Symphony No 1
Symphony No 1
1
The Elephant’s Trumpet Call
John Montroll
Origami Symphony No. 1
General Origami
Animal Origami
Dogs in Origami
Perfect Pets Origami
Dragons and Other Fantastic Creatures in Origami
Bugs in Origami
Horses in Origami
Origami Birds
Origami Cone Wild
Dinosaur Origami
Origami Dinosaurs for Beginners
Prehistoric Origami: Dinosaurs and other Creatures: Third Edition
Mythological Creatures and the Chinese Zodiac Origami
Origami Under the Sea
Sea Creatures in Origami
Origami Sea Life: Third Edition
Bringing Origami to Life
Bugs and Birds in Origami
Origami Sculptures: Fourth Edition
African Animals in Origami: Third Edition
North American Animals in Origami: Third Edition
Geometric Origami
Origami Stars
Galaxy of Origami Stars: Second Edition
Origami and Math: Simple to Complex
Origami & Geometry
3D Origami Platonic Solids & More: Second Edition
3D Origami Diamonds
3D Origami Antidiamonds
3D Origami Pyramids
A Plethora of Polyhedra in Origami: Third Edition
Classic Polyhedra Origami
A Constellation of Origami Polyhedra
Origami Polyhedra Design
Simple Origami
John Montroll
Antroll Publishing Company
To Robert and Yojna
ISBN-10: 1-877656-45-3
ISBN-13: 978-1-877656-45-3
My vision of origami is that it is fun to fold, that standard origami paper is all that is required, and that the models are
pleasing and hold together well when completed. An elegant folding method using fewer steps is better than a
cumbersome method requiring lots of steps to achieve the same look. While many like to judge a model by its finished
look, the folding experience is also important. I look for hidden structures to allow the model to have good proportions,
with minimal thickness of layers so it does not spread. This way, it gives models a life-force. All models in this
symphony are folded from a single uncut square.
In music, every time the performer plays a composition, he improves. The same is true with origami. While it is fun to
fold a model and then move on to the next, it would also be a good practice to fold it a few more times, making it
easier to fold, perhaps foldable by memory, making one’s own improvements on the model in the process, ultimately
making the folding experience more enjoyable.
This symphony has four movements depicting various life forms and more abstract qualities of the Earth. The first
movement, Allegro, is theme and variation on the traditional crane. The symphony begins by taking a classic work and
expanding upon it, showing new directions in origami. The crane symbolizes peace and is a favorite model to fold and
to teach the beginner. The variations include a Sandhill Crane, a Whooping Crane, a Crowned Crane, and a Black-
Necked Crane. The second movement, Andante, captures simple crawling bugs. While much has been done recently to
depict insects in full detail with all the legs and appendages, it is also important to find an easy way to depict them.
The third movement is a minuet of the Platonic Solids with a trio of Sunken Solids. The Platonic Solids symbolize
Fire, Earth, Air, Water, and the Universe. Unusual folding methods are used so the models are fun to fold in as few
steps as possible, and hold together well when completed. The symphony concludes with the fourth movement, The
March of the Large African Animals. You can hear the Elephant’s trumpet call and the Lion’s roar.
The diagrams are drawn in the internationally approved Randlett-Yoshizawa style. You can use any kind of square
paper for these models, but the best results will be achieved with standard origami paper, which is colored on one side
and white on the other (in the diagrams in this book, the shading represents the colored side). Large sheets, such as
nine inches squared, are easier to use than small ones.
I thank Antoni Wellisz, Ian Patzman-Rivard, and Jay Sella for the photography. I thank my editor, Charley Montroll. I
also thank Himanshu Agrawal and Brian Webb for their continued support of this project.
John Montroll
www.johnmontroll.com
Symbols 9
Contents
Appreciating Symphonies and Origami 9 Simple
Origami Symphony No. 1 10 Intermediate
First Movement 11 Complex Very
Second Movement 40 Complex
Third Movement 71
Fourth Movement 99
First Movement
Allegro: Theme and Variation on the Classic Crane
Flying and
Traditional Crane Psychedelic Crane Standing Crane
Contents 7
Third Movement
Minuet of Platonic Solids with a
Trio of Sunken Solids
Fourth Movement
March of the Large African Animals
Valley fold,
fold in front. Fold in this direction.
Turn over.
