The Massed Bands of the

Sea Cadet Corps

Resource Pack
 The Massed Bands of the Sea Cadet Corps

This Instructional Pack

FAO: All SCC Unit Bandmasters, Instructors and Cadets wishing to attend SCC Massed
Bands Engagements

The following Instructional Pack and its accompanying media has been created and compiled by
Bugler Chris Mace RM with the assistance of Lt. Cdr. (SCC) Derek Payne RNR.

The main aim is to improve the quality of the SCC Massed Bands by providing a comprehensive
resource for the learning of new repertoire, standardising existing repertoire and ensuring
consistency in all areas.

By combining written instructions, sheet music, visual and audio aids, it is hoped that everyone will
be able to use this pack, from junior cadets to national band staff. And if anything is still unclear
then we encourage everyone to ask using the chain of command. At no stage should anything be
made up. Whether you are a cadet or an Area Staff Officer, if in any doubt, ASK. This really is the
only way the quality of the SCC Massed Bands can improve.

The list of repertoire in this pack is not, by any means, exhaustive but will become the standard
repertoire for all SCC Massed Bands engagements. It is therefore imperative that all concerned
learn the parts exactly as they appear here. Many of the older, traditional pieces have morphed over
the years away from the correct parts and, in most cases, this pack will ensure a return to the
original score. Similarly, it is up to everyone to make sure that any new pieces are learnt accurately
to ensure that we achieve the aim of consistency across the board.
 The Massed Bands of the Sea Cadet Corps

Contents

Parade Instructions – Generic instructions for Massed Bands Parades

Notes on Repertoire and Accompanying Media

Repertoire List
Audio CD Playlists

Written Parts
Regimental Marches Ready Aye Ready
Heart of Oak
A Life on the Ocean Wave
Sarie Marais
Bugle Marches The Huntsmen’s Chorus
Mechanised Infantry
Sambre et Meuse
Zeebrugge
Quick Marches Aces High
HM Jollies
Holyrood
On the Quarterdeck
Royal Salute (from trio)
Slow Marches Highland Cathedral
Youth in Blue
Drum Solos/Statics British Grenadiers
Cosgrove
McAlpine
Portsmouth No. 1
Centennial
Fortaliza
Ich Dien
Finale Pieces Pavane ‘La Bataille’

Appendix I – Musical Salutes

Appendix II - Contacts
 The Massed Bands of the Sea Cadet Corps

Parade Instructions
The following are generic instructions for Massed Bands parades. They refer to traditional
parades rather than rehearsed arena displays or Beating Retreat ceremonies. Most
instructions can and should be applied at unit band level. They do not replace any existing
published orders or instructions but should be used in conjunction with these, as a more
specific guide for the band’s involvement.

The Parade Instructions will be split into the following composite sections of a typical parade:

1. Receiving an Inspecting Officer

2. The Inspection
3. The Advance in Review Order
4. The March Past
5. The March-Around

These sections are not exhaustive, may or may not be used on any specific parade and may
not necessarily be in the order stated. For example, at the annual National SCC Trafalgar Sunday
Parade at Trafalgar Square, the ‘March-Around’ section is relevant to the march to Trafalgar Square
as well as the march back down the mall after the parade. The ‘Receiving an Inspecting Officer’,
‘The Inspection’ and ‘The March Past’ sections are all relevant for the parade itself but on this
occasion there is no ‘Advance in Review Order’. Similarly at the Lord Mayor’s Show, the only
relevant section would be ‘The March-Around’.

1. Receiving an Inspecting Officer

Order of Band Involvement

• Firstly, on hearing ‘VIP Approaching’, ‘Flag Sir’ or any other predetermined alert from the
parade staff, a bugler from the band will play the ‘Alert’.
• The guard will then slope arms and, as the VIP approaches the saluting platform, the Drum
Major will give the command ‘Band Ready’.
• When the VIP is on the saluting platform, the guard will present arms. On the completion of
their drill movement, the Director of Music (DoM) will conduct the musical salute. The
Drum Major salutes with the general salute.
• The DoM then about turns and salutes.
• The guard will then slope arms. On their first movement, the centre bass drummer gives the
‘click-click-down’ signal with two beaters above the bass drum. The Drum Major and DoM
both return to the position of attention.

The Musical Salute

• Care should be taken to always use the correct musical salute for the VIP concerned. For
example, Her Majesty the Queen would be given one full verse of the National Anthem,
whereas a local mayor would be given the ‘Drum Ruffle’. See Appendix I for a full list of
musical salutes.
2. The Inspection

Incidental Music

• During the Inspection of the guard and the divisions, the band will probably be required to
play incidental music. There are no real criteria at this point as to what is to be played. Slow
marches, set pieces, ‘funnies’ etc. are all acceptable.

Drill

• If the DoM is not already in an offset position at the front of the band, they should take up
this position.
• Once the Divisions have been stood at ease (if necessary) and the Inspecting Officer has
begun inspecting the guard, the Drum Major will give the order ‘Band, Stand at Ease’. The
DoM can then walk through the band and tell them which piece he wishes them to play.
• When the DoM returns to the front of the band he will instruct the Drum Major to bring the
band up. The Drum Major will give the orders, ‘Band, Tun!’, ‘Band, Ready’
• The DoM will then conduct the piece.
• To finish the piece, the DoM will point at the bass drummer at the appropriate point and a
double bass drum beat will be played. The band then cut off with the DoM.
• The Drum Major will then give the order ‘Band, Stand at Ease’. The DoM can then walk
through the band and tell them which piece he wishes to play next. At this point the previous
routine will be followed again and repeated for as long as necessary.

Inspection of the Band

• Before the Inspecting Officer approaches the band, it is the DoM’s responsibility to cut off
the band.
• The Band will remain at attention.
• The DoM will march up to meet the Inspecting Officer as they approach, halt a few paces
before them and report.
• The DoM will then lead the Inspecting Officer down the front rank of the band. This is the
only rank to be inspected.
• On completion the DoM asks permission to carry on and returns to his position at the front
of the band.
• The Drum Major can now give the order, ‘Band, Stand at Ease’

3. The Advance in Review Order

• Other than the ‘Band, Ready’, all other orders will come from the Parade/Guard
Commander.
• Unless on an exclusively ‘Marine Cadet’ parade (when ‘British Grenadiers’ should be used)
the Royal Navy Advance in Review Order, ‘Nancy Lee’ should be played.
• The band advance, playing, with the guard. The DoM marches in his position at the front of
the band.
• On the last beat a ‘pussers’ halt is executed with the guard (rather than a ‘musical’ halt). The
DoM about turns.
• The guard will give a general salute and the band will then play the appropriate musical
salute, conducted by the DoM.
• Again the ‘click-click down’ is given at the order ‘slope arms’
4. The March Past

• If not already in a suitable position, the band will position itself so that it is opposite the
saluting platform with enough space for the guard and divisions to pass between the band
and the platform.
• The Parade will be stepped off by the Parade/Guard Commander. The Band will remain at
the halt and play ‘Heart of Oak’ whilst the guard march past.
• The DoM will then give the cut off and rolls will be played into the next march. If more than
one further march is required, drum solos will be played in between each march.
• Once all the divisions have marched past, the DoM will cut off the band, conduct the first of
the three beat rolls and then place his baton under his arm on the first beat of the second.
This is the instruction to the band that they should now step off playing ‘Ready Aye Ready’.
• The band will wheel the opposite way to the divisions marching past and then, once clear of
the saluting platform, counter-march to follow them. The Drum Major and DoM will salute
the Inspecting Officer as they pass the platform.

5. The March-Around

Order of Music

• The order of the marches to be played will be decided by the senior Director of
Music/Bandmaster prior to the parade and will be relayed to the Massed Bands in the talk-
through at the venue. During this talk-through, musicians will arrange their march cards into
the appropriate order.
• A senior/reliable musician in the trombone rank will be asked to shout out the next march in
the gap between the first and second three beat roll of each piece.
• On a march-around where more than two marches will be necessary, drum solos will be
played between every march.
• If there will be a saluting platform along the route somewhere, the March Past of the Sea
Cadet Corps, ‘Ready Aye Ready’ should be played on passing it. This may be followed by
‘Heart of Oak’ and ‘A Life on the Ocean Wave’ at the discretion of the DoM. All
instructions for the execution of this should be explained at the talk-through prior to
stepping off.

Parade Orders

• Orders may come from the Parade Staff or the Drum Major. The Band should only act if the
words ‘Band’ or ‘Parade’ precede the order.
• Often, the step-off will be given by the Parade/Guard Commander. When the guard are at
the slope and are given the order to turn in the direction they are to be marching, the Drum
Major will give the order ‘Band, Ready’. The Drum Major should remind the band to work
off the Parade/Guard Commander’s order and about turn. The Band then step off on hearing
this order.
• The Drum Major will normally give all further orders to the band during the march-around.
At all times, if the band are playing, the orders will be given through a combination of
staff movements and bass drum beats. If the band are not playing, the Drum Major
will give the orders verbally.
 • The Band should be prepared to be given ‘Halt’ and ‘Advance whilst playing’ signals from
the Drum Major throughout the march-around, particularly if there are other contingents
ahead of the band.
• The Cease Playing - The Drum Major will be responsible for all ‘cease playing’ signals
throughout the parade. It is, therefore, the Drum Major’s responsibility to cut off all
marches with his staff and all drum solos with his arm. At no point should the band
automatically finish at the end of a march. If the Drum Major does not give a ‘cease
playing’ signal, the band should return to the top of the march and keep playing until the
signal is given. On receiving the signal and finishing the march, the drummers should
automatically go straight into rolls for the next piece.
• The Final Cease Playing – If the Drum Major wants the band to finish playing altogether,
the normal ‘cease playing’ staff signal will be given, but in addition, the left hand will be
waived behind the back. This is the signal for the drummers that they should not proceed
into rolls when the staff is dropped and the current piece finishes.

Bugle Marches and The Corps of Drums

• The Corps of Drums will normally be formed up with ‘combination’ players (i.e. those that
play both drum and bugle) at the front.
• During bugle marches, these combination players will play the bugle parts and the rear
rank(s) of drummers will play the drum part. Drum parts to bugle marches will be played
without stick work except where all the Corps of Drums are drumming together (i.e. if the
entire Corps of Drums are incapable of doing stick work because some of them are on
bugles, the remaining drummers play down).
• Bringing bugles up - During the two three beat rolls leading into a bugle march,
combination players will bring sticks down on the first beat of the first roll, come over to
bugles on the last beat of the first roll and bring bugles up in one on the first beat of the
second roll. Buglers not carrying drums will also come up in one at this point. The only
exception to this will be when the march that the parade steps off to is a bugle march when
bugles will be brought to ‘the ready’ with the rest of the band prior to stepping off. If bugles
are brought up during a march, they will be brought up in two as usual.
• Bringing bugles down – At all times, bugles will be brought down in two movements. For
combination players, if bugles are being played right up to the cease playing signal, bugles
will be brought down and sticks brought up over the two three beat rolls leading into the
next march.

Band Drill during Drum Solos

• On completion of a march, the Corps of Drums will go into drum solos. Musicians, Bell
Lyres and Bugles should all come down on the second three beat roll. Bell Lyres and Bugles
will swing on the first beat of the solos but musicians have the first eight bars to change
their march cards (at the down position). Arms should be cut on the eigth bar and swung on
the ninth.
• Arms should be swung to waistband height.
• On completion of drum solos, the Corps of Drums will play the two three beat rolls into the
next march. Right arms are cut away on the last beat of the first roll and instruments brought
to ‘the ready’ on the first beat of the second roll.
 The Massed Bands of the Sea Cadet Corps

Repertoire

The following is a list of repertoire that all cadets attending Massed Bands events
should be familiar with (as of October 2009):

The March Past of the Sea Cadet Corps: Ready Aye Ready
The March Past of the Royal Navy: Heart of Oak
The Regimental March of H.M. Royal Marines: A Life on the Ocean Wave
The March Past of the RM Commandos: Sarie Marais

Bugle Marches: The Huntsmen’s Chorus

Mechanised Infantry
Sambre et Meuse
Zeebrugge

Quick Marches: Aces High

HM Jollies
Holyrood
On the Quarterdeck
Royal Salute (from trio)

Slow Marches: Highland Cathedral

Youth in Blue

Drum solos/statics: British Grenadiers

Cosgrove
Mc Alpine
Portsmouth No. 1
Centennial
Fortaliza
Ich Dien

Finale Piece: Pavane ‘La Bataille’

IMPORTANT

Please look at the parts in this pack for all of these pieces. Some existing repertoire
may be arranged slightly differently to what is presently being played. It is very
important that everyone concerned learn the various parts exactly as they appear in
this pack.

Performance Notes

All marches will be played until the ‘cease playing’ is given by the Drum Major (or
the DoM). On reaching the end of the march, if no signal has been given, repeat back
to the very start of the march (with the exception of ‘Heart of Oak’ where the
introduction is omitted after it’s first playing). To illustrate this point, on the
accompanying CD and DVD, the regimental marches and drum solos are all played
twice through.

All marches are written in the correct/original key with the exception of ‘Sarie
Marais’ (to coincide with simplified band arrangement).

The trio of ‘Ready Aye Ready’ is not usually played. The Drum part to this march has
been adapted for the Corps of Drums (it is standard practice even in RM Bands to
adapt the original percussion parts in this way).

In some instances the 2nd Bell Lyre part may be omitted if accompanied by a full
band.
 The Massed Bands of the Sea Cadet Corps

Notes on Accompanying Media

Audio CD Playlists

Disc Two: Audio CD – Music of the Sea Cadet Corps

This CD has been recorded one instrument at a time and then layered. Therefore, at times, the parts
are not perfectly in time with each other and there is a lack of the musicality that an ensemble
playing together could achieve. Please use this disc as a guide rather than an exact example of how
pieces are to be played.

The playlist for this CD is as follows:

1. Ready Aye Ready

2. Heart of Oak
3. A Life on the Ocean Wave
4. Sarie Marais
5. The Huntsmen’s Chorus
6. Mechanized Infantry
7. Sambre et Meuse
8. Zeebrugge
9. Aces High
10. HM Jollies
11. Holyrood
12. On the Quarterdeck
13. Royal Salute (from the trio)
14. Highland Cathedral
15. Youth in Blue
16. British Grenadiers
17. Cosgrove
18. McAlpine
19. Portsmouth No. 1’s
20. Centennial
21. Fortaliza
22. Ich Dien
23. Pavane ‘La Bataille’

The following two CDs break the pieces down into their composite parts. They are all electronic
‘midi’ recordings and so, whilst accurate, there is a lack of musicality and phrasing that should be
applied once the parts are learnt. Rests are played out in full and so there may be substantial periods
of silence within certain tracks, including at the beginning of some.
Disc Three: Audio CD – Individual Parts CD – Regimental Marches and Bugle Marches

The playlist for this CD is as follows:

1. Ready Aye Ready – Complete

2. Ready Aye Ready – Bugle I
3. Ready Aye Ready – Bugle II
4. Ready Aye Ready – Bell Lyre I
5. Ready Aye Ready – Bell Lyre II
6. Heart of Oak - Complete
7. Heart of Oak – Bell Lyre I
8. Heart of Oak – Bell Lyre II
9. A Life on the Ocean Wave – Complete
10. A Life on the Ocean Wave – Bell Lyre I
11. A Life on the Ocean Wave – Bell Lyre II
12. Sarie Marais – Complete
13. Sarie Marais – Bell Lyre
14. Sarie Marais – Bell Lyre (simplified version)
15. The Huntsmen’s Chorus – Complete
16. The Huntsmen’s Chorus – Bugle I
17. The Huntsmen’s Chorus – Bugle II
18. The Huntsmen’s Chorus – Bell Lyre I
19. The Huntsmen’s Chorus – Bell Lyre II
20. Mechanised Infantry – Complete
21. Mechanised Infantry – Bugle
22. Mechanised Infantry – Bell Lyre I
23. Mechanised Infantry – Bell Lyre II
24. Sambre et Meuse – Complete
25. Sambre et Meuse – Bugle
26. Sambre et Meuse – Bell Lyre I
27. Sambre et Meuse – Bell Lyre II
28. Zeebrugge – Complete
29. Zeebrugge - Bugle
30. Zeebrugge – Bell Lyre I
31. Zeebrugge – Bell Lyre II

Disc Four: Audio CD – Individual Parts CD – Quick Marches, Slow Marches, Finale Piece
and Musical Salutes

The playlist for this CD is as follows:

1. Aces High – Complete

2. Aces High – Bell Lyre I
3. Aces High – Bell Lyre II
4. HM Jollies – Complete
5. HM Jollies – Bell Lyre
6. Holyrood – Complete
7. Holyrood – Bell Lyre I
8. Holyrood – Bell Lyre II
9. On the Quarterdeck – Complete
 10. On the Quarterdeck – Bell Lyre
11. Royal Salute – Complete (from trio)
12. Royal Salute – Bell Lyre
13. Highland Cathedral – Complete
14. Highland Cathedral – Bell Lyre
15. Youth in Blue – Complete
16. Youth in Blue – Bugle
17. Youth in Blue – Bell Lyre I
18. Youth in Blue – Bell Lyre II
19. Pavane ‘La Bataille’ – Complete
20. Pavane ‘La Bataille’ – Bell Lyre I
21. Pavane ‘La Bataille’ – Bell Lyre II
22. Pavane ‘La Bataille’ – Bell Lyre III
23. National Anthem – Complete
24. National Anthem – Bell Lyre I
25. National Anthem – Bell Lyre II
26. National Anthem – Bell Lyre III
27. Rule Britannia (Salute) – Complete
28. Iolanthe (Salute) – Complete
29. Garb of Auld Gaul (Salute) – Complete
30. Preobrajensky (Salute) - Complete

Disc Five: DVD – Corps of Drums Stick Drill and Individual Drill

This DVD adds the visual component to CD 1. All stick drill should be followed exactly as shown
here, even if it differs from parts that are already known to ensure consistency across the Corps.

Stick drill for ‘Ready Aye Ready’, ‘The Huntsmen’s Chorus’ and ‘Youth in Blue’ are shown for
interest only as, usually, the majority of the Corps of Drums will be playing bugles and so any
remaining drummers will play the march down (as previously mentioned).

The ‘Drill’ section of the DVD is broken down into Drum Major Drill, MSD Drill, Bugle Drill and
Bell Lyre Drill.
 The Massed Bands of the Sea Cadet Corps

The March Past of the Sea Cadet Corps

Ready Aye Ready

• In it’s capacity as March Past of the Sea Cadet Corps, the trio is
omitted. Therefore, the following parts do not include the trio.

• The Military Side Drum part is not the original. It has been adapted
to be more suitable for stick-work and more repetitive to make it
easier to remember. This adaptation of original snare drum parts is
common practice in RM Bands for these reasons.

• On reaching the end of the piece (as shown in these parts without
the trio), if no cease playing signal has been given, return to the
very beginning.

• Bugles should be brought up in one on the first beat of the second

three pace roll. If the front rank of the Corps of Drums is made up
of combination players who are on bugles, the remainder of the
Corps of Drums should play this march down (i.e. without stick-
work). This includes the preceding rolls and the last beat of the
march. In addition, as the buglers come back onto drums, the rolls
for the next march should be played down until the last beat of the
second roll where everyone should come up together.
 q. = 116
Ready Aye Ready P.A.Sumner

                         

Bugle I      
                         
Bugle II
          

            
  

Bell Lyre I
  

  
C# D Bb Bb A Bb
  
D D C A G F

     
 
Bell Lyre II     

   
q. = 116

               
Bb Bb A Bb A G G F# G F  Eb D

Side Drum   

          
Bass Drum  

         
  
Cymbals


 
6
      
Bug.           

         
 

Bug.   

 
      
      
   
B.L. I
   
Bb Bb Bb Bb Bb A Bb D Bb F Bb Bb Bb A Bb
  
G A C F F

B.L. II         
      
  

 

  b F
                 
Eb E F E A F F Bb Bb

B b A Bb D B
 
Bb Bb Bb A Bb

S. D.  

B. D.             

           
Cym. 
2

 
 
12
         
Bug.      


Bug.      

         
     
              
B.L. I

    
Bb Bb Bb A Bb C Bb Bb Bb Bb A Bb
    
D F G A C D A F G A

B.L. II                      

   
   
F GA
D F G A Bb Bb C D Bb G F

F G A Bb Bb Bb A Bb

S. D.           

           
B. D. 

           
Cym. 

     

18
    
Bug.          


Bug.      
      

