Technical Specifications Audio Content Creation | Podcasting | Live-Streaming | Recording

Aux output: 6.3-mm TRS, balanced, Nom. output level –2 dBu, Max.
Mixcast 4 output level +16 dBu | Phones output 1/2: 6.3-mm stereo phone jack, DR-05X
Max. output power 45 mW + 45 mW (at 32 Ω) | Footswitch connector:
Recording media: SD cards (64 MB – 2 GB), SDHC cards (4–32 GB), Number of audio channels: 2 (stereo) | Recording/playback
6.3-mm TS phone jack | Residual output noise: –103 dBu | Equivalent
SDXC cards (48–512 GB) | Recording/playback format: WAV (48 kHz, formats: WAV 44.1/48/96 kHz, 16/24 bit, MP3 44.1/48 kHz,
input noise (EIN): –128 dBu | Total harmonic distortion (THD+N):
24 bit, 2-channel stereo) or 14-channel poly (BWF) | Mic inputs 1-4: 32/64/96/128/192/256/320 kbit/s | External Mic input (can provide
<0.003 % | Frequency response: 20 Hz to 20 kHz, +0.1/–0.15 dB |
XLR/TRS combo jacks, Max. input level +10 dBu, Nom. input level plug-in power): 3.5-mm stereo mini jack | Headphones / Line out-
Channel crosstalk: 95 dB | Max. gain: 74 dB (MIC to MAIN OUT) | Power
−10 dBu | Headset input (TRRS, CTIA standard): 3.5-mm, 4-pole put: 3.5-mm stereo mini jack | Built-in loudspeaker: 0.3 W (mono)
supply: Tascam AC adapter (included) | Power consumption: 16 W
mini jack, Max. input level +4 dBV, Nom. input level −16 dBV | Line | Frequency response: 20 Hz – 20 kHz +0/−1 dB, 20 Hz – 40 kHz
| Dimensions (W × D × H, overall): 343 mm × 360 mm × 99 mm |
input (TRRS, CTIA standard): 3.5-mm, 4-pole mini jack, Max. input +0/−1.5 dB (Fs 96 kHz) | Total harmonic distortion: ≤0.01 % |
Weight: 4.3 kg
level +8 dBV, Nom. input level −12 dBV | Line inputs L/R (balanced): S/N ratio: ≥94 dB | Power requirements: 2 AA batteries (alkaline
6.3-mm standard TRS jacks, Max. input level +24 dBu, Nom. input or NiMH), USB bus power from a computer, AC adapter (Tascam
level +4 dBu | Phones outputs 1-4: 6.3-mm standard stereo jacks,
Max. output power 45 mW + 45 mW | Headset output (TRRS): 3.5- US-HR Series PS-P520U, sold separately) | Power consumption: 1.7 W (maximum)
| Dimensions (W × H × D): 61 mm × 141 mm × 26 mm | Weight: 116
mm, 4-pole mini jack | Line output (TRRS, CTIA standard): 3.5-mm, US-4x4HR Sampling frequencies: 44.1/48/88.2/96/176.4/192 kHz g (without batteries)
4-pole mini jack, Max. output level −25 dBu, Nom. output level −45 | Quantization bit depth: 24-bit | Mic inputs (balanced): 4 × XLR-
dBu | Monitor output L/R (balanced): 6.3-mm standard TRS jacks, 3-31 equivalent, Nom. input level –7 dBu, Max. input level +9 dBu
Max. output level +20 dBu, Nom. output level 0 dBu | Line output: | Instrument inputs (unbalanced): 4 × 6.3-mm standard TS stereo TM-250U
3.5-mm stereo mini jack Max. output level +6 dBV, Nom. output jacks, Nom. input level –6 dBV, Max. input level +10 dBV | Line