Mountain fold,
fold behind.
Crease line.
X-ray or guide line. Fold and unfold. Place your finger between these layers.
A typical symphony is structured in four movements. The first and last movements are often in Sonata form, introducing
themes, developing them, bringing them back, and ending. When listeners understand the Sonata form, they can follow the
progression of the symphony. After a complex first movement, the second movement is often slow and gentle. The third is a
fast-paced Minuet or Scherzo, with a Trio in the middle, and can be dance-like. The last movement is often once again in
Sonata form with rich and complex themes. Any of the movements can also take other forms, such as theme and variation.
Music composers throughout the past several centuries have written a variety of work for different skill levels. Do all
composers perform their own work? Some composers are also violinists or play other instruments, so they might. However,
most composers are not experts at playing all the instruments, yet understand them very well. Much of music is playable by a
performer with a certain skill, yet there are difficult pieces that only a few can perform. So the composer thinks of not only the
musical expression, but its ability to be playable by a large group of performers or a specific performer.
As an origami composer, 1 am searching for the simplest way to achieve the complex. That is where the magic is. I strive to
make my work foldable by the mainstream folder, hold well using standard origami paper, use the fewest folds for the highest
level of detail and effect, and be enjoyable to fold. This brings origami to a higher level and gives each model its own life-
force. 1 am always looking for ways to improve origami design through taking related and varied subjects and putting them
together to create a common context in the form of full scenes, where both individual models and groups of models can tell
their story.
Symbols 9
Origami Symphony No. 1
Cranes, Bugs, Geometric Shapes, and Mammals are all united in this Symphony. Elegant folding methods make the models
fun to fold with a minimal number of steps for their detail.
The first movement opens the Symphony with a theme and variation on the traditional Crane, which is a symbol of peace. For
several of the Cranes, legs are added, and others have crowns and color changes. The first variations use elements from the
traditional Crane, and then develop into new forms. The folding methods for the Cranes are all kept at an intermediate level,
all under 30 steps.
The slow and relaxing second movement, Andante, presents over a dozen simple crawling Bugs. Other small creatures such as
a snail are included because the Japanese character for Bugs includes other small creatures. While it is fun and challenging to
fold insects with legs and full detail, it is also fun to capture their essence. Specific colors can make a display of these insects
more life-like, such as a Red Ladybug, Blue Dragonfly, Green Grasshopper, Yellow Wasp, Orange Butterfly, and a Black Fly.
The third movement is a Minuet of Platonic Solids with a trio of Sunken Solids. These geometric shapes represent the
Elements of Fire, Earth, Air, Water, and the Universe. Folding three dimensional models that hold and lock together requires a
special way of folding; the folding methods for the five Platonic Solids shows a wide range of folding techniques and a range
of skill levels from simple to very complex. The Trio shows three models built on Sunken Triangles, Squares, and Pentagons.
While these shapes are fun to fold and exhibit, they are also stunning with Origami animals placed around them.
The fourth movement, March of the Large African Animals, concludes the symphony with more complex work. You can hear
the Elephant’s trumpet call, the Lion’s roar, the Hippo making bubbles in the water, and the galloping of Giraffes. Exhibits
can be made with mother and baby Elephant, along with Rhinos, Lions, Hippos, and Giraffes.
This symphony, then, captures several themes, folding styles, and levels of skill, and making colorful scenes of models from
the different movements show’s the diversity of Origami.
Traditional Crane
Traditional Crane 11
Fold the top layers Fold all the layers Unfold,
to the center and and unfold. repeat behind.
repeat behind.
Reverse-fold.
Reverse folds.
Fold and unfold. Fold opposite corners to the Fold and unfold.
center in front and behind.
Psychedelic Crane 13
Flying and Standing Crane
Fold in half and swing Unfold back to step 4. Repeat steps 4-5 in the
out from behind. opposite direction. Rotate 90°.
Reverse-fold. Crimp-fold.
1. Fold inside.
2. Outside-reverse-fold.
Repeat behind
1. Reverse-fold.
2. Pull the wings apart
and spread the body.
Reverse-fold. Repeat
behind. Tire crane can
Outside-reverse-fold. balance on its legs.
Repeat behind.
Flying Crane 17
Outside-reverse-fold. Outside-reverse-fold. Squash-fold and
The dots will meet. repeat behind.
