Five Pieces

for Trumpet and Vibrafone

comissioned by the International Trumpet Guild

by
Markus Stockhausen

Version for C Trumpet

Aktivraum Musikverlag
Five Pieces
for Trumpet and Vibrafone
comissioned by the International Trumpet Guild

by
Markus Stockhausen

Version for C Trumpet

World premiere on May 27, 2011 at the International Trumpet Guild convention
in Mineapolis, USA
Performed by Marty Hodel (trumpet) and Dave Hagedorn (vibraphone)
 Five Pieces for Trumpet and Vibrafone
comissioned by the International Trumpet Guild

� = 90
1. Fiore Markus Stockhausen
September 2010

� � � � � �� � �� �� � � � � �� �
Trumpet in C �
�� � � � � �
��
�� � �� ���� �� ���� � ��
�� � � � ��� � �� � � � ����
��
Vibrafone

��
�
�� � � �
� � �� �� �� �� ��
�
�
Tp. � � � �� �� � � �
� �
� �� � � �� � � �� � � �� � � ���� �� �� ��
� � �� � �
� �� � � ��� � � � � �
�� � � ��� �
Vibr.
� � �
�

��� �� � � � � � �� � �� �� �
��
�� � � �
� ���
Tp. � � �
� �
��� �� � �� �� � ��
Vibr.
� � ��� �� ���� �� ��� ��
�� �
� ��� � �� � � � � ��

� � �� � � � � � � ��� �
�
��

Tp. � � � �� �� �
� � � �
�
��
�� � � �� � � � � � ��
� ���� �� �� �� �� ��
Vibr.
�� �� �
� � � �� ��
� � �� �

� �� � � �� � �� � �
��
� � �� � � �� � �� �
Tp. � � �
� �
�� � � �� �
� ���� � ��
� �
�� � � � � ���� � �
� � � ���� � �� ��
� ���
Vibr.
�
Copyright © Aktivraum-Musikverlag, Cologne, Germany
© copyright 2012 Aktivraum Musikverlag • Köln ISMN: M-700233-35-8
2

2. Judan
33 q = 126

 
                     
Tp.

f

 

                     
Vibr.

f
35

    
                       
Tp.

Vibr.
                               
37

    
                   
Tp.

                
      
Vibr.

39

   
                       
Tp.

                     
  
Vibr.
 
41

Tp.                                       

                            
Vibr.
     
      

             
44

              

Tp.

                   

Vibr.   
       
 46 3

                     
  
   
  
Tp.

      

Vibr. 
                        

48


                      
Tp.

   
                  
Vibr.
 
50
    

       
Tp.                 
   
  
        
               
Vibr. 
 

          
53

                  
Tp. 

Vibr.
      
   

    
  

55
         
Tp.         
         

        
     
     

            
Vibr.

           
57

Tp.  
        
    
               
    
Vibr.     
 
4 58
Tp.

        

Vibr.
            
      
    
  
      
     
59

     
Tp.              

Vibr.
                   
               
60
   
Tp.        

      
   
           
         
Vibr.

61
   
Tp.                     

      
  


    
      
    
    
Vibr.

               
62

   
Tp.      

     
 




           
         
Vibr.

  
          
63

Tp.     

               
                  
Vibr.
 
      

64

Tp.         
                 
Vibr.
 
 
              

       
65 5

             
Tp. 

     
  
Vibr.   
      
          
  
  
66

         
Tp.             


        
   
Vibr.                    
    

   
   

 
67

Tp.         
 
 
      

  
     


 
Vibr.

68
        
Tp.          
     
           

Vibr.                       
  

69

  
                      
Tp.


 

                       
Vibr.

71

    
                       
Tp.

Vibr.
                               
73

    
                   
Tp.

               
Vibr. 
       
6
75

       
Tp.
    
           

                   
  
Vibr.
 
77

Tp.                        

Vibr.
          
  
    

           
79

Tp.                   


  
      
Vibr.
    

81

                            

Tp.


Vibr.
                
    

83

     
Tp.

                      

                          

Vibr.



    
85

Tp.        
   
                
       
          

Vibr.          
     
 7

q = 67
3. Shalom

88 change to flugelhorn (or trumpet with a warm mute)

Tp.            
p

Vibr.
   
 
 

 

 

 

  



     
p


95

   
5
   
    
3
Tp.     

   
    
    
    
Vibr.
   

