse
Supply (starlandiasupply
(reconsideredgoods.org) .org) Richmond, Virginia
.com) Savannah, Georgia
Greensboro, North Carolina • The Scrappy Elephant
Idaho • Upcycle Arts (upcycleartsclt.org) (scrappyelephant.com)
• The ReUse Market (reusemarket Charlotte, North Carolina Charlottesville, Virginia
.org) Garden City, Idaho • Village Fabric Shop Washington
Illinois (villagefabricshop.com/village
• Art Salvage (artsalvagespokane
• The Idea Store (the-idea -fabric-reuse-shop.htm) Winston-
.com) Spokane, Washington
-store.org) Urbana, Illinois Salem, North Carolina
• Lost and Found Crafts
• The WasteShed (thewasteshed Ohio (lostandfoundcrafts.com)
.com/evanston) Evanston, Illinois • Indigo Hippo (indigohippo Olympia, Washington
Iowa .org) Cincinnati, Ohio • Our Fabric Stash (ourfabricstash
• The Create/Exchange • Scrap It Up (scrapitupcincy.org) .com) Seattle, Washington
(thecreateexchange.com/home) Cincinnati, Ohio
Wisconsin
Cedar Rapids, Iowa • Upcycle Parts Shop
(upcyclepartsshop.org) • Hello Happiness
Kansas
Cleveland, Ohio Creativity Center
• A Thrifty Notion (athriftynotion
(hellohappinesscreativitycenter
.com) Ogden, Kansas Oregon
.com) Sheboygan, Wisconsin
• MECCA (materials-exchange.org)
Eugene, Oregon

W W W . S E W D A I L Y. C O M 37
Tailoring
BY MICHELE MATSUMOTO

The art of sewing is a diverse one. It’s a

field where you can use this one skill set
and apply it in many different avenues.
One of those fields is called tailoring. The
definition of tailoring is to make alterations
to an existing garment to fit the wearer.
Last year some significant changes
happened in our household that made me
decide to return to work. I wanted to do
something that I love (sewing) and where I
could use the training I have gained. That
decision led me to become a tailor. I was
granted an opportunity with a job as an
entry-level tailor at a shop that primarily
sells clothing but focuses on men’s suits.
Even though I have spent a good portion
of my life sewing and went to school for
pattern designing, I quickly learned that
tailoring is different. I realized I was not
creating garments anymore; I was fixing
something that would give the wearer
comfort and confidence.

I spent six weeks working alongside an experienced My motto is not to fuss with perfection but to make
tailor who showed me the shop’s ropes. This meant things as simple as possible, all while getting the
learning the language of the chalk marks, interpreting results you want. With that new perspective, I am now
how the alterations were to be done, understanding fixing customer problems, and it’s my job to quickly
the flow of the shop, shadowing the fittings, and resolve the issue while making the garment look like it
learning how to use industrial machines. Eventually, I has always been the same. After working with various
learned more advanced techniques and gained much clothes, I found that some alterations are common on
more knowledge about fitting. I knew that everyone many items. These are easy enough to do ourselves if
has different fit issues, and they have a specific look we want to, so let me highlight some you can do on
they are going for. Seeing customers of every size your own.
and shape with their individual needs gave me a new
perspective on tailoring. That perspective is using what
you have to get the results you want.

38 W W W . S E W D A I L Y. C O M WINTER 2024
HEMMING A TAPERED
LEG ON PANTS
Fitting TIPS FOR ALTERATIONS
When you are hemming pants
to be shorter on a tapered leg, 1. Plan out your alteration.
the hem allowance is shorter in Evaluate the garment,
circumference than the leg of the brainstorm, and write a
pants to which they will be sewn game plan for how you
when folded over. The first thing you will attempt to alter the
probably will attempt is to flare out garment. This will help to
the seam allowance at the inseam avoid mistakes and aid in
and outer seam to match the portion time management.
of the leg. But what if you don’t have
enough seam allowance to do that? 2. Find a way to save
In that case, you will create a small material. If you can do so
pleat at the crease line to make it fit. without affecting the look,
This will only work if you use a wide save as much material as
blind hem stitch. possible. Once you cut
something, there is no
Adjustments turning back. Give yourself
Fold back the hem allowance and a safety net to reverse
start stitching at either the inseam or what you have done if it
outer seam. Your goal is to always doesn’t work out.
match the inseam and outer seams
of the hem allowance to that of 3. Measure twice before you
the pant leg. When approaching cut. This goes along with
the crease line of the pants, tuck in tip #2; double-check what
extra material, creating a small pleat you are doing before you
until the inseam/outer seam match cut anything.
again on the other side. Do this for
the front and back crease line of the 4. Remember how you
pants. Skip the pleated fabric portion deconstructed. Keep notes
when stitching and continue. on how the garment was
put together when you
Finishing deconstruct it.
When folding the pant hems right
side out, the turn of cloth will
compensate for the pleat. If done
correctly, there should be no puckers
or gathers.

W W W . S E W D A I L Y. C O M 39
SLIMMING LEGS OF PANTS
Fitting
Start at the calf of the leg and pinch the
desired amount to remove at the crease
line or side seam. Mark on both sides of
your pinch and bring that same amount
down to the hemline. Now pinch and
mark the amount desired up the leg,
marking an X where to stop.

Adjustments
Measure the amount marked. This
amount will be distributed evenly to the
inseam and outer seam. Do not take
out more on one side than the other.
Your goal is to keep the crease line in
the center of the leg. Undo the hem.
Mark the amount needed at the hemline
and draw a cohesive line to the original
stitching line where X is marked.

Finishing
If the seam allowances were pressed
opened before, do the same by
removing the old stitching and pressing.
If both seam allowances were serged
together, press the seam allowance
toward the back of the leg.

Back Front

40 W W W . S E W D A I L Y. C O M WINTER 2024
ELIMINATING EXCESS ON Match
THE BACK OF THIGHS OF
PANTS
Fitting
If the back of the thigh of your pants Back Front
is baggy and you feel like there is too
much material, take it out through the
crotch. Pinch at the sides the amount
you would like to remove, then mark.
This amount is what you will remove
from the back of the thigh area at
crotch level.

Adjustments
Open the inseam of the back crotch and
down the inseam one-third of the way.
Mark along the crotch curve the amount
you would like to remove, then draw a
cohesive line from that point back into
the inseam. You are removing only at
the rear crotch level.

Finishing
Reattach everything by placing the front
inseam stitching line on the new back
inseam line. You can keep roughly 1" of
extra fabric in the back inseam. If you
have a seam that was serged together
and you don’t have the time to unpick
everything, consider placing a dart along
the seam. Stitch right next to the original
inseam stitching line so that there is no
visible dart shown on the outside.

TAKING IN SIDES ON TOPS

Fitting
If the body of the top is wider than you
would like, pinch and pin the side seams
to your desired look. If there is a lot
of material to take in and/or it creates
drags or pulls, consider adding fish eye
darts in addition to taking in the sides.
Make sure the darts are no larger than 1"
wide each.