                  
B.L. I
 

            
Bb F Bb Bb Bb A Bb D D Eb E Eb D C Bb
 
D F F F A


B.L. II  

    
   
     
D Bb F

Bb Bb Bb A Bb D
D
Bb C C# D C F D Eb

S. D.           

B. D.             

           
Cym. 
 3


24

Bug. 
       
  
   
  
  


                    
  


 
Bug.


                             
B.L. I
 

              
Bb Bb Bb Bb A Bb D Bb F Bb Bb Bb A Bb D Bb Bb
  
F F F G A C

B.L. II  
  
           
    
                
D

F F Bb Bb Bb A Bb D Bb F

Bb Bb Bb A Bb D F G A Bb Bb C

S. D.    

           
B. D. 

           
Cym. 

 

30
         
Bug.        



     
  
         

Bug.
   
   
B.L. I                      

  
Bb A Bb C Bb Bb Bb Bb A Bb D Bb F Bb Bb Bb A Bb
   
D A F G A

B.L. II               
 
 
 

  
                      
F GA
D Bb G F

F G A Bb Bb Bb A Bb D Bb F

Bb Bb Bb A Bb

S. D.  

B. D.             

           
Cym. 
4

     
     
36

Bug.        
        
     
     
Bug.


                       
B.L. I      
          
D Eb E Eb D C Bb Bb F G Bb

D F F F A C B

       
 
B.L. II
 
  
    
D Bb C C# D
D C F D Eb D F G Bb A G#

S. D.         

           
B. D. 

           
Cym. 

         
                
42
 
Bug. 



Bug.       


              
B.L. I          
        
C# F G Bb C F G A Bb Bb A Bb D Bb F G Bb

C F GA D D B C

     
B.L. II             
   
                   
A F G A Bb A Bb F G Bb A G# A F G A Bb Bb A Bb D Bb F G Bb

S. D.

B. D.               

             
Cym. 
 5

                         
    
49

Bug. 


Bug.       

     
               
B.L. I        

             
Eb F E Eb Bb A Bb

C B C F GA D D E D C F A

      
B.L. II
 
  
                           
A G# A F G A Bb Bb C C# A
A A F D Eb
S. D. 

             
B. D. 

             
Cym. 

             
     
56

Bug. 

         

Bug.      

          
         
B.L. I  

 
           
Bb F G Bb C# F G Bb
  
C B C F G A D D C B

B.L. II        

 
  
             
D F G Bb A G# A F G A Bb A Bb F G Bb A G#

S. D. 

B. D.             

           
Cym. 
6


              
62
       
Bug. 


   
         

Bug.
  


              
B.L. I         

        
F G A Bb Bb A Bb D Bb F G Bb

C C B C F G A D D
 
B.L. II            


   
               
A F G A Bb Bb A Bb D Bb F G Bb A G# A F G A Bb Bb

S. D.  

           
B. D. 

           
Cym. 

   
68

Bug.      
  
              
 


                


Bug.

                       
B.L. I         
 
Eb E Eb Bb A Bb Bb Bb Bb Bb A Bb

E F D C F A F F

                  
B.L. II
   
 
                      
C C# A
A A F D Eb D F F

Bb Bb Bb A Bb

S. D.  

B. D.             

           
Cym. 
 7

 
 
74
          
Bug.       
  
              
     

Bug.
  


                         
B.L. I
 

       

Bb F Bb Bb Bb A Bb D Bb Bb Bb A Bb C Bb
   
D F G A C D

B.L. II             
   
    
         
F GA
D Bb F

Bb Bb Bb A Bb D F G A Bb Bb C D Bb G

S. D.      

           
B. D. 

           
Cym. 


80
       
Bug.         



 
     
          
Bug.  
  
B.L. I            

 

    

Bb Bb Bb A Bb Bb Bb Bb Bb A Bb
 
A F G A D F

B.L. II         
          
   
 
   
F F G A Bb

Bb Bb A Bb D Bb
 F Bb

Bb Bb A Bb

S. D.               

B. D.         

       
Cym. 
8

              

84
 
Bug.       
               
    
Bug.

              
B.L. I          
      
D Eb E Eb D Bb Bb
         
D F F F C A

B.L. II   
 Eb 
     
D Bb C C# D
D C F D D
S. D.                

B. D.           

         
Cym. 
Bugle I

q. = 116
Ready Aye Ready P.A.Sumner

                
     


      

5
            
            

  
 
9
           
          

    
    
17
         
       

  
 
25
           
          

         
33
     
           

                           
41
 


            
                 
49
     
   

                           
57
 


             
             
65

         

  
 
73
           
          

    
        
81
     
       
Bugle II
q. = 116
Ready Aye Ready P.A.Sumner

             
     


 
 


  

 
5
   
            

9 


                           
25


          

 
          
33
        
     


     
40
                 
  

   
     
62
      



            
68



                           
73


          

 
81
         
               


85
        
   

Bell Lyre II
q. = 116
Ready Aye Ready P.A.Sumner

        
  
             
 
Bb Bb A Bb A G G F# G F Eb D Eb E F E

                 
8

   
            
A F F Bb Bb Bb A Bb D Bb F Bb Bb Bb A Bb D F G A Bb Bb C

  
14
    
                 
 

D Bb F G A G F F G A Bb Bb Bb A Bb D Bb F Bb Bb Bb A Bb

    
20

               
 
      
D Bb C C# D D C F D Eb D F F Bb Bb Bb A Bb D Bb F

 
                
27
    
     
Bb Bb Bb A Bb D F G A Bb Bb C D Bb F G A G F F G A

    
33

   
 
                  
Bb Bb Bb A Bb D Bb F Bb Bb Bb A Bb D Bb C C# D D C F D Eb

                             
40

D F G Bb A G# A F G A Bb A Bb F G Bb A G# A F GA

                            
47

Bb Bb A Bb D Bb F G Bb A G# A F G A Bb Bb C C# A A A F

                              
55

D Eb D F G Bb A G# A F G A Bb A Bb F G Bb A G#

   
62
  
            
   
A F G A Bb Bb A Bb D Bb F G Bb A G# A F G A V.S.
2 Bell Lyre II

     
67
        
    
 
Bb Bb C C# A A A F D Eb D F F


                               
73
  
Bb BbBb A Bb D Bb F Bb BbBb A Bb D F G A Bb Bb C D Bb F G A G
80
  
           

 

    

F F G A Bb Bb Bb A Bb D Bb F Bb Bb Bb A Bb

             
84



  
  
D Bb C C# D D C F D Eb D
Side Drum

Ready Aye Ready

       
q. = 116 P.A.Sumner


                         

9     

  


                                  

   
                           
17   
       

    
           
25  
               

33        


                                   

   
                      
41

  
                                
49 

   
                      
57

  
                               
65 

    
    
73  
                                  

  
       
81   
                      
Bell Lyre I
q. = 116
Ready Aye Ready P.A.Sumner

                    
 
    
D D C# D C Bb Bb A Bb A G F G Bb A Bb

              
8
   
               
C F F Bb Bb Bb A Bb D Bb F Bb Bb Bb A Bb D F G A Bb Bb C

   
14

                    
    
D Bb A Bb C Bb A F G A Bb Bb Bb A Bb D Bb F Bb Bb Bb A Bb

      
20
      
                   
D D Eb E F F F Eb D C Bb A Bb F F Bb BbBb A Bb D Bb F

 
                

27
       
 
Bb Bb Bb A Bb D F G A Bb Bb C D Bb A Bb C Bb A F G A

      
33
     
                    
Bb BbBb A Bb D Bb F Bb Bb Bb A Bb D D Eb E F F F Eb D C Bb A

 
                      
40

 
Bb F G Bb C B C F GA D C# D F G Bb C B C F GA

         
47

         
  
      
Bb Bb A Bb D Bb F G Bb C B C F G A D D Eb E F E Eb D

 
                        
54
 

C Bb A F Bb A Bb F G Bb C B C F GA D C# D F G Bb

                    
61
    
  
C B C F G A Bb Bb A Bb D Bb F G Bb C B C F G A V.S.
2 Bell Lyre I

          
67

              
  
D D Eb E F E Eb D C Bb A F Bb A Bb F F


                               
73

Bb BbBb A Bb D Bb F Bb BbBb A Bb D F G A Bb Bb C D Bb A Bb C Bb

   
80

 
         

 

    

Bb Bb Bb A Bb Bb Bb Bb Bb A Bb

         
A F G A D F

    
   
84


    
 
D D Eb E F F F Eb D C Bb A Bb
 The Massed Bands of the Sea Cadet Corps

The March Past of the Royal Navy

Heart of Oak
• On reaching the end of the piece, if no cease playing signal has
been given, return to Bar 9 with the anacrusis (i.e. back to the tune
after the introduction).

• If the cease playing signal is given at Bar 35, on reaching Bar 37,
jump straight to Bar 51 to play the longer ending. Likewise, if it is
pre-arranged that the ‘short version’ of Heart of Oak is to played,
again jump from Bar 37 to Bar 51 and complete the piece from
there.

• The Bell Lyre parts are written for A-A instruments. C-C
instruments should play the Bell Lyre I part only and put Bars 31-
34 and Bars 45-48 up the octave.
 Heart of Oak Arr. Mace

   
q = 112 March Past of the Royal Navy

                      
Bell Lyre I
   
 
Bb BbBbBb Bb Bb D F Bb D D D D D D F Bb D
   
F FF F
FF F F F F F F


Bell Lyre II                 

    
   
qB=b B112
bBbBb Bb Bb D F Bb Bb BbBbBb Bb Bb D F Bb F G A Bb C D Eb E F Eb C A

     
F F

MSD             


BD                 

  
Cymbals
 
  
        

             
        
9
 
B.L. I
      
Bb Bb Bb Bb D C Bb A G F G A Bb C D Eb D C D D C Bb D Eb

F G


B.L. II   
                     
 D D D F F F G F Eb D F G F Eb F Eb D Bb Bb Bb

    
F F

MSD 
                       
 

BD                   

Cym.          

                       
18

  
B.L. I
    

F D C Bb D Eb F Bb D C Bb F A Bb C C C F C C C A Bb C
 D D

B.L. II  
   
    
       
 Bb Bb Bb Bb G A Bb Bb
                          
D C A F C C F A A A
 

MSD 

BD                   

Cym.          
2

                
27
      
   
B.L. I
    
D Bb C D C Bb A D Bb G Bb Bb D Bb Bb G ABb C D C Bb
 
D F F


B.L. II      
   
   


 

  
  
 Bb Bb Bb Bb D Bb Bb F Eb C D Bb

    
F D F G G F

MSD                  

BD                     

Cym.           

                   
37
     
B.L. I
     

F A A Bb C C C A Bb C
  D  D D Bb C D D C Bb A D Bb G
 
Bb Bb


B.L. II             
     
 Bb A A A Bb Bb Bb Bb Bb Bb D Eb


F F A F D F G G

                    
MSD
      

BD                   

Cym.          

           
 
46

 
           
B.L. I
  

F D Bb Bb F G ABb C D C Bb F

F A Bb BbBbBb Bb Bb


B.L. II           
             
 Bb D F Bb Eb D C D Bb F A C F A Bb D F Bb

  
F G A F

                   
MSD


BD                   

Cym.          
Bell Lyre I
Heart of Oak Arr. Mace

          
q = 112 March Past of the Royal Navy
       
            
Bb BbBbBb Bb Bb D F Bb D D D D D D F Bb D F FF F FF F F F F F F

        
                  
9
 
 
Bb Bb Bb Bb D C Bb A G F F G G A Bb C D Eb D C D D C Bb D Eb

        
18

                    
F D C Bb D Eb F Bb D C Bb F A Bb C C C F C C C A Bb C D D D Bb C

  


28

                
    
    
D D C Bb A D Bb G BbBb F D Bb Bb F G ABb C D C Bb F A A

               
38

            
Bb C C C A Bb C D D D Bb C D D C Bb A D Bb G Bb Bb F

      
47

  
             

 
D Bb Bb F G A Bb C D C Bb F F A Bb BbBbBb Bb Bb
Bell Lyre II
Heart of Oak Arr. Mace
q = 112 March Past of the Royal Navy

             
        
      
BbBbBbBbBb Bb D F Bb BbBbBbBbBb Bb D F Bb F G A Bb C D Eb E F Eb C A F F
9
 
                     
   
D D D F F F G F Eb D F G F Eb F Eb D F F Bb Bb Bb Bb

    

19
    
         
      
D C Bb Bb Bb G A F C C F A A A A Bb Bb Bb Bb F
29
 
            
            
D F G G BbBb F D Bb Bb F Eb C D Bb F F Bb A A A

     
 
40

    
            
A Bb Bb Bb Bb F D F G G Bb Bb D Eb F G A

  
47


         
   
 
Bb D F Bb F Eb D C D Bb F A C F A Bb D F Bb
MSD
Heart of Oak Arr. Mace
q = 112 March Past of the Royal Navy

        
   







  

9

           
            

17

                              

25

   

     




 
   

35

                   
      
43

    
         

49

                

 The Massed Bands of the Sea Cadet Corps

The Regimental March Past of

H.M. Royal Marines

A Life on the
Ocean Wave
• On reaching the end of the piece, if no cease playing signal has
been given, return to the beginning.

• The second beat ending to this march is always played. Therefore,

on the march, the Drum Major should drop the staff on the right
foot (one pace later than usual).

• If marching, the Corps of Drums should finish the march down. If

at the halt, it should be finished up, unless going straight into
another piece.

• The Bell Lyre parts are written for A-A instruments. C-C
instruments can, however, play both parts but should put the Bb in
the introduction of the Bell Lyre II part up the octave.
 A Life on the Ocean Wave
   
Russell Arr. Mace

   
q. = 104 Regimental March Past of H.M. Royal Marines
    
Bell Lyre I                     
         
Ab AbAbAb Eb Ab C Ab C Eb C Eb Ab Db Bb Ab Eb Eb Eb Eb Eb Eb Eb

 
F

  
Bell Lyre II      
   
Ab Eb
     

        
q. = 104 Ab Ab Db Bb Eb  Ab 

C

Side Drum 

          
Bass Drum   
 
   

      
Cymbals   

   
                         
7
  
B.L. I


B.L. II        
     
Eb AbAb Ab Bb C C Ab Bb C C C Db C Bb Bb Bb G Eb G Bb C Db DbDb Eb
       
              

        
         
Ab Ab Ab Ab  Ab Ab Ab Ab  Ab Ab Ab Ab G G G G G G G G G G G G

S. D. 
     

B. D.               

Cym.               

                                
 
13

B.L. I

B.L. II     
 
F EbDb CBb Ab
Ab Eb EbAbAbAb Bb C C AbBb C C C Db C  Bb BbBbG  Eb G Bb C 
             

                        
G
       
Ab Ab Eb C Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab G G G G G G G G
 
S. D. 

B. D.               

Cym.               
2

     
20
 
B.L. I                       
  


B.L. II         

Db DbDb Eb F Eb Db C Bb Ab AbAb G F G Ab Bb C C Ab G F G Ab Bb C
  
     
C C
    
F F
 Ab   
 
   
  
 G G 
G G G F Eb F E

S. D.        

B. D.               

Cym.               

  
27
 
B.L. I                                


                      
   
C C C C C C C C C C C C C C C Db DbBb G EbAbAb Ab Bb C C AbBb C C C Db C
   
B.L. II     
  
E F G Bb Ab G F Ab G Bb Eb F G Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab
 
 
     
     
Ab

S. D.        

B. D.               

Cym.               

         
           
34
  
B.L. I         

B.L. II                 

Bb BbBb G Eb G Bb Db F
      
F Eb F G F Eb Db CBb Ab AbAbAb AbAb Ab AbAbAbAbAb
        

                  
        Ab Ab
 
G G G G G G G G G G G G G Ab Ab Gb F Eb

S. D. 

 

B. D. 

   
   
   
   

 

Cym.           
 3

                         
40

B.L. I             

                  
Db Db Ab F F Db Eb Ab Db Db F Eb C Db Bb C Ab Bb G Ab C Eb DbBb Ab Ab Ab
     
B.L. II        
 
Db Db Ab Ab F Eb Eb Eb Eb 
   
                
Gb Gb G AbAbEbAb

S. D. 

B. D.                 

Cym.                 

48
           
     
B.L. I 

 
Db Db Ab Db Eb Ab Ab Ab Ab

F F

B.L. II         
 
Db  F
       
Db Ab Ab Gb Gb

S. D. 

B. D.         

Cym.         

           
52

B.L. I           

  

Gb Eb Db Bb Ab Gb Ab Db Gb Eb Db

Ab Db

            
F C F F

B.L. II  
 
      
Ab  F
Eb
 E  F  F  Ab Gb F

S. D.        



B. D.         



Cym.        
Bell Lyre I
A Life on the Ocean Wave
 
Russell Arr. Mace

   
q. = 104 Regimental March Past of H.M. Royal Marines
    

                 

Ab AbAbAb Eb Ab C Ab C Eb C Eb Ab F Db Bb Ab Eb Eb Eb Eb Eb Eb Eb

   
                         
7
  
Eb Ab Ab Ab Bb C C Ab Bb C C C Db C Bb Bb Bb G Eb G Bb C Db Db Db Eb

                     
  
13

   
F Eb Db C Bb Ab Ab Eb Eb Ab Ab Ab Bb C C Ab Bb C C C Db C Bb Bb Bb G

             
19

      
        
     
Eb G Bb C Db DbDbEb F EbDb C Bb Ab AbAb G F G Ab Bb C C Ab G F G Ab Bb

  
26

                          
C C C C C C C C C C C C C C C C C C Db Db Bb G Eb Ab Ab Ab Bb

                          
32

       

C C Ab Bb C C C Db C Bb Bb Bb G Eb G Bb Db F F Eb F G F Eb Db C Bb

              
38

 
              
Ab AbAbAb AbAb Ab AbAbAbAb Ab Db Db Ab F F Db Eb Ab Db Db F

               
44

  
            
Eb C Db Bb C Ab Bb G Ab C Eb Db Bb Ab Ab Ab Db Db Ab F F Db

            
        
50
   
   
Eb Ab Ab Ab Ab Gb F Eb Db C Bb Ab F Gb Ab Db Gb F Eb Db Ab Db
Bell Lyre II
A Life on the Ocean Wave Russell Arr. Mace
Regimental March Past of H.M. Royal Marines

        
q. = 104

         
 
     
  
Ab Ab Eb C Ab Db Bb Eb Ab Ab Ab Ab Ab

              
     
8

      
         

Ab Ab Ab Ab Ab Ab Ab Ab G G G G G G G G G G G G G Ab Ab Eb C

            
            
15

      

Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab G G G G G G G G G G G G G

     
      
22

             
Ab F F Eb F F E E F G Bb Ab G F Ab G Ab

  
     
30
  
                  
Bb Eb F G Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab Ab G G G G

          

35
            
G G G G G G G G G Ab Ab Ab Ab Gb F Eb

                                
40

Db Db Ab Ab Gb Gb F Eb Eb Eb Eb G AbAbEbAb

          

48

                 
 
Db Db Ab Ab Gb Gb F Eb E F F Ab Gb F Ab F
Side Drum
A Life on the Ocean Wave
   
Russell Arr. Mace

        
q. = 104 Regimental March Past of H.M. Royal Marines

   

        

                
7
     


                             
15              

      
         
23


31        
                

    
35      
           

     
                   
40


   
                    
  
48     

 The Massed Bands of the Sea Cadet Corps

The March Past of the R.M.

Commandos

Sarie Marais
• On reaching the end of the piece, if no cease playing signal has
been given, return to Bar 9 with the anacrusis (i.e. the tune after the
introduction).

• The Corps of Drums should note that the last two bars of EVERY
eight bar phrase are played down with the exception of the very
last two bars of the piece after the cease playing has been given. At
this point Bars 47 and 48 (for the second time) should be played
UP regardless of which eight bar phrase is being played at the time.

• This arrangement is in F Major rather than the original key to allow

it to be played alongside existing SCC arrangements.

• The Bell Lyre part can be played by both A-A and C-C
instruments.
 Sarie Marais
q = 112 March Past of the Royal Marines Commandos

         

       
  
   
Bell Lyre

qF=112 C C
                
             
E D C D E F G A Bb B

F F A C D D G F
Side Drum   
mf sfp f

Bass Drum
 
               

  
Cymbals
              

           
9

B.L.       

A C
                                  
F F F  A C  D D  G F E E D  C Bb  A 3 3

S. D. 

  
mf

B. D.               

Cym.                  

