BUAD 833 Note-Advertising Management
BUAD 833 Note-Advertising Management
ZARIA-NIGERIA.
COURSE MATERIAL
FOR
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COPYRIGHT PAGE
All rights reserved. No part of this publication may be reproduced in any form or by any
means, electronic, mechanical, photocopying, recording or otherwise without the prior
permission of the Director, Distance Learning Centre, Ahmadu Bello University, Zaria,
Nigeria.
ISBN:
Tel: +234
E-mail:
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COURSE WRITERS/DEVELOPMENT TEAM
Chat Lot Kogi (Subject Matter Expert)
Prof. Abiola Awosika (Subject Matter Reviewers)
Halima Shuaibu
Obisesan Ayoow Emmanuel (Language Reviewer)
Nasiru Tanko Graphics
Ibrahim Otukoya
Prof. Adamu Z. Hassan (Editor)
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Quote
“Before you look at advertising, review the strategy…. Your consumer benefit or promise,
and the support for that promise… the results of your advertising depends less on how
your product or service is positioned –how you want the consumer to think about it…..
just as in war, the strategy is half the battle, the other half is the advertising itself.
- Kenneth Roman and Lane Maas, (head of two ads agency in how to advertise)
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TABLE OF CONTENT
Title Page
Copyright Page
Course Writers/Development Team
Table of Contents
INTRODUCTION
Preamble
i. Course Information
ii. Course Introduction and Description
iii. Course Prerequisites
iv. Course Learning Resources
v. Course Objectives and Outcomes
vi. Activities to Meet Course Objectives
vii. Time (To Complete Syllabus/Course)
viii. Grading Criteria and Scale
ix. Course Structure and Outline
x. Discussion Forum
Topical Discussions
Discussion Questions
STUDY MODULES
1.0 Module 1: Introduction to Advertising Management
Study Session 1: Advertising management: meaning, roles and scope
Study Session 2: Advertising and it types
Study Session 3: Integrated marketing communication
Study Session 4: Communication models in advertising
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INTRODUCTION
i. COURSE INFORMATION
Course Code: BUAD 833
Course Title: Advertising Management
Semester: Second
Credit Units: 3 CU
Course Status: Core
The course shall also aid your understanding of how to apply these Advertising
Management concepts, principles, and techniques as advertising managers for
the purpose of making well-reasoned decisions.
In line with this objective, the course is expected to cover the following areas:
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1. meaning, roles and scope of Advertising Management
2. Advertising and its types
3. Integrated marketing communication
4. Communication and models in advertising
5. Setting objectives and budgeting for advertisement
6. Understanding Segmentation and positioning
7. Choosing an advertisement agency
8. Advertising campaign management
9. Advertising-Laws and Ethics
10. Regulation in advertising
11. Advertising and society
12. Global and Advertisement
13. Future of advertisement
Course Description
Advertising management is a course that will explore in detail the variety of
roles that advertising perform in marketing. This course is intended to provide a
learning experience with regards to laws, ethics and regulations in advertising,
you will also gain an understanding and appreciation of the advertising
campaign management. Additionally, the course will take a comprehensive look
at integrated marketing communication as well as communication models in
advertising, the course also will educate your level of understanding on
segmentation and positioning.
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iv. COURSE LEARNING RESOURCES
You should note that there are no compulsory textbooks for the course.
Notwithstanding, you are encouraged to consult some of those listed for further
reading at the end of each study session.
v. COURSE OUTCOMES
At completion of the course, you should be able to:
1. To plan and evaluate advertising campaigns.
2. To analyse the task of advertising under contemporary conditions and also to
examine the role of advertising as it relates to other marketing functions.
3. To evaluate the various types of policies that can be employed in guiding the
advertising activity.
4. To examine the major forms of advertising problems faced by organizations,
with emphasis on the application of marketing concepts for effective
decision making.
For each of the modules, you are expected to have read the recommended books
and give some thought to the content of the module. However, for other
sessions involving case analysis or group work and/or discussions, you are
expected to make significant contribution. There shall also be room for the
critique of individual and group work, but such should be done reasonably and
professionally as you are expected to treat your classmates and subject matter
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specialist with respect. Also, tutorials will be arranged within the two weeks on
campus activities in which questions will be clarified to enable you understand
fully what you’ve learnt.
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B. Summative assessment (Semester examination)
CBT based 30
Essay based 30
TOTAL 100%
D. Feedback
Courseware based:
1. In-text questions and answers (answers preceding references)
2. Self-assessment questions and answers (answers preceding references)
Tutor based:
1. Discussion Forum tutor input
2. Graded Continuous assessments
Student based:
Online programme assessment (administration, learning resource, deployment,
and assessment).
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As you work on your research in this course and throughout your
graduate programme, here are some examples of open education
resources that will serve you well.
SchoolForge and SourceForge are good places to find, create, and publish open software.
SourceForge, for one, has millions of downloads each day.
Open Source Education Foundation and Open Source Initiative, and other organisation like
these, help disseminate knowledge.
Creative Commons has a number of open projects from Khan Academy to Curriki where
teachers and parents can find educational materials for children or learn about Creative
Commons licenses. Also, they recently launched the School of Open that offers courses on the
meaning, application, and impact of "openness."
Numerous open or open educational resource databases and search engines exist. Some
examples include:
OEDb: over 10,000 free courses from universities as well as reviews of colleges and rankings of
college degree programmes
Open Tapestry: over 100,000 open licensed online learning resources for an academic and
general audience
OER Commons: over 40,000 open educational resources from elementary school through to
higher education; many of the elementary, middle, and high school resources are aligned to the
Common Core State Standards
Open Content: a blog, definition, and game of open source as well as a friendly search engine for
open educational resources from MIT, Stanford, and other universities with subject and
description listings
Academic Earth: over 1,500 video lectures from MIT, Stanford, Berkeley, Harvard, Princeton, and
Yale
JISC: Joint Information Systems Committee works on behalf of UK higher education and is
involved in many open resources and open projects including digitising British newspapers from
1620-1900!
Universities
The University of Cambridge's guide on Open Educational Resources for Teacher Education
(ORBIT)
OpenLearn from Open University in the UK
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Global
Unesco's searchable open database is a portal to worldwide courses and research initiatives
African Virtual University (http://oer.avu.org/) has numerous modules on subjects in English,
French, and Portuguese
https://code.google.com/p/course-builder/ is Google's open source software that is designed to
let anyone create online education courses
Global Voices (http://globalvoicesonline.org/) is an international community of bloggers who
report on blogs and citizen media from around the world, including on open source and open
educational resources
Librarian Chick: everything from books to quizzes and videos here, includes directories on open
source and open educational resources
K-12 Tech Tools: OERs, from art to special education
Web 2.0: Cool Tools for Schools: audio and video tools
Web 2.0 Guru: animation and various collections of free open source software
Livebinders: search, create, or organise digital information binders by age, grade, or subject (why
re-invent the wheel?)
Legal help
New Media Rights is trying to help digital creators use public domain or open materials legally.
They have guides on how to use free and open software materials in various fields.
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ix. COURSE STRUCTURE AND OUTLINE
Course Structure
WEEK/DAYS MODULE STUDY SESSIONS ACTIVITY
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7 MODULE 2 1. Read Courseware for the corresponding Study Session.
Study Session 3 2. Listen to the Audio on this Study Session
Choosing the advertisement
agency 3. View any other Video/U-tube (https://goo.gl/GkEWPU)
4. View referred Animation (https://goo.gl/Go8iza )
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Week 14 REVISION/TUTORIAL
You are to forward all assignments within the stipulated through the programme dashboard
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Course Outline
Module 1: Introduction to Advertising Management
Study Session 1: Advertising management: meaning, roles and scope
Study Session 2: Advertising and it types
Study Session 3: Integrated marketing communication
Study Session 4: Communication models in advertising
Topical Discussions
These are weekly topics which I shall post on the MBA dashboard. The topics will
centre on contemporary issues and/or current events in the discipline at the time of
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the posting. You are expected to study and contribute to such discussions as your
contribution in these sessions is necessary.
Discussion Questions
These are pre-determined topics to be assigned to groups of students who would
develop a thesis around the topics, submit the thesis to an assigned forum where all
participants will interact and pass comments so as to add to the knowledge and
move the conversation forward.
Relevant Discussion questions are presented under the corresponding Study Unit
while the schedule of response is available on the MBA page of the ABU DLC
Website.
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STUDY MODULES
1.0 MODULE 1: Introduction to Advertising Management
Contents:
Study Session 1: Advertising management: meaning, roles and scope
Study Session 2: Advertising and it types
Study Session 3: Integrated marketing communication
Study Session 4: Communication models in advertising
STUDY SESSION 1
Advertising management: Meaning, Roles and Scope
Section and Subsection Headings
Introduction
1.0 Learning Outcomes
2.0 Main Content
2.1 Advertising Management: Meaning, Role and Scope
2.2 Features of Advertising
2.3 Objectives of Advertising
2.4 Importance of Advertising.
2.5 Advertising management.
2.6 The brand and the marketing mix
2.7 Role and Scope of Advertising/Advertising Management
3.0 Tutor Marked Assignment
4.0 Study Session Summary and Conclusion
5.0 Self-Assessment Question and Answers
6.0 Additional Activities
7.0 References/Further Reading
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Introduction
You are welcome to this study session. In this study session, you will be
introduced to the subject matter of advertising management. Thus, the meaning,
role and scope of advertising management shall form the basis of our discussion in
this study session.
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6. Identified Sponsor: A sponsor may be an individual or a firm who pays for the
advertisement. The name of reputable company may increase sale or products.
For example, a product may have good market because of its identity with a
reputable corporate body.
7. Consumer Choice: Advertising facilitates consumers’ choice. It enables
consumers to purchase goods as per their budgetary requirement and choice.
Right choice makes consumer happy and satisfied.
8. Art, Science and Profession: Advertising is an art because it represents a field
of creativity. It is a science because it has a body of organized knowledge.
Advertising is now treated as a profession due to the emergence of different
professional bodies and formulation of code of conduct for members.
9. Element of Marking Mix: Advertising is an important element of promotion
mix. Advertising has proven to be of great utility and importance to sales
promotion. It is based on this acknowledgement that large manufacturers spend
heavily on advertising.
10. Element of Creativity: A good advertising campaign involves lot of creativity
and imagination as creativity makes way for successful campaign. Positive
outcomes are generated only when the message of the advertiser matches the
expectations of consumers.
In-Text Question 1:
What are the features of advertising?
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The fundamental purpose of advertising is to sell something (be it a product, a
service or an idea). In addition to this general objective, advertising is also used by
modern business enterprises for certain specific objectives which are listed below:
1. To introduce a new product by creating interest for it among the prospective
customers.
2. To support personal selling programme. Advertising maybe used to open
customers' doors for salesman.
3. To reach people who are not accessible to salesman.
4. To enter a new market or attract a new group of customers.
5. To outsmart fellow competitors in the market and also to increase the sales as
seen in the fierce competition between Coke and Pepsi.
6. To enhance the goodwill of the enterprise by promising better quality products
and services.
7. To improve dealer relations. Advertising supports the dealers in selling the
product. Dealers are attracted to products that are effectively advertised.
8. To warn the public against imitation of an enterprise's products.
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publishers and magazines. It helps to increase the circulation of their publications
by selling them at lower rates. People are also benefited because they get
publications at cheaper rates. Advertising is also a source of revenue for TV
network. For instance, Doordarshan and Zee TV earn millions of rupees by placing
ads (i.e. advertisements) before, in between and after various programmes. Such
income could be used for increasing the quality of programmes and also for
extending their coverage.
In-Text Questions 2:
What are the importance of advertising?
The next phase of the advertising management process has to do with deciding
exactly how to apply the data collected during the research stage. Here, the basis
for deciding on what forms of advertising are most appropriate begins to take
shape. Depending on the distinctiveness of the products and the nature of the niche
markets that the campaign will seek to connect with, advertising services such as
print media, and radio, television or the Internet may be deemed the most
appropriate options.
Once the niche markets are identified and the most appropriate advertising media
for the campaign are determined, advertising management focuses on the creation
of the specifics of the overall campaign. This may involve such elements as the
development of print ads for use in magazines and newspapers, audio campaigns
for radio advertising, or commercials appropriate for television broadcast or
streaming across the Internet. Because any given campaign may use several
advertising options, the process of advertising management also involves making
sure all strategies complement one another and present a unified public image to
consumers.
In-Text Question 3:
What is advertising management?
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retail distributors; pricing; sales promotion; direct mail; advertising; and market
research.
In particular, it usually aims to do this through the use of branding. The distinction
between a product and a brand is important because it explains much of what
marketing tries to do, and much of the use of advertisements.
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Clearly, advertising is just one of the constituents of the mix that goes to build the
brand. Advertising exists to promote sales. In the case of off-the-page direct
response ads, they actually do sell things, but mostly the process is less direct than
this.
What is reasonably certain is that doing this will limit the brand's reach.
Advertising is an ideal tool for reaching large numbers of people economically.
There is a growing view that mass advertising and mass marketing are no longer
the way forward for most consumer businesses. However, it is equally true that the
available alternatives have their limitations. People still like to buy brands of which
they have heard, and which they believe to be popular in some sense. Media
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advertising is still the cheapest way of making sure that a brand is broadly known
and recognized.
In-Text Question 4:
What is the difference between a product and a brand?
4.0 Conclusion/Summary
In this study session, we discussed the concept of advertising management. We
were able to understand the meaning of advertising, the features of advertising, the
meaning of advertising management, the role and scope of advertising
management.
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In-Text Answers 1:
1. Communication 8. Art, Science and Profession
2. Information 9. Element of Marking Mix
3. Persuasion 10. Element of Creativity.
4. Profit Maximization
5. Non-Personal Presentation
6. Identified Sponsor
7. Consumer Choice
In-Text Answer 2:
1. Promotion of Sales
2. Introduction of New Product
3. Creation of Good Public Image
4. Mass Production
5. Research
6. Education of People
7. Support to Press.
In-Text Answer 3:
Advertising management is the process of overseeing campaigns that seek to
inform and attract consumers regarding a particular good or service.
In-Text Answer 4:
A product is simply something that may be offered to potential buyers. it may
be goods of its kind, but will not be systematically presented in a way that
distinguishes it from its competitors. A brand, on the other hand, is a product
whose producer has made every effort to make it uniquely desirable to
potential buyers, consistently using every element in its presentation to do so.
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7.0 References
Belch, George E. and Belch, Michael A. (2001). Advertising and Promotion: An
Integrated Marketing Communication Perspective, (5th Edition). Boston:
McGraw-Hill Irwin.
Fadipe, S. (2002): Advertising Practice with Nigerian Orientation. Lagos: Christ
Publishers.
Jefkins, F. (1987), Introduction to Marketing, Advertising and Public Relations.
London and Basingstoke: Macmillan Publishers Ltd.
Kenneth E. Clow and Donald Baack (2007). Integrated Advertising, Promotion,
and Marketing Communications (Third Edition). Pearson Education, Inc.
Prentice Hall.
White, Roderick (2000). Advertising (4th Edition). London: McGraw-Hill
Publishing Company.
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STUDY SESSION 2
Advertising and Its Types
Section and Subsection Headings
Introduction
1.0 Session Learning Outcomes
2.0 Main Content
2.1 Advertising and Its Types
2.2 Classification of Advertising
2.3 Types of Advertising
3.0 Tutor Marked Assignment
4.0 Study Session Summary and Conclusion
5.0 Self-Assessment Question and Answers
6.0 Additional Activities
7.0 References/Further Readings
Introduction
This study session builds on the foundational knowledge you gained in the
previous session. In this session, you will be made to understand the meaning of
advertising and its different types.
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2.0 Main content
2.1 Advertising and Its Types
Different authors have classified advertising in different ways. According to Philip
Kotler, advertising can be classified on the following basis:
(a) Geographical Area: National, Regional or Local.
(b) Content: Product Advertising, Brand Advertising, Institutional Advertising.
(c) Type of Appeal: Factual and Emotional.
(d) Audience: Consumer, Industrial, Trade.
(e) Sponsor: Manufacturer, Middlemen, Manufacturer -
middlemen, private.
(f) Intended Effort: Direct Action and Delayed Action.
(g) Level of Demand Influence: Primary Product Level,
Selective Brand Level.
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2. Regional advertising: It has wider coverage when compared to local
advertising. It covers a particular region (which may be one state or more) or the
people from the same linguistics background using one common product. It is
undertaken by the manufacturer or the regional distributor of a product. The media
used for regional advertising include regional newspapers, magazines, radio,
regional T.V., outdoor media, etc. It is considered to be an ideal form of
advertising for launching and marketing a new product in a specific region.
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II. Classification on the basis of audience
On this basis, advertising may be classified into the following four categories: (1)
consumer advertising, (2) industrial advertising, (3) trade advertising, and (4)
professional advertising.
1. Consumer advertising: This type of advertising is directed to the ultimate
consumers of a product. Ultimate consumers are individuals who buy or use
consumable products or services (such as toilet soap, toothpaste, toothbrush, tea,
textiles etc.) for themselves and their families. All types of consumer products
need continuous and extensive advertising on T.V., radio, press, and other media
houses.
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III. Classification on the basis of media
Following this criterion, advertising may be classified into the following
categories: (1) Print media advertising; (2) electronic, or, broadcast media
advertising; (3) outdoor media advertising.
