TIMS Setup Guide
TIMS Setup Guide
D I C O M S Y S T E M
SETUP AND Rev. 5.0
CONFIGURATION
GUIDE
TIMS DICOM, Foresight Imaging, and the Foresight Imaging logo are registered
trademarks of Foresight Imaging LLC. TIMS, TIMS DICOM System, the TIMS logo,
AccuStream, I-Color, and Auto-SYNC are trademarks of Foresight Imaging LLC. All
other products, service names, and registered trademarks are trademarks of their
respective companies.
The information in this document has been carefully checked and is believed to be
accurate. However, Foresight Imaging assumes no responsibility for inaccuracies.
All specifications are subject to change without notice.
BUREAU VERITAS
Symbol Explanation
Manufacturer
Serial Number
Date of Manufacture
Catalogue Number
Warning: Use proper hygiene when using the TIMS DICOM System within the
patient environment. Please ensure that your medical facility is in strict
compliance and adherence to all applicable laws and regulations regarding the
handling of electronic equipment with respect to cleanliness, disinfection and
sterile environments and all other use and care instructions when operating this
equipment within the patient environment.
Warning: The Power Supply (Tri-Mag model DT100ZM-5) shipped with the
TIMS DICOM System is a medical grade power supply and is the only power supply to
be used with the TIMS DICOM System computer. Do not use any other power supply
with the TIMS DICOM System as this may result in unsafe operation.
FCC NOTICE
WARNING
Changes or modifications to this unit not expressly approved by the party
responsible for compliance could void the user’s authority to operate this
equipment.
NOTE: This equipment has been tested and found to comply with the limits for a
Class A digital device, pursuant to Part 15 of the FCC rules. The limits are designed
to provide reasonable protection against harmful interference when the equipment
is operated in a commercial environment. This equipment generates, uses, and can
radiate radio frequency energy and, if not installed and used in accordance with
the instruction manual, may cause harmful interference to radio communications.
Operation of this equipment in a residential area is likely to cause harmful
interference in which case the user will be required to correct the interference at
his/her own expense.
Users should periodically inspect the TIMS DICOM System for signs of worn or frayed
cables. If worn or frayed cables are found, contact technical support immediately.
Also, periodically inspect the TIMS DICOM System cable connections to ensure that
all cables are securely attached.
There are no user replaceable or serviceable parts in the TIMS DICOM System.
Please contact technical support with any questions.
What Is TIMS?
The TIMS DICOM System is an integrated hardware/software system that solves a
critical connectivity need in hospitals today: the acquisition and conversion of data
from analog medical devices for a DICOM-compliant PACS.
With TIMS, this capability is available in a cost-effective, easy-to-use DICOM
workstation. TIMS converts analog medical modalities to DICOM and digitally
transfers the studies to a hospital’s PACS system. Additionally, each TIMS DICOM
System is a DICOM gateway, enabling the workstation to receive as well as send
DICOM studies.
TIMS is a multi-modality system, meaning it can acquire from a large variety of
analog video and DICOM modalities. Among these are ultrasound, CT, MR,
endoscopy, angiography, and nuclear medicine.
Once the images or video streams are acquired and converted to DICOM, they are
instantly available for viewing, simple image processing, DICOM send, DICOM print,
PostScript print, or CD/DVD burning. A free DICOM viewer is available and can be
automatically written to each CD/DVD.
Glossary of Acronyms
AE
Application Entity (Identifies DICOM nodes)
BNC
Bayonet Nut Connector
CHP
Common Hardware Profile file (CHP file extension)
DICOM
Digital Imaging and Communications in Medicine
DVI
Digital Video Interface
IP
Internet Protocol
PACS
Picture Archiving and Communications System
QR
Query/Retrieve
SCP
Service Class Provider
SCU
Service Class User
SOP
Service Object Pair
TWAIN
Technology Without An Interesting Name
USB
Universal Serial Bus
Get Connected
Connecting your TIMS DICOM System comprises the following steps, reviewed in
this chapter:
Site Survey
Set Region AC Voltage Setting
Make Standard PC Connections
Make Modality Connections
Connect Trigger (optional)
Configure Network
After you connect your system, additional software configuration steps are
required before the system is ready to use:
Configure Security (optional)
See Page 13
Configure Channels and DICOM Class Lists
See Page 17
Configure Modality Worklist
See Operator’s Guide
Configure DICOM Send
See Operator’s Guide
Configure DICOM Printers (optional)
See Operator’s Guide
Site Survey
Before you set up the hardware connections or software configuration for your
TIMS DICOM System, you should perform a site survey to establish general
requirements.