Adjustments
Mark the inside of the garment where
the pins are, remove the pins, and
connect the marks with one cohesive
line. Sew that line using the same stitch
and finishing as it had been previously.

Finishing
Leave as much of a seam allowance as
possible without affecting the garment’s
appearance.
W W W . S E W D A I L Y. C O M 41
ELIMINATING FOLDS AT
THE BACK OF THE NECK
Fitting
Folds at the back of the neck or collar
of a top are caused by too much length
above the shoulder blades. The amount
you can pinch will need to be removed.
Pinch out the excess folds until the area
lays flat, then mark.

Adjustments
Mark on the center back the amount Fullll Amount
Am Pinched
you pinched, and redraw the neckline
back to shoulder seams. If the amount Half Amount
A Pinched
exceeds 1⁄2", you must remove a wedge
from the shoulder line. This is so the

Center Back
collar can still fit. How big the wedge
is will be half the amount needed to
lower your neckline. If you lower your
neckline by 1⁄2", then a 1⁄4" wedge must be
removed from the shoulder seam. (See
illustration.)

Finishing
Clip your curves. Reattach any finishing
that was attached to the neckline. It will
be difficult to keep any extra material in
this area, so keep the seam allowances
the same as before.

42 W W W . S E W D A I L Y. C O M WINTER 2024
Buffalo Check
HOODIE
BY PAULINE BRUCE; SAMPLE SEWN BY
SADIE METTER

Turn your basic sweatshirt into a

fashion-forward powerhouse by
adding a full front zipper—now it’s
not just cozy, it’s also versatile and
effortlessly chic. Whether you’re
layering up for a brisk fall day or
making a statement on a cool
evening, this transformed piece
promises style and comfort in one
fashionable zip!

Download the Holly Hoodie pattern from

www.sewdaily.com/sn_reader_exclusives
for free with code SNWINTER24.

W W W . S E W D A I L Y. C O M 43
SUPPLIES tip Make all necessary CONSTRUCT
• Sweatshirt fleece & ribbing sizing adjustments before Align two pocket pieces right sides
(amount according to pattern together and stitch along the top,
proceeding with the front
instructions) side, and bottom (3). Clip the corners
zip modification; this and turn the pocket right side out.
• 28" Separating zipper (see
includes adjusting the Baste the center front edge together.
“Source”)
overall length.
• Zipper foot On a flat surface with the front
• Clear acrylic ruler piece right side up, align the bottom
Fold pocket piece in half and mark corners of the pocket with the circle
• Tracing paper
center front line. Using a ruler, mark on the front pattern piece. Pin in
• Pencil measure and mark a line 5⁄8" to the place and stitch the pocket to the front
• Holly Hoodie pattern (see “Design”) right of the center point. Cut pattern across the top, side, and bottom (4).
piece along second line and discard
remaining side of pocket (2). Stitch the shoulder and side seams,
PREPARE sleeves, and cuffs according to the
Download the Holly Hoodie pattern. From the fabric cut one back on the pattern.
Print and cut out. fold, two fronts mirror image, four
pockets mirror image, two hoods Using the three bottom band
Place tracing paper along the center mirror image, two sleeves on the pieces, lay the piece cut on the fold
of the front piece. Measure and mark fold, one bottom cuff on the fold and with right side up. With right sides
the 5⁄8" seam allowance (1). Cut out two not on the fold, and two cuffs. together, align the short ends of the
new center front edge. remaining two pieces with the short
ends of the back piece. Stitch pieces
together along short ends. Press
seam allowance open. Fold band in
1 half with wrong sides together (5).
2

5
4

44 W W W . S E W D A I L Y. C O M WINTER 2024
With right sides together, lay the
bottom band piece along the hem of
the sweatshirt. Match the side seams,
center front, and center back. Pin in
place. Stitch while slightly stretching
to fit.

If the zipper is longer than the

center front seam, it can be adjusted.
Place the bottom zipper stop in line
with the bottom hem. Align the
zipper with the center front edge and
using chalk or a fabric marker, mark
on the zipper tape the center front
neckline (6).

Trim the zipper at the front neckline

and separate the two sides.

tip If you are using a

metal zipper, remove any
zipper teeth within the seam 6
allowance at the front
neckline. This will ensure
you don’t break a needle
while stitching the hood on.

With right sides together, place the

zipper along the center front and
secure with either clips or glue stick.
Using a zipper foot, stitch the zipper
to the sweatshirt along the center
front (7). Repeat with remaining side
of zipper.

Fold zipper tape and seam allowance

toward the wrong side and press.
Topstitch the zipper in place along
the seam. 7

Stitch the hood together according

to pattern instructions.

Mark the center front and center

back along the neckline. Place the
hood with right sides together,
matching up the center front, center
back, and notches with the shoulder
seams. Stitch the hood to the
sweatshirt.

DESIGN: Download the Holly Hoodie pattern from www

.sewdaily.com/sn_reader_exclusives for free with code
SNWINTER24.

SOURCE: Wawak carries separating zippers: wawak.com.

W W W . S E W D A I L Y. C O M 45
UPCYCLED
Ski Sweater
BY DENISE ALONSO

Gear up for the slopes in style with

a custom-made sweatshirt, crafted
by upcycling not one, but two
oversized sweatshirts! Stay cozy,
cool, and oh-so-ready for winter
adventures, while turning heads
with this unique, slope-ready
fashion statement.
Download the Summit Sweatshirt pattern from
www.sewdaily.com/sn_reader_exclusives for free
with code SNWINTER24.

46 W W W . S E W D A I L Y. C O M WINTER 2024
SUPPLIES 1
• 2 oversized sweatshirts (one in
contrasting colors)
• Fusible web (see “Source”)
• Fabric scissors
• Accent templates (see “Design”)

PREPARE
Download the accent templates.
Print and cut out.

Apply fusible web to the wrong side

of the accent sweatshirt.

Trace the accent templates on the

fusible web in mirror image. Cut out
and remove paper backing (1). Set
aside.
2

tip If you want a more

organic look to your
sweatshirt, consider
freehanding the accents.

The sweatshirt is intended to be

oversized; to make any adjustments,
put on the sweatshirt and mark along
the side seam and sleeve for the
intended fit.

Working on a flat surface, lay the

sweatshirt right side up. Using a fabric
marker and clear acrylic ruler, mark a
line 1⁄4" from the fitting lines to allow
for seam allowance. Continue
adjustment along sleeve and cuff (2).
Repeat with second side seam and
sleeve. Cut along marked line.

Separate the front and back and lay

on a flat surface. Place the letters and
accents on the sweatshirt front in the
desired position, fusible web side
down.

tip Use the bottom of the

armhole as a point of
reference to line up the
bottom of the accent pieces.

W W W . S E W D A I L Y. C O M 47
Iron the accent pieces according to 3
manufacturer’s instructions.

Topstitch the accent pieces along

the outside edges with a straight or
decorative stitch (3).

