Envy of Seth
Envy of Seth
Before dealing with the special varieties of the Egyptians’ belief in gods, it
is best to try to avoid a misunderstanding of their whole conception of the
supernatural. The term god has come to tacitly imply to our minds such a
highly specialised group of attributes, that we can hardly throw our ideas
back into the more remote conceptions to which we also attach the same
name. It is unfortunate that every other word for supernatural intelligences
has become debased, so that we cannot well speak of demons, devils,
ghosts, or fairies without implying a noxious or a trifling meaning, quite
unsuited to the ancient deities that were so beneficent and powerful. If
then we use the word god for such conceptions, it must always be with the
reservation that the word has now a very different meaning from what it
had to ancient minds.
To the Egyptian the gods might be mortal; even Ra, the sun-god, is said to
have grown old and feeble, Osiris was slain, and Orion, the great hunter of
the heavens, killed and ate the gods. The mortality of gods has been dwelt
on by Dr. Frazer (_Golden Bough_), and the many instances of tombs of
gods, and of the slaying of the deified man who was worshipped, all show
that immortality was not a divine attribute. Nor was there any doubt that
they might suffer while alive; one myth tells how Ra, as he walked on
earth, was bitten by a magic serpent and suffered torments. The gods
were also supposed to share in a life like that of man, not only in Egypt but
in most ancient lands. Offerings of food and drink were constantly supplied
to them, in Egypt laid upon the altars, in other lands burnt for a sweet
savour.
At Thebes the divine wife of the god, or high priestess, was the head of the
harem of concubines of the god; and similarly in Babylonia the chamber of
the god with the golden couch could only be visited by the priestess who
slept there for oracular responses.
The Egyptian gods could not be cognisant of what passed on earth without
being informed, nor could they reveal their will at a distant place except by
sending a messenger; they were as limited as the Greek gods who required
the aid of Iris to communicate one with another or with mankind. The
gods, therefore, have no divine superiority to man in conditions or
limitations; they can only be described as pre-existent, acting intelligences,
with scarcely greater powers than man might hope to gain by magic or
witchcraft of his own. This conception explains how easily the divine
merged into the human in Greek theology, and how frequently divine
ancestors occurred in family histories. (By the word ‘theology’ is designated
the knowledge about gods.)
( Animism.
( Demonology.
( Tribal Monotheism. )
( Combinations forming )
( tolerant Polytheism. )
( Jealous Monotheism. )
( Sole Monotheism. )
All of these require mention here, as more or less of each principle, both of
animism and monotheism, can be traced in the innumerable combinations
found during the six thousand years of Egyptian religion: these
combinations of beliefs being due to combinations of the races to which
they belonged.
{7}
Before we can understand what were the relations between man and the
gods we must first notice the conceptions of the nature of man. In the
prehistoric days of Egypt the position and direction of the body was
always the same in every burial, offerings of food and drink were
placed by it, figures of servants, furniture, even games, were included
in the grave. It must be concluded therefore that it was a belief in
immortality which gave rise to such a detailed ritual of the dead,
though we have no written evidence upon this.
So soon as we reach the age of documents we find on tombstones that the
person is denoted by the _khu_ between the arms of the _ka_. From
later writings it is seen that the _khu_ is applied to a spirit of man;
while the _ka_ is not the body but the activities of sense and
perception. Thus, in {8} the earliest age of documents, two entities
were believed to vitalise the body.
The _ka_ is more frequently named than any other part, as all funeral
offerings were made for the _ka_. It is said that if opportunities of
satisfaction in life were missed it is grievous to the _ka_, and that
the _ka_ must not be annoyed needlessly; hence it was more than
perception, and it included all that we might call consciousness.
Perhaps we may grasp it best as the ‘self,’ with the same variety of
meaning that we have in our own word. The _ka_ was represented as a
human being following after the man; it was born at the same time as
the man, but it persisted after death and lived in and about the tomb.
It could act and visit other _kas_ after death, but it could not resist
the least touch of physical force. It was always represented by two
upraised arms, the acting parts of the person. Beside the _ka_ of man,
all objects likewise had their _kas_, which were comparable to the
human _ka_, and among these the _ka_ lived. This view leads closely to
the world of ideas permeating the material world in later philosophy.
The _khat_ is the material body of man which was the vehicle of the
_ka_, and inhabited by the _khu_.
The _sahu_ or mummy is associated particularly with the _ba_; and the
_ba_ bird is often shown as resting on the mummy or seeking to re-enter
it.
The _khaybet_ was the shadow of a man; the importance of the shadow in
early ideas is well known.
The _sekhem_ was the force or ruling power of man, but is rarely
mentioned.
The _ab_ is the will and intentions, symbolised by the heart; often
used in phrases, such as a man being ‘in the heart of his lord,’
‘wideness of {10} heart’ for satisfaction, ‘washing of the heart’ for
giving vent to temper.
The _hati_ is the physical heart, the ‘chief’ organ of the body, also
used metaphorically.
The _ran_ is the name which was essential to man, as also to inanimate
things. Without a name nothing really existed. The knowledge of the
name gave power over its owner; a great myth turns on Isis obtaining
the name of Ra by stratagem, and thus getting the two eyes of Ra–the
sun and moon–for her son Horus. Both in ancient and modern races the
knowledge of the real name of a man is carefully guarded, and often
secondary names are used for secular purposes. It was usual for
Egyptians to have a ‘great name’ and a ‘little name’; the great name is
often compounded with that of a god or a king, and was very probably
reserved for religious purposes, as it is only found on religious and
funerary monuments.
We must not suppose by any means that all of these parts of the person
were equally important, or were believed in simultaneously. The _ka_,
_khu_, and _khat_ seem to form one group; the _ba_ and _sahu_ belong
to
another; the _ab_, _hati_, and _sekhem_ are hardly more than metaphors,
such as we commonly use; the _khaybet_ is a later idea {11} which
probably belongs to the system of animism and witchcraft, where the
shadow gave a hold upon the man. The _ran_, name, belongs partly to
the same system, but also is the germ of the later philosophy of idea.
The purpose of religion to the Egyptian was to secure the favour of the
god. There is but little trace of negative prayer to avert evils or
deprecate evil influences, but rather of positive prayer for concrete
favours. On the part of kings this is usually of the Jacob type,
offering to provide temples and services to the god in return for
material prosperity. The Egyptian was essentially self-satisfied, he
had no confession to make of sin or wrong, and had no thought of
pardon. In the judgment he boldly averred that he was free of the
forty-two sins that might prevent his entry into the kingdom of Osiris.
