New First Step Reading-Resource-Book
New First Step Reading-Resource-Book
Resource
Book
Reading
Published in Canada by
Pearson Canada Inc.
26 Prince Andrew Place
Don Mills, ON M3C 2T8
Text by Kevlynn Annandale, Ross Bindon, Kerry Handley, Annette Johnston, Lynn Lockett,
Philippa Lynch
Vice-President, Publishing and Marketing, School Division: Mark Cobham
Vice-President, Marketing and Professional Field Services: Anne-Marie Scullion
Publisher, Pearson Professional Learning: Debbie Davidson
Research and Communications Manager: Chris Allen
Canadian Edition Advisors: Noreene Decker, Norma MacFarlane, Mary Lou Stirling
Project Co-ordinator, Pearson Professional Learning: Joanne Close
Associate Editor: Jacquelyn Busby
Developmental Editor: Katherine Revington
Senior Production Editor: Jennifer Handel
Proofreader: Kelli Howey
Production Coordinator: Zane Kaneps
Composition: Computer Composition of Canada Inc.
Permissions and Photo Research: Terri Rothman
Cover Design: Alex Li
Cover Image: Pick and Mix Images/Alamy
ISBN-13: 978-0-13-221013-3
ISBN-10: 0-13-221013-4
For permission to reproduce copyrighted material, the publisher gratefully acknowledges the
copyright holders listed on page 225, which is considered an extension of this copyright page.
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FSIL002 | First Steps in Literacy: Reading Resource Book
© Western Australian Minister for Education 2013. Published by Pearson Canada Inc.
Authors’ Acknowledgments
• all teachers and students who were involved in piloting the materials and
offering feedback, either as Critical Readers, Test Pilots, or Navigator Schools;
• the authors of the original First Steps®, developed by the Education Department of
Western Australia, and the efforts of the many individuals who contributed to that
resource.
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FSIL002 | First Steps in Literacy: Reading Resource Book
© Western Australian Minister for Education 2013. Published by Pearson Canada Inc.
FSIL002 | First Steps in Literacy: Reading Resource Book
© Western Australian Minister for Education 2013. Published by Pearson Canada Inc.
Introduction
First Steps Reading Resource Book, Canadian Edition, builds on the
original First Steps text (formerly known as Reading Resource Book) by
drawing upon seminal and contemporary research and
developments in the field of literacy learning. This new resource
book has a strong focus on supporting teachers and schools as they
embrace an outcomes-based approach to teaching.
Use of Texts
Overview
The Use of Texts substrand focuses on the comprehension and
composition of a range of texts. A text is defined as any means of
communication that can use words, graphics, sounds, and images, in
print, oral, visual, or electronic form, to represent information and
ideas to an audience.
Many categories are used to sort the enormous range of texts that
students encounter, for example, fiction and non-fiction, narrative and
informational, literature and mass media. Texts in First Steps Literacy
are classified in three main communication modes: written, oral, and
visual. However, each of these categories may be further separated
into print, live, and electronic, and a text can be multimodal, e.g., a
video is a combination of electronic, spoken, and visual texts.
Print
experience Timetable Experiment Chart
Written Complaint Summons Journal
Electronic
Joke Conversation Greeting Interview Oral report Debate Oral explanation Oral directions Performance
Story Apology Discussion Speech
Song lyric Telephone Theatre
Theatre conversation
Live
Electronic
© Western Australian Minister for Education 2013. Published by Pearson Canada Inc.
Play Tableaux
Theatre Gesture
Live
Mime Performance
Button
Painting Picture book Logo Venn diagram Road sign Flyer
Visual Photograph Photograph Advertisement Timeline Poster
Cartoon Timeline Catalogue Graph Magazine
Print
Table Clothing
Flowchart Tattoo
Television Advertisement
sitcom Documentary CD-ROM
Film News report DVD/Video
Web page
Electronic
Figure 1.2 Categorizing texts by purpose
Reading Resource Book
SECTION 1
Instructional Approaches to
Reading
The ultimate aim of any reading program is to support the
development of confident, competent, and independent readers.
The strategic use of a range of instructional approaches to reading
ensures this as it provides a strong foundation for a comprehensive
reading program. Each instructional approach involves varying
degrees of responsibility for both the teacher and the student. Using
a selective range of approaches ensures that explicit instruction and
guidance, when needed, is balanced with regular opportunities for
the independent application of skills and strategies. Once teachers
are familiar with a range of instructional approaches, they can
determine which will be the most effective to use according to the
students’ needs, the familiarity of content, or the purpose of the
reading session.
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Gallagher 1983). Instructional approaches, such as Reading Aloud
to Students, Modelled Reading, and Language Experience, allow
the teacher to demonstrate how strategies can be used to help the
reader make sense of text. Shared and Guided Reading provide
opportunities for students to practise these strategies with guidance
and support. Literature Circles and Independent Reading sessions
allow students time to apply what they have learned about reading.
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Overview of Instructional Approaches to Reading
Reading Aloud to Students Modelled Reading Language Experience Shared Reading
A text is read aloud to The teacher demonstrates A shared experience is used as a This type of reading is a
students with the purpose of reading strategies and basis for jointly creating a text teacher-managed blend of
engaging them. behaviours, and verbalizes the that is then used for further modelling, choral reading,
cognitive processes involved reading. The Shared Writing and echo reading, and focused
Definition
with them. Shared Reading processes discussion.
overlap.
• Primary purpose is to share • The teacher makes clear • The reading is based on a • Text is visible and
enjoyment of reading. Think-Aloud statements. shared experience. accessible to all.
• A good model for reading is • Focus is singular or limited. • Text is created as a result of • Text is read multiple times.
provided—reading is fluent • Demonstrations are multiple. the experience. • Focus is singular or
and expressive. • Students’ language is used limited.
• Sessions last from 5 to 10
• Reading is largely minutes. when creating the text. • Activities are
Key Features
uninterrupted. • A mini-lesson is provided. • The created text is used for differentiated.
The teacher scaffolds and supports a Small groups of students meet to read, Students select texts and read
© Western Australian Minister for Education 2013. Published by Pearson Canada Inc.
group of students as they read a common respond to, and discuss texts they have independently, applying previously
Definition
text. selected. learned strategies.
• There is a clearly defined purpose. • Students select texts. • Students select texts.
• A group of students has an identified • Students facilitate discussion. • There is an uninterrupted time span.
common need. • Groups engage in text study. • Students can sustain silent reading
• Most reading is done silently. • Groups have regular meeting time. (30 to 50 minutes).
• Session has a pattern of asking guiding • Groups are temporary.
Key Features
questions, reading, and discussing.
Figure 1.3
Reading Resource Book
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Reading Aloud to Students
Definition: Reading a text aloud to students with the purpose of
engaging them
Description
The major focus of Reading Aloud to Students is on sharing a text
for pleasure, not on explicitly teaching reading strategies, language
structures, or vocabulary. Reading Aloud to Students allows the
reader to demonstrate effective reading behaviours and a positive
attitude—to read fluently and expressively.
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FSIL002 | First Steps in Literacy: Reading Resource Book
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Reading Resource Book
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FSIL002 | First Steps in Literacy: Reading Resource Book
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Ideas for Assessment
During a read-aloud, make informal observations about the
students’ behaviours, e.g., Do they sit and listen to the text? Are they
easily distracted? Do they actively take part in discussions?
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FSIL002 | First Steps in Literacy: Reading Resource Book
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Reading Resource Book
Modelled Reading
Definition: Demonstrating reading strategies and behaviours and
verbalizing the cognitive processes involved with them
Key Features
• Clear Think-Aloud descriptions are used.
• The focus is singular or limited in a session.
• The same strategy or behaviour is modelled many times.
Strategies for
• Sessions are most effective when kept brief (5 to 10 minutes). Think-Alouds
• Predicting
Benefits for Students • Confirming
• Visualizing
Modelled Reading helps students to • Inferring/Making
connections
• understand how effective readers read and process text • Paraphrasing/
• gain a deeper understanding of when, how, and why particular Summarizing
reading strategies are used by effective readers • Monitoring
comprehension
• see how a particular text form can be read
• build their understanding of the English language
• understand how reading and writing are related
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FSIL002 | First Steps in Literacy: Reading Resource Book
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Suggestions for Using Modelled Reading
in the Classroom
Planning for Modelled Reading—Before
• Determine the focus of the session and choose a text that allows
multiple demonstrations of a particular reading strategy.
• Pre-read the text to determine the places where Think-Alouds
will be used to demonstrate a specific reading strategy.
• Consider the language that will be used at each selected place
in the text.
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FSIL002 | First Steps in Literacy: Reading Resource Book
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Language Experience Approach
Definition: To use a shared experience as a basis for jointly creating
a text that is then used for further reading; commonly seen as part
of a Shared Writing process
Description
The focus of Language Experience is on involving students in
a shared experience. As a result of the experience, oral language is
generated and a written text is created. This jointly created text,
scribed by the teacher, becomes the text for further reading.
Key Features
• The students’ oral language forms the basis for creating the
written text.
• The text can be created through the instructional approach
Shared Writing (see Writing Resource Book, Canadian Edition).
• The whole class participates.
• The created text can be used for further reading activities.
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Reading Resource Book
Debbie Diller
explores the
potential of literacy
work stations in her
2003 Stenhouse
title, Literacy Work
Stations: Making
Centres Work.
Figure 1.6 In this Language Experience, students read at a literacy work station.
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Ideas for Assessment
Language Experience Approach sessions enable the teacher to
observe individual students as they work as part of the whole class.
Valuable information can be gathered about students by observing
their individual contributions to the Shared Writing, directing
particular questions to them, or asking them to read sections of the
text independently.
Assessment for
Learning Reflecting on the Effective Use of Instructional Approaches:
• Are students able
to use key vocabu-
Language Experience Approach
lary in their own
text creations? • Did I stimulate enough discussion to generate sufficient
• Are students able oral language?
to make, break,
and complete • Did I ask open-ended questions?
cloze exercises • Did I value the students’ oral language in the creation
using key
of the written text?
vocabulary?
• Did I take the opportunity to extend the students’ vocabulary?
• Did I use the text for other reading purposes?
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FSIL002 | First Steps in Literacy: Reading Resource Book
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Reading Resource Book
Shared Reading
Definition: A teacher-managed blend of modelling, choral reading,
echo reading, and focused discussion
Description
The text can be
Shared Reading is a supportive, interactive reading experience. presented on an
Students observe a good model (usually the teacher) reading the overhead or chart or
as a big book.
text and are invited to join in. All of them can see the text being Students need to be
shared. able to see it so
that they can chime
Shared Reading provides a common starting point and context for in or read specific
bits aloud.
a variety of whole-class literacy activities. Whole-class Shared
Reading sessions also provide a springboard for working with
smaller groups to extend or consolidate reading behaviours or
knowledge at different levels.
Key Features
• Sessions are most effective when kept to 10 to 20 minutes.
• All students in the class actively participate.
• The focus is singular or limited in one session.
• The text is visible and accessible to all.
• Differentiated activities follow the shared reading.
• There are multiple readings of the text.
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Suggestions for Using Shared Reading in the
Classroom
Planning for Shared Reading—Before
• Determine the focus of the session and choose a text that allows
multiple demonstrations of the focus.
• Pre-read the text.
• Determine the points in the text where the particular focus can
be demonstrated.
• Determine the places in the text where the students can participate
in choral or echo reading.
• Plan follow-up activities for the whole class, small groups, or
individual students.
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FSIL002 | First Steps in Literacy: Reading Resource Book
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Reading Resource Book
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FSIL002 | First Steps in Literacy: Reading Resource Book
© Western Australian Minister for Education 2013. Published by Pearson Canada Inc.
Guided Reading
Definition: Providing scaffold and support to a small group of
students with a similar identified need as they read a common text
Description
Guided Reading is an instructional approach that enables teachers
to support small groups of students who use similar reading
strategies and read texts at a similar level.
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FSIL002 | First Steps in Literacy: Reading Resource Book
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Reading Resource Book
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FSIL002 | First Steps in Literacy: Reading Resource Book
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Reading Resource Book
Literature Circles
Definition: Groups of students who meet to discuss, respond to,
and reflect on a common text they have chosen to read
Unlike the more loosely organized book clubs, Literature Circles are
structured to promote student independence, responsibility, and
ownership. They provide a context in which students can practise
Literature Circle
and develop the skills of effective readers. Students determine what Roles
to discuss, and within a group, may play different roles. • Discussion director
• Literary luminary
• Illustrator
Description • Connector
• Summarizer
The focus of Literature Circles is on a small group of students • Vocabulary
selecting a text, reading it independently, and meeting regularly to enricher
discuss and respond to it. With certain adaptations, Literature • Travel tracer
• Investigator
Circles are applicable across all grade levels and can work equally
well with literary and informational texts.
Key Features
• Students select their texts.
• Temporary groups are formed based on text choice.
• Groups meet regularly for a pre-determined time span.
• Different groups read different texts.
• Students are responsible for being prepared for each meeting and
may fulfill different roles.
• Assessment is embedded in the approach.
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• solve problems
• develop questioning skills
• actively participate in student-led group discussions
• collaborate, set goals, and pursue their own questions
• appreciate other viewpoints
An alternative, but
Suggestions for Using Literature Circles in the
similar approach is
to introduce book
Classroom
clubs, where even Planning for Literature Circles—Before
primary students can
discuss books • How to participate in a Literature Circle will need to be modelled
previously read several times with the whole class. The whole class could read the
aloud and reread
before a meeting of same text or a Fishbowl l technique could be used. It is important
about five students to model elements such as generating questions, determining
during Independent
Reading time. Book
amounts of text to be read, using roles to promote group
clubs, which might discussion, and preparing for a Literature Circle meeting.
meet about once • A range of anchor charts can be jointly created and prepared to
every five weeks,
are less formally provide scaffolds for students. Figure 1.9, on the following page,
structured than outlines a few roles students may play.
Literature Circles.
• Determine how long and how often students will meet in their
groups, e.g., an hour once a week, 30 minutes twice a week, daily.
• Set a completion date. Estimate how long it will take students to
read and discuss the entire text.
• Decide when reading and preparing for discussions will happen,
e.g., regular classtime, at home, or a combination of the two.
• Decide how many students will be in each group. Groups of four
or five students are recommended as this gives all students an
opportunity to be involved. Note that up to eight roles are
identified.
• Choose six to eight diverse texts from which the students can
select. Where possible, pre-read part or all of the texts.
• Decide how students will identify the texts they wish to read,
e.g., ballot with top three choices.
observing a group rehearsing the process. The teacher directs observations and
facilitates discussion about the process being used.
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Reading Resource Book
Vocabulary Enricher
Discussion Director Locates interesting words within the
Selects or generates questions that text before the meeting, recording
will lead the group discussion page number and definition
Asks the questions of the group Researches information about each
Keeps the group on task word
Shares findings with the group
Connector
Summarizer
Locates significant passages and
Summarizes the section of text that
connects these to real life and to
has been read by the group
other books
Figure 1.9
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Ideas for Assessment
During a Literature Circle session, there are opportunities to
observe group discussions, noting individual students’ reading or
social behaviours as well as group interactions. Periodically
collecting students’ response journals or reading logs will provide
information about their understanding of the text. Student self-
assessments or reflection sessions may provide insights into the way
groups are working and the goals they are setting.
Assessment for
Learning Reflecting on the Effective Use of Instructional Approaches:
Students could
engage in self- Literature Circles
reflection on how
they took part in • Did I act as a facilitator and observer, not as the director of the
group discussion.
discussion, during student meetings?
For example, a
student might • Did I introduce the essential processes required for students to
determine “I fully participate?
participated by
sharing on-topic • Did I allow students to select the text from the range provided?
ideas, extending • Did I provide time for students to reflect on their participation?
ideas, and providing
• Did I allocate sufficient time for students to complete the
examples or proof
for my own ideas.” texts?