CONSTRUCT
Turn the sweatshirt wrong sides out
and align side and sleeve seams.
Stitch the front and back together
along seams, finishing with a serger
or zigzag stitch.

SOURCE
Pellon carries 805 Wonder-Under: pellonprojects.com.

DESIGN
Download the Summit Sweatshirt pattern at
www.sewdaily.com/sn_reader_exclusives for free
with code SNWINTER24.

48 W W W . S E W D A I L Y. C O M WINTER 2024
Soirée
CHEMISE
BY KIMBERLY PAYNE

Elevate your winter party attire by

creating the perfect slip dress, where
luxurious fabrics and a tailored fit
harmonize for an exquisite and cozy
ensemble. This dress embodies both
elegance and warmth, ensuring you
shine as the belle of the soirée.

Download the Winterberry Slip Dress pattern from

www.sewdaily.com/sn_reader_exclusives for free
with code SNWINTER24.

W W W . S E W D A I L Y. C O M 49
SUPPLIES 1
• Silk charmeuse (amount according to
pattern)
• Lingerie strap slides & rings (see “Sources”)
• Tube turner (see “Sources”)
• Winterberry Slip Dress pattern (see “Design”)

PREPARE
Download the Winterberry Slip Dress
pattern. Print and cut out.

From fabric cut one front and back on fold,

one front and back lining on fold, and two
straps.
2
Using chalk or fabric marker, mark darts and
pattern markings.

CONSTRUCT
Seam allowance is 5⁄8" unless otherwise noted.
Finish all seams with a zigzag stitch or serger
stitch unless otherwise noted.

Fold the front piece with right sides togeth-

er, matching up the dart legs. Stitch along dart
lines until reaching the point; leave long tails.
Tie the ends of the stitches together to secure 3
the dart (1).

Using a tailor’s ham, press the dart down and

baste in place along the side seam. Repeat
with remaining darts on front and front lining.

Side seams are finished using French seams.

Place the front and back with wrong sides

together. Stitch in place using a 3⁄8" seam
allowance (2). Trim the seam allowance to 1⁄8".
Turn dress wrong side out and press side
seams.
4
With the side seams right sides together,
stitch in place using a 1⁄4" seam allowance (3).
Repeat with remaining side seam and lining.

Fold strap with right sides together along

long edge. Stitch in place 3⁄8" from the folded
edge. Stitch one end closed. Trim seam
allowance to 1⁄8". Using tube turner, turn the
strap right side out. Clip open the closed end,
center the seam along the back, and press (4).

Cut a 2" piece off each strap and set long

straps aside.

50 W W W . S E W D A I L Y. C O M WINTER 2024
Feed the 2" piece through the ring 5 6
with wrong sides facing. Baste the
raw edges together (5).

Using the notches on the back piece

as reference, align the raw edges of
the short strap with the top raw edge
of the back piece. Baste straps in
place (6).

Feed one end of the long strap piece

through the slider and fold it over the 7
center of the slider, with wrong sides 8
together. Overlap the end of the strap
by 2" and stitch in place (7). Repeat
with second strap piece.

Bring the remaining open end

through the ring so that the wrong
sides of the straps are together. Lastly,
thread the same raw end up and
through the front of the slider and
pull as long as the strap will go (8).

Without twisting the strap, align the

raw end of the strap with the front
notch, extending by 1⁄4". Baste the
strap in place. WORRIED
ABOUT SEWING
With right sides together, match the SMALL SPAGHETTI
front, back, and side seams of the STRAPS? HEAD OVER TO
main and lining. Stitch together along OUR YOUTUBE CHANNEL
upper edge. Trim seam allowance, TO WATCH SADIE WALK
clip corners and curves, and press YOU THROUGH
seam allowance toward the lining. THE STEPS.
Understitch the lining in place.

tip Understitch becomes

difficult as you reach the
front straps; stitch as far as
you can without catching
the main fabric.

Fold the lining inside the dress and

press along the upper edge.

Finish the dress and lining hem with

a narrow rolled hem.
DESIGN
Download the Winterberry Slip Dress pattern from www.sewdaily
.com/sn_reader_exclusives for free with code SNWINTER24.

SOURCES
Dritz carries the Quick Turn fabric tube turners and lingerie strap
slides and rings: handicraft.com.

W W W . S E W D A I L Y. C O M 51
 STYLING A SLIP DRESS

The slip dress is a timeless and versatile garment. It is a simple

yet elegant design and provides effortless style and a sleek,
streamlined silhouette. It can be dressed up or down with ease,
making it suitable for a wide range of occasions. Whether you’re
attending a casual brunch, a formal event, or a night out, a slip
dress is a great addition to any wardrobe.

Here are some great ways to style the Sew News Soirée Chemise
slip dress.

Casual Chic Elegant Evening Boho Vibes

For a laid-back yet stylish look, Transform your slip dress into a Embrace a bohemian-inspired
consider pairing your slip dress with glamorous evening outfit with the look by incorporating earthy tones,
casual accessories such as layering right accessories and makeup. textures, and accessories.
under a jean jacket or cardigan. You Choose bold statement earrings, Add a flowy fashion robe and a
can even layer a slip dress over a a chunky bracelet, or a dazzling wide-brimmed hat, layered
lightweight turtleneck or jumper. Keep necklace to add sophistication and necklaces, and stacked bracelets
it minimal with delicate jewelry and a sparkle. Strappy heels elevate the for a free-spirited vibe.
simple crossbody bag or a backpack. dress to a more formal level; opt for
Finish off the look with casual shoes a stylish clutch or a small evening
such as sneakers or ankle boots. bag to hold your essentials.

52 W W W . S E W D A I L Y. C O M WINTER 2024
Kimberly’s
SEWING SPACE
BY KIMBERLY PAYNE

For years I would drool over the beautiful

sewing spaces some of my favorite sewists
had. They were filled with natural light and
had dreamy stacks of fabric and notions
on display. The reality for many sewists
is that having a big, dedicated space isn’t
always possible. We must all work with
what we have. I’ve always believed that
having a space to create is more important
than what that space looks like.

W W W . S E W D A I L Y. C O M 53
My sewing space has run the gamut
over the years, starting as a table in
the laundry room with mess and
clutter all around me to a hallway
nook and then a corner of my
bedroom. The space I am in now is
the sewing room of my dreams, but it
was 10 years between that table in
the laundry room and my space
today.

Over the next few issues, the Sew

News team will be sharing their
sewing spaces. Each is different,
which is my favorite part about this
series. We get to see how everyone
works with the space they have and
makes it their own. And don’t be
fooled by the clean spaces! I can only
speak for myself, but my sewing
room turns into a complete disaster
during a project. Who wants to put
things away when they could be
sewing?!

When we moved into our house in

the country, I knew that the only
requirement for my space was that I
would have my sewing machines and
computer facing the window so I
could look out on the water, trees,
and mountains in the distance while
working. The natural light lifts my
spirits, especially in the gray and
gloom of January and February on
Vancouver Island.