If he failed to establish his innocence in the weighing of his heart,
there was no other plea, but he was consumed by fire and by a
hippopotamus, and no hope remained for him.
{12}
The various beliefs of the Egyptians regarding the future life are so
distinct from each other and so incompatible, that they may be
classified into groups more readily than the theology; thus they serve
to indicate the varied sources of the religion.
The most simple form of belief was that of the continued existence of
the soul in the tomb and about the cemetery. In Upper Egypt at present
a hole is left at the top of the tomb chamber; and I have seen a woman
remove the covering of the hole, and talk down to her deceased husband.
Also funeral offerings of food and drink, and even beds, are still
placed in the tombs. A similar feeling, without any precise beliefs,
doubtless prompted the earlier forms of provision for the dead. The
soul wandered around the tomb seeking sustenance, and was fed by the
{13} goddess who dwelt in the thick sycomore trees that overshadowed
the cemetery. She is represented as pouring out drink for the _ba_ and
holding a tray of cakes for it to feed upon. In the grave we find this
belief shown by the jars of water, wine, and perhaps other liquids, the
stores of corn, the geese, haunches and heads of oxen, the cakes, and
dates, and pomegranates which were laid by the dead. In an early
king’s tomb there might be many rooms full of these offerings. There
were also the weapons for defence and for the chase, the toilet
objects, the stores of clothing, the draughtsmen, and even the
literature of papyri buried with the dead. The later form of this
system was the representation of all these offerings in sculpture and
drawing in the tomb. This modification probably belongs to the belief
in the _ka_, which could be supported by the _ka_ of the food and use
the _ka_ of the various objects, the figures of the objects being
supposed to provide the _kas_ of them. This system is entirely
complete in itself, and does not presuppose or require any theologic
connection. It might well belong to an age of simple animism, and be a
survival of that in later times.
The greatest theologic system was that of the kingdom of Osiris. This
was a counterpart of {14} the earthly life, but was reserved for the
worthy. All the dead belonged to Osiris and were brought before him
for judgment. The protest of being innocent of the forty-two sins was
made, and then the heart was weighed against truth, symbolised by the
ostrich feather, the emblem of the goddess of truth. From this
feather, the emblem of lightness, being placed against the heart in
weighing, it seems that sins were considered to weigh down the heart,
and its lightness required to be proved. Thōth, the god who
recorded the weighing, then stated that the soul left the judgment hall
true of voice with his heart and members restored to him, and that he
should follow Osiris in his kingdom. This kingdom of Osiris was at
first thought of as being in the marshlands of the delta; when these
became familiar it was transferred to Syria, and finally to the
north-east of the sky, where the Milky Way became the heavenly Nile.
The main occupation in this kingdom was agriculture, as on earth; the
souls ploughed the land, sowed the corn, and reaped the harvest of
heavenly maize, taller and fatter than any of this world. In this land
they rowed on the heavenly streams, they sat in shady arbours, and
played the games which they had loved. But the cultivation was a toil,
and {15} therefore it was to be done by numerous serfs. In the
beginning of the monarchy it seems that the servants of the king were
all buried around him to serve him in the future; from the second to
the twelfth dynasty we lose sight of this idea, and then we find slave
figures buried in the tombs. These figures were provided with the hoe
for tilling the soil, the pick for breaking the clods, a basket for
carrying the earth, a pot for watering the crops, and they were
inscribed with an order to respond for their master when he was called
on to work in the fields. In the eighteenth dynasty the figures
sometimes have actual tool models buried with them; but usually the
tools are in relief or painted on the figure. This idea continued
until the less material view of the future life arose in Greek times;
then the deceased man was said to have ‘gone to Osiris’ in such a year
of his age, but no slave figures were laid with him. This view of the
future is complete in itself, and is appropriately provided for in the tomb.
Now in all these views that we have named there is no occasion for
preserving the body. It is the _ba_ that is fed in the cemetery, not
the body. It is an immaterial body that takes part {17} in the kingdom
of Osiris, in the sky. It is an immaterial body that can accompany the
gods in the boat of the sun. There is so far no call to conserve the
body by the peculiar mummification which first appears in the early
dynasties. The dismemberment of the bones, and removal of the flesh,
which was customary in the prehistoric times, and survived down to the
fifth dynasty, would accord with any of these theories, all of which
were probably predynastic. But the careful mummifying of the body
became customary only in the third or fourth dynasty, and is therefore
later than the theories that we have noticed. The idea of thus
preserving the body seems to look forward to some later revival of it
on earth, rather than to a personal life immediately after death. The
funeral accompaniment of this view was the abundance of amulets placed
on various parts of the body to preserve it. A few amulets are found
worn on a necklace or bracelet in early times; but the full development
of the amulet system was in the twenty-sixth to thirtieth dynasties.
{20}
The worship of animals has been known in many countries; but in Egypt
it was maintained to a later pitch of civilisation than elsewhere, and
the mixture of such a primitive system with more elevated beliefs
seemed as strange to the Greek as it does to us. The original motive
was a kinship of animals with man, much like that underlying the system
of totems. Each place or tribe had its sacred species that was linked
with the tribe; the life of the species was carefully preserved,
excepting in the one example selected for worship, which after a given
time was killed and sacramentally eaten by the tribe. This was
certainly the case with the bull at Memphis and the ram at Thebes.
That it was the whole species that was sacred, at one place or another,
is shown by the penalties for killing any animal of the species, by the
wholesale burial and even mummifying of every example, and by the
plural form of {21} the names of the gods later connected with the
animals, _Heru_, hawks, _Khnumu_, rams, etc.
In the prehistoric times the serpent was sacred; figures of the coiled
serpent were hung up in the house and worn as an amulet; similarly in
historic times a figure of the agathodemon serpent was placed in a
temple of Amenhotep III at Benha. In the first dynasty the serpent was
figured in pottery, as a fender round the hearth. The hawk also
appears in many predynastic figures, large and small, both worn on the
person and carried as standards. The lion is found both in life-size
temple figures, lesser objects of worship, and personal amulets. The
scorpion was similarly honoured in the prehistoric ages.