3) Outdoor media:
This includes posters, neon signs, transit, point of purchase (POP), etc. Outdoor
advertising can be a good supporting media to other forms of advertising. It is a
good form of reminder advertising, most especially the POP advertising.
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4) Other media:
This includes direct mail, handbills, calendars,
diaries, cinema advertising, internet and so on.
These miscellaneous media can play an
important supporting role to the major media
such as television and newspapers.
In-Text Question 1:
What is professional advertising?
Indirect action advertising is sponsored to influence and attract the audience to the
advertised brand. The advertiser expects the target audience to prefer his brand to
his competitors’ whenever a buying decision arises in future.
In-Text Question 2:
What is primary and selective advertising?
In-Text Question 3:
Management scientists have classified advertising using different criteria, what are they?
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3. Advocacy advertising: We often come across advocacy advertisement on the
use of family planning methods, conservation of scarce resources and maintaining
green environment. An extreme example occurred in the 1960s, when a private
citizen bought a two-page advertisement in the New York Times at a cost of
$12,000 to offer his peace plan for ending the war in Vietnam. In 1974, Mobil Oil
Company began advocacy advertising concerning the need for offshore oil drilling
to alleviate the energy crisis that existed at the time. NBC accepted the television
commercial, but ABC and CBS did not, because of the controversial nature of the
topic. As a result, Mobil Oil Company took out full-page newspaper ads, which
reproduced in print the visuals and text from the commercial.
This is designed to alert people to the fact that such ads are not editorials or
informational pieces, but are specific advertisements. Companies can place
advocacy advertisement on billboards, in print magazines and newspapers, online,
and on television.
4. Advertising by Google
Examples:
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Tips for Beautiful Skin: Get the right beauty tips for your skin from the Experts.
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Admissions Open For MSW: Study MSW in Amrita College.
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Paperwork. Buy Now! ICICILombard.com
An investor considers two things before investing his hard earned savings.
(1) Safety of investment (2) Return on investment
The safety of investment depends upon the reputation and goodwill of the
company and the properties possessed by it. The institutional advertising helps in
creating confidence in the minds of the investors. The financial advertisement
informs the investors about the past
performance in declaring dividends and the
trend in declaring of dividend. The
dividend depends upon the profitability of
the company. The company with the help
of charts, diagrams etc. communicate the
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rate of growth and rate at which profit is increasing.
In-Text Question 4:
Mention five essentials for the Success of Financial Ads
There are several reasons as to why a corporate firm may resort to public relations
advertising. The reasons are:
(a) To create a favourable image of the organization.
(b) To secure and keep good suppliers.
(c) To build goodwill of the dealers.
(d) To arouse and serve customers in a better way.
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(e) To arouse interest of the present and potential shareholders.
(f) To correct misconceptions about the firm during strikes.
(g) To win confidence of its employees.
(h) To render community service.
(i) To make people aware of social evils and hazards etc.
(j) To obtain public support for certain cause.
Such advertisements do not immediately bring benefits in the form of higher sales;
rather they create good footing for the company in the long run. The competitive
strength of the company goes up with the enhancement of corporate image. It is
much easier for a highly reputed company to launch a new product in the market.
Basically, institutional advertising aims at getting public support for raising capital
through public subscription.
10. Internet advertising: The Internet facility has been around for some 30 years.
It actually began in the early 19608 in USA, where the U. S. Department of
Defence saw it as a means of supercomputer communication for researchers and
military facilities across the country. Until its commercial explosion in 1990s, the
Internet remained a relatively obscure network of linked computers - mostly by
academics, military researchers, and scientists around the world to send and
receive electronic mail, transfer files, and find or retrieve information from
databases. At present, Internet is the fastest growing medium in history, offering
incredible opportunities for a wide range of people in both business and
advertising. For advertisers, there is a whole new world of potential customers on
the internet.
Selective demand is when a prospect has a need, has identified the need, and is
ACTIVELY seeking out a solution. In most cases, the prospect will come to you if
he is confident of your company's ability to solve his needs. When someone has
selective demand, they are more proactive in their search for information. They
usually give themselves enough time to compare the qualities, values, and offers of
different companies. So while they are calling you, they are also likely to call
others as well.
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The fundamental of any advertising campaign is to establish the fact that among
the substitutes, the product advertised is the best. Thus, product is the heart and
focus of any advertising program. Advertising makes smooth entry of a new
product into the market possible.
We often come across advertisements which focus on the need for small family
norms, functional literacy and environmental sanitation and so on.
In-Text Answers 1:
It is directed at professionals like doctors, professors, engineers and others, who
are expected to recommend, prescribe or specify the advertised products to
ultimate consumers. This is done through professional journals and representative
of the advertisers.
In-Text Answer 2:
Primary Advertising is sponsored by trade association or by cooperative groups for
the purpose of creating generic for products and services, while Selective
Advertising is undertaken by marketers of branded products.
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In-Text Answer 3:
I. Classification on The Basis of Area Coverage
II. Classification on The Basis of Audience
III. Classification on The Basis of Media
IV. Classification on The Basis of Function
V. Classification on The Basis of Advertising Stages
In-Text Answer 4:
(a) The performance and image of the company and its future prospects must
be good. (b) The premium charged on the share price must be fair and
reasonable.(c) The brokers and underwriters must extend unqualified support
to the company.(d) The company should get wide publicity from the press
through press conferences.(e) True statement of facts should be included in the
ads.
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Peter, J. Paul and Donnelly, James H., Jr. (2011). Marketing Management:
Knowledge and Skills, (10th Edition). New York: McGraw-Hall Irwin.
Westwood, John (1996). The Marketing Plan: A Practitioner’s Guide, (2nd
Edition). London: Kogan Page Limited.
White, Roderick (2000). Advertising, (4th Edition). London: McGraw-Hill
Publishing Company.
Wood, Marian B. (2007). Essential Guide to Marketing Planning. London:
Prentice Hall.
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STUDY SESSION 3
Integrated Marketing Communication
Section and Subsection Headings
Introduction
1.0 Session Learning Outcomes
2.0 Main Content
2.1 Integrated Marketing Communication
2.2 Steps Involved in Framing Integrated Marketing Communication
2.3 Goals of Marketing Communications
2.4 Benefits of Integrated Marketing Communications
2.5 Barriers to Integrated Marketing Communications
3.0 Tutor Marked Assignment
4.0 Session’s Conclusion and Summary
5.0 Discussion Questions
6.0 Additional Activities
7.0 References/Further Readings
Introduction
In this study session, the locus and basis of our discussion is integrated marketing
communication. This session seeks to acquaint you with the meaning of integrated
marketing communication, Goals of marketing communication and the processes
involved in integrated marketing communication.
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IMC includes clear internal communications among departments along with the
messages sent to external customers and suppliers. IMC programmes apply
information technologies to develop databases that help everyone in the firm
understand customers’ needs and characteristics. This covers the needs of both
business customers and end-user consumers. Effective integrated communications
programmes mean that every organizational member works toward the goal of
reaching customers with a clear and consistent message.
Integrated Marketing Communications (IMC) is a strategic marketing process
specifically designed to ensure that all messaging and communications strategies
are unified across all channels and are also centreed on customers. The IMC
process emphasizes identifying and assessing customer prospects, tailoring
messages to customers and prospects that are both serviceable and profitable, and
evaluating the success of these efforts to minimize waste and transform marketing
from an expense into a profit-centre. Thus, IMC is an approach to achieving the
objectives of a marketing campaign, through a well-coordinated use of different
promotional methods that are intended to reinforce each other.
IMC is the use of coordinated messages and media on regular bases to consumers.
The messages are consistent and clear in all the channels of communication.
Databases are used to keep in touch with consumers. Repeat sales, customer
attitudes and related purchases are some of the tools used to
measure the effectiveness of IMC. Thus, IMC is the
integrating and coordinating of a company’s
communications, so that the message delivered is consistent
and clear in all channels used. Advertising is but a part of
this integrated marketing communication.
One of such tools within IMC is Direct or Database Marketing. This involves not
just direct mail but also telemarketing and direct response advertising on T.V and
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radio and other media where ad aims to generate an action response (e.g. Call
Centre number).
As stated below, direct marketing has two advantages over mass advertising:
1. The ability to target specific individual consumer with an offer that is tailored to
that consumer.
2. The ability to directly measure response.
This has become a major tool since many advertisers are combining direct
marketing efforts with their regular advertising efforts primarily to retain loyalty of
existing customers, to cross sell new products and services to these existing
customers, and to increase the amount or frequency of usage.
The second important tool within the context of IMC is Sales Promotion. They are
of two types:
Consumer promotion (coupons, samplings, premiums, sweepstakes, low-cost
financing deals and rebates)
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Trade promotions (allowances for featuring the product in retail advertising,
display and merchandising allowances and the like)
These are used to get the consumer to try or to repurchase the brand and to get the
retail trade to purchase and to ‘push’ the brand.
Retails in turn use promotions to clear their inventory of slow moving, out of
season, shelf-unstable products (such as fresh produce). Price cuts, displays,
frequent shopper programs and so on are few of the sales promotions done by the
retailers.
So how does it complement IMC or advertising? There are three (3) ways in which
it performs this complementary role.
It is a key element in inducing trial or repurchase in many communication
programs in which advertising creates awareness and favourable attitudes but fails
to spur action. The action comes about due to the limited duration of the
programme, so the consumer must act quickly. The consumer may perceive this as
a value for money purchase.
In many retail outlets, the companies are able to make out through scanners as to
which brands are moving fast off the retail shelves and also try to understand as to
which shelf does not receive much sales so that they could reduce the hiring or the
display of merchandise from the shelf. This is done in order to be cost effective.
In order to keep the equity of the brand intact (especially for high involvement
products and ‘feeling’ products), the advertising and sales promotion efforts must
complement each other.
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In-Text Question 1:
What is integrated marketing communication?
Apart from integrated marketing communications (IMC), there are other action
related marketing communications. These other marketing communications are
stated and explained as follows:
Retail advertising
Retail advertising provides consumers with lots of information in order to
influence and lure them to buy the advertised products. For instance, listing the
size, colour and prices of various shirts in a
store make a buyer more action inductive.
Appropriate behavioural aspects are used in
case of durables and automobiles. The
advertisement used here must create a strong
sense of desire, curiosity and urgency to get the
reader or viewer to make the store visit.
Cooperative advertising
Here, a manufacturer offers retailers an advertising programme for the later to run.
The programme may include suggested advertising format, materials to be used to
create actual advertisements, and money to pay a portion of the cost. Certain
merchandise quantity is also suggested for the retailer to stock and perhaps display.
There are three (3) types of co-op advertising:
1. Vertical: When the upstream manufacturer or service provider pays for a
downstream retailers ad.
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2. Horizontal: When local dealers in a geographic area pool money for
advertising.
3. Ingredient producer co-op: When the producer of an ingredient pays part of an
Ad run by the user product.
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Sales promotions
Sales promotions are different from advertising in that they do not involve the use
of mass media. Many sales promotions are designed
to encourage the immediate sale of goods, while
others have longer-run goals of keeping customers
loyal to the
store, aiding salespeople, or attracting customers into
the store. The term promotion is used to refer to all
communication efforts made on an impersonal basis,
including sales promotions, publicity, and
advertising.
Personal selling
Personal selling involves individual, face-to-face communication, in contrast to the
impersonal mass communication involved in advertising. Effective personal selling
is quite often the most important and effective element in retail communication.
Publicity
Two factors distinguish publicity from advertising. These factors are cost and
control. When a newspaper, magazine, TV or radio features a retailer’s store,
personnel, product or events and the retailer does not have to pay for it, the retailer
receives publicity. However, the retailer cannot control the time, direction, or
content of the message.
Word-of-mouth
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Retailers cannot directly control what customers say to friends about their stores,
services and products. However, they should be aware of this channel of
information because potential customers often rely on what customers of a store
say about it. Unfair treatment of one customer can create an ever-widening web, as
more people are told about that customer’s experience.
Fortunately, fair treatment and real value are also
discussed among customers, although positive aspects
may not have as much influence as the negative ones
do. The point is that customers are going to talk about
how they are treated in a store.
Packaging
Proper product packaging protects the product as well as provides a message that
facilitates its sale. Unfortunately, in most cases, retailers purchase products already
packaged and therefore have little control over the message on the package.
However, the retailer should always consider the image and message projected by
packaging as a part of the total communication mix. The retailers package many
goods with paper and plastic bags, boxes, and wrapping paper. If carefully
designed, such packaging can prove to be an effective yet inexpensive element
within the complete communication programme
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and positioning of the particular brand in the store is an important decision making
exercise.
Industrial marketing
A business-to-business deal, which requires a sales representative to make the sales
call. Here, the additional information provided by him with the help of certain
pamphlets and brochures are the key tones for advertising. The telemarketers can
handle the calls made once the pamphlets and brochures are effective enough for
eliciting a response. Often toll free numbers are provided in the pamphlets and
brochures.
Integrated marketing communication with the help of another tool, namely Public
Relations, is important to accommodate complex buying decisions. The key to the
success lies in the effective monitoring of the various tools used in order to avoid
dilution to the plan by any one. One important impact of IMC is greater
consistency to their communication including media waste. In addition, we must
answer the following in order to have a successful marketing communication:
What are the target audience and their behavioural pattern?
What are the media that the target audience normally comes in touch with?
What behaviour or attitudes do we want to affect?
What are the communication goals?
What is the best marketing programme(s)?
How should we allocate the budget?
Who is responsible for the programmes?
How will we measure the degree of success of each part?
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The answer to the following would indeed give us a fair amount of idea as to
which plan could be the most effective.
5) Determining the budget: This is one of the most important decisions of IMC
process. Effective IMC depends on the budget set for communication Mix. The
marketer prepares the budget taking into nature of the customers, objectives, nature
of competitions and also availability of funds.
8) Follow up: Here, the advertiser has to review the performance in terms of sales
and purchase. If the performance is as per communication objectives, there is
nothing to worry. On the other hand, if the performance falls below the
communication objectives, then certain corrective steps have to be taken.
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In-Text Question 2:
Mention FIVE (5) steps involved in framing integrated marketing communication
3) Identify prospects
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Identifying prospects is becoming an increasingly important goal of marketing
communications because modern technology makes information gathering much
more practical, even in large consumer markets. Marketers can maintain records of
consumers who have expressed an interest in a product and as a result, efficiently
direct future communications. Technology now enables marketers to stay very
close to their customers. Websites are used to gather information about prospects.
Also, supermarkets use point-of-sale terminals to dispense coupons selected on the
basis of a customer’s past purchases.
5) Retain customers Loyal customers are a major asset for every business. It costs
far more to attract a new customer than to retain an existing one.
Marketing communications can support efforts to create value for
existing customers. Interactive modes of communication
(including salespeople and websites) can play an important role in
retaining customers. They can serve as sources of information
about product usage and also about new products being developed. They can also
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gather information from customers about what they value, as well as their
experiences using the products. This two-way communication can assist marketers
in increasing the value of what they offer to existing customers, which will
definitely influence retention in the long run.
In-Text Question 3:
What are the goals of marketing communication?
This ‘Relationship Marketing’ cements a bond of loyalty with customers which can
protect them from the inevitable onslaught of competition. The ability to keep a
customer for life is a powerful competitive advantage.
IMC also increases profits through increased effectiveness. At its most basic level,
a unified message has more impact than a disjointed myriad of messages. In a busy
world, a consistent, consolidated and crystal clear message has a better chance of
cutting through the ‘noise’ of over five hundred commercial messages which
bombard customers each and every day.
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At another level, initial research suggests that images shared in advertising and
direct mail boost both advertising awareness and mail shot responses. Thus, IMC
can boost sales by stretching messages across several communications tools to
create more avenues for customers to become aware, aroused, and ultimately to
make a purchase
Carefully linked messages also help buyers by giving timely reminders, updated
information and special offers, which when presented in a planned sequence, help
them move comfortably through the stages of their buying process. Consequently,
this reduces their ‘misery of choice’ in a complex and busy world.
IMC also makes messages more consistent and therefore more credible. This
reduces risk in the mind of the buyer which, in turn, shortens the search process
and helps to dictate the outcome of brand comparisons.
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strategic planning. This reduces workload and subsequent stress levels. This,
indeed, is one of the many benefits of IMC.
Functional silos: Rigid organizational structures are infested with managers who
protect both their budgets and their power base. Sadly, some organizational
structures isolate communications, data, and even managers from each other. For
example, the PR department often doesn’t report to marketing. The sales force
rarely meets the advertisers or sales promoters and so on. Imagine what can happen
when sales representatives are not told about a new promotional offer! And all of
this can be aggravated by turf wars or internal power battles where specific
managers resist having some of their decisions (and budgets) determined or even
influenced by someone from another department.
Here are two difficult questions – What should a truly integrated marketing
department look like? And how will it affect creativity? It does not matter whose
creative idea it is, but often, it does. For example, an advertising agency may not
be so enthusiastic about developing a creative idea generated by, say, a PR or a
direct marketing consultant.
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IMC can restrict creativity. No more wild and wacky sales promotions unless they
fit into the overall marketing communications strategy. The joy of rampant
creativity may be stifled, but the creative challenge may be greater and ultimately
more satisfying when operating within a tighter, integrated, and creative brief. Add
different time scales into a creative brief and you’ll see Time Horizons provide one
more barrier to IMC. For example, image advertising designed to nurture the brand
over a longer term may conflict with shorter term advertising or sales promotions
designed to boost quarterly sales. However the two objectives can be
accommodated within an overall IMC, if carefully planned. But this kind of
planning is not common. A survey in 1995 revealed that
most managers lack expertise in IMC. It is not just
managers, but also the agencies. There is a proliferation
of single discipline agencies. There appears to be very
few people who have real experience of all the marketing
communications disciplines. This lack of know-how (i.e.
knowledge) is then compounded by the dearth of
commitment.