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Reading Resource Book
Independent Reading
Definition: The independent application of previously learned
reading strategies to a text selected by the reader; part of the
continuum of diminishing support seen in the Gradual Release of
Responsibility Model (Pearson and Gallagher 1983)
Description
The focus of Independent Reading is students taking charge of their As an instructional
own reading : they choose their own texts, read silently, and take approach, Indepen-
dent Reading differs
responsibility to work through any challenges presented by the text. from other types of
independent read-
Independent Reading for readers who are unable to accurately read ing, such as USSR—
the print is still possible. It could take the form of looking at the Uninterrupted Sus-
tained Silent Read-
pictures and telling the story or sitting with a partner and sharing a ing—and DIRT—
text. During such sessions, the noise level may rise, but as long as it Daily Independent
is kept at an acceptable level students are fostering a love and Reading Time. It
promotes use of and
enjoyment of reading. reflection on strate-
gies and the making
In Independent Reading, the responsibility for choosing the text is of connections,
in the hands of each student. Texts should be at an easy or while the other
types promote read-
instructional level. While students are free to choose the texts they ing for recreation
prefer, they can be encouraged to select from a wide variety of without accountabi-
lity for doing more
literary and informational texts. than that.
Key Features
• Students select their own texts.
• Students practise reading skills and strategies independently. Through focused
• Everyone reads. mini-lessons,
teachers can offer
• The session is uninterrupted. guidance on how to
• Time increases as students are able to sustain silent reading. choose texts—or
when to abandon
Benefits for Students one.
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Suggestions for Using Independent Reading
in the Classroom
Planning for Independent Reading—Before
Using the time for • Ensure that a range of reading material is available.
Independent
Reading effectively • Establish routines for Independent Reading, e.g., borrowing system,
is important. That seating arrangement, noise level.
means students
• Teach students how to select texts (see pp. 48–50). Jointly
need to be taught
how to read construct a class anchor chart and have students refer to it when
independently—to necessary.
look at pictures, to
read text, and to • Ensure that the text organization system is clearly understood.
reread as necessary. • Allocate time each day for Independent Reading.
One common
practice is to have Implementing Independent Reading—During
most students
engage in • Reiterate the routines for Independent Reading.
Independent • Invite students to select their own texts.
Reading while the
teacher meets with • Have everyone read for the allocated time.
a small group for a
Guided Reading Following Up on Independent Reading—After
session.
• Provide time for students to reflect on their reading.
• Provide opportunities for students to respond to their texts,
e.g., write in reading journal, discuss with a partner.
Figure 1.10
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FSIL002 | First Steps in Literacy: Reading Resource Book
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Reading Resource Book
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FSIL002 | First Steps in Literacy: Reading Resource Book
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SECTION 2
Developing Fluency
Reading fluency is the ability to read aloud with expression to
demonstrate an understanding of the author’s message. Fluency
includes the elements of intonation, phrasing, reading rate, syntax,
and accuracy. A fluent reader pays attention to the graphophonic,
syntactic, and semantic elements of the text. Fluency is much more
than the accurate recognition of individual words on the page.
Developing fluency increases the likelihood that readers will
understand what they read.
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Reading Resource Book
1 Echo Reading
The teacher works with small groups reading a text, sentence by
sentence. After the teacher reads each sentence, the students are
encouraged to read the same sentence. This activity can be performed
frequently, but it is important to keep the sessions relatively short.
• Read the first sentence of a text or short paragraph, demonstrating
fluency and expression. Invite students to follow along. The
sentence may need to be reread depending on the experience of
the students or the text.
• With the students, reread the sentence using the same fluency
and expression.
• Have students reread the sentence fluently by themselves. It is
important to give feedback at this point. Continue reading each
succeeding sentence in this way.
2 Shadow Reading
Shadow Reading is a variation of Echo Reading. The teacher demon-
strates how to read an entire passage fluently and then offers
support and feedback to the students as they read the same passage.
• Gather together a small group and give each member the same
text at their independent reading level.
• Read the entire text expressively and fluently and have the
students follow along.
• Reread the text fluently together.
• Have the students reread as needed. Students can reread to
partners or in small groups.
• Have the students offer each other constructive feedback about
the fluency of the oral reading.
3 Assisted Reading
Assisted Reading is a time for solo reading as the teacher, or a
person acting as a mentor, works one on one with a student. Before
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Reading Resource Book
4 Shared Reading
Shared Reading is an instructional approach that allows students to
participate in oral reading in a supported way. The teacher reads
aloud from an enlarged text and invites the students to participate
in a way that makes them feel comfortable (see Chapter 1: Section
1—Instructional Approaches to Reading, pp. 17–19).
5 Choral Reading
Choral Reading involves students reading a text orally together with
the intention of making a meaningful and enjoyable performance.
Choral Reading is often an enjoyable part of the Shared Reading
instructional approach. Although Choral Reading is usually
associated with reading poetry, repeated dialogue, or repetitive
refrains, the focus is on reading the text rather than reciting it from
memory.
• Select a text to read. The text should be easily accessible to all, so
it may be an enlarged text, an overhead transparency, or a chart.
• Model the reading of the text, demonstrating how to use the
voice to express meaning.
• Assign parts of the text to various groups of students.
• Read aloud together several times, helping groups to read their
sections.
• Add any props, sound effects, or movement that will enhance the
presentation of the text. Arrange for the students to perform the
reading for an audience, e.g., other students at a school assembly,
visitors to the class, parents at an open house.
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6 Tape-assisted Reading
Tape-assisted Reading involves the students reading along with a
fluent reader on an audiotape. Good quality, commercially produced
tape and text sets are available. Teachers may also wish to record
their own tapes as an additional support for texts used in the class.
A text at indepen- Parent volunteers, older students, or teacher assistants can also
dent reading level is
one that can be read provide models of fluent reading for these tapes. Asking students to
with high accuracy produce text and tape sets, including personally written texts, is an
and comprehension.
excellent way to motivate students to develop fluency.
The reader would
consider it easy. • Choose a text and a tape at an appropriate reading level (at or
just above an independent level). Students listen to the tape and
follow along.
• Direct students to listen to the tape again, joining in where
they are able.
• Have the students reread the text while listening to the tape.
Continue in this way until students can read the text fluently
without the tape.
7 Readers Theatre
Readers Theatre is an oral performance of a script. The focus is on
Marking Key interpreting the script and reading it expressively rather than on
P — Pause memorizing the text or dramatizing it through body movement.
E — Emphasize There is usually a narrator. Readers Theatre is the perfect forum for
F — Show readers to practise fluency because it calls for rehearsal, and
Feelings performance provides an incentive for students to improve their
DV — Deep Voice reading. It is inclusive because readers of all stages of development
WV —Woman’s can take part and support one another. It is an authentic
Voice cooperative activity which participants often find rewarding. (See
// — Longer Reading Map of Development, Canadian Edition, p. 154, for more.)
Pause 8 Radio Reading
LV — Loud Voice Radio Reading (Opitz 1998) is another supported oral reading
W — Whisper activity where students have the opportunity to present rehearsed
Figure 1.12 Marking material to other students. While one group performs the reading,
key for Radio the rest of the class “listens to the radio.”
Reading • Select or have students select a text to be read. Review the text.
• Divide students into small groups. If necessary, help them select
sections from the text so each member has a part to read.
• Show how to prepare their sections for oral reading. Introduce
a marking key if appropriate.
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Reading Resource Book
9 Poetry Club
A Poetry Club (Opitz 1998) provides a forum for performing poetry
to an audience. Students can reread for authentic purposes. They
can perform poems and possibly include information about the poet
or their reasons for choosing a particular poem.
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10 Buddy Reading
Reading to younger buddies provides an opportunity for older
students to model fluent reading. Older readers, especially those
who are struggling, need opportunities to read lots of easy texts.
These students often see reading easy texts, deemed “baby books,”
as unacceptable and undesirable. If these students read to younger
buddies, they will feel that the texts are acceptable.
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Reading Resource Book
SECTION 3
Promoting Reading
Reading is a complex process that people approach with different
Conditions of
degrees of enthusiasm. Some readers are less enthusiastic about Learning
choosing to read than others. Brian Cambourne
identified these
In any classroom, a teacher may identify the following types of seven conditions of
learning:
students: • immersion
• those that read well, but have little interest in doing so • demonstration
• expectations
• those that are interested in reading, but don’t read well
• responsibility
• those that have no interest in reading regularly and are at risk • approximations
of not coping with literacy tasks • practice
• feedback/support/
• those that have specific learning problems that impede their celebrations
ability and willingness to read The conditions are
interconnected and
• those that are learning English as a second or other language interwoven, not
linear or sequential.
The following factors may be influencing the reading abilities of the
students described above:
• prior experiences that have created a negative image of reading
• no appealing text form or author yet discovered
• a lack of purpose for reading
• a misunderstanding of the reading process, e.g., thinks that reading
is saying words rather than making meaning
• no time or encouragement to read, e.g., sport commitments,
emotional trauma
• use of ineffective strategies, making reading a laborious task
• insufficient prior knowledge to make meaning
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inform them of the efforts being made. Teachers can select from the
following ideas and suggestions.
Environment
Create an environment conducive to reading, perhaps the school or
classroom library area where students can sit and read without
distraction. A carpet square, beanbags, big cushions, and an old
armchair or sofa would make this area a comfortable special place.
Displays and posters advertising reading material would also
heighten the atmosphere.
Text Selection
Ensure that the classroom library has a wide variety of texts
representing different authors and text forms. Include literary and
informational texts, texts related to the students’ interests, texts on
a variety of reading levels as well as class-created texts, paperbacks,
taped stories, comics, magazines, newspapers, brochures, catalogues,
interactive CD-ROMs, and e-books. Enhance the students’ reading
development and interests by changing the texts regularly.
Displays
Ensure that texts in the classroom library are displayed, advertised,
sampled, and easily accessible. Select a few titles and display them
attractively by topic, form, or author. Bright posters with catchy
phrases, as well as puppets or models related to a text, will help to
create interest. Change the displayed titles frequently.
Reading Time
Establish a time for independent reading. Allow students to choose
their own reading texts. Be a role model for students and share
your enthusiasm for reading.
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Fads
Make links to any fads at the time. Try to have available copies of
texts that link to the fad.
Electronic Versions
Consider obtaining the electronic versions of texts as some readers
may be encouraged to read the accompanying text.
Poetry
Ensure that a variety of poetry texts are available. Poems can often
be read relatively quickly as there is less print on the page. This
feature is appealing for some readers.
See page 48 for
more on interest
Inventories and Surveys surveys. The First
Distribute an interest inventory or survey at the beginning of the Steps Reading
Resource Book
school year. This information can be used to select motivating CD-ROM has a few
reading material based on students’ interests for both the classroom line master options.
and school libraries. The survey could be conducted again during
the year as interests may have changed.
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Author Studies
Implement author studies. Have the class or a group of students
read several texts by a favourite author. Learn about the author,
have the class write thoughtful letters as if to the author, and visit
the author’s Web site. Make other texts written by that author
available.
Invitations
Invite an author, illustrator, publisher, or librarian to the classroom
to share their work. (If funding is needed, approach the school
council or home and school association.)
Literature Circles
Use Literature Circles or book clubs to provide students with
opportunities to discuss a common text that has been read (see
Chapter 1: Section 1 — Instructional Approaches to Reading). For
young students, the text chosen can be one that has been read
aloud and discussed as a whole class on some prior occasion. If a
text has already been read aloud to the students, the discussion can
be more focused.
Pen Pals
Organize pen pals or e-mail pals for students. Maintaining this
relationship encourages students to read and write.
Different Audiences
Students can find reading with and to different audiences a
motivating experience. Pair students with a reading partner in
another grade level. Students can share what they have read with
their reading buddies or an older student can read to a younger
student. Students may be able to read to audiences outside the
school, such as residents at nursing homes.
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Student Recommendations
Students can promote and recommend texts for other students to
read through any of the following activities:
• creating a poster, review, or PowerPoint presentation to describe
a text they have read and enjoyed
• writing reviews that are bound into a collection and available for
others to read
• giving an oral presentation to a group or class at a designated
time of the day or week about a text they have read and enjoyed
• creating a jacket cover for a text they have read and adding their
comments to the cover
• being photographed holding their favourite texts (Have the
students attach a summary explaining why this text was so
special. Displaying these photographs will be a way to advertise
the texts to other students.)
• completing a colour-coded card about the text they have read
(The cards correspond to the colours of traffic lights: a green card
tells others to go for this text, yellow means the text was okay,
and red means stop, or not recommended. The title, author, and
student’s name can be written on the front of the card; on the
back, students can write an explanation of why the text was
given that colour coding.)
• writing a review on a small card and attaching the card to the
classroom library shelf where the text is located (Other students
can quickly read the review.)
Publicity Campaigns
Have students create a publicity campaign for a text or an author.
They could consider posters, videos, book reviews, Web sites, and
oral and written advertisements to promote their chosen text or
author.
Computers
If a student has a particular interest in a computer game, encourage
the reading of the manuals and magazines that help the user
through these types of games. E-books and interactive CD-ROMs
Recommendations by
are also available for reading on the computer. peers may be enough
to encourage
Class Chart students to read
texts they would not
Create a class chart on which students write the titles of texts they otherwise have
have read and enjoyed. From this list a Text of the Month can be considered.
chosen and displayed. The class might establish an award, using
pre-established criteria for real book awards.
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Reading Timeline
Have students produce a timeline of their lives, naming their
favourite texts throughout the years. Personal pictures, texts, and
text covers and illustrations can be included. The displayed timelines
make great advertisements, create impromptu book discussions, and
show students how their reading has changed over time.
Lonely Texts
Display several texts with the banner “The Loneliest Texts in the
Class Library.” Encourage students to read and review these texts.
An incentive could be offered for reading these texts. This strategy
encourages some students to read and write about texts that seldom
leave the shelves.
Reviews
Publish student or teacher reviews of texts in the school newsletter
for everyone to read. Doing this may encourage others to seek out
the texts and read them.
Valuing Opinions
Increase students’ self-confidence by treating them as reading
experts. Show students their opinion is valued by providing
opportunities for them to share what they think.
Check the First Steps Parents
Reading Map of
Development CD-ROM Encourage parents to promote reading in the home. Assist parents
for Parent Cards by providing information about how to help students learn to read,
about supporting
readers in the how to choose reading material, why reading is important, and
various phases. how to make reading fun.
Incentive Schemes
There are numerous schemes that provide incentives for students
as individuals, in small groups, or as a whole class. These incentive
schemes reward students for the number of texts they have read.
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Karate
Explain how in karate different colours of belts represent different
levels of attainment. This notion is then carried over into reading.
Create belts of various colours, such as white, yellow, orange,
green, blue, red, brown, and black. Assign belt levels to the number
of texts read, e.g., three texts earns a yellow belt; six earns an orange
belt.
Read-a-thon
Conduct a class or whole-school read-a-thon over a given time or
to achieve a set target. Keep a record of the number of pages read or
the total number of texts read. Update the results regularly.
Adding Details
Have students add the names of any texts they have read to a class
collection of titles. Link the recording of titles to current class
themes, such as adding a new car to a train, fruit on a tree, or ship
in the harbour.
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SECTION 4
The focus for this section is organized under the following headings:
• Selecting Texts for the School
• Selecting Texts for Use in the Classroom
• Selecting Texts to Send Home
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Figure 1.14
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Evaluating Texts for Purchase
• The features of these texts that will assist the target student group
include
❑ rhyme
❑ rhythm
❑ repetition
❑ contents, index, glossary
❑ illustrations (diagrams, photos, drawings)
❑ natural language
❑ predictability
❑ a range of authors
❑ authentic information
❑ up-to-date information
Figure 1.15
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Storing Texts
Once texts have been purchased, deciding where and how to store
the reading material collection can be an ongoing concern. Issues
that frequently arise include access, co-ordination between teachers,
and how to limit the loss of material. It is important to house the
material in a central location and in a way that can be easily
accessed. The reading material collection could be organized by
– reading series
– levels within the reading series
– text forms
– suggested grade levels
Figure 1.16
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Figure 1.17
There will be times when students select texts below or above their
independent level. Like adult readers, students will choose light,
entertaining material or persist successfully with more complex
material because the topic interests them. The key point is that
students choose to read.