My computer takes up a lot of real

estate on my long desk, but I still
have room for my sewing machine
and serger to stay out at all times. My
coverstitch machine lives on a shelf
and can be brought out when
needed.

Much of my job involves pattern

design, so having a plotter printer is a
must-have in my studio. I originally
got my printer in 2015 when I started
selling paper patterns for my busi-
ness—and while expensive, it has
been such a time saver over the
years. But for those times I need to
print and tape together a PDF pattern,
I have my trusty black ink–only
Brother printer.

54 W W W . S E W D A I L Y. C O M WINTER 2024
When I moved into this space, the
first thing I added was five long
shelves along the wall for fabric,
notions, books, and patterns. While it
is usually frowned upon to have your
fabric out in the open exposed to
dust and sunlight, I am willing to risk
a little fading to see my fabrics on
display. Collecting fabrics is a hobby
in and of itself, so why not admire
your collection instead of hiding it
away? The biggest benefit of putting
my fabric on shelves is that I have a
much better idea of what fabric I
have, so I don’t end up buying
repeats of fabric as I have in the past.
My fabric/notions wall also just makes
me happy! Why not add happy
elements to your space?

My favorite element in my sewing

space is a large cutting table that is
the right height for me. For years I
would cut on the kitchen table or the
floor, which always hurt my back and
knees. Having this table to work on is
a huge help. A shelf underneath holds
in-progress makes, as well as items
that need mending—although those
usually just go to the shelf to die.

Whatever your space looks like, I

hope you find a way to make it your
own.

W W W . S E W D A I L Y. C O M 55
 HONOREES

As part of our Maker Festivals Lancaster

2023 event, the Sew Daily team was
excited to highlight 20 stand-out
individuals in our industry. We were
thrilled to select honorees in the following
categories: Innovators, Community
Leaders, Trendsetters, and Rising Stars.

Read on to learn more about each

category and who we spotlighted—
we’re delighted with this group of
sewing superstars.

Head over to our other communites to see the Top 20 Honorees from
Interweave, Quilting Daily, and Artists Network.

www.interweave.com www.quiltingdaily.com www.artistsnetwork.com

56 W W W . S E W D A I L Y. C O M WINTER 2024
 Top 5 Innovators LEILA KELLEHER
Leila Kelleher is a pattern
From inventing new tools and techniques to designer, activist, and assistant
embracing new ways to make a living from professor of fashion design
their hard work and determination, these and social justice at Parsons
honorees inspire us to create something new. School of Design in New York
City. Her work at her sewing
pattern company, Muna and
ELISALEX JEWELL Broad, combines her expertise
Cofounder of By Hand London in patternmaking with her
(BHL), a prominent sewing knowledge of the human body
pattern company established LEILA KELLEHER to ensure a great fit for
in 2012, Elisalex Jewell @leila_sews plus-size bodies. Leila believes
originally trained as a shoe- that we all deserve to swathe
maker at the London College our bodies in beautiful
of Fashion before turning her garments to express our style,
passion for sewing and because sewing is for every-
self-sufficient style into a BODY.
career. In addition to running
ELISALEX JEWELL BHL, Elisalex’s mission is to CAROLYN NORMAN
@elisalex empower sewists to make Carolyn Norman has been
clothes that fit like a dream sewing since she was eleven
and, as a result, look and feel years old. She describes herself
amazing. as a sewist, dressmaker,
fabricaholic, creative fiber artist,
BRITTANY JONES and plus-size fashionista
In 2016, Brittany Jones journeying through the sewing
launched her blog and world, trying to make magic
YouTube channel. She has also with each garment she
been an editor for a digital creates. One of her favorite
sewing magazine, Sew Sew CAROLYN NORMAN quotes is from famous pattern
Def, collaborated with amaz- @diaryofasewingfanatic designer Connie Crawford:
ing online fabric stores, “Looking good is not about
worked with commercial and what size you are but how well
indie pattern companies, been the garments fit!”
featured in published maga-
BRITTANY JONES zines, become a brand HELEN WILKINSON
@brittanyjones ambassador for Husqvarna Helen Wilkinson is the designer
Viking and a sewing instructor and founder behind Helen’s
in the Sew It! Academy, and— Closet Patterns. Helen also
last but not least—is now the co-hosts the Love to Sew
co-owner of a fabric store, podcast, where she chats
Melanated Fabrics. about all things sewing. She
has six years of episodes full of
fun, learning, and laughter.
Recently, Helen started a quilt
pattern company called Cedar
HELEN WILKINSON Quilt Co., where she is
@helens_closet spreading her newfound love
for quilting across the sewing
community.

W W W . S E W D A I L Y. C O M 57
 Top 5 Community Leaders
Everyone in this group embraces collaboration
and believes that elevating others is the key
to their success. Supporting others is not
only their passion but also their cause.

MEG MCELWEE
Meg is a writer, artist, sewist,
and slow fashion advocate
who founded Sew Liberated
back in 2007. Three kids and
ZOE EDWARDS countless sewing projects
Zoe Edwards is a writer, later, she still loves what she
podcaster, sewing teacher, and does and hesitates to call it a
mother who is obsessed with “job.” It’s truly more of a
sewing and passionate about passion project. When she’s
sustainability. Thousands of not sketching out ideas or
makers participate in her MEG MCELWEE making plans for Sew Liber-
@sewliberated ated, Meg loves trail running,
Me-Made-May challenge each
year—all pledging to wear their Barre3, knitting, and making
“me-mades” more, or in new music with her family.
ways, with the goal of learning
ZOE EDWARDS lessons to improve their SARAI MITNIK
@sozoblog relationships with their Sarai Mitnik is the founder of
handmade wardrobes. Her Seamwork and an advocate for
Check Your Thread podcast creativity in everyday life. She
was borne out of her desire to has been sewing for 25 years
find ways to reduce climate and publishing patterns,
impact through the lens of her best-selling sewing books, and
love of sewing (and beyond!). articles, as well as building
community in the sewing world,
MIMI G for the past 14 years. She’s a
Mimi G is the founder and collector of all sorts of hobbies,
CEO of the Mimi G Style SARAI MITNIK because there’s nothing she’d
fashion and lifestyle brand, @seamwork rather do than make something
which includes her DIY blog with her hands.
and the sewing and design
school Sew It! Academy. Her
courses on DIY sewing, JENNY RUSHMORE
self-empowerment, business Jenny Rushmore is a curvy
coaching, and lifestyle have sewing pioneer, best-selling
resulted in 3.2 million followers author, and founder of Cash-
across all social media merette. She learned to sew at
MIMI G
@mimigstyle platforms. the tender age of thirty and
rapidly realized the profoundly
life-changing potential of
having a wardrobe of clothes
that actually fit her curvy,
plus-size body. Cashmerette
JENNY RUSHMORE offers thoughtfully designed
@cashmerette sewing patterns for curves, as
well as a monthly membership
program, online workshops,
books, and more.

