so this is a Mahan great yantra which formulates a shape which appears in the form of

the Buddha sat upon the Lotus Throne or Lotus days and it is composed of sacred
geometry which are in the form of yantra with each enclosure or koad commo Yan the
knots of the yand uh each enclosure has sacred com aarat inserted within each
enclosure body of the Buddha has a continuous line and the line is we called the bones
of the entra or Gad Yan the Gad the bones uh it's made in a continuous line without
lifting the instrument from the surface you are inscribing upon at best this does not
mean you can't trace the shape first and then write it inscribe it on top once you have
created a basic structure that is also the reason for the bones of the Yan and so we will
Begin by analyzing the sacred aarat within the anantra after which we have completed
that I will make another lesson hopefully to show the method in which the method and
sequence in which one would ins describe the bones of this yandra first of all we shall
continue on to analyze the sacred K aara beginning with the head so here is the head
and this uh has two different Kata which are separate but accentuate and complete
each other and they actually come further towards the end of the compl position not
at the beginning most Ona or Buddha images as a Yan will be begun with the feet then
the body then the head
if this is so with the inscription of the bones of the santra we will get to later but in
general normally with the incantations and also with the inscription one would start
with the lowest and finish off with the highest which is the head or CN and enti we call
call the head H but if it's a Buddha or a de we call that an so it starts here with e this is
the letter e AAR it is a vowel then it goes to this vowel here which is the T it is to the at
with the it vowel this is a it vowel when it is written alone without a consonant
attached to it preceding it like the whereas this is the the t consonant and this is the
vowel symbol for the it when attached to a consonant it changes from this here to
become this here in this case the T would normally have a roof on it which I can show
you now like this the that would be like that which you can see already but then it
would have this on top yeah do it again that is a t but if you write t with it you just write
the btom bit and then you take the this symbol which is the E for using with
consonants and to touch it it should actually be rub these out should actually be like
this and the ike this that whoa sorry that's so this says D so this is again the bat which
is something like this yeah if you add the E then it has this on to it yeah so that is b and
e b this is so and we'll get into that another day so b this comes e d from and so on
Mantra then we have Ma you see the mat looks rather like the bat used in this uh
syllable B the bottom piece here it's very much like it's exactly like this piece but it has
a line going through the middle so this and this are the same but this has a line going
through the middle this is a mat aara and this is B aara so if you took this line here
which is the it and put it on here this m would become a me just as this B is a b so in
this case we have e t b so and we'll continue down as we move on M this is AAL which
is like this that is onal which means basically the onom is the crown of the head and
the yak which means The Kinks or the little knots little bends or The Kinks in the unal
are the wavering unsuri is of Life mistakes we make and here it straightens out so this
is where the practitioner uh begins to enter the path and the Stream flow of the
arahan and in the end goes totally straight which means this is beyond this point this
person's life has become path of arand so it means the Buddha basically this means
the Buddha so e d b so to be continued in further Kat below these three m means m
means ar ar the Aran the Buddha ma means the s the community of spiritual friends
means the dama that is was and always will be true and ever present and so this is
what is contained within the head the M app is normally used right at the end of the
incantation so this would as we see finish with the head and with the three syllables to
complete the incantation the next lesson we shall continue with a look at this the body
of the Buddha and so this body contains 2 3 4 five different groups of four knots which
then continue to be surrounded by a heart-shaped knot and then crossed through and
crossing over to continue the same pattern so it begins as a knot and does not end yet
does not go this way it continues this way then goes around the head and around here
and around here and around here and around here round again round again round
again and then off down below the legs which will then later come up again and
around here and here and back this way to make the final closure and there you go
and so this yantra contains the following so ending with so we'll continue on the next
piece with which would be the completion of Theon round again and then off down
below the legs which will then later come up again and around here and here and back
this way to make the final closure and there you go and so this yantra contains the
following
so ending with so we'll continue on the next piece with which would be the
completion of Theon incantation and is the missing piece which will most probably be
continued when we travel this way down to the legs don't forget up at the head we
began with it so to and so when we return to we can see that these three are the
ending and the rest of the Kat contained in a within the Yan put nit the nimita vision of
Buddha yantra which is a mahay yant and perhaps the greatest mahay yant of all yand
possibly so in my opinion contains the following katar and you can follow my cursor to
see it to this katar and this formula is contained with almost all of the greater mahayan
used in the wit mahayan and the wiad and the wi sakan of tha Buddhist and occult
practices and this is therefore for the perfect yantra to begin the online documentary
and teachings of the sakan foundation I hope this has been informative for you and I
hope to get more professional in the way I produced these tutorials and
documentaries this is a Jan Spencer for the sakan foundation and the Buddha magic
project signing off wishing you all well satle
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