In-Text Answer 1:
Integrated Marketing Communications (IMC) is a strategic marketing process
specifically designed to ensure that all messaging and communications strategies
are unified across all channels and are centred around the customer.
In-Text Answer 2:
1 Identification of target audience,
2. Determining the communication objectives
3. Determining the message
4. Selecting the communication channel
5. Determining the budget
6 Promotion Mix decision
7 Implementation of promotion mix and
8 Follow up.
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In-Text Answer 3:
1) Create Awareness,
2) Build Positive Images,
3) Identify Prospects
4) Build Channel Relationships and
5) Retain customers.
7.0 References
Aaker, David, and John (1992). Advertising management. Pretice-Hall of India
Kenneth E. Clow and Donald Baack (2007). Integrated Advertising, Promotion,
and Marketing Communications, (Third Edition). Pearson Education, Inc.
Prentice Hall.
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STUDY SESSION 4
Communication Models in Advertising
Section and Subsection Headings
Introduction
1.0 Session Learning Outcomes
2.0 Main Content
2.1 Communication Models in Advertising
2.2 Elements of Advertising/marketing Communication
2.3 AIDA Model
3.0 Tutor Marked Assignment
4.0 Conclusion/Summary
5.0 Discussion Questions
6.0 Additional Activities
7.0 References/Further Readings
Introduction
You are welcome to this study session. In this study session, you will be
introduced to the subject matter of "communication models in advertising". This
session is expected to expose you to communication models as well as the meaning
of communication.
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2.0 Main Content
2.1 Communication Models in Advertising
The word communication comes from the Latin word communis, meaning
common. When we communicate, we try to establish commonness with someone
by sharing information, ideas or attitude. Man is a social animal and thus,
communication is essentially a social affair. ‘No man is an island or an entire in
himself’, ‘We cannot not communicate’ are some of the common sayings in
communication. Communication is what makes human relationships possible.
In-Text Question 1:
According to Aristotle, event there are three elements in communication. What are they?
The TRIM formula can give you very effective communications and presentation
control, so that your time and efforts can be productively channelled and bring you
the results you want.
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Effective communication really depends on how ideas are being organized and put
together. The way you put together your ideas determines how you will give out
the information and how well your targeted audience will receive your message.
This is vital to the success of business communications. It is worthwhile to
examine methods for putting ideas into a communicable form. These methods are
given as follows;
1. Structuring ideas for the target group
2. Building logical sequences.
3. Building psychological sequences.
4. Developing core ideas from the lot.
5. Having proper introductions and conclusions.
You may have the most important message delivered in the most creative manner,
but the communication would fail if you strike the wrong chord in the audience.
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You must overcome receiver’s apathy, draw attention and sustain interest. Some of
the techniques used by professional communicators are:
1. Shock - startle, shake or surprise the audience.
2. Suspense - keeping them guessing.
3. Humour - in language or situation to overcome apathy.
4. Novelty - something new or innovative or creative.
5. Familiarity - keeping audience interest through something known.
6. An inside story - something to do with behind the scene activities.
7. Visual and other devices - in presentation, like demo, audiovisual, case-studies,
and anecdotes.
While doing these, one must, at the same time, be careful in selecting appropriate
techniques, avoid talking down to the audience, be
natural, avoid being condescending towards people and
lastly, monitor the communications. If it exposes
weaknesses, it is essential for corrective action to be
taken. Monitoring must be dependent on feedback
received from the audience through formal and informal
channels.
Context
Communication can take place in literally hundreds of contexts. Therefore, it is
important to view communication from a contextual point of view. Context keeps
on changing. It affects ideas, technology etc. Media products at one level are
products of complex organization, and at another level, they reflect the economic
arrangements of media industries and other institutions. The work of individual
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communicator cannot be understood outside these organizational, industrial and
institutional contexts.
Technology
In today’s world, the very word communication brings to mind technical and
electronic means of communication, such as the telephone, television, computer
etc. These are the means of communication through which the entire systems in the
world are functioning, be it trade, business, education and even keeping in touch
with friends and the family members.
Social Relations
Social relations comprise of the relationship and role of the players in the
communication process. Communication can be said to be a process of information
handling which includes the activities of production, dissemination, reception and
storage all within a social system. Social relations deal with how the changes in the
relationship between the players affect the information process.
Representation
Representation is the projection of content. It is the image, idea or message that is
conveyed through the communication. The way in which a fact is projected is
known as representation. Media by means of representation can give meaning in a
particular manner. Media representation is one of the means of achieving
hegemony and popular consent. Each one of these factors affects the other, and in
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turn the entire communication process. Thus, communication can be described as
‘The articulation of social relations between individuals in a society.’
Advertising as a communication tool is an integral part of marketing.
Media: The channels of communication are the media. They convey the ad
message to the target audience. Newspapers, magazines, TV, etc. are the common
or few of the media tools used. The media have their own strengths and
weaknesses.
Targeted audience: The readers of the print media, the listeners of radio and the
viewers of TV make the audience. The product could be for
the mass audience or for a targeted audience. Audience
could be both users and nonusers of the product. Now let us
come down to certain models that primarily have their roots
within the context of advertising. You must understand that
the basic principle relates to communication principle itself.
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2.3 AIDA Model
The design and development of advertising follows the AIDA formula. The
effectiveness of advertising depends on extent to which the advertising message is
received and accepted by the target audience.
To be effective, research has identified that an advertisement has to
i. Attract Attention
ii. Secure Interest
iii. Build Desire for the product and finally
iv. Obtain Action.
All advertisements obviously do not succeed on these counts. This is one solitary
reason behind the great divergence between the number of people exposed to the
advertisement and those who ultimately take the purchase decisions. At this stage,
however, other elements of the marketing mix, especially distribution become
crucial.
In-Text Question 2:
To be effective, research has identified that an advertisement has to fulfil a number of
conditions. What are they?
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A somewhat simplified model based on the identical principle of sequential stages
of consumer action is known as AIDA model.
Attention
The layout is the most important factor that directs attention to an advertisement.
Typography and colors used in the layout can rivet us. The size of the
advertisement also compels us to get attracted to it. Contrast by white space is a
good attractor. Movement is a vital element for getting attention. Movement can be
physical or emotional. The position of the advertisement also enhances its
attractiveness. The use of Celebrities in the advertisement, dramatization, model
selection, and illustration etc. also help in getting attention.
Interest
Ad seen does not mean ad read. Mostly, people see the illustrations and do not read
the copy. Hence, illustrations have to be applied effectively. They should, together
with headlines, induce further reading. The selection of the illustrations and its
integration to life are very important just as the copy format is important for
interest creation. A humorous copy is suitable for some people, while some
categories of people prefer scientific copy. As a result of this difference, there is a
dilemma for a copywriter. The target of a copywriter is to satisfy maximum
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number of people. If this is truly case, he has to search for a common denominator
of interest.
Desire
The basic purpose of advertising is to create a desire for the product or service
being advertised. It is a function of appeals used for motivating people. Vivid
description or copy always helps. Buying motives (either physiological or
psychological) make people purchase products. The copy of the advertisement
must kindle these motives. There are certain barriers that must be overcome. For
example, certain reservation in the mind of customers is one of these barriers. As a
result of these barriers, the advertiser has to be convincing enough by giving
evidence, testimonials, endorsements, and facts and figures. On arousal, people
become prone to buy the product.
Action
The logical end of the desire aroused is to buy the product.
1. Products are associated with company.
2. The message is repeated.
3. Certain immediate action appeals are used.
There are six steps or movements towards the purchase of a product or service. The
first two steps, awareness to knowledge and fall in the cognitive sphere of related
behavioural dimension. It deals with the realm of thoughts. Here, Advertising
provides essential information and facts. These advertisements are announcements,
descriptive slogans, jingles, sky writing, and teaser campaigns.
The next two steps in the movement towards purchase are liking and preference.
These have been linked with the affective sphere, which is the realm of emotions
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wherein the advertising changes attitudes and feelings. Advertisements falling in
this category are competitive advertisements, argumentative advertisements,
advertisements with a strong rational message and image advertisements with
status and glamour appeals.
The final two steps in the movement towards purchase are conviction and
purchase. These are related to behavioural realm of motives. Here, the
advertisements stimulate or direct desires. Advertisements that fall in this slot are
POP, retail store advertisements, last chance offers, price
reduction appeals, testimonials, and prize scheme
advertisements. This is called Hierarchy of Effect (HOE)
model.
In-Text Question 3:
The design and development of advertising follows the AIDA formula. What is the meaning of
the acronym?
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5.0 Self-Assessment questions
1. What are the models in advertising?
2. Explain the elements in advertising
3. What do you understand by the AIDA model?
In-Text Answer 1:
They are the speaker, the speech and the audience.
In Text Answer 2:
i. Attract Attention
ii. Secure Interest,
iii. Build Desire for the product and finally
iv. iv. Obtain Action.
In-Text Answers 3:
AIDA means: Attention, Interest, Desire and Action.
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7.0 References/Further Readings
Aaker, David, and John (1992). Advertising management. Prentice-Hall of India
Kenneth E. Clow and Donald Baack(2007). Integrated Advertising, Promotion,
and Marketing Communications, (Third Edition). Pearson Education, Inc.
Prentice Hall.
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2.0 MODULE 2
Objective Setting and Budgeting for Advertisement, Segmentation
and Positioning
Contents:
Study Session 1: Setting objectives and budgeting for advertisement
Study Session 2: Understanding Segmentation and positioning
Study Session 3: Choosing an advertisement agency
Study Session 4: Advertising campaign management
STUDY SESSION 1
Setting Objectives and budgeting for advertisement
Section and Subsection Headings
Introduction
1.0 Learning Outcomes
2.0 Main Content
2.1 Setting objectives and budgeting for advertisement
2.2 DAGMAR approach
2.2.1 Nature of objectives
2.2.2 Assessment of DAGMAR
2.3 Establishing the budget
2.4 Advertising the budget
2.5 Allocating the budget
3.0 Tutored Marked Assignment
4.0 Conclusion/Summary
5.0 Discussion Questions
6.0 Additional Activities
7.0 References/Further Readings
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Introduction:
You are welcome to this study session. In this study session, we are going to be
discussing the topic titled setting objectives and budgeting for advertisement. You
will get to understand that advertising is a method of communication with
specified objectives.
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Maintenance of loyalty (reinforcement): One of the tasks which is often
forgotten is that of maintaining loyalty of existing customers who will
almost always represent the main source of future sales.
There are general objectives of advertising that cover goals like encouraging
increased consumption of a product by current users, generating more sales leads,
increasing brand awareness, increasing repeat purchases and supporting the
personal selling efforts.
In-Text Question 1:
Mention the ways in which the communicative objectives of advertising can be grouped.
These goals may pertain to sales, image, attitude, and awareness. Some of the goals
are:
Persuade a prospect to visit a show room and ask for a demonstration.
Build up the morale of the company’s sales force.
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Facilitate sales by correcting false impression, misinformation and other
obstacles.
Announce a special reason for buying now (price, discount, premium and so
on).
Make the brand identity known and easily recognizable.
Provide information or implant attitude regarding benefits and superior
features of brand.
DAGMAR is a planning and control tool. It may guide the creation of advertising.
However, the basic inputs of DAGMAR are not so easily to formulate and may
also inhibit creativity.
Awareness
Comprehension
Conviction
Image
Action
There are various methods of deciding on advertising budget. This decision will be
largely influenced by the objective that we set for the campaign. For example, if
there is a new product launch, then the advertising campaign will have to be high.
Whereas, launching a repeat campaign requires less spending.
In Text Question 2:
What is advertising budget?
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5. Affordability Method: Some firms believe that advertising is tactical and not
strategic and hence does not need much attention. These kinds of firms follow a
method of affordability and spend what is left after managing the details of the
official expenses involved in paying to the factors of production.
6. Total Group Budget: In case of multi-location and multi product line firms, a
total amount is dedicated for advertising and each strategic business unit receives a
share according to their needs. This method helps the group to segregate some
amount for corporate group advertising for the purpose of building the image of the
organization.
7. Percentage of Anticipated Turnover: This method is useful in dynamic
markets and budget can be fixed on the estimated demand pattern than the current
year sales.
8. Elasticity Method: This method takes in to consideration the seasonality of
business, the periodicity in the purchase cycle of consumer and the demand and
supply situation. This method is mostly used for advertising industrial products.
9. Operational Modelling: Market research gives advertising expenses, market
response and sales per advertising figures and the modelling is done to explain the
budget.
10. Composite Method: This method takes into consideration several factors in
formulating the advertising budget. Such factors include indices like firm’s past
sales, future sales projection, production capacity,
market environment, sales problems, efficiency level of
sales personnel, seasonality of the market, regional
considerations, changing media scenario and changing
media impact on the target market segment, market
trends and results of advertising and marketing.
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11.Objective and Task Method: Marketers follow this method more often as this
is a scientific method where the advertising goals are explicitly stated and the cost
to achieve the target is also spelt out. Taking each activity like increasing
geographic sales area and increasing market awareness by a certain percentage
over the figure obtained from the brand tracking study, they add up the amounts
needed for each activity.
In-Text Question 3:
Mention five advertising budgeting methods?
In-Text Answer 1:
The communication objectives of advertising can be grouped in to the following: i.
Building awareness (informing), ii. Creating favorable attitudes (persuasion), iii.
Maintenance of loyalty (reinforcement)
In-Text Answer 2:
Advertising budget is an estimated amount that an organization decides to invest
in its promotional expenditures over a period of time. An advertising budget is
the money a company set aside to accomplish its marketing objectives.
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In-Text Answers 3:
1. Percentage of Sales Volume,
2. Unit of Sale Method,
3. Competitive Parity Method,
4. Historical Method,
5. Affordability Method
7.0 References
Aaker, David, &John (1992). Advertising management, Pretice-Hall of India
Kenneth E. Clow and Donald Baack(2007). Integrated Advertising, Promotion,
and Marketing Communications (Third Edition). Pearson Education,
Inc.Prentice Hall.
Perreault, William D., Jr. and McCarthy, Jerome E. (2005). Basic Marketing: A
Global- Management Approach. Boston: McGraw-Hall Irwin.
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STUDY SESSION 2
Understanding Segmentation and Positioning
Section and Subsection Headings
Introduction
1.0 Learning Outcomes
2.0 Main Content
2.1 Understanding Segmentation and Positioning
2.2 Basis of Segmentation
2.2.1 Geographic Segmentation
2.2.1.1 National Advertising
2.2.1.2 Local Advertising
2.2.1.3 Global Advertising
2.2.1.4 Demographic segmentation
2.2.1.5 Psychological/Psychographic Segmentation
2.2.1.6 Socio cultural Segmentation
2.2.1.7 Use-Related Segmentation
2.2.1.8 Usage-Situation Segmentation
2.2.1.9 Benefit-segmentation
2.2.1.10 Hybrid Segmentation
2.3 Segmentation on the basis of target groups
2.3.1 Consumer Advertising
2.3.2 Industrial Advertising
2.3.3 Trade Advertising
2.3.4 Professional Advertising
2.4 Behavioural Segmentation
2.5 Positioning
2.6 Using Product Characteristics or Customer Benefits
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3.0 Tutored Marked Assignment
4.0 Conclusion/Summary
5.0 Discussion Questions
6.0 Additional Activities (Videos, animation and outdoor activities)
7.0 References/Further Readings
Introduction
In this study session, we are going to be considering segmentation and positioning.
Basis for segmentation, the concept of positioning and the positioning strategy
shall form the basis of our discussion in this study session.
Segmentation is the first step in a marketing strategy. Once marketers divide the
market into various groups, they can then select their ‘targeted segments’ and
design products that suit their requirements. For instance, companies like BPL
have resorted to market segmentation as a strategy to beat its competitors. Each of
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its products has been designed to cater for the
demand of a particular segment. Some of the
company’s products are BPL Loewe (digital designer
televisions for the premium-end of the market);
Matrix Flat screen TV (for technology lovers); Studio
line (who are performance seekers); and Prima (for the lower-end of the market).
In-Text Question 1:
Mention the ways market can be categorized
2.2.1.9 Benefit-segmentation
The market is divided into segments depending on the benefits of the products.
This sort of segmentation is used to communicate the product features to
consumers. For instance, Bausch and Lomb advertises its disposable lenses as a
form of convenience.
In-Text Question 2:
There are eight categories of customer characteristics that form the basis for segmentation.
What are those categories?
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2.3.1 Consumer advertising
A very substantial portion of total advertising is directed towards the consumers
who purchase them either for their own use or for their household. The main point
to be remembered here is that buyers of consumer items are generally very large
and are widely distributed over a large geographical area. This, however, enhances
the importance of advertising as a marketing tool. Looking into any general print
media, such as newspapers, magazines etc, can see such advertising. Any
advertisement intended to promote sale of the advertised products by appealing
directly to the buyers/consumers is called consumer advertising.
In-Text Question 3:
What is industrial advertising?
The answers to the above will give you a fair amount of insight into the designing
of your offering to the particular age group. For example, the advertisements for
cosmetics will invariably show a young woman, even if it is aimed at all the age
group. ‘I am a complan girl” is an advertisement focused at the young teens and
adolescents, whereas an advertisement about liquor targets matured age groups.
