0% found this document useful (0 votes)
577 views8 pages

No More Night Arr - Camp Kirkland

Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
577 views8 pages

No More Night Arr - Camp Kirkland

Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 8

No More Night


Words and Music by

 
Transcribed by WALT HARRAH


Samuel Silva Arr. by: Camp Kirkland

       
 
 = 84


  

 

       
L.h.
Piano


  

    
      


  

        
5

     

            
  
9  11


   
The time less theme, earth and heav en will

      
     
      
Fsus4/E♭ F /E♭ E♭2
/E♭ F

    
     
  

 
         
  
13

 


pass a way It's not a dream. God will make all things

        
       
   
 
B♭2/D E♭2 B♭2/D Fsus4/E♭ F /E♭ E♭2
/E♭ F


         
 
17  
2

          
19

         
new that day. Gone is the curse from which I

 



     
       
     
B♭2/D B♭ /D E♭2 B♭2/D B♭2/F G♭maj7

   
   
   
 
    
     
 
21    
           

              
stum bled and fell e vil is ban ished to

   



          
      
B♭2/F F7sus4 B♭2/F G♭maj7

            
       
  
      
 
25   
   

   

        
e ter nal hell.



         
              
B♭2/F E♭ /F Fsus4 F E♭ /F F

   
    
       
      
28  
3

    
    

        
 
No more night no more pain

 


         

       
B♭ E♭ /B♭ F /B♭ E♭ /B♭ B♭ F /A

         
  
  
         

         
32  
   

      
 
  
       
 
no more tears nev er cry ing a gain

 
 


      
      
            
Gm Cm7 Cm7/F F Fsus4/G F /A

 
   
   
      
     
  
36 
          

        
Prais es to the great "I am" we will

        
Prais es



   

    
     
 
        
    
B♭ B♭ /D E♭ C /E F E♭ /F F /E♭

   
 

          
         
 
40  
4

        
2nd time to Coda 

 

 en
       
     
live in the light of the ris Lamb.

 
 


2nd time to Coda 

     

    
 
         
    
B♭ /D Cm7 F7sus4 F7 B♭sus4


   
      
      
    
44    
    
47 

  
           
Hal



  
            
See all a round now the


          
B♭ B♭sus4 B♭2 Fsus4

 
    
  

    
      
     
      
48

    
        
le lu jah! Hal

  


na tions bow down to sing. The on ly sound is the

      
          
  
F /E♭ Fsus4/E♭ F /E♭ B♭ /D E♭2 B♭ Fsus4

   
      
  
     
52     
5

        
55

           

le lu jah Slow ly the


prais es to Christ our King.

  
            
   
         
F /E♭ Fsus4/E♭ F /E♭ B♭ /D E♭ B♭ G♭maj7

 

     
    
    
    
56 
          

           
names from the book are read; I know the


 
                      
               
B♭ /F


G♭maj7

  
 
   
          
          
60 
       

   
D.S. al Coda

        
   
King, there's no need to dread.


need to dread.

         
D.S. al Coda

    

 
 
  
         
B♭ /F E♭ /F Fsus4 F E♭ /F F

  
     
            
            
   
6
 CODA
             
 
64
66

       
       
Lamb. See o ver there, it's a man sion pre



 CODA
   
         

              
  
B♭sus4 B♭ Fsus4 F /E♭ B♭ /D F

    
       
          
       
      

68  
             
 

    
    
     
pared for me where I can live with my sav ior e


 


           
       


 
        

B♭sus4 B♭ F /A E♭6/G Fsus4 F /E♭ B♭ /D F

   

     
     
     
      
72      
 

    
 
 
cresc. 74 a tempo 

         
  
ter nal ly No more night,

   


             

                       
 
Gsus4 G Gsus4/A G /B C F /C

 
    
           
 a tempo

   
cresc.

    
rit.

     
76    
7

        
  

     
   
no more pain, no more tears, nev er

  


   

              
      
G /C F /C C G /B Am Dm7

     
    
        
          

80 
         
82

   
    
cry ing a gain Prais es to the

   
Prais es

 


      C 
        

    
     
Dm7/G G F /A G /B C /E F

  
 
   
        
    
     
84        
     

         
     
great "I Am" we will live in the light of the



        
   
               
D /F♯ G F /G G /F C /E Dm

 
   
        


     
88  
8

           
 
91

   
        
ris sen Lamb, We, will live in the light of the

  


 D9  
                   
 
        
F /C E7/G♯ Am C /G Dm7/G

     

 
    
    
        
           
93      
     
95

      
  
ris en Lamb. Hal le

 


    
       
                     
F /G G C A♭ /C F /C


   
                  
                  

98        

 

 
 

           
 
lu jah to the ris en Lamb.



    
    
          
C D♭ /C E♭ /C D♭ /C E♭ /C C

         
    
  
               
rit.

 
               

You might also like

pFad - Phonifier reborn

Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


Alternative Proxies:

Alternative Proxy

pFad Proxy

pFad v3 Proxy

pFad v4 Proxy