level −14 dBV | USB connector: USB Type-C connector | Equivalent Transducer: High-quality condenser capsule, Supercardioid direc-
inputs (balanced): 4 × 6.3-mm standard TRS stereo jack, Nom. input
input noise (mic inputs): ≤−125 dBu | Frequency response (mic tional pattern | USB connector: USB Type C receptacle | Frequency
level +4 dBu, Max. input level +20 dBu | Line outputs (balanced):
inputs 1–4): 20 Hz – 20 kHz: ±0.3 dB | S/N ratio (mic inputs 1–4): response: 20 Hz – 20 kHz | Sensitivity: −32 dB (1 kHz) | Max. permis-
4 × 6.3-mm standard TRS stereo jacks, Nom. output level +4 dBu,
101 dB | Distortion (mic inputs 1–4): 0.003 % | Crosstalk: ≥95 dB sible SPL: 130 dB (1 kHz, 1 % THD) | Quantization bit depth: 16-bit |
Max. output level +20 dBu | Headphones outputs: 2 × 6.3-mm
| Supported Bluetooth profile: A2DP, Bluetooth A2DP codecs: SBC, Sampling frequencies: 44.1 kHz, 48 kHz | ADC distortion (THD+N):
standard stereo jack, Max. output power 45 mW + 45 mW | MIDI IN/
AAC, Bluetooth A2DP content protection: SCMS-T | Power supply: 0.01 % | ADC S/N ratio: 89 dB | ADC Dynamic range: 89 dB | DAC
OUT connectors: 5-pin DIN | USB connector: 4-pin USB Type C | Mic
Dedicated AC adapter (PS-P1220E NUT, DC 12 V) | Power consump- distortion (THD+N): 0.005 % | DAC S/N ratio: 96 dB | DAC Dynamic
amp EIN (equivalent input noise): ≤−128 dBu | Frequency response:
tion: 12.5 W (maximum) | Weight: 2.55 kg | Dimensions (W × H × D): range: 93 dB | Power supply: DC 5 V via USB connection | External
20 Hz – 40 kHz, +0 dB/−0.4 dB (96 kHz) | S/N ratio: 110 dB (MIC
375 mm × 57 mm × 264 mm (excluding protrusions) dimensions (Ø × L): 65 mm × 204 mm | Weight: 439 g
input), 108 dB (LINE input) | Distortion (THD+N): 0.0013 % (MIC
IN), 0.0011 % (LINE IN) | Crosstalk attenuation: ≥95 dB | Power sup-
ply: USB bus power or dedicated AC adapter | Power consumption:
MiNiSTUDIO US-42B 2.25 W | External dimensions (W × H × D, including protrusions): TM-70
296 mm × 65 mm × 160 mm | Weight: 1.6 kg
Sampling frequencies: 44.1/48/88.2/96 kHz, Quantization bit depth: Transducer type: Dynamic | Polar pattern: Supercardioid | Frequency
16/24 bit | Mic inputs 1/2 (balanced): XLR-3-31 or 6.3-mm standard response: 30 Hz to 20 kHz | Sensitivity: –51 dB ±3 dB | Output
impedance: 250 Ω | Output connector: 3-pin XLR | Dimensions (L ×
TRS stereo jack, Min. input level −65 dBu, Nom. input level −20 dBu
| Instrument inputs 1/2 (unbalanced): 6.3mm standard TS jacks, Portacapture X8 Ø): 154 mm × 47 mm | Weight: 285 g | Included items: Suspension
Max. gain 45 dB | External mic inputs (can provide plug-in power): shock-mount, tabletop stand, cable
Recording/playback formats: WAV (BWF) 44.1/48/96/192 kHz, 16/24
3.5-mm 4-pole mini jack or 3.5-mm mini jack, Max. gain 45 dB | bit or 32 bit float, MP3 44.1/48kHz, 128/192/256/320 kbit/s | Input