Thus, segments of different age groups often need different advertising
approaches, both in terms of message and execution.
Gender: Much research suggests that men and women process information from
ads differently. For instance, it has been shown that women process more detailed
information than men do, possibly because they are more attuned to paying
attention to external cues than men are. The woman manager who headed Nike’s
marketing campaigns to grow its women’s markets agrees and claims that women
are:
1. More discerning buyers than men, and
2. That they research many products and weigh several factors before they buy.
3. Women, unlike men, find ads using celebrity endorsements to be unpersuasive
because they don’t like being preached to.
4. Instead, women are responsive to ads that portray them as powerful, capable
people who hate being told they can’t do things simply because they are women.
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Income: Another useful demographic variable is income. Not surprisingly, higher
income households tend to be less sensitive about price and thus, they place a
higher value on buying higher-quality merchandise. Because of the growth in dual-
income households, there has been a dramatic growth in the proportion of total
spending in the economy coming from such households, implying that the market
for high-end products and services should increase substantially. Even sometimes,
the choice of celebrity endorser is considered while targeting a certain income
category.
Geographic Location: Geographic location can often provide the basis for an
effective segmentation strategy. If it so chooses, a firm with modest resources can
dominate a small geographic area. Its distribution within the limited area can be
Internet. Local media such as newspapers or spot television can be employed.
Also, it is possible to buy space in regional
editions of major national magazines.
In recent years, it has become increasingly
possible to learn something about a company’s
targeted consumers simply by knowing the postal
zip code in which they live. Census-based
demographic data on households has been
analyzed by various companies to yield “average profiles” for house-holds in
different segments, or groups.
One segmentation scheme might thus involve heavy users, light users, and
nonusers. This particular segmentation scheme is likely to be useful wherever the
focus is on building up the market. Each person is classified according to usage,
and a programme is developed to increase the usage level. The segments defined
by usage usually require quite different marketing programs. So, a program
tailored for one of these segments can generate a substantially greater response
than would a marketing program common to all segments. Of course, designing
and implementing several marketing programmes is costlier than developing one,
but the resulting market response will often be significant enough to make it
worthwhile.
Generation: Pepsi, with its ads on ‘Gen X’, were able to understand the relevance
of generation advertising. Be it the baby boomers of the 60s and the high energy
level Generation Y, brands and companies focus on certain generations for
marketing their products. Each set of generations has their own values, beliefs and
attitudes and companies might focus on these variables so that their brands could
be well positioned towards them.
Family Size: The followings are certain classifications and the type of products
that customers of different kinds are likely to purchase:
ꞏ Young and single: Personal consumption items, entertainment, bikes, clothing
and love to go on a vacation.
ꞏ Newly married couples: Households durables like furniture, TVs, refrigerators,
etc.
ꞏ Young married with child: Toys, medicines, tonics, baby food, formula milk, etc.
ꞏ Older married with children: Food products, music, educational services and wide
variety of other products.
ꞏ Older married with dependent children: Rational purchases more on replacement
buying.
ꞏ Older married with no children: Self-education, saving schemes, hobbies, luxury
appliances, magazines, health products, etc.
ꞏ Old single retired: Economic lifestyle, healthcare and other services
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ꞏ Young married with child dual income: Convenience goods like washing
machines, microwave ovens, costly garments for the kid along with games.
Expenditure on instant food and crèches, etc.
ꞏ Single parent families: Buying physical, psychological and financial securities,
like insurance, alarms, boarding school expenses.
ꞏ Divorced: Money saving products, rental housing, childcare, time saving
appliances, etc.
ꞏ Older people married or single: as a result of being cash poor and health
conscious, they need security and recreation.
ꞏ Middle age: Children’s lesson on dance and music, dental care, furniture, autos,
houses, dining out, etc.
ꞏ Middle aged with no children: Luxuries, travels, gift products, etc.
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Since it is difficult to reach targets on the basis of traits like sociability, self-
reliance or assertiveness, the classifications based on slots as given above become
useful.
The idea of segmenting on the basis of important attributes has been termed as
benefit segmentation by Russell Haley. For example, lowest price, durability, use
on special occasions. In the case of tooth paste, we could use elements like flavour,
price, product appearance, brightness of teeth and decay prevention.
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Considering the different advertising approaches that will be appropriate for each
segment suggests and underlies the value of benefit segmentation for advertising.
Whether it is demographic study in the previous lesson or behavioural and
psychographic analysis in this lesson, we must learn to integrate in order to clearly
understand all our buyers.
2.5 Positioning
Just as segmentation involves the decision to aim at a certain group of customers
and not others, positioning involves a decision to stress only certain aspects of our
brand, and not others. The key idea in positioning strategy is that the consumer
must have a clear idea of what your brand stands for in the product category, and
that a brand cannot be sharply and distinctly positioned if it tries to be everything
to everyone. Such positioning is achieved mostly through a brand’s marketing
communication, although its distribution, pricing, packaging, and actual product
features also can play major roles.
It is often said that positioning is not what you do to the product, but what you do
to the consumer’s mind through various means of communication. For instance,
many products in the over-the counter drug market have identical formulas but are
promoted for different symptoms by using different names, packaging, product
forms, and advertising.
In-Text Question 4:
What is positioning? What is the key idea in positioning strategy?
Occasionally, a product will attempt to position itself along two or more product
characteristics simultaneously. Sometimes, different models of a product may be
positioned towards different segments by highlighting different attributes.
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Myers and Shocker have made a distinction between physical characteristics,
pseudo physical characteristics, and benefits, all of which can be used in
positioning. Physical characteristics are the most objective and can be measured on
some physical scale such as temperature, colour intensity, sweetness, thickness,
distance, dollars, acidity, saltiness, strength of fragrance, weight, and so on.
Pseudo physical characteristics, in contrast, reflect physical properties that are not
easily measured. Examples are spiciness, smoky taste, tartness, type of fragrance,
greasiness, creaminess, and shininess. Benefits refer to advantages that promote the
wellbeing of the consumer or user.
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Positioning by use or application
Another way to communicate an image is to associate the product with a use or
application. Products can have multiple positioning strategies; although increasing
the number attracts obvious difficulties and risks. Often a positioning by use
strategy represents a second or third position for the brand, a position that
deliberately attempts to expand the brand’s market.
The soft drink,7-Up, was for a long time positioned as a beverage that had a “fresh
clean taste” that was “thirst quenching.”
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However, research uncovered the fact that most people did not regard 7-Up as a
soft drink but rather as a mixer beverage. Therefore, the brand tended to attract
only light soft-drink users. The positioning strategy was then developed to
position7-Up as a “mainline” soft drink and also as a logical alternative to the
“colas” but with a better taste. The result of this was the successful “Uncola”
campaign.
Positioning by competitor
In most positioning strategies, an explicit or implicit frame of reference is one or
more competitors. In some cases, the reference competitor(s) can be the dominant
aspect of the positioning strategy. It is useful to consider positioning with respect
to a competitor for two reasons. First, the competitor may have a firm, well-
crystallized image developed over many years. The competitor’s image can be
used as a bridge to help communicate another image referenced to it. If someone
wants to know where a particular address is, it is easier to say it is next to the Bank
of America building than to describe the various streets to take to get there.
Second, sometimes it is not important how good customers think you are; rather it
is just important that they believe you are better than (or perhaps as good as) a
given competitor.
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Perhaps, the most famous positioning strategy of this type was the Avis “We’re
number two, we try harder” campaign. The message was that the Hertz company
was so big that they did not need to work hard. The strategy was to position Avis
with Hertz as major car-rental options, and therefore to position Avis away from
National, which at the time was a close third to Avis.
So how should you go about formulating your positioning plan? There are
essentially two (2) ways of going about it.
a. Market Positioning.
b. Psychological Positioning
Market Positioning
It is a three-step process:
i. Identify market opportunities.
ii. Segment the market and select the right
segment.
iii. Devise a competitive strategy.
The whole idea is to meet market requirements better than the competitors can.
1. Explore the market
Ask which are the areas where the company has distinctive advantage over the
competition. Study the sales potential of the new market and its growth rate. Do
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financial calculations like to produce, profits, pricing etc. Understand market
dynamics and channels of distribution. Put the key factors that may contribute to
success on paper.
3. Competitive strategy
Identify the competitor’s weaknesses and your company’s strengths. Emphasize
your strengths to differentiate your offer. The company identifies the most
important differences to develop strategy. Consider factors like:
i. Market share
ii. Profitability
iii. Product range
iv. Corporate profile
v. Financial strength
vi. Cost position
vii. Product differentiation
viii. Quality of management, technology, distribution
ix. Reputation.
Find out the gaps between you and your competitors against the above-listed
factors. It will give you an offer that distinguishes you - a benefit bundle or value
package consisting of price, distribution and service mix.
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These days, many products are technologically so similar to each other to the
extent that the distinctions between them are hardly noticeable. These similar
products can be distinguished by introducing various measures, such as warranties,
after-sales service, instalment offers, price-offs, discounts, strong distribution,
responsiveness etc.
Psychological positioning
Basically, psychological positioning is a communicative exercise that follows
AIDA (Attention, Interest, Desire and Action model). It is derived from market
positioning and tells what the company is, what the product does, and what to
expect from the purchase.
The brand name, the look and the packaging must complement the psychological
positioning. Consumer behaviour is driven more by feelings than rationale, and
even the most aptly positioned brand might fail if it does not strike the right chord.
Brand ultimately has to build a good relationship with the customer.
Benefits and benefit gaps are easy to identify through research. Feelings are more
difficult to get to. Coffee, for instance, is about intimacy, romance and
togetherness. Thus, brand positioning is not just occupying a slot in the mind of the
consumers; rather it is also about ruling the heart.
The image and appeals must be related to the way consumers possibly think about
a brand and thus position it in their minds. In order to develop a clear position, the
communicator must somehow put together all aspects of product, consumer, trade,
competition and communication situation in a distinctive way for that brand. Good
positions are difficult to maintain, and a company must be prepared to defend its
position sometimes at great cost.
In-Text Question 5:
Mention 5 approaches to positioning strategy
In-Text Answers 1:
Markets can be categorized based on the buyers as follows:
Producers market trade in raw material, Reseller market trade in finished goods,
Consumer market.
In-Text Answer 2:
1. Geographic Segmentation
2. Demographic segmentation
3. Psychological/Psychographic Segmentation
4. Socio cultural Segmentation
5. Use-Related Segmentation
6. Usage-Situation Segmentation
7. Benefit-segmentation
8. Hybrid Segmentation
In-Text Answer 3:
Industrial advertising refers to those advertisements which are issued by the
manufacturers or distributors to the buyers of industrial products.
In-Text Answer 4:
Positioning involves a decision to stress only certain aspects of our brand, and
not others. The key idea in positioning strategy is that the consumer must have a
clear idea of what your brand stands for in the product category, and that a
brand cannot be sharply and distinctly positioned if it tries to be everything to
everyone.
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In-Text Answer 5:
1. Using product characteristics or customer benefits, 2. The price-quality
approach, 3. The use or applications approach, 4. The product-user approach, 5.
The product-class approach.
7.0 References
Aaker, David, & John (1992). Advertising management, Prentice -Hall of India
Kenneth E. Clow and Donald Baack(2007). Integrated Advertising, Promotion,
and Marketing Communications, Third Edition, Pearson Education, Inc.
Prentice Hall.
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STUDY SESSION 3
Choosing an Advertisement Agency
Section and Subsection Headings
Introduction
1.0 Learning Outcomes
2.0 Main Content
2.1 Choosing an Advertising Agency
2.2 Decision Variables
2.3 External Advertising Agencies
2.4 Advertising Planning and Research
3.0 Tutored Marked Assignment
4.0 Summary
5.0 Discussion Questions
6.0 Additional Activities
7.0 References/Further Readings
Introduction
As stated above, this study session shall be considering the subject matter of
choosing an advertisement agency. In this study session, you shall be acquainted
with the definitions of advertising agency, most especially the one given by the
American Association of Advertising Agency.
Recently, Canada’s property and casualty insurance industry experienced its worst
Two years in history. The management team at Co-operators, one of Canada’s
largest insurance companies, grew tired of dealing with advertising agencies that
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didn’t seem to understand the company’s or the industry’s problems. As a result,
an in-house marketing team was developed. The team was assigned the objective
of revitalizing the company’s well-known brand and linking that awareness to
specific attributes. The team developed a profile of the company’s customers using
in-house research and data mining. A top-notch creative director was hired to assist
in the production of new advertisements. A television campaign called “Heritage”
was created. The ads and accompanying marketing materials focused on an
association of farmers who relied on a caring, friendly, community minded, honest,
and Canadian insurance company. Due to these arrangements, the spots and the
integrated campaign were highly successful.
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In-Text Question 1:
What is an advertising agency?
With regards to the account size, a small account usually is not attractive to an
advertising agency, because smaller accounts are less profitable. Also, with regards
to money spent on media, smaller accounts are less economically sound for the
agency, because more money must be spent on producing advertisements rather
than on purchasing media time or space. A good rule of thumb is called the 75–15–
10 breakdown. That is, 75 percent of the money buys media time or space, 15
percent goes to the agency for the creative work, and 10 percent is spent on the
actual production of the ad. For smaller accounts, the breakdown may be more like
25–40–35. This means that 75 percent of the funds go to the creative and
production work, and only 25 percent is spent on media purchases. Unless 75
percent of the company’s advertising budget can be spent on media purchases, it
may be wise either to do the work in-house or to develop contracts with smaller
specialty firms to prepare various aspects of the advertising campaign.
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An agency is more likely to be objective than an in-house advertising department.
It is difficult for an in-house creative to remain unbiased and to ignore the
influences of others in the organization who may not fully understand the artistic
aspects of advertising.
An external creative does not face these influences and pressures. Advertisements
for highly complex products create a different set of circumstances. This is so
because external advertising agency members may have a difficult time
understanding complicated products. To get them up to speed often requires a
considerable amount of time, which costs money. Therefore, in-house departments
may be better for some more complex products.
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In-Text Question 2:
In deciding whether to use an external agency or in-house department, there are several key factors
to consider, what are they?
At the other end of the spectrum are the full-service agencies that provide all types
of advertising and promotional activities. These companies also offer advice and
assistance in working with the other components of the IMC program, including
consumer and trade promotions, direct-marketing programs, and public relations
events. Full-service advertising agencies provide a number of items, including:
◗ Consulting and giving advice about how to develop target markets
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In addition to advertising agencies, there are other closely associated types of
firms.
Media service companies negotiate and purchase media packages (called “media
buys”) for companies. Direct marketing agencies handle every aspect of a direct-
marketing campaign, either through telephone orders (800 numbers), Internet
programs, or by direct mail. Some companies focus on either consumer
promotions, trade promotions, or both. These companies assist in developing
promotions such as coupons, premiums, contests, and sweepstakes. They also
provide assistance in making posters, end-of-aisle displays, and point-of-purchase
displays. Public relations firms provide experts to help companies and individuals
develop positive public images. PR firms are often called in for damage control
when negative publicity arises. In-house members of the organization can render
these activities, just as an in-house marketing department can perform advertising
and IMC programmes. In both instances, companies’ leaders must decide how they
can perform these key marketing activities efficiently and effectively.
A new trend in advertising, called the “whole egg theory,” has recently been
introduced by the Young and Rubicam Advertising Agency. The concept of the
whole egg theory is to move from selling a client’s products to helping the client
attain total success in the marketplace. Achieving success requires integrating the
marketing approach by offering a fuller array of services to both business and
consumer clients. Thus, as client companies began to move toward more integrated
marketing approaches, agencies such as Young and Rubicam captured more
accounts.
A similar company is Venture Communications of Calgary, Canada. The
company’s founder, Arlene Dickson, transformed Venture from a traditional
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advertising agency into an integrated marketing communications company by
expanding to cover every aspect of a company’s marketing program. Venture is
divided into six communities: advertising, technology, media buying, brand
planning, public relations, and marketing and business strategies. U.S. brands such
as Lipton, Cisco, and Unisys, have bought into Venture’s “synchronized”
communication approach and now make up 15 percent of Venture’s revenues.
Agencies like Young & Rubicam and Venture continue to succeed because they
are more than just advertising agencies. Instead, these firms offer marketing
experts who participate in the entire integrated marketing communications
program.
◗ Set goals.
◗ Select process and criteria.
◗ Screen initial list of applicants.
◗ Request client references.
◗ Reduce list to two or three viable agencies.
◗ Request creative pitch.
◗ Select agency.
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Choosing an agency
Choosing the advertising agency that best suits a company requires careful
planning. Figure 1 above lists the steps involved in this process. Additional
information about each of these steps is given as follows.
Goal setting
Before making any contact with an advertising agency, it is important to identify
and prioritize corporate goals. Goals provide a sense of direction for the company’s
leaders, for the agency account executive, and for the advertising creative. Each is
more likely to be “on the same page” as preparation of the advertising campaign
unfolds. Without clearly understood goals, it is virtually impossible to choose an
agency because companies’ leaders may not have a clear idea of what they want to
accomplish. Unambiguous goals help ensure a good fit between the company and
the agency.
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Fig. 2: Evaluation Criteria in Choosing an Ad Agency
Selection criteria
The second step in selecting an agency is stating the selection criteria that will be
used. Even firms with experience in selecting agencies should set selection criteria
in advance. The objective is to reduce biases that may enter into the decision.