Determine requirements and location of TIMS units, including proximity
to power and network adapters.
Determine the type, number, and location of video imaging devices you
will connect to TIMS.
Determine if distances to video sources will exceed 6 meters, in which
case a video amplifier may be required.
Determine network settings (domain or workgroup, dynamic or static IP
address, and so on).
Front
Panel
Front Panel
1 2 3 4 5
PC Power Modality
Connections Supply Connection
PC Connections
Your TIMS DICOM System is equipped with the full range of standard PC
connection options and peripherals. These include:
External Power Supply — US, Europe, or UK (as supplied)
Keyboard
Mouse
Network RJ45 10/100/1000
VGA output: analog and DVI (if equipped)
Sound
Serial and Parallel Ports
USB Ports
2 4 6 6 8 10
1 3 5 7 9
1 Mouse
2 Keyboard
Compact keyboard
3 VGA Out:
Analog
4 VGA Out: DVI
Digital
5 Serial I/O (2)
6 Network (2)
(Use right port
only)
7 USB (4)
8 Line In - Stereo
9 Microphone Input
10 Headphones -
Stereo
1 External Power
Supply
Modality Connections
Your TIMS DICOM System is equipped with one high-performance video capture
board. It is:
AccuStream 205a
- For Standard and High Resolution RGB
- For Standard and High Resolution Monochrome
- For NTSC / PAL -
S-Video and Composite
Non-NTSC/PAL
Video Source Connector
Sync
- Composite
- Horizontal
- Vertical
NTSC/PAL
DVI to BNC
S-Video Cable or DVI to
Connector VGA Connector
3
21
NTSC/PAL Non-
NTSC/PAL
AccuStream
205a
1 2 4 Trigger Adapter
Male Phono to
BNC Female BNC
Connector
3 RGB or Monochrome In
DVI to BNC
4 Trigger In: All Inputs
Connection Steps:
Using the color-coded BNC wires as your guide:
3
Connect DVI to TIMS .
Make the Red, Green, and Blue connections to device.
Make the Sync connection to device:
- If Composite Sync, use Gray for Comp/H-Sync
- If Horizontal Sync, use Gray for H-Sync
- If Vertical Sync, use Black for V-Sync
Connection Steps:
Using the color-coded BNC wires as your guide:
3
Connect DVI to TIMS .
Make the Green to Monochrome video connection.
Make the Sync connection:
- If Composite Sync, use Gray for Comp/H-Sync
- If Horizontal Sync, use Gray for H-Sync
- If Vertical Sync, use Black for V-Sync
Optional Trigger
Connect to
4
TIMS and to the trigger device.
Note: A trigger is a foot pedal or pushbutton device for
starting and stopping video capture.
Connection Steps:
2
Connect to TIMS .
Make S-Video Connection to device.
Connection Steps:
1
Connect to TIMS .
Make BNC Connection to device.
Optional Trigger
Connect to
4
TIMS and to the trigger device.
Note: A trigger is a foot pedal or pushbutton device for
starting and stopping video capture.
Network Setup
Your TIMS DICOM System requires standard network configuration.
Consult your network administrator to determine the following:
Whether the system is to be part of a domain or a workgroup.
Whether the system is to have a dynamic or static IP address.
¾ To set computer name, domain/workgroup:
1. Open Start menu > Control Panel > System Properties > Computer
Name tab.
2. To join a domain, use the Network Identification Wizard (click
Network ID).
Configuring Security
To ensure secure operation, including access by authorized personnel,
passwords can be applied to various TIMS features. The TIMS Administrator
password is always required to change security settings and for the TIMS
Channel Configuration window. By default, Administrator passwords are
required for configuring operational units. A password is not required, by
default, for normal TIMS operations.
Always
TIMS Channel Configuration Always requires Administrator
password
Default
Configuring study list layout Administrator password
Default
Inverting image data (destructive) No password
The new Feature password appears in the Change Security Setting dialog and
is also visible in the Security Settings dialog. (It is visible to the TIMS
Administrator only.)