All You Need for Successful Audio Content

External input jack: 3.5-mm stereo mini jack, Max. input level +7.7 channels: 6 (maximum) | Recording tracks: 8 (6 tracks + stereo
dB | Line outputs L/R (unbalanced): RCA pin jacks, Max. output level mix) | Mic inputs 3–6 (balanced): XLR-3-31 / 6.3-mm TRS, Max.
+6 dBu | Headphones outputs: Standard 6.3-mm stereo jack or input level +2 dBu, Minimum input level −75 dBu | Line inputs
3.5-mm 4-pole mini jack or 3.5-mm stereo mini jack, Max. output 3–6 (balanced): XLR-3-31 / 6.3-mm TRS, Max. input level +24 dBu,

© 2022 TEAC Corporation / TEAC Europe GmbH. All rights reserved. All specifications are subject to change without n­ otice.
power 15 mW + 15 mW | USB connector: 4-pin USB Type B | Power

Make the Most

Minimum input level −53 dBu | Mic inputs 1/2 (unbalanced): 3.5-
supply (DC IN 5V): USB Type Micro B | Mic preamp EIN (equivalent mm mini jacks (support plug-in power), Max. input level +1 dBV,
input noise): −120 dBu or less | Frequency response: 20 Hz – 40 kHz Minimum input level −69 dBV | Line input (EXT IN, unbalanced):
+0/−1 dB | S/N ratio: 100 dB or higher | Distortion: 0.005 % or less | 3.5-mm stereo mini jack, Max. input level +10 dBV, Minimum
Crosstalk attenuation: 95 dB or more | Power supply: USB bus power

Out of Your Natural Talents

input level −48 dBV | Line output (LINE OUT, unbalanced): 3.5-mm
or USB power adapter or External battery pack | Power consumption: stereo mini jack, Nom. output level −14 dBV, Max. output level +6
2.5 W | Dimensions (H × W × D, without protrusions): 40 mm × dBV | Headphones output: 3.5-mm stereo mini jack, Max. output
200 mm × 130 mm | Weight: 500 g power 45 mW + 45 mW (THD+N: ≤0.1%, 32 Ω load) | USB port: USB
Type-C connector | Frequency response: Fs 48 kHz: 20 Hz – 20 kHz,
+0/−0.3 dB, Fs 192 kHz, 20 Hz – 60 kHz, +0.5/–2.5 dB | S/N ratio
Model 12 (20 kHz SPCL LPF, A-weighted): Inputs 1–2 (48 kHz) 101 dB, Inputs

Recordable audio channels: 12 max. (10 inputs + stereo mix) | Rec

3–6, EXT IN (48 kHz) 102 dB | Total harmonic distortion (THD+N):
Inputs 1–2 0.005 %, Inputs 3–6 (LINE IN) 0.008 %, Inputs 3–6 (MIC
Tascam offers you a whole range of ways
to sound like a professional radio host
file format: WAV (BWF, maximum file size: 2 GB) | Playback formats:
IN) 0.006 %, EXT IN 0.006 %, LINE OUT 0.007 % | Power supply: 4
WAV (BWF) | Sampling frequencies: 44.1/48 kHz | Bit depth: 16/24 bit |
AA batteries (alkaline, Ni-MH or lithium-ion), USB bus power from a
Microphone inputs (CH 1–6, 7/8, 9/10): XLR-3-31, balanced, Max. input
level +10 dBu, Nom. input level –8 dBu | Line inputs (CH 1–10): 6.3-
computer, AC adapter (TASCAM PS-P520U, sold separately) | Power
consumption: 7.5 W (maximum) | Display: 3.5-inch full-colour LCD and use techniques that are usually only available
mm TRS phone jack, balanced, Max. input level +22 dBu, Nom. input
in broadcast studios – from simple to luxurious,
touchscreen | Dimensions (W × H × D): 77 mm × 40 mm × 206
level +4 dBu | Instrument inputs (CH 1–6, 7, 9): 6.3-mm TS phone
mm (excluding protrusions) | Weight: 472 g (with batteries), 381 g
jack, unbalanced, Nom. input level –4.2 dBV, Max. input level +13.8
(without batteries)
dBV | Inserts (CH 1–2): 6.3-mm TRS phone jack | Music/Talk input (CH
9/10): 3.5-mm TRRS mini jack, unbalanced, Max. input level +8 dBV,
yet always very easy to use.
Nom. input level –10 dBV | Main output: XLR-3-32, balanced | Sub/