The students, with teacher support, can decide how the texts and
other reading materials are organized. Texts could be sorted by
form, author, or series. It is advisable to rotate the display on a
regular basis and highlight new additions to the collection or a
student’s favourite book. Including students’ publications as part of
the collection helps to maintain interest.
There will always be loss of some texts throughout the year due to
natural wear and tear as well as those that “just disappear.” If
students are taught correct handling techniques, even paperbacks
can last several years. It is advisable to have a process in place for
the maintenance of the collection. Some classrooms have parent
volunteers rostered to repair damaged texts.
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Linking Text Selection to First Steps Reading Map of Development, Canadian Edition
Major Teaching Emphases and Instructional Approaches
Figure 1.18 One teacher’s matching of texts, Major Teaching Emphases, and instructional approaches
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Reading material that is used for instructional purposes needs to
be easily accessible for the teacher. These materials need not be
accessible to students prior to their use. Teachers may wish to use
some materials sight unseen for the purpose of seeking predictions
and maintaining interest. After students have been exposed to the
materials in instructional lessons, it can be useful to have them
available for ongoing reading and revisiting.
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For example:
• A red tag indicates that the student should be able to read the
text independently.
• A blue tag indicates that the student will need support to read
the text.
• A green tag indicates the text is best read to the student.
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Supporting Oral Reading at Home
If your child makes a If your child comes to an If your child makes a If your child makes a
mistake and corrects the unfamiliar word and mistake which does not mistake which does make
error… pauses… make sense… sense…
• Offer praise or support for • Wait and give time to • Wait to see if a correction • Do nothing until the child
making the correction. work it out. is made and offer praise if has finished.
• If the guess is successful, that happens. Otherwise, • When the reading is
encourage your child to ask, “Does that make finished, go back to the
read on to maintain sense?” word and say, “The word
meaning. • Ask a question that will you said here makes sense,
• If your child is likely to give a clue to what the but let’s take a closer look
know the word, go back word is, e.g., “Where will at it. I notice it starts
to the beginning of the he go to catch the train?” with...”
sentence to have another • If your child is unlikely to • You may wish to discuss
go at it. know the word, say it the letters of the word
• Ask for a word that begins quickly and encourage the and see if your child can
with the same letter and child to read on. Later, think of any other words
would make sense. when the whole text has with similar letters.
been read, go back to
• Ask a question that will unknown words and help
give a clue to the your child use other word
meaning, e.g., “How do identification strategies
you think Johnny feels? such as these:
Angry?” – sounding out individual
• If your child is unlikely to sounds in a word
know the word, say it – sounding out chunks of
quickly and encourage words, e.g., base or root
further reading to of the word, prefixes
maintain fluency and and suffixes
avoid loss of meaning. – looking at the words
• Ask your child to look at around it
the pictures for a clue.
Figure 1.19
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CHAPTER 2
Contextual
Understanding
Overview
The Contextual Understanding substrand focuses on how the
interpretation, choice of language, and shaping of a text vary
according to the context in which it is used. From an early age,
children know that the language used in the playground may not
be as appropriate or effective in another context. Several factors
influence the use of language:
• purpose of communication
• subject matter
• mode of communication (spoken, written, visual)
• roles and relationships between the participants
• social situation
Figure 2.1
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SECTION 1
Developing Contextual
Understanding
Refuse to be put in a basket
The two different readings and two different meanings of the above
sign depend on where the reader places the emphasis in the first
word. This sign exemplifies the role of Contextual Understanding in
language. If the reader assumes refuse to be trash or rubbish, it
could be assumed that the sign is a command or a direction from an
authority in a particular place such as a school or public park. If the
reader assumes refuse to mean decline, then the sign takes on a
more abstract, deeper meaning about not conforming with
mainstream beliefs. The sign may be found on a bumper sticker or
as a T-shirt slogan.
Much hinges on where the sign is located, who put it there, and
the relationship between the writer and the reader. The collective
situational aspects of the reading, and the social and cultural
perceptions of the writer and the reader, make up what is known
as Contextual Understanding.
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Even the simplest texts carry messages that reflect the background,
biases, and culture of the author and illustrator.
Situational Context
An author’s choice of language can vary according to the context in
which it is used. Several factors influence this choice of language:
• the author’s purpose of communication
• the subject matter
• the text product type — report, e-mail, formal letter
• the roles and relationships between the communicating
participants — memo from a company director to the employees,
letter from a company director to a mother
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Changing any of these factors may have an impact on the language
being used.
The same factors influence how a reader uses and interprets text.
The reader is influenced by
• the purpose for reading
• personal knowledge and familiarity with the topic or subject
• the situation in which the reading takes place
• the relationship between the author and the reader
Socio-cultural Context
These are broader influences that have an impact on language
usage. All texts reflect, to some extent, the expectations and values
of the social and cultural groups of the time they were written. This
understanding of socio-cultural context involves knowing that
• the way people use language both reflects and shapes their socio-
cultural outlook—the beliefs, values, and assumptions of their
socio-cultural group, especially with regard to gender, ethnicity, and
status
• texts will be interpreted differently by different people according
to their socio-cultural background—awareness of the influence of
socio-cultural factors on composing and comprehending texts
is pivotal
• language and culture are strongly related
• language is intentionally crafted, communicated, and manipulated
to influence others, often to maintain or challenge existing power
relationships between groups, such as employers and employees,
businesses and consumers, and governments and citizens
• various forms of English used around the world reflect and shape
socio-cultural attitudes and assumptions, including variations of
standard English generally used in formal communication,
education, and some professional settings
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Analogy
Using analogy involves the comparison of one thing with another,
sometimes extending the comparison too far in seeking to persuade,
e.g., A classroom is just like an extended family, so every student
deserves the sort of care and affection that parents generally provide.
Incentives
This persuasive device is commonly used in advertising. Bonuses,
free products, discounts, and privileges are offered to the reader,
e.g., Buy one ticket—get one free.
Connotation
Connotation refers to the suggestion of a meaning by a word
beyond what it explicitly denotes or describes. The suggestion
can create positive or negative influences.
Euphemism
News articles often use a euphemism or a mild expression in place
of a blunt one. For example, the word develop can refer to spoiling
natural terrain to put in a housing subdivision.
Exaggeration
Exaggerating involves the use of sweeping statements, e.g., The
megacity is a hotbed of crime.
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Figurative language
Figurative language refers to using language not meant to be read
literally. Types include similes (e.g., cute as a button), metaphors
(e.g., he was a lion in battle), idioms (e.g., it’s raining cats and dogs),
and hyperbole (e.g., I could eat a horse). The understanding of
figurative language is determined by a shared socio-cultural context.
Flattery
Flattery (particularly in advertising) involves an appeal to the
reader’s self-image, including the need to belong or the need for
prestige, e.g., You can look as young as you feel. Flattery also includes
association—discrediting or enhancing a position by association with
some other person, group, or idea, e.g., You want to hire her? That’s
the kind of political correctness I’d expect from the NDP.
Flashback
This device, commonly used in literary texts, explores events that
have occurred previously and have had an impact on the current
situation. Flashback is often achieved through dream sequences,
calling up of memories, or the narration of one of the characters.
Flashback may be used to create a sense of nostalgia or to illustrate
selective recall.
Foreshadowing
Foreshadowing is a device commonly used in literary texts to hint
at what is to come and perhaps create suspense. For instance, in
one scene a character might be described as having a bad cough; in
a later one, be deathly ill.
Inclusion of details
Authors select only those details that support their perspectives.
Other details that would contradict a perspective are omitted.
Irony uses a contrast between the reality and the expectation, what
is said and what is meant, or what appears to be true and what is
true, e.g., As he watched the rain fall, Peter remarked, “Lovely day for
a picnic.”
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Irrelevance
Irrelevance refers to the deliberate inclusion of points or arguments
that do not contribute to the main idea; the aim is to distract the
reader.
Omission of details
As presented in Figure 2.3, the author has omitted the facts that
Jones’s two major rivals had been injured and were unable to
compete. The effect is misleading or distorted information.
Overgeneralization
This is the use of a statement that encompasses a wide group of
people or situations and is not based on fact, e.g., Everyone knows
that…dogs are smarter than cats. Jones Blitzes Field
Oversimplification The brilliant Archie
This occurs when a simple (and often single) statement is used to Jones yesterday empha-
explain a situation that is the result of complex and interwoven sized his dominance
factors, e.g., The Allies won the Second World War because of their over other sprinters
ascendancy in the air. when he won the
Regional 100 m Sum-
Personification mer Sprint. Jones led
Personification means to give human qualities to inanimate objects from start to finish,
and abstract ideas, e.g., The XYZ Company believes…, The stuffed leaving his opponents
bear smiled as he was lifted from the ground. trailing in his wake.
Testimony
The use of quotations from experts or people positively associated
with a situation or product is called testimony. Testimony also
includes the use of statistics, e.g., Nine out of 10 dentists agree that…
Understatement
Understatement is used when trying to downplay the gravity of a
situation or event, e.g., In the recent tornado, a number of trees lost
branches. (Many older trees suffered split trunks and had to be cut
down.)
Amount of detail
Illustrators include varying amounts of details to enhance and
complement the text. In a single picture, details can convey
information that would take an author many sentences. Details also
tend to give a more realistic feel to the illustrations.
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Colour
Colours have symbolic meaning. Illustrators often choose colours to
create certain effects. Strong bold colours may indicate happiness;
dark sombre colours may indicate lack of hope.
Medium
Medium refers to the material or technique an illustrator has used,
e.g., collage, charcoal, watercolours, photographs. The choice of medium
by the illustrator can provide readers with clues about the message or
purpose of the text, e.g., photographs suggest the text is realistic.
Size
Illustrators may indicate the more important characters or people
by making them larger than others. The relative sizes of visual
elements may also change at different places in a text as different
points are emphasized.
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Modelled Reading provides an ideal forum for the teacher to think
aloud to demonstrate how the text is being examined during the
reading.
Shared Reading enables the students and the teacher to question the
text and the author’s motives together, jointly constructing meaning.
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divided loyalties that characters in texts may experience when they
confront situations from their different identities.
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CHAPTER 3
Conventions
Overview
The Conventions substrand focuses on the knowledge of the
structures and features of a variety of texts. Students today need to
be aware of the language structures and features that are typical of
standard English so they are able to communicate successfully in
formal settings. This knowledge empowers students to make
choices about the mode of communication, the type of text, the
grammatical structures, the presentation style, and the words that
are most appropriate and effective in a particular setting. They are
able to talk about the choices they have made and the language
structures and features they can recognize in their daily encounters
with language. For example, students preparing a recount of a
school event for a local newspaper may decide (after reading
several newspaper articles) that they need to use a particular text
structure and its grammatical conventions to meet the expectations
of the newspaper’s readers.
Figure 3.1
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Effective Teaching of Conventions
The long-term goal for all students is that they can use conventions
correctly and independently while reading or writing texts. An
analytic approach where students discover these conventions works
best for engaging students in meaningful teaching and learning.
• Assess prior
knowledge.
• Model.
• Encourage
• Analyze and
independent
investigate.
application.
• Represent or
capture learning.
• Provide guided
practice activities.
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Students can be provided with practice activities such as these:
• locating words containing a focus letter or letter combinations
• matching words written on cards to those in the text
• sorting words in a variety of ways
• producing rhyming words
• finding words to fit a given criterion
• identifying patterns in a text
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SECTION 1
Developing Phonological
Awareness
The minimal unit of sound in speech is called a phoneme; thus, the
terms phonemic awareness and phonological awareness are often used
synonymously.
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• Point to a line of print from a familiar text and have students clap
each word they hear.
• As a familiar poem or rhyme is chanted, students can clap as they
say each word.
• After reading a text, involve the students in oral cloze activities,
where they supply the missing words.
Adding Print
• Write some words from a familiar text onto pieces of card.
Distribute the cards to the students and have them find the words
in the text.
• When using a big book in Modelled or Shared Reading sessions,
point to the words as they are read. Encourage students to join in
on subsequent readings while continuing to point to the words.
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Common Onsets
All Single Consonants
Consonant Digraphs
ch, sh, th, wh
Figure 3.6
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Common Rimes
37 Most Frequently Used
ack ail ain ake ale
ame an ank ap ash
at ate aw ay eat
ell est ice ick ide
ight ill in ine ing
ink ip it ock oke
op ore ot uck ug
ump unk
The above can be used to create more than 500 English words.
(Wylie and Durrell 1970)
Figure 3.7
hippopotamus h-i-pp-o-p-o-t-a-m-u-s
Manipulating Phonemes
Manipulating
phonemes involves • Have students manipulate letters, perhaps Scrabble tiles, magnetic
substituting, letters, or letters made from card, to create or change words.
deleting, and
adding. • Involve the students in playing Sound Take-away.
– Begin by using compound words from the environment. Select
a compound word and demonstrate how to say the word with
a part missing. For example: “This is a skateboard. If I say
skateboard without the board, it says skate. This is a butterfly. If I
say butterfly without the fly, it says butter.” Have students make
up their own from objects in the environment or from pictures
provided.
– Once the students can competently do that with compound
words, move on to removing initial or final sounds from words:
“Pair. It starts with /p/ and ends with air; take the first sound away
and it says air.” Or, “Card. It starts with car and ends with /d/, take
away the /d/ and it says car.” Use the sentence until students are
able to delete sounds with a simple prompt such as “Say ‘shout’
without the /sh/.” A sound deletion that results in a real word
such as pair becoming air or treat becoming tree is easier than
one resulting in a nonsense word such as book becoming ook or
sat becoming sa.
• Show students how to create new words by adding, deleting, or
substituting phonemes, e.g., add /m/ to “eat” to make “meat”; take
the /d/ from “dear” to get “ear”; or change the /f/ in “fat” to a /b/ and
get “bat.”
• Play analogy games: “I’m thinking of a word. It begins like ball
and rhymes with tack. What could it be?” When the students know
more about the alphabet and can do this orally, they can write
the words or make them by manipulating letters.
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SECTION 2
Teaching Graphophonics
When reading texts, readers coordinate many processes and
strategies, including accessing and activating knowledge from the
semantic, syntactic, and graphophonic cueing systems, to make
sense of texts. Graphophonic cues help the reader to see the
correlation between sounds and symbols in written language.
For example, the letters ea represent not only the /e–/ sound, but
also different sounds in the words leaf, bread, steak, cereal, create, and
sergeant. However, some sound–symbol representations are more
common than others.
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ē as in feet
e ea y
me cream thirsty
be heat
meal
leaves ey
ee beaver monkey
tree turkey
bees
cheese ei eo
receive people
i e-e ie
ski thief
chief
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Beck (2001) suggests this procedure:
Step 1: Introduce a, d, m, s, t, n, i, h, o, g, p, f, c, b, e, sh, k, ck, j, l,
u, th, r, w, j, x, ch, v, qu, z; building word lists that use the short
vowel sounds, e.g., cat, hit, shop, beg, mug.
Step 2: Introduce the CVCe pattern, e.g., cake, tube, kite, rode, where
the e is used to create the long vowel sound. The recommended
sequence for the CVCe pattern is /a/, /o/, /i/, /u/.
Step 3: Introduce other common ways of spelling the long vowel
sounds, e.g., ea, ee, ai, ay, ow (grow) oi, oy, ou, ow (now).
Step 4: Introduce the r-controlled vowels, such as ar, or, er, ir, ur.