Configuring Channels
The chapter discusses configurable settings and features of the TIMS software
for image acquisition and DICOM settings:
Selecting Image Acquisition Settings
Selecting DICOM Class Settings
Selecting DICOM File Compression Settings
Configuring DICOM Channels means setting all the properties that determine
image acquisition and DICOM data fields. You do this in the TIMS Channel
Configuration window.
A channel comprises image acquisition properties of a medical modality
and the data acquisition properties that define the associated DICOM
class.
Configure Channels
TIMS has factory-configured video channel settings that are selectable from the
500 Channel Name list. These out-of-the-box settings can be modified, and you can
1000 add any number of new channels according to your particular needs. The preset
2000 channel settings are shown in the following table:
1
Bolded type is selected by default but may be changed.
2
CHP files are installed in C:\Program Files\Foresight\Idea\CHP\ by default.
3
DICOM_RECEIVE is for an IP-based Service Class Provider – it is not a video channel.
4. Click the OK button and the Channel Configuration dialog appears. For
information on configuring the channel, see:
1. Selecting Image Acquisition Settings on page 23.
2. Selecting DICOM Class Settings on page 30.
5. Click the OK button when you have completed making any changes (or
if you decided to go with the defaults) and the Configure Channels
dialog returns. Click the Close button if you are finished.
Delete a Channel
The Delete command applies to the currently selected channel on the
Configure Channels dialog.
1. From the Configure Channels window, select the channel you want to
delete, and click the Delete button.
2. Click the Yes button to delete the channel and the channel is removed
and is no longer displayed in the left hand window of the Configure
Channels dialog.
Edit a Channel
The Edit command applies to the currently selected channel on the Configure
Channels dialog.
1. From the Configure Channels window, select the channel you want to
edit, and click the Edit button.
2. The Channel Configuration dialog appears. For information on
configuring the channel, see:
Selecting Image Acquisition Settings on page 23.
Selecting DICOM Class Settings on page 30.
3. Click the OK button when you have completed making any changes and
the Configure Channels dialog returns. Click the Close button if you
are finished.
4. Click the OK button and the Channel Configuration dialog appears. For
information on configuring the channel, see:
Selecting Image Acquisition Settings on page 23.
Selecting DICOM Class Settings on page 30.
5. Click the OK button when you have completed making any changes (or
if you decided to go with the defaults) and the Configure Channels
dialog returns. Click the Close button if you are finished.
Rename a Channel
The Rename command applies to the currently selected channel on the
Configure Channels dialog.
1. From the Configure Channels window, click the Rename button.
2. In the Rename Channel dialog, enter a new channel name.
(Default) is placed
next to the selected
channel.
Board
TIMS uses one video capture board, for all video sources: NTSC or PAL from S-
Video and Composite signals, RGB, and Monochrome.
Video Channel
A choice of video channels is available:
AccuStream 205a
Examples: The file used for an NTSC S-Video source connected to channel 1 is
NTSC_SV1.chp. The file used for a PAL S-Video source connected to channel
1 is PAL_SV1.chp.
• DICOM
In this mode, when a study is saved, the associated video streams are
converted and saved as DICOM files. This is the default streaming mode.
• AVI
In this mode, when a study is saved, the associated video streams are
converted and saved as both DICOM files and AVI files.
Usage Note: For performance reasons, it is recommended to capture video
streams as DICOM files and then use the File menu > Save as
command to export to AVI format.
Buffers
This setting determines the number of frames to be stored in memory.
Frame Decimation
Saving video streams using lossless formats like DICOM and AVI are resource-
intensive. Frame Decimation refers to the technique of allowing every nth
frame to be acquired while others are dropped. A value of 5 means every 5th
frame is acquired. The default value of 1 means every frame is acquired.
Motion Elimination
Motion Elimination settings reduce motion artifacts when acquiring image stills
and video streams on interlaced video signals.
This is only required when combing or blurring are present in the captured
images or video streams.
Such image artifacts as “combing” or “blurring” can occur when the imaging
acquisition device (such as an ultrasound wand) or subject are in motion.
When interlaced devices capture frames in a two-pass process — first the
odd field, then the even field — the first field does not always align with the
second.