Emotions and other feelings can lead to decisions that are not in the company’s
best interests.
Although good chemistry between the agency and the firm is important, this aspect
of the choice comes later in the process, after the list has been narrowed down to
two or three agencies. Figure 2 lists some of the major issues to be considered as
part of the selection process. This list is especially useful in the initial screening
process, when the task is to narrow the field to the top five (or fewer) agencies.
The size of the agency is important, especially as it compares to the size of the
company hiring the agency. If a large firm were to hire a small agency, the small
agency may be overwhelmed by the account. A small firm hiring a large agency
may find that the company’s account might be lost or could be treated as being
insignificant. A good rule of thumb to follow regarding the size of the agency is
that the account should be large enough for the agency so it is important to the
agency but if lost, the agency would not be badly affected.
When Norwest Banks of Minneapolis acquired Wells Fargo of San Francisco, the
company tripled in size. Norwest’s agency, Carmichael Lynch, was not large
enough to handle the new larger company. According to Larry Haeg, “We needed
the resources and services of a larger agency.” In this case, it was not a matter of
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the firm being incompetent, but rather that the larger Norwest needed a wider
variety of services and expertise.
At the same time, it is important to be certain that the agency does not have any
conflicts of interest. An advertising firm that has been hired by one manufacturer
of automobile tires experiences a conflict of interest if the ad agency is hired
by another tire manufacturer.
The initial screening process includes an investigation into each agency’s creative
reputation and capabilities. One method of judging an agency’s creativity is to ask
for a list of awards the company has received. Although awards do not always
translate into effective advertisements, in most cases there is a positive relationship
between winning awards and writing effective ads. Most creative awards are given
by peers. As a result, they are good indicators of what others think of the agency's
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creative efforts. Assessing creative capabilities is very important when preparing
advertising campaigns for a different country in which the firm has limited
experience.
Production capabilities and media purchasing capabilities of the agencies should
be examined if these services are needed as the company prepares an advertising
campaign. The information is gathered to be sure the agency has the desired
capabilities. A firm that needs an agency to produce a television commercial and
also buy media time should check on these activities as part of the initial screening
process.
This type of information can be difficult to obtain. The company hiring the agency
must be persistent and engage in thorough research. Accessing each agency’s Web
page, reading annual reports, and searching for news articles about individual
agencies can be helpful.
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take place. These criteria help to make the final determination in the selection
process.
Reference requests
Once the initial screening is complete, it is time to request references from those
agencies still in the running for the contract. Most agencies willingly provide lists
of their best customers to serve as references. A good strategy the company can use
is to obtain references of firms that have similar needs. Also, when possible, it
helps to obtain names of former clients of the agency. Finding out why they
switched can provide valuable information. Often changes are made for legitimate
reasons. Discovering an agency’s client retention rate helps reveal how effective
the firm has been in working with various clients. Poor service is not the only
reason a firm switches advertising agencies.
Background checks also provide useful information. Background checks start with
finding firms that have dealt with each agency. Also, talking to media agents who
sell media time provides insights as to how an agency buys time and deals with
customers.
Companies that have formed contracts with individual agencies for production
facilities or other services are excellent sources of information. Background checks
help the client company to make sure the agency can provide quality professional
services.
Creative pitch
If the list has been narrowed to two or three finalists, the company’s selection team
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is ready to ask for a creative pitch. If not, the team should reduce the list of viable
agencies.
Advertising agencies that are chosen to compete for the contract provide a formal
presentation addressing a specific problem, situation, or set of questions. This
process is called a “shootout.” The presentations reveal how each agency would
deal with specific issues that arise as a campaign is prepared. This helps a client
company decide which agency best understands the issues at stake and has
developed an advertising or integrated communication approach that will solve the
problem or issue.
In recent years, the Lycra company faced increasingly stiff competition. When the
advertising selection team at Lycra narrowed the field down to three agencies, the
team asked each firm to develop a creative pitch that would enhance the unique
position of the Lycra brand. The agency that was finally chosen suggested the
theme “Lycra has it.” The theme featured an emotional campaign. It evolved from
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the discovery that consumers derive positive emotions from wearing Lycra,
including feeling sexy, confident, and beautiful.
The agency’s proposal suggested that a stronger emotional message would help
consumers experience a greater sense of ownership or identification with the
brand. The “Lycra has it” campaign proved to be a successful campaign, one that
became the cornerstone for a major repositioning of the brand in the United States
and around the world.
Agency selection
During the presentation phase, the opportunity exists to meet with creatives, media
buyers, account executives, and other people who will work on the account.
Chemistry between employees of the two different firms is important.
The client companies’ leaders should be convinced that they will work well
together and that they will feel comfortable with each other. In competing for the
new Norwest–Wells Fargo account, the firm DDB was chosen over the incumbent
agency, Carmichael Lynch, because Fargo executives believed DDB had greater
strategic insights, a better range of services, higher-quality creatives, and a more
thorough media plan.
DDB was able to show how the agency intended to combine the strength of Wells
Fargo’s 150-year heritage with the excellent customer service qualities of Norwest.
This presentation led to the decision to hire DDB. It came after Fargo executives
listened to the presentations of both agencies and asked key questions about who
would actually be working on the account.
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Whenever possible, a client company’s leaders should visit the advertising
agency’s office as part of the evaluation process. Often, agencies use company
executives such as presidents or vice presidents, termed “heavy hitters” by industry
insiders, to win contracts, but then turn the account over to other individuals in the
agency after signing the deal.
Visiting the agency’s office provides an opportunity to meet personnel who might
work on the account. Talking with these individuals generates quality information
about how the account will be handled. The visiting period also can be used to
hammer out specific details, such as identifying the actual person(s) who will work
on the advertisements, and either agreeing to the use of freelancers (independent
contractors who provide various services) to work on the project or prohibiting the
agency from using such individuals.
Remember that both the upside and the downside of a product should be clearly
understood before moving forward with an advertising or IMC campaign. Finally,
qualitative research can be used to assist the vendor company and its advertising
agency. Focus groups are often used to bring people together to talk about a
product. With a creative in attendance, it is possible to hear about the kind of
person who likes a product and to discover tactics that might reach the individual.
The actual collection of information can come from a variety of perspectives,
including:
◗ Anthropology
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◗ Sociology
◗ Psychology
Sociologists examine social class issues and trends. Using a sociological approach,
it is clear that the “World of Ralph Lauren” is composed of rich, elite, and distinct
people. Ralph Lauren creates fashions for the wealthy and features messages that
that stress style and high social class.
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Knowing the purchasing motives of a target market can greatly enhance the
effectiveness of an advertising program.
Carefully collected knowledge about the good or service and the audience for ads
and advertising campaigns is crucial to success. With this information in mind, the
actual campaign can be developed.
In-Text Answers 1:
Advertising agency can be defined as “An independent business organization,
composed of creative and business people, who develop, repair and place
advertisements in advertising media for sellers seeking to find customers for their
goods and services”.
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customers for their goods and services”.
In-Text Answer 2:
1. The size of the account
2. The amount of money that can be spent on media
3. The objectivity factor
4. The complexity of the product
5. Creativity concerns
7.0 References
Kenneth E. Clow and Donald Baack (2007). Integrated Advertising, Promotion,
and Marketing Communications, Third Edition, Pearson Education, Inc.
Prentice Hall.
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STUDY SESSION 4
Advertising Campaign Management
Section and Subsection Headings
Introduction
1.0 Learning Outcomes
2.0 Main Content
2.1 Advertising Campaign Management
2.2 Communication Market Analysis
2.3 Advertising Goals
2.3.1 Building Brand Image
2.3.2 Providing Information
2.3.3 Persuasion
2.3.4 Supporting Marketing Efforts
2.3.5 Encouraging Action
2.4 The Advertising Budget
2.5 Media Selection
2.6 The Creative Brief
3.0 Tutored Marked Assignment
4.0 Summary
5.0 Discussion Questions
6.0 Additional Activities (Videos, animation and outdoor activities)
7.0 References/Further Readings
Introduction
In this study session, you will be introduced to the advertising campaign
management. You will get to understand that it is the process of preparing and
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integrating a specific advertising program in conjunction with the overall IMC
message.
The advertising program should be consistent with everything else in the IMC
program. The idea is to make sure the firm presents a clear message to key target
markets. Then, advertising efforts can be refined to gain the maximum benefit
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from the promotional dollars being spent. A review of the issues present in each
element of advertising campaign management is presented next.
For the purposes of advertising, two important items are outlined as part of the
communication market analysis:
1. The media usage habits of people in the target market
2. The media utilized by the competition
When analyzing customers, knowing which media they use is vitally important.
For example, teenagers surf the Web, watch television, and listen to the radio. Only
a small percentage reads newspapers and news magazines. Various market
segments have differences in when and how they view various media. For
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example, older African-Americans watch television programs in patterns that are
different from those of older Caucasians.
Males watch more sports programs than females, and so forth. In business-to-
business communication markets, knowing which trade journals or business
publications the various members of the buying centre most likely read is essential
for the development of a print advertising campaign. Engineers, who tend to be the
influencers, have different media viewing habits than do vice presidents, who may
be the deciders. Discovering which media reach a target market (and which do not)
is a key component in a communication market analysis and an advertising
program.
In-Text Question 1:
What is advertising campaign management?
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2.3 Advertising Goals
The second step of advertising planning is to establish and
clarify advertising goals, which are derived from the firm’s
overall communication objectives. Several advertising goals
are central to the IMC process. Some of these goals are listed
in Figure 3.
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Advertising is a critical component in the effort to build brand equity. Successful
brands have two characteristics:
(1) the top of mind and (2) the consumers’ top choice. When consumers are asked
to identify brands that quickly come to mind from a product category, one or two
particular brands are nearly always mentioned. That name has the property of
being a top of mind brand. For example, when asked to identify fast food
restaurants, McDonald’s and Burger King almost always head the list. The same is
true for Nike and Reebok shoes. This is true not only in the United States but also
in many other countries. The term top choice suggests exactly what the term
implies. A top choice brand is the first or second pick when a consumer reviews
his or her evoked set of possible purchasing alternatives. Part of building brand
image and brand equity is developing brand awareness, and advertising is the best
method to reach that goal. Brand awareness means the consumers recognize and
remember a particular brand’s or company’s name when they consider purchasing
options. Brand awareness, brand image, and brand equity are vital for success.
This type of information is most useful when members of the buying centre are in
the information search stage of the purchasing process. For high-involvement types
of purchases, in which members of the buying centre have strong vested interests
in the success of the choice, informative advertisements are the most beneficial.
Low-involvement decisions usually do not require as much detail.
In marketing to both consumers and other businesses, information can help those
involved reach a decision. Information is one component of persuasion, another
objective of various advertising programs.
2.3.3 Persuasion
One of the most common goals of advertising programs is persuasion.
Advertisements can convince consumers that a particular brand is superior to other
brands. They can show consumers the negative consequences of failing to use a
particular brand. Changing consumer attitudes and persuading them to consider a
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new purchasing choice is a challenging task. As described later, advertisers can
utilize several methods of persuasion. Persuasive advertising is used more in
consumer marketing than in business-to-business situations. Persuasion techniques
are used more frequently in broadcast media such as television and radio rather
than in print advertising.
Retailers also use advertising to support marketing programs. Any type of special
sale (white sale, buy-one-get-one-free, pre-Christmas sale) requires effective
advertising to attract customers to the store. Both manufacturers and retail outlets
use advertisements in conjunction with coupons or other special offers. Del Monte
placed a 30-cent coupon in the advertisement shown in this section. The ad
highlights a smaller-size container with a pull-top lid. These features match the
ad’s target market: senior citizens. The first magazine featuring this advertisement
was Modern Maturity. Manufacturer coupons are regularly redeemed at grocery
stores (sometimes at double their face value), and in-store coupons are part of
many retail store print advertisements. When ads are combined with other
marketing efforts into a larger, more integrated effort revolving around a theme,
the program is called a promotional campaign.
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2.3.5 Encouraging action
Many firms set motivational goals for advertising programs. A television
commercial that encourages viewers to take action by dialing a toll-free number
to make a quick purchase is an example. Everything from Veg-O-Matics to DVDs
and cassettes are sold using action tactics. Infomercials and home shopping
network programs heavily rely on immediate consumer purchasing responses.
Action-oriented advertising is likely to be used in the business-to-business sector.
When it is, often the goal is to generate sales leads. Many business advertisements
provide a Web address or telephone number that buyers can use to request more
information or make a purchase more easily.
In-Text Question 2:
What are some of the advertising goals?
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2.4 The Advertising Budget
Once the company, account manager, and creative agree upon the major goals of
the advertising campaign, a review of the communications budget is in order. After
the total dollars allocated to advertising have been established, account managers
and company leaders agree to uses for the funds. This includes the media to be
utilized (television versus newspaper versus billboards). Also, however, the
manner of distribution must be arranged. Three basic tactics include:
◗ Advertising the most when sales are at peak seasons
Advertising during peak seasons can be accomplished in two ways. The first is a
pulsating schedule of advertising. This schedule involves continuous advertising
with bursts of higher intensity (more ads in more media) during the course of the
year, most notably during peak seasons. Companies can also utilize what is called a
Flighting approach or schedule, where ads are presented only during peak times,
and not at all during off seasons.
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during those periods to sell merchandise left over from the Christmas season and to
encourage customers to shop.
In any case, the objective should be to match the pacing of advertisements with the
message, media, and the nature of the product. Some media make it easier to
advertise for longer periods of time. For instance, contracts for billboards are
normally for a month or a year. They can be rotated throughout a town or city to
present a continuing message about the company or its products. Budgetary
constraints must also be incorporated into the strategies and tactics used in the
advertising program.
The objective
The first step in preparing the creative strategy is to identify the objective of the
advertisement. Some of the most common advertising objectives include:
◗ Increasing brand awareness
◗ Building brand image
◗ Increasing customer traffic
◗ Increasing retailer or wholesaler orders
◗ Responding to inquiries from end users and channel members
◗ Providing quality information
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An ad to increase brand awareness prominently displays the name of the product.
An ad to build brand image can display the actual product more prominently.
Target market profiles that are too general are not very helpful. Rather than
specifying males, ages 20 to 35, more specific information is needed (e.g., males,
20 to 35, college educated, professionals). Other information such as hobbies,
interests, opinions, and lifestyles makes targeting an advertisement even more
precise. Notice that the Playtex advertisement below is designed for young females
who enjoy playing sports and have active lifestyles. The additional information
helped create an advertisement that appeals to this particular market segment of
females.
In-Text Question 3:
What is a message theme?
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The support
The fourth component of the creative strategy is the support. Support takes the
form of the facts that substantiate the message theme. A pain reliever
advertisement's claim of being effective for arthritis may support this point by
noting independent medical findings or testimonials from patients with arthritis.
The micro THINS are 30 percent thinner, 40 percent lighter, 4 times more scratch
resistant, 10 times more impact resistant, antireflective, and have 99.9 percent UV
protection. The creative needs these supporting facts to design effective
advertisements.
The constraints
The final step in the development of a creative strategy is identification of any
constraints. These can be legal and mandatory restrictions placed on
advertisements. They include legal protection for trademarks, logos, and copy
registrations. They also include disclaimers about warranties, offers, and claims.
For warranties, a disclaimer specifies the conditions under which they will be
honoured. For example, tire warranties often state they apply under normal driving
conditions with routine maintenance, so that a person cannot ignore tire balancing
and rotation and expect to get free new tires when the old ones wear out quickly.
Disclaimer warranties notify consumers of potential hazards associated with
products. For instance, tobacco advertisements must contain a statement from the
Surgeon General about the dangers of smoking and chewing tobacco. Disclaimers
about offers spell out the terms of financing agreements, as well as when bonuses
or discounts apply. Claims identify the exact nature of the statement made in the
advertisement. This includes nutritional claims as well as statements about serving
sizes and other information describing the nutrients that are actually in the product.
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After these steps have been reviewed, the creative brief is complete. From this
point forward, the message and the media match, and actual advertisements can be
produced.
Effective creative briefs focus on everyone involved in both the IMC message and
the intent of the advertising campaign. This, in turn, gives companies better
chances of reaching customers with messages that return measurable results and
help guarantee the success of both the company and the advertising agency. When
the creative brief has been completed, the design of the campaign should move
forward at a solid pace. Recent research suggests that campaigns designed in two
(2) months or less have the greatest likelihood of being “highly effective.” Those
that take longer tend not to be as effective. The goal is to move forward without
rushing. Campaigns designed in two weeks or less are more likely to be ineffective
as well.
In-Text Question 4:
What are the steps in preparing a creative strategy?
In-Text Answer 1:
Advertising campaign management is the process of preparing and integrating a specific
advertising program in conjunction with the overall IMC message.
In-Text Answer 2: They are: (i) building image, (ii) Providing information, (iii) Being
persuasive, (iv) Supporting other marketing offering, (v) encouraging action.
In-Text Answer 3:
The message theme is an outline of key idea(s) that the advertising program is
supposed to convey. The message theme is the benefit or promise the advertiser wants
to use to reach consumers or businesses.
In-Text Answer 4:
The objective, the target audience, the message theme, the support and the
constraints
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7.0 References
Kenneth E. Clow and Donald Baack (2007). Integrated Advertising, Promotion,
and Marketing Communications, Third Edition, Pearson Education, Inc.
Prentice Hall.