{22}
The baboon was regarded as the emblem of Tahuti, the god of wisdom;
the
serious expression and human ways of the large baboons are an obvious
cause for their being regarded as the wisest of animals. Tahuti is
represented as a baboon from the first dynasty down to late times; and
four baboons were sacred in his temple at Hermopolis. These four
baboons were often portrayed as adoring the sun; this idea is due to
their habit of chattering at sunrise.
The bull was sacred in many places, and his worship underlay that of
the human gods, who were said to be incarnated in him. The idea is
that of the fighting power, as when the king is figured as a bull
trampling on his enemies, and the reproductive power, as in the title
of the {23} self-renewing gods, ‘bull of his mother.’ The most
renowned was the _Hapi_ or Apis bull of Memphis, in whom Ptah was said
to be incarnate, and who was Osirified and became the Osir-hapi. This
appears to have originated the great Ptolemaic god Serapis, as
certainly the mausoleum of the bulls was the Serapeum of the Greeks.
Another bull of a more massive breed was the _Ur-mer_ or Mnevis of
Heliopolis, in whom Ra was incarnate. A third bull was _Bakh_ or Bakis
of Hermonthis the incarnation of Mentu. And a fourth bull, _Ka-nub_ or
Kanobos, was worshipped at the city of that name. The cow was
identified with Hathor, who appears with cow’s ears and horns, and who
is probably the cow-goddess Ashtaroth or Istar of Asia. Isis, as
identified with Hathor, is also joined in this connection.
The ram was also worshipped as a procreative god; at Mendes in the
Delta identified with Osiris, at Herakleopolis identified with
Hershefi, at Thebes as Amon, and at the cataract as Khnumu the creator.
The association of the ram with Amon was strongly held by the
Ethiopians; and in the Greek tale of Nektanebo, the last Pharaoh,
having by magic visited Olympias and become the father of Alexander, he
came as the incarnation of Amon wearing the ram’s skin.
{24}
The hippopotamus was the goddess Ta-urt, ‘the great one,’ the patroness
of pregnancy, who is never shown in any other form. Rarely this animal
appears as the emblem of the god Set.
The jackal haunted the cemeteries on the edge of the desert, and so
came to be taken as the guardian of the dead, and identified with
Anubis, the god of departing souls. Another aspect of the jackal was
as the maker of tracks in the desert; the jackal paths are the best
guides to practicable courses, avoiding the valleys and precipices, and
so the animal was known as Up-uat, ‘the opener of ways,’ who showed the
way for the dead across the western desert. Species of dogs seem to
have been held sacred and mummified on merely the general ground of
confusion with the jackal. The ichneumon and the shrewmouse were also
held sacred, though not identified with a human god.
The hawk was the principal sacred bird, and was identified with Horus
and Ra, the sun-god. It was mainly worshipped at Edfu and
Hierakonpolis. The souls of kings were supposed to fly up to heaven in
the form of hawks, perhaps due to the kingship originating in the hawk
district in Upper Egypt. Seker, the god of the dead, appears as a
mummified hawk, and on his boat {25} are many small hawks, perhaps the
souls of kings who have joined him. The mummy hawk is also Sopdu, the
god of the east.
The vulture was the emblem of maternity, as being supposed to care
especially for her young. Hence she is identified with Mut, the mother
goddess of Thebes. The queen-mothers have vulture head-dresses; the
vulture is shown hovering over kings to protect them, and a row of
spread-out vultures are figured on the roofs of the tomb passages to
protect the soul. The ibis was identified with Tahuti, the god of
Hermopolis. The goose is connected with Amon of Thebes. The swallow
was also sacred.
The cobra serpent was sacred from the earliest times to the present
day. It was never identified with any of the great deities, but three
goddesses {26} appear in serpent form: Uazet, the Delta goddess of
Buto; Mert-seger, ‘the lover of silence,’ the goddess of the Theban
necropolis; and Rannut, the harvest goddess. The memory of great
pythons of the prehistoric days appears in the serpent-necked monsters
on the slate palettes at the beginning of the monarchy, and the immense
serpent Apap of the underworld in the later mythology. The serpent has
however been a popular object of worship apart from specific gods. We
have already noted it on prehistoric amulets, and coiled round the
hearths of the early dynasties. Serpents were mummified; and when we
reach the full evidences of popular worship, in the terra-cotta figures
and jewellery of later times, the serpent is very prominent. There
were usually two represented together, one often with the head of
Serapis, the other of Isis, so therefore male and female. Down to
modern times a serpent is worshipped at Sheykh Heridy, and miraculous
cures attributed to it (S.R.E.B. 213).
{28}
We must beware of reading our modern ideas into the ancient views. As
we noticed in the first chapter, each tribe or locality seems to have
had but one god originally; certainly the more remote our view, the
more separate are the gods. Hence to the people of any one district
‘the god’ was a distinctive name for their own god; and it would have
seemed as strange to discriminate him from the surrounding gods, as it
would to a Christian in Europe if he specified that he did not mean
Allah or Siva or Heaven when he speaks of God. Hence we find generic
descriptions used in place of the god’s name, as ‘lord of heaven,’ or
‘mistress of turquoise,’ while it is certain that specific gods as
Osiris or Hathor are in view. A generic name ‘god’ or ‘the god’ no
more implies that the Egyptians recognised a unity of all the gods,
than ‘god’ in the Old Testament implies that Yahvah was one with
Chemosh and Baal. The simplicity of the term only shows that no other
object of adoration was in view.
{30}
+Mert Seger+ (lover of silence). She was the funeral god of Thebes,
and was usually figured as a serpent. From being only known in animal
form, and unconnected with any of the elaborated theology, it seems
that we have in this goddess a primitive deity of the dead. It
appears, then, that the gods of the great cemeteries were known {32} as
Silence and the Lover of Silence, and both come down from the age of
animal deities. Seker became in late times changed into a hawk-headed
human figure.
Two important deities of early times were +Nekhebt+, the vulture
goddess of the southern kingdom, centred at Hierakonpolis, and +Uazet+,
the serpent goddess of the northern kingdom, centred at Buto. These
appear in all ages as the emblems of the two kingdoms, frequently as
supporters on either side of the royal names; in later times they
appear as human goddesses crowning the king.
+Khnumu+, the creator, was the great god of the cataract. He is shown
as making man upon the potter’s wheel; and in a tale he is said to
frame a woman. He must belong to a different source from that of Ptah
or Ra, and was the creative principle in the period of animal gods, as
he is almost always shown with the head of a ram. He was popular down
to late times, where amulets of his figure are often found.