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girl earth
bird
stir worm
first
third church
Figure 3.10
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• Encourage students to search in other texts, such as books,
charted songs and poems, magazines, modelled writing examples,
or written messages, to find further examples.
• Results of these searches can be recorded in a variety of ways and
then used for ongoing discussion and investigation (see Figures
3.11 a, b, and c).
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SECTION 3
Developing Vocabulary
Knowledge
The first vocabulary a child acquires is a listening vocabulary. Most
babies are able to respond correctly to spoken words before they
are able to produce those words themselves (their expressive
vocabularies). When students start to read, they begin to acquire a
reading vocabulary consisting of words they automatically
recognize and understand. They also begin to use words as they
compose written texts, thus developing a writing vocabulary.
What Is Vocabulary?
Vocabulary can be described as the list of all the words a person
knows. Vocabulary knowledge consists of the following:
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laborious as they employ word identification strategies to determine
the pronunciation and meaning.
• high-frequency words
• selection-critical words
• multi-meaning words
High-Frequency Words
High-frequency words are so called because they occur frequently
in all texts. They include function words and concrete words.
Selection-Critical Words
Selection-critical words are words that occur frequently in a
particular text and that a reader must be able to recognize to
understand the text. They are specific to a particular topic. For
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Multi-Meaning Words
Readers encounter new words regularly, but they may not know
the meanings of all the words. Once these words are known,
they are added to a reader’s vocabulary which increases.
When readers learn new meanings for old words, their vocabulary
increases.
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then introducing new vocabulary to describe it is a matter of
connecting the new words to an already understood concept. For
example, if students already understand the concept of fair/unfair,
teaching vocabulary such as bias, justice, favoritism, or discrimination
is a matter of introducing new words to the known concept.
Research supports both the direct teaching and the indirect learning
of vocabulary. Certain vocabulary knowledge is acquired indirectly
through reading and discussion (Nagy et al. 1985). It also appears
that direct teaching is more effective for the acquisition of particular
vocabulary (McKeown and Beck 1988).
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The first group of words includes those words that students will see
many times in many different contexts. High-frequency words fall
into this group.
The second group of words includes those that are essential for
understanding the major concepts, issues, or themes of a text. Words
in this group are often called selection-critical words, subject-specific
words, topic words, or technical terms. Where direct teaching of
these words is required, teach words in related groups when possible.
Doing this will help the student to create relationships among the
words so the meanings of the words will develop as the relationships
become clearer.
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When beginning a new text or unit of study, ascertain those
selection-critical words students already know and those that will
need to be introduced.
Figure 3.13
– reference aids
– morphemic analysis
– text features
– context clues
Reference aids
Reference aids include dictionaries, thesauri, experts, glossaries,
and search engines.
Morphemic analysis
Morphemes are the smallest units of meaning in words. For example,
the word unreasonable contains three morphemes: un, reason, and
able.
Text features
Authors include a range of clues that enable readers to determine
the meanings of words. These can be typographical aids, such as
bold or italic print; illustrations, such as photos, sidebars, graphs, and
charts; and structural or navigational aids, including footnotes and
endnotes, a glossary, and an index. Such aids can provide a direct
reference to an unknown word. Teachers can model how to use
them so students can work out the meanings of unknown words.
Context clues
Being able to recognize context clues that enable readers to infer
the meaning of new vocabulary is important when reading.
Effective readers tend to recognize context clues automatically. Less
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effective readers can be taught how to recognize them. Students
should also realize that not all texts provide sufficient context clues
for readers to infer what unknown words mean.
Figure 3.14, adapted from Vacca and Vacca (1989), illustrates some
of the ways authors include context clues. Students do not need to
be able to define and label these clues; they are provided for
teacher reference and as a guide when selecting content to be
modelled or discussed with students. Understanding what these
clues are and how they work can help students determine the
meanings of unknown words.
Figure 3.14
SECTION 4
Developing Text-Form
Knowledge
Students will encounter an ever-increasing range of texts as they
move through school to adulthood. They will become aware of the
purpose, organization, structure, and language features of a range
of texts. This knowledge will allow students to determine how to
read and understand a text.
Purpose
Texts are written and read for a reason. Readers can become aware
of the decisions that an author makes if they have an understanding
of the author’s purpose.
Understanding the purpose for reading can influence the way a text
is read. For example, if the purpose is purely for enjoyment, then if
the reader momentarily loses concentration, the outcome is unlikely
to be affected. If the purpose is to learn how to do something, however,
then it is very important that the details and sequences are under-
stood and remembered.
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Purposes for reading a text include these:
– to experience enjoyment
– to locate specific information
– to gain a better understanding of the world
– to understand new concepts
– to expand vocabulary
– to make connections to our lives
– to seek answers to problems
– to satisfy curiosity
– to expand imagination
– to learn how to perform a task
– to find good models for writing
– to understand different cultures
– to understand different perspectives and points of view
Text Structure
The term text structure refers to the way ideas, feelings, or
information is linked within a text. It is important for students to
understand the types of patterns that are used to link and organize
information. These include
– compare and contrast
– cause and effect
– problem and solution
– listing: logical or chronological sequence, collection of details,
enumeration
– description
There are many words and syntactic patterns that signal the
compare and contrast structure. These include the following:
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Figure 3.15
Other types of words that can be used to indicate the compare and
contrast structure include
– comparatives and superlatives, e.g., Mount Olympus is high, but
Mount Everest is higher.
– antonyms in subsequent sentences, e.g., Elephants are herbivores.
Lions are carnivores.
– verbs that imply, compare, and contrast, e.g., Our new house
resembled our old house in many ways.
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The choice of adjectives, nouns, and verbs can also imply a cause
and effect structure, e.g., Lack of exercise may lead to obesity.
(A causal relationship is implied.)
A list is a set of items related in some way. The way the items are
related often provides the title of the list. Lists are usually set out
vertically although they can also be embedded in a text, e.g., When I
go to the beach, I take a towel, my hat, and some sunscreen. Writers
also use numbers, letters, and bullets to present information in lists.
Listing Words
Sequence:
Unlike the linear
earlier finally
listing text
after this next structure, the
first second description text
presently subsequently structure can be
seen in this way:
in addition eventually
to begin with on (date)
below beside
inside
Collection of Details: Signal words for the
description pattern
an example for instance include above,
such as and so on across, behind,
another in fact below, between,
looks like, and such
several as.
Figure 3.18
Text Organization
Text organization refers to the way a text is physically laid out. It
includes the text framework, or the order in which information is
presented. Most texts start with an orientation, or introduction, of
some kind. However, the content of the introduction will vary
according to the text form. For example, the introduction of a Text features can
recount includes who, when, where, and what; the introduction of a help the reader
navigate text. If
report defines and classifies the subject. Having an understanding of well designed, they
the text framework can help readers to locate specific information. clarify meaning and
make finding
It is also important for readers to understand the terminology, information easier.
function, and ways to use a range of text, or organizational,
features, e.g., headings, subheadings, diagrams, tables. The following
table summarizes many of the organizational features in a text that
readers will encounter when reading a range of texts.
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Text Feature Definition Function
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Text Feature Definition Function
Figure 3.19
Language Features
The term language features refers to the type of vocabulary and
grammatical structures used in a text. Each text form has specific
language features that are appropriate to that form.
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Signal Words
Choice Conclusions
either/or in conclusion
neither/nor the findings are
another findings
otherwise in summary
another possibility hence
alternatively thus
with the exception of on the whole
whether…or in the main
Linking Classification
moreover belongs to
besides and further is
in the same way defined as
likewise an example of
what is more
additionally
too
as well as
Figure 3.20
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sections of texts so they can understand the whole text and how it
works. When analyzing texts, there is a focus on
– examining the relationship of the parts to the whole, e.g.,
sentences within paragraphs, paragraphs within whole texts
– collecting, examining, and classifying language features
– searching for patterns
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CHAPTER 4
Processes and
Strategies
Overview
The Processes and Strategies substrand focuses on how students
can apply their knowledge and understandings to comprehend
and compose texts. Some students employ strategies intuitively,
particularly in familiar contexts with familiar people. However,
some students will encounter more complex texts and sophisticated
purposes in unfamiliar contexts, so will need to select processes and
strategies from a versatile repertoire.
Figure 4.1
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Semantic Syntactic
Effective readers
also make use of
Graphophonic other cueing
systems, including
the pragmatic.
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experiences. It is critical that students, from a very early age, be
provided with opportunities to build their knowledge base within
each of the cueing systems. The amount of relevant prior
knowledge and the activation of that knowledge determine a
reader’s success in understanding and assimilating new information.
Semantic Syntactic
• Topic/Concept • Grammatical (word
knowledge order) knowledge
• Cultural/World • Word function
knowledge knowledge
• Vocabulary knowledge • Text knowledge
• Word structure
knowledge
Prior
Graphophonic
Knowledge
• Graphophonic knowledge
• Orthographic knowledge
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Vocabulary knowledge
Vocabulary refers to the list of all the words a reader knows. Sight
vocabulary refers to the list of words a reader recognizes
immediately without having to use word identification strategies.
Recognition implies that readers can pronounce and understand the
meaning of a word in the context in which it is used.
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• Purpose refers to the intended outcome as a result of interacting
with or composing a text, e.g., the purpose of a recipe is to instruct;
the purpose of debate is to persuade.
• Text structure refers to the way ideas, feelings, and pieces of
information are linked in a text, e.g., compare and contrast,
problem and solution, cause and effect, or listing.
• Text organization refers to the way a text is organized, or its
framework and text features, e.g., diagrams, headings, subheadings,
tables.
• Language features refers to the type of vocabulary and grammar
used in a text, e.g., reports use timeless present tense and precise
adjectives.
Graphophonic knowledge
Graphophonic knowledge refers to a reader’s knowledge of letters
and combinations of letters and the sounds associated with them.
Orthographic knowledge
Orthographic knowledge refers to the spelling of words in a given
language according to established usage. The use of letters is
constrained by the positions in which they can occur and the
allowable sequences. Orthographic knowledge can have an impact
on a reader’s word identification and spelling.
Using Strategies
Building the knowledge base within the cueing systems is not
enough to ensure that readers will identify unknown words,
comprehend texts, or access and use information. During the
reading process, prior knowledge must be activated and accessed
to help make sense of information in the text. The selection and
use of appropriate reading strategies will achieve this.
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Reflecting on Strategies
Reflecting involves analyzing and making judgments about what has
been learned and how learning took place. Students need the
opportunity to stop and think about what they have learned.
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Readers bring their
prior knowledge, as
represented by the
cueing systems, to
make sense of what
they are reading,
applying strategies
before, during, and
after reading, all in
a specific context.
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SECTION 1
Teaching Comprehension
and Word Identification
Strategies
Effective teachers understand how reading occurs and are able to
plan learning experiences and instruction that support students to
become more successful readers. Teachers play an important role in
ensuring that all students build up a bank of knowledge that can be
accessed during the reading process. Teachers often work tirelessly
to ensure that students have knowledge of
• a growing list of sight words
• graphophonic elements
• grammatical features of the English language
• text structures and organization
• topics and concepts
• cultural and world matters
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What Are the Strategies?
Many teachers have attempted to catalogue a list of the strategies
that readers use as they comprehend text. As the reading process is
silent and motionless and involves cognitive strategies that are often
not observable, this task is challenging.
Reading research over the past two decades has provided insights
into the identification of the processes most commonly used by
skilled or effective readers. Keene and Zimmerman (1997) and
Harvey and Goudvis (2000) focused on the instruction of strategies
used by effective readers. Although educators will list and
categorize strategies in different ways, most lists contain similar
elements.
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Figure 4.5
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Making Connections
Effective readers comprehend text through making strong
Strategy: Making connections between their prior knowledge and the new information
Connections
■ Before presented in text. Activating each student’s prior knowledge before
■ During reading is important. However, students need to use this strategy
■ After during reading as well to continually make connections as they
read.
Figure 4.6
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Comparing
Making comparisons relates closely to the connecting strategy. As
Strategy: Comparing
students make connections between the text and self, the text and ■ Before
other texts, or texts and the outside world, they also begin to make ■ During
comparisons. ■ After
Figure 4.7
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Inferring
Effective readers take information from a text and add their own
ideas to make inferences. During the process of inferring, readers
Strategy: Inferring
■ Before
make predictions, draw conclusions, and make judgments to create
■ During interpretations of a text. Drawing inferences allows students to
■ After move beyond the literal text and to make assumptions about what
is not precisely stated in the text. Inferences made by students may
be unresolved by the end of text, neither confirmed nor rejected by
the author.
Figure 4.8
Effective readers can also infer the meaning of unknown words
using context clues and pictures or diagrams.
Synthesizing
When comprehending text, effective readers use synthesizing to bring
Strategy: Synthesizing
together information that may come from a variety of sources.
■ Before Synthesizing involves readers piecing information together, like
■ During putting together a jigsaw. As students read and use synthesizing, they
■ After
stop at selected places in a text and think about what they have read.
Doing this helps them to keep track of what is happening in the text.
Students who are consciously aware of using this strategy are able
to continually monitor their understanding of text. During the
process of synthesizing, students may be connecting, comparing,
determining importance, posing questions, creating images, and
representing their understanding of text in a unique form.
Figure 4.9
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Creating Images
Effective readers use all their senses to create images as they read
Strategy: Creating
text—it is as if they are making DVDs in their heads. The images Images
that individuals create are based on their prior knowledge. Sensory ■ Before
images created by readers help them to draw conclusions, make ■ During
■ After
predictions, interpret information, remember details, and generally
comprehend text. Images may be visual, auditory, olfactory,
kinesthetic, or emotional.
Creating Images
Students may need extra encouragement to create images with lots goes beyond the
visualizing strategy
of detail or those that go beyond the literal information in the text. often identified as a
Support can also be provided to help students revise their images reading strategy. It
encompasses the
when new information is gained. creation of other
types of images,
It is important that students are also given the opportunity to share including visual art
their images and to talk about how creating images helps them gain and dramatic
representations.
a better understanding of the text. Images can be shared orally, as
drawings, as jottings, or through drama.
Figure 4.10
Generating Questions
Strategy: Generating
Effective readers continually think of questions before, during, and Questions
after reading to assist them in comprehending text. Often, these ■ Before
questions are formed spontaneously and naturally, with one ■ During
■ After
question leading to the next. Questions may relate to the content,
style, structure, important messages, events, actions, inferences,
predictions, or author’s purpose; they may be an attempt to clarify Note that this
meaning. Self-formulated questions provide a framework for active strategy focuses on
the questions
reading, engaging students in the text as they go in search of students generate
answers. Students need to be aware that answers to all questions themselves, not on
questions asked by a
may not always be in the text. teacher.
Figure 4.11
Skimming
Skimming involves glancing quickly through material to gain a
Strategy: Skimming general impression or overview of the content. The reader passes
■ Before
■ During over much of the detail to get the gist of what the text contains.
■ After Skimming is often used before reading to
• quickly assess whether a text is going to meet a purpose
• determine what is to be read
• determine what’s important and what may not be relevant
• review text organization
• activate prior knowledge
Figure 4.12
Scanning
Strategy: Scanning
■ Before
Scanning involves glancing through material to locate specific
■ During details, such as names, dates, or places. For example, a reader might
■ After scan a contents page or index to find the page number of a specific
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Figure 4.13
Beginning readers may also scan a text looking for picture clues
that may help them identify any unknown words.
Determining Importance
Effective readers constantly ask themselves what is most important
Strategy: Determining
in this phrase, sentence, paragraph, chapter, or whole text.
Importance
Students benefit from understanding how to determine the ■ Before
important information, particularly in informational and Web site ■ During
■ After
texts. Factors such as purpose for reading, knowledge of topic, prior
experiences, beliefs, and understanding of text organization will
help readers to identify important information in a text and to
prioritize it.
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Here is the part about food
and hunting. I will underline the
key words. I think varied diet
and female’s duty are important.