      
17

  
B.L.        
F A
                      
F F F  A C  D D  G F E E D  C G  F 3 3

S. D. 
          

    
B. D.            

Cym.                 

      
25

B.L.   

      
F E C
                                
Bb Bb  Bb  Bb  A A  A F F G  A C  G
S. D. 
ppp
    
B. D.            
p

Cym.           
p
2

            
33

B.L.       

A C
  
F F F G  A G F E  D D D  G F E E D  C Bb  A 3 3

S. D. 
                              
mf

B. D.                 

Cym.                 

   
    
41

1. 2.

B.L.                       
F C
                    
F F F G  A G F E  D D D  G F E E D  C D E  F F F F F 1. 2.
F
S. D. 
          

B. D.                    

Cym.                    
Bell Lyre
Sarie Marais
q = 112 March Past of the Royal Marines Commandos

             

     

    
F F F A C D D G F E DC D E F G A Bb B C C

                  
9
  
   
F F F A C D D G F E E D C Bb A A C F F F A C

          
19

           
D D G F E E D C G F F A Bb Bb Bb Bb A A A F F G

                          
30


A C G F E C F F F G AG F E D DD G F E E D C Bb A


40

         
   

A C F F F G A G F E D D D G F


45

 
1. 2.

            
 
E E D C D E F F F F F F C F
Side Drum
Sarie Marais
March Past of the Royal Marines Commandos

  
 
q = 112

       
                    
mf sfp f


                                 
9           3 3

mf



17           3 3
                           

25           
                                
ppp



33           3 3
                           
mf

 2. 
  
41           1.

                           
 The Massed Bands of the Sea Cadet Corps

The Huntsmen’s
Chorus
• On reaching the end of the piece, if no cease playing signal has
been given, return to the very beginning.

• Bugles should be brought up in one on the first beat of the second

three pace roll. If the front rank of the Corps of Drums is made up
of combination players who are on bugles, the remainder of the
Corps of Drums should play this march down (i.e. without stick-
work). This includes the preceding rolls and the last beat of the
march. In addition, as the buglers come back onto drums, the rolls
for the next march should be played down until the last beat of the
second roll where everyone should come up together.

• Drummers should pay particular attention to the second beat of Bar

27 and Bars 38 and 39 to ensure they are played correctly.

• Buglers should pay particular attention to Bars 30-31 and 34-35

where ‘octave G’s’ should be played as quavers rather than
crotchets and without the ‘run down’ as is often played.

• It has been decided by DoMSCC that bugles will play in Bars 25-
27 although this is only written as a cue in the original score.
 The Huntsmen's Chorus Weber Arr. Sumner

                      
q = 104

Bugle in Bb      

          

Bugle in Bb               

       
           
Bell Lyre I 

       
Bb Bb D D C Bb F Bb Bb D
 
F F D D C F C F F D D C C D C
         
Bell Lyre II
  

                            
q = 104     A  Bb F D F D F Bb D Bb Bb A A A A
F D F Bb D Bb Bb A

Side Drum 


     
Bass Drum
            

      
Cymbals
            

      
8 1. 2.

Bug. I         

     

Bug. II        

              
             
B.L. I

       
Bb Bb D D D Bb BbBb Eb Eb Eb C C C D D D Bb BbBb Eb EbEb C

F C F

B.L. II                
      
                           
1.b
B F 2.b
B F F F G GG G GG A AA F F F G GG G GG A

S. D.  

B. D.                     

Cym.                     
2


18

Bug. I              


Bug. II         

          
B.L. I        
D D D Eb D D D Bb Bb D D D F Eb D D D C Bb

C D C C

B.L. II                      

   
Bb Bb Bb Bb Bb Bb A F A

Bb F F
  Bb Bb A A A Bb
Bb Bb Bb Bb

S. D.                       

B. D.                  

Cym.                  

                    

27

Bug. I         

                        

Bug. II 


                      
B.L. I    

  
Bb F D Bb F D Eb C Eb C Eb C Eb C Bb F D Bb F D Eb C Eb C
          
B.L. II     
   
          
Bb F D Bb F D A A A A Bb F D Bb F D A A

S. D.            

B. D.                 

Cym.                 
 3

          
35
     
1. 2.

Bug. I          

   
                 
Bug. II   

B.L. I 
                    

     
Eb C Eb C DD C DD C D Bb BbBb D Bb BbBb C C C D D D
B.L. II               
 BbBb A Bb A A A

BbBb Bb
       

A A BbBb A Bb 1. 2.

S. D.                

B. D.                    

Cym.                    
Bugle in Bb
The Huntsmen's Chorus Weber Arr. Sumner

        
        
 
q = 104

  
  
1.

     


               
9 2.

  

                  
30

           

          


37 1. 2.

   
Bugle in Bb
The Huntsmen's Chorus Weber Arr. Sumner

                            
q = 104
  
1.


                 
9 2.

  

33
    
                 

 
38 1. 2.

               
Bell Lyre I
The Huntsmen's Chorus Weber Arr. Sumner

             
q = 104
       
           
1.

 
F Bb Bb D F DD C F C F D C Bb F Bb Bb D F DD C C D C Bb F
9
                 
2.

     
Bb C D D D Bb Bb Bb Eb Eb Eb C C C D D D Bb Bb Bb Eb Eb Eb C F
18
               


D D D Eb D D C DC D BbBb D D D F Eb D D C D C Bb

                      
28
        
Bb F D Bb F D Eb C Eb C Eb C Eb C Bb F D Bb F D Eb C Eb C Eb C Eb C

    
36
       
1. 2.


D D C D D C D Bb Bb Bb D Bb Bb Bb C C C D D D
Bell Lyre II
The Huntsmen's Chorus Weber Arr. Sumner

                            
q = 104
    
1.

F D F Bb D Bb Bb A A Bb F D F D F Bb D Bb Bb A A A A Bb F
9

2.

                            
Bb F F F G GG G GG A AA F F F G GG G GG A Bb BbBb

  
19

                     
Bb BbBb A F A Bb F F Bb BbBb Bb BbBb A A A Bb Bb F D
29

                    
Bb F D A A A A Bb F D Bb F D A A A A Bb Bb A

  
37

1. 2.

             
Bb Bb A Bb Bb A A A Bb Bb Bb
Side Drum
The Huntsmen's Chorus Weber Arr. Sumner

            
q = 104

       

 
5     1.

2.

              

10       
                  

18      
                  

 
24

                  

   

 
28
                   

  1. 

2. 
      
  
36

           

 The Massed Bands of the Sea Cadet Corps

Mechanized
Infantry
• On reaching the end of the piece, if no cease playing signal has
been given, return to the very beginning. However, as the Corps of
Drums will not have come over to bugles, the Drum Major or DoM
should always endeavour to finish the march at the end.

• Bugles should be brought up in one on the first beat of the second

three pace roll. If the front rank of the Corps of Drums is playing
the bugle part, the remaining drummers should play down (i.e.
without stick-work) when they are on bugles. This includes during
the preceding rolls.

• This new arrangement differs somewhat from those versions

currently in use across the Sea Cadet Corps so care should be taken
to learn the parts as shown here carefully and accurately.

• The Bell Lyre parts are written for A – A instruments. Therefore,

C-C instruments should learn the Bell Lyre I part only, putting all
Bbs below the stave up the octave.
 Mechanized Infantry MacBain

              
q. = 112

Bugle in Bb              

    
   
 
Bell Lyre I      

  

Bb F G A Bb Bb

 
F D
     
  
Bell Lyre II

Bb F Bb D G
    
q. = 112 F
Side Drum        

Bass Drum            

Cymbals             

                        
 
8
  
Bug.   
 
B. L. I

                     

    

Bb C Db D F F F Bb Bb Ab Bb

 
F F F F F F F F F C
B. L. II    
     


GF Eb D F Eb D Eb F
                    
D F Bb
S. D. 

B. D.                 

Cym.                 

              
16
      
Bug.    

            
          
 
B. L. I    
 
Bb Bb F F Eb D C Eb Eb D C
 
C F F F F F F F F D F

B. L. II   
                
                           
F Eb D C Bb F Bb F Bb F Bb F C C D Eb A
S. D. 

B. D.                  

Cym.                  
2

         
23
     
Bug.        

                         
     
B. L. I


Bb G C Bb A Bb C F F F F F F F Bb Bb F F D C C C D E

                 
B. L. II  

 C  C F  Bb F  Bb F  Bb F  Bb F  C C 
Bb
S. D.                       

B. D.               

Cym.               

  
            
     
30

1. 2.

Bug.      

           
         
B. L. I        
          
F C E D C D C Bb A G F F F F G A G F F Bb F
B. L. II  
           


B  Bb C  F Eb D  C  2.F F F F
     
F 
C 1. Bb
S. D.           

B. D.                    

Cym.                    

  
          
 
37

Bug.       

B. L. I

                  
     

    
        
F D D C Bb A A Eb Eb D C Bb Bb F G A G F F
B. L. II         
F  F A C Eb F  F Bb D F F F F
          
F
S. D. 

B. D.               

Cym.               
 
3

    
44
      
 
1. 2.

Bug.    

            
  
B. L. I      

     
    
  
Bb Bb F G A G F F Bb Bb Bb Bb Cb4 C D
B. L. II       
Ab  Gb  
         
Bb F F  F F  Bb 1.b
B 2.b
B 4

S. D.             

B. D.                   


Cym.                   



51

Bug.            

 
          
B. L. I
    
    
 
EbEb Bb Eb F G Bb Bb Eb F G Bb
     
C G G C CD D
B. L. II
              

                                   
Eb D C Bb Eb D C Bb Eb D C Bb Eb D C Bb F D
S. D.  

B. D. 
 
                 

Cym.   
         

60

Bug.          


                     

B. L. I


D Ab G F Bb Bb G F Eb G G Gb F D C C F Bb Bb Bb
B. L. II        
            

C Bb F D  C Bb  Eb D  C F E  Eb A  Bb Ab
                    
E G F
S. D. 
          

B. D.                   

Cym.          
4

69

Bug.          

     
        

  

B. L. I


Eb F G Bb C G G Bb Eb F G Bb Eb C C Bb Ab G
B. L. II       
           
 

Eb D  C Bb  Eb D  C Bb Eb D  C Bb  Ab C F C F Cb 
S. D. 
                              

B. D.                   

Cym.          

 
78 1. 2.

Bug.         


         
 
B. L. I
         
  
 
Eb D C Bb Bb BbAb G Eb Bb Eb Eb DD D D

   
F C G F
         
     
B. L. II

                             

C F  Bb Ab  G Bb Bb C Ab Bb Eb F G Ab Bb Eb Bb Eb

1. 2. D
S. D. 

B. D.                    

Cym.            

87

Bug.                   

 
B. L. I                   


      
G G G G G G Bb Bb G G Bb BbBbBb
B. L. II      
        
G Eb D GEbD Bb G Bb  BbG F D Bb
 Gb
      
Bb
  
F A G
S. D.     

                 
B. D. 


Cym.                  
 5

   
      
96
      
Bug.   

   
                 


B. L. I


A AAA Bb BbBbBb Bb BbBbBb Bb Bb BbBbBb Bb Bb Bb Bb A Bb Bb Eb F G Bb C
             
  
B. L. II

EE E E F
  
F Bb G Eb Bb Bb Eb D  C Bb 
S. D.              

B. D.                   

Cym.                   

105

Bug.          

   
        
      

B. L. I


G G Bb Eb F G Bb C CD D D Ab G F Bb Bb G F Eb G
B. L. II   
                 

Eb D  C Bb Eb D  C Bb  F D C Bb F D  C Bb  Eb D 
S. D. 
                        

B. D.                   

Cym.                   

114

Bug.          

 
               
  
B. L. I


G Gb F D C C F Bb Bb Bb Eb F G Bb C G G Bb
                 
 
B. L. II

                               

C E F E Eb A Bb Ab G F Eb D C Bb Eb D C Bb
S. D.

B. D.                   

Cym.                   
6

123

Bug.       

  
B. L. I      

    

Eb F G Bb Eb C C Bb Ab G F Eb
B. L. II       
       
  D  C  Bb  Ab  Cb  C  F 
Eb C F C F
S. D. 
                        

           
B. D. 


Cym.            

129

Bug.       

     
      
  
B. L. I

 D C Bb Bb C Bb Ab G

G D Eb Eb Eb
           

B. L. II

  Ab  G  C  Ab  Bb  Eb
Bb Bb Bb Bb Eb Eb
S. D. 
                   

B. D.             

Cym.             
Bugle in Bb
Mechanized Infantry MacBain

                   
q. = 112

            

                   
       
9
 

        
             

  
16
      
 

           

     
25 1.

2.

      


 
   
                     
34


       
      
41

    

  
      
47

 
1. 2.

  

  
 
51

1. 2.

   

87 
               

95
       
              


103 

Bell Lyre I
Mechanized Infantry MacBain

      
 
       
q. = 112
 
     
Bb F F G A Bb D Bb Bb C Db D F F F F

                     
10
 
  
F F F F F F F F Bb Bb Ab Bb C C F F F

                     
18


           
F F F Bb Bb F F D F F F Eb D C Eb Eb D C Bb G C Bb A Bb C F F

               
25


            
F F F F F Bb Bb F F D C C C D E F C E D C D C Bb A G

               
32
      
1. 2.

    
F F F F G A G F F Bb F F D D C Bb A

         
39
 
        
A Eb Eb D C Bb Bb F G A G F F Bb Bb

     
46
        
1. 2.

       
F G A G F F Bb Bb Bb Bb Cb4 C D


51
  
    
        
    
Eb Eb Bb Eb F G Bb C G G Bb Eb F G Bb C CDD D Ab
61
 
                     
 
G F Bb Bb G F Eb G G Gb F DC C F Bb Bb Bb Eb F G Bb C G
72
        
    
     
V.S.
G Bb Eb F G Bb Eb C C Bb Ab G F Eb D C Bb Bb C BbAb G G F
2 Bell Lyre I


83
 
1. 2.

    
        
   

Eb Bb Eb Eb D D D D G G G G G G Bb Bb G G
91


                  
BbBbBbBb A AAA BbBbBbBb BbBbBbBbBb BbBbBbBb BbBbBbBb A
102
       
       
    
Bb Bb Eb F G Bb C G G Bb Eb F G Bb C C DD D Ab G F Bb
112
  
            
      
  
Bb G F Eb G G Gb F DC C F Bb Bb Bb Eb F G Bb C G G Bb
123
  
     

    
Eb F G Bb Eb C C Bb Ab G F Eb
129
     
      
  
D C Bb Bb C Bb Ab G G D Eb Eb Eb
Bell Lyre II
Mechanized Infantry MacBain

 

q. = 112

 

        
  
Bb F Bb F D G G F Eb D F

    
     
10

   

  
  
Eb D D F Eb Bb F F Eb D C Bb F Bb F
19

      
      
    
   
Bb F Bb F C C D Eb A Bb C C F Bb F Bb F

        
27

1. 2.

      
     
      
 
Bb F Bb F C C C B Bb C F Eb D C F F

     
35
   
             

F F Bb F F F F A C Eb F F Bb D F F

             
43
  
1. 2.

   
  
F F Bb Ab Gb F F F F Bb Bb Bb


51

    
              
Eb D C Bb Eb D C Bb Eb D C Bb Eb D C Bb F D C Bb F D
62

               
      
 
C Bb Eb D C E F E Eb A Bb Ab G F Eb D C Bb Eb D C Bb
73
           
1.

       
      
Eb D C Bb Ab C F C F Cb C F Bb Ab G Bb Bb C Ab Bb Eb F G Ab

                
84
 
2.

  
   V.S.
Bb Eb Bb Eb D G Eb D G Eb D Bb G F Bb Bb A
2 Bell Lyre II

         
93

       
   
Bb G F D Bb Gb G F Bb G Eb E E E E F Bb Bb
103

   
                   
Eb D C Bb Eb D C Bb Eb D C Bb F D C Bb F D C Bb Eb D
114

             
          
C E F E Eb A Bb Ab G F Eb D C Bb Eb D C Bb Eb D C Bb
125

        
        
    
Ab C F C F Cb C F Bb Ab G Bb Bb C Ab Bb Eb Bb Eb Eb
Side Drum
Mechanized Infantry
    
MacBain

      

q. = 112
 
     

    
                 
10


  
17        
              

21        
                

25          
                    

   
        
30 1. 2.

        

     
  
               
34  

   
                 
44     1. 2. 4

      



51
    
   



             
53

                     

         
      
61

                       
2 Side Drum

69          
                                

77        
                     

          
82 1. 2.

          

87        
        

 
 
95

             

103
               
                     

             
       
111

             

119          
                                

127          
                              
 The Massed Bands of the Sea Cadet Corps

Sambre et Meuse
• On reaching the end of the piece, if no cease playing signal has
been given, return to the very beginning. However, as the Corps of
Drums will not have come over to bugles, the Drum Major or DoM
should always endeavour to finish the march at the end.

• Bugles should be brought up in one on the first beat of the second

three pace roll. If the front rank of the Corps of Drums is playing
the bugle part, the remaining drummers should play down (i.e.
without stick-work) when they are on bugles. This includes during
the preceding rolls.

• This new arrangement differs somewhat from those versions

currently in use across the Sea Cadet Corps so care should be taken
to learn the parts as shown here carefully and accurately.

• The Bell Lyre parts are written for A – A instruments. Therefore,

C-C instruments should learn the Bell Lyre I part only.
 Sambre et Meuse Rauski/Planquette
Arr. Mace
           
q = 104

Bugle in Bb            

      

Bell Lyre I     
            
    
        
  
Bb D Bb D Bb Bb Bb C D Bb G Bb G Bb G G G A B
             
Bb Bb D G G Bb b G Eb
   
FG
Bell Lyre II             
Bb Bb D Bb D Bb D Bb Bb Bb C D Bb F Eb
 D F D F D F D D D Eb F D A
             
qD= 104

Side Drum             


Bass Drum                    

Cymbals                     

   
         
10

          
Bug.
 
                    
3

            
3

B.L. I
 
       
Eb D C Eb D Eb F D C Bb D C DEb C Bb A C Bb Bb C D Bb BbC D Bb
          
     
B.L. II

EbEbEbEb D D D D D Eb
     
EbEbEbEb D   

Bb Bb Bb Bb Bb Bb
S. D.                  

B. D.                

Cym.                


20
     
                  

Bug.


B.L. I    
                        
 
         
Bb Bb C D Eb Eb D Bb Bb C C C F C D Eb C C D Eb C C Bb
B.L. II                  
 
              

Bb Bb A A Bb Bb F F F F C C C C C C C Bb
S. D.                   

B. D.                   

Cym.                   
2

     
       
29

     
Bug.

             
3

 
3

B.L. I        

 

  

                            
F Bb F D C Bb Bb Bb D CBb C D Eb F Eb D C
B.L. II            
  
Bb Bb
 
Bb CBb A G

F F F F G G G G G G G G G
S. D.                 

B. D.                   

Cym.                   

           
38

Bug.          

       
                    
   
B.L. I
  
                     
    
Bb D C Bb A A CBb A G D D CBb C D Eb F Eb D C Bb Bb
B.L. II      
3 3

             


G G D EbD C D D G D D Eb C D C Bb A G G G G G G G Gb
S. D.                   

B. D.                   

Cym.                   

            
47
   
Bug.      
     
       
3

          
3

     
B.L. I
  
   
F DBb F D C Bb Bb Bb Eb Eb Eb D C Eb D D Bb A Bb C
 
C
B.L. II                          
3

            

Bb F G F D Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb

F F F F
S. D.                  

B. D.                   

Cym.                   
 3

          
56
             
Bug.           
      
3

  
3
      
3 3

      
B.L. I
  
D
    
D C Bb Bb Bb Eb Eb Eb D C Eb D D D D D G D
B.L. II                    
                  

Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb A G F Eb D C
S. D.                     

B. D.                     

Cym.                     


66
         
Bug. 

               
  
          

B.L. I

           
                              
D G A B G GA B G G G A B C C B G G A A A A

 
B.L. II


B A G G G G G G G G F# F# G G D D D D
S. D.                   

B. D.                   

Cym.                   

 
75

Bug.          

          
    
              
B.L. I

 A B C A AB C A A E F# E G G D B A G
           
G D G
B.L. II             
   
      

A A A A A A A G D D D D G BBB B B B B D B BBB B
S. D.                       

B. D.                   

Cym.                   
4

84

Bug.          