58 W W W . S E W D A I L Y. C O M WINTER 2024
 Top 5 Trendsetters
These influential members of our community
are showing us all how to stand out
from the crowd and stay in the lead.

MICHAEL GARDNER
Michael Gardner is the creator
of Daddy Dressed Me, a
fashion content blog featuring
designs by the thirty-seven-
year-old father and modeled
by his ten-year-old daughter,
Ava. Michael started creating
designs for Ava when she was
just three years old, refashion-
ing thrifted women’s clothing.
MICHAEL GARDNER He was looking for a new way
@daddydressedmebymg to strengthen his relationship
with his daughter and, after
seeing his sister sew, decided BRAD SCHULTZ
to pick up the hobby. Michael Brad Schultz Design is all
and Ava live in Philadelphia. about making sewing fun,
approachable, and modern.
Brad believes that everyone
CHELSEA GURNOE should feel empowered and
Chelsea Gurnoe is a maker confident enough to authenti-
and designer based out of cally express themselves, and
Sacramento, California. She is his content is designed with
the founder of Friday Pattern that idea in mind. His goal is to
Company, which makes help people find their happy
patterns that are fun and BRAD SCHULTZ place through sewing, where
accessible to the modern @bradschultzdesign they can be creative, learn new
sewist. things, and express themselves
in a truly unique way.

CHELSEA GURNOE
@fridaypatterncompany MONICA TETTEH
Monica Monyo-Tetteh, also
CORNELIUS QUIRING known as That’s Sew Monica, is
Cornelius Quiring sews clothes a sewing, DIY, and lifestyle
uniquely tailored to fit his body creative. Born and raised in
and to embrace who he is. New York City with Ghanaian
When he was three years old, roots, Monica turned to sewing
he was involved in a farm as a way to connect with her
accident. A large harvesting late mother. She possesses a
machine fell on top of him and deep passion for sewing and
damaged some of the nerves the sewing community.
at his spine. As a result, several MONICA TETTEH Monica is a co-owner of
of the muscles on his right side @thatssewmonica Sewrority Wear LLC, a sewing
CORNELIUS atrophied and never devel- novelty and apparel company.
QUIRING oped. In his mid-twenties, he She organizes a monthly
@corneliusquiring worked on a glove to repair sew-along called SEWYOUR-
the lack of mobility in his right VIEW and hosts a regular
hand. The project taught him in-person sewing meetup
that he is okay just as he is. called Project Sew.

W W W . S E W D A I L Y. C O M 59
 Top 5 Rising Stars ANASTASIA CHATZKA
Anastasia Chatzka is a pattern
These sewists are making waves in maker, sewing educator, and
the industry while creating innovative, fashion designer with over 20
quality work that inspires us. years of experience. She
creates sewing tutorials with
PDF patterns that you can
MAX ALEXANDER follow along with on your
Max Alexander was born in home sewing machine. She
2016 in Los Angeles, California, also has a myriad of sewing
to a Canadian father and videos ranging from DIY sewing
American mother. He gradu- ANASTASIA projects for beginners to more
ated from Little Dolphins by CHATZKA advanced techniques such as
the Sea, an arts-based pre- @sewanastasia pattern drafting and draping.
school, in 2021. Max an- Whether you’re into craft
nounced to his family in 2020 projects for home sewing or
that he was a dressmaker. making a prom dress DIY style,
Encouraged by his mother, she wants to help you do it all!
MAX ALEXANDER also an artist, Max began
@couture.to.the.max designing, draping, and
sewing—and he launched his DR. EMILIA
Couture to the Max label in Dr. Emilia is a scientist by day
2021. His first collection was and a creative the rest of the
completed in summer 2021 time. Be it sewing, knitting,
and culminated with the welding pieces of steel
overwhelming success of his together with dubious results,
first runway show in Los or making music, there’s no
Angeles, California. artistic endeavor they will not
try and consequently become
completely absorbed by. As a
GERI BERMAN proud non-binary person,
Geri Berman shares her love DR. EMILIA Emilia is keen to bring access
for sewing and her sewing @making_and_candor to style to whoever wants to
adventures as she builds a participate in it, regardless of
handmade wardrobe one gender identity.
garment at a time. Almost
everything she has learned has
been self-taught, and she now DANIELA ALEJANDRA
shares how-to videos of GARZA MEZA
sewing tips and tricks, pattern Daniela Alejandra Garza Meza’s
hacks and tutorials, and sewing enthusiasm for the world of
GERI BERMAN pattern reviews. She is a fashion began when she was
@geri_in_stitches Cheongsam devotee, a eight years old designing
jumpsuit junkie, a Sashiko and dresses that her mother would
Shibori addict, and a fabric bring to life. She started her
hoarder. own brand in 2009 and
participated in Elle’s national
México Diseña contest in
DANIELA ALEJANDRA 2013—and won! She was
GARZA MEZA chosen a Top 14 Most Promi-
@alejandramezadiy
nent Designer and received the
People’s Choice Award. Daniela
likes to make her clients feel
like celebrities, while building
each piece with the latest
trends in the fashion industry.

60 W W W . S E W D A I L Y. C O M WINTER 2024
SEWSTAINABLE:
Back Country
SKIRT
BY SADIE METTER

Are you ready to unleash your creativity

and give new life to that old sleeping bag
gathering dust in your closet? Transform
a thrifted or used sleeping bag into a
fashionable and versatile outdoor activity
skirt. Whether you’re an avid hiker, camper,
or simply someone who loves to embrace
sustainable fashion, refashioning a sleeping
bag into a skirt is a fun and rewarding project
that allows you to express your individual
style while reducing waste.

W W W . S E W D A I L Y. C O M 61
SUPPLIES 1
• Sleeping bag
• 2 yards 3 mm elastic cord (see
“Sources”)
• 2 cord locks (see “Sources”)
• Walking foot & serger (optional)

PREPARE 30"
Remove all tags and unwanted
labels from the sleeping bag. Turn
sleeping back wrong sides out.

Mark a line 1" below the top edge of

the sleeping bag.

Measure and mark across the

sleeping bag at the desired length of
the skirt using fabric marker or chalk. 1"
The sample skirt is 30" long measured
from the top opening. Mark a second
line 1" below the first line (1).

tip Stitched lines are used

to contain the stuffing in the
sleeping bag. Skipping this 2
step will result in a pile of
stuffing on the floor.
Consider using a walking 1" 19"
foot for this step to make
the stitching easier.

Take waist measurement and add 6"

for ease and seam allowance. Take
the total measurement and divide by
2. The sample skirt is based on a
waist measurement of 32". We are left
with a measurement of 19".

With the zipper along the side,

measure and mark a point away from
the zipper using the number above.

Mark a vertical line from that point

to the lines previously marked. Mark a
second line 1" beyond the first (2).

For more sweep in the skirt, con-

sider angling the vertical lines toward
the center back slightly.

62 W W W . S E W D A I L Y. C O M WINTER 2024
CONSTRUCT 3
Stitch along all vertical and hori-
zontal marked lines.

Cut the sleeping bag between

stitched lines. Shake out any remain-
ing filling. Trim the seam allowance
and finish with either a zigzag stitch
or serger.