Figure 4.14
Figure 4.15
• Rereading
Effective readers understand the benefits of rereading whole texts
or parts of texts to clarify or enhance meaning. Reading or hearing
a text more than once can be beneficial for all readers, allowing
them to gain a deeper understanding of the text.
• Reading On
Some students may
When students cannot decode an unfamiliar word in a text, they need to be made
can make use of the reading on strategy. Skipping the unfamiliar aware that all readers
encounter problems
word and reading on to the end of the sentence or the next two or understanding some
three sentences often provides the reader with enough context texts, but many
comprehension
clues to help determine the unknown word. Once the unknown processes are
word has been determined, students can reread that section. available to deal with
them.
Reading on can also be used with larger chunks of text in an
attempt to clarify meaning. For example, reading on to the end of a
section, page, or chapter can often support understanding.
Figure 4.16
Figure 4.17
• Sounding Out
Readers use their knowledge of letter–sound relationships to take
words apart, attach sounds to the parts, and blend the parts back
together to identify unknown words. Sounding out phonemes that
are associated with the grapheme is often used as a strategy to
decode unknown words.
• Chunking
As readers encounter greater numbers of multi-syllabic words, they
can be encouraged to break words into units larger than individual
phonemes. Readers might chunk words by pronouncing word parts,
such as onset and rime, letter combinations, syllables, or word parts
that carry meaning.
• Using Analogy
Readers use analogy when they refer to words they are familiar
with to identify unknown words. They transfer what they know
about familiar words to help them identify unfamiliar words. When
using analogy, students will transfer their knowledge of common
letter sequences, onsets and rimes, letter clusters, base words, word
parts that carry meaning, and whole words.
• Consulting a Reference
The use of word identification strategies such as sounding out or
chunking may unlock both the pronunciation and meaning of
words. However, if the word is not in a reader’s vocabulary, the
reader will be unable to understand the meaning of the word.
Consulting a reference is an additional strategy that enables students
to unlock the meaning of a word. Being taught how to use
a dictionary, thesaurus, reference chart, or glossary will help
students locate the meanings, pronunciations, or derivations of
unfamiliar words.
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• receive feedback and support for the use of strategies from the
teacher and peers
• independently read and practise the strategies with a range of texts
• apply the strategies in authentic reading situations across
the curriculum
Modelling
Modelling is the most significant step when teaching any reading
strategy. Conducting regular, short sessions that involve modelling
and thinking aloud will show how an effective reader makes use of
a particular strategy.
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Strategy Demonstration Plan
Strategy to Be Introduced:
When and Why It Is Useful:
Sharing
Sharing sessions provide the opportunity for students and teacher
to think through texts together. In these sessions, the teacher
continues to demonstrate the use of the selected strategy. However,
the major difference between modelling and sharing sessions is that
students are now invited to contribute ideas and information during
these demonstrations.
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• What language associated with this strategy do I want to review?
• How can I best involve the students in contributing to the
demonstrations?
• Will I create an opportunity to add to a class cumulative strategy
chart?
Guiding
Guiding sessions provide students with the opportunity to practise
the strategies in meaningful reading contexts and when using a
Scaffolding is
teacher-provided variety of texts. Guiding sessions involve the teacher providing
support to students scaffolds as students practise the strategy. It is important to provide
working in what
Vygotsky (1980)
ongoing feedback and support as students begin to independently
called the zone of use the strategy.
proximal development,
that area just beyond In this chapter, there are many activities that link to particular
a student’s level of
development.
strategies and are appropriate for guiding sessions. The activities are
designed to provide students with the opportunity to practise each
strategy. They can be completed in either the oral or written form.
Students can share a text and complete an activity in pairs or in
small groups.
Applying
Students will benefit from opportunities to work independently
and apply the use of strategies learned in all reading situations. It is
important to encourage students to make use of reading strategies
when working in other curriculum areas.
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• Activities are not related to age, grade, or phase.
• Activities for each strategy are listed in order from the simplest to
the more complex.
• Activities can be used with a wide range of texts. Some activities
may be more suitable to use with informational text while other
activities may be more suitable to use with literary text. Some
activities could be suitable or be adapted to use with both types
of text.
• Students may feel more supported by doing the activities with a
partner or in small groups.
• Many of the activities could be used to practise a range of reading
strategies, not only for the suggested strategy.
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Creating Images/Visualizing
Summarizing/Paraphrasing
• Consulting a Reference
Determining Importance
Generating Questions
• Using Analogy
• Sounding Out
• Reading On
Synthesizing
• Rereading
• Chunking
Connecting
Comparing
Predicting
Skimming
Inferring
Scanning
Practice
Activities
Split Images (page 135) •
Personal Predictions (page 135) •
Check the Text (page 136) •
Crystal Ball (page 136) •
Think Sheet (page 137) •
Extended Anticipation Guide (page 138) •
Connecting with the Text (page 139) •
Before-and-After Chart (page 140) •
Think and Share (page 141) •
Linking Lines (page 142) •
What’s in a Text? (page 142) •
Venn Diagrams (page 144) •
Like or Unlike? (page 144) •
Just Like (page 145) •
Double Entry Journal (page 145) •
Character Self-Portrait (page 147) •
Interviews (page 148) •
Character Rating Scales (page 148) •
Report Card (page 150) •
What’s My Point of View? (page 150) •
Developing Dialogue (page 151) •
Turn on the Lights (page 151) •
Plot Profile (page 152) •
Great Debate (page 153) •
Synthesis Journal (page 153) •
Picture This! (page 154) •
Sensory Chart (page 155) •
Post Your Senses (page 155) •
Changing Images (page 156) •
Open Mind Portrait (page 157) •
Information Images (page 157) •
Clouds of Wonder (page 158) •
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Creating Images/Visualizing
Summarizing/Paraphrasing
• Consulting a Reference
Determining Importance
• Using Analogy
• Sounding Out
• Reading On
Synthesizing
Questioning
• Rereading
• Chunking
Connecting
Comparing
Predicting
Skimming
Inferring
Scanning
Practice
Activities
Stop-and-Think Cards (page 159) •
B-D-A Questions (page 159) •
Written Conversations (page 160) •
Picture Flick (page 161) •
Graphic Overlays (page 161) •
Sneak Preview (page 162) •
Hunt the Text Challenge (page 163) •
Beat the Buzzer Quiz (page 164) •
Retrieval Charts (page 164) •
Interesting Words Chart (page 165) •
What’s Your Story? (page 166) •
Famous Five Key Word Search (page 167) •
Very Important Points (VIPs) (page 168) •
Main Idea Pyramid (page 168) •
Oral Summaries (page 169) •
Reciprocal Retellings (page 169) •
Main Idea Sort (page 170) •
Newspaper Report (page 170) •
66 Words (page 170) •
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1 Split Images
2 Personal Predictions
3 Check the Text
4 Crystal Ball
5 Think Sheet
6 Extended Anticipation Guide
1 Split Images
Participating in a Split Images activity involves students taking
turns to view and describe illustrations in a text to a partner. Texts
should be short, unfamiliar, and with a strong, progressive plot.
Illustrations need to be clear and provide sufficient information to
enable students to make informed predictions.
• Form students into pairs.
• Direct students to take turns to view a page with an illustration
and describe it for their partners. (The other half of each pair
is not permitted to look.) For example: “There are two cats. One
of them has a bandage on its paw and the other one is asleep in
a basket…”
• Explain to the students that they should make predictions about
the illustrations, e.g., “I think the cat with the sore paw is sad
because…”
• Direct the other students to view the next illustration and to
describe it while building onto the initial prediction or storyline
suggested by their partners. This process of alternating between
students to describe the illustrations continues until the text is
completed.
• Ask partners to share their interpretation of the whole text.
Re-examine the pictures if needed.
• Read or provide time for students to read the text. Encourage
students to compare the text to the information that was conveyed
in the illustrations.
2 Personal Predictions
Completing a Personal Predictions activity line master provides
students with the opportunity to build some expectations of a text,
activate their background knowledge, and preview material before
reading.
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• Invite students to look at and read the title, author name, and
cover page to make and record an initial prediction about the
text. They can do this on their own.
• Provide a selection of key words from the text. Ask students to
sort the key words into categories, such as characters, setting,
and events.
• Direct students to use the sorted words individually to record
a second prediction.
• Provide time for students to share predictions with a partner or in
a small group, to compare and substantiate thoughts and ideas
with others.
• Provide time for students to read the text.
• Encourage students to reflect on similarities and differences
between predictions made and the actual text.
4 Crystal Ball
The Crystal Ball activity encourages readers to draw on explicit and
implicit information from a text. Once the whole text has been read,
students speculate about the future of a main character.
• After reading a text, form students into small groups. Each group
is assigned a character from the text.
• Have students brainstorm important information about their
character’s likes, dislikes, interests, or personality. The information
can be stated explicitly or implied in the text.
• Invite students to create a future for their characters, e.g., where
they are, what they are doing, who they are with. Predictions should
stem from the information in the text.
• Encourage students to share Crystal Ball predictions and back up
their speculations with information from the text.
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5 Think Sheet
Think Sheets (Raphael 1982) are based on a series of chapter titles,
headings, or subheadings taken directly from the text that will be
read to students. Students can use the questions developed from
the series to make and record predictions about what information
may be in the text.
Adaptations:
Predictions may be drawn or simply entered
as key words. Once students
are familiar with the use of Think Sheets,
they could create their own questions
from the headings and subheadings of
the text.
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6 Extended Anticipation Guide
An Anticipation Guide consists of a series of statements about a particular
topic. The statements may reflect common misconceptions or consist of
accurate information. Before reading, students use their prior knowledge
to categorize statements as either true or false. Students then read the
text to confirm or reject their predictions. The Extended Anticipation
Guide (Duffelmeyer, Baum, and Merkley 1987) encourages students to
substantiate their findings by referring to the text and using their own
words to explain concepts.
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2 Before-and-After Chart
The Before-and-After Chart is a way of organizing information
elicited through brainstorming sessions and supporting students to
make connections to what they know about a topic before reading.
Adapted from Ogle (1986), the Before Reading section of this chart
provides space to record what is known before reading and what
the reader wants to find out. The After Reading section provides a
real purpose for reflecting on reading to find out what has been
learned and what is yet to be learned.
• Allow time before reading for students to brainstorm any
information they know about the selected topic. This information
is recorded in the form of key words or phrases and placed
into the Before Reading column titled What I/We Know
About ________. There is also another column, What I/We Want
to Find Out, which could prompt more student responses.
• After reading, provide time to record all the new information
learned. Students use the After Reading column titled What I/We
Have Learned. Have students read over their brainstormed
information and check if it was referred to in the text they read.
• Encourage students to consider any information they would still
like to find out. They can note what they would like to know in
the space titled What I/We Still Want to Find Out, where it can
provide motivation for further reading or research.
Adaptations:
A Before-and-After Chart could be completed over time. The initial
brainstorm of what students know and have learned may take two
sessions.
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Adaptations:
The whole class can easily complete this activity. Assign a particular
character to small groups. Each small group considers certain events
from their character’s perspective. A jigsaw process can then be
used to share and compare information across groups.
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4 Linking Lines
Completing the Linking Lines activity helps readers make
connections between texts.
Adaptations:
Once students are familiar with creating Linking Lines between
written texts, they can be challenged to create Linking Lines to
well-known movies, TV shows, or Web sites.
5 What’s in a Text?
This activity helps students make connections to other texts and
draw upon their knowledge of the organization and structure of
particular text forms.
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What’s in a Text?
What other texts have you read that were fables?
What do you know about fables?
What sorts of words or phrases do you expect to find in a fable?
How do fables usually begin?
How do fables usually end?
What types of characters are usually in a fable?
Use what you already know about fables, the cover, title, and
illustrations to make a prediction on what this text is about.
Figure 4.27
Adaptations:
The line master provided on the First Steps Reading Resource Book
CD-ROM can be adapted for use with any particular text form.
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READING STRATEGY: COMPARING
Guided Practice Activities
1 Venn Diagrams
2 Like or Unlike?
3 Just Like
4 Double Entry Journal
1 Venn Diagrams
Completing a Venn Diagram (two or more overlapping circles)
allows students to focus on making comparisons between topics,
text types, authors, characters, plots, and facts. Initially, readers can
compare two characters, either from one text or from different texts.
As students become familiar with the process, they can compare
characters from more than two texts.
• Invite students to compare two characters, e.g., Town Mouse and
Country Mouse.
• Have students work with partners or in small groups to record
things they remember about each character, e.g., character traits,
actions, physical appearance.
• Ask students to examine the two lists to decide which things are
common to both characters. Have students transfer this information
to the intersecting space on the Venn Diagram.
• Direct students to transfer the remaining information on the list
to the appropriate place on the Venn Diagram.
• Provide time for students to discuss the similarities and differences
between the characters.
2 Like or Unlike?
Like or Unlike? is an activity that encourages readers to make
connections and comparisons between what they know about their
world and the way characters or people are represented in a text.
• Select and identify the role of a main character or person from a
text, e.g., “Anne is a teenage girl.”
• Before reading the text, invite students to share what they know
about real-life people who fulfill the same role.
• Record responses on a class chart.
• Have students read the text.
• Provide time to discuss how the person or character has been
represented in the text. Record these observations on a class
chart.
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3 Just Like
Just Like (Hoyt 1999) is an activity that encourages readers to This activity is great
make connections and comparisons between a selected character for encouraging
both text to self
and characters from other texts or people they know in real life.
and text to text
• After reading a text, direct students to select a main character connections.
or person.
• Invite students to brainstorm all the character traits related to
their chosen person or character. These character traits should be
listed in the far left column of the line master.
• Encourage students to make comparisons between the characters
and themselves, other characters in different texts, or people they
know. Students will need to think more specifically about the
similarities and differences between the characters and these
other groups.
• Direct students to complete the table. (See Figure 4.28.)
• Provide opportunities for students to share their comparisons.
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1 Character Self-Portrait
Creating a Character Self-Portrait provides readers with an
opportunity to combine information from the text with their prior
knowledge. While completing a character profile, students discuss
inferences and opinions about characters and listen to the points of
view and interpretations of others.
• Construct a Character Self-Portrait framework consisting of
appropriate sentence stems that relate to the text. It is essential to
vary the framework for different texts.
• Jointly select a character from the text.
• Have the students discuss the character, then complete the
sentence stems.
• Record student responses on the framework. (See Figure 4.30.)
• Invite students to refer to the text to support their responses for
each completed stem.
Adaptations:
Teachers can vary the framework so it is suitable for a wide range
of texts. The activity can also be used successfully with
informational texts, such as biographies or historical accounts.
When first creating Character Rating Scales, students will often select
traits that closely relate to the action of the characters or people.
• Provide time for students to read the selected text.
• Invite small groups of students to select a main character or person
to rate.
• Direct students to discuss the character or person and list a range
of different traits, e.g., neat, bossy, friendly, helpful. Discuss and list
the opposite of each trait. A class-generated bank of traits written
on a chart allows students to work without assistance.
• Provide time for students to discuss the selected character or
person and traits, listening to a range of viewpoints. Students
make inferences about the character or person and put ratings on
the scale.
• Encourage students to refer to the text to validate their ratings,
e.g., We rated Francesco as very smart because he recovered the
stolen gold by tricking the thief. Groups should record their
justifications in the spaces provided on the framework.
• Encourage students to rate and compare other characters or
people from the text.
Adaptations:
Make ratings at three different points in the text. The three points
may be the beginning, midpoint, and end. These can be recorded
on different grids or on the same grid. Discussions could focus on
why the rating has changed.
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4 Report Card
Report Card is an activity where students prepare a traditional
school report card for a selected character or person. Students are
required to determine the appropriate subject areas, assign a grade,
and make a comment about the character or person based on the
information obtained and inferred from the text.
Adaptation:
Students can grade the chosen character from the perspective of
a different character, e.g., Little Red Hen could be graded from the
perspective of a farmyard friend.