               
  
B.L. I

            
Eb Eb G Eb
D Eb Eb
   
G A B G G F D C FC
B.L. II                      


B B AA G BBB B B B A A Eb EbEbEb Eb Eb Eb D D Eb EbEbEb Eb Eb Eb D D C CCC C C C B B
S. D.                                 

B. D.                   

Cym.                   

93
 
Bug.                      


   
                  
 
B.L. I
  
B
                        
C b C F Bb F D C Bb Bb Bb Bb Bb Eb G Ab Bb Eb G Ab
B.L. II          

C C Bb D D D D D Eb Eb Eb Eb Eb G Ab Bb Eb G Ab
                   
C CCC C D D D D
S. D.       

B. D.                     

Cym.                     

103

Bug.            


                 
 
   
        
B.L. I     
                          
Bb D F G Ab F G Ab D C Bb Eb G Ab Bb Eb G Ab Bb D Gb A D Gb Gb
B.L. II            

Bb D F G Ab F G Ab D C Bb Eb G Ab Bb Eb G Ab Bb D Gb A D Gb Gb
S. D.                       

B. D.                       

Cym.                       
 5

114

Bug.            


                  
           
B.L. I              
 
                         
     
3 bG Bb Bb BbBb Bb Eb G Ab Bb Eb G Ab Bb F G Ab F G Ab D C Bb Eb G Ab

G DB D
B.L. II        

3 bG Bb Bb BbBb Bb Eb
G DB G Ab Bb Eb G Ab Bb D F G Ab F G Ab D C Bb Eb G Ab
S. D.                   

B. D.                   

Cym.                   

  
125

Bug.              

                    
     
  
B.L. I     

                           
   
Bb Eb Ab Bb C Eb Eb G Bb Bb Bb Bb C D Eb F D Bb D D D F Eb C
B.L. II         
   
Eb Eb G Bb Bb Bb Bb C D Eb
                  
Bb Eb Ab Bb C Bb F Bb F Eb Eb
S. D.         

B. D.                      

Cym.                      

       
135
 
Bug.            
    
B.L. I

                       
   
 
         
Bb D D D F Eb C D Bb BbBb Bb Eb G Ab Bb Eb G Ab Bb
           
C F F F F D D F G
B.L. II         
         

C A F Eb Bb F  Bb F  Eb Eb Bb Eb G Ab Bb Eb G Ab Bb
          
D F G
S. D. 
            

B. D.                   

Cym.                   
6


145

Bug.            


                   
       
B.L. I             

                    
 
Ab F G Ab D C Bb
  
Eb G Ab Bb

Eb Ab Bb C
 
Eb Eb G Bb Bb Bb Bb C D Eb

B.L. II             
Eb Eb G Bb Bb Bb Bb C D Eb
      
Ab F G Ab D C Bb Eb G Ab Bb Eb Ab Bb C
S. D.                 

B. D.                      

Cym.                      
Bugle in Bb
Sambre et Meuse Rauski/Planquette
Arr. Mace
   
q = 104

    
                  


          
8

         


       
17
            
             
3 
3

    
                  
25
 
  
3
3

               
44

                 
    
3 3

54
         
              
    
3 3
3 3

62
           
  

81   
                 


  
100

        



136
 
          
Bell Lyre I
Sambre et Meuse Rauski/Planquette
Arr. Mace
  
q = 104
     
               

Bb Bb D Bb D Bb D Bb Bb Bb C D Bb G G Bb G Bb G Bb G G G A Bb G

                
9
    
 


Eb F G Eb D C Eb D Eb F D C Bb D C DEb C Bb A C Bb

                        
17
   
  
Bb C D Bb Bb C D Bb Bb Bb C D Eb Eb D Bb Bb C C C F C D Eb

     
26


            
   
C C D Eb C C Bb F Bb F D C Bb Bb Bb D CBb C

                      
     
36
 
 
  
 
D Eb F Eb D C Bb D C Bb A A CBb A G D D CBb C D Eb F Eb D C

 
      
46
              
       
Bb Bb F DBb F D C Bb Bb Bb Eb Eb Eb D C Eb D D Bb A Bb C C

   

       
56

            
  
D C Bb Bb Bb Eb Eb Eb D C Eb D D D D D D G D

                     

66
 
  
D G A B G GA B G G G A B C C B G G A A

          
  
74

         

A A A B C A AB C A A E F# E G G D B A G
81

   
             
G D G G A B G G F Eb Eb F G Eb Eb D V.S.
2 Bell Lyre I


91
          
    
      
C C D Eb C C Bb F Bb F D C Bb Bb Bb Bb Bb

                          
100
   
  
Eb G Ab Bb Eb G Ab Bb D F G Ab F G Ab D C Bb Eb G Ab Bb

                   
          
110
  
        
Eb G Ab Bb D Gb A D Gb Gb G DB
3 bG Bb Bb BbBb Bb Eb G Ab Bb Eb G Ab

 
   

119
      
 
  
          
Bb D F G Ab F G Ab D C Bb Eb G Ab Bb Eb Ab Bb C Eb Eb G

                     

129

  
    
Bb Bb Bb Bb C D Eb F D Bb D D D F Eb C C F F F F D Bb D D D

            
       

138
 
         
F Eb C D Bb BbBb Bb Eb G Ab Bb Eb G Ab Bb D F G Ab F G Ab D C

                   
147
      
    
Bb Eb G Ab Bb Eb Ab Bb C Eb Eb G Bb Bb Bb Bb C D Eb
Bell Lyre II
Sambre et Meuse Rauski/Planquette

          
Arr. Mace

q = 104
       
        
D D F D F D F D D D Eb F D A Bb Bb D Bb D Bb D Bb Bb Bb C D Bb F
9
      
    
Eb Eb Eb Eb Eb D D D D D Eb Eb Eb Eb Eb D
17
   
                               
            
Bb Bb Bb Bb Bb Bb Bb Bb A A Bb Bb F F F F

           
25

                    
          
C C C C C C C Bb F F F F Bb Bb Bb CBb A
33
            
                                

G G G G G G G G G G G G D EbD C D D

     
41
 3       
3
   
            
   
G D DEb C D C Bb A G G G G G G G Gb F F F F


49

                                 
3

             
Bb F G F D Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb

            
57


               
                
Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb A G F Eb D C


66
            
            
 
B A G G G G G G G G F# F# G G


73

                               
D D
   A A A A A G D D D D
D D A A V.S.
2 Bell Lyre II
81
         
                        
G BBB B B B B D B BBB B B B A A G BBB B B B A A EbEbEbEbEb EbEb D D

                              
89

 
Eb EbEbEb Eb Eb Eb D D C CCC C CC BB C CCC C C C Bb D D D D D Eb Eb Eb Eb

          

97
       
      

D D D D Eb G Ab Bb Eb G Ab Bb D F G Ab F G


       
     
         
106
   
    
Ab D C Bb Eb G Ab Bb Eb G Ab Bb D Gb A D Gb Gb G DB
3 bG Bb

        
       

115

   
        
Bb BbBb Bb Eb G Ab Bb Eb G Ab Bb D F G Ab F G Ab D C Bb

                         
124
        
 
Eb G Ab Bb Eb Ab Bb C Eb Eb G Bb Bb Bb Bb C D Eb Bb F

133
   
                             
Bb F Eb Eb C A F Eb Bb F Bb F Eb Eb Bb

                     
140
  
  
Eb G Ab Bb Eb G Ab Bb D F G Ab F G Ab D C Bb

                     
148
       
 
Eb G Ab Bb Eb Ab Bb C Eb Eb G Bb Bb Bb Bb C D Eb
Side Drum
Sambre et Meuse
  
Rauski/Planquette

            
q = 104 Arr. Mace

               

   
          
   

8

         
 

17

                


 
25

             

33

                

 
41

                  

51

                        

63

                  

72

                  

81

                            

89

                       
V.S.
2 Side Drum

 
94

                 

100

                

108

                

116

                


 
124

             


         
        
132
                      

140

                


  
148

             
 The Massed Bands of the Sea Cadet Corps

Aces High
• On reaching the end of the piece, if no cease playing signal has
been given, return to the very beginning. The Drum Major and
Bass Drummer should be aware that the last phrase is eleven bars
long rather than eight and so the cease playing should be given
three bars later than usual.

• The Bell Lyre parts are written for A-A instruments. C-C
instruments can play both parts but should substitute all Bs below
the stave for Ds (or D sharp according to the Key Signature).
 Aces High Goodwin Arr. Mace

      
                 
 
q. = 112
           
Bell Lyre I
     
 
            
 # #

A A A G# A F# F# F# F# E A E A C# A C# E C# A

                    


E A A A C C E E A B E E E
Bell Lyre II   
E  A A A  G# G# G# F# F# F# F# F# D# D#D#D# E E
                           
q. = 112 E F# G#

E E E E E E E E E
Side Drum  

Bass Drum  
                

Cymbals 

               


10

        
              
   
B. L. I

 # # # # C#

E D C# F#

               
      
E E D C E C C B A E C E A E A A
B. L. II   

 C# B  C# C#  E E D  C# C#  C# C#  C# C#  E E G# A E  D D 

C#
S. D.                             

B. D.                   

Cym.                   

    
         
19
      
             
B. L. I  
 D F#
               
 
E D C# G# G# G# F# G# A D# C#

               
 

E A E E E E E E E D E
B. L. II 

E  F#
             
F# F#  E E G# A E  E E E  D# E F# F#  G# E F#G# C# C# B  C# C# 
S. D.                 

B. D.                   

Cym.                   

         
28
   
   
         
B. L. I

 C# C# B  A E C# C#
 
E D C# F# F#

                      
E A E A A D E E D
B. L. II 

 E D  C# C#  C# C#  C# C#  E E G# A E  D D  F# F#  E E G#

E
S. D.                             

B. D.                   

Cym.                   
2

                          

37

B. L. I
         
    
 C# F#     G# G#G#B G# B E F# E F# G# F# E E 

E C# B C# D G# A A A A

          
E

B. L. II                   
D#  E E E  E G#  A  A A  A    C# C#
                 
A E D# B B E
S. D.              

B. D.                   

              

Cym.    

         
           
    
46

         

B. L. I
   


 E  E    

E F# G# A B E D# D# C# C# A B B C# D# C# B A C# C# B B G#


E E E B
B. L. II         

                    
A C# F# G# E B
S. D. 

                 
pp

B. D.  
pp

Cym.           

              
56
  
B. L. I
               
G# A B E D# D# C# C#  B  B G# F# G# A F# G#     G#     F#  F# G# A G# A F#

B. L. II     
                  
A C# B G# B B B B B B B B B B B
S. D. 

B. D.                   

Cym.           

             
 
  


65
  
B. L. I
           
 C# C# B B  A# A# B C# F# F# E D#

D# C# D#
               
E B G# A B E D# D# C#


E
B. L. II      
                 

                  
E E E E E E E B G# F# F# F# F#F# F# BB BB B BB BB B B B G# B E EE EE
S. D. 

B. D.                   

Cym.          
 3

       
   
74

        
   
B. L. I
 
            
# # # #
 # # #
        
C B B E D E F D E E E E E E E D C E C C B
B. L. II     
    
  E E E E E E E E F#G#
          
C# B  C# C#  E E D 
E E E E E E B B B B B C#
S. D.                 

               
f

B. D. 

         
f

Cym.    
pp f

     
          

82

    

B. L. I
  
 A E C# C#

E D C# F# F#

E D C#

       
               
E A E A A D E A
B. L. II 


C# C#  C# C#  C# C#  E E G# A E  D D  F# F#  E E G# A E 
S. D.                                

B. D.                   

Cym.                   


       
91
 
             
    
  

B. L. I
 
G# G# G# F# G#A D#
                           
C# C# C# B C#

        
E E E E E E E D E A E E
B. L. II  
E  F#
                         
E E E  D# E F# F#  G# E F# G# C# C# B  C# C#  E E D  C# C#  C# C# 
S. D.        

B. D.                   

Cym.                   

        
100
          
B. L. I
           
 A C#     
E D C# F# F# E D C# F# E C# B C# D G#

                       
E A A D E E
B. L. II   


C# C#  E E G# A E  D D  F# F#  E E G# A D#  E E E  E G# 
S. D.                              

B. D.                   

Cym.                   
4

  
                  

 
  
109

B. L. I
      
A F# A D D E F#  E D
 A A A  A            
     
 F# A#

         
A D A E A A
B. L. II       
                       
A A A A F# A D A A F# A D D E F# E D E A G# A A#
S. D. 

B. D.                       

Cym.              

                    

120


B. L. I        
 B  C                    
# B D E C# A B E D C# C# F# A F# A


D D A D A
B. L. II         
D B D E C# A B E D C# B A G
                                
B C# D F# A D A A F# A
S. D.

B. D.                       

Cym.            

              
           
 

131

B. L. I
      
 D  D E F#  E D       
A#
               
C# D D E F# E E F# G F#


E A A B AAA A AAA
B. L. II      

                     
D D E F# E D E A G# A A# B C# B B C# D C# C# D E F# A A A AAA AAA
S. D.    

B. D.                     

Cym.           

    
             
   
141

B. L. I
         
 D D  F# F# F#  B   B  B F# F# B  B A#  F#   F#  E D C# D   D  D G   G  

B. L. II 
     
  
D D F# F# F# B B B B B B B B B B B B C#C# C#C#C# C# C# C#C# C#C# C# B B B B B B B B B B B B
S. D.            

B. D.                 

Cym.                
 5

             

149

B. L. I
            
 F#      F#  F# G# A# B  B B F# F# B B A#  F#   F# E D C# D EF# B C# F#

B. L. II        

        
C#C#C#C#C#C# C# F# G# A# B B B B B B B B B B B B C#C#C#C#C#C# C#C#C# C#C#C# B B B B B B A#A#A#A#A#A#
S. D.          

B. D.                 

               
Cym. 

      
                        
   
157

B. L. I
   

 B      B B B  B B B A# B  C# D E F# A         
         
B A# B C# D E F# C# A#C#


A A A A B
B. L. II 

                              
F# A# A# A#A#

B BBB BB B D G D D D A A D G D B
S. D.        

B. D.                   

Cym.                   

  
              
166

B. L. I
             
 F# F# G# A# B  B B F# F# B B A#  F#   F# E D C# D EF# B C# F#    
 
B
B. L. II        

  
A# B B B B B B B B B B B B C#C#C#C#C#C# C#C#C# C#C#C# B B B B B B A#A#A#A#A#A# B
S. D.                 

B. D.                 

Cym.                 

                  


174

B. L. I
       
 C#         E E D
   
D# F# G# F#

  
D D E E E E E

  
B. L. II          
       
 
A#  B B A  G#  F#  G# F# E E E F# G# C# C# B 
S. D.                                         

B. D.                 

Cym.                 
6

            
182

B. L. I
         
     
 # # # # C#

E D C# F# F#

            
        
C E C C B A E C E A E A A D
B. L. II  


C# C#  E E D  C# C#  C# C#  C# C#  E E G# A E  D D  F# F# 
S. D.                              

B. D.                   

Cym.                   

    
        
191

              
   
B. L. I
 

                   

# # # # # # # C# C# C# B

              


E E D C A G G G F G A D E E E E E E E D E
B. L. II 
 
E  F#
                 
E E G# A E  E E E  D# E F# F#  G# E F# G# C# C# B  C# C#  E E D 
S. D.              

B. D.                   

Cym.                   

  
200
      
  


B. L. I       
 C#

C#

C# F# F#

      
A E E A E E D A A D E E D
               
     
B. L. II

 C#  C# C#  C# C#  E E G# A E  D D  F# F#  E E G#

C#
S. D.                        

B. D.                 

               
Cym. 

          
     

208
     
B. L. I
        

       
 C#
        
F# C# C# D G# A A C#

      
E E B A A E A A A A

B. L. II       
                         
A D #  E  E E  E G #  A A A A E C# A

A

A

A
S. D.    

B. D.                 

Cym.                 
Bell Lyre I
Aces High Goodwin Arr. Mace


                         
  
q. = 112

    
E A A A C# C# E A A A G# A F# F# F# F# E A E A C# A C# E C# A

 


8

          
    

 
  
   
E A B E E E E E D C# E C# C# B A E C# E A C#

           
        
16
  
      
E E D C# A F# A D F# E E D C# A G# G# G# F# G# A D#


24

               
     

 
  
E E E E E E E D C# E C# C# B A E C# E A C#

                    
32

   
     
E E D C# A F# A D F# E E D C# F# E E C# B C# D G#

        
   
  
40

              
G# G#G#B G# B F# E F# G# F#

               
A A A A E E E E E


47

     
     
     
E E F# G# A B E D# D# C# C# A B B C# D# C# B A C# C# B

           
         
54

      
 
B G# E E B G# A B E D# D# C# C# B B G# F# G# A F# G#

          
        
62

         
G# F# F# G# A G# A F# C# C# B B A# A# B C# F# F# E D#

             
       

70

    
   
D# C# D# E E B G# A B E D# D# C# C# B B E D# E F# D# E V.S.
2 Bell Lyre I

  
78

           
      
 
E E E E E E D C# E C# C# B A E C# E A C#

              
85
  
           

E E D C# A F# A D F# E E D C# A G# G# G# F# G# A D#


93

                 
      

E E E E E E E D C# E C# C# B A E C# E A C#

                     
101

        
E E D C# A F# A D F# E E D C# F# E E C# B C# D G#

       
       
  
109

        
A A A A F# A D A A F# A D D E F# E D

  
                  
117

    
E A A A# B C# D D B D E C# A B E D C#

            
126

             
C# F# A D A A F# A D D E F# E D E A A

                         

  

135

A# B C# D D E F# E E F# G F# A A A A A A A D D

                            

142
  

F# F# F# B B B F# F# B B A# F# F# E D C# D D D G G F#

                        

150


F# F# G# A# B B B F# F# B B A# F# F# E D C# D E F# B C# F#
 Bell Lyre I 3


                     
     
157
 
 
 
B B B B B B B A# B C# D E F# A A A A A B B A#

          
              
164
 
    
B C# D E F# C# A#C# F# F# G# A# B B B F# F# B B A# F# F# E D C#

                      
171

     
   
D E F# B C# F# B C# D D D# E F#

      
179

       
     
 
G# F# E E E E E E D C# E C# C# B A E C# E

       

186
      
          
A C# E E D C# A F# A D F# E E D C# A G# G# G#


194

                   
     
   
F# G# A D# E E E E E E E D C# E C# C# B A E C# E

        
202
   
       
A C# E E D C# A F# A D F# E E D C# F#

        
      
209

    
 
       
E E C# B C# D G# A A A A C# E A A A A
Bell Lyre II
Aces High Goodwin Arr. Mace

 
q. = 112
       
                 

    
E A A A G# G# G# F# F# F# F# F# D# D#D#D# E E E E E E E E


8

                                
 
E E E E F#G# C# C# B C# C# E E D C# C# C# C# C# C#


16
   
                    
     
E E G# A E D D F# F# E E G# A E E E E D# E F# F#


                               
24

 
E F# G# E F#G# C# C# B C# C# E E D C# C# C# C# C# C#



32
 
          

     
        
E E G# A E D D F# F# E E G# A D# E E E E G#

          
  
40

             
A A A A E D#
  B B E
C# C#

  

47
 
  
A C# F# G# E

  

55

    
B A C# B
2 Bell Lyre II

            

61
     
             
 
G# B B B B B B BB B B B

E E E E E E E B G# F# F# F# F# F#


68

                      
  
F# B B B B B B B B B B B B G# B E E E E E

    
       
74

   
  
E E E E E E B B B B B E E E E E E E E F# G#


79

    
               
   
C# C# B C# C# E E D C# C# C# C# C# C# E E G# A E


87

              

    
   
D D F# F# E E G# A E E E E D# E F# F# E F#


    
94

             
 
G# E F# G# C# C# B C# C# E E D C# C# C# C# C# C#



101
 
          

     
        
E E G# A E D D F# F# E E G# A D# E E E E G#

       
   
  
109

            
A A A A F# A D A A F# A D D E F# E D

  
                        
117

  
E A G# A A# B C# D D B D E C# A B E D C# B

           
        

126

       
A G F# A D A A F# A D D E F# E D E A G# A
 Bell Lyre II 3

                        
 
135

   
A# B C# B B C# D C# C# D E F# A A A A A A A A A D D

  
142

         

F# F# F# BBBBBB B B B B B B C#C#C#C#C#C# C#C#C#C#C#C# B B B B B B

                                  

148

B B B B B B C#C#C#C#C#C# C# F# G# A# B B B B B B B B B B B B C#C#C#C#C#C#

                      
      
154

  
C# C# C# C# C# C# B B B B B B A#A#A#A#A#A# B B B B B B B D G

                     

160

  
 
  
D D D F# A A D G D B A# A#A#A# A# BB B B B B

                                  

168

B B B B B B C#C#C#C#C#C# C#C#C#C#C#C# B B B B B B A#A#A#A#A#A# B

                
     
  

174

  
A# B B A G# F# G# F# E E E F# G#


181

    
                   
C# C# B C# C# E E D C# C# C# C# C# C# E E G# A E


                 
189

         
D D F# F# E E G# A E E E E D# E F# F# E F# G# E F#G#


197

    
               
   
C# C# B C# C# E E D C# C# C# C# C# C# E E G# A E V.S.
4 Bell Lyre II



205

    

 
     
 
D D F# F# E E G# A D# E E E E G#

 

       
211

  
 
  

A A A A E C# A A A A
Side Drum

Aces High
    
Goodwin Arr. Mace

                          


q. = 112
 


10                
                                


 
18            
                           

26                
                                


                             
34             


                       
42

      
pp

                          
54


                         
67

79                
                                
f


    
87            
                        

95                
                                


                            
103             

                
111

 
               
119
2 Side Drum

                  
127

                      
136


                                            
143


                                           
151


        
159            
                        

167

                                    

                                         
173     

181                
                                


 
189            
                           

197                  
                           

  
                                     
206            
 
 The Massed Bands of the Sea Cadet Corps

Zeebrugge
• On reaching the end of the piece, if no cease playing signal has
been given, return to the very beginning. However, as the Corps of
Drums will not have come over to bugles, the Drum Major or DoM
should always endeavour to finish the march at the end.