Kotler, Philip & Keller, Kevin Lane (2006). Marketing Management, 12th Edition.
New Jersey: Pearson Prentice Hall.
Perreault, William D., Jr. & McCarthy, Jerome E. (2005). Basic Marketing: A
Global- Management Approach. Boston: McGraw-Hall Irwin.
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MODULE 3
Advertising Laws, Globalization and the Future of Advertising
Contents
Study Session 1: Advertising laws and ethics
Study Session 2: Regulation in advertising
Study Session 3: Advertising and society
Study Session 4: Global and advertisement
Study Session 5: Future of advertising
STUDY SESSION 1
Advertising Laws and Ethics
Section and Subsection Headings
Introduction
1.0 Learning Outcomes
2.0 Main Content
2.1 Advertising Laws
2.2 Ethics in advertising
2.3 History of APCON and Its Operations
2.4 Nigerian Communications Commission Guidelines on Advertisements
and Promotions
2.4.1 Introduction
2.5.2 Definitions of terms
2.5 Other Laws Governing Advertising in Nigeria
3.0 Tutored Marked Assignment
4.0 Summary
5.0 Discussion Questions
6.0 Additional Activities (Videos, activities, animation and outdoor activities)
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7.0 References/Further Readings
Introduction
In this study session, our discussion will be centred advertising laws and ethics. It
is expected that you will be enlightened on the ethics in advertising.
Learning Outcomes
At the end of this study session, you will be able to understand the following:
1. Advertising laws and ethics
2. Ethics in advertising
3. The history of APCON
4. The functions of APCON in the advertising industry in Nigeria
5. The Nigeria communication commission guidelines on advertisement and
promotion.
From mission to profession to industry, the world of advertising has come a long
way. Some people describe it as a parasitical, untrue, misleading and obscene.
Advertising Industry have been facing a lot of criticism in the recent times as the
advertising practices have not always been ethical. Advertisements should be
socially, culturally and morally ethical. Advertisements appearing on television
and radio have to be approved by regulatory authorities. Similarly, advertisements
in newspapers and magazines, and on outdoor sites are also regulated by
guidelines. In today’s competitive market, it is free for all, thus advertisers are
sometimes following the unethical practices to fight the competition. For many
years, the advertising industry has practiced, promoted voluntary self- regulation.
Most advertisers and media recognize the importance of maintaining consumer
trust and confidence. The circle of self-regulation in advertising is widening day by
day.
In other word, we can say that Ethics are moral principles and values that govern
the actions and decisions of an individual group. Ethics is a choice between good
and bad, between right and wrong. It is governed by a set of principles of morality
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at a given time and at a given place and in a given society. Ethics is related to
group behaviour in ultimate analysis, thus setting norms for an individual to follow
in consistence with the group norms.
A particular action may be within the law and still not be ethical; Target Marketing
is a good example for this. There is no law to restrict tobacco companies from
promoting their brands to Africans and Americans, though there is such law in
India, but for Doordarshan only. Similarly, alcoholic beverage companies promote
their brands and target not only college students but underage drinkers as well.
These advertisements have increased alcohol related problems. Advertisements
exposing pornography is another serious issue in advertising industry today.
Advertisements promoting permissiveness and objectifying women are heavily
criticized in the society.
In-Text Question 2:
What is the meaning of ethics?
Therefore, even advertising has ethical value. The mixing of art and facts in
advertising communication are subservient to ethical principles. In today’s
competitive and buyer’s market, an advertisement has to be truthful and ethical. If
an advertisement is misleading, the credibility of the organization is lost. To view
the truth in advertisement, it has to be seen from the consumer’s point of view
rather than from legal point. The advertising industry has been frequently criticized
for putting out misleading or exaggerated claims in respect to the product, goods
and services advertised. It is also perceived as guilty of glorifying certain habits or
tendencies regarded as undesirable.
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However, it is very difficult to demarcate a clear line of difference between what is
true and what is untrue. But the advertisement as such is judged by its impact, and
by its acceptance by the consumers. The product must fulfil its advertised claims.
Advertisements should be decent and not be obscene. It must be truthful. Gambling
is also unethical. Sometimes, celebrities endorsing the product and spreading
falsehood is also criticized.
Functions of APCON
Section One Act 55 of 1988, which set up APCON, states its functions as:
a. determining who are advertising practitioners;
b. determining what standards of knowledge and skill are to be attained by persons
seeking to become registered members of the advertising profession and reviewing
those standards from time to time;
c. securing, in accordance with the provisions of the Decree, the establishment and
maintenance of a register of practitioners and the publication from time to time
d. regulating and controlling the practice of advertising in all its aspects and
ramifications;
e. conducting examinations in the profession and awarding certificates or diplomas
to successful candidates and when appropriate and for such purpose, the council
shall prescribe fees to be paid in respect thereof;
f. Performing the other functions conferred on the council by the Act.
Membership
The Decree makes provision for four grades of membership:
• Fellow
• Full Member
• Associate Member
• Student Member
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Registration as an Ad practitioner
Associate Member
Anyone above the age of 21, who possesses any of the degrees or diplomas listed
under the student category, and is employed in a recognized organization where he
or she can acquire professional experience. He or she must be of good character
and must not have been convicted in Nigeria or elsewhere of a criminal offence.
Full Member
Anyone who has met the requirements for associate membership and in addition
has been in continuous advertising practice for a minimum of five years.
Fellow
To be a fellow, the applicant must have fulfilled the conditions for associate and
full membership. In addition, he or she must have been in continuous active
advertising practice in the 15 years preceding the date of his or her application, and
must show evidence of significant contributions to the practice of advertising.
Student Member
Anyone who satisfied the Council that he or she is undergoing a course of studies
recognized by the Council.
In this regard, the Council appoints other bodies to support the secretariat
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in executing the provisions of the law. These bodies are:
a) Investigating Panel: this body hears complaints from and against advertising
practitioners and stakeholders in the industry.
b) The Advertising Practitioners Disciplinary Committee: this body is charged with
adjudicating in these cases.
c) The Advertising Standards Panel: it ensures that practitioners maintain standards
set in the industry.
Besides this regulatory structure of the industry, Fadipe (2002) also identifies other
functions of APCON as set out in the law setting it up. These are:
i. screening and registration of practitioners
ii. ii. induction of new practitioners
iii. assessing and upgrading practitioner’s
iv. iv. vetting of new advertisements
v. monitoring of the exposure of advertisements
vi. education of practitioners and training of new members
vii. accreditation of departments offering advertising courses in universities and
polytechnics
viii. publishing reading and reference literature on advertising
ix. enforcing discipline
x. ensuring that ethical standards are maintained.
Apart from these functions, APCON also ensures that advertising practice is
developed and upgraded to international standards. Essentially, APCON
recognizes excellence in the practice of advertising in Nigeria by giving awards
and an annual lecture series to increase debate and body of literature in the
industry. These include:
a) Annual Advertising Day/Lecture at the end of very year.
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b) Student Encouragement Awards. These are sponsored by eminent and registered
members of the advertising industry, corporate bodies and other practitioners in the
practice.
2. Definitions of terms
Unless the context otherwise requires, these terms shall have the following
interpretations in these guidelines.
“Licensee” means any person who holds an operating license issued by the
Commission.
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“Promotion” means any message, the content of which is controlled directly or
indirectly by the advertiser, expressed in any language and communicated in any
medium with the intent to influence their choice, opinion or behaviour in order to
receive a reward or benefit.
b) Pricing
i. The licensee must communicate all prices and financial implications clearly and
have no hidden or disguised price adjustments, discounts, unrealistic price
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comparisons or exaggerated claims as to worth or value. Advertising with
complicated price structures and information shall not only appear in transient
types of media such as radio and television, but must be accompanied with detailed
print media explanations, and on the licensee’s website. The transient media must
specifically instruct consumers to see the print mediums for details.
c) Advertorial medium
i. The licensee shall be required to make advertisements and advertisements for
promotions only via print, radio, mail, licensee’s website, text messages, electronic
mail (where permitted by recipient to send such promotional material), and/or
visual media, with accuracy and clarity of the goods and services being offered.
ii. No advertisement or advertisement for a promotion shall contain any obscenities
or profanities unsuitable for young persons and children or contain any racial or
prejudicial content relating to national origin, religion, sex, gender or age.
d) Comparative advertising
i. Advertisements must not unfairly discredit, disparage or attack other products,
services, advertisements or companies, or exaggerate the nature or importance of
competitive differences.
ii. No licensee shall imitate the slogans or illustrations of another advertiser in such
a manner as to mislead the consumer.
e) Internet Connections
i. Licensees offering internet connections should state the Internet connection
speed available to end-users as well as specific upload and download speed. If the
connection speed quoted is only obtainable under special circumstances, then these
circumstances should be clearly stated.
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4. Application for promotion
i. Every licensee shall, prior to the release of any promotion of its products and
services, make an application to the Commission for approval of such
promotion.
ii. The application must be filled in the stipulated application form as provided in
Schedule 1 and submitted to the Commission after paying the relevant
application fees as stated in schedule 2 of these guidelines.
iii. The licensee shall attach a detailed report of the promotion clearly specifying
the goods and/or services and the target consumers.
iv. The Commission shall cause the approval or otherwise to be communicated to
the licensee within 7 days of receiving the application.
v. All approvals granted must be registered with the Consumer Protection Council
within three (3) days of the launch of the promotions.
vi. The licensee shall ensure that its network is capable of sustaining the traffic that
may be generated from such promotion.
vii. The licensee must ensure that the tariff attributed to such promotion does not
exceed the tariffs approved by the Commission.
viii. The licensee must specify the duration and date range of such promotion and
the date of redemption of such promotional benefits.
ix. All promotions must not misrepresent the licensees’ opportunity to provide the
goods and services at the terms presented. If supply of the goods and services
are limited, or the licensee can fulfil only limited demand, this must be clearly
stated in the communication for the promotion.
x. In respect of promotions or advertisements containing promotions, the licensee
must specify the duration and the date range of such promotion and the date of
redemption of such promotional benefits.
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xi. Where the duration of the promotion is not time bound, but subject to
attainment of a specific target (for example a raffle targeted at the first 5,000
adopters of a promotion), the promotion must state clearly the threshold to be
applied.
xii. The licensee must specify the target subscribers’ clearly distinguishing those
targeted at new subscribers and those targeted at existing subscribers.
xiii. The licensee must communicate to the subscribers where such goods are
available to only a particular geographical region.
xiv. The licensee must ensure a geographical balance while offering its
promotional sales to its consumers without concentration on consumers in a
particular geographical location.
xv. The licensee must communicate clearly and understandably to the subscribers
all relevant terms and conditions of the promotions.
xvi. Where a licensee communicates certain categories and/or specific products
services as rewards or potential rewards for partaking in a promotion, it must
ensure that the specific items and or services portrayed and/or promised are
not varied.
5 Denial of application
i. The Commission reserves the right to reject any application for promotion.
ii. The rejection shall be communicated to the licensee within seven days of
receiving the application.
iii. The Commission shall communicate to the licensee the reasons for the rejection
and where the situation can be remedied or the application varied may ask the
licensee to remedy the situation within a specified period.
6. Withdrawal of Approval
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a. The Commission reserves the right to withdraw any approvals for promotions
from the licensee for reasons not limited to:
i. Network Congestion
ii. Poor performance in licensee’s services
iii. Consumer complaints,
iv. Misrepresentation of offer by the licensee,
v. Contravention of specific approval,
vi. Variation from submitted application content and /or context
a) Upon the withdrawal of the approval, the licensee must discontinue such sales
promotions with immediate effect. The discontinuation must be communicated to
the subscribers via SMS, website publication, newspaper publication or any other
effective medium of communication.
7. Appeal
a. Where a request for approval is rejected or approval is withdrawn, the licensee is
entitled to request an appeal from the decision of the Commission by filing a
Request for Appeal.
b. The Request for Appeal must be in writing and received at the Commission
within seven working days after the decision is sent to the licensee. It must
provide the appellant’s basis for the request.
c. An Appeal Panel shall be constituted compromising persons who did not serve
at the original decision making. The licensee making the request will be given at
least five working days advance written notice of the date of the appeal hearing.
d. At the appeal hearing, the complaint will be treated as a new complaint and the
matter reconsidered in its entirety.
e. Decisions of Appeal Panels will be sent to the licensee within five working days
of the appeal hearing.
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f. Decisions by the Appeal Panel shall be binding.
8. Sanctions
The Commission reserves the right to place appropriate sanctions on defaulting
licensees including but not limited to:
a. Imposition of Fines further to the provisions of Regulation 15 of Nigerian
Communications (Enforcement Processes etc., Regulations 2005.
Any violation of these guidelines ……………N1, 000,000 per violation
Failure to provide information required or providing information which is false or
misleading…………………………….N1, 000, 000 per
Violation:
Failure to obtain prior approval of the Commission for the promotion of goods and
services..................................N2, 000, 000 per violation.
b. Failure or refusal to register any promotions with the Consumer
Protection Council within the specified period……N5, 000,000.00 per violation
c. Withdrawal, (revocation) or suspension of the operator’s license.
In-Text Question 4:
Mention three (3) other agencies that are also saddled with the responsibility of addressing
problems of unwholesome practices between producers and consumers.
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4.0 Session Summary
In this study session, we considered advertising laws and ethics. we were able to
define ethics as “Good Conduct” or “Conduct which is right in view of the society
and the time period”. By common consent, various modes of behaviour and
conduct are viewed as “good” or “bad”. We went further to look at the main
regulatory body in charge of advertising in Nigeria (i.e. APCON) as well as other
agencies that are saddled with the responsibility of addressing problems of
unwholesome practices between producers and the final consumers.
In-Text Answer 1:
Advertising
In-Text Answer 2:
Ethics means “Good Conduct” or “Conduct which is right in view of the society and
the time period.
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ITA 3: i. Determining who are advertising practitioners; ii. determining what
standards of knowledge and skill to be attained by persons seeking to become
registered members of the advertising profession and reviewing those standards
from time to time; iii. Securing, in accordance with the provisions of the Decree,
the establishment and maintenance of a register of practitioners and the publication
of list of these registered persons from time to time.
In-Text Answer 4:
Standards Organization of Nigeria (SON), National Drug Law Enforcement
Agency (NDLEA) , Nigerian Communication Commission (NCC).
7.0 References
Aaker, David, & John (1992). Advertising management, Prentice-Hall of India
Bel-Molokwu, J. (2000). Principles of Advertising in Nigeria. APCON.
Bel-Molokwu, J. et al. (1997). Advertising in Nigeria. APCON.
Fadipe, S. (2002). Advertising Practice with Nigerian Orientation. Lagos: Christ
Publishers.
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STUDY SESSION 2
Regulations in Advertising
Section and Subsection Headings
Introduction
1.0 Learning Outcomes
2.0 Main Content
2.1 Regulations in Advertising
2.2 Misrepresentation or Omission
2.2.1 Restitution
2.2.2 Affirmative Disclosures
2.2.3 Corrective Advertising
2.2.4 Competitor Lawsuits
2.3 Need for Advertisement regulations
2.4 Various Types of Regulations in Advertising Abroad
Consumer protection (distance selling) Regulations 2000
3.0 Tutored Marked Assignment
4.0 Session summary
5.0 Discussion Questions
6.0 Additional Activities (Videos, animation and outdoor activities)
7.0 References
Introduction
In this study session, we are going to continue from our last topic on advertising
laws and ethics. The study session seeks to explore the regulations in advertising.
This and many more will form the basis of our discussion in the session.
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1.0 Learning Outcomes
At the end of this study session, you will be able to understand the following:
1. The need for proper regulation of advertisement.
2. What is deception as it relates to advertising
3. What is misrepresentation or omission.
Advertisements are made with the use of various categories of print and electronic
media to large section of people and when the consumer’s attention is drawn to
these, he is seeking information to help him decide for or against that particular
product. Thus, advertising is a buyers’ guide for both consumers and industrial
purchasers. It adds value to products, encourages competitions, fosters quality and
also reduces distribution costs. In this era of globalization, it enables both print and
broadcasting communication to maintain independence from government and
political policies and stimulates thoughts on national and local problems. To make
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the business remunerative, in-depth studies and knowledge about various laws
which are in force, amendments from time to time in this law, constitutional
restrictions impositions are very necessary.
Advertising regulation is a fascinating subject, and it is heavily determined by
political attitudes. Those who believe less in government and think that business
should be left alone to regulate itself tend to favour less advertising regulation.
Others who believe government has a role to play tend to want more legislation
and government regulation. To understand advertising regulation, a host of issues
need to be addressed. One central issue is definitional: what is deception?
One Ad claimed that “Milwaukee’s finest beer,” is deceptive, while many
(particularly other Milwaukee brewers) argue that other beers are superior? What
does “finest” mean? One advertisement claimed that a hair dye would color hair
permanently. If someone exposed to the advertisement believed that the dye would
hold for hair not yet grown and thus a single dye would last for decades, is the
claim deceptive?
In-Text Question 1:
Why has1 advertising become an important and challenging business industry?
.
Dividing the definition into its three major components, it states that deception will
be found if:
1. There is a misrepresentation, omission, or practice that is likely to mislead.
2. The consumer is acting responsibly (or reasonably) in the circumstances.
3. The practice of material and consumer injury is possible because consumers are
likely to have chosen differently if there was no deception.