6 Developing Dialogue
Developing Dialogue is an oral activity that involves students
working in pairs to create the dialogue of two characters or people
at a particular time. Through the use of the Developing Dialogue
activity, readers are encouraged to make inferences. Students are
encouraged to make their own interpretations of a text and to
consider that others may have different interpretations.
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• Encourage students to be consciously aware of the times when
pieces come together for them during the reading. At each of
these times, students record the information that is significant in
helping them to monitor and clarify meaning. These are the
aha! moments that all readers have during reading.
• Provide an opportunity for students to share and compare their
Turn on the Lights jottings and their understanding of the text,
either in small groups or with a partner.
2 Plot Profile
Students can create a Plot Profile to determine the main events of a
story. They can then synthesize the information and rate the
excitement level of each event.
• After reading and rereading a text, have students brainstorm and
list the main events in order.
• Provide time for small groups of students to consider each event
and determine its level of excitement. The excitement level can
then be plotted onto the grid to create a profile of the plot.
• Invite students to summarize the excitement levels of each event
in the text.
• Encourage groups to compare their profiles.
Adaptations:
Plot Profiles can be created while reading a text. Main events can
be recorded as they occur.
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• Have the students brainstorm the main events. Record each main
event on a separate card.
• Hand out the cards to individual students.
• Invite the students to line up in the order that the events
occurred in the text.
• Jointly reread the outline of each event to check for sequence.
• Invite each student holding a card to decide how exciting the
event was. They demonstrate the level of excitement by standing
tall (very exciting), standing in normal fashion (exciting), and
sitting down (not very exciting).
3 Great Debate
Great Debate is an excellent culminating activity that can be used at
the completion of any unit of study or topic. Great Debate provides
a framework for students to synthesize information from a range of
sources or from within a single text. This information is then used
to respond to an open-ended statement.
• Create an open-ended statement directly related to the topic of
study or to a text.
• Organize students to work in groups identifying and listing
information from the text that can provide affirmative or negative
responses to the statement provided.
• Invite individual students to then create a personal position
statement. They can also include justifications about the statement.
• Provide time for students to share and compare personal position
statements. The sharing of statements allows students to draw
conclusions and consider different points of view.
4 Synthesis Journal
A Synthesis Journal (McAlexander and Burrell 1996) provides a
framework for students to use when synthesizing information
about a topic collected from various sources, possibly representing a
range of perspectives. By completing a Synthesis Journal, readers
are able to develop a greater understanding of how authors use
information to suit different purposes and audiences.
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• Invite students to select a topic.
• Have students begin gathering information from a variety of
sources, e.g., texts, a video, a guest speaker, classmates, the teacher,
personal experiences.
• Invite students to record key information from each source onto
the Synthesis Journal framework.
• Direct students to review key information from each source and
create a synthesis of the ideas presented. Encourage students to
consider the different perspectives presented.
Synthesis Journal
My synthesis:
1 Picture This!
2 Sensory Chart
3 Post Your Senses
4 Changing Images
5 Open Mind Portrait
6 Information Images
1 Picture This!
Picture This! is an activity that allows students to practise the
comprehension strategy of creating images. After listening to a text
but not viewing any illustrations, students are invited to create a
visual representation of a part of the text.
• Select a section of text that contains a well-described setting and
has a variety of characters.
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2 Sensory Chart
The use of a Sensory Chart provides students with an opportunity
to see, feel, and hear the characters, settings, or events of the text.
This helps the text come alive and support students’ interpretations.
The charts can be completed on an individual basis, but work most
effectively when created with a partner.
• Provide time for pairs to read a section of text they have chosen.
• At the end of the reading, encourage students to work individually
to record, pictorially or using key words, what the text so far looks
like, sounds like, or feels like.
• Encourage students to share and compare their images. The
opportunity to discuss their images through sharing and comparing
is important.
• Direct students to repeat the process for the next self-selected
section of the text.
4 Changing Images
Completing a Changing Images (Miller 2002) activity helps students
to understand that mental images evolve and change as more and
more information is gathered from a text and new interpretations
are developed. Images may also change as a result of sharing with
other readers.
• Select a text to read aloud to students. Do not share any
illustrations with the students at this time.
• Stop at a selected place in the text. On the line master provided,
invite students to sketch or write about their first mental image in
the top left box.
• Organize students into pairs to discuss and share their mental images.
• Students can add to or re-create their images after conferring with
their partners.
• Continue reading aloud to another selected point in the text.
• Allow enough time for students to add to or re-create their images.
• Invite students to reconsider their images at the end of the text.
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Adaptations:
Open Mind Portrait can be used not only with literary texts, but
also with informational texts, such as biographies or historical
accounts.
6 Information Images
It is important that students practise creating images when reading
informational texts as well as literary texts. The Information Images
activity encourages students to consider visual images when reading
informational texts such as subject-specific textbooks, as for science.
• After reading a section of an informational text, invite students
to work in small groups to create images that represent the key
information.
• Provide students with large sheets of paper to create the images
so posters can be displayed.
• Encourage students to represent the information as two
different images.
• Provide time for small groups to share and explain their images
with the whole class.
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READING STRATEGY: GENERATING QUESTIONS
Guided Practice Activities
1 Clouds of Wonder
2 Stop-and-Think Cards
3 B-D-A Questions
4 Written Conversations
1 Clouds of Wonder
It is important that readers ask questions and think actively while
reading. Students can be encouraged to think about characters,
events, settings, actions, problems, or solutions presented in a text
and to generate wonderings as they read. The use of a Clouds of
Wonder framework promotes this type of active thinking.
• Have pairs of students read a section of a text together, e.g., one
page, two paragraphs.
• Encourage students to reflect on this section and generate
wonderings.
• Prompt students to record their questions on individual Clouds
of Wonder sheets.
• Have students share and discuss what they wondered about.
• Provide time for students to continue the process to the end of
the text, stopping at various points to generate, share, and
discuss the questions that evolve.
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2 Stop-and-Think Cards
Effective readers constantly ask themselves questions as a way of
monitoring their comprehension. Stop and Think is a simple
activity that encourages students to practise pausing at different
times during the reading of a text. Stop-and-Think cards placed by
students throughout the text encourage students to use the pauses
to ask themselves simple questions and to reflect on their level of
understanding.
• Provide time for students to identify random places in a text to
stop and think.
• Have students mark each place with a Stop-and-Think card.
• Have students identify at least three places in the text.
• Direct students to read the text, stopping to reflect on questions
listed on the Stop-and-Think card.
Stop-and-Think Card
Do I understand what that was about?
Were there any parts I did not understand?
Could I explain what I have just read to someone else?
What might the next part be about?
Are there any questions I need to have answered?
Congratulations! Read ON!
3 B-D-A Questions
B-D-A Question sheets are a way of encouraging students to
practise generating questions before, during, and after reading.
Generating questions helps students to set a clear purpose for their
reading, predict information, and make connections to what they
already know. Doing this helps students’ overall comprehension.
• Organize students to work with a partner to generate questions
before reading a text. Headings and subheadings are a useful aid
for generating questions. Questions can be recorded in the Before
Reading column on the line master provided. (See Figure 4.39.)
• Direct students to begin reading, scanning for information to
answer their initial questions. Any answers to questions can be
recorded in the same column.
• Encourage students to generate any further questions as they
read, recording them in the During Reading column. Answers can
be recorded when found.
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• At the end of reading, partners work together to generate any
further questions they have about the topic. These questions can
be used as discussion starters for further small-group sharing
sessions or individual research.
4 Written Conversations
Readers benefit from opportunities to discuss their questions and
interpretation of a text with a partner. Written Conversations allow
students to use writing to explore their thoughts and questions
about a text.
• Organize students to work with a partner to read the same text,
chapter, or passage.
• After reading, provide time for students to “converse” about the
text in a written form (no talking allowed). Partners take turns
writing back and forth on the same sheet of paper.
• Encourage students to consider recording thoughts as well as
questions about what and why things may have happened in the
text.
• Provide time for partners to share their written conversations
with other groups.
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1 Picture Flick
2 Graphic Overlays
3 Sneak Preview
1 Picture Flick
Picture Flick is an activity that replicates what many effective readers
do before they read a text that contains illustrations. It is often a
natural process to skim through the illustrations to get a sense of the
contents, characters, or setting. Taking a brief look at illustrations in
a text can help prepare readers for the text as well as stimulating
predictions and connections.
• Encourage students to use the following Picture Flick procedure
before independent reading.
– Look at the front cover and the title of the text.
– Skim through the text, browsing at the illustrations.
– After looking through the whole text, predict the story.
Ask: What do you think is going to happen in the text?
• Provide time for students to read the text.
• Have students discuss and make comparisons between their
predictions and what actually happened in the text.
• Provide time for students to share how skimming a text helped
with comprehension of the text.
Adaptation:
Picture Flick can be done with the whole class when using enlarged
texts, such as big books.
2 Graphic Overlays
Graphic Overlays provide students with an opportunity to build
their knowledge of text organization. It is sometimes difficult for
readers to follow texts that include pictures, diagrams, tables, graphs,
text, and photographs. Some informational texts are organized into
columns or print is placed alongside unrelated graphics. This
organization of text may hinder comprehension.
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• Provide students with non-permanent markers and transparent
overlays, e.g., overheads, plastic sheeting, tracing paper.
• Have students place the transparent sheeting over the appropriate
pages of the text.
• Ask students to then create a visual representation of the layout
or organization of the page. Boxes are drawn to represent chunks
of text, diagrams, headings, labels, or photographs. (See Figure
4.40b.)
• Direct students to label each box, describing what it represents,
e.g., text, subheading, photograph, caption.
• Provide opportunities for students to use the Graphic Overlay to
explain the layout of the text to a partner.
• Direct students to use the overlay to identify the parts of the text
that may help them achieve their reading purpose.
3 Sneak Preview
Completing a Sneak Preview sheet encourages students to skim
a text before they begin reading. Doing this will build interest in
the text and will assist with comprehension. Students can skim to
identify particular features, such as the contents page, cover, back
cover blurb, end pages, information about the author, illustrations,
and chapter headings.
• Invite students to explore the organization and contents of their
text prior to reading.
• Provide time for students to complete the Sneak Preview sheet.
(See Figure 4.41.)
• Encourage students to share what they discovered with a partner
or in small groups.
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Adaptation:
Students could work in small groups with one student as the quiz
person and the others responding to the challenges presented.
3 Retrieval Charts
A Retrieval Chart enables students to record information about a
number of categories or topics so they can make comparisons. To
create a Retrieval Chart, students scan a text to extract important
information so they can make generalizations.
• Create headings for the Retrieval Chart based on the type of
information to be gathered. (See Figure 4.42.)
• Introduce these headings to the students.
• Allow students time to read the text.
• Provide time for students to scan the text so they can identify
relevant information.
• Let students record the information they have found onto the
Retrieval Chart.
• Discuss with students the similarities and differences in
the categories.
Adaptation:
Retrieval Charts can be completed using key words or pictorial
representations.
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Figure 4.43 Interesting Words Chart, student sample
Adaptations:
What’s Your Story? sheets can be adapted to suit a variety of other
texts. Once students have completed several What’s Your Story?
sheets, these can be used to look for patterns and make
comparisons across different texts.
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3 Very Important Points (VIPs)
VIPs (Hoyt 2002) encourages students to identify important
information in a text. Students mark sections of a text that contain
very important points with sticky notes. The use of the sticky notes
allows students some flexibility in their final choice of VIPs.
• Give each student a certain number of sticky notes. Limiting the
number of sticky notes to be used helps students to focus.
• Provide time for students to create their fringe of notes.
• Provide time for students to read the text and place their notes on
what they consider to be VIPs, or places in the text that are
significant to the overall meaning of the text.
• Provide time for students to share and compare their VIPs and
verify their selections.
1 Oral Summaries
2 Reciprocal Retellings
3 Main Idea Sort
4 Newspaper Report
5 66 Words
1 Oral Summaries
Oral Summaries is an activity that helps students monitor
comprehension and give substance to their ideas through
summarizing.
• Have students work in small groups using the same text.
• Direct students to read a specified section silently or aloud.
• Invite small groups to collaboratively summarize what has happened
so far in the text. Encourage discussion and active review of ideas.
• Direct students to read the next specified section, stopping to
repeat the process of creating a group summary.
2 Reciprocal Retellings
Summarizing and paraphrasing important information from a text
requires students to be able to strip away extraneous information,
something that calls for practice and modelling. Reciprocal
Retellings allow students to extract important information and use
it as a basis for retelling.
• After reading a text, direct students to work in small groups to
brainstorm main events.
• Invite each student in the small group to select one of the
main events.
• Using the line master provided, each student works individually
to elicit and list the main details about the selected event.
• Provide time for students to use the completed framework as a
guide to prepare a reciprocal oral or written group retelling.
Student A (Event 1) begins the retelling and then passes it on to
Student B (Event 2) to continue. This process is continued for
each student and therefore each main event.
• Encourage small groups to share their Reciprocal Retellings with
the whole class.
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3 Main Idea Sort
The Main Idea Sort activity enables students to identify key words
and phrases to create summaries. The Main Idea Sort is an excellent
activity to use with informational texts.
• Identify key words, phrases, and headings that are necessary for
understanding the concepts of the topic in a selected text.
• Record key words, phrases, and headings randomly on a grid or
use sticky notes or cards.
• Have students read the text.
• After reading, students can cut grids into small cards.
• Invite students to arrange the words, phrases, and headings to
show their relationship, thereby forming an outline of the text.
• Direct students to work in pairs, using the key words and phrases
to create a summary of the text.
4 Newspaper Report
Creating Newspaper Reports from texts provides an opportunity for
students to summarize and paraphrase the main ideas into a new
form. A grasp of the organization, purpose, structure, and features
of a newspaper report is a prerequisite for the completion of
this activity.
• Provide time for students to read a text and discuss the
main events.
• Direct students to work together to re-create an important event
as if it was being reported in the newspaper. The following
features can be included:
– headline to capture attention
– date and place
– lead sentence to encourage the reader to read on
– details, such as who, what, why, how, and when
– conclusion
– picture
• Provide time for students to present and compare their newspaper
reports.
5 66 Words
The 66 Words is a framework that can be used to record the key
events or themes of a text. Students are challenged to read a text
and create a summary in 66 words or fewer. By providing students
with a grid with 66 rectangles, the focus is on succinct text rather
than the exact number of words. (See Figure 4.46.)
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No guided practice activities are suggested for these strategies, all The reading
strategies rereading,
of which pertain to monitoring. It is recommended that students reading on, and
be encouraged to make use of these strategies during any reading adjusting reading
rate, as well as
event. The following instructional approaches would provide ideal sounding out, using
contexts for guiding students to practise rereading, reading on, analogy, and
and adjusting reading rate. consulting a refer-
ence, can all be seen
• Shared Reading as part of the broad
strategy monitoring
• Guided Reading and revising compre-
hension.
• Independent Reading
• Literature Circles
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READING STRATEGIES: SOUNDING OUT,
CHUNKING, USING ANALOGY, CONSULTING
A REFERENCE
Guided Practice Activities
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Figure 4.49
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SECTION 2
Teachers may find the following line masters useful as they work
with students during the different stages of the Information
Process:
• Sample Research Plan
• Letter re Project
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Step 1—Identifying and Defining
Research Requirements
The first step of the Information Process involves identifying and
defining the requirements of the research project. Projects can
be directed by the teacher or negotiated with the student. If the
teacher is directing the project, then students will need to identify
and define both the topic and what they are required to do. If
students have negotiated research projects, they will need to select
and define their topics. The chosen research projects should be
interesting and relevant to the students, suit a particular audience,
and be achievable within a specific time frame.
Figure 4.50a
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Research Projects Negotiated with Students
Questions for Students
What would I like to investigate? What am I interested in?
Who is the audience for this investigation?