• Bugles should be brought up in one on the first beat of the second

three pace roll. If the front rank of the Corps of Drums is playing
the bugle part, the remaining drummers should play down (i.e.
without stick-work) when they are on bugles. This includes during
the preceding rolls.

• The Bell Lyre I part is written for A – A instruments. Therefore, C-

C instruments should play all Bbs below the stave up the octave.

• The Bell Lyre II part should be looked at in two halves. The first
half (up to the trio at Bar 42) is written for A-A instruments and the
second half (from the trio at Bar 42) for C-C instruments. For the
rest of the march, players should learn the Bell Lyre I part. This
second part is optional and can be omitted.
 Zeebrugge Arr. Mace

                
                     
q. = 112

Bugle        
  
     
        
Bell Lyre I  
       
Bb G F F E Eb Eb D C C Bb A G
           

Bell Lyre II

FF G A A Bb C

           
q.Bb= 112 G C D Eb E
Side Drum      
     
Bass Drum          

     
   
Cymbals       
  


    
   
8

        
Bug.

                   
B.L. I           
F F E F
    
D D Db D

Bb Bb A Bb F

F

D

Bb Eb D Eb D

C
       
   
B. L. II

                      
F Bb Bb Bb Bb F F F F  F F G A 
S. D.     

               
B. D. 

Cym.                 

         
  
15

       
Bug.

 
B.L. I                
       
    
       
D C D Eb F F E F D D Db D Bb Bb A Bb F F D Bb C C C B C
B. L. II             
       
 
  Bb 
   Bb   Bb   Bb   A  A
F Eb F Eb D A A
S. D.                   

B. D.               

Cym.               
2

 
22
       

1. 2.

Bug.     
       
    
           
B.L. I              
         
F G A Bb C D Eb E
                  
D F E C F F E G F F E F F F F F F G A
B. L. II        

  E  FF G A F G A Bb C D Eb E
                           
Bb Bb  G G F 1.
F 2.
F F F
S. D.    

B. D.                    

Cym.                    


      
  
29

         
Bug.
 
                           
B.L. I             
F 

                   
  Eb D Eb D C B C Db D Db D C Bb Bb G G A B G A B C D F GA

   
B. L. II

  b Bb B B B B 
                              
F F   F   Bb B B B B B C Bb
S. D. 

B. D.                 

Cym.                 

     
       
        
   
37

Bug.
  


      
                  
B.L. I
  

         

Bb
 F E F Db D A Bb Bb Bb Eb D Eb D C B C Bb

  
F C
B. L. II    
 
C Bb
 
F F E F Db
       E  
Bb Bb Bb Eb

D A
S. D.         

B. D.     
         

Cym.     
         
 3

44

Bug.        

               
   
   

B.L. I

    
Ab G F Eb Bb Bb A Ab G
     G Eb  Bb       
   
Bb Bb G Gb G Gb
B. L. II             
      

F G Ab A Bb G Eb F G AbBb  G G G G  G Eb G Bb  G Eb G Bb  Eb D  Eb D 
S. D.                 

             
ppp

B. D. 

    
pp

Cym.     

51

Bug.        

  
     
  

       F     F 

B.L. I

 
G 
Bb Ab    Ab
  b     Bb
Bb  B
B. L. II    
 G  F G Ab G  F Eb D Eb  F F F F G  Ab F G  Ab Ab AbAb Bb C  
Eb
S. D.                      

             
B. D. 

Cym.        

58

Bug.        

B.L. I
  
                


      
 Ab G G  G     B   
  
Ab G Ab G Ab Bb Bb b Eb Eb
B. L. II       


F  E  F Bb  Eb F  G Ab Bb   
E F 
Eb F G Ab A  Bb   G G G G 
S. D.                     

B. D.               

Cym.        
4

65

Bug.         

                   
 
     
C  C 
B.L. I

E   Eb DEb D E

b D
     
b b Eb D Eb D

C B C B C D
B. L. II      
  

 Bb Ab G GbG Gb G Bb  Ab   Ab   Ab B C D  Eb   Bb A Bb A 

G
S. D.             

B. D.                 

Cym.         

73

Bug.        

  
                    
  



B.L. I
 
          
Eb D C Bb Ab G F G Ab Bb C F Eb Eb Eb D Eb Eb

D C C D F
B. L. II             


Bb   F G Ab Bb C D  Eb Eb Eb Eb  Eb    C C C C C C C C C C C C
S. D.                  

             
f

B. D. 

Cym.          

80

Bug.        

                     

B.L. I
 
   
  

                                 
G C D Eb F G Eb Eb F G G Ab Bb Eb F G Ab Bb Eb D Eb

   
F C CDC
B. L. II  

C C C C C C C C C BbBbBb Bb BbBbBbBbBb Bb BbBbBbBbBb BbBbBbBbBbBb Bb Eb D Eb EbEbEbEb

S. D.                                  

B. D.               

             
Cym. 
 5

87

Bug.        

                        
 
B.L. I   
  
Bb Bb C Bb A A Bb A Ab Ab Ab G Ab Bb Bb Bb A Ab

    
G F E F G A
B. L. II   
                 
 
EbEb Eb Eb EbEb Eb Eb DD D D Ab G Ab G F  Eb F Eb D D

S. D.                  

B. D.              

Cym.               

94

Bug.        

              
   

B.L. I


G
     G Eb  Bb    b B
B
          
b G G Gb G Gb
Bb Ab
B. L. II      

G Eb F G Ab Bb  G G G G  G Eb G Bb  G Eb G Bb  Eb D  Eb D  Eb G  F G Ab G 
S. D.                       

B. D.               

Cym.             

101

Bug.        


              
F  

B.L. I

          
Ab F
  b     Bb
Bb  B
    Ab 
Ab G Ab G Bb 
B. L. II     
    G  Ab F G  Ab Ab AbAb Bb C   F E F E  F Bb 
F Eb D Eb F F F F
S. D.                   

             
B. D. 

             
Cym. 
6

108

Bug.         

        
     
   
B.L. I
  
Ab G G  G     B E
b    E   Eb DEb D E
b D
   
Bb b Eb b b
B. L. II          

                              
 
Eb F G Ab Bb Eb F G Ab A  Bb   G G G G  G Bb Ab G GbG Gb G Bb 
S. D. 

B. D.                 

Cym.                 

116

Bug.      


              
   
C  
B.L. I


C C B C
 
B C D Eb
 Eb D D

         
B. L. II

 
 
 Ab 
Ab Ab B C D  Eb   Bb A Bb A
S. D.                

         
B. D. 

Cym.           

121

Bug.      

 
       

      

 
B.L. I
 

  
        
Eb D C Bb Ab G F G Ab Bb C D F Eb Eb Eb

  
   
B. L. II

     Eb  
Bb F G A b Bb C D  Eb Eb Eb Eb
S. D.                  

         
B. D. 

         
Cym. 
Bugle
Zeebrugge Arr. Mace

                     
q. = 112

        

        


             
  

8




       
         
15

  


  
        
  
24 1.
 
2.

  

  
      
   
   
31

 

   
      
      
39

 

46  


94 

Bell Lyre I
Zeebrugge Arr. Mace

     
     
q. = 112
      
 
Bb G F F E Eb Eb D C C Bb A G

          
            
8
     
 
F F E F D D Db D Bb Bb A Bb F F D Bb Eb D Eb D C

             
15
    
            


D C D Eb F F E F D D Db D Bb Bb A Bb F F D Bb C C C B C

       1.     2.    
    
22
 
          
D F E C F F E G F F E F F F F F F G A F G A

               


28
    
           
Bb C D Eb E F Eb D Eb D C B C Db D Db D C Bb Bb G G A

       
     

35
   
           
B G A B C D F G A Bb F F E F Db D A C Bb Bb Bb

 
42
         
     
   
  
Eb D Eb D C B C Bb Ab G F Eb Bb Bb A Ab

                  
46
  


G G Eb Bb Bb Bb G Gb G Gb G Bb Ab Ab F

                
55
   
   
 
F Bb Bb Bb Ab G Ab G Ab Bb Ab G G G Bb Bb Eb

             
64
    
     
Eb Eb Eb D Eb D Eb Db C C C B C B C D V.S.
2 Bell Lyre I
72
     
            
    
 
Eb D Eb D Eb D C Bb Ab G F G Ab Bb C D F Eb Eb Eb D

      
78
            
    
   
 
C C D Eb Eb F G C D Eb F G F Eb Eb F G G Ab Bb Eb F G Ab

             

 
85

    
                 
Bb Eb D Eb C C D C Bb Bb C Bb A A Bb A Ab Ab G F E F G Ab G Ab A

                      
92
    

Bb Bb Bb A Ab G G Eb Bb Bb Bb G Gb G Gb G Bb

               
100
   
     

Ab Ab F F Bb Bb Bb Ab G Ab G Ab Bb Ab G G

        
  
109
  
    
G Bb Bb Eb Eb Eb Eb D Eb D Eb Db C C


118
        
      


   
C B C B C D Eb D Eb D Eb D C Bb Ab G


122
 
  
        
 
F G Ab Bb C D F Eb Eb Eb
Bell Lyre II
Zeebrugge Arr. Mace

 
  
q. = 112
     
            

Bb G F F GA A Bb C C D Eb E F

      
9
    
          
   
Bb Bb Bb Bb F F F F F F G A F Eb F Eb

     
 
16
 
            
      
D Bb Bb Bb Bb A A A A Bb Bb G G F E

    
                    

24
    
1. 2.

 
F F F F F F G A F G A Bb C D Eb E F F

                    
  
31

 
   
F Bb Bb Bb B B B B B B B B C Bb Bb F F E F

            
  
39

  
       

Db D A C Bb Bb Bb Eb E F G Ab A Bb

                           
46

       

        
G Eb F G AbBb G G G G G Eb G Bb G Eb G Bb Eb D Eb D Eb G F G Ab G

             
53
  
         
F Eb D Eb F F F F G Ab F G Ab Ab Ab Ab Bb C F E F E F Bb

                     
60
   
       
Eb F G Ab Bb Eb F G Ab A Bb G G G G G Bb Ab G Gb G Gb G Bb

  
     
 
68
  
          

Ab Ab Ab B C D Eb Bb A Bb A Bb F G Ab Bb C D V.S.
2 Bell Lyre II

       
76

       

Eb Eb Eb Eb Eb C C C C C C C C C C C C C C C C C C C C C Bb Bb Bb

82

                                  
Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Eb D Eb Eb Eb Eb Eb Eb Eb Eb Eb

88
  
         
       
   

Eb Eb Eb Eb D D D D Ab G Ab G F Eb F Eb D D

                           
94

       
G Eb F G AbBb G G G G G Eb G Bb G Eb G Bb Eb D Eb D Eb G F G Ab G


                        
101

       
F Eb D Eb F F F F G Ab F G Ab Ab Ab Ab Bb C F E F E F Bb

                    
108
   
       
Eb F G Ab Bb Eb F G Ab A Bb G G G G G Bb Ab G Gb G Gb G Bb

116
     
   
       
Ab Ab Ab B C D Eb Bb A Bb A


   
121
        
     
Bb F G Ab Bb C D Eb Eb Eb Eb Eb
Side Drum
Zeebrugge
  
Arr. Mace


    
q. = 112

       


                                  
9            

17        
                

   
      
21    1. 2.

          

 
             
     

26

             

   
           

         
33

     
 
42

            

46                
                                
ppp


                              
54              

62                
                        


                              
70              


 
78

                  
f
2 Side Drum

 
82

                  

     
                  
86
 

94                
                             

102                
                             


                              
110              

   
118              
                          
 The Massed Bands of the Sea Cadet Corps

Aces High
• On reaching the end of the piece, if no cease playing signal has
been given, return to the very beginning. The Drum Major and
Bass Drummer should be aware that the last phrase is eleven bars
long rather than eight and so the cease playing should be given
three bars later than usual.

• The Bell Lyre parts are written for A-A instruments. C-C
instruments can play both parts but should substitute all Bs below
the stave for Ds (or D sharp according to the Key Signature).
 Aces High Goodwin Arr. Mace

      
                 
 
q. = 112
           
Bell Lyre I
     
 
            
 # #

A A A G# A F# F# F# F# E A E A C# A C# E C# A

                    


E A A A C C E E A B E E E
Bell Lyre II   
E  A A A  G# G# G# F# F# F# F# F# D# D#D#D# E E
                           
q. = 112 E F# G#

E E E E E E E E E
Side Drum  

Bass Drum  
                

Cymbals 

               


10

        
              
   
B. L. I

 # # # # C#

E D C# F#

               
      
E E D C E C C B A E C E A E A A
B. L. II   

 C# B  C# C#  E E D  C# C#  C# C#  C# C#  E E G# A E  D D 

C#
S. D.                             

B. D.                   

Cym.                   

    
         
19
      
             
B. L. I  
 D F#
               
 
E D C# G# G# G# F# G# A D# C#

               
 

E A E E E E E E E D E
B. L. II 

E  F#
             
F# F#  E E G# A E  E E E  D# E F# F#  G# E F#G# C# C# B  C# C# 
S. D.                 

B. D.                   

Cym.                   

         
28
   
   
         
B. L. I

 C# C# B  A E C# C#
 
E D C# F# F#

                      
E A E A A D E E D
B. L. II 

 E D  C# C#  C# C#  C# C#  E E G# A E  D D  F# F#  E E G#

E
S. D.                             

B. D.                   

Cym.                   
2

                          

37

B. L. I
         
    
 C# F#     G# G#G#B G# B E F# E F# G# F# E E 

E C# B C# D G# A A A A

          
E

B. L. II                   
D#  E E E  E G#  A  A A  A    C# C#
                 
A E D# B B E
S. D.              

B. D.                   

              

Cym.    

         
           
    
46

         

B. L. I
   


 E  E    

E F# G# A B E D# D# C# C# A B B C# D# C# B A C# C# B B G#


E E E B
B. L. II         

                    
A C# F# G# E B
S. D. 

                 
pp

B. D.  
pp

Cym.           

              
56
  
B. L. I
               
G# A B E D# D# C# C#  B  B G# F# G# A F# G#     G#     F#  F# G# A G# A F#

B. L. II     
                  
A C# B G# B B B B B B B B B B B
S. D. 

B. D.                   

Cym.           

             
 
  


65
  
B. L. I
           
 C# C# B B  A# A# B C# F# F# E D#

D# C# D#
               
E B G# A B E D# D# C#


E
B. L. II      
                 

                  
E E E E E E E B G# F# F# F# F#F# F# BB BB B BB BB B B B G# B E EE EE
S. D. 

B. D.                   

Cym.          
 3

       
   
74

        
   
B. L. I
 
            
# # # #
 # # #
        
C B B E D E F D E E E E E E E D C E C C B
B. L. II     
    
  E E E E E E E E F#G#
          
C# B  C# C#  E E D 
E E E E E E B B B B B C#
S. D.                 

               
f

B. D. 

         
f

Cym.    
pp f

     
          

82

    

B. L. I
  
 A E C# C#

E D C# F# F#

E D C#

       
               
E A E A A D E A
B. L. II 


C# C#  C# C#  C# C#  E E G# A E  D D  F# F#  E E G# A E 
S. D.                                

B. D.                   

Cym.                   


       
91
 
             
    
  

B. L. I
 
G# G# G# F# G#A D#
                           
C# C# C# B C#

        
E E E E E E E D E A E E
B. L. II  
E  F#
                         
E E E  D# E F# F#  G# E F# G# C# C# B  C# C#  E E D  C# C#  C# C# 
S. D.        

B. D.                   

Cym.                   

        
100
          
B. L. I
           
 A C#     
E D C# F# F# E D C# F# E C# B C# D G#

                       
E A A D E E
B. L. II   


C# C#  E E G# A E  D D  F# F#  E E G# A D#  E E E  E G# 
S. D.                              

B. D.                   

Cym.                   
4

  
                  

 
  
109

B. L. I
      
A F# A D D E F#  E D
 A A A  A            
     
 F# A#

         
A D A E A A
B. L. II       
                       
A A A A F# A D A A F# A D D E F# E D E A G# A A#
S. D. 

B. D.                       

Cym.              

                    

120


B. L. I        
 B  C                    
# B D E C# A B E D C# C# F# A F# A


D D A D A
B. L. II         
D B D E C# A B E D C# B A G
                                
B C# D F# A D A A F# A
S. D.

B. D.                       

Cym.            

              
           
 

131

B. L. I
      
 D  D E F#  E D       
A#
               
C# D D E F# E E F# G F#


E A A B AAA A AAA
B. L. II      

                     
D D E F# E D E A G# A A# B C# B B C# D C# C# D E F# A A A AAA AAA
S. D.    

B. D.                     

Cym.           

    
             
   
141

B. L. I
         
 D D  F# F# F#  B   B  B F# F# B  B A#  F#   F#  E D C# D   D  D G   G  

B. L. II 
     
  
D D F# F# F# B B B B B B B B B B B B C#C# C#C#C# C# C# C#C# C#C# C# B B B B B B B B B B B B
S. D.            

B. D.                 

Cym.                
 5

             

149

B. L. I
            
 F#      F#  F# G# A# B  B B F# F# B B A#  F#   F# E D C# D EF# B C# F#

B. L. II        

        
C#C#C#C#C#C# C# F# G# A# B B B B B B B B B B B B C#C#C#C#C#C# C#C#C# C#C#C# B B B B B B A#A#A#A#A#A#
S. D.          

B. D.                 

               
Cym. 

      
                        
   
157

B. L. I
   

 B      B B B  B B B A# B  C# D E F# A         
         
B A# B C# D E F# C# A#C#


A A A A B
B. L. II 

                              
F# A# A# A#A#

B BBB BB B D G D D D A A D G D B
S. D.        

B. D.                   

Cym.                   

  
              
166

B. L. I
             
 F# F# G# A# B  B B F# F# B B A#  F#   F# E D C# D EF# B C# F#    
 
B
B. L. II        

  
A# B B B B B B B B B B B B C#C#C#C#C#C# C#C#C# C#C#C# B B B B B B A#A#A#A#A#A# B
S. D.                 

B. D.                 

Cym.                 

                  


174

B. L. I
       
 C#         E E D
   
D# F# G# F#

  
D D E E E E E

  
B. L. II          
       
 
A#  B B A  G#  F#  G# F# E E E F# G# C# C# B 
S. D.                                         

B. D.                 

Cym.                 
6

            
182

B. L. I
         
     
 # # # # C#

E D C# F# F#

            
        
C E C C B A E C E A E A A D
B. L. II  


C# C#  E E D  C# C#  C# C#  C# C#  E E G# A E  D D  F# F# 
S. D.                              

B. D.                   

Cym.                   

    
        
191

              
   
B. L. I
 

                   

# # # # # # # C# C# C# B

              


E E D C A G G G F G A D E E E E E E E D E
B. L. II 
 
E  F#
                 
E E G# A E  E E E  D# E F# F#  G# E F# G# C# C# B  C# C#  E E D 
S. D.              