+Tahuti+ or +Thōth+ was the god of writing and learning, and was the
chief deity of Hermopolis. He almost always has the head of an ibis,
the bird sacred to him. The baboon is also a frequent emblem of his,
but he is never figured with the {33} baboon head. The ibis appears
standing upon a shrine as early as on a tablet of Mena; Thōth is the
constant recorder in scenes of the judgment, and he appears down to
Roman times as the patron of scribes. The eighteenth dynasty of kings
incorporated his name as Thōthmes, ‘born of Thōth,’ owing to
their Hermopolite origin.
+Bastet+, who has the head of a cat. She was the goddess of Pa-bast or
Bubastis, and in her honour immense festivals were there held. Her
name is found in the beginning of the pyramid times; but her main
period of popularity was that of the Shishaks who ruled from Bubastis,
and in the later times images of her were very frequent as amulets. It
is possible from the name that this feline goddess, whose foreign
origin is acknowledged, was the female form of the god Bes, who is
dressed in a lion’s skin, and also came in from the east (see chap. ix).
+Heqt+, the goddess symbolised by the frog, was the patron of birth,
and assisted in the infancy of the kings. She was a popular and
general deity not mainly associated with particular places.
We have now passed briefly over the principal gods which combined the
animal and human forms. We see how the animal form is generally the
older, and how it was apparently independent of the human form, which
has been attached to it by a more anthropomorphic people. We see that
all of these gods must be accredited to the second stratum, if not to
the earliest formation, of religion in Egypt. And we must associate
with this theology the cemetery theory of the soul which preceded that
of the Osiris or Ra religions.
[1] For instance the words _sek_, to move; _seg_, to go; _sek_, to
destroy; _sega_, to break; _kauy_, cow; _gaua_, ox; _keba_ and _geba_,
sky, etc.
{37}
We now turn to the deities which are always represented in human form,
and never associated with animal figures; neither do they originate in
a cosmic–or nature–worship, nor in abstract ideas. There are three
divisions of this class, the Osiris family, the Amon family, and the
goddess Neit.
{40}
If we try to trace the historic basis of the Osiris myth, we must take
into account the early customs and ideas among which the myths arose.
The cutting up of the body was the regular ritual of the prehistoric
people, and (even as late as the fifth dynasty) the bones were
separately treated, and even wrapped up separately when the body was
reunited for burial. We must also notice the apotheosis festival of
the king, which was probably his sacrificial death and union with the
god, in the prehistoric age. The course of events which might have
served as the basis for the Osiris myth may then have been somewhat as
follows. Osiris was the god of a tribe which occupied a large part of
Egypt. The kings of this tribe were sacrificed after thirty years’
reign (like the killing of kings at fixed intervals elsewhere), and
they thus became the Osiris himself. Their bodies were dismembered, as
usual at that period, the flesh ceremonially eaten by the assembled
people (as was done in prehistoric times), and the bones distributed
among the various centres of the tribe, the head to Abydos, the neck,
spine, limbs, etc., to various places, of which there were fourteen in
all. The worshippers of Set broke in upon this people, stopped this
worship, or killed Osiris, as was said, and established the dominion
{41} of their animal god. They were in turn attacked by the Isis
worshippers, who joined the older population of the Osiris tribe,
re-opened the shrines, and established Osiris worship again. The Set
tribe returning in force attacked the Osiris tribe and scattered all
the relics of the shrines in every part of the land. To re-establish
their power, the Osiris and Isis tribes called in the worshippers of
the hawk Horus, who were old enemies of the Set tribe, and with their
help finally expelled the Set worshippers from the whole country. Such
a history, somewhat misunderstood in a later age when the sacrifice of
kings and anthropophagy was forgotten, would give the basis for nearly
all the features of the Osiris myth as recorded in Roman times.
{43}
The theology of Osiris was at first that of a god of those holy fields in
which the souls of the dead enjoyed a future life. There was necessarily
some selection to exclude the wicked from such happiness, and Osiris
judged each soul whether it were worthy. This judgment became
elaborated in detailed scenes, where Isis and Neb-hat stand behind Osiris
who is on his throne, Anubis leads in the soul, the heart is placed in the
balance, and Thōth stands to weigh it and to record the result. The
occupations of the souls in this future we have noticed in chapter iii. The
function of Osiris was therefore the reception and rule of the dead, and we
never find him as a god of
action or patronising any of the affairs of life.
+Horus+ (_Heru_ or _Horu_) has a more complex {45} history than any
other god. We cannot assign the various stages of it with certainty,
but we can discriminate the following ideas. (_A_) There was an elder
or greater Horus, _Hor-ur_ (or Aroeris of the Greeks) who was credited
with being the brother of Osiris, older than Isis, Set, or Nephthys.
He was always in human form, and was the god of Letopolis. This seems
to have been the primitive god of a tribe cognate to the Osiris
worshippers. What connection this god had with the hawk we do not
know; often Horus is found written without the hawk, simply as _hr_,
with the meaning of ‘upper’ or ‘above.’ This word generally has the
determinative of sky, and so means primitively the sky or one belonging
to the sky. It is at least possible that there was a sky-god _her_ at
Letopolis, and likewise the hawk-god was a sky-god _her_ at Edfu, and
hence the mixture of the two deities. (_B_) The hawk-god of the south,
at Edfu and Hierakonpolis, became so firmly embedded in the myth as the
avenger of Osiris, that we must accept the southern people as the
ejectors of the Set tribe. It is always the hawk-headed Horus who wars
against Set, and attends on the enthroned Osiris. (_C_) The hawk Horus
became identified with the sun-god, and hence came the winged solar
disk as the emblem {46} of Horus of Edfu, and the title of Horus on the
horizons (at rising and setting) Hor-em-akhti, Harmakhis of the Greeks.
(_D_) Another aspect resulting from Horus being the ‘sky’ god, was that
the sun and moon were his two eyes; hence he was Hor-merti, Horus of
the two eyes, and the sacred eye of Horus (_uza_) became the most usual
of all amulets. (_E_) Horus, as conqueror of Set, appears as the hawk
standing on the sign of gold, _nub_; _nubti_ was the title of Set, and
thus Horus is shown trampling upon Set; this became a usual title of the
kings.
