HARMONIC VOCABULARY

Tension and Release - V7 to Imaj7 (1ª & 2ª position)

*Keeping the same melody on the second string*
By Isaac Negrene
Mixolydian
C7M/G F/G C7M/G C7M/G

1 2 3 4

1 1 1 (1)
4 2 4 (4)
2 3 2 (2)
3 3 3 (3)

Mixolydian
C7M9(no5) Dm/G C7M9(no5) C7M9(no5)

5 6 7 8

3 3 3 (3)
4 2 4 (4)
2 3 2 (2)
3 3 (3)
3

Mixolydian
C7M F7M/G C7M C7M

9 10 11 12

5 5 5 (5)
4 2 4 (4)
5 3 5 (5)
3 3 (3)
3

Phrygian
C7M/G Fm/G C7M/G C7M/G

13 14 15 16

1 1 1 (1)
4 1 4 (4)
2 3 2 (2)
3 3 3 (3)

1/4
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 Phrygian
C7M9(no5) Gsus4(  9) C7M9(no5) C7M9(no5)
3

17 18 19 20

3 3 3 (3)
4 5 4 (4)
2 6 2 (2)
3 3 (3)
3

Phrygian
C7M Fm7M/G C7M C7M

21 22 23 24

5 5 5 (5)
4 1 4 (4)
5 3 5 (5)
3 3 (3)
3

Phrygian
C7M9(no5) Fm6(no5)/G C7M C7M
5 6 5 5

25 26 27 28

5 6 5 (5)
7 7 5 (5)
9 6 9 (9)
10
8 8 (8)

Phrygian
Gadd11(no5)/C Dsus4(  5)/G Gadd11(no5)/C Gadd11(no5)/C
5 6 5 5

29 30 31 32

8 8 8 (8)
5 7 5 (5)
9 6 9 (9)
10
8 8 (8)

2/4
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 Mixo b13 (9)
Esus4/C Gsus2(  5) Esus4/C Esus4/C
8 7 8 8

33 34 35 36

10 10 10 (10)
9 8 9 (9)
9 7 9 (9)
10
8 8 (8)

Altered

G/C G G/C G/C
8 10 8 8

37 38 39 40

12 12 12 (12)
12 12 12 (12)
12 13 12 (12)
10
8 8 (8)

Phrygian
Am/C Fm7/G Am/C Am/C
5 6 5 5

41 42 43 44

5 6 5 (5)
5 8 5 (5)
7 6 7 (7)
10
8 8 (8)

Phrygian
C6 E(no5)/G C6 C6
7 6 7 7

45 46 47 48

8 8 8 (8)
9 9 9 (9)
7 6 7 (7)
10
8 8 (8)

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 Altered
Am/C B7/G Am/C Am/C
8 8 8 8

49 50 51 52

10 10 10 (10)
9 8 9 (9)
10 9 10 (10)
10
8 8 (8)

Altered
G/C G7(  5) G/C G/C
8 10 8 8

53 54 55 56

12 12 12 (12)
10
12 13 12 (12)
10 10 10 (10)
8 8 (8)

4/4
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