1. Fold inside.
2. Fold inside.
3. Spread the wings.
Repeat behind
Standing Crane 19
Fold at 90° from the edge. Unfold. Repeat steps 7-8
on the right.
1. Reverse-fold.
2. Crimp-fold. 1. Crimp-fold.
Fold along the creases. 2. Outside-reverse-fold.
1. Reverse-fold.
2. Repeat behind.
1. Rabbit-ear, repeat behind.
2. Reverse-fold.
Standing Crane 21
Young Crane
Young Crane 23
Reverse-fold. Reverse-fold.
1. Crimp-fold.
2. Reverse-fold,
repeat behind.
Sandhill Crane 25
Unfold and rotate.
Fold and unfold. Fold and unfold.
Fold and unfold all the Fold along the creases. Fold to the center.
layers. Rotate 180°.
Crimp-fold.
Sandhill Crane 27
Whooping Crane
Whooping Crane 29
Petal-fold and repeat behind. 1. Unlock and slide the leg,
repeat behind.
2. Reverse-fold.
1. Crimp-fold.
2. Fold inside on both sides,
repeat behind.
3. Crimp-fold.
4. Shape the neck.
The crane can stand.
Unfold.
Rotate 90°.
Petal-fold.
Unfold. Double-rabbit-ear
along the creases.
Double-rabbit-ear
along the creases. Repeat behind. Fold close to the center.
Repeat behind.
Fold and unfold. Fold and unfold all the Fold along
layers. Rotate 180°. the creases.
Fold in half
and rotate.
Crowned Crane 35
1. Thin the neck. 1. Reverse-fold.
2. Fold inside. 2. Crimp-fold.
Repet behind.
Reverse-fold.
1. Crimp-fold.
Spread at the top.
2. Reverse-fold.
3. Reverse-fold, repeat behind.
The crane can stand.
Black-Necked Crane 37
Squash-fold. Repeat steps 7-8 Unlock the
on the right. paper.
Pleat-fold.
1. Reverse-fold,
repeat behind.
2. Crimp-fold.
1. Wrap around from inside.
2. Spread the top layer on the front
and back layers.
3. Pull out and spread the top layer.
Repeat behind.
Black-Necked Crane 39
Second Movement
The slow and relaxing second movement presents simple bugs.
The Japanese word for bug also includes other small creatures
such as a snail. Models are simple and intermediate in skill level.
Sit back, relax, and enjoy these little creatures.
Ladybug
Fold the top layer inside. 1. Fold behind so the dots meet.
2. Fold behind on the left and right.
Ladybug 41
Butterfly
Crease lightly.
Repeat behind.
Butterfly 43
Moth
Simple Moth
Melody without harmony.
Moth 45
Caterpillar
Fold and unfold. Fold and unfold. Repeat steps 4-5. 1. Fold and unfold.
Rotate 180°. 2. Valley-fold.
Rotate 90°
1. Reverse-fold. 1. Reverse-fold.
2. Pull out. 2. Fold inside, repeat behind.
3. Fold inside, repeat behind.
Caterpillar 47
Dragonfly
1. Squash-fold.
2. This is a combination of
squash folds.
Pleat-fold.
Dragonfly 49
Stink Bug
Fold in half.
Stink Bug 51
Stag Beetle
Unfold.
Unfold.
1. Fold behind.
2. Puff out at the dot.
Stag Beetle 53
Cicada
Cicada 55
Ant
Petal-fold.
1. Outside-reverse-fold. 1. Rabbit-ear.
2. This is a combination 2. Reverse-fold.
of reverse folds. 3. Fold inside.
4. Fold inside.
Repeat behind.
1. Reverse-fold.
2. Fold inside.
3. Push in.
Repeat behind.
Ant 57
Wasp
1. Reverse-fold. 1. Reverse-fold.
2. Spread-squash-fold, 2. Reverse-fold.
repeat behind.
Fold along the creases
and push in at the dot
Wasp 59
Grasshopper
Mountain-fold along the Note the bold lines are parallel. 1. Reverse-fold, repeat behind.
crease for this squash fold. Mountain-fold along the crease 2. Crimp-fold.
Repeat behind. and repeat behind.
Grasshopper 61
Fly
Rotate.
Fly 63
1
Spread while folding down. 1. Fold up. 1. Fold up on the left and right.