    
 
100

    
3

         
Tp.
 
3

      
Vibr.
  
   
   


   
105 
Tp.             
 

3
 
     
    
Vibr.
      

  
  
110

 
3
 
    
 
Tp.
3
f

 
 
  
  
  

 
Vibr.


          
114

 
Tp.  
   
Vibr.
 
  

 

 


8
118

Tp.         

p

 
     

    
Vibr.
   
122
 
Tp.        
 
      
Vibr.
           
     

q = 144
4. Challenge
  

     
127 back to open trumpet
   
Tp.  
       

          

       

mf
Vibr.       
mf

131
  3          
Tp.                 
 
3


Vibr.        
         
3

 

                      
135
  
Tp.     
3

         
   
      
Vibr.
   
140
 
Tp.                  
  
Vibr.
  
              
              
   
9


143

        
Tp.             
f
  
  
Vibr.   

           
  
       
 

  
146

                  
Tp.     
         
mf
  
       
 
Vibr.            
     
   
       
   

  
Tp.   
  
149
   
  
gliss.


  

       
f

  

Vibr.     
       

   
152
   


Tp.     
         
 
           
3

   

Vibr.    
 

       
   
 

         
    3
 
mf

156
          
Tp.            
mf
                        
               
 
Vibr.               
     

       3  
161
            
Tp.      

 
   
3

             

 
   
Vibr.            
10


165
   

3

         
3
Tp.   
         


3
   

Vibr.        
        
          

   
     
168
           
Tp.      


  

   
f

        

Vibr.   
       
  
 
171
     
Tp.           
3
ff
   
       
 
          

Vibr.         
         3

mf

    
176
        
Tp.            

  
mf

          

   
Vibr.
       
     
 

  
180

       
                

Tp.
pp 3

                 

    
mf
 
Vibr.
  
 

 
pp 3
mf

184
      
Tp.                
f

        

   
Vibr.
      
     
    
 
  
11
188
             
Tp.                     
   



   
     
Vibr.              
       
 
191
             
Tp.             

           

  
 
Vibr.     
 

         

    
195

    
Tp.  
         
mf
           
Vibr.
    

198

        
3

3
Tp.      

                  
    
Vibr.

 
       
200
 
                 
   
Tp.
3
3
f


          
3

Vibr.
                    
   


3

     
203
gliss.
 
  

Tp.

     
ff

      
          

Vibr.       
12

5. Yampi

205 q = 132 easy going ...

Tp.    
  


  3  3  3  3   3  3  3  3  3  3  

3
Vibr.                  
       
mf

207

Tp.    
  

3 
       3 
   

3
     
3 3 3 3 3 3 3 3
Vibr.     
              


    
209

3

      
3 3
Tp.    
mf
3 
       3 
 

3
        
3 3 3 3 3 3 3 3
Vibr.    
 
             


3 
     
211
      
3 3 3

             
3 3 3 3
Tp.

   
     
   3   

3 3
 
3 3 3 3 3 3 3 3
Vibr.             
       

213
                
      
Tp.
 3
 3
3 3 3
 3    
3

  3   3   3   
         

3 3 3 3 3 3 3
    
       
Vibr.
      
 13
215
     
  
Tp.                         

3 3 3 3 3 3 3 3 3 3

3  3  3  3  3  3
       

       
3 3 3 3 3 3
Vibr.            
             

          

217
    
Tp.  

3 3 3 3

 3 3  3 3  3 


        



3 3

          
3 3 3 3
Vibr.   
 
      
219

       
3
Tp. 
3  3 
              

3 3 3 3 3 3 3 3 3
Vibr.  
              

                 
221

Tp.         
3 3 3 3 3 3 3

   3   3    3   3    


3 3 3 3 3 3 3
Vibr.   
              

  3        3   3  
223 3
   
3 3
Tp.        
3  3  3 3  3 
    

         
3 3 3 3 3 3
Vibr.  
                
          

   3                  
 
225 3
 
3 3 3 3
3 3 3
Tp.         
3  3  3  3  3 
    

Vibr.    
3
  
3
   
3
 3
 
3
 
3
   
                
14
   
227
      
                
3
 
Tp.

3 3 3 3 3 3 3 3 3

3  3
                

3 3 3 3 3 3 3 3 3 3 3 3
Vibr.  
              