Clip two openings in the upper

casing near the zipper and remove
stitching at the center back only in
the top 1" (3).

Thread a piece of cording through

each side of casing extending 1⁄2"
beyond the center back. Baste in
place (4).
4
With right sides together, match
center back raw edges and pin in
place. Stitch together along line of
stitching from previous steps. Trim
the cording and finish raw edges.

Fold the bottom hem 1" toward the

wrong side and pin. Stitch hem in
place along the inside finished edge.

Secure the front cords with cord

locks.

SOURCES
Discovery Fabrics carries cord and cord locks:
discoveryfabrics.com.

W W W . S E W D A I L Y. C O M 63
Blue Diamond DUFFLE
BY DENISE ALONSO

Pack your winter essentials in style with the puffy

duffle bag that’s as fluffy as freshly fallen snow!
This whimsical yet practical bag is the perfect
companion for your weekend getaways, keeping
you organized and adding a touch of wintery
magic to your travel adventures.

Download the Telluride Duffle pattern from

www.sewdaily.com/sn_reader_exclusives for free
with code SNWINTER24.
SUPPLIES From the accent fabric, cut one Press seam allowance toward main
• 13⁄4 yards exterior fabric (see 181⁄2" × 381⁄4" rectangle for the lining fabric and topstitch 1⁄8" from the seam.
“Sources”) and one 191⁄2" × 3" rectangle for the Repeat with remaining accent piece.
accent. Using pattern pieces, cut two
• 11⁄2 yards accent/lining fabric
end circles, four end pockets, two Working on a flat surface, place
(such as satin)
trolley sleeves, three outside zipper main back piece right side down,
• 11⁄2 yards all-purpose woven fus- pockets, and one handle wrap. batting and main front right side up;
ible interfacing (see “Sources”) pin pieces together. Measure and
• 1 yard batting From the interfacing, cut four end mark 2" wide diamonds across the
pockets, two trolley sleeves, two piece (1).
• 21⁄4 yards 3⁄8" wide fold-over elastic
outside zipper pockets, and one
• 51⁄4 yards 1" wide webbing handle wrap. Repeat diamond pattern on end
• One 10" all-purpose zipper circles.
From the batting, cut one 191⁄2" ×
• One 19" handbag zipper
391⁄4" rectangle for the main. Using Trim main rectangle to 181⁄2" × 381⁄4"
• 1 snap any size pattern pieces, cut two end circles and use pattern piece to trim end
• 2 swivel hooks and one handle wrap, both with an circles to correct size. Mark center
extra 1⁄2" around for quilting. point on each long side.
• 1 slider adjuster
• 2 D rings Apply interfacing according to man- Place the handle cover batting on
ufacturer’s instructions to the wrong the wrong side of the main fabric; pin
• Denim sewing machine needle
side of the end pockets, trolley in place. Measure and mark 2" wide
• Zipper sewing foot sleeves, and outside zipper pockets. diamonds across the piece. Stitch
• Fabric clips along marked lines.
From the webbing cut two 41⁄2"
• Painter’s tape
pieces for the D rings, 2 yards and 32" Attach interfacing on the batting
• Telluride duffle pattern (see for the bag handles, and 2 yards for according to manufacturer’s instruc-
“Design”) the adjustable strap. tions.

Transfer pattern markings, including With right sides together, place

PREPARE center point of end circles and snap handle cover lining toward main.
Download the pattern. Print and placement. Stitch together along curved edge.
cut out. Clip into curve and turn right side out.
CONSTRUCT Press and topstitch the curved edge
From the exterior fabric, cut one Use 1⁄4" seam allowances unless 1⁄8" from seam. Baste short ends
191⁄2" × 351⁄4" rectangle for the front otherwise noted. together (2).
and one 191⁄2" × 391⁄4" rectangle for
the back. Using pattern pieces, cut four With right sides together, align the Install the snap with the cap on the
end circles and one handlewrap with accent long edge with the short edge curved quilted side and stud on short
an extra 1⁄2" around for quilting. of the main front. Pin in place. Stitch straight edge (3).
pieces together, locking stitches.

1
2 3

W W W . S E W D A I L Y. C O M 65
With right sides together, align long Working on a flat surface, sandwich Place the end circle lining on one
edges of both trolley sleeve pieces; one edge of the 10" zipper between side of quilted end circle; baste in
pin in place. Stitch pieces together. the two zipper pocket pieces. Stitch place. Place the end pockets over the
Turn right side out, press stitched the three layers together. Turn right right side of end circle, matching
edges, and topstitch 1⁄8" from edge. side out and press fabric and seam bottom center markings; baste in
Baste short ends. allowance toward fabric. Topstitch in place (5). Set aside.
place 1⁄8" from the seam (4).
Place the outside pockets with right Feed 41⁄2" piece of webbing through
sides together and stitch the upper Repeat with lower larger pieces and D ring. Fold both ends toward the
inner curve. Clip the curve, turn right opposite side of zipper. Baste around center and secure with clips. Using a
side out, and topstitch 1⁄8" from edge. outside edge, securing layers together. zipper foot, stitch through both layers
Baste the bottom curve. of webbing near the D ring (6). Repeat
Place remaining outside zipper with second D ring and webbing.
With a ruler, measure and mark a pocket piece with right sides toward
line 143⁄4" down from the upper edge of zipper pocket piece. Stitch together Measure and mark 21⁄4" from the
two outside zipper pocket pieces. Cut along upper and lower edges. Trim upper center edge of the end circle
along line and set large pieces aside. seam allowance and turn toward the piece. Secure with painter’s tape and
right side. Press and topstitch 1⁄8" stitch a 141⁄8" box stitch along the
from edge. Baste raw sides together. lower edge of webbing through all
layers of the end circle (7).

66 W W W . S E W D A I L Y. C O M WINTER 2024
 8

4 3⁄4" 4 3⁄4"

2" overlap

Trolley Sleeve

Zipper PKT
Accent

Accent
3 1⁄2" 4"
4 3⁄4"
4" Main Rectangle

1" Webbing

4 3⁄4" 4 3⁄4"

Use the diagram to lay out the main

bag (8).

Place quilted main rectangle piece

right side up. Place the trolley sleeve and
outside zipper pocket following diagram.
Baste to main along side seams of both
pieces. Using regular stitch length, stitch
upper and lower edge of zipper in place
following previous topstitching line.

Place handle webbing on main rect-

angle following diagram, overlapping
ends by 2". Topstitch webbing in place
along outside edge, starting at accent
piece edge. Reinforce webbing at accent
piece edge with 1" box stitch.

Pin webbing handle to main bag to

keep out of way when installing the
zipper.