Distribution: TEAC UK Limited TEAC CORPORATION

TASCAM Division  |  TEAC Europe GmbH 300 South Row | Milton Keynes | Buckinghamshire, MK9 2FR | UK 1-47 Ochiai | Tama-shi | Tokyo 206-8530 | Japan
Bahnstr. 12  |  65205 Wiesbaden  |  Germany Sales Office Tel: +44 (0) 1483 440150 Tel: +81-42-356-9143
Tel: +49 611 7158-0  |  https://tascam.de/ E-mail: peter@tascam.co.uk  |  https://tascam.eu/ https://tascam.jp/jp
 MAKE THE MOST OUT OF YOUR NATURAL TALENTS!

Podcast Audio Interface Integrated High-Resolution High-Resolution Multi-Track Handheld Audio Recorder USB Broadcasting Mic Dynamic Mic for Podcasting
Recording Console for Personal Broadcasting Production Suite USB Audio/MIDI Interface Handheld Recorder and USB Audio Interface With Headphones Output and News Gathering

Mixcast 4 MiNiSTUDIO US-42B Model 12 US-HR Series Portacapture X8 DR-05X TM-250U TM-70

Create programmes Pimp your podcast with Perfectly happy with For broadcasts with Latest technology for If you want to keep it Produce programmes Sound like a
with up to four people trigger pads and more your own studio multiple participants high-quality content simple and variable with your computer professional radio host
Audio creation made easy Effects, jingles and many more The pro variant with Model 12 US-1x2HR, US-2x2HR and Touch-operated multi-track DR-05X used as a microphone TM-250U: USB microphone Impressive voice quality with
For podcast creation, live stream- possibilities Well, you can always have wishes. US-4x4HR recording with presets with audio interface with headphones output the TM-70 microphone
ing, event production or voice This versatile two-input inter- But this compact production stu- Tascam’s high-resolution audio Thanks to its app-like operation Our best-selling handheld re- Connected directly to a PC, tablet It all starts with a good micro-
over, Mixcast 4 can mix and re- face is designed specifically for dio contains a lot of finesse that interfaces are ideal for multiple via a large colour touch screen, corder is not only ideal for great or smartphone, this mic not only phone. The TM-70 is specifically
cord mic input with background personal broadcasting and live can turn your podcast or your speakers or directly connected this field recorder can be quickly audio recordings on the go. You delivers the realistic, natural designed for use as a speech mi-
music, effect sounds and jingles streaming and comes with a lot online presentation into a profes- instruments, have a loopback adapted to the situation at hand can also connect it to a com- sound you want as a speaker in crophone and can give your voice
via trigger pads, and external au- of extras such as trigger buttons sional broadcast programme. function for feeds from the com- to record up to six signals plus a puter or iOS device and use it as a podcasts or livestreams. It also the same sound you know from
dio input from your phone, PC or for sound effects or jingles, DSP Multitrack recorder, mixer, effects puter and impress with a robust stereo mix with impressive 32-bit great-sounding microphone and comes with a headphones jack, radio broadcasts or professional
Bluetooth device. Together with processing (EQ, compressor, processor, two headphones out- metal housing and clear, natural floating point resolution and player with OBS or other stream- volume control for both and a podcasters. With its very linear
the Podcast Editor software you reverb), ducking (turns down the puts, Bluetooth … And when live sound. Simply connect it via USB, sampling rates up to 192 kHz. ing software. Best of all, you can mute button – perfect for online frequency response, it is also well
get a complete package includ- music when you speak), loop- streaming, you can even com- select it as input/output in the Built-in mixer with EQ, dynamic also use its headphone output seminars or video conferences. suited for guitar or other acoustic
ing waveform editing and multi- back, headset connection and pensate for the annoying time lag computer and off you go. A suit- processing and effects, USB mode – it offers more than the standard instruments.
track recording for all steps from much more. You can also connect between picture and sound. able microphone is, for example, and optional Bluetooth remote connections of most computers.
pre-production to completion. one or two guitars directly. the TM-70. control adapter.