In order to reduce the effect of these artifacts, the technique of repeating
either the odd or even field can be used. Choose either Repeat Odd or Repeat
Even and do a test capture. Then try the other scheme, and compare the
results to determine which scheme works best for this device.
Triggers
Triggers are any physical means of starting and stopping streaming video
captures. If the TIMS operator will be using the mouse exclusively, this step 2000
can be skipped. However, if a foot pedal or pushbutton device will be used
with a channel, you configure the trigger behavior here.
Note: The Enable Triggered Snaps is enabled only if the driver for a particular
trigger device has been installed.
¾ Click Video Stream Triggers to open the Stream Trigger Options dialog:
Scanner Acquisition
With the Scanner Acquisition option selected, select the scanning device from
the pull down list. Only a scanning device for which you have already installed
a driver will appear in the list.
Note: Any custom DICOM class settings you make are associated with a
particular channel. Before changing any modules or elements, make sure
you have the correct channel name selected in the Channel Name pull
down list.
Optional
Calculated
(The DICOM technical standard is described at http://medical.nema.org/)
Default Values
You can add one or more default values to mandatory or optional elements, as
an operator aid. The enumerated values appear in the patient study form as a
pulldown list for that field.
1. Click Edit to open the Edit Value dialog.
2. Type a value and click Insert Before or Insert After.
3. Click Modify to change a value and Delete to remove it.
4. Click OK to commit your changes or Cancel.
Undefined
Save Study Files in the ‘TIMS\Studies’ Folder
Save Study Files in Folder
Automatically Exit TIMS After Save Study
Default File Extension
Can be *.DCM or *.DIC.
MJPEG Settings
The default compression setting of 18 provides for optimum image quality
and optimum file size. (A value of 1 represents the most compression and
smallest file size; 20 represents the least compression and largest file
size.)
Advanced Settings
It is recommended that the Advanced settings not be altered without
consulting Foresight Imaging Support.
Image Requirements
When generating a new CHP file with IDEA Auto-SYNC, best results are obtained if
the colored pixels of the image to be measured fill the entire width and height, or
at least parts of it extend to the boundaries of the active video region. Medium to
bright pixels at the edges are best. The signal should also contain the maximum
amount of contrast between black and white. The image should remain stable
during the entire operation of IDEA Auto-SYNC.
Limitations
IDEA Auto-SYNC looks at both sync and video signal data. The video portion of the
signals must contain an image that meets certain criteria. If those criteria are not
met, the CHP file generated by Auto-SYNC will not be correct and the image
captured with it will be inferior. The image criteria along with a description of the
effect of captured image, if the criteria are not met, are listed here:
1. At least 1% of the image must be the brightest white.
Else: IDEA Auto-SYNC will underestimate brightest white. Images will be too
bright and have too much contrast.
2. At least 1% of the image must be the darkest black.
Else: IDEA Auto-SYNC will overestimate darkest black. Images will be too dark
and have too much contrast.
3. Light (50% gray or whiter) portions of the image must touch all four sides of
the image.
Else: IDEA Auto-SYNC may fail to recognize image boundaries. Images will be
clipped or there may be no image capture at all.
4. Wide solid black (3% gray or blacker) bars stretching across the entire
image in any direction should be avoided.
Else: If composite video is not being used, the stripes may mimic composite
sync information. IDEA Auto-SYNC is very resistant to this type of mistake but
not completely immune to it. Images will appear scrambled.
5. Include many edges (as with text, fine stripes or a checker pattern).
In addition to the criteria listed above, future enhancements to IDEA
Auto-SYNC may be able to take advantage of other image characteristics. If you are
developing a standard test pattern for IDEA Auto-SYNC for long-term use, the
pattern should include sharp pixel transitions from light to dark and dark to light. A
pixel transition is considered "sharp" if the change in gray-scale from one pixel to
the next (to the left or right) exceeds 50% of the full black to white range.
Including test or vertical or near-vertical fine grill patterns in the image would suit
the purpose.
The application opens and is ready to begin the IDEA Auto-SYNC process. You must
open or create a configuration (CHP) file before you may use many of the IDEA
Auto-SYNC options (i.e. Capture an image).
The following toolbar icons are used for combined RGB views:
The following table lists the hot keys available while using IDEA Auto-SYNC:
<F8> Step
Automatic
Click Express. This automatically adjusts all of the settings for you. You
can make modifications once the initial settings are defined.