With the right side of the zipper toward

the accent piece on one short end, align
along raw edge. Next, place the lining
rectangle with right sides down, sand-
wiching the zipper between the two
layers. Stitch together through all three
layers. Press fabric and seam allowance
away from zipper and topstitch in place.
Repeat with remaining side of zipper and
main bag.
W W W . S E W D A I L Y. C O M 67
 9

10

With right sides together, match the Bring the other end of the webbing
end circle center marks on the upper through the swivel hook with the
and lower edges with the zipper and right side toward the ring. 11
center notch on main. Stitch together
with scant 1⁄4" (9). Open zipper
halfway and attached second circle tip Check to make sure
end. Trim seam allowances to 1⁄8". the webbing is not twisted.

Place fold-over elastic over inside

edges, sandwiching raw edge. Clip in Continue with end and thread
place and stitch with 3⁄16" seam through the center bar of the slider
allowance. adjuster above the sewn end of
webbing (12).
Starting 2" from the handle box
stitch, clip the handle in half with Finish the strap by bringing the raw
fabric clips. Continue until reaching a end through the remaining swivel
point 2" from opposite box stitch. hook. Fold raw edge toward the
Insert the handle cover straight edge wrong side and stitch in place across 12
with the non-quilted side up, cen- the raw edge.
tered on the handle. Topstitch the
handle and cover in place along the Attach swivel hooks to bag.
outside edge (10). Repeat with
SOURCES
remaining handle.
Seattle Fabrics carries ripstop and heavy nylon webbing:
seattlefabrics.com.
Mark one side of strap webbing as Pellon carries SF101 Shape-Flex: pellonprojects.com.
the wrong side with painter’s tape. DESIGN
Feed one raw end through the slider Download the Telluride Duffle pattern at www.sewdaily
.com/sn_reader_exclusives for free with code
adjuster with the wrong side toward SNWINTER24.
the center bar. Fold the strap toward
the wrong side and stitch in place
across raw edge (11).

68 W W W . S E W D A I L Y. C O M WINTER 2024
Festive
BY KAYLEE LOCKHART
GLITTER CLUTCH
Get ready to shine brighter than the star on top of the tree with
a dazzling new glitter vinyl clutch! This festive accessory will
add an extra sprinkle of holiday magic to your outfit.

W W W . S E W D A I L Y. C O M 69
SUPPLIES
• 1⁄4 yard 20-gauge vinyl (see
“Sources”)
• Two 8 mm grommets
• One 15 mm snap (see “Sources”)
• 24" of 8 mm curb chain or metal
cording
• Three 1⁄2" lobster clasps
• Assorted glitter sizes and colors
• Fabric clips (see “Sources”)
• Pliers
• Aspen Evening Bag pattern
(see “Design”)

PREPARE
Download the Aspen Evening Bag
pattern. Print and then cut out.

From the vinyl cut two bag pieces

and one handle piece. Transfer all
pattern markings.

CONSTRUCT
Use 1⁄8" seam allowances unless
otherwise noted.

Working on a flat surface, place a

bag and handle piece down and
cover with assorted glitter (1).

Fold the handle in half and secure

with fabric clips; stitch together along
the long edge and set aside.

Place the remaining bag piece over

the top, sandwiching the glitter. 1
Secure the outer edge with fabric
clips. Stitch the short end.

Fold the stitched end toward the

top of the clutch, aligning with
marked line.

70 W W W . S E W D A I L Y. C O M WINTER 2024
Stitch the perimeter of the bag,
beginning at the lower left folded
corner, stitching up around the top 2
point, and finishing at the lower right
folded corner (2).

Install grommets and snaps accord-

ing to pattern markings and package
directions.

Using pliers, open one end of the

curb chain. Place a lobster clasp in
the open link and re-close the link.
Repeat with remaining lobster clasp
and chain end.

Thread a lobster clasp onto the

handle. Bring short ends of the
handle right sides together; stitch.

Bring the lobster clasp about 1⁄2"

from the new seam; fold and finger
press the handle. Stitch the handle 3
close to the lobster clasp and then
about 1⁄2" up from there so the seam
is enclosed by stitching (3).

SOURCES
Clover carries Wonder Clips: clover-usa.com.
Dritz carries snaps: handicraft.com.
Online Fabric Store carries 20-gauge clear vinyl: onlinefabricstore.com.

DESIGN
Download the Aspen Evening Bag pattern from www.sewdaily.com
/sn_reader_exclusives for free with code SNWINTER24.

W W W . S E W D A I L Y. C O M 71
Toasty THROW
BY BIANCA SPRINGER

There’s nothing quite like snuggling up

in a blanket, savoring a hot drink, and
getting lost in the pages of a good
book. Get ready for the perfect
winter afternoon with this cozy
wearable blanket sure to keep
you warm all winter.

Download the
Breckenridge Wearable Blanket
pattern from www.sewdaily.com
/sn_reader_exclusives for free
with code SNWINTER24.

72 W W W . S E W D A I L Y. C O M WINTER 2024
SUPPLIES PREPARE Fold fabric in half with cut edges
• 21⁄2 yards 60" wide Cloud Cuddle Download the pattern. Print and together. Mark the vertical and
double-sided minky or double- cut out. horizontal centers at the folds.
sided fleece (see “Source”)
From the fabric cut a 21⁄4 yard piece Working on a flat surface, open the
• Four 1" buttons
for the body of the blanket, front and fabric and lay flat. Position the
• Fray Check back facing, and pocket. neckline facing over the horizontal
• Buttonhole cutter (optional) and vertical lines, with the shoulder
CONSTRUCT seam of the facing aligned with the
• Two toothpicks (optional)
Use 5⁄8" seam allowance unless horizontal line. Pin facing in place.
• Breckenridge Wearable Blanket otherwise noted.
pattern (see “Design”) Trace the facing inside edge and set
With right sides together, stitch aside. Cut along marked edge,
front and back facing along shoulder removing the center. Staystitch along
seams. Trim seam to reduce bulk and inside edge.
press open.

tip To staystitch a seam,

leave your stitch length set
to a regular setting and
stitch 1⁄4" from the raw edge.
This stitch will hold the
fabric in place while you
stitch the rest of the blanket.
By stitching within the seam
allowance, you don’t have to
remove the stitching before
moving forward.

Stitch facing to blanket along inside

edge. Trim seams, clip back neck
curves, and clip into front point (1).
Turn facing toward the inside.

Secure the outer edge of the facing

with a zigzag stitch. Fluff the fibers to
obscure the stitching.