There are many less important forms of Horus, but the form which outgrew
all others in popular estimation was (_F_) Hor-pe-khroti, Harpokrates of
the Greeks, ‘Horus the child.’ As the son of Isis he constantly appears from
the nineteenth dynasty onward. One of the earlier of these forms is that of
the boy Horus standing upon crocodiles, and grasping scorpions and
noxious animals in his hands. This type was a favourite amulet down to
Ptolemaic times, and is often found carved in stone to be placed in a
house, but was scarcely ever made in other materials or for suspension on
the person.
The form of the young Horus seated on an open lotus flower was also
popular in the Greek times. But the infant Horus with his finger to his lips
was the most popular form of all, sometimes alone, sometimes on his
mother’s lap. The finger, which pointed to his being a sucking child, was
absurdly misunderstood by the Greeks as an emblem of silence. From the
twenty-sixth dynasty down to late Roman times the infant Horus, or the
young boy, was the most prominent subject on the temples, and the
commonest figure in the homes of the people.
The other main group of human gods was Amon, Mut, and Khonsu of
Thebes. _Amon_ was the local god of Karnak, and owed his importance in
Egypt to the political rise of his district. The Theban kingdom of the twelfth
dynasty spread his fame, the great kings of the eighteenth and nineteenth
dynasty ascribed their victories to Amon, his high priest became a political
power which absorbed the state after the twentieth dynasty, and the
importance of the god only ceased with the fall of his city. The original
attributes and the origin of the name of Amon are unknown; but he
became combined with Ra, the sun-god, and as Amon-Ra he was ‘king of
the gods,’ and ‘lord of the thrones of the world.’ The supremacy of Amon
was for some centuries an article of political faith, and many other gods
were merged in him, and only survived as aspects of the great god of all.
The queens were the high priestesses of the god, and he was the divine
father of their children; the kings being only incarnations of Amon in their
relation to the queens.
+Mut+, the great mother, was the goddess of Thebes, and hence the
consort of Amon. She is often shown as leading and protecting the kings,
and the queens appear in the character of this goddess. Little is known
about her otherwise, and she disappears in the later theology.
+Neit+ was a goddess of the Libyan people; but her worship was firmly
implanted by them in Egypt. She was a goddess of hunting and of
weaving, the two arts of a nomadic people. Her emblem was a distaff with
two crossed arrows, and her name was written with a figure of a weaver’s
shuttle. She was adored in the first dynasty, when the name Merneit,
‘loved by Neit,’ occurs; and her priesthood was one of the most {49} usual
in the pyramid period. She was almost lost to sight during some thousands
of years, but she became the state goddess of the twenty-sixth dynasty,
when the Libyans set up their capital in her city of Sais. In later times she
again disappears from customary religion.
Envy of Seth – 2
CONTENTS
VII. THE COSMIC GODS
VIII. THE ABSTRACT GODS
IX. THE FOREIGN GODS
X. THE COSMOGONY
XI. THE RITUAL AND PRIESTHOOD
XII. THE SACRED BOOKS
XIII. PRIVATE WORSHIP
XIV. EGYPTIAN ETHICS
XV. THE INFLUENCE OF EGYPT
The gods which personify the sun and sky stand apart in their essential
idea from those already described, although they were largely mixed and
combined with other classes of gods. So much did this mixture pervade all
the later views that some writers have seen nothing but varying forms of
sun-worship in Egyptian religion. It will have been noticed however in the
previous chapters what a large body of theology was entirely apart from
the sun-worship, while here we treat the latter as separate from the other
elements with which it was more or less combined.
_Ra_ was the great sun-god, to whom every king pledged himself, by
adopting on his accession a motto-title embodying the god’s name, such as
_Ra-men-kau_, ‘Ra established the kas,’ _Ra-sehotep-ab_, ‘Ra satisfies the
heart,’ _Ra-neb-maat_, ‘Ra is the lord of truth’; and these titles were those
by {51} which the king was best known ever after. This devotion was not
primitive, but began in the fourth dynasty, and was established by the fifth
dynasty being called sons of Ra, and every later king having the title ‘son
of Ra’ before his name.
The obelisk was the emblem of Ra, and in the fifth dynasty a great obelisk
temple was built in his honour at Abusir, followed also by others. Heliopolis
was the centre of his worship, where Senusert I, in the twelfth dynasty,
rebuilt the temple and erected the obelisks, one of which is still standing.
But Ra was preceded there by another sun-god Atmu, who was the true
god of the nome; and Ra, though worshipped throughout the land, was not
the aboriginal god of any city.
The form of Ra most free from admixture is that of the disk of the sun,
sometimes figured between two hills at rising, sometimes between two
wings, sometimes in the boat in which it floated on the celestial ocean
across the sky. The winged disk has almost always two cobra serpents
attached to it, and often two rams’ horns; the meaning of the whole
combination is that Ra protects and preserves, like the vulture
brooding over its young, destroys like the cobra, and creates like the
ram. This is seen by the modification where it is placed over a king’s
head, when the destructive cobra is omitted, and the wings are folded
together as embracing and protecting the king.
{53}
This disk form is connected with the hawk-god, by being placed over the
head of the hawk; and this in turn is connected with the human form by
the disc resting on the hawk-headed man, which is one of the most usual
types of Ra. The god is but seldom shown as being purely human, except
when identified with other gods, such as Atmu, Horus, or Amon.
+Atmu+ (Tum) was the original god of Heliopolis and the Delta side,
round to the gulf of Suez, which formerly reached up to Ismailiyeh.
How far his nature as the setting sun was the result of his being
identified with Ra, is not clear. It may be that he was simply a
creator-god, and that the introduction of Ra led to his being unified
with him. Those who take the view that the names of gods are connected
with tribes, as {54} Set and Suti, Anuke and Anak, might well claim
that Atmu or Atum belonged to the land of Aduma or Etham.
+Anher+ was the local god of Thinis in Upper Egypt, and Sebennytos in
the Delta, a human sun-god. His name is a mere epithet, ‘he who goes
in heaven’; and it may well be that this was only a title of Ra, who
was thus worshipped at these places.
+Sopdu+ was the god of the eastern desert, and he was identified with
the cone of glowing zodiacal light which precedes the sunrise. His
emblem was a mummified hawk, or a human figure.
+Shu+ was the god of space, who lifted up Nut from off the body of Seb.