Although some argue that this definition only codifies the body of law that
preceded it, most observers suggest that the definition involves two major changes
from prior positions that make it harder to quality as deceptive. First, the deception
will likely to mislead. Second, the deception
must occur in consumers acting responsibly or
reasonably in the circumstances rather than
simply occurring in a substantial number of
consumers (even if they are naïve and
unthinking). Thus, the consumer is charged with
at least some minimal responsibility in
interpreting the advertising.
In the following discussion, we will look more closely at the three dimensions of
deceptive advertising discussed above.
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2.2 Misrepresentation or Omission
There are a variety of ways in which misrepresentations or omissions can occur:
1. Suggesting that a small difference is important.
2. Artificial product demonstrations
3. Using an ambiguous or easily confused phrase.
4. Implying a benefit that does not fully or partially exist
5. Implying that a product benefit is unique to a brand.
6. Implying that a benefit is needed or that a product will fulfil a benefit when it
will not.
7. Incorrectly implying that an endorser uses and advocates the brand.
8. Making a claim without substantiation
9. Bait and switch
10. Identifying the advertising
Puffery
A rather well-established rule of law is that trade puffing is permissible. Puffing
takes two general forms. The first is a subjective statement of opinion about a
product’s quality, using such terms as “best or greatest”. Nearly all advertisements
contain some measure of puffery. Examples of this are “You can’t get any closer”
(Norelco), “Try something better” (J&B Scotch), “Gas gives you a better deal”
(American Gas Association), “Live better electrically” (Edison Electric
Institution), “State Farm is all you need to know about insurance,” and “Super
Shell”. None of these statements has either been found to be true or false. They all
involve some measure of exaggeration
The second form of puffery is exaggerations extended to the point of outright spoof
that is obviously not true. A Green Giant is obviously fictitious, and even if he
were real, he wouldn’t be talking the way he does. In the 1927 Ostermoor case, the
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court pointed to the puffery argument in denying that a mattress company was
deceptive in using an illustration appearing to depict that the inner filling of a
mattress would expand to 35 inches when in fact it would expand only 3 to 6
inches.
Based on stated definitions and policy, puffing has been narrowed to the point
where no deceptive claim can properly be termed as puffery
In-Text Questions 2:
Mention 4 ways in which a misrepresentations or omissions can occur
Remedies
Cease –and – Desist Orders
The cease and desist order prohibits the respondent from engaging further in the
deceptive practice. It has been criticized as being a command to “go and sin no
more” which has little practical effect. By the time the cease- and-desist order is
issued, the advertising may have served its purpose and another campaign may be
underway anyway.
Restitution
Restitution means that the consumer is compensated for any damage. Restitution is
rarely considered because of its severity.
Affirmative disclosures
If an advertisement has provided insufficient information to the consumer, an
affirmative disclosure might be issued. Affirmative disclosures require “clear and
conspicuous” disclosure of the omitted information. Often, the involved
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information relates to deficiencies or limitations of the product or service relating
to matters of health or safety.
Corrective advertising
Corrective advertising required advertisers to rectify past deception by making
suitable statements in future commercials. Some important issues could need your
research on the subject. Any remedy should be non-punitive in nature and should
not be burdensome. How do you determine whether the corrective advertising is
generating damage to sales or image? Any remedy should preserve First
Amendment rights to express ideas.
What about those ideas that are counter to the corrective message’s claims? Can an
advertiser simply decide to stop advertising, thereby avoiding corrective
advertising?
One problem with corrective advertising is that it has usually resulted in lawyers
writing copy and insisting that it be run some arbitrary length of time. The
implementation of the communication objective approach to corrective advertising
will always face difficulties. The problem of ascertaining how misperception and
its effect are to be measured and the appropriate target level of misperception that
should be obtained reappears in this context. Judgments on such questions are
required to set communication objectives.
Obviously, a zero misperception level is not generally feasible. Yet, regulators and
the general public to which they must answer have difficulty accepting realistic
standards. A key is to know whether the advertiser is making a good faith effort
toward the objective. Copy testing could logically be used to address this point, but
the parties would have to agree in advance on relevant and suitable tests, a difficult
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prospect. Another problem is the cost of measuring deception over time. The
tracking required measuring the impact of the commercials (no problem for large
advertisers who do that anyway, but could be costly for smaller advertisers and
may require the government to share some of the costs).
Corrective advertising has only rarely been considered, largely because of the
difficulties in deciding on the target objective. However, it remains an important
option and serves to focus attention on the central issues in deception cases.
In-Text Question 3:
What is corrective advertising?
Competitor lawsuits
Another mechanism that inhibits deceptive advertising is the
possibility that competitors will sue, charging that false
advertising has caused them damage. In one case, a suit was
successfully brought by Honeywell against a competitor
who supplied replacement parts to Honey well's safety control systems and had incorrectly
claimed that its products had comparable quality and ease of replacement to that of
Honeywell.
Italy and Japan rely mostly on self- regulation. Advertising law of Italy is enforced
by competitor law suits and consumers’ organizations are specifically barred from
bringing advertising fewer suits. Japan followed a civil code in 1898 based on the
German Civil Code which relies heavily on self-regulation. Germany bases its
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regulation of misleading advertisements on competitor’s law suits and those
brought by consumer organizations. They can request the Director of Fair Trading
to seek a court injunction. The U.K. Trade Descriptions Act of 1968 authorizes
local weights and measures authorities to seek either summary criminal conviction,
punishable by a maximum five of 1000 pounds or criminal indictment punishable
by an unlimited fine and up to two years in jail for false trade descriptions
contained in an advertisement or by other means. In Germany (a country that
operates Civil Law), consumer research is required to determine the implied
meaning of the particular advertisement. In all other countries, it is the judge or the
regulator, who views the advertisement and interprets it based on his personal
opinion of the standard for deception.
U.S. Lanham Act follows the old FTC practice of condemning advertising that has
tendency or capacity to mislead 25 per cent or more consumers. In U.S., Federal
Trade Commission (FTC) Act was passed in 1914. Traditionally the advertisers are
not required to prove the truthfulness of their claims. The onus of proving the
falsity of the claim rests on the challengers, while common law country, New
Zealand recently followed the U.S. FTC under which advertisers are required to
prove their claim when challenged. The European Community Directive on
misleading advertisement calls for advertisers to bear the brunt of proving the
truthfulness of their claims. The UK self -regulation and its 1988 Control of
Misleading Advertisements Regulation requires that advertiser develop
substantiation prior to dissemination. In Germany and the UK, damages are
ordered when complainant prove intention or negligent misconduct. In New
Zealand and Canada, injunctions are very rare, however, heavy penalties serve as
deterrents. Truly speaking, advertising is unfortunately not taken seriously by the
governments and regulatory bodies at large.
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In-Text Question 4:
Why do we need advertising regulations?
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forum
In-Text Answer 1:
It is due to recent tremendous and fast expansion of international market
In-Text Answer 2:
Misrepresentations or omissions can occur when:
1. Suggesting that a small difference is important.
2. Artificial product demonstrations
3. Using an ambiguous or easily confusing phrase. 4. Implying a benefit that does
not fully or partially exist.
In-Text Answers 3:
Corrective advertising required advertisers to rectify past deception by making
suitable statements in future commercials.
In-Text Answer 4:
With the ever increasing growth and turnover of the advertising industry in the
current century due to industrial revolution, there is urgent need and necessity
to frame legal rules, regulations and specific legislative enactment that
specifically directed at this industry. These regulations determine both the broad
framework within which the industry is allowed to operate and content of its
outputs.
7.0 References
Aaker, David, and John (1992). Advertising management. Prentice-Hall of India
195
STUDY SESSION 3
Advertising and Society
Section and Subsection Headings
Introduction
1.0 Learning Outcomes
2.0 Main Content
2.1 Providing Informational Utility
2.2 Advertising and Children
2.3 Encouraging Antisocial and Dangerous Products and Behavior
2.3.1 Dishonesty, Misleading, Cheating
2.3.2 Exploiting the Arts, Defacing the Environment
2.3.3 Promoting Consumerism
2.3.4 Undermining standards and values
3.0 Tutored marked Assignment
4.0 Session summary
5.0 Discussion Questions
6.0 Additional Activities (Videos, animation and outdoor activities)
7.0 References
Introduction
This study session takes you on advertising and society. You will get to understand
how advertisement leads to materialism and also how it affects children.
Undoubtedly, there are real criticisms that can be levelled at advertisements, and
possibly at the industry that produces them as well. Most of these criticisms are
supposed to be directed at the market economy and its workings; rather
advertising, though they recognize advertising as its most obvious commercial
face. There are a number of areas where society can reasonably attack
advertisements and advertising and plenty more where someone may find cause to
complain about an individual Ad.
2.2 Materialism
Materialism is defined as the tendency to give undue importance to material interests.
Presumably, there is a corresponding lessening of importance to nonmaterial interests such
as love, freedom, and intellectual pursuits. However, Bauer and Greyser argue that
although people do spend their resources on material things, they do so in the pursuit of
nonmaterial goals. They buy camping equipment to achieve a communion with nature,
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music systems to understand the classic composers, and an automobile for social status. The
distinctive aspect of our society is not the possession of material goods, but the extent to
which material goods are used to attain nonmaterial goals. Thus, Bauer and Greyser raise
the issue of whether material goods are a means to an end rather than an end in
themselves. In making such an evaluation, it is useful to consider how people in other
cultures fulfil nonmaterial goals. A leader in a primitive culture may satisfy a need for
status in a different way from someone in our culture. But is the means used really that
relevant? Russell Belk and others have begun a systematic series of studies into
materialism in American society, showing its manifestations in advertising, comic books,
television programming, swap meets, and the role of consuming and consumption in many
facets of life generally.
Does advertising create or foster materialism or merely reflect values and attitudes that are
created by more significant sociological forces? Mary Gardiner Jones develops the
argument that advertising, especially television advertising, is a contributing force.
In-Text Question 1:
What is materialism?
The conscious appeal in the television commercials essentially materialistic. Central to the
message of the television commercial is the premise that it is the acquisition of things
which will gratify our basic and inner needs and aspirations. It is the message of the
commercial that all of the major problems confronting an individual can be instantly
eliminated by the application of some external force and the use of a product. Externally
derived solutions are thus made the prescription for life's difficulties. Television gives no
recognition to the individual's essential responsibility for at least a part of his condition or
to the importance to the individual of proving his own capacity to deal with life's
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problems. In the world of the television commercial, all of life's problems and difficulties,
all of our individual yearnings, hopes and fears can yield instantly to a material solution
and one which can work instantly without any effort, skill or trouble on our part.
Associating advertising with materialism, of course, does not demonstrate a causal link, as
Commissioner Jones would be the first to recognize. In fact,
such a link is impossible to prove or disprove. It is true that
advertising and the products advertised are a part of our
culture and thus contribute to it in some way. It is also true,
however, that advertising does not have the power to dominate
other forces (family, church, literature, and so on) that
contribute to the values of society.
In-Text Question 2:
Does advertising create or foster materialism or merely reflect values and attitudes that are created by
more significant sociological forces?
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A study by Aaker and Norris of 524 prime-time television commercials suggests that
even television advertising is perceived as informative by substantial groups of people.
On the average 18.1 percent of respondents (approximately 500 per commercial) checked the
word informative from a list of 20 adjectives when asked to describe the commercial. The
percentage was over 20 when snack and beverage items were excluded.
In fact, Children do learn to recognize ads as ads from quite an early age. Research
by both commercial and academic researchers shows that they are well aware of
what an ad is, and what it is trying to do as young as four or five,. (This is younger
than classical child development theory (exemplified by Piaget) would suggest, but
the evidence seems clear). The Code of Practice aims to control the effects of
advertising by (for example) ensuring that Ads make clear to children the size and
capabilities of fantasy toys (in particular).
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The broader issue is the one of involvement in the market, and how this affects
parents. I do not see how children can avoid the market. It therefore makes sense
that they should learn how to deal with it. This will (inevitably) mean that they
meet with disappointments, when they have believed too much of the (inevitable)
hype. You can argue that they should not have to cope with this until they reach a
certain age. but what age is most appropriate? Eight? Ten? Fifteen? Some people
already remain incurably naïve until they reach their dotage. It seems to me that
almost the earlier you learn not to believe everything you hear in the Ads (just as
you should learn not to believe everything you read in the papers or see on TV),
the better.
In-Text Question 3:
What are some of the issues as regarding advertising and children?
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In the long run, it is in no advertiser's interests to mislead the public. A dissatisfied
customer is the worst sort of advertisement. People are ten times likely to tell their
friends about a bad experience with a purchase as well as about a good one.
Of course too, Ads damage the environment. Think how much prettier our
townscapes would be without all those posters, shop signs, street furniture. Think
of all the paper wasted on printing all these Ads that encourage us to consume, to
deplete the earth's resources, to deposit rubbish and further pollute the environment
we live in.
Promoting consumerism
Ads encourage wasteful and excessive consumption. They promote the idea that all
that matters is to own things and consume things. They persuade people to buy
things they cannot afford or else rub the noses of the poor due to the fact that these
desirables are out of reach.
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Of course, Advertising is all about cheap-jack commercialism. It panders to the
lowest common denominator. It helps to drive out what is good in favour of what
is popular. This, of course, simply awful. If there was less advertising, or even if it
was more responsible, standards and values would be higher.
In-Text Answer 1:
Materialism is defined as the tendency to give undue importance to material interests.
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In-Text Answer 2:
Yes, it does. According to Mary Gardiner Jones, the conscious appeal in the television
commercial . . . is essentially materialistic. Central to the message of the television
commercial is the premise that it is the acquisition of things which will gratify our
basic and inner needs and aspirations.
In-Text Answer 3:
Some of the issues involved here are: First, are children capable of
recognizing that ads are ads, and understanding that the aim is to sell them
something, Second, should we, in any event, regard them as a legitimate
target for advertising, Third, because the way in which most advertising to
children has to work is through 'pester power', is it right that advertisers
should be encouraging children to put pressure on their parents in this way,
Fourth, specific to nutrition, is the argument that the concentration of food
advertising on 'junk' food (of a variety of kinds.
7.0 References
Aaker, David, and John (1992). Advertising management. Prentice-Hall of India
Doyle, Peter (2002). Marketing Management & Strategy, (3rd Edition). Essex:
Pearson Educational Limited.
Ferrell, D. C. and Hartline, Michael D. (2005). Marketing Strategy (3rd Edition).
Ohio: Thomson South-Western.
Kotler, Philip and Keller, Kevin Lane (2006). Marketing Management, (12th
Edition). New Jersey: Pearson Prentice Hall.
Perreault, William D., Jr. and McCarthy, Jerome E. (2005). Basic Marketing: A
Global Management Approach. Boston: McGraw-Hall Irwin.
Peter, J. Paul and Donnelly, James H., Jr. (2011). Marketing Management:
Knowledge and Skills (10th Edition). New York: McGraw-Hall Irwin.
205
Westwood, John (1996). The Marketing Plan: A Practitioner’s Guide (2nd
Edition). London: Kogan Page Limited.
White, Roderick (2000). Advertising, (4th Edition). London: McGraw-Hill
Publishing Company.
Wood, Marian B. (2007). Essential Guide to Marketing Planning. London:
Prentice Hall.
206
STUDY SESSION 4
Globalization and Advertisement
Section and Subsection Headings
Introduction
1.0 Session Learning Outcomes
2.0 Main Content
2.1 Globalization
2.2 What about the Ads?
2.3 Tribes and Tribulations
2.4 Global Advertising
3.0 Tutored Marked Assignments
4.0 Summary
5.0 Discussion Questions
6.0 Additional Activities (Videos, animations and outdoor activities )
7.0 References
Introduction
In this study session, globalization and advertisement shall form the basis of our
discussion.
207
2.0 Main Content
2.1 Globalization
The formalized concept of globalization of markets and commerce has been around
for over 25 years. In a similar vein, the idea of global advertising has been in
existence for a long time. If firms can produce products to a uniform specification
for the world's markets, why should they not have global brands under which to
sell them, and back these with global advertising? Production facilities have begun
to migrate around the world, seeking suitable low-cost locations, and companies
have grown even larger through internal expansion and through mergers and
acquisitions. At the same time, as we have seen, media companies have begun to
develop worldwide coverage, and even to sell space and time on an international
basis.
The WPP Group's 1997 Annual Report carries an interesting brief analysis of the
parallel processes of agency mergers and the consolidation of very large
multinational advertising accounts into a small number of agencies on a worldwide
basis. While 23 of the top 30 US agencies are now owned by just nine
multinational groups, major multinational client companies such as Colgate, IBM,
208
S C Johnson, Reckitt 8c Colman and Citibank have reduced their roster of agencies
from as many as 40 or more to just one or two. This means that the big global
networks have an overwhelming advantage. Even the best local agencies are trying
to win business from most major multinational clients. The fact that a major world
brand (such as Coca-Cola) could suddenly start to buy advertisement ideas from a
creative 'boutique' organization that was not even really in the business of
producing advertisement shows how potentially fluid the situation is.
The rationale for consolidating international business into just one or two agencies
is largely one of management efficiencies: shorter chains of command and simpler
co-ordination of activities, leading hopefully to reduced costs. These latter can
certainly accrue from a reduction in the amount of time that needs to be devoted to
dealing with the agency, and may include a reduction in the amount that the agency
or agencies is or are paid. At the same time,
centralized negotiation, whether through the creative
agency operating as a full-service agency, or
through a multinational media specialist agency,
could lead to reduced total media costs. In practice,
it is worth noting that at least some financial
arrangements reported (by agencies) appear to give
the agency more than the traditional 15 per cent
commission (or its equivalent in fees), rather than any reduction.