B. D.                   

Cym.                   

  
200
      
  


B. L. I       
 C#

C#

C# F# F#

      
A E E A E E D A A D E E D
               
     
B. L. II

 C#  C# C#  C# C#  E E G# A E  D D  F# F#  E E G#

C#
S. D.                        

B. D.                 

               
Cym. 

          
     

208
     
B. L. I
        

       
 C#
        
F# C# C# D G# A A C#

      
E E B A A E A A A A

B. L. II       
                         
A D #  E  E E  E G #  A A A A E C# A

A

A

A
S. D.    

B. D.                 

Cym.                 
Bell Lyre I
Aces High Goodwin Arr. Mace


                         
  
q. = 112

    
E A A A C# C# E A A A G# A F# F# F# F# E A E A C# A C# E C# A

 


8

          
    

 
  
   
E A B E E E E E D C# E C# C# B A E C# E A C#

           
        
16
  
      
E E D C# A F# A D F# E E D C# A G# G# G# F# G# A D#


24

               
     

 
  
E E E E E E E D C# E C# C# B A E C# E A C#

                    
32

   
     
E E D C# A F# A D F# E E D C# F# E E C# B C# D G#

        
   
  
40

              
G# G#G#B G# B F# E F# G# F#

               
A A A A E E E E E


47

     
     
     
E E F# G# A B E D# D# C# C# A B B C# D# C# B A C# C# B

           
         
54

      
 
B G# E E B G# A B E D# D# C# C# B B G# F# G# A F# G#

          
        
62

         
G# F# F# G# A G# A F# C# C# B B A# A# B C# F# F# E D#

             
       

70

    
   
D# C# D# E E B G# A B E D# D# C# C# B B E D# E F# D# E V.S.
2 Bell Lyre I

  
78

           
      
 
E E E E E E D C# E C# C# B A E C# E A C#

              
85
  
           

E E D C# A F# A D F# E E D C# A G# G# G# F# G# A D#


93

                 
      

E E E E E E E D C# E C# C# B A E C# E A C#

                     
101

        
E E D C# A F# A D F# E E D C# F# E E C# B C# D G#

       
       
  
109

        
A A A A F# A D A A F# A D D E F# E D

  
                  
117

    
E A A A# B C# D D B D E C# A B E D C#

            
126

             
C# F# A D A A F# A D D E F# E D E A A

                         

  

135

A# B C# D D E F# E E F# G F# A A A A A A A D D

                            

142
  

F# F# F# B B B F# F# B B A# F# F# E D C# D D D G G F#

                        

150


F# F# G# A# B B B F# F# B B A# F# F# E D C# D E F# B C# F#
 Bell Lyre I 3


                     
     
157
 
 
 
B B B B B B B A# B C# D E F# A A A A A B B A#

          
              
164
 
    
B C# D E F# C# A#C# F# F# G# A# B B B F# F# B B A# F# F# E D C#

                      
171

     
   
D E F# B C# F# B C# D D D# E F#

      
179

       
     
 
G# F# E E E E E E D C# E C# C# B A E C# E

       

186
      
          
A C# E E D C# A F# A D F# E E D C# A G# G# G#


194

                   
     
   
F# G# A D# E E E E E E E D C# E C# C# B A E C# E

        
202
   
       
A C# E E D C# A F# A D F# E E D C# F#

        
      
209

    
 
       
E E C# B C# D G# A A A A C# E A A A A
Bell Lyre II
Aces High Goodwin Arr. Mace

 
q. = 112
       
                 

    
E A A A G# G# G# F# F# F# F# F# D# D#D#D# E E E E E E E E


8

                                
 
E E E E F#G# C# C# B C# C# E E D C# C# C# C# C# C#


16
   
                    
     
E E G# A E D D F# F# E E G# A E E E E D# E F# F#


                               
24

 
E F# G# E F#G# C# C# B C# C# E E D C# C# C# C# C# C#



32
 
          

     
        
E E G# A E D D F# F# E E G# A D# E E E E G#

          
  
40

             
A A A A E D#
  B B E
C# C#

  

47
 
  
A C# F# G# E

  

55

    
B A C# B
2 Bell Lyre II

            

61
     
             
 
G# B B B B B B BB B B B

E E E E E E E B G# F# F# F# F# F#


68

                      
  
F# B B B B B B B B B B B B G# B E E E E E

    
       
74

   
  
E E E E E E B B B B B E E E E E E E E F# G#


79

    
               
   
C# C# B C# C# E E D C# C# C# C# C# C# E E G# A E


87

              

    
   
D D F# F# E E G# A E E E E D# E F# F# E F#


    
94

             
 
G# E F# G# C# C# B C# C# E E D C# C# C# C# C# C#



101
 
          

     
        
E E G# A E D D F# F# E E G# A D# E E E E G#

       
   
  
109

            
A A A A F# A D A A F# A D D E F# E D

  
                        
117

  
E A G# A A# B C# D D B D E C# A B E D C# B

           
        

126

       
A G F# A D A A F# A D D E F# E D E A G# A
 Bell Lyre II 3

                        
 
135

   
A# B C# B B C# D C# C# D E F# A A A A A A A A A D D

  
142

         

F# F# F# BBBBBB B B B B B B C#C#C#C#C#C# C#C#C#C#C#C# B B B B B B

                                  

148

B B B B B B C#C#C#C#C#C# C# F# G# A# B B B B B B B B B B B B C#C#C#C#C#C#

                      
      
154

  
C# C# C# C# C# C# B B B B B B A#A#A#A#A#A# B B B B B B B D G

                     

160

  
 
  
D D D F# A A D G D B A# A#A#A# A# BB B B B B

                                  

168

B B B B B B C#C#C#C#C#C# C#C#C#C#C#C# B B B B B B A#A#A#A#A#A# B

                
     
  

174

  
A# B B A G# F# G# F# E E E F# G#


181

    
                   
C# C# B C# C# E E D C# C# C# C# C# C# E E G# A E


                 
189

         
D D F# F# E E G# A E E E E D# E F# F# E F# G# E F#G#


197

    
               
   
C# C# B C# C# E E D C# C# C# C# C# C# E E G# A E V.S.
4 Bell Lyre II



205

    

 
     
 
D D F# F# E E G# A D# E E E E G#

 

       
211

  
 
  

A A A A E C# A A A A
Side Drum

Aces High
    
Goodwin Arr. Mace

                          


q. = 112
 


10                
                                


 
18            
                           

26                
                                


                             
34             


                       
42

      
pp

                          
54


                         
67

79                
                                
f


    
87            
                        

95                
                                


                            
103             

                
111

 
               
119
2 Side Drum

                  
127

                      
136


                                            
143


                                           
151


        
159            
                        

167

                                    

                                         
173     

181                
                                


 
189            
                           

197                  
                           

  
                                     
206            
 
 The Massed Bands of the Sea Cadet Corps

H.M. Jollies
• On reaching the end of the piece, if no cease playing signal has
been given, return to the very beginning.

• The Bell Lyre part is written for A-A and C-C instruments.
 HM Jollies

q = 116

Bugle in Bb            

              
Bell Lyre 
               

  
      
F F C D Bb F BbBbBb F Bb D F F F C D C C CBb A A G ABb A A CBb

Side Drum               
q = 116
f

Bass Drum                 

Cymbals                  


9

Bug.          
           
B.L.                 

 
              
A A G ABb A A G C F C C AF F F F D C C CBb A A G ABb A A ABb C C F A
     
S. D.            

B. D.                 

Cym.                  


18

Bug.         

                                

B.L.

     
G F E G CC G E C D G ABbBb BbABb Bb D G ABb Bb C F G AbAb

S. D.              

p

B. D.                 

      
Cym.     
2


26

Bug.         

      
          
B.L.         
      
         
AbGAb Ab C F G Ab Ab C C C C Bb C C# Eb F F C# C Bb C C# Eb F F C C C B

S. D.        
f

B. D.                 

Cym.              


34

Bug.         

                          
  
B.L.

 
 

C G AG F E D E F GA B C C C F G A A Bb A A C F G
        
S. D.                        
pp

B. D.                 

Cym.            


42

Bug.         

B.L.                   


                                  
A C A G F F C F G A A Bb A A C F G
        
S. D. 

B. D.                 

Cym.         
 3

     
50

Bug.       

      
B.L.             


A C A G F F F Bb C D D Eb D D F Bb C

S. D.
                            
f

B. D.                 

Cym.              


58

Bug.         
   
                
 
B.L.


D F D C BbBb Bb C F G A A Bb A A C F G
         
S. D. 
                             
p f

B. D.                 

Cym.             

 

66

Bug.        

                          
3 3    
B.L.

       
A Bb C Bb Bb Bb Ab Bb Bb Ab Bb C Db Db

                
A G F F F F C
          
S. D. 

B. D.                 

         
  
Cym.    
4
73

Bug.        

              
  
B.L.            
  
         
Bb Bb Ab Bb Bb Ab F Eb F F Eb Db Db C Db Eb Eb DbEb F Bb

            
F
       
S. D.   

B. D.               

Cym.               


80

1. 2.

Bug.       
 
    
   
B.L. 
            
   
            
Ab Db Db C Db Eb Eb Db Eb F Eb D Eb F

           
F F F F F
  1.   2.

S. D. 

B. D.               

Cym.               

86

Bug.       
   
          
   
B.L.              

 
           
Gb GbGbAb Bb Ab Gb F Eb Db DbDb C Bb C Db Eb E F F Gb F F
  
S. D.     

B. D.             

           
Cym. 
 5

  
    
92
           
Bug.

                         
B.L.    


Bb D Bb D Bb Bb F Bb D Bb D Bb Bb Ab

                              
E F F F F
     
S. D.

B. D.                

Cym.                

98

Bug.        

                     
     
B.L.   

                           
Bb Bb Ab Bb C Db Db C Bb Bb Ab Bb Bb Ab F Eb F F F Eb
           
S. D.

B. D.               

Cym.               

105

1.

Bug.        
 
                
     
B.L.

   
                        
Db Db C Db Eb Eb DbEb F Bb Ab F Db Db C Db Eb Eb DbEb F
1.
     
S. D.   

B. D.               

             
Cym. 
6


112

       

Bug.

        
              
  
B.L.  
  
                             
Db Bb Ab AbAbAb F Ab Db Db Ab BbAb F Db

F F F F F F C

S. D.

B. D.                  

Cym.                  
Bugle in Bb
HM Jollies

q = 116
  
        

21
   
     

  
  

57 1.

 
             
85

2.



     
  
 
96 1.

 
Bell Lyre
HM Jollies
    
                   
q = 116

  
F F C D Bb F BbBbBb F Bb D F F F C D C C CBb A A G ABb

   
8

                
    
A A CBb A A G ABb A A G C F C C A F F F F D C C CBb

                      
15

 
 
A A G A Bb A A A Bb C C F A G F E G CC G EC D

                           
21

G ABb Bb BbABb Bb D G ABb Bb C F G AbAb AbGAb Ab C F G Ab

             

28

         
Ab C C C C Bb C C# Eb F F C# C Bb C C# Eb F F C C C B C G AG F E
35

                        
DE F GA B C C C F G A A Bb A A C F G A C A
43

                      
G F F C F G A A Bb A A C F G A C A G F

                   
52

 
    
F F Bb C D D Eb D D F Bb C D F D C BbBb Bb C
61

             

3 3
       

F G A A Bb A A C F G A Bb C Bb A G F F F F V.S.
2 Bell Lyre

                       
69


 
Bb Bb Ab Bb Bb Ab Bb C Db Db C Bb Bb Ab Bb Bb Ab

              
75

      
F Eb F F F Eb Db Db C Db Eb Eb Db Eb F Bb Ab F

             
81

            
  
1. 2.

Db Db C Db Eb EbDbEb F F F F F Eb D Eb F Gb GbGbAb

         
87
   
        
    
Bb Ab Gb F Eb Db Db Db C Bb C Db Eb E F F Gb F F

                    
92

    
E F F Bb D Bb D Bb Bb F Bb D Bb D F F

                        
97

 

Bb Bb Ab Bb Bb Ab Bb C Db Db C Bb Bb Ab Bb Bb Ab


103

             
1.

        
F Eb F F F Eb Db Db C Db Eb Eb Db Eb F Bb Ab F

  
109

          
 
    

Db Db C Db Eb Eb Db Eb F F F F F F F

                 
114

    
Db Bb Ab AbAb Ab F Ab Db C Db Ab Bb Ab F Db
Side Drum
HM Jollies
 
q = 116      
                 
  
f

      
  
10

                 



18

           
p

     
    
25

             

f

          

33

                      
pp

42        
                   
      

49           
   
                   
   
f

57        
                      
p

       
 
63

           
    
f


           
                         

69

V.S.
2 Side Drum

   
                          
75       1.
  

   
                    
82   2.
 
  


  
88 
                

92    
                          


           
 
97
                       

   1.   
                       
  
103    
  

 
        
110    
      

  
          
114   
       
 The Massed Bands of the Sea Cadet Corps

Holyrood
• On reaching the end of the piece, if no cease playing signal has
been given, return to the very beginning.

• Whilst this piece has been played regularly at recent Massed Bands
events, it should be noted that these parts include the trio which
should be now also be learnt.

• The Bell Lyre parts can be played on both C-C and A-A
instruments.
 Holyrood
Alford
q. = 112 Arr. Mace/Bowen-Davies

                

Bell Lyre I                        
       
F E Eb D C Bb A G F E F E F E F D Eb F G G F D Bb A Bb A Bb G A G A

  
Bell Lyre II       

         

q. = 112
F E Eb D C Bb A G F E Bb Bb Bb Bb Eb Eb

F E F E F F F F
                          
Snare drum                
Bass drum 
                

Cymbals               

       
9
 
B.L. I                           

F G A Bb Bb A Ab A A Eb D C D C B C A G F D Eb D C Bb Bb A Bb C Bb
              
B.L. II
    

Eb Eb Bb Bb
       
D D F F C A F A F G G

    
S. D.                    
      
B. D.                   

Cym.                      

           
18
  
B.L. I                    

A G F E F E F D Eb F G G F D Bb A Bb A Bb G A G A F G A Bb
                 
B.L. II
 

F E F F F F Bb Bb Bb Bb F F Eb Eb D D F F

       
S. D.                          
     
B. D.                    

Cym.                  

     
27
      
B.L. I          

A G F# G G G Bb Bb Db Db D D G F G G F D C
B.L. II                 

Eb Eb Eb F# F# Bb Bb Bb Bb
       
F G F F F F

 
                 
S. D.
         
B. D.                   

Cym.                   
2

              
35
     
B.L. I       


Bb Bb D D Bb C D D D G D D G Bb C D D C A Bb C D D
B.L. II                       

Bb A Bb F D Bb G G Bb Bb Bb Bb Bb G A F# G G F# F#


S. D.                                  
            
B. D.                    

Cym.                    

            

44
   
B.L. I             



Bb Db Db Db Db Db Db F# Db Db F# Bb B Db Db Eb Db Eb
    
C F F F
B.L. II                

Bb F# Ab Bb B Db Db Bb F# F F Bb F# F F F

 
S. D.                                
          
B. D.                   

Cym.                   

         
53

                   

B.L. I
 

F# F# F

F F# F

F

F# F# F F F# F
   F#  G   Ab  A   Bb B C D Eb
B.L. II                         

F# F# F F F# F F F# E F F F# F F F F F F F F F F F F F F F F F F F

   
S. D.                 

B. D.               

Cym.              

      
61
     
B.L. I                       

F G G F D Bb A Bb A Bb G A G A F G A Bb Bb A Ab A A Eb D C D C B
B.L. II                 
  

Bb Bb Bb Bb Eb Eb Eb Eb
       
F F D D F F C A F

   
                    
S. D.
        
B. D.                    

Cym.                      
 3

          
70
  
B.L. I                        

            
C A G F D Eb D C Bb Bb A Bb C Bb A G

F E F E F

D Eb F

G

G F D Bb
 
B.L. II    

A Bb F Bb E E E E F F Eb F Bb Bb D Bb

    
                         
 
S. D. 
       
B. D.                   

Cym.                      

 
79
    
B.L. I                     

     
A Bb A Bb G A G A F Bb A G F# G Bb Bb Db Db
  
G A G G D D
            
B.L. II
 

Eb Eb Bb F Eb D Eb Eb Eb F# F# Bb Bb Bb Bb
       
F F D F F

   
S. D.                    
        
B. D.                   

Cym.                      

               
88

       
B.L. I
    
           
G F G G F D C Bb Bb Eb Eb F F G G Ab Ab Bb Eb
              
B.L. II
   

Bb A Bb F D Bb Eb Eb F G Ab Ab Bb Eb
         
G F F F F F G


S. D.               
           
ppp

B. D.                   

Cym.                

    
96
     
  
B.L. I      

       
     
Eb Eb C
         
   
Bb Bb G F G Eb
Eb G Ab Bb Eb Eb F F G G Ab Ab Bb Eb

C
B.L. II     
       
     

Eb Bb Eb C Bb G F G Eb Eb G Ab Bb Eb Eb F F G Ab Ab Bb Eb
                 
C G
S. D.           
             
B. D.                  

Cym.         
4

       
104
 
B.L. I              
    

D C C D D Eb

C Eb Bb

A Bb A G

G Bb C Bb Ab Ab Bb Bb
    
Bb

B.L. II                    

Eb Bb A Bb A G G Bb C Bb Ab Ab Bb Bb Eb Bb
             
C D C C D D
S. D.              
             
B. D.                  

Cym.         

   
112
 
B.L. I                     
        

         
Bb Bb Ab G Ab Ab Bb Bb Ab Ab Bb Bb G Eb Eb F F G G Ab Ab Bb Eb
         
G F
B.L. II  
            


Bb Bb Ab G Ab Ab Bb Bb Ab Ab Bb Bb Eb Eb F F G G Ab Ab Bb Eb
        
G G F
S. D.                    
             
B. D.                   

Cym.         

      
120
       
B.L. I     
     



     

Eb C Bb G F

C Eb
     
Bb G

Eb Eb Bb
 
Eb

Eb F F Gb Gb Ab
   Eb 
Ab Bb
        
 
      

B.L. II


Eb Bb Eb C Bb G F Eb Eb Bb Eb Eb F Gb Gb Ab Ab Bb Eb
                  
C G F

  
S. D.    
       
ff

B. D.                  

Cym.             

 
                    
128
     
B.L. I              
Cb Eb Bb Eb Bb F Bb Bb Eb Eb Db Db
                        
Bb Ab Gb Gb Gb F F F Ab Bb Bb Ab Ab Gb Gb Gb Gb Bb Bb
          
B.L. II
    

Cb Eb Bb Eb Bb Bb Ab Gb Gb Gb F F F Ab F Bb Bb Eb Eb Db Db Bb Bb Ab Ab Gb Gb Gb Gb Bb Bb

     
S. D.                     
     
B. D.                    

Cym.                      
 5

  
137
     
              
        
 
B.L. I

      

Eb Eb E F Gb G Ab A Bb Cb Bb Eb Eb F F G G Ab Ab Bb Eb Eb
  
C
B.L. II    
     
               

Eb Eb E F Gb G Ab A Bb Cb Bb Eb Eb F G Ab Ab Bb Eb Eb
  
F G C
            

S. D.           
ppp

B. D.                 

Cym.             

      
145
           
B.L. I               
 
           
Bb Eb C Bb G F G Eb Eb G Ab Bb Eb Eb F F G G Ab Ab Bb Eb Eb

C
     
B.L. II 
              

Bb Eb C Bb G F G Eb Eb G Ab Bb Eb Eb F G Ab Ab Bb Eb Eb
  
F G C
S. D.                         
             
B. D.                  

Cym.         

      
153
 
B.L. I             
    
 

D C C D D Eb

Bb

A Bb A G

G Bb C Bb Ab Ab Bb Bb
    
Bb

Bb Bb Ab G
B.L. II                    


Bb A Bb A G G Bb C Bb Ab Ab Bb Bb Eb Bb Bb Bb Ab G
             
D C C D D
S. D.              
             
B. D.                  

Cym.         