Interactive
Click OK. As IDEA Auto-SYNC checks or verifies some of the settings, you
are given the option to examine and possibly modify the settings.
When you click OK, IDEA Auto-SYNC begins the process of creating the CHP
file. The box on the right side displays the Log Data. You may toggle
between viewing the Channels Report (Channels) and the Log Data (Log).
You may also verify or modify the settings by clicking on the channel(s)
(i.e. CA1) above the Operator Instructions box.
Click on the channel (i.e. CA1) for various options including the Phase
Determination method options.
The phase detection methods differ in the number of "candidate" phase values that
are surveyed; the manner in which each phase value is tested (i.e. generating
summary data or using complete image information); and the algorithms used to
optimize phase.
If an I-RGB 165 or I-RGB 200 is being used, phase detection always uses the
Coarse determination method and determines both the phase delay and fine
phase adjustment values.
The following phase determination methods are supported:
Coarse (default):
Performs a fast measurement survey, generating summary
information for about 1/6th of the candidate phase values.
Attempts to locate the candidate with the lowest pixel value
standard deviation.
Runs quickly and provides reasonable results with a wide
variety of image/format combinations.
Refined:
Performs a thorough measurement survey, generating summary
information for all of the candidate phase values.
Typically slower than the other methods, but is more precise and
reliable for most image/format combinations.
48 TIMS Setup and Configuration Guide
Using IDEA Auto-SYNC
Thorough:
Performs a thorough measurement survey, generating detailed
image information for all of the candidate phase values.
Uses the image data to precisely measure the image stability at
each candidate value and selects the most stable.
This is the slowest method (often slower than manual calibration),
but the results are the most resilient to changes in
temperature and image content. The results are superior to
those produced by the unaided eye.
Custom A (StDev best):
Performs a thorough measurement survey, generating summary
information for all candidate phase values.
Is a variation of the Coarse and Refined methods.
Attempts to locate the candidate with the lowest pixel value
standard deviation.
Custom B (Sharp hunt):
Performs a fast measurement survey and generates summary
information for about 1/6th of the candidate phase values.
Attempts to locate the candidate value with the sharpest
histogram peaks.
This method produces best results with images that are almost
entirely an alternating white-pixel/black-pixel pattern.
Examples of such patterns include the checkerboard "resolve"
pattern and the vertical striped "grill" pattern (with one-pixel
stripes).
Custom C (Sharp max):
Similar to Custom B except that it performs a more thorough
testing of candidate phase values.
IDEA Auto-SYNC Wizard introductory screen once the CHP file is created
The upper window on the right side is called the “Multi-view window”. The
Multi-view window displays multiple monochrome views of the image (zoom,
histogram, etc.) and also displays the board type (and its serial number) that is
being used. When using an I-Color board, the Multi-view window displays a Y-
only (luma) grayscale image. When using an I-RGB board, the Multi-view
window can display either Y-only (luma) grayscale or one of the three RGB
color planes. The figure also shows a full-size window that displays the entire
image (with scroll bars, if needed). Both windows are useful when running the
Auto-SYNC Wizard.
The three page introduction provides basic information about image calibration
and introduces the standard image types that are most useful when using the
Auto-SYNC Wizard:
Grill: A high contrast, black and white vertical bar pattern; provides sharp
dark-to-light transitions.
Linearity: Another high contrast white-on-black image that
includes curves and diagonal lines; useful for
calibrating aspect ratio, phase, and field polarity.
SMPTE: A standard video calibration image with a variety of gray levels, shapes
and lines, and a full-screen background; useful for
calibrating HTotal and framing.
Every page of the Auto-SYNC Wizard includes a pair of Back/Next buttons for
navigation; steps in the Auto-SYNC Wizard can be repeated as needed.
Convenience buttons to bring up the histogram (in the multi-view window) or
the full-size view window on the CHP file are available.
After viewing the Auto-SYNC Wizard introduction, the tuning process begins.
There is a large button on the first introduction page that skips to the first
tuning step. On the last introduction page is a checkbox that hides the
introduction pages the next time the Wizard is used; the user can also
enable/disable the introduction from Auto-SYNC’s Preferences menu.