Great ideas, the argument goes, are too valuable to be wasted on a single market or
group of markets. It would be sheer dereliction of duty on the part of the
advertiser's management if they failed to use the idea in as many markets as
possible. At least one major global marketer, Unilever, has a policy of taking
excellent and successful advertising concepts, wherever they have been developed,
and applying them elsewhere to whichever of their many brands seems
appropriate. Because of the company's history, its brands tend not to be global, but
their Ad concepts sometimes are. By contrast, another multinational, Mars, has
spent the last few years globalizing long-established brands, so that the UK has
seen Marathon become Snickers, and Treets become M&Ms, for example, as part
of this harmonization.
The big question is ‘assuming we have a great idea and the ability to recognize it
as such is whether it is realistic to expect it to work equally well all over the world;
or, failing that, what we will have to do to adapt the idea to enable it to do so’
210
Again, there is a naïve assumption most frequently, but by no means exclusively
found among senior managers of US multinationals, that what works there will
work anywhere else. After all, the US is a very large and quite diverse set of
markets, so a successful Ad there has to have a degree of acceptability among
people of widely differing backgrounds and even languages. There are a number
of reasons why this assumption is naïve even though it is not necessarily wrong.
These can be divided into two broad categories: country-specific and market-
specific.
Market-specific reasons for questioning the assumption derive primarily from the
standing of the brand in different countries. Very few brands are equally strong or
equally well developed in terms of their product life cycles in more than a few 'of
the countries in which they are sold. A brand may be a long-established market
leader in the US; a well-known second or third brand in some other English-
speaking countries such as the UK and Australia; a struggling newcomer in (say)
France and Germany; and a luxury brand for the very rich in most of the South. In
each of these markets or groups of markets, it may be faced by a different group of
competitors (which will, to be sure, consistently include some well-known
multinationals), and these, again, will occupy different positions within the market.
A well-known example of the sort of differences that arise in this way is Levi's. in
the US, Levi's jeans are mass-market and price-competitive; but in much of
Europe, Levi's is a premium-priced, high-quality brand.
A further complication may be the way in which the product or product category is
used or consumed in the various countries: Kelloggs have had a long uphill
struggle to develop a market for breakfast cereals in Continental Europe, where
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some of their products have found a completely unexpected (to an American or
Briton) niche in the snack market.
In-Text Questions 1:
What is market specific assumption?
Then there are country-specific factors. These interact with the market factors,
but are primarily concerned with the nature of the society in the individual country,
the values of that society, and characteristics of the culture, such as body language,
frames of reference, sense of humor, taboos, religion, and so on. It is quite easy to
construct a case that makes it very difficult to believe that an Ad that works
excellently in one country could ever work as well in another. A most convincingly
argued example of this is that any 'global' advertising campaign must be quite
radically adapted to local needs if it is to stand a chance of success.
The fact that there are national styles of advertising is undoubtedly true, as anyone
who goes to any of the growing number of international advertising awards
festivals would readily acknowledge. What is more, these styles seem to emerge
most strongly in the best work from each country, which suggests that they are
reflecting the reality of the national cultural character.
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ITQ 2: What is country specific assumption?
One final argument that is sometimes used to support the concept of the global
campaign is that with tourism rapidly becoming the world's number one industry, it
would be immensely confusing to people if they travelled to another country and
saw their familiar brands advertised in a totally different way. Quite apart from the
fact that the numbers of people involved are still small when viewed against the
total populations of either the hosts' or visitors' countries, there are two highly
questionable assumptions built into this argument. First, that, the tourist will be
remotely in a frame of mind in which Ads are relevant; and, second, that he or she
can understand an Ad in a foreign language.
Overall, then, the message from research seems to be that it is difficult, if not
impossible, to run an absolutely homogeneous campaign across national borders,
unless the countries concerned have a lot in common. You have to adapt and also
take account of local idioms, metaphors, body language, and sense of humor. You
have to recognize national styles. In a word, the ideal multinational campaign is
not 'global', but `global'. It embodies the widely quoted view that you should think
global, but act local.
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In-Text Question 3:
What is the concept of globalisation?
In-Text Answer 1:
The assumption derives primarily from the standing of the brand in different
countries. A brand may be a long-established market leader in one country and a
second or third brand in another country.
215
ITA 2: The country specific assumption interacts with the market factors, but are
primarily concerned with the nature of the society in the individual country, the
values of that society, and characteristics of the culture that may involve body
language, frames of reference, sense of humour, taboos, religion, and so on.
In-Text Answer 3:
It embodies the widely quoted view that you should think global, but act local. It
takes account of local idioms, metaphors, body language, and sense of humor.
7.0 References
Doyle, Peter (2002). Marketing Management and Strategy, (3rd Edition). Essex:
Pearson Educational Limited.
Ferrell, D. C. and Hartline, Michael D. (2005). Marketing Strategy, (3rd Edition).
Ohio: Thomson South-Western.
Kotler, Philip and Keller, Kevin Lane (2006). Marketing Management, (12th
Edition). New Jersey: Pearson Prentice Hall.
Perreault, William D., Jr. and McCarthy, Jerome E. (2005). Basic Marketing: A
Global Management Approach. Boston: McGraw-Hall Irwin.
Peter, J. Paul and Donnelly, James H., Jr. (2011). Marketing Management:
Knowledge and Skills, (10th Edition). New York: McGraw-Hall Irwin.
Westwood, John (1996). The Marketing Plan: A Practitioner’s Guide, (2nd
Edition). London: Kogan Page Limited.
White, Roderick (2000). Advertising, (4th Edition). London: McGraw-Hill
Publishing Company.
Wood, Marian B. (2007). Essential Guide to Marketing Planning. London:
Prentice Hall.
216
STUDY SESSION 5
Future of Advertising
Section and Subsection Headings
Introduction
1.0 Session Learning Outcomes
2.0 Main Content
2.1 Future of Advertising
2.2 Globalization
2.3 Unbundling
2.4 Total Communications
2.5 Technology
2.6 The Nigerian Situation
3.0 Tutored Marked Assignments
4.0 Session summary
5.0 Self-Assessment Questions and answers
6.0 Additional Activities (Videos, animations and outdoor activities)
7.0 References
Introduction
Wow!! You are welcome to the last session of the course. How has been the
class so far? Interesting? Educative? and Engaging?
2.2 Globalization
The last study session took a critical look at the way in which advertising can be
effectively global, and outlined the pressures behind globalization. It has been
estimated that the top 1000 advertisers account for 90 per cent of the world's Ad
expenditures. Assuming that this is remotely true, one possible implication is that
there is room for no more than 40-odd global agencies, each handling, on average,
25 of these advertising giants. The vision in Pohl and Kornbluth's sci-fi classic The
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Space Merchants, of just two vast advertising mega-agencies effectively
controlling the world, appears to be almost conceivable especially since it seems
reasonably certain that at least 10 per cent of the top 1000 advertisers will merge
with, or acquire, one of the others in the next couple of years.
Then, the question is what good does this sort of gigantism do? For whom? And,
for an advertising text, does it help produce good or excellent advertising? It seems
that this process of corporate aggrandizement runs counter to most other trends
within the advertising business and more significantly within society as a whole.
Huge organizations progressively lose contact with their customers, and become
entirely reliant on bureaucratic system-building and system maintenance. This
removes the possibility of any creative response to changing circumstances, and
encourages a paralysis of the status quo.
This progressive gigantism offers numerous opportunities for the smaller, swifter,
more agile operator to start to pick off the juicy bits around the edges. Large
businesses neglect their smaller and outlying operations, and this applies both to
advertisers and their agencies. For many years now, the leading Italian Ad agency
has been the local Armando Testa, the only non-multinational in the top 20
agencies in Italy. They have attained and held this position by being good at being
Italian, something that none of their competitors is any longer able to do so well.
As their founder says, this process has been helped by the agency's refusal to go
public, which has relieved it of the need to damage the structure of the business in
the search for ways to boost profits for the shareholders.
The problem for the smaller operator remains that it is difficult to penetrate the
businesses of the large multinationals. Multinational executives find it as a source
219
of comfort that their agency has offices in outlying parts of the world. There is
almost a process of ticking off the flags on the map, and no one got fired for
buying IBM. The fact remains that it is perfectly possible for any agency to place
advertising in a country where it has no office of its own, and perfectly possible for
an advertiser to buy advertising from a creative source that has no agency network
and to use this all over the world.
Agency commentators mostly from the large groups have for long observed that it
is very difficult to be a medium-sized agency in most developed markets. In
practice, most such agencies get taken over by larger groups, and this leaves a
fertile source of material for smaller agencies to feed on. Meanwhile, there is an
observable ebb and flow in large corporations' relationships with agencies.
Consolidation and concentration tend to be followed by a period in which local
(especially) reins are loosened, and smaller firms are allowed to get a bite at the
peripheral and minor brands where the pressures for conformity and the safe
solution are fewer, and the opportunity to do something spectacular greatly
enhanced.
In-Text Question 1:
What is progressive gigantism?
2.3 Unbundling
Creative and media started to separate as long ago as the end of the 1960s in the
UK, and the process is far advanced in most major advertising markets. It has
proven less easy to hive off the creative function from the main agency that
remained, and most of the creative boutiques seem to have transformed themselves
into something else, while it is now more common to find freelance creative teams
220
operating on a small scale. Yet Coca-Cola was able to reinvent the concept by
going to CAA, which was, in effect, a talent agency.
More recently, the UK's planning initiative has begun to develop splittise
tendencies, with a variety of planning consultancies and individual consultants
providing services that compete with, or complement those of the agencies. These
strategists do not have the monopoly of thinking about brand strategy, however
there is a new breed of brand strategy consultants, and the marketing divisions of
the big management consultancy companies are also starting to intrude in this area
to the disquiet of some agency managements that recognize that the consultants
have access to higher levels of clients' management, and therefore pose a threat to
the agency's assumed leadership in brand thinking.
By now, in fact, you can buy almost any advertising agency function from a
specialist organization or consultant. There are even account managers who will
run an account for a period if an agency is for some reason short of people to
handle it. However, the fact that it is possible to do this does not necessarily make
it the right thing to do. While it is tempting to think that, as an advertiser, you
should buy the best expertise available to perform
every process involved. There is no guarantee that
the experts you assemble will be able to work
together as a team, especially as a creative team and
creativity is what advertisers seek from their
agencies, and the point where the agencies'
advantage over management consultants identifiably
lies. Certainly, unless you get the services of an account manager to organize the
whole process, what this 'cherry-picking' will cause is an enormous increase in the
detailed workload that you have to undertake. There is, however, a more
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fundamental problem with unbundling, and this lies in the way in which advertisers
are increasingly looking at their communications.
Furthermore, as the media available become more fragmented and complex, and
the possible ways of using them move from straightforward Ads to a variety of
forms of sponsorship, product placement, editorial and advertorial messages, and
so on, the need to approach all of these options with both understanding and
imagination begins to demand new ways of thinking about both the media and the
creative material that should go into them.
If all these elements are being assembled from a range of different and specialist
agencies and organizations, the task of coordinating and orchestrating the diverse
contributions rapidly becomes awesomely complicated and extremely difficult—
both because of the technical requirements of the different activities and because of
the politics of the various parties involved.
It can be argued, too, that because the ways in which media can be used are
proliferating, the primary communications planning decisions should now be about
the media, and that media thinking should precede any creative planning. This
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would turn traditional practice on its head, though the more enlightened agencies
have long tried to keep media thinking at least in parallel with creative.
The logic of this is that unbundling media from the creative agency is a strategic
mistake. However, enticing it may be in terms of apparent economics. Either you
have to create a new breed of media planner, separate from the media buying
agency, and closely linked to the creative agency; or you have to reintegrate media
with creative into a new type of full-service agency. Media agencies have already
recognized part of this, by force of financial pressures: by the time they had turned
buying successfully into a commodity business, they desperately needed to find
ways of adding value to their operations, by developing more sophisticated
planning systems and approaches.
What is very clear is that any large and forward-thinking advertiser will be looking
to manage its use of media and of the types of
communication it puts through each medium in a much more
sophisticated, coherent and synergistic way than in the past.
For large users of media advertising in particular, this
requires something of a sea-change in thinking, and a
reappraisal of their whole marketing communications
function.
2.5 Technology
Technology has permeated the advertising world since the invention of the printing
press. It affects the availability and nature of media; the ways in which we can
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create and produce ads; the ways in which we communicate our plans and
strategies to colleagues and clients or agencies; the ways in which we conduct
research into the media, into our ads, into our customers. It has created a whole
new range of media opportunities through the Internet, digital TV, interactive
point-of-sale material of all kinds, the new plasma video screens appearing in
shopping centres, and so on. Even printing has gone digital, so that in theory one
could, for example, tailor a customer magazine to a single customer.
The technological revolution has had its most obvious impact on advertising in
three areas: in media research where modern computers make it possible to analyze
vast tracts of data almost in real time; in production, especially for TV, where post-
production wizardry has almost no bounds; and in the understanding of consumer
information that underpins modern direct marketing
Agencies have so far tended to be erratic and cautious in their acceptance of most
forms of new technology. Few have gone far in investing on their own behalf, and
they have preferred to use specialized suppliers to provide the specific services that
they have wished to adopt. There are exceptions to this, and I think that the next
few years will see the larger agencies embarking on a quite massive move into
owning, as opposed to merely renting, a variety of technologies. In particular, it
seems very clear that the life of so-called 'new media' agencies as a specialist group
is going to be relatively short-lived as the good ones will be bought by established
ad agencies, and the poor ones will die. Similarly, as production facilities become
more computerized, the existing tendency for large agencies to acquire their own
will gather momentum.
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Quite simply, if the agencies do not become wired to a high degree of
sophistication, they will find themselves losing business. This will come to apply
to more mundane facilities such as video-conferencing. For international business,
this is becoming an essential tool in most large client organizations and, although
agencies tend to hate it, they will have to learn to live with it.
In-Text Question 2:
How has technology affected the future of advertising?
As the global marketing communication industry adopt the latest cutting edge
technology in order to make its operations more efficient and satisfy the changing
taste of consumers worldwide, Nigerian chapter is bound to follow suit spending
billions of Naira in the years to come in the purchase of some of the best
technology. Already new satellite TVs are coming on stream together with new TV
and radio stations.
The increasing adaptation of the internet as a means of advertising has awoken the
Nigerian advert industry on the need to quickly catch up with the global practice.
Already, numerous Nigerian corporate agencies are now allocating part of their
annual advert budget on internet sites such as Yahoo, Face book, Google,
LinkedIn, and others. The target is to reach the largest target audience possible at
the most efficient cost possible. As the economy continues to grow, there is also
increase in major companies’ efforts to boost their image. Already, major brands in
the country such as Dangote, First Bank, MTN, Glo, BUA, and GT Bank have
been spending billions of Naira in order to increase the strength of their brand.
Despite all these, the Nigerian advertising industry is still at developing stage, as it
will take years before it will reach the level of maturity we are seeing in advanced
markets such US, France and Japan. The total annual advert budget for the whole
economy combined is still meager compared to South Africa.
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In terms of creative content in our advertising, we still lag behind what is found in
the Arab world whose creative content does not even reach the level found in
advanced countries. The Nigerian market is still being dominated by some few big
local advert agencies (with monopolistic tendencies) that do not want new entrants
into the business (whether they are local or international). Thus, for the interest of
developing of the industry, there is need for fair play, healthy competition and
effective regulations.
ITQ 3: What can you say about the good thing with globalization?
Thanks so much for your maximum cooperation. See you some other time!!!
Meanwhile, don’t forget to read further as references are provided for this
purpose. BYE!!!
In-Text Answer 1:
The progressive gigantism offers numerous opportunities for the smaller, swifter,
more agile operator to start to pick off the juicy bits around the edges.
In-Text Answer 2:
Technology has permeated the advertising world since the invention of the printing
press. It affects the availability and nature of media; the ways in which we can
create and produce ads; the ways in which we communicate our plans and
strategies to colleagues and clients or agencies; the ways in which we conduct
research into the media, into our ads, into our customers.
ITA 3: The good thing with globalization is that it brings with it world-
recognized parameters that help and enhance the growth of local industry.
7.0 References
Akinwumi Lolu; The Future of Advertising in Nigeria, Vanguard Nigeria (14th July
2003)
Doyle, Peter (2002). Marketing Management & Strategy, (3rd Edition). Essex:
Pearson Educational Limited.
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Ferrell, D. C. and Hartline, Michael D. (2005). Marketing Strategy, (3rd Edition).
Ohio: Thomson South-Western.
Kotler, Philip and Keller, Kevin Lane (2006). Marketing Management, (12th
Edition). New Jersey: Pearson Prentice Hall.
Perreault, William D., Jr. and McCarthy, Jerome E. (2005). Basic Marketing: A
Global Management Approach. Boston: McGraw-Hall Irwin.
Peter, J. Paul and Donnelly, James H., Jr. (2011). Marketing Management:
Knowledge & Skills, (10th Edition). New York: McGraw-Hall Irwin.
Westwood, John (1996). The Marketing Plan: A Practitioner’s Guide (2nd
Edition). London: Kogan Page Limited.
White, Roderick (2000). Advertising (4th Edition). London: McGraw-Hill
Publishing Company.
Wood, Marian B. (2007). Essential Guide to Marketing Planning. London:
Prentice Hall.
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