  
161
 
B.L. I       
    
    

 

    

Ab

Ab Bb Bb Ab

Ab Bb Bb Eb Eb

G Ab Ab

    
G G F F F G
               
B.L. II
    

Ab Ab Bb Bb Ab Ab Bb Bb Eb Eb G Ab Ab

G G F F F G
S. D.                      
         
f
           
B. D. 

Cym.         
6

  
167
     
B.L. I            

 Bb 
Eb C
 
Eb Bb Eb
 C Bb G  F G
 Eb Eb
B.L. II     
     


 
Bb Eb C Eb Bb Eb C Bb G F G Eb Eb
                    
S. D.
         
           
B. D. 

Cym.             
Bell Lyre I

Holyrood
Alford
q. = 112
       
Arr. Mace/Bowen-Davies
            
          

F E Eb D C Bb A G F E F E F E F D Eb F G G F D Bb

 
7
  
                
    
A Bb A Bb G A G A F G A Bb Bb A Ab A A Eb D

      
13

              
        
C D C B C A G F D Eb D C Bb Bb A Bb C Bb A G

            
19


            
  
F E F E F D Eb F G G F D Bb A Bb A Bb G A G A
25
      
           
F G A Bb A G F# G G G Bb Bb Db Db D D

             
32

       
G F G G F D C Bb Bb D D Bb C D D D G D

        
39

            

D G Bb C D D C A Bb C D D Bb Db Db Db Db Db

            

46

       
  

Db F# Db Db F# Bb B Db Db Eb C Db Eb F F F

          
53

                 

  
F# F# F F F# F F F# F# F F F# F F# G Ab A Bb B V.S.
2 Bell Lyre I

         
60

                
  
C D Eb F G G F D Bb A Bb A Bb G A G A F G A Bb

       
67
 
                    
 
Bb A Ab A A Eb D C D C B C A G F D Eb D C Bb Bb A Bb

         
73

              
  
C Bb A G F E F E F D Eb F G G F D Bb A Bb A Bb

 
80


                
G A G A F G A Bb A G F# G G G Bb Bb

    
86
          
  
Db Db D D G F G G F D C Bb Bb

     
93

            
            

Eb Eb F F G G Ab Ab Bb Eb C Eb Bb Eb C Bb G F G Eb

    
100
         
              


Eb G Ab Bb Eb Eb F F G G Ab Ab Bb Eb C Eb Bb D

    
106
  
  
        
  
  
 
   
A Bb A G G Bb C Bb Ab Ab Bb Bb C C D D Eb Bb

 
112

         
   
        
      
Bb Bb Ab G Ab Ab Bb Bb Ab Ab Bb Bb G G F Eb Eb F F

       
118

     

         

G G Ab Ab Bb Eb C Eb Bb Eb C Bb G F G Eb
 Bell Lyre I 3

    
124
         
            


Eb Bb Eb Eb F F Gb Gb Ab Ab Bb Eb Cb Eb Bb Eb Bb

            
130

   
              
  
Bb Ab Gb Gb Gb F F F Ab F Bb Bb Eb Eb Db Db Bb Bb Ab Ab

135
            
              
Gb Gb Gb Gb Bb Bb Eb Eb E F Gb G Ab A Bb Cb Bb

     
141

            
            

Eb Eb F F G G Ab Ab Bb Eb C Eb Bb Eb C Bb G F G Eb

    
148
        
               

Eb G Ab Bb Eb Eb F F G G Ab Ab Bb Eb C Eb Bb D

      
154
  
        
   
    
  
A Bb A G G Bb C Bb Ab Ab Bb Bb C C D D Eb Bb

 
160
  
                      
Bb Bb Ab G Ab Ab Bb Bb Ab Ab Bb Bb G G F Eb Eb F F

     
166

           
         
G G Ab Ab Bb Eb C Eb Bb Eb C Bb G F G Eb Eb
Bell Lyre II

Holyrood
Alford
q. = 112
Arr. Mace/Bowen-Davies
       

                
  
F E Eb D C Bb A G F E F E F E F F Bb Bb Bb Bb
7

    
           
F F Eb Eb D D F F Eb Eb C A F
14

                
A Bb F Bb G G F E F F F F
21

               
Bb Bb Bb Bb F F Eb Eb D D F F F Eb
28
    
          
Eb Eb F# F# Bb Bb Bb Bb G F F F F
35

                  
Bb A Bb F D Bb G G Bb Bb Bb Bb Bb G A F#
42
          
     
G G F# F# Bb F# Ab Bb B Db Db Bb F#
49
            
        
F F Bb F# F F F F# F# F F F# F F

    
55

   
                
F# E F F F# F F F F F F F F F F F F F F F F F F F V.S.
2 Bell Lyre II

61

               
Bb Bb Bb Bb F F Eb Eb D D F F Eb Eb
68
    
            

C A F A Bb F Bb E E E E

   
75

         
  
F F Eb F Bb Bb D Bb F F Eb Eb D Bb

 
82

            
 
F F F Eb D Eb Eb Eb F# F# Bb Bb Bb Bb
88
    
          

G F F F F Bb A Bb F D Bb

     
93

            
            

Eb Eb F F G G Ab Ab Bb Eb C Eb Bb Eb C Bb G F G Eb

    
100
         
              


Eb G Ab Bb Eb Eb F F G G Ab Ab Bb Eb C Eb Bb D

    
106
  
  
        
  
  
 
   
A Bb A G G Bb C Bb Ab Ab Bb Bb C C D D Eb Bb

 
112

         
   
        
      
Bb Bb Ab G Ab Ab Bb Bb Ab Ab Bb Bb G G F Eb Eb F F

       
118

     

         

G G Ab Ab Bb Eb C Eb Bb Eb C Bb G F G Eb
 Bell Lyre II 3

    
124
         
            


Eb Bb Eb Eb F F Gb Gb Ab Ab Bb Eb Cb Eb Bb Eb Bb

            
130

   
              
  
Bb Ab Gb Gb Gb F F F Ab F Bb Bb Eb Eb Db Db Bb Bb Ab Ab

135
            
              
Gb Gb Gb Gb Bb Bb Eb Eb E F Gb G Ab A Bb Cb Bb

     
141

            
            

Eb Eb F F G G Ab Ab Bb Eb C Eb Bb Eb C Bb G F G Eb

    
148
        
               

Eb G Ab Bb Eb Eb F F G G Ab Ab Bb Eb C Eb Bb D

      
154
  
        
   
    
  
A Bb A G G Bb C Bb Ab Ab Bb Bb C C D D Eb Bb

 
160
  
                      
Bb Bb Ab G Ab Ab Bb Bb Ab Ab Bb Bb G G F Eb Eb F F

     
166

           
         
G G Ab Ab Bb Eb C Eb Bb Eb C Bb G F G Eb Eb
Snare drum

Holyrood
Alford
q. = 112
Arr. Mace/Bowen-Davies

   
               
 

                         

5

 

                     
13
      


                         

21

 

              
29
             
      

37

                             



45

                             

   
53

               

       
61

                  
 

                     
69
      


                         

77

 
2 Snare drum

                            
85

      


93

                             
ppp


101

                             


109

                             

117

  

 

 

 

 

 

 

 



121

             
     

125

  











 

ff

 
 
133

                


141

                             
ppp


149

                             


157

                             


165

                             
f
 The Massed Bands of the Sea Cadet Corps

On the
Quarterdeck
• On reaching the end of the piece, if no cease playing signal has
been given, return to the very beginning.

• The Bell Lyre parts can be played on both C-C and A-A
instruments.
 On the Quarterdeck Alford

                  

q. = 116

Bell Lyre       

  
GF# F E D G
    
  C B C B  C E 
mf
G A A# B B B C C# D

C
Side Drum  
q. = 116
          

 
             
Bass Drum


 
              
mf

Cymbals

mf

   
8
 
 
     
B.L.
    
   
   E   E G F E  G F  F   D   D C#D C#
G
S. D.                             

B. D.               

 
Cym.              

  

 
15
 
B.L.              
 
F  G   F F  A G F E G F# G G# G G# A B C
    
D  
S. D.               

   
B. D.           

Cym.                

    

     
22
    
B.L.  
      

C B C B C E  G   E   E C B C  D C B C  D  
S. D.                       

 
B. D.             

 
Cym.              
2

          
29


        
B.L.
        

C   C C B A  G C B A# A G# G  G F# E D  D DG B D  F# G F# G F#
S. D.                     

    
B. D.          

    
Cym.           

                    
36

B.L.        p   
                           
          
G G# A B C B D C B A G # A D D C B B A B C B B B A
S. D.  

  
              
ppp

B. D.

Cym.   
                
ppp

ppp

             
43
  
B.L.            
 
mf

 
G G F# G A G G# A B D A G# A


C E F E C C B A G G E F
        
S. D.                      

              
mf

B. D.

               
mf

Cym.
mf

  
               
50
      
1. 2.

B.L.    
   
  
G A B C D E F B 1. C#
                        
C G A B 2.
C C F F G G# A D C#
S. D.  
            
B. D.   
      
Cym.      
 3

  
   
58

B.L.         

   C A  G A A#A  A   D   F D  B C D C 
A
S. D.                       

              
ppp

B. D.

               
ppp

Cym.
ppp

        
65

B.L.          
 

   D   A C  C A#  A# A  G A#E D  C A#G G#

C
S. D.                             

B. D.               

 
Cym.              

       
72

B.L.      

   A 
     
A A   C A  G A A#A  A   D  
S. D.               

B. D.               

Cym.                

        
79

        
B.L.  
 D  B C D C  C   D   A C  C A#  A# E D 
F
S. D.                       

 
B. D.             

 
Cym.              
4

  
         
   

86
        
B.L.
   

 D  D E  F   F  C C B C  D D D D C#D C# D G G 

 
C A
S. D.                  

                
f

B. D.

                 
f

Cym.
f

  
93

    
B.L.          
           
G A A# B C C C
       
p
C B C B  C F F G F F E F A   A  
A A# A
S. D.                 

              
p

B. D.

 
             
p

Cym.
p

        

           

100

        
B.L.
    
G F# G G F# G F# G A  A# B C C# D D D
               
A D D E D D 
f E F G
S. D.         

  
           
f f

B. D.

               
f

Cym.
f

 
107
                      
B.L.              
C C
        
D C#D C# D G G A  G A A# B C C B C B  C F F G F F E F
S. D.              

 
B. D.             

 
Cym.              
 5

  
 
 
114

B.L.        
 F
  
G F  E F F 
A A# A D D 
S. D.                

B. D.           

Cym.            

  
119


1. 2.

B.L.        
  1.F C C  B C 
    
D  E  F  2.
F
S. D.        

 
B. D.         

 
Cym.          
Bell Lyre
On the Quarterdeck Alford

      
  
q. = 116


 
      

 
mf
G A A# B B B C C# D G F# F E D G

          

       
5
 
     
C C B C B C E G E E G F E G F F D

        
14
     
              

D C# D C# D F G F F A G F E G F# G G# G G# A B C


 
       
22
  
   
       
C B C B C E G E E C B C D C B C D C

  
30

 
     
                   
C C B A G C B A# A G# G G F# E D D D G B D F# G F# G F#

          

         
36


        
  p   
G G# A B C B D C B A G# A D D C B B A B C B B B A

       
43
  
             
mf
G G F# G A G G# A B C E F E D A G# A C C B A

            
 
49

1. 2.

      

G G E F G A B C D E F B C G A B C C

      
  
54

   
F F G G# A D C# C#

         
58

      
A C A G A A# A A D F D B C D C C D V.S.
2 Bell Lyre

          
  
67

           
A C C A# A# A G A# E D C A# G G# A A A

   
   
75

        
C A G A A# A A D F D B C D C C D

                  
83

    

A C C A# A# E D C D D E F F C C B C

           


90



                  
      
D DD D C# D C# D G G A G A A# B C C C C B C B C F F G

         
 
97
        
        
F p E F
F A A A A# A A D D E f E F
D D G G F# G G F#

                      
104

            
G F# G A A# B C C# D D D D C# D C# D G G A G A A# B C C C


              
111


  
 
C B C B C F F G F F E F G F E F F

  
        
 
117

  
1. 2.

    

F A A# A D D D E F F C C B C F
Side Drum

On the Quarterdeck
 
Alford

   

q. = 116
           
                   

   
                            
11          


21                  
                           

    
                           
30  
     

39              
                            
ppp mf

    
       
46     1. 2.

         


         
54          
              
ppp

63                  
                           


      
72                
                    

81                  
                                 

  
                            
90          
  
f p

   
             
99            
                  
f f

  

 
        
108        
           

 
                            
115          1. 2.
 The Massed Bands of the Sea Cadet Corps

Royal Salute
(from the trio)

• There should always be either a cease playing signal or a pre-

arranged automatic finish at the end of this piece. The Drum Major
and Bass Drummer should be aware that the last phrase is eleven
bars long rather than eight and so the cease playing should be given
three bars later than usual.

• The Bell Lyre part is written for A-A instruments. C-C instruments
should play relevant phrases an octave higher.

• The Corps of Drums should not play bugles during this piece.
 Royal Salute
q = 116 (from the trio) Waterer

            
  
      
 
Bell Lyre

Bb A G F G A Bb Bb Ab

                             
A G F D C F F
q = 116      
Side Drum  
 
f ppp
            
Bass Drum  

Cymbals 



      
8

 3    
      
  
B.L.

F Eb Bb Bb F G A Bb Bb


G F F F

S. D. 
                           

B. D.                 

Cym.         
16
  
B.L.                      


              
Eb Eb Bb Bb Db


G F FFF F F F F F F FFF F F F F F
     
S. D.           

B. D.                 

Cym.         
24

1.

B.L.             

                             

3
C Bb Ab Bb Eb Eb Eb F Eb Eb


G C
1.

S. D.

B. D.                  

Cym.          
2


33
        
 

2.

     
B.L.
      
  2.     
                          
Eb Eb Eb Ab C Eb Eb D C Bb Ab G


F F D D C C

S. D. 
      
f

B. D.             

Cym.            

   
              
42
   
B.L.      
Eb BbBbBbBb F Bb Eb Eb G BbBbBbBb F Bb Eb Eb G


F F F D C F

S. D.                   

B. D.                 

Cym.             

   
                
50

B.L.   
  
           
Bb BbBbBb F Bb Eb Eb G Bb Bb Ab Ab C Bb


F F F D C F F F

         
S. D. 
   
B. D.               

          
Cym.    
59
   
 
3

      
  
B.L.

Bb Ab G F Eb Bb Bb


F F F F G A

S. D.
                           
mf

B. D.                 

Cym.                 
 3
67

                      

B.L.


                        
Bb Bb Eb


F F G F FFF F F F F F F FFF F F F F F
     
S. D. 

B. D.                 

Cym.                 
75
     
B.L.    
   

3

                            

Eb Bb Bb Db C Bb Ab Bb Eb Eb Eb F


G

S. D. 

B. D.                  

Cym.                  
84
          
B.L.     

   
   
Eb Eb Ab Eb Eb Eb Db Db Db Db Db Db


C
 
S. D.             

         
B. D.  

      
Cym.   
90
                      
B.L.   
Db Db Db Db Db Db Db Db Db Db Db Db Db Db Db Bb C Db D Eb

S. D.
      

               
 3    
B. D.         

Cym.       
Bell Lyre
q = 116
Royal Salute
        

 
3
          
  
Bb A G F G A Bb A G F DC Bb F F Ab G F Eb F Bb
11
   
                  
 
Bb F G A Bb F F Bb G Eb F FFF F F F F F F FFF F
20
      
1.

       
     
3
F F F F Eb Bb Bb Db C Bb Ab Bb Eb Eb Eb F G Eb Eb


           
32
     
2.

  
 
C F F Eb Eb D D C C Eb Ab C Eb Eb D C Bb Ab G F Eb

       
43
     
      

   


Bb BbBbBb F F Bb Eb Eb G F D C Bb BbBbBb F F Bb Eb Eb G F

      
51

               
   

Bb BbBbBb F F Bb Eb Eb G F D C Bb Bb Ab Ab C Bb F F F
59
   
   
3

     
   
Bb F F Ab G F Eb F Bb Bb F G A Bb F F Bb
70
      
                      
3
G Eb F FFF F F F F F F FFF F F F F F Eb Bb Bb Db C Bb Ab Bb
80
    
         
Eb Eb Eb F G Eb Eb Ab C Eb Eb Eb
89
                           
  
Db Db Db Db Db Db Db Db Db Db Db Db Db DbDb Db Db Db Db Db Db Bb C Db D Eb
Side Drum
Royal Salute
q = 116 Waterer

   
(from the trio)

                   
f


     
 
5
                                 
ppp



13      
                           

22
                
                  

    2.    

  

31 1.

                      

f


                  
41

 

   
               
50

        

59
            
                        
mf



67      
                           

76            
                        

   


            
85

     
 The Massed Bands of the Sea Cadet Corps

Highland Cathedral
• The Drum introduction has been included on the following parts.

• There is an optional rall. Over the last two bars of this piece. It
should never be included when the piece is used as a slow march
but can be added if conducted at the halt.

• The following parts are in the correct key to combine with military
band or bagpipes as required.

• The Bell Lyre part is written for A-A instruments. For C-C
instruments play the whole part, with the exception of the last bar,
up an octave.

• The four-part arrangement of this piece (by Bowen-Davies) can

also be played by C-C instruments.
 Highland Cathedral
q = 60

Bell Lyre      

                                     
q = 60 3 3 3 3 3 3 3 3 3 3

Side Drum  
f
       
Bass Drum  


f

Cymbals   


3
 
            
 
B.L.


Eb F G F Eb Bb Eb Ab BbAb G Eb
 3  3  3 3 3  3  3  3 3 3  3  3  3 3 3
F G G G F

S. D.             

p

B. D.             


p

Cym.   

 
6
 
    
       

B.L.


G Bb D Eb Eb Bb D Eb Bb Ab G
 3  3  3 3 3  3  3  3 3 3  3  3  3 3 3
F C

S. D.            

B. D.             

Cym.    
9
 
         
     
B.L.


G Ab G Eb Bb Eb Eb Eb Bb F
 3  3  3 3 3  3  3  3 3 3  3  3  3 3 3
F F D D F

S. D.            

B. D.             

Cym.    
2

  
12
 
   
   
B.L.

Bb Eb F C


G D D C C DC D
 3
  3
 3
 3

3
 3  3 3 3 3 3 3 3 3 3

S. D.             

B. D.             

Cym.    


15

      
  
B.L.
        

Bb Bb Bb


D F D F G D D C C D C
 3
  3
 3
 3

3
  33 3 3 3 3 3 3 3 3

S. D.             

B. D.             

Cym.    

18

  
   
   
B.L.


Bb Bb Bb Eb F G F Eb Bb Eb

       

D F
 3
  3 3 3 3 3 3 3 3 3 3 3

S. D.     

f

B. D.             
f

   
Cym.  
f
 3


21
  
          

B.L.

Ab Bb Ab G Eb Bb


F G G G F F G
3 3 3 3 3 3 3 3 3 3 3 3 3

S. D.                 

3 3

B. D.             

   
Cym.  



24

         
  
B.L.

D Eb Eb Bb Eb Bb Ab G Ab G Eb Bb Eb


C D G F
3 3 3 3 3 3 3 3 3 3 3 3 3 3

S. D.               

3

B. D.             

Cym.        

27
  
B.L.        


Eb Eb Bb C C C C Eb

              

F G
3 3 3 3 3 3 3 3 3 3

S. D. 

B. D.             

        
Cym. 
Bell Lyre
Highland Cathedral
q = 60

      
 
             
Eb F G F Eb Bb Eb F G G G AbBbAb G F Eb

  

6
  
    
              

F G Bb C DEbEb Bb D Eb Bb Ab G F GAbG Eb Bb Eb F Eb Eb


11

       

 
 
    
D Bb F D F G D D C Bb C D C D Eb F C

            
15

       
   
 
D Bb F DF G D D C Bb CDC Bb Bb D F Bb Bb

         
20
  
            
      
Eb F G F Eb Bb Eb F G G G AbBbAb G F Eb F G Bb C DEbEb Bb D Eb

  
25


     
         

Bb Ab G F GAb G Eb Bb Eb F Eb Eb Bb G C C C C Eb
Side Drum
Highland Cathedral
 
q = 60 3
 3  3 3 3  3  3  3 3 3
         
f

3  3  3  3 3 3
 3  3  3 3 3

        

p

5  3  3  3 3 3
 3  3  3 3 3

        

7  3  3  3 3 3
 3  3  3 3 3

        

9  3  3  3 3 3  3  3  3 3 3
        

11  3  3  3 3 3
 3  3  3 3 3

        

13  3  3  3 3 3
 3  3  3 3 3

        

15  3  3  3 3 3
 3  3  3 3 3

        

3 
 3  3  3 3 3  3  3  3 3 3 
17 3

           

20 3 3 3 3 3 3 3 3 3

          

f V.S.
2 Side Drum

22 3 3 3 3 3 3 3 3 3

          

24 3 3 3 3 3 3 3 3 3

          

26 3 3 3 3 3 3 3 3 3 3

        

28 3 3 3 3  3

                        
 The Massed Bands of the Sea Cadet Corps

Youth in Blue
• This piece is recognised as the Slow March Past of the Sea Cadet
Corps.

