1968 01 20 Rolling Stone Magazine
1968 01 20 Rolling Stone Magazine
VOL. 1, NO. 4
OUR PRICE:
TWENTY-FIVE CENTS
FLASHES:
Door Slammed For Obscene Reasons
Jim Morrison, lead singer of protest his arrest and demand
the Doors, was busted for obscen- Morrison's release.
ity in New Haven, Connecticut, New Haven police released
Morrison that night on a $1500
during a concert at the New bond, charging him with breach
Haven Arena on Saturday, De- of the peace and resisting arrest.
cember 9th. According to police He is scheduled to appear in
reports, Morrison apparently be- New Haven court on January 2.
came annoyed at the presence of Morrison's version of the ar-
rest is that he was in a backstage
numerous policemen at the con- dressing room, kissing a girl,
cert and made "obscene objec- when a policeman asked him to
tions" to them. leave. Morrison asked the cop to
In the middle of a concert do the same. A scuffle ensued,
performance, several policemen at which time the .po\i~e threw
hustled Morrison from the stage the mace gas mto the dressing
and "were forced," according to room to get Morrison out.,. •
the police, to use a kind of tear- Everything was settl!'d q4ick-
gas spray called "Mace," when ly. The performance went-on un-;
he resisted being dragged off ti! Morrison, in the song "Back
stage. Mace is the same anti-per- Door Man," changed the lyric to
sonnel spray used by Oakland tell what had happened back- .,
police during the October anti- stage. At that point police, j_4mp-
draft demonstrations. ed on stage to take him away.
Before the performance began, Reporters and photographers i
Morrison had complained to po-
lice about the very tight secur-
ity arrangements. After he was
on assignment from Life Maga-
zine were also arrested, but they
have all the pictures of the in-
CROWN PRINCE IS DEAD
roll, rock and soul or whatever
-Continued from Page 1
arrested, about twenty five fans cident which they say they in- In terms of conventional suc- it's called. Otis was a man of
arrived at police headquarters to tend to publish. cess, Otis never .made it into the music.
top twenty of the national pop 1967 was the year that the
charts; others had much greater Stax-Volt operation at Memphis
Ray Charles Sues For Six Millions success with his material. Aretha
Franklin pulled off a million sel-
replaced the Motown group in
Detroit as the major influence on
Ray Charles has filed a six mil- some help to people struggling ler with one of Otis' favoirte orig- contemporary blues. Stax-Volt is
lion dollar libel lawsuit against with similar problems all over inal compositions, "Respe c t." a tightly knit group of writers,
the Johnson Publishing Compan- the world. That accomplishment Arthur Conley also made number performers and musicians. (Otis
ies for a May 18 article in Jet is turned into nothing if the man one, with "Sweet Soul Music," a wrote "Mr. Pitiful" and "Fa-Fa-
magazine accusing Charles of who comes through it can be song Otis wrote and produced. Fa-Fa-Fa" with Steve Cropper,
paying off police officers. turned into nothing by articles In 1967 he replaced Elvis Pres- who also collaborated on "Mid-
According to Charles, his final such as this. ley as the world's top male vo- ni&ht Hour," and Cropper is the
decision to sue was reached with- 'I'm not a perfect man and I c\\list in the Melody Maker poll, gmtarist with Booker T. and the
in the past three months. "My at- don't like to judge people, but a· position Presley had held for M.G.'s, the Stax-Volt house band,
torney warned me of the terrible I don't think it's right that big eight years. the band which backed Otis at
price a person pays when he sues publications should be free to In 1967 he proved himself to the Monterey.)
in a libel action. Nobody's life is hurt people just to make money. be a master of production (he The Memphis sound was go-
perfect, and most of the imper- I'm not just an entertainer. I am had a studio at his 300-acre ranch ing to take over soul in 1968.
fections get brought out in such a husband and a father and I outside of Macon) and a writer Everyone knew it, and Otis was
a tri;II. On the other hand, when want my life to mean something whose material was not only the front man at Stax. In 1968,
I feel that something is right, I to all the people who know me, suited to himself but to the en- he was going to become "the
am going to do it, whether it's but more particularly, to may tire medium. His voice was King of them all, y'all."