He was often represented, especially in late amulets; possibly it was
believed that he would likewise raise up the body of the deceased from
earth to heaven. His figure is entirely human, and he kneels on one
knee with both hands lifted above his head. He was regarded as the
father of Seb, the earth having been formed from space or chaos. His
emblem was the ostrich feather, the lightest and most voluminous object.
{58}
Besides the classes of gods already described there are others who
stand apart in their character, as embodying abstract ideas. Of these
some are probably tribal gods; but the principle of each is so clearly
marked that they must have been idealised by people who were at a
relatively high level of mind. Others are frankly abstractions of
artificial ideas devised in a civilised state, much like the deities
Flora or the Genius of the Roman Emperor. The general inference is
that these gods all belong to the latest of the peoples who contributed
to the mythology, the dynastic rulers of the land.
+Min+ was the male principle. He was worshipped mainly at Ekhmim and
Koptos, and was there identified with Pan by the Greeks. He also was
the god of the desert, out to the Red Sea. The oldest statues of gods
are three gigantic limestone figures of Min found at Koptos; these bear
relief designs of Red Sea shells and sword fish. It seems, then, that
he was introduced by a people coming across from the east. His worship
continued till Roman times.
{60}
+Hat-hor+ was the female principle whose animal was the cow; and she is
identified with the mother Isis. She was also identified with other
earlier deities; and her forms are very numerous in different
localities. There were also seven Hathors who appear as Fates,
presiding over birth. Thus this goddess has a position different from
any other, more generalised, more widely spread, and identified with
many places and ideas. The similarity of such a position, with that of
the Madonna in Italy in relation to earlier worships, suggests that the
widespread devotion to her was of later introduction and superimposed
on varied beliefs. The figure of Hathor sometimes has the cow’s head,
and often has cow’s ears. The myth of Horus striking off the head of
his mother Isis and replacing it by a cow’s head, points to the Horus
worshippers uniting Hathor with Isis. Statuettes of Hathor are not
common; the head was used for an architectural capital and in the form
of the sistrum, a rattle which was employed in her worship.
+Maat+ was the goddess of truth. She is always of human form, and
shown as seated holding the _ankh_, emblem of life, in her hands. She
was never worshipped, and had no temples or shrines, but was
represented as being offered by the kings {61} to the gods. She also
occurs in the names of several kings, and appears in the judgment scene
of the weighing of the heart. She was the only idea of the older
religion which was preserved by Akhenaten in his reformation; he always
names himself as ‘living in truth,’ but as an abstraction and without
the notion of any actual goddess. She is linked with Ptah, Thōth,
and Ra, on different occasions.
{62}
Besides the incorporation into purely Egyptian usage of all the gods
that we have noticed, there were others who always retained a foreign
character. It is true that Bast, Neit, and Taurt are counted by some
as foreign; but deities who are found from the pyramid times to the
Roman age, and who were the patrons of capitals and of dynasties, must
be counted as Egyptian; and of Taurt we do not know of any foreign
source, nor should we look for any, as the hippopotamus abounded in
Egypt itself.
+Sutekh+ must not be confounded with the purely Egyptian god Set or
Setesh, though the two were identified. Probably they were one in {64}
prehistoric ages; but Set was the god known to the Egyptians, while
Sutekh was the god of the Hittites from Armenia, where he was
worshipped in their home cities.
+Baal+ was another Syrian god also identified with Set, and sometimes
combined with Mentu as a war-god in the nineteenth dynasty, when Syrian
ideas prevailed so largely in Egypt.
{65}
We may also here mention some theories about the foreign connections of
the Egyptian gods. The early Sumerians of Babylonia worshipped Asari,
‘the strong one,’ ‘the prince who does good to men.’ This has a strong
resemblance in name and character to Asar, Osiris, of Egypt. But the
connection which is proposed, from both names being written with the
signs of an eye and a place, seems baseless, as the syllabic values of
the signs were reversed in the two languages; either the writing or the
sound of the name must be only a coincidence. Istar, another Sumerian
deity, became softened in Semitic speech to Athtar, the moon-goddess of
Southern Arabia; and the connection of this moon- and cow-goddess with
the similar Hathor of Egypt seems very probable. Ansar was another
Sumerian god, meaning ‘the sky,’ or the spirit world of the sky; and
this might have passed into Anhar, the sky-god, known both in Upper and
Lower Egypt. These connections are all with Sumerian gods, but may
have been derived through their later Semitic forms. They have a
general {66} probability from the names and nature in each instance;
but until we can trace some point of connection in place and in period,
we can only bear these resemblances in mind as material for some larger
view of early history.
{67}
Man in all times and places has speculated on the nature and origin of
the world, and connected such questions with his theology. In Egypt
there are not many primitive theories of creation, though some have
various elaborated forms. Of the formation of the earth there were two
views. (1) That it had been brought into being by the word of a god,
who when he uttered any name caused the object thereby to exist.
Thōth is the principal creator by this means, and this idea probably
belongs to a period soon after the age of the animal gods. (2) The
other view is that Ptah framed the world as an artificer, with the aid
of eight _Khnumu_, or earth-gnomes. This belongs to the theology of
the abstract gods. The primitive people seem to have been content with
the eternity of matter, and only personified nature when they described
space (Shu) as separating the sky (Nut) from the earth (Seb). This
{68} is akin to the separation of chaos into sky and sea in Genesis.
The sun is called the egg laid by the primeval goose; and in later time
this was said to be laid by a god, or modelled by Ptah. Evidently this
goose egg is a primitive tale which was adapted to later theology.
{69}
The conception of the nature of the world was that of a great plain,
over which the sun passed by day, and beneath which it travelled
through the hours of night. The movement of the sun was supposed to be
that of floating on the heavenly ocean, figured by its being in a boat,
which was probably an expression for its flotation. The elaboration of
the nature of the regions through which the sun passed at night
essentially belongs to the Ra theology, and only recognises the kingdom
of Osiris by placing it in one of the hours of night. The old
conception of the dim realm of the cemetery-god Seker occupies the
fourth and fifth hours; the sixth hour is an approach to the Osiride
region, and the seventh hour is the kingdom of Osiris. Each hour was
separated by gates, which were guarded by demons who needed to be
controlled by magic formulae.