The Auto-SYNC Wizard process varies slightly for different board types. The
steps for monochrome and I-RGB boards are described in the following section,
followed by the steps for the I-Color board
HTotal adjustments require a video image that highlights errors in aspect ratio.
An image with circles or squares or a text pattern is recommended.
If your video is interlaced, look at the image to see if text or diagonal/curved
lines appear ragged. If they do, try adjusting the Field Polarity to change the
ordering of fields/frames. Depending on the video pattern, changes to the field
ordering may have invalidated the results of the Auto-SYNC session. You may
want to rerun Auto-SYNC to generate a new CHP file.
The HTotal is adjusted by typing a new value into the edit box or using the
up/down buttons; the arrow and Page Up/Down keys also work. Changes to the
HTotal are reflected in any open views of the CHP file (multi-view, full-size
view). Focus on getting the aspect ratio correct; the image framing will be
adjusted in a later step.
Phase delay adjustments require a video image that has maximum horizontal
contrast. An image with a grill pattern or high contrast text is recommended.
The Phase Delay is adjusted in the standard way by typing a new value, using
the up/down buttons, or using the arrow/Page Up/Page Down keys. The
histogram window in the multi-view window can be especially helpful to see
the effects of minor changes.
The I-RGB 165 and I-RGB 200 boards support Fine Phase adjustment. There are
32 discrete phase values that allow fine tuning of the phase and should be used
instead of the Phase Delay when it is available.
Auto-SYNC will attempt to recalculate the optimal phase delay setting if you
click the "Auto..." button. Auto-SYNC prompts for a selection of the phase
determination algorithm; the algorithms are described earlier in this section.
The phase determination algorithms vary in time to complete and thoroughness
of testing and it is recommended that the faster algorithms be used unless the
results are not satisfactory.
Horizontal Back Sync (HBS), which represents the period between a horizontal
sync pulse and the start of active video. The image width is set as the number
of pixels per line.
lines in the video signal from the trailing edge of the vertical sync to the start
of active video. The image height is set as the number of lines in the image.
Brightness and contrast adjustments require a video image that has the full
black-to-white range. Images with a text pattern are recommended. The
histogram is very useful for this step so the multi-view window is
recommended.
Position the mouse over the blackest part of the image. Adjust the Black Level
value in the standard way. Shifting the Black Level changes the pixel values;
these changes are visible either in the pixel value reader (in the lower right of
Auto-SYNC’s status bar) or in the histogram. The goal is to have the black pixels
correspond to pixel values near 0.
Once the Black Level is set, move the mouse to the whitest part of the image.
Adjust the Gain value until the white pixels correspond to values near 255.
Changing the Gain may affect the results of the Black Level adjustment, so this
process must be repeated iteratively until the desired brightness and contrast
are achieved. Watch the histogram to be sure that the range of pixel values
extends from 0 to 255 and that not too many pixels are being mapped to these
extremes (i.e., near-black is mapped to total black).
A full-size view on an image that has content along the top edge and contains
some diagonal lines or text is recommended; the SMPTE or linearity patterns
are ideal.
If diagonal lines appear unusually ragged or text in the image appears broken
(“shaken”), change the Field Polarity value. This adjusts the order in which the
fields of the image are assembled and reverses the ordering of adjacent scan
lines in the video.
If there appears to be some twisting at the top edge of the image, the Vertical
Sync Type may need to be adjusted from “Normal” to “Block” or “Extended
Block”.
If an I-RGB board is being used, the user can run the White Balance procedure.
This adjusts the red, green, and blue channel gain and offset compensation
values for the particular source to assure that pure white and pure black are
properly calibrated. White balancing should be performed when the video
source changes.
TIMS Setup and Configuration Guide 57
Using IDEA Auto-SYNC
Click the Finish button to complete the Auto-SYNC Wizard process. You can
restart the Auto-SYNC Wizard at anytime by selecting a CHP file and clicking
the Auto-SYNC Wizard toolbar icon or by selecting the View > Auto-SYNC Wizard
menu item.
Brightness and contrast adjustments require a video image that has the full
black-to-white range. Images with a text pattern are recommended. The
histogram is very useful for this step so the multi-view window is
recommended.
Position the mouse over the blackest part of the image. Adjust the Black Level
value in the standard way. Shifting the Black Level changes the pixel values;
these changes are visible either in the pixel value reader (in the lower right of
Auto-SYNC’s status bar) or in the histogram. The goal is to have the black pixels
correspond to pixel values near 0.
