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Main ideas restoration and Reuse potentials contemporary strategy related to - unexplored The role of mobile sounds, smells How the C19 “Participatory Social impacts of
scientific solutions additions the socio-cultural themes in the media and sights pandemic agenda” – trend museums on people
character exhibition impacted the that repurposes
- how visitors functioning of the art museum
access works of art art museums
in the world
Reuse object wasteland industry Industrial heritage Historical building abandoned exhibition Museums, arts, museums museums museums museums
industrial buildings heritage

The capacity of the factory area Abandoned Innovative building The outside AR can enrich visitor The sensory the rise of each museum, along
reuse building which has low industrial sites have materials are used in interventions as experience by museum: participatory with the interests of
for museums pollution level and the potential to all sample buildings. bridges between creating curated keeping the agenda redefines their stakeholders and
superior serve a new role as (steel, glass, the institution and spaces of mobility. smell could save the purpose of funders, is unique.
geographical public spaces (art concrete, metal, the community. the feeling at the art museum
location can be galleries) for aluminum and home in the social benefits of these
transformed into neighborhood composite building extending the museum museums added a
projects that drive communities. materials) visitor’s experience valuable qualitative
economic by disrupting the and human aspect to
development such curatorial voice and stimulate leaders and
as art museums attending to these funders
gaps

Benefits of it promotes the the concept of the The fusion of people visiting
adaptive reuse development of the ignorant museum technology with the museums have
of abandoned surrounding agencies of curators, experiences that lead
buildings for art economy and makes ”museum quality” visitors, the artefacts to strengthened
galleries reasonable use of on display and the relationships, a greater
various factors gallery spaces sense of personal
available in that themselves facilitate health and wellbeing,
area. the creation of higher educational
thought and action engagement
Suitable methods through a series of
applied can help it immanent visitors developed
gain environmental, connections between greater interculture
economic and social visitor and competency
benefits. technology
previously Further considerations
unattainable. McCarthy et al. (2001):
1. Description of the
mechanisms by which
arts participation
creates benefits.
2. Specificity of the
circumstances in which
benefits accrue.
 3. Identification of the
level of arts
involvement needed to
generate benefits.
Harmony and Principle of adapting making reused similarities and By using an Embodied
principles of to local conditions industrial building contrasts stand out individual’s sense simulation
adaptive reuse stipulates is that more productive, in the relationship of familiarity or happens when
for new art designers must be supports economic between old-new acquaintance, the people response
galleries people-oriented and sustainability/ and existing-added meanings behind to both visual
start from their own cultural relevance. in terms of form, works of art can be art and physical
unique perspective, space and revealed. spaces
aiming to establish expression
urban public green
spaces that are the additions should
more suitable for a reflect the character
region of the period and the
difference between
the past and the
present should be
stated
Opportunities They had large allow the use of the Potentials for AR holds the
industrial building cultural activities potential to enrich
operations and and the transfer of by local people has visitor experiences
equipment -> a the historical arisen all around
large amount of structure to future the world opening
usable interior generations opportunities to
space, making connect with art and
them ideal to be use of technological artefacts in
turned into construction systems previously
museums and methodologies incomprehensible
to keep up with ways
today’s conditions of
building. It can stimulate
visitor interest as
curators bring life to
exhibits by providing
digital access to
archived documents,
thus enriching
otherwise silent
worlds through oral
histories,
music, or
soundscapes.

Difficulties the ever-increasing The material heritage has been “unorthodox Stakeholder and After C19,
density of the built selection, building actively challenged materials” makes management nearly 90% of
environment element to produce the feeling of perspectives of museums in
limits combinations, sustainable uses unwelcome adopting AR the world were
new development integration style and shuttered.
continuation of the may result in a Some public parts The design and
historical building series of functions of museums may evaluation of AR Pandemic
texture that are irrelevant not reopen after systems in museums restrictions
closing for COVID-
 to the historic and 19, so all the the limited nature of force
cultural past and preparations for research on AR and museums to
that are unique to reopening will take visitor experience. consider ways
the industrial place outside of of reaching
heritage site. the museum. and serving
their publics
Methods of Methods: finding potentials: Modular it becomes a major Inserting sound to Nina Simon’s
restoration and 1. Overall and it is critical to fill applications landscape related engage senses and conception of the
redevelopment selective the document gaps problem enhace the participatory
abandoned preservation based in industrial Historical buildings viewer’s cultural
lands on the principle of heritage building can meet demands interweaving local experience institution (Simon
preserving style and assets of users by making resources with the 2010, III) to
features of industrial contemporary physical industrial consider what
sites. + components Methods: additions in the heritage properties kinds of
2. Treatment of 1. How can the context of adaptive and creative experiences in
surface relics: traces historical/heritage reuse, as preserving industry to specific
are protected to significance of their current state promote the museums.
form a unique factories be and function sustainable and
landscape recognized? creative life of the
3. Waste utilization 2. Toolkit Design change and industrial heritage.
and pollution Methodology transformation
treatment: can be processes occur with
reused if not cause the combination of
further pollution; technical and
materials polluting aesthetic parameters
the environment can
be recycled through
technical treatment
methods.
4. Soil testing:
transfer the most
severely polluted
soil. Targeted
remediation can be
carried out, forming
a harmonious
ecosystem, using
different treatment
methods to achieve
good soil planting
status
Author’s The author proposes A significant part of contributing to the Sustainable Interventions can the proliferation Humans still
opinions two genetic industrial heritage potential of the environmental signify art outside of the development need museums
algorithms: is its ability to region, preserving development of the traditional and adoption of in the digital age
- CF-T improves connect the past the original should be the basic spaces of galleries technology and because of the
traditional system industrial era to the character of the consideration. and museums and digital solutions is quality of the
filtering algorithm present through its historical building in the community increasingly central experience.
and the definition of historic built and not destroy the building design, as a “social to the
similarity between environment and original building landscape design collaborative arts and heritage
users and industrial technology. texture and urban design event” that allows sector
scenic spots must bring for both reflection
As the together to deliver and participation
- the URT-R is based interpretation of the a more intergrated,
on random walks, old building in mind skilled and “all the senses
 combining users’ so that it can be effective design provide portals to
long-term and short- distinguished from process engagement with
term preferences -> the original art”
Top N most suitable the involvement of
for users at the communities is
current time crucial
Visitor’s People start to agree Skateholder The designer needs Visitor's discussions Each museum Visits to the
opinions that successful reuse analysis: to act in accordance in museums mainly space has its museum are
of industrial waste Those who are with international revolve around signature that closely
land from the knowledgeable agreements, aspects of can be connected to the
historical value of and interested are declarations and community identified visitors’
buildings is a way to not in power, and regulations in the engagement. through specific educational and
maintain people’s those in power are field of architectural sensory cultural
experience of the neither interested conservation in all experience. background.
historical nor aware of interventions.
characteristics of industrial building
cities reuse potential