What do I think will interest them?
What do I already know?
What do I want and need to find out?
Have I created focus questions?
What are some key words I could use to search for information?
How will I plan and organize my work?
Have I created my plan?
Figure 4.50b
1 Brainstorming
2 Card Cluster
3 Explosion Chart
4 K-W-L-S Chart
5 Share Your Topic
6 Creating Quiz Questions
7 Five Ws and an H
8 Question Web
9 Structured Overview
10 B-D-A Questions
1 Brainstorming
Brainstorming is an activity used to activate students’ prior
knowledge. When brainstorming, students are required to generate
a list of words and phrases about a specific topic. Throughout
brainstorming sessions, all suggestions are accepted and a piggy-
backing of ideas is encouraged.
• Have students work in pairs or groups to generate and record
what they already know about the investigation topic.
• Ask students to categorize the information into sub-topics.
• Once students have finished their brainstorming, they can
identify areas where information is lacking. These areas may
become the first priority for gathering information.
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2 Card Cluster
Creating a Card Cluster, a way of categorizing information, is often
used to extend a brainstorming session. Clustering involves
collating ideas or focus questions by sorting them into categories.
This sorting helps students to better plan their research projects.
• Arrange students in groups.
• Distribute blank cards or sticky notes and a marker pen to each
group of students.
• Have students record key words, phrases, or questions about their
investigation, one idea per card.
• When all the information is recorded on the cards, direct students
to place all similar ideas into clusters. Students can explain why
they have clustered certain ideas together. Often, the explanation
can generate a heading for each cluster of cards.
• Suggest that students review each cluster, refining, adding, or
deleting cards as required.
3 Explosion Chart
These charts can be used to activate and organize students’ prior
knowledge and initial questions. An Explosion Chart starts with the
central idea or focus question, and as students make associations
these are added to the central idea.
• Have students write the central idea, concept, or theme in the
middle of a page.
• As students think of ideas and questions, they can write them
around the central idea.
• Have students show connections between the ideas, e.g.,
clustering information, creating radiating lines.
4 K-W-L-S Chart
The use of K-W-L-S charts, a variation on the familiar K-W-L charts
(Ogle 1986), encourages the activation of the students’ prior
knowledge of a particular topic and helps students to generate and
refine research questions.
• Have students brainstorm what they already know about the
research topic and record it in the K column of the K-W-L-S chart.
• Students can list what they want to find out in the W column.
This information can be written in question form as it can provide
the scope of the project. (See Figure 4.51.)
• Once the project has been completed, students can record what
they learned in the L column. Any further questions can also be
recorded in a fourth column, S—What I Still Want to Know.
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Figure 4.51 K-W-L-S Chart, student sample
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• Provide groups with a section of text and ask them to create a set
of questions.
• Have students share and hone questions with another group.
• The students can use the questions to create a quiz session.
7 Five Ws and an H
The activity Five Ws and an H can assist students to generate
effective focus questions. Students are challenged to list as many
questions related to their research projects as possible under each of
the headings on the Five Ws and an H line master.
• Provide students with a Five Ws and an H line master.
• Direct students to list as many questions that begin with the given
word as possible.
• After listing all possibilities on their line masters, students can
review their questions, deleting any that require a limited
response. Have students sharpen any questions that are too
general.
• From this revised list, students can number the questions in
order of priority. Prioritizing will promote planning and
time management.
8 Question Web
Constructing Question Webs helps students to generate and
refine effective focus questions. Students can group questions that
relate to similar topics, thereby supplying the subheadings for the
research project.
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• Have students brainstorm questions applicable to their research.
Using the Five Ws and an H line master should help them.
• Direct students to review their questions and begin to categorize
them into topic groups.
• Have students create a heading for each topic group.
• Once all questions have been allocated, have students review their
questions. Reviewing may involve deleting, refining, or adding
questions.
Figure 4.53 On this Question Web, a student has grouped focus questions under
four headings.
9 Structured Overview
A Structured Overview is a graphic organizer that shows the
relationships between ideas. The Structured Overview provides
support for students as they organize thoughts and ideas for their
research projects. The overview can also be used to record and
retrieve information at later stages in the project. Structured
Overviews are usually organized by placing the most important idea
or concept at the top followed by the more specific details.
• Have students formulate an overall main idea or focus question.
This can be written at the top of the Structured Overview.
• In the next level, students should list potential subheadings or
note focus questions.
• Under each subheading or focus question, students now list any
known information. They can then generate and write questions
under each subheading, if they choose.
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10 B-D-A Questions
See pages 159–60 for an outline of the activity. At this stage in the
Information Process, the focus is on generating the Before Reading
questions.
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After the chosen texts and information within the texts have been
evaluated, students are required to select and record information
that will be appropriate to their investigations. They will need to
take and make notes.
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– text organization, e.g., contents, index, sections, headings,
subheadings, fact boxes, boldfaced or italicized wording, bullet points,
symbols, key, captions, labels, glossary
– language features, e.g., grammatical structures, choice of vocabulary
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Supporting Students in Selecting
and Recording Appropriate
Information
Teachers can select from the following guided practice activities that
will help students to select and record appropriate information.
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2 Take Away
Take Away is an activity that helps students to identify key
information. Students read a text, deleting less essential words,
such as pronouns, conjunctions, and prepositions. This activity is
particularly useful when students are working with electronic texts.
• Lead a discussion about those words that carry the meaning, that
is, the verbs and nouns.
• Provide students with a text and ask them to read it.
• Direct students to reread the text, sentence by sentence, deleting
non-essential words and phrases or words that contribute least to
understanding.
• Prompt students to examine the remaining words. Provide time
for students to think about these specific words and reasons why
they remain.
• In pairs, have students share and compare their words, discussing
why certain words have been deleted or left in.
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choice of text for this activity requires careful consideration as not
all texts are suitable.
• Provide students with an oral text or a written text with the
illustrations removed.
• Have students listen to or read the text.
• Direct students to listen again or reread the text, pausing at
relevant places to record a visual representation of their
understanding, e.g., sketch, flowchart, cycle, map, chart. As students
become familiar with this activity, words could be included with
the visual representation.
• Have students share their representations with a partner or small
group.
5 Structured Overview
See pages 182–83, under Step 1—Identifying and Defining Research
Requirements, for an explanation.
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Text Form
Students need to know about the structure of a text—the organization
and language features of a range of oral, visual, and written texts.
This knowledge will help them to make decisions about the most
appropriate way to organize information for their research projects.
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Jointly constructing an Editor’s Checklist is a good starting point
so students can develop these skills.
Adaptation:
Sometimes, students need assistance to reduce sentences. This
activity can be adapted by having students suggest words to be
deleted without altering the meaning of the sentence.
2 Reconstructing a Text
Reconstructing a Text requires students to manipulate sections of a
text to achieve the best effect. Students require an understanding of
the structure and function of texts, sentences, and paragraphs.
• Provide groups with an envelope that contains a text cut into
sections: a sentence cut into words, a paragraph cut into
individual sentences, or a text cut into paragraphs.
• Have students read each section and order the text according to
what they believe is the most effective.
• Have students share reconstructions with other groups. They can
explain their reasons for structuring their text.
• Invite students to compare their reconstructions with the
original text.
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3 From None to Some
The activity From None to Some reinforces the importance of
paragraphing as an organizational tool, both from a writer’s and a
reader’s viewpoint.
• Have students work with a partner. Provide each pair with a
continuous text that does not contain paragraphs.
• Ask students to read the text and highlight where they think each
new paragraph may begin.
• Prompt pairs to share their work with another pair, comparing
and justifying choices made.
• Jointly construct a chart, listing how a paragraph links to the next.
5 Group Editing
Group Editing involves students collaboratively reviewing a piece
of text and making changes to improve it.
• Provide a first draft to each group of students.
• Have students read the piece and make changes.
The draft might
come from a
• Provide opportunities for the whole class to compare and discuss
student’s portfolio the changes made.
from the previous
year or be a piece of 6 Editor’s Checklist
writing you have
created. It should Jointly creating an Editor’s Checklist supports students in
need at least developing the skills needed to independently edit their own work
moderate revising.
and that of others.
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7 Oral Editing
Oral Editing provides an opportunity for students to edit their own
work as they share it with a partner. It also provides a chance to
receive feedback from an audience.
• Organize students to meet in pairs. Direct students to bring work
to be edited to the meeting.
• One student from each pair reads the work to be edited aloud.
Allow the students to stop and make changes as they go. They
may discuss their work with their partners as needed.
• Encourage students to reread the corrected sections.
• Once the reading is completed, have the partner offer
constructive feedback.
• Repeat the process for the other student in the pair.
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The following activities are explained in detail in Section 1—
Teaching Comprehension and Word Identification Strategies.
Text Form
Continue to build students’ knowledge about the structure,
organization, and language features of a range of oral, visual, and
written text forms. Students can consider using text features that
improve the navigation of an investigation, e.g., contents, index,
glossary, headings, captions, icons.
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Learning how to use specialist audio and visual equipment as well The school’s
as creating sound and images may also be beneficial. teacher–librarian
could be an
Audience Presentation Skills invaluable resource
both in teaching
Decisions about how to present projects will include whether students computer
students choose oral, visual, or written modes. Each mode requires skills and in
enabling access to
different skills. print and electronic
resources.
When presenting in the oral mode, students will benefit from
– knowing how to use their voices effectively, e.g., volume, tone,
pace, clarity
– being aware of and responding to the audience, e.g., body language
– considering audience involvement
– knowing how to use aids to enhance their presentation
– developing effective introductions and closures
– responding to questions
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Questions for Students to Consider
• What would be the most effective presentation format to use?
• Am I comfortable with the information in my presentation?
• Do I understand all the information in my presentation?
• Do I have a timeline and a deadline for creating my presentation?
• Do I need to include any text features to enhance my final presentation?
(e.g., illustrations, captions, tables, graphs, maps, or diagrams)
• Do I have the necessary skills to create the presentation I would like to make?
• Do I have a time limit for the presentation?
• Have I got someone to give me feedback on my presentation idea, including the
possible design, before I implement it?
• Is my presentation original?
• Will I need any special resources or equipment for my presentation?
• Have I rehearsed my presentation so that I am familiar with the content and format?
Figure 4.60 Questions about creating and presenting a research project
1 Outlining
2 Design This!
1 Outlining
This activity enables students to investigate text layout and how the
placement of text and other features can improve the readability of
a presentation, thereby creating an impact.
• Provide groups of students with pages from a variety of texts.
• Provide time for students to discuss the pages in terms of their
visual impact and appeal. Have students justify their comments by
pointing out particular features.
• Invite each student to select one page of text. Provide laminated
sheeting or overhead projector film to make an outline around the
different sections of the text. Direct students to label the text,
illustrations, and headings.
• Have the students look at the proportion of text to non-text
features. Discuss the amount of text versus visual features and
their opinions of the effect and appeal of the pages.
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2 Design This!
The Design This! activity encourages students to create a text layout
and design to suit a particular audience.
• Provide groups of students with a jumbled piece of text. (Before
distributing this text to students, remove any organizational
features such as headings or graphics.)
• Identify an audience or context for each group, e.g., younger
students, high school students, adults, textbook, women’s magazine,
newspaper supplement.
• Have students put the text into a suitable order. They can then
work on editing and laying out the text so it will be suitable for
their audience.
• Have students add headings, graphics, and any other text features
that will enhance the appeal and readability for their audience.
• Prompt students to share their text with the whole class,
discussing their rationale for design features and text alterations.
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In order to measure their own performance, students may need to
have an understanding of and be able to use a variety of self-
assessment tools. These include
• goal-setting sheets
• learning logs
• journals
• reflection sheets
• jointly constructed rubrics and checklists
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This activity can also be used for personal reflection. Comments can
be made on positive aspects of work as well as focusing on areas
for improvement.
• Before students make a presentation, have them share with the
audience those aspects on which they would like feedback.
• After the presentation, have the audience respond in the form of
two positive comments (stars) and one constructive comment
(wish). Members can respond in oral or written form. (See the
First Steps Reading Resource Book CD-ROM for a line master.)
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review aspects that were done well, aspects that show
improvement, and aspects that need improvement.
• Before they begin new research projects, have students return to
their reflections so they can use the information to set a plan
for improvement.
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Glossary
alliteration the repetition of the initial sound in consecutive words often
used to create tongue twisters, e.g., She sells sea shells by the
seashore
alphabetic the assumption underlying alphabetic writing systems that
principle each speech sound or phoneme of the language should have
its own distinctive graphic representation
analyzing a teaching and learning practice involving the examination
of the parts to understand the whole
applying a teaching and learning practice involving the independent
use of a skill or strategy to achieve a purpose
assonance the repetition of vowel sounds often used in lines of poetry,
e.g., Ousted from the house, the mongrel growled and howled
book clubs an approach somewhat similar to Literature Circles where
even primary students can discuss books previously read
aloud and reread before a meeting of about five students;
less formally structured than Literature Circles
cloze procedure an instructional activity involving the completion of
incomplete sentences
compound word a word as a single unit of meaning but made up of two
complete words, e.g., football, longhouse, mouthwash
concepts of print understandings about what print represents and how it
works, e.g., has a consistent directionality, is made up of
letters, words
conditions of as identified by Brian Cambourne: immersion, demonstration,
learning expectations, responsibility, approximations, practice, and
feedback/support/celebrations; the conditions are
interconnected and interwoven.
consonant a letter in the alphabet other than a, e, i, o, u
consonant cluster a sequence of two or more consonants, e.g., tr, shr, ng
context clues context clues help readers determine what unknown words
mean; they range from direct definitions, linked synonyms,
and words summarizing previous concepts to examples, text
mood, cause or effect, and use of words of opposite
meaning.
Contextual a substrand of reading that involves an understanding of
Understanding how the context affects the interpretation and choices made
by authors and illustrators
continuant a speech sound in which the vocal tract is only partly closed,
sound allowing the breath to pass through and the sound to be
prolonged, e.g., /m/, /s/
Conventions a substrand of reading that focuses on the structures and
features of texts, including spelling, grammar,
pronunciation, and layout
conventions rules that govern the customary use of print in a language,
of print e.g., punctuation, upper and lower case letters
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practising a teaching and learning practice involving the rehearsal of a
skill or strategy
pragmatic cueing in the pragmatic cueing system, other cueing systems, notably
system the semantic, syntactic, and graphophonic, are linked with
the context; cues relate to knowledge of audience, purpose
of writing, and situation.
pragmatics the study of how context influences the reading event; it
includes consideration of an author’s deliberate choices to
best engage an audience and realize a certain purpose and
the ways a reader is affected by those choices.
prior knowledge in this context, the knowledge a reader draws on when
reading and interpreting texts; made up of the knowledge
within such cueing systems as the semantic, graphophonic,
and syntactic
Processes and a substrand of reading involving the application of knowledge
Strategies and understandings to comprehend and compose texts
Readers Theatre oral performance of a script where the focus is on
interpretation and expressive reading rather than on
memorization or dramatization through body movement; an
ideal forum for readers to practise fluency and an authentic
cooperative activity
Reading Aloud an instructional strategy where the teacher models expressive
to Students and fluent reading aloud while trying to engage the
students; it can be interactive if the teacher encourages
discussion intended to build prior knowledge and addresses
listeners’ ideas and questions.
reading a structured conversation in which aspects of students’
conference reading development are discussed
reflecting a teaching and learning practice involving thinking back on
the what, how, and why of experiences
rime a vowel and any following consonants of a syllable, e.g.,
“uck” in “truck”
scaffold a temporary support that the teacher provides to help bring
a student’s skills and knowledge to a higher developmental
level; part of guided practice
schwa an unstressed mid-central vowel as in the first sound in the
word alone
semantic cueing a system of language cues that draw on readers’ knowledge of
system words, especially meaning of words, phrases, and sentences,
and knowledge of the world of the topic. The essential
question is, What would make sense here?