{70}
The accounts which we have of the temple ritual are of the later periods,
and we must look to the buildings themselves to trace differences in the
system. The oldest form of shrine was a wicker hut, with tall poles forming
the sides of the door; in front of this extended an enclosure which had two
poles with flags on either side of the entrance. In the middle of the
enclosure or court was a staff bearing the emblem of the god. This type of
shrine and open court was kept up always, and is like the Jewish type. We
find stone used for
the doors in the sixth dynasty, and stone-built temples in the twelfth
dynasty. The earlier type of temple was essentially a resting-place for the
god between the excursions of the festivals. It was open at both front and
back, and a processional way led through it, so that the
priests walked through, taking up the ark of the god, {71} carrying it
in procession, and then returning and depositing it again in the temple
as they passed. This form lasted till the middle of the eighteenth
dynasty; but the fixed shrine was already coming into use then, and
seems to have become the only type after that age. This was emphasised
still more in the twenty-sixth dynasty by the great monolith boxes of
granite which contained not only precious statuettes, but even
life-sized statues of granite. It seems that the processional form of
ritual had been supplanted by the service of a more mysterious Holy of
Holies.
The course of daily service by the priests was of seven parts. 1st.
_Fire-making_–rubbing the fire sticks, taking the censer, putting
incense in it, and lighting it. 2nd. _Opening the Shrine_–going up to
the shrine, loosening the fastening, and breaking the seal, opening the
door, seeing the god. 3rd. _Praise_–various prostrations, and then
singing a hymn to the god. 4th. _Supplying food and incense_–offering
oil and honey and incense, retiring from the shrine for a prayer,
approaching and looking on the god, various prostrations, again
incense, and then prayers and hymns, a figure of Maat (goddess of
truth) was then presented to the god, and, lastly, more incense for all
the companions of the god. {72} 5th. _Purifying_–cleansing the figure
and its shrine, and pouring out pitchers of water, and fumigating with
incense. 6th. _Clothing_–dressing the god with white, green, bright
red, and dark red sashes, and supplying two kinds of ointment and black
and green eye paint, and scattering clean sand before him. The priest
then walked four times round the shrine. 7th. _Purifying_–with
incense, natron of the south and north, and two other kinds of incense.
Probably such a ritual was a gradual growth of successive ages. Where
a living animal was maintained as sacred, the feeding of it was a
considerable service. A court was built at Memphis for the sacred Apis
bull to take his exercise, and special bundles of fodder were provided.
A large tank was made for the sacred crocodile in the Fayum, and the
priests used to follow the reptile around the tank with the offerings
brought by devotees. Similarly at Epidauros is a deep circular trench
cut in the rock, with a central niche; in this a sacred serpent could
be visited and fed without its being able to escape.
A fundamental idea was that the king was the priest of the land, and
that all offerings (especially those for the dead) were made by him.
Even though the king could not physically perform all the offerings,
yet when others did so they were only acting on behalf of the priestly
king of the nation. So strongly was this held that the regular formula
for all offerings for the dead was ‘A royal giving of offerings of such
and such things for the _ka_ of such an one,’ or it may be rendered
‘May the king give an offering.’ The act itself is shown on some
funeral tablets, where the king appears as making the offering, {74}
while the person for whom he acts stands behind him.
Much light on the sources of the rise of the priesthood is given by the
titles borne by the priests of the various capitals of the provinces or
nomes. Many of these refer to what were purely secular occupations in
later times, and we thus learn that the priestly character was attached
to the principal person, be he king, or leader in other ways. In one
city it was the King and His Loved Son who were the priests, in another
it was the General, in another the Warrior who became the priest;
elsewhere it was the Great Constructor, in another city the Great
Commander of Workmen; one city raised the Manager of the Inundation to
the priesthood, and very naturally the Great Physician or medicine man
became priest in another place. The Eldest Son was the title of
another priesthood, much as the later kings made their eldest son high
priest. A very curious view of the priestess preceding the
establishment of a priest is given by some cities; one where she was
called the Nurse, and the priest was the Youth, and another city names
the priestess the ‘Appeaser of the Spirit’ and the priest the
‘Favourite Child.’
{76}
In the latest age of ancient Egypt the religious writings were largely
translated into Greek, at a time when they were studied and collected
as embodying the ideas of a world which was already fading away. This
venerated past kept its hold on the imagination as containing mystic
powers of compelling the unseen, and strange travesties of ancient
formulae, the efficacy of which could not be rivalled by any later
writings which were baldly intelligible. There were four main classes
of writings, on theology, ritual, science, and medicine. Though the
late compilations have almost entirely perished, yet we can gather
their nature from the portions of the original documents which are
preserved from earlier times.
The most popular work in the later dynasties was that which has been
called the _Book of the Dead_ by modern writers. We must not conceive
{77} of it as a bound up whole, like our Bible; but rather as an
incongruous accumulation of charms and formulae, parts of which were
taken at discretion by various scribes according to local or individual
tastes. No single papyrus contains even the greater part of it, and
the choice made among the heterogeneous material is infinitely varied.
The different sections have been numbered by modern editors, starting
with the order found in some of the best examples, and more than two
hundred such chapters are recognised. Every variety of belief finds
place in this large collection; every charm or direction which could
benefit the dead found a footing here if it attained popularity. From
prehistoric days downward it formed a religious repertory without
limits or regulation. Portions known in the close of the old kingdom
entirely vanish in later copies, while others appear which are
obviously late in origin. The incessant adding of notes, incorporation
of glosses, and piling of explanations one on the other, has increased
the confusion. And to add to our bewilderment, the scribes were
usually quite callous about errors in a writing which was never to be
seen or used by living eyes; and the corruptions, which have been in
turn made worse, have left hardly any sense in many parts. At {78}
best it is difficult to follow the illusions of a lost faith, but amid
all the varieties of idea and bad readings superposed, the task of
critical understanding is almost hopeless. The full study of such a
work will need many new discoveries and occupy generations of critical
ingenuity. We can distinguish certain groups of chapters, an Osirian
section on the kingdom of Osiris and the service of it, a theological
section, a set of incantations, formulae for the restoration of the
heart, for the protection of the soul from spirits and serpents in the
hours of night, charms to escape from perils ordained by the gods, an
account of the paradise of Osiris, a different version of the kingdom
and judgment of Osiris, a Heliopolitan doctrine about the _ba_, and its
powers of transformation entirely apart from all that is stated
elsewhere, the account of the reunion of soul and body, magic formulae
for entering the Osirian kingdom, another account of the judgment of
Osiris, charms for the preservation of the mummy and for making
efficacious amulets, together with various portions of popular beliefs.