Once the Black Level is set, move the mouse to the whitest part of the image.
Adjust the Gain value until the white pixels correspond to values near 255.
Changing the Gain may affect the results of the Black Level adjustment, so this
process must be repeated iteratively until the desired brightness and contrast
are achieved. Watch the histogram to be sure that the range of pixel values
extends from 0 to 255 and that not too many pixels are being mapped to these
extremes (i.e., near-black is mapped to total black).
The low pass filter should be enabled when the input video signal is noisy. Click
Adjust Noise Filter to see the results of enabling or disabling the filter. The
process involves the following steps:
Set AOI: The user left drags a red rectangle in the Image
Comparison window to set an Area of Interest (AOI) to
be used for image comparison.
Compare Images: The user is then provided with a side-by-side
comparison view of the images. One image has the low
pass filter on and one has the low pas filter off. Choose
the best one by selecting “Pick Left Image” or “Pick
Right Image.”
The luma comb filter reduces high frequency chroma signal leakage into the
luminance path. The chroma comb filter provides additional color separation
from the composite video input signal. Click the Adjust Luma/Chroma Filters
button to set the filter values. The process involves the following steps:
Set AOI: The user left drags a red rectangle in the Luma/Chroma
Filter Setting window to set an Area of Interest (AOI) to
be used for image comparison.
Review Images: The user is provided with 8 “image sets” which are
collections of 8 images each. The image sets are
basically images snapped with the same luma filter
value and different chroma filter values. The user can
switch among the sets by using the tabs at the top of
the window or the scroll bar or page up/page
down/arrow keys. The listbox scrolls a page at a time
and all of the information is synchronized. The user can
pan around the full image using the “Click to set AOI”
control. The user can snap all new images by clicking
“Snap.” The Auto-Zoom window captures the image
beneath the mouse cursor. Mouse over any of the
images in an image set, to see the different images.
Leave the mouse in one place and page up/page down
among the image sets to see different images in the
Auto-Zoom window. The title bar of the Auto-Zoom
window shows the specific image number. When the
64 TIMS Setup and Configuration Guide
Using IDEA Auto-SYNC
Marking Images as Bad when setting the Luma/Chroma Filters (I-Color Wizard)
Above shows an image set that has been marked bad. Marking an image bad is
simply a user convenience to make it easier to distinguish obviously bad images
while looking at the other candidates in the list. Image set 2 has been marked
bad by right clicking on the tab at the top, the text label has changed and all
of the images are overdrawn by red X marks. When an image set is marked bad,
none of its images will appear in the Auto-Zoom window. To unmark an image
set marked as bad, simply right click on the tab. Marking an image set does not
delete the images or alter them in any way (except for display purposes).
During the review and comparison process, the user can move the Area of
Interest and/or resnap images at any time. A user should try a combination of
color and monochrome samples as a basis for comparison. The user can also
start over, restoring any discarded/rejected images. The user can cancel the
review/comparison without changing the current video settings; the user may
be prompted to retain the current image list for reuse later. This allows the
user to keep a small list of similar video settings before selecting a final one.
Sharpness or edge enhancement on the I-Color is handled by the board’s luma
horizontal peaking setting. Click the Adjust Sharpness button in the Step 5:
Miscellaneous Adjustments window to increase or reduce edge enhancement.
The process involves comparing images snapped on the four possible values.
Select the image that appears best and the corresponding filter setting is
applied to the video settings. The process is similar to the other Image
Comparison windows described earlier.
After adjusting the filters and sharpness, click the Finish button to complete
the Auto-SYNC Wizard process. You can restart the Auto-SYNC Wizard at
anytime by selecting a CHP file and clicking the Auto-SYNC Wizard toolbar icon
or by selecting the View > Auto-SYNC Wizard menu item.
The window on the right side is the same “Multi-view window” used by the Auto-
SYNC Wizard. To open a new full-size window, click the “Full-size image window”
icon from the toolbar or by clicking View > Full-size image window (<F10>). The
Full-size image window will be RGB color for I-Color and I-RGB boards and
monochrome for I-Series and HI*DEF boards.