painful or not. family who stuck by me through rough, but it carried with it a Otis was the Crown Prince of
"This article hurt me more all my troubles. style and a grace and an orig- Soul, and now the Crown Prince
than anything that has happened "I'll give any money I get to inality that was rare in the field is dead.
to me in a. long time. When a charity. I'm not suing anybody of rhythm and blues, rock and
man calls on his inner resources to get rich. I make enough mon-
to overcome problems that Hell
to lick, he likes to think that his
ey, but if it's lies about other peo-
ple, then maybe money is the
A SHODDY HENDRIX RECORD?
accomplishment might be of way to do it." - Continued from Page 1 the record is an unethical and
Jones' London report) in Jan- shoddy commercial trick.
uary and to which Jimi is now "We need not discuss our busi-
ness with anyone," said one top
Kooper Knocks Them Out contracted, is threatening court Capitol executive.
"The jazz musicians are the a bigger sound than I thought it action to stop sales. The LP, com- "The record's selling well and
hardest ones to please and we 're would be but it sounds great. pany executives argues, will hurl nobody is bitching but a few San
Steve Katz (f1 om the Blues the sales of their own record and Francisco types," said Venet,
knocking them out" says organ- "We're not saying it is all new
Project) is with me and we have Hendrix's growing reputation.
ist Al Kooper, formerly of the guys from the Maynard Ferguson Capitol, however, says that material and I think it is valuable
Blues Project, of his new group band, the Les Elgart band and Hendrix's contract with PPX is to have an artist's early work. If
Blood, Sweat and Tears. the Buddy Rich band and one still good and that they are on people don't like it, they won't
"The group has just signed cat who decided to go with us solid legal ground. Neither are buy it."
with Columbia and we go into rather than join Count Basie! they moved by complaints that
Wow!
the studio Monday (Dec. 11) to
record. Our first single will prob-
"After we get through record-
ing this month we hope to be
Pirate Caroline Still Afloat
ably be out in the second or third able to make a West Coast trip Three and a half months after Simultaneous with the ban-
week of January and it's called late in January or early in Feb- offshore pirate rock stations were ning, the BBC introduced Radio
"House in the Country." It's ruary." banned in Britain, Radio Caro- One, pop programming on a new
about the good things about get- Blood,°t,weat and Tears is line, always one of the top pi-
ting away m some place like Mill being pro uted for Columbia by rates, is still operating full blast wavelength. All the pirates but
Valley and how it's a good thing John Si on (who did, among from two ships. Caroline qu:d,;y w1111ereu away.
to do. other thi-ogs, "Red Rubber Ball") More mysteriously, it is turn- How lvng Caroline can keep
"The first LP will be the book "He~srfoe for us," Kooper said. ing a profit according to its man- going is moot. Station officials
we are p laying now. We've "He' not a committed producer. agement, even though it is now
worked at the Cafe Au Go Go He an lay back and tell us what say they had to borrow money to
illegal for British companies to cover losses immediately after
and at The Scene. both in New to leave in and what to take out. advertise on the station. Caroline
York, but we haven't gone on the He doesn't dig everything." runs ads for many English com- the ban, but now they insist they
road yet. The problem is the size Kooper is being managed by panies, all of whom deny that are breaking even and even mak-
of the group and the economics song-publisher Aaron Schroeder they either paid for or authorized ing a bit. Their existence is an
of it. with whom he has been asso- the ads. emliarrassment to the Labor Gov-
"We've got eight p1eces,Alt ciated as a songwriter for several But the station keeps going ernment which swore to Sl.Ilk the
two trumpets, bass. drums, i- .vears. Schroeder formerly man- The disc jockeys take their snore pirates, but a pleasure to the
tar, trombone and orga,,. I s a aged Gene Pitn~y leave m Holland, and Dutch boats fans wno find Radio One's pro•
·arry the supplies and records to grammmg depressingly unh1p
t ne broadcast ships.