• The Bell Lyre parts can be played on both C-C and A-A
instruments.

• The Drum introduction has been included on the following parts.

 Youth in Blue P. Sumner
h. = 64

Bugle in Bb                   

          
Bell Lyre I      
   
        
D C Bb F Bb D F Eb D D C Bb
Bell Lyre II           
h. = 64 C Bb Bb F
             
         
  3 D C Bb F Bb D D
Side Drum 

Bass Drum                          

Cymbals             

       
 
9
           
Bug.    

        
                   
B. L. I
 
       
        
Bb C D D C Bb A C Eb G F Eb D C Bb F Bb D F Eb D D C Bb F Eb D
B. L. II             
C Bb Bb F
                        
D F Bb Bb F F A C Eb D C Bb C Bb F Bb D D D C Bb
S. D.    

B. D.                            

Cym.            

 
   
18
     
Bug.  
 
                       
B. L. I  
            
C D C Bb F D Bb C D Eb D C Bb D G F C D Eb D C
              
B. L. II
  

Bb Bb F Bb Bb A Bb Bb D C Bb Bb Bb A
                          
A G A D A C D A C
S. D. 

B. D.                            

Cym.                    
2

   
  
27
      
Bug. 
                      
B. L. I      
               
Bb A Bb D C Bb C D Eb D C Bb D G F F Eb D C D C Bb F D
B. L. II           


Bb F Bb Bb A Bb Bb D C Bb D C Bb Bb Bb F
   D                       
F F A C D F A
S. D. 

B. D.                            

Cym.                        

   
 
36

Bug.                    

                           
B. L. I
 
           
Bb D C Bb F Bb D F Eb D D C Bb Bb C D D C Bb A C Eb G F Eb
B. L. II  
 
      
     
C Bb Bb F
            
C Bb F Bb D D D F Bb Bb F Eb D C
              
D D F A C
S. D. 

B. D.                            

Cym.              

              
45
    
Bug.  
 
                        
B. L. I
 

 
             
D C Bb F Bb D F Eb D D C Bb F Eb D C D C Bb F D Bb

B. L. II         
C Bb Bb F
            
Bb C Bb F Bb D C Bb Bb Bb F
           
D D A G A D
S. D. 

B. D.                         

   
Cym.       
Bugle in Bb
Youth in Blue P. Sumner
h. = 64
  

               

     
 
10

          
   

 
   
18
       
 

   
   
28
       

   
 
37
  
          

   
45
               
 
Bell Lyre I
Youth in Blue P. Sumner


       
h. = 64
        
     
D C Bb F Bb D F Eb D D C Bb Bb C D D C Bb

              
11
    
  
     
A C Eb G F Eb D C Bb F Bb D F Eb D D C Bb F Eb D C D C

              
19

      
  
Bb F D Bb C D Eb D C Bb D G F C D Eb D C

              
27
    
     
Bb A Bb D C Bb C D Eb D C Bb D G F F Eb D C D C

             
35

         
   
Bb F D Bb D C Bb F Bb D F Eb D D C Bb Bb C D D C Bb

   
43
        
     
A C Eb G F Eb D C Bb F Bb D F Eb D

  
48
       
     
D C Bb F Eb D C D C Bb F D Bb
Bell Lyre II
Youth in Blue P. Sumner

         

h. = 64

      
  
D C Bb F Bb D D C Bb Bb F D F Bb Bb F

                 
11

        
F A C Eb D C Bb C Bb F Bb D D C Bb Bb F D C Bb A G A

           
19
    
       
  
Bb Bb F D A Bb C Bb A Bb Bb D D C Bb A Bb C Bb A

              
27

     
  
F F Bb F A Bb C Bb A Bb Bb D D C Bb D C Bb F A

         
35

           
  
Bb Bb F D D C Bb F Bb D D C Bb Bb F D F Bb Bb F

 
43
         
     

F A C Eb D C Bb C Bb F Bb D D C Bb


48
  
          
 
Bb F D C Bb A G A Bb Bb F D
Side Drum
Youth in Blue

P. Sumner

 

h. = 64
 3
 
        


                        
5


                        
13

                       
21 D


                       
29


            
37

            


                        
45
 The Massed Bands of the Sea Cadet Corps

Marching Solos
• The following marching solos are to be played by the Corps of
Drums between marches and as part of ‘Mess Beatings’
performances as appropriate.

• On reaching the end of any of the pieces, if no cease playing signal

has been given, return to the very beginning. Particular care should
be taken when playing ‘British Grenadiers’. The practice of
continually repeating the last repeated phrase until the cease
playing is given is incorrect. Repeat this phrase once as written and
then return to the very beginning. It will help if drummers sing the
melody to this tune in their heads.

• On parade with the band, the Drum Major will be at the trail and
will give the cease playing signal with his arm.

• Particular attention should be made to the dotted rhythms in

McAlpine. The practice of playing these rhythms as straight semi-
quavers is incorrect.
 British Grenadiers
Marching Solos

  
q = 112


                     

5
  
                     


   
   
9
                

 
 2.

                          
13 1. D.C.
 Cosgrove
Marching Solos
q = 116 P. Law

    
     
3

                

  
                       
5 3 3 3

    

   
            
9 3 3

          

   
           
13 3 3 3

             

  3

                           
17

 

   
      
3 3 3

         
21

         


   


 
         
25 
             


   

                  
29 3 3

         
 McAlpine
Marching Solos

    
 
                    
q = 112
 
3 3
      
 
 

    
  
                      
5

 
  

    
       
6
  
9

   
  

       


  
 
  
          
13

   

    

         
                 
17 3 3

 

          
 
                   
3

21


      
  

                    
25 6
 

   
              
    
              
29
 Portsmouth No. 1's
        
 
                                 
q =116


       
   
        
9

                                     

      
    
                               
17


     

     

     
   
    
25

                               

                                  


34

  

    
                                       
42

   
  
 3                         
50  3
          
 The Massed Bands of the Sea Cadet Corps

Drum Statics
• The following ‘statics’ are to be played by the Corps of Drums
during Beating Retreat ceremonies and as part of ‘Mess Beatings’
performances as appropriate.

• Sheet music for ‘Centennial’ is not included in this pack. To obtain

this music go to www.corporatestix.co.uk and look for it under
‘sheet music’ by ‘Russell Piner’.

• Tiers for the Stick-work element of these statics will vary

depending on the number of players. Therefore, the parts shown
are only a guide. All statics will be well rehearsed prior to any
Massed Bands engagements.
 Fortaleza
Drum Static


         3  

Allegro

Solo                                     

3


   

2nds          
 
3 3
            


D R R L L R R L D U D D R R L L

                                    
   1.    3

6 6 2. 3 3




 3
              
3
    
R R L D U D D U D

                                 
11            


                
R L L D U R L L D D


    1.      
            
13 2.

  
 
            

                    

R L LD U D D D U


         
16 3 3
3  3 3

  
  
     

  
     
          
D R L U D R L L U D R L

               

              
19 1. 2. 3 6

 
           


U U U D
       

                                                 
21



     
     
                  


R L R L R L D

                                                    
23    1. 3 3 6  2.   

      U

 
         
 
             

R L R L U U D D U
 Ich Dien
Drum Static

     

Allegro        
Solo        
  
D

  
S/W 1                 
 
D R L R L R L

  
S/W 2               

D R L R L R L
 
 
S/W 3
             
D R L R L R L

                                                   
8          


    

                   

         
R L R L R L R L R L D U
   
               
         
R L R L R L R L R L D U
   
               
R L R L R L R L R L D U


    


 
15
                          

  
       
              
R R R L R R R

  
L L L L
       
              
R R L R L R R L R L L

   
       
              
R R L R L R R L R L L

 
   
   
19 1. 2.

                             
  
   
     
   
              
  
   
R R L R R L R L D U

     
   
              
  
   
R R R R R L D

     
L L U
  
              

R R L R R L R L D U

    1.
               
       
 
Presto


24 2.

                

 
  
U

  R         
         


L R L U D R L R L R L R L D U

  R         
   
          

 

L R L U D R L R L R L R L D U

   R         
           
L R L U D R L R L R L R L D U
 The Massed Bands of the Sea Cadet Corps

Pavane
‘La Bataille’
• This piece has been specifically written as a finale piece for SCC
Massed Bands displays. It can also be used as incidental music on
parades.

• All three Bell Lyre parts should always be played.

 Pavane 'La Bataille' Comp. T. Susato


Arr. C. Mace
         
q = 116

Snare Drum                                   

   
mf
Bass Drum          

 
mf

Cymbals
   

Bell Lyre I      


Bell Lyre II      
q = 116

Bell Lyre III      

                                        

            
4

S.D. 


B.D.               

 
mf

Cym.   

B.L. I 
      

 
f

F F F
B.L. II     

 
Bf b

Bb Bb
B.L. III     
Bf b Bb Bb

                                      

7

S.D.  

B.D.               

Cym.    
    
B.L. I    


D D Eb Eb Eb Eb C
B.L. II          

F F G G G Bb A G A
B.L. III   
     
Bb Bb Eb Eb Eb Eb Eb F
2

               
10

S.D.                      

B.D.                   


mf

Cym.   
        
B.L. I  


F F F F D F Eb D C Bb
      

   
B.L. II


C C F F G F Bb Eb C D Bb
B.L. III     

   
F F F Bb Eb Bb F Ab G

                                   
        
13

S.D. 

 
mp
  
B.D.              

  
f

Cym.    

          
B.L. I  
     Bb
mp

A F G A F G A
B.L. II  
        
  
mp

Bb Eb Bb



C A A G F A F
B.L. III          
F mp
F Eb F G F F Eb F

                                         
17

S.D. 

B.D.  

  

  

  

  

  

Cym.       

B.L. I

                

 
Bb C D D C Bb Eb D C Bb A Bb A Bb Bb
B.L. II               
 
D F F A F Bb F F F Eb D C Bb C D D
              
 
B.L. III

Bb F Bb Bb F Bb Eb F G A Bb Bb F Bb F G F Bb Bb
 3

    
22

S.D.     

B.D.                                          

 
p

Cym.     

    
  
B.L. I        

   

F Eb D C Eb D Eb

D F D C D
       
B.L. II
   

   
 
F Eb D C Eb D Eb
  
D F D C
B.L. III         
Bb D D C Bb A G Bb Bb A G

             
 
27

    
1. 2.
  
pp
S.D. 

      
        
f

B.D.    

 
     
f

Cym.       

B.L. I

 
                  

 
mf f

D C Bb A Bb A Bb Bb Bb BbBb BbBb Bb Bb D D
                 
B.L. II

  
mf f F

D F F Eb D C Bb C 1.b
B Bb 2.b BbBb BbBb Bb Bb
B F
           

 
B.L. III

Bb Bmf
b F Bb F G F Bb Bb D DDDD D D Bf b Bb

                               
32

S.D.  

       
B.D.                           

Cym.                 

                
pp

B.L. I     


DDDDD F DDDDD F D D C C C D Bb C C D Bb
               
                 
B.L. II

F F F F F F F F F F F F F F
  
F F F F F C F F F F F C F D F D
               
 
B.L. III

BbBbBbBbBb D BbBbBbBbBb D Bb Bb F F F Bb Bb F F Bb Bb
4

     1.
         
36 2.
                         
S.D.   

B.D.   
      
 
                

Cym.                  


                            
B.L. I


ff

C C D Bb C D D C Bb A Bb Bb Bb Bb Bb BbBbBbBb BbBb BbBbBb BbBb
B.L. II    
              
 


ff
 F  D A A Bb F G F 1.
D D D D D DDDD 2.
DD DDD DD

       
        
B.L. III
ff F Bb
F F Bb Bb F Bb Eb F Bb Bb Bb Bb Bb BbBbBbBb BbBb BbBbBb BbBb
Bell Lyre I
Pavane 'La Bataille' Comp. T. Susato


 
Arr. C. Mace
q = 116
        
 
f
F F F D D Eb Eb Eb Eb

     
9
   
    
C F F F F D F Eb D C Bb A

   
14
      
     
mp
F G Bb A F G A Bb C D D


18
  
         
Bb Eb Bb Bb Bb Bb

 
C D C A A

   
     
22
       

D F F Eb D C Eb D D C Eb D

 
27
 
1. 2.

              
mf
D C Bb A Bb A Bb Bb Bb Bb Bb Bb Bb Bb Bb

 
                 
31
    

f
D D DDDDD F DDDDD F D D C C C D Bb C C D Bb

                  
36
     
1. 2.

     

ff
C C D Bb C D D C Bb A Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb
Bell Lyre II
Pavane 'La Bataille' Comp. T. Susato


 
Arr. C. Mace
q = 116

        
f Bb Bb Bb F F G G G


9

       
        
Bb A G A C C F F G F Bb Eb C D Bb C

    

14
  
        
mp

A Bb A G Eb F A Bb F D F F


18

          
  
A F Bb F F F Eb D C Bb C D D

   
22
     
          
D F F Eb D C Eb D D C Eb


27

1. 2.

     
mf
           
D F F Eb D C Bb C Bb Bb Bb Bb Bb Bb Bb Bb Bb

   
31

f
                   
F F F F F F F F F F F F F F F F F F F F F C F F F F F C


35

1. 2.

                      
 
ff
F D F D F D A A Bb F G F D D D D D DDDD DD DDD DD
Bell Lyre III
Pavane 'La Bataille' Comp. T. Susato


 
Arr. C. Mace
q = 116

     
    
f Bb Bb Bb Bb Bb Eb Eb Eb Eb Eb


9

     

    
F F F F Bb Eb Bb F Ab G F

   
14


    
       
mp
F Eb F G F F Eb F Bb F Bb Bb


18

  
   
      
 
F Bb Eb F G A Bb Bb F Bb F G F Bb Bb


   
22
       
       
Bb D D C Bb A G Bb Bb A G


27

1. 2.

              
mf  
Bb Bb F Bb F G F Bb Bb D D D D D D D

     
 
31

         

 
f Bb Bb BbBbBbBbBb D BbBbBbBbBb D Bb Bb F F F Bb Bb F F Bb Bb


36

1. 2.

        
   
ff         
F F Bb Bb F F Bb Bb Eb F Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb Bb
Snare Drum Pavane 'La Bataille' Comp. T. Susato
Arr. C. Mace
         
q = 116

                                
mf


            

4

                     

            
7

                        

                                   
10

     
                        
12


       

14

                               
mp

  
18
       
                              


          
22 1. 2.
    
   
pp


       
 
31
                              
f

     
35

                        

                 
38

 
1. 2.

 
Bass Drum Pavane 'La Bataille' Comp. T. Susato
Arr. C. Mace
q = 116
 
                      
mf

                       
6

     
mf mf

                      
11

   
f

                         
16
     

                                 
22

                                 
26 1. 2.

              
30
     
             
f

34
     
                     


     
37
 
1. 2.

            
Cymbals Pavane 'La Bataille' Comp. T. Susato

    
   
Arr. C. Mace
q = 116




                     
29 1. 2.

 

 2.
                    
35 1.


pp
 The Massed Bands of the Sea Cadet Corps

Appendix I

Musical Salutes

Title or Rank Alert Pipe Musical Salute

HM The Queen, Prince Philip Yes Yes National Anthem
Remaining members of the Royal Family Yes Yes First 6 bars National Anthem
Governors Generals Yes No First 6 bars National Anthem
Foreign Heads of State Yes No Appropriate National Anthem
Governor of Northern Ireland Yes No First 6 bars National Anthem
Governors Yes No Garb of Auld Gaul
Lieutenant Governor Yes No Drum Ruffle
Administrator or Commissioner Yes No Drum Ruffle
Political Resident Persian Gulf Yes No Garb of Auld Gaul
Secretary of State for Defence Yes No Rule Britannia
MOD Royal Navy Yes No Rule Britannia
MOD Army and RAF Yes No Garb of Auld Gaul
Chief of Defence Staff Yes No Rule Britannia (if RN)
Chief of Naval Staff. First Sea Lord Yes Yes Rule Britannia
Chief of General Staff & Chief of Air Staff Yes No Garb of Auld Gaul
Admirals of the Fleet, Admirals, All C in C’s Yes Yes Rule Britannia
Other Naval Flag Officers Yes Yes Iolanthe
Field Marshal or Marshal of the RAF Yes No Garb of Auld Gaul
Other General Officers and RAF Equivalents Yes No Garb of Auld Gaul
st
Royal Marines Generals Yes No 1 8 bars Preobrajensky
Commanding Officers (I/C of Sea going vessels) No Yes Drum Ruffle
Commanding Officers (I/C of establishments) No No Drum Ruffle
Lord Mayors, Mayors Yes No Drum Ruffle

Recordings of these salutes can be found on CD 3

 q = 60
National Anthem

                         
  
Bell Lyre I

G G A F# G A B B C B A G A G F# G G A B C D D D

                         
 
Bell Lyre II

D E E D D F# G G G G F# E C D D D E F# G A G G G

  
Bell Lyre III                      
G E C D G D G E C D Eb E C D D G G B D


 
q = 60

Side Drum

       

Bass Drum            

 
                


8
   

D C B C C C C B A B C B A G B C D E C B A G


                 
   
      
G F# G F# A F# F# G F# G F# G Eb E G F# F E D D C B


                 
 
    
G D G D F# A D G D G A G F# E D C B C D C D D G

      

       

            
  
 Rule Britannia
Salute

h = 120 Arne

        
Bell Lyre     

 
D D Eb Eb D Eb D C Bb A

 
h = 120
             
Side Drum 

  
Bass Drum
            

     
5
   
Pno.    
Eb D Eb Eb Bb Bb

    
F D C F D C

S. D.

           


B. D.               
 Iolanthe Sullivan

         
Arr. Winterbottom
      
Bell Lyre   
Bb Bb Bb Bb

       
F F A F F A C D C C F

                  
Side Drum   

Bass Drum               

5
     
        
  

  

   
F G F Eb D Eb F Bb G Eb D Bb C Bb Bb Bb

         
  
     

            
 h = 86
The Garb of Auld Gaul Hartmann


                          

Bell Lyre

 
             
G G GG B A G D B D G G A B B B B D C B A G A B B C

    
h = 86
Side Drum       

  
Bass Drum
              

           
            
5

   

   
   
D D D D F E D C C C C E D C B A G A B D C A G G G G

         

 
              
 Preobrajensky
 
(Salute)

         
q = 120
        
Bell Lyre  
Bb F Bb C D Bb D Eb F D Eb C Bb Bb Bb Bb F


          
q = 120
    
Side Drum          

  
Bass Drum
       

          
5
       
  
Bb F Bb C D Bb D Eb F D Eb C Bb Bb Bb Bb

  

    

    
  

   

        
 The Drum Ruffle
             
Bass Drum 
  
 
ff

Side Drum   
       
ff
 The Massed Bands of the Sea Cadet Corps

Appendix II

Contact Information

Please address any queries regarding the contents of this pack and indeed any other matters
regarding the correct procedures and music to your immediate superior, who can pass it up the
chain of command until an answer is found. Please only skip to a higher authority in the event that a
satisfactory answer has not been obtained.

Lt. Cdr. (SCC) D. Payne RNR Director of Music SCC

derek.mpayne@tiscali.co.uk

Bugler Chris Mace R.M. Royal Marines Band (Plymouth)

chris.mace@timace.co.uk

AREA STAFF OFFICERS

Lt. Cdr. (SCC) R. Palmer RNR ASO(Band) N.W. Area

Sub. Lt. (SCC) A. Bowen-Davies RNR ASO(Band) S. Area

alibdavies@hotmail.com

W.O. (SCC) J. Meek ASO(Band) E. Area

jucaljess@ntlworld.com

CPO (SCC) D. Hawkins ASO(Band) S.W. Area

damienhawkins@hotmail.co.uk

NATIONAL TRAINING TEAM

Sub. Lt. (SCC) S. Louch RNR DSO(Band) West Kent

stephenlouch@hotmail.co.uk /
stevelouch@hts.army.mod.uk

CPO (SCC) M. Wilkins S. Area

markwilko@sky.com

CPO (SCC) K. Hare E. Area

kim.hare@hotmail.co.uk

PO (SCC) D. Louch S.W. Area

d.louch@btinternet.com