If Auto-SYNC has opened CHP files for the same non-I-Color board using signals
from analog channels CA1 through CA3, it will allow a “Combined RGB window”
to be opened by clicking View > Merged RGB Image Window. The combined
RGB window displays the results of assembling the image data from the three
analog channels (CA1 becomes the red plane, CA2 the green plane, and CA3 the
blue plane) into a 24-bit RGB image. This window displays the results of using a
monochrome board to perform successive grabs to produce RGB output. The
combined RGB view allows simultaneous changes to all three CHP files (e.g.,
forcing them to have the same image size, same HTotal, etc.).
Once you get to this point, you may now either make changes to your Video
settings or exit IDEA Auto-SYNC and use a sample Example program.
The following table shows the affect of making changes to each of these options.
Black Level 0.0000 mV As Black Level increases, the image becomes lighter, but
mid-range contrast is not affected.
Gain 0.6000 mV As Gain increases, picture becomes darker and has less
contrast.
Black Reference 0.0000 % As the Black Reference level increases, the image becomes
Level darker and has more contrast.
White Reference 1.0000 % As the White Reference Level decreases, the image becomes
Level lighter and has more contrast.
The Connection tab is used to select boards when using an I-Color board, but is
not used to select the video source; those selections are grayed out. Instead, an
I-Color Format tab provides controls for setting the input video source as well as
the video input and output formats.
The following table defines some of the terms available under the Frame tab.
The following table defines some of the terms available under the Miscellaneous
tab.
By clicking on the “Advanced” button, you can adjust these video settings directly
as shown in the next figure.
The Luma/Chroma Filter adjustment button displays the video resulting from all
possible combinations of luma and chroma comb filters and allows the user to
choose the best-looking result. See page 64 and the surrounding text for a
description of how to use the comb filter setup dialogs.
Luma Comb Filter: Enables or disables the luma comb filter; the
filter reduces high frequency chroma leakage into
the luminance path.
Chroma Comb Filter: Enables or disables the chroma comb filter; the
filter provides additional color separation from
the composite video input.
The following adjustment buttons display the video resulting from each of the
possible value settings and allows the user to choose the best-looking result.
See page 66 and the surrounding text for a description of how to use the side-
by-side image comparison dialog.
Y/C Output Range: Sets the range of video output values that can be
produced by the board.
Y Code Range: Sets the range of Y luminance values that can be
produced by the input to the board.
If you want to undo any pending changes to your settings, you can restore the video
settings by selecting File > Reload from Disk.
Saving an Image
Once you have an active CHP file, you may save a captured image as a bitmap
(BMP) file. This BMP may be viewed with any graphics program. To perform this
save, select File > Save Image As.
2. Click Yes to close the DSS when you receive the warning dialog.
5. Delete the files and directories under the Studies directory. Make sure
you have completed step 3 first!!
6. Start TIMS and select File > Open Study. Verify that there are no
studies in the list.
9. Select the top-level directory where you put the backup copy of your
Studies directory.
10. When you receive the prompt to proceed with restoring the database,
press the OK button.
Appendix A:
Hazardous Substance Statement
The following table lists toxic or hazardous elements by product:
O: Indicates that this toxic or hazardous substance is contained in all of the
homogeneous materials for this part is below the limit requirement.
X: Indicates that this toxic or hazardous substance is contained in at least one
of the homogenous materials for this part is above the limit requirement.
AccuStream
170 O O O O O O
I-COLOR X O O O O O
AccuStream
205a O O O O O O
Click Yes if the you have the TIMS Generated License (LIC) file
available.
or
Click No to enter the KeyCode (provided by TIMS Support) yourself:
Evaluation Use
If you have not purchased your license yet and would like to evaluate a TIMS
system, TIMS can be run as a fully functional demo for 45 days.
Request a License
If you are evaluating TIMS and are ready to obtain a license, follow this
procedure:
1. Click the License Request File.
A message box explains the purpose of the request file:
2. If you click Yes, you next enter the date on which you would like activation
to occur.
Modality
Monitor Video
Out 1
TIMS Video
Video Splitter
Out 2
Video
Out
Modality – no
auxiliary
Foresight Imaging
Tel: (001) 978-458-4624
Fax: (001) 978-458-5488
Email:
tims_support@tims.com
Web:
www.tims.com
WebEx:
tims.webex.com