W W W . S E W D A I L Y. C O M 73
Place the pocket pieces with right Hem the front and back lower second point. Adjust as needed to
sides together. Stitch together around edges by folding toward the wrong line up button and buttonhole.
outside edge, leaving a 2" opening side 1" and securing with a zigzag
along the bottom (2). Trim seam stitch along the raw edge.
allowance and clip curves. Turn tip To give a button more
pocket right side out and fold seam Fold blanket in half, matching front room to fit through bulky
allowance in. Secure with pins. and back hemmed edge. Mark fold fabric, insert a toothpick
line along both outside edges. Open
between the button and
Position the pocket centered on the blanket and position on flat surface.
blanket front 15" down from the Measure and mark 13" along the side fabric. Position the
neckline edge. Pin in place (3). seam from the fold line. Measure and toothpick to not obscure
mark a second point 1" in from there the holes. After stitching and
(5). Repeat with opposite side. securing the button in place,
tip Try on the blanket remove the toothpick.
before stitching the pocket On the right side of the front, stitch
a buttonhole at the second point.
in place. This gives you a
Apply Fray Check and cut open Stitch button in place using ma-
chance to find the perfect
buttonhole. chine or hand stitches.
location for the pocket.
SOURCE
Using the buttonhole as a guide, Shannon Fabrics carries Gray Plaid Cloud Cuddle in Simply
Taupe: shannonfabrics.com.
mark the button placement on the
Stitch the pocket in place across the wrong side of the back piece at the DESIGN
top, sides, and lower edge (4). Download the Breckenridge Wearable Blanket pattern at
www.sewdaily.com/sn_reader_exclusives for free with
code SNWINTER24.

3
2
15"

13"

1"

74 W W W . S E W D A I L Y. C O M WINTER 2024
Après SkiPILLOW
BY BIANCA SPRINGER

Elevate the wintertime ambiance of your home

by incorporating a cozy touch with an upcycled
sweater pillow adorned with wintery phrases
and words. Embrace the season’s charm as
you lounge by the fireplace, surrounded by the
snug comfort of a repurposed sweater pillow
featuring couching and words that evoke the
magic and tranquility of the snowy season.

W W W . S E W D A I L Y. C O M 75
SUPPLIES
• Thrifted or upcycled sweater
• 1⁄2 yard coordinating woven fabric
• 3 yards braided metallic cording
• Open-toe embroidery or couching
foot (optional)
• Printable wash-away transfer
paper (optional; see “Source”)
• 17" square pillow form

PREPARE
From the sweater cut one 18"
square. From the woven fabric cut
one 18" square, one 18" × 6" rect-
angle, and one 18" × 13" rectangle.

Working with the 18" squares of

sweater and woven fabric, place the
woven fabric with the right side
toward the wrong side of the sweater.
Stitch together along the outside Beginning at the first letter, leave a
perimeter 1⁄4" from the raw edge. 1" tail and backstitch at the start of the
COUCHING IS A letter to secure the cording end,
Print design on printable transfer DECORATIVE SEWING making sure the cording is centered
paper. Remove paper backing and TECHNIQUE THAT within the zigzag stitch (1).
position on sweater front. Attach INVOLVES STITCHING
according to the manufacturer’s YARN, CORD, RIBBONS, Continue stitching over the cording
instructions. AND THREAD ON TOP along the letters. When reaching the
OF FABRIC.
end, backstitch to secure the cord
and trim.
tip Skip the transfer paper
and freehand the words or
designs on the sweater with
a fabric marker.
1

COUCH
If available, attach an open-toe
embroidery or couching foot onto
the machine.

Thread the machine needle and

bobbin with coordinating all-purpose
thread. Select a zigzag stitch width
approximately twice the cording
width and a 3–3.5 mm zigzag stitch
length.

On a scrap piece of sweater fabric,

practice applying the cording to
determine the right size stitch for the
cording.

76 W W W . S E W D A I L Y. C O M WINTER 2024
Rinse under cold water to remove the
transfer paper. Lay flat to dry.
2
CONSTRUCT
Use 1⁄2" seam allowances unless
otherwise noted.

Fold one long edge of each woven

piece 1⁄4" toward the wrong side, fold
another 1⁄2", and press well. Stitch along
the inside folded edge.

On a flat surface, position the front

sweater piece with right sides up. Place
the large woven rectangle with right
sides down along the upper raw edges.
Repeat with the second woven piece
along the lower raw edges. Stitch in
place along the perimeter (2).

Clip corners and turn right side out

through the back opening. Insert the
pillow form through the back-panel
opening.

SOURCE
Sulky carries Stick ’n Stitch wash-away stabilizer: sulky.com.

W W W . S E W D A I L Y. C O M 77
GET THE LOOK!
BY SNEHA KC

SWEATER
WEATHER
A perfect sweater is the holy grail
of winter weather. Use a bold and
cozy knit to stand out among a
sea of sullen colors while keeping
yourself warm. Or better yet,
layer two!

FABRIC AND COLOR PALETTE

Use cotton, wool, or cashmere for your
fabric choices. For neutral colors, play
around with the texture and feel of the
STYLE inspiration

material. Consider how the sweater will

look with your outfit as a whole and
create contrast between your pieces.
Choose a bold color—bright red or cobalt
blue—to pop on a cloudy day.
Getty Images/Photo by JP Yim / Stringer

78 W W W . S E W D A I L Y. C O M WINTER 2024
SWEATER PATTERN
Here are three sweaters that will
help you cozy up in the cold.

Alice Sweater
By Fibre Mood

Sable Sweater
By Seamwork

Stella Sweater
By Fibre Mood

FINAL TOUCHES
A sweater can be dressed up or down depending on the
occasion. Wear jeans and sneakers for a casual look. Don
a dress underneath with heels or boots for a night out. Or
pair with thigh-high boots, tights, and big, chunky bag.

W W W . S E W D A I L Y. C O M 79
EXPERTS Find out about the talented experts featured in this
issue and visit their websites to learn even more.

DENISE ALONSO (“Upcycled Ski BIANCA SPRINGER

Sweater”—page 46 and “Blue Diamond (“Toasty Throw”—page 72 and “Après Ski Pillow”—
Duffle”—page 64) is a pattern designer, page 75) is a native of The Bahamas who learned
sewist, maker, and serial creative. She to sew at her mother’s side. She now resides in
loves living in the Pacific Northwest, Pearland, Texas, with her husband, daughter, and
sewing patterns with size inclusivity, the son. They all serve as endless inspiration for fabric
’80s, and her dog Marshmallow. She experimentation and hand-embroidery designs.
believes you can always find room for She teaches group and private sewing to anyone
one more purse (especially a handmade willing to learn.
one) and one more hobby. Follow her on www.thanksimadethem.blogspot.com
Instagram. @marinadelraydesigns

PAULINE BRUCE (“Buffalo Check

Hoodie”—page 43) recently moved to
Lisbon, Portugal. One of her favorite
sewing pastimes is to recreate fashion
runway and designer looks by hacking
and customizing commercial and indie Love writing and sewing?
sewing patterns. She also loves to Become a contributor for Sew News
express her creativity by mixing different by emailing us your proposals to
prints and patterns, particularly stripes.
www.sewuthinkucan.com sewnews@goldenpeakmedia.com.

KAYLEE LOCKHART (“Festive

Glitter Clutch”—page 69) is a Denver-
based journalist, pattern designer, and
maker. She has been working in the
crafting industry for the past four years,
where she has had the opportunity
to expand her passion for sewing and
knitting. Follow her on Instagram.
@kayleesaurus_rawr

80 W W W . S E W D A I L Y. C O M WINTER 2024
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next?
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