 
 
 
229  
2.x 8va ad. lib.
repeat ad lib.
   

Tp.    

 

3 3
 
 repeat ad lib.
 
 
        
3 3 3
      
3 3
Vibr.   
3

  
230

Tp.    
 
3

3  3 3  3 3  3  3  3 3  3
         

Vibr.  
3
        3

     
                   3
3   3  
232
          
       
3
     
3 3 3
Tp.  
3 3
3  3  3 3  3  3  3  3
         

Vibr.  
3
       
3 3 3

                  3
234
 3      3  
   
        
3
Tp.     

3 3 3 3

3  3 3  3
     
 3  3 
         

3 33 3 3 3 3
Vibr.    
                  
  
      
236

   
3
  3

3 3
   
     
Tp.
 
  
3 3 3

   
3

          

Vibr.   
         
3
3 3 3 3
3 3 3

From Markus Stockhausen also available:
Noten: CDs:
MODULES für großes Jazzensemble und einen Solisten, 1997 Kürzlich erschienen:

CHRISTUS für Chor und Trommel, 1998

THE GOLDEN LIGHT für Trompetenquartett und Chor, 1999 ETERNAL VOYAGE
Markus Stockhausen (Trompete, Leitung)
TARA für Bassetthorn Solo, 2001 Tara Bouman (Klarinette)
Florian Weber (Piano)
(auch auf der CD CONTEMPORARY. mit Tara Bouman)
Rabih Lahoud (Gesang)
CHORAL für Jazztrio, Blechbläser und Streichorchester, 2002 Dinesh Mishra (Bansuri Flöte)
Dimitrios Dorian Kokiousis (Perkussion)
SEHNSUCHT für Jazztrio und Orchester, 2002
OLIVERS ABENTEUER
VORSPIEL und INSELN für Violine Solo, 2002 für Kinderorchester und Kinderchor
(CD und DVD)
ASCENT AND PAUSE für Trompete und Streichorchester, 2003 Mit Kindern der Rheinischen Musikschule Köln
und Kölner Grundschulen
SONNENAUFGANG für Jazztrio und Orchester, 2003
SYMPHONIC COLOURS
PORTRAIT FOR TARA für Bassetthorn und Ensemble, 2003 Kompositionen von Markus Stockhausen
(kann auch mit größerer Streicherbesetzung aufgeführt Markus Stockhausen (Trompeten)
werden) Tara Bouman (Klarinetten)
Arild Andersen (Bass)
ANY WAY für Jazztrompete und Ensemble, 2005 Patrice Héral (Schlagzeug)
MINIATUR einer Seelenreise für Flügelhorn (Trompete) Deutsche Radiophilharmonie
und 12 Celli, 2006 (auch auf der CD ANGEL DANCES mit Saarbrücken - Kaiserslautern
Markus Stockhausen und den 12 Cellisten der Berliner unter Christoph Poppen
Philharmoniker) Camerata Bern
Swiss Jazz Orchestra
MINIATUR einer Seelenreise; Version für Flügelhorn (Trompete) Eine Co-Produktion mit dem
und Streichquintett, 2006 Saarländischen Rundfunk
(DRP Saarbrücken Kaiserslautern)
ABENDGLÜHEN für Solotrompete und Posaunenchöre, 2007
SYMBIOSIS - Werke von Markus Stockhausen
TANZENDES LICHT für Solotrompete, Big Band und Markus Stockhausen (Trompeten)
Streichorchester, 2007 Tara Bouman (Klarinette)
Deutsche Kammerkademie Neuss am Rhein
OLIVERS ABENTEUER für Kinderorchester, 2009
unter Lavard Skou Larsen
GeZEITen für viele, viele Bläser, Sänger, Akkordeons Eine Co-Produktion mit dem Westdeutschen
und ein Typhon, 2011 Rundfunk, Köln

YIN und YANG für Big Band, Streichorchester und Holzbläser, 2011

KONZERT für Solotrompete, Harfe und Akkordeonorchester, 2012 weitere Informationen finden Sie auf
www.markusstockhausen.de

Alle Werke: www.aktivraumverlag.de

Five Pieces

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for Trumpet and Vibrafone
comissioned by the International Trumpet Guild
by
Markus Stockhausen
www.markusstockhausen.de

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