{81}
The primitive belief in the tree-goddess, the Hathor who dwelt in the
thick sycomore tree, and showered sycomore figs abundantly on her
devotees, was a popular worship. It was by no means bound up with the
tomb service, as in one case a red recess in a dwelling room had a
panel picture at the top of it showing the tree goddess giving
blessings to her worshipper (_Ramesseum_, xx).
Another feature of popular religion was the {84} harvest festival. The
grain was heaped, the winnowing shovels and rakes stuck upright in it,
and then holding up the boards (which were used to scrape up the grain)
in each hand, adoration was paid to Rannut, the serpent-goddess of the
harvest.
The observance of lucky and unlucky days was prevalent. The fragment
of a calendar shows each day marked good or evil, or triply good or evil.
The household amulets in the prehistoric days were the great serpent
stones with figures of the coiled serpent; much suggesting an earlier
use of large ammonites. In later times the image of Horus subduing the
powers of evil seems to have been the protective figure of the house.
When we reach Roman times we have a fuller view of the popular worship
in the terra-cotta figures. At Ehnasya, for instance, we find the
following proportions–five of Serapis, five Isis, twenty-four Horus,
four Bes, one goddess of palm trees. It was especially the worship of
Horus that was developed in this line. The kind of shrines used in the
houses are also shown by the terra-cottas. These were wooden framed
cupboards, with doors below, over them a recess between two pillars to
hold the image, and a lamp burning {85} before it, and the whole
crowned with a cornice of uræi. Smaller little lamp holders were also
made to hang up, and very possibly to place with a lamp on a grave. At
present mud hutches are made to place lamps in on holy sites in Egypt.
The terra-cottas have also preserved the forms of the wayside shrines.
These were certainly influenced in their architecture by Greek models,
but the idea is probably much older. The shrines were sometimes a
little chamber, with a domed top, like a modern _wely_ or saint’s tomb,
or sometimes a roof on four pillars with a dwarf wall or lattice work
around three sides. Such were the places for wayside devotions and
passing prayers, as among the Egyptians of the present day.
{86}
The ideal character was drawn in the maxims as being strong, steadfast,
commanding, direct, self-respecting, avoiding inferior companionships,
active, and above all truthful and straightforward. Discretion,
quietness, and reserve were enforced, and a dignified endurance without
pride was to be attained.
In the general interchange of social life perhaps the main feature was
that of consideration for others. A higher standard of good feeling
and kindliness existed than any that we know of among ancient peoples,
or among most modern nations. The council-hall of the local ruler was
the main theatre for ability; and the injunctions to be fearless, and
at the same time gentle and cautious, would improve the character of
any modern assembly. The greater number of precepts however relate to
the judicious conduct toward inferiors. Justice and good discipline
were the necessary basis, but they were to be always tempered by
respect for the feelings and comfort of the servants.
The religious aspect of ethics was almost confined to the respect for
the property and offerings of the gods. But the more spiritual side
was touched in the precept, ‘That which is detestable in the sanctuary
of god are noisy feasts; if thou implore him with a loving heart, of
which all the words are mysterious, he will do thy {89} matters, he
hears thy words, he accepts thine offerings.’
The permanence of the Egyptian character will strike any one who knows
the modern native. The essential mode of justification in the judgment
was by the declaration of the deceased that he had not done various
crimes; and to this day the Egyptian will rely on justifying himself by
sheer assertion that he has not done wrong, in face of absolute proofs
to the contrary. The main fault of character that was condemned was
covetousness, and it is the feeling which wrecks the possibility of
Egyptian independence at present. The intrusion of scheming underlings
between the master and his men is noted as a failing; and exactly this
trouble continually occurs now, when every servant tries to turn his
position to an advantage over those who do business with his master.
The dominance of the scribe in managing affairs and making profits was
familiar in ancient as in modern times. And recent events in Egypt
have reminded us of the old fickleness shown in the saying, ‘Thy
entering into a village begins with acclamations; at thy going out thou
art saved by thy hand.’
{90}
CHAPTER XV THE INFLUENCE OF EGYPT
How far Egypt in its earlier days had influenced the faiths of other
countries we cannot trace, owing to our ignorance of the early
civilisations of the world. But in the later times the extension of
the popular religion of Egypt can only be paralleled by the spread of
Christianity or Islam. Isis was worshipped in Greece in the fourth
century B.C., and in Italy in the second century. Soon after she won
her way into official recognition by Sulla, and immediately after the
death of Julius a temple to Isis was actually erected by the
government. Once firmly established in Rome, the spread of Imperial
power carried her worship over the world; emperors became her priests,
and the humble centurion in remote camps honoured her in the wilds of
France, Germany, Yorkshire, or the Sahara.
Not only Isis but also Osiris claimed the world’s {91} worship. In the
new form of the Osir-hapi of Memphis, or Serapis, the Ptolemies
identified him with Zeus, both in appearance and by attributes. And,
by the time of Nero, Isis and Osiris were said to be the deities of all
the world. An interesting outline of this subject will be found in
Professor Dill’s _Roman Society from Nero to Aurelius_.
Besides these parent gods their son Horus also conquered the world with
them. Isis and Horus, the Queen of Heaven and the Holy Child, became
the popular deities of the later age of Egypt, and their figures far
outnumber those of all other gods. Horus in every form of infancy was
the loved _bambino_ of the Egyptian women. Again Horus appears carried
on the arm of his mother in a form which is indistinguishable from that
adopted by Christianity soon after.
We see, then, throughout the Roman world the popular worship of the
Queen of Heaven, _Mater Dolorosa_, Mother of God, patroness of sailors,
and her infant son Horus the child, the benefactor of men, who took
captive all the powers of evil. And this worship spread and increased
in Egypt and elsewhere until the growing power of Christianity
compelled a change. The old worship continued; for the Syrian maid
became {92} transformed into an entirely different figure, Queen of
Heaven, Mother of God, patroness of sailors, occupying the position and
attributes already belonging to the world-wide goddess; and the Divine
Teacher, the Man of Sorrows, became transformed into the entirely
different figure of the Potent Child. Isis and Horus still ruled the
affections and worship of Europe with a change of names.
We thus see how the religious ideas of six thousand years or more have
still survived and continued their power over civilised man, renamed but
scarcely changed; and it is shown how new religious ideas can but
transform, but not eradicate, the ancestral beliefs of past ages.