Shared Reading an instructional approach where the teacher blends
modelling, choral reading, echo reading, and focused
discussion, involving students in reading texts that are
visible to them
sharing a teaching and learning practice that involves the joint
construction of meaning, e.g., between teacher and student,
or student and student
simulating a teaching and learning practice in which one adopts a role
or imagines oneself in a hypothetical setting
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transforming a teaching and learning practice involving the re-creation
of a text in another form, mode, or medium, e.g., a story to
a play, a book to a film
Use of Texts a substrand of reading involving the composition and
comprehension of texts
USSR Uninterrupted Sustained Silent Reading; a name for silent
independent reading
vowels a, e, i, o, u, sometimes referred to as long or short; long
vowels represent the sound of their letter name, e.g., bay,
bee as in boat; short vowels represent the sounds heard in bat,
bit, bet, but, bot.
word determining the pronunciation and meaning of an
identification unknown word
word recognition knowing the pronunciation and meaning of words
previously encountered
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Index
A class charts, 41 Developing Dialogue, 151
accessing different text forms, 187–188 class-created Book of Favourites, 40 devices
active reading, 114 Clouds of Wonder, 158 used by authors, 61–64
adding details, 43 colour, 65 used by illustrators, 64–65
adjusting reading rate, 123, 171 compare and contrast structure, 96–97 different audiences, 40
advertising, and flattery, 62 comparing, 117, 144–146 Diller, Debbie, 15
Allington, R., 38 composition, 65 DIRT (Daily Independent Reading Time), 27
amount of detail, 64 comprehension discussing texts, 66, 68
analogy, 61, 124, 172 monitoring and revising displays, 38
analyzing, 66–67, 71 comprehension, 122–125 Double Entry Journal, 145–146
Anderson, L., 176–177 strategies. See reading strategies
Anticipation Guide, 138 computers, 41 E
application of reading strategies, 131 concept knowledge, 108–109 echo reading, 32
appropriateness of information, 189 connecting, 116, 139–143 editing, 193–194
Armbruster, B.B., 30 Connecting with the Text, 139 Editor’s Checklist, 196–197
artistic style, 65 connotation, 61 effective readers, 114
assessment consulting a reference, 124, 172 effective teaching and learning practices,
for learning, 13, 22, 26, 29 context clues, 93–94, 94f 66–68
guided reading, 22 Contextual Understanding electronic versions of texts, 39
independent reading, 29 and critical literacy, 56–57 English Language Learners (ELL), 37, 74
Language Experience Approach, 16 and effective teaching and enumeration text structure, 98–99
literature circles, 26 learning practices, 66–68 environment for reading, 38
modelled reading, 13 generic questions for discussing euphemism, 61
of prior knowledge, 71 texts, 68 evaluating the research project, 201–204
reading aloud to students, 10 and reading, 57–58 evaluation of texts, 111
shared reading, 19 reasons for teaching, 59 everyday experiences of language, 91
assisted reading, 32–33 role of, 56 exaggeration, 61
audience presentation skills, 199 situational context, 57–58 Explosion Chart, 179
author studies, 40 socio-cultural context, 58 Extended Anticipation Guide, 138
authors supporting development of, 65–68
author studies, 40 what students need to know, 59–65
challenging their view of world, 59–60 conventions
F
fads, 39
devices used by, 61–64 analyze, 71 familiarizing, 66
different ways of representing, 60 assessment of prior knowledge, 71 Famous Five Key Word Search, 167
invitations, 40 choosing appropriate context and feedback, 72
text, 71 figurative language, 62
B curricular focus, selection of, 71
B-D-A Questions, 159–160, 183 Five Finger Rule, 50, 52
effective teaching of, 70–72 Five Ws and an H, 181
background experiences, 90–91 encouragement of independent
Beat the Buzzer Quiz, 164 flashback, 62
application, 72 flattery, 62
Before-and-After Chart, 140 feedback, 72
benefits for students fluency
graphophonics, 81–87 assisted reading, 32–33
independent reading, 27 guided practice activities, 71–72
Language Experience Approach, 14 buddy reading, 36
investigating, 71 choral reading, 33
literature circles, 23–24 modelling, 71
modelled reading, 11 described, 30
monitoring, 72 echo reading, 32
reading aloud to students, 8 overview, 69
shared reading, 17 modelling, 30–31
phonological awareness, 73–80 opportunities for repeated
bibliography, 185 self-reflection, 72
blending, 79–80 reading, 31–36
text-form knowledge, 95–105 oral reading, 30–31
Bloom, B., 176 vocabulary knowledge, 87–95
book clubs, 24, 40 Poetry Club, 35
creating and sharing a presentation, Radio Reading, 34–35
Book of Favourites, 40 198–201
brainstorming, 178 Readers Theatre, 34
creating images, 119, 154–157 shadow reading, 32
Broaddus, K., 30 Creating Quiz Questions, 180–181
buddy reading, 36 shared reading, 33
critical literacy, 56–57 tape-assisted reading, 34
Crystal Ball, 136
C cueing systems, 107–110
focus questions, 176–177
C-W-S-C (Comprehend, Write, Share, font selection, 63
Clarify), 190 cultural knowledge, 109 foreshadowing, 62
Cambourne, B., 37 curricular focus, 71 friends, reading with, 42
Card Cluster, 179 From None to Some, 196
cause and effect text structure, 97–98
D frustrational level, 49–50
defining research requirements, 176–183
Changing Images, 156 Design This!, 201
Character Rating Scales, 148–149 details, 43, 62, 63, 64
G
Character Self-Portrait, 147 Gallagher, M., 5–6, 27, 125, 172,174
determining appropriateness of information, gathering appropriate resources, 183–187
Check the Text, 136 189
choral reading, 33 generating questions, 119–120, 158–160
determining importance, 121, 166–168 generic questions for discussing texts, 68
chunking, 124, 172
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glossary of terms, 206–212 Herber, H., 177 Interviews, 148, 184
Goudvis, A., 114 high-frequency words, 88 inventories, 39
Gradual Release of Responsibility Model, home-reading material, 52–54 investigating a text, 67, 71
5–6, 27, 125, 172, 174 Hook, Line, and Sinker, 196 invitations, 40
grammatical knowledge, 109 Hoyt, L., 145, 168 irony, 62
Graphic Overlays, 161–162 humour, 63 irrelevance, 63
graphophonic cueing system, 110 Hunt the Text Challenge, 163–164
knowledge of, 110 J
graphophonics I journals
Badenhop’s suggestions, 83 identifying and defining research Double Entry Journal, 145–146
Beck’s suggestions, 84 requirements, 176–183 for evaluation of research
defined, 81 illustrators projects, 203
Department of Education, Western challenging their view of world, 59–60 Synthesis Journal, 153–154
Australia, 83 devices used by, 64–65 Just Like, 145
described, 73 different ways of representing, 60
graphophonic investigations, 85–86 invitations, 40
introduction of graphophonic images. See creating images K
important concepts, 121, 166–168 K-W-L Chart, 192
understandings, 82–84 K-W-L-S Charts, 179
National Literacy Strategy (UK), 84 Incentive Schemes, 42
incentives, 61 Karate, 43
Routman’s suggestions, 83 Keene, E., 114, 116
supporting development of, 84–86 inclusion of details, 62
independent level, 49 Krathwohl, D., 176–177
what students need to know, 81–84
Great Debate, 153 independent reading
assessment ideas, 29
L
group editing, 196 Language Experience Approach
guided practice activities benefits for students, 27 assessment ideas, 16
comparing (reading strategy), 144–146 defined, 27 benefits for students, 14
connecting (reading strategy), 139–143 description, 27 defined, 14
conventions, 71–72 key features, 27 description, 14
creating and sharing a suggestions for use, 28 key features, 14
presentation, 200–201 time for, 38 suggestions for using, 14–15
creating images (reading indirect teaching of vocabulary, 90–91, language features, 102–103
strategy), 154–157 91–94 library resource centre, 184
determining importance (reading inferring, 118, 147–151 Like or Unlike?, 144–145
strategy), 166–168 information images, 157 Linking Lines, 142
evaluating a research project, 203–204 information process listing text structure, 98–99
generating questions (reading see also research projects literature circles
strategy), 158–160 creating and sharing a assessment ideas, 26
identifying and defining a presentation, 198–201 benefits for students, 23–24
research project, 178–183 described, 174 defined, 23
inferring (reading strategy), 147–151 evaluating the research project, description, 23
locating and gathering 201–204 key features, 23
appropriate resources, 186–187 identifying and defining research promoting reading, 40
paraphrasing (reading strategy), requirements, 176–183 roles, 23, 25
169–171 locating and gathering suggestions for using, 24–25
predicting (reading strategy), 135–138 appropriate resources, 183–187 locating and gathering appropriate
processing and organizing and parents, 205 resources, 183–187
information, 194–198 processing and organizing locating texts, 111
reading strategies, generally, 131–132, information, 192–198 Lonely Texts, 42
134f selecting and recording
scanning (reading strategy), 163–166 appropriate information, 187–192 M
selecting and recording information sources, 183 Main Idea Pyramid, 168, 198
appropriate information, 190–192 information technology skills, 199 Main Idea Sort, 170
skimming (reading strategy), 161–163 innovating, 67 making connections. See connecting
summarizing (reading strategy), instructional approaches to reading medium, 65
169–171 criteria for selection, 6 Miller, D., 156
synthesizing (reading strategy), described, 5–6 modelled reading
151–154 guided reading, 6, 7, 20–22 assessment ideas, 13
guided reading independent reading, 7, 27–29 benefits for students, 11
assessment ideas, 22 Language Experience Approach, 6, 7, and Contextual Understanding, 66
benefits for students, 20 14–16 defined, 11
and contextual understanding, 66 literature circles, 7, 23–26 description, 11
defined, 20 and major teaching emphases, 51f key features, 11
description, 20 modelled reading, 6, 7, 11–13, 30–31 suggestions for using, 12
key features, 20 overview, 7 modelling
suggestions for using, 21–22 reading aloud to students, 7, 8–10 application of conventions, 71
guiding sessions, 130–131 shared reading, 6, 7, 17–19 conducting modelling sessions, 127
instructional level, 49 of fluent oral reading, 30–31
H instructional reading, 48, 51–52 planning modelling sessions, 127
Harvey, S., 114 Interesting Words Chart, 165 reading strategies, 126–128
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© Western Australian Minister for Education 2013. Published by Pearson Canada Inc.
Reading Resource Book
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FSIL002 | First Steps in Literacy: Reading Resource Book
© Western Australian Minister for Education 2013. Published by Pearson Canada Inc.
secondary sources, 183 text features, 93 described, 87
segmenting, 79–80 Text Features Survey, 186–187 direct teaching, 90
selecting and recording appropriate text form, 193, 198 indirect teaching, 90–91, 91–94
information, 187–192 text-form knowledge sight vocabulary, 87, 109
selection-critical words, 88–89 language features, 102–103 supporting development of
selection of texts, 111 overview, 104f vocabulary, 89–94
self-reflection, 72 purpose, 95–96 vocabulary knowledge
semantic cueing system, 108–109 supporting development of, 103–104 See also vocabulary
Sensory Chart, 155 text organization, 99–102 described, 87, 109
sequence text structure, 98–99 text structure, 96–99 high-frequency words, 88
shadow reading, 32 what students need to know, 95–103 multi-meaning words, 89
Share Your Topic, 180 text knowledge, 109–110 selection-critical words, 88–89
shared reading text organization, 99, 99f what students need to know, 88–89
assessment ideas, 19 Text Preference Survey, 49f Vygotsky, L., 130
benefits for students, 17 text selection
and Contextual Understanding, 66 class inventory and W
defined, 17 recommendations for what students need to know
description, 17 purchase, 45f Contextual Understanding, 59–65
fluency, 33 for classroom use, 47–48 creating and sharing a
key features, 17 evaluation of texts for purchase, 46 presentation, 198–200
suggestions for using, 18 instructional reading, 51–52 evaluating the research project,
shared writing session, 15 recreational reading, 48–51 201–202
sharing a presentation, 198–201 research-related reading, 52 graphophonics, 81–84
sharing sessions, 128–130 for the school, 44–47 identifying and defining research
sight vocabulary, 87, 109 storing texts, 47 requirements, 176–178
sight words, 87 texts to send home, 52–54 locating and gathering
sign-out systems, 50 text structure, 96–99 appropriate resources, 183–185
simulating, 67 text swaps or exchanges, 40 phonological awareness, 74–76
situational context, 57–58 texts processing and organizing
66 Words, 170–171 accessing different text forms, information, 192–194
size of illustrations, 65 187–188 selecting and recording
skimming, 120, 161–163 defined, 3 appropriate information, 187–189
sliding mask, 85 electronic versions, 39 text-form knowledge, 95–103
Sneak Preview, 162–163 evaluation of texts, 111 vocabulary knowledge, 88–89
socio-cultural context, 58 locating texts, 111 What’s in a Text?, 142–143
sounding out, 124, 172 organizational features of text, 99, 99f What’s My Point of View?, 150
sources of information, 183 overview, 4 What’s Your Story?, 166
specific words, 91–92 purpose of, 95–96 Where in the World?, 43
Split Images, 135 selection of, 38 wit, 62
Stop-and-Think Cards, 159 selection of texts, 111 word awareness, 76–77, 90–91
strategies. See reading strategies student recommendations, 41 word function knowledge, 109
structured overview, 182, 192 talking about, 38 word identification strategies. See reading
student knowledge. See what students need use of texts, 3, 4 strategies
to know Think-Alouds, 11 word order knowledge, 109
student opinions, 42 Think and Share, 140–141 word structure knowledge, 109
student recommendations, 41 Think Sheets, 137 words
summarizing, 122, 169–171 This is Your Life, 42 concept of, 76
surveys topic knowledge, 108–109 high-frequency words, 88
conducting, 184 tracking strategies, 173 increasing awareness of, 90–91
promoting reading, 39 Turn on the Lights, 151–152 meanings, determination of, 92–93
Reading Interest Survey, 48, 48f Two Stars and a Wish, 203 multi-meaning words, 89
Text Features Survey, 186–187 typographical aids, 31 rhyming words, 77
Text Preference Survey, 49f selection-critical words, 88–89
syllable awareness, 77–78 U sight words, 87
symbolism, 64 understatement, 64 specific words, 91–92
syntactic cueing system, 109–110 Use of Texts. See instructional approaches to world knowledge, 109
Synthesis Journal, 153–154 reading world map, 43
synthesizing, 118, 151–154 USSR (Uninterrupted Sustained Silent Worthy, J., 30
Reading), 27 Written Conversations, 160
T
Take Away, 191 V Z
talking about texts, 38 valuing opinions, 42
Zimmerman, S., 114, 116
tape-assisted reading, 34 Venn Diagrams, 144
zone of proximal development, 130
teaching and learning practices, 66–68 Very Important Points (VIPs), 168
technology, 184, 188 Visualize and Note-take, 191–192
television, 39 vocabulary
television-reading chart, 43 See also vocabulary knowledge
testimony, 64 background experiences, 90–91
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FSIL002 | First Steps in Literacy: Reading Resource Book
© Western Australian Minister for Education 2013. Published by Pearson Canada Inc.
Reading Resource Book
Credits
P. 3, © Michael Newman/PhotoEdit; p. 9, Photos.com/Jupiter
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Images; p. 118 (top), Creatas/Jupiter Images; p. 118 (bottom),
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p. 120 (bottom), DAJ/Getty Images; p. 121, © Jose Luis Pelaez,
Inc./Corbis; p. 122 (top), Agefotostock; p. 122 (bottom), Marla
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DesRivieres, © 2008 Pearson Education Canada, pg. 140. Reprinted
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Photos.com/Jupiter Images.
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FSIL002 | First Steps in Literacy: Reading Resource Book
© Western Australian Minister for Education 2013. Published by Pearson Canada Inc.