2. Fold to the center. 2. Fold and unfold. Bring the dot
down to the line which is
mostly hidden.
Spread while
folding down.
Bring the corners to the lines. Fold and unfold. Fold and unfold.
Snail 65
Fold and unfold all the Fold along Fold to the center.
layers. Rotate 180°. the creases.
1. Reverse-fold.
2. Spread the tip to round it.
3. Bend the antenna.
Repeat behind.
Snail 67
Frog
1. Fold down.
1. Petal-fold and 2. Make small squash folds.
swing
out from behind.
2 M k f ld
Frog 69
1. Squash fold.
2. Reverse-fold.
Tetrahedron
The image on the right shows the crease pattern. The four sides of the model
are the colored triangles, showing their placement on the square sheet of
paper. The crease pattern shows a band of four triangles. The extra paper on
top is used as the tab to lock the model.
Tetrahedron 71
Fold and unfold. Bring the top 1. Bring the bottom
corner to the line. edge to the dot.
2. Fold down.
Unfold.
Cube 73
Fold and unfold. Fold and unfold. Fold to the center
and unfold.
1. Fold on the left and right. Fold and unfold but not in Push in at the
2. Unfold. the center. Rotate 180°. lower dot.
This is 3D.
The crease pattern shows the arrangement of the eight triangular faces. If it is
rotated 90°, the pattern would be the same, so this model uses square symmetry.
At rhe end of the folding, the model closes with a four-way twist lock. Using an
unusual method of folding, none of the triangular faces are adjacent.
Fold and unfold. Bring the left dot to the Unfold and rotate 180°.
line. Crease on the left.
Octahedron 75
Fold and unfold. Fold and unfold. Fold through the
intersection.
Pivot around the upper Fold and unfold along the Fold and unfold along the
dot. The lower dot will partially hidden crease. partially hidden creases.
meet the valley-fold line.
Octahedron
Tuck the tabs under A and B and
continue all around. The dots will
meet at the top. The model closes
with a four-way twist lock.
Octahedron 77
Icosahedron
The model was designed to close with a five-way lock. The five
dots in the layout all meet at a vertex, to close the model.
For 1
and 2
Icosahedron 79
1. Squash-fold along the creases. Fold and unfold three times.
2. Squash-fold. Valley-fold along Rotate to view the outside so
the crease. The dot will meet the dot is center and top.
the edge.
Icosahedron 81
Dodecahedron
Fold and unfold at Fold and unfold on the left Repeat step 2.
the top and bottom. and right. Rotate 180°.
1. Fold and unfold along Fold along the crease. Unfold to step 10.
the crease.
2. Fold to the crease.
Dodecahedron 83
Repeat steps 15-18. Fold along the crease. Fold along a hidden crease.
This is 3D. Flatten. Unfold and rotate 180°. Repeat steps 20-23.
Fold and unfold. Unfold and rotate 180°. Repeat steps 25-29.
Repeat steps 31-36. Fold and unfold six times. Fold and unfold.
Rotate 90°.
Dodecahedron 85
Refold along the creases. Turn over and repeat
Push in at dot B, puff out at steps 40-43.
dot A. The bold lines will
meet and the model will
become 3D. Rotate dot C to
the bottom and center.
Fold along the creases Fold inside but do not completely flatten.
and puff out at the dot. There is no crease for the mountain-fold
Turn over and repeat. between the dots. Turn over and repeat.
Dodecahedron
Dodecahedron 87
Trio of Sunken. Solids
In the minuet is a trio of three sunken
polyhedra, with sunken triangles, squares,
and pentagons. Dive deep to master these
mind-boggling shapes.
Sunken Tetrahedron
Fold and unfold. Fold and unfold on the edges. Fold and unfold on the top.
Bring the edge to Valley-fold along a hidden Fold and unfold along a
the line. Crease on crease and mountain-fold crease. Do not unfold at
the right. at the edge. the bottom.
Sunken Tetrahedron 89
Unfold and
rotate 90°. Fold and unfold to bisect
the angles. Mountain-fold
Repeat steps 10-16 three along the creases.
times. Rotate 45°.
20
Sunken Cube 91
Repeat steps 4-6. Fold and unfold Fold and unfold in
on the corners. half three times.
Fold up using
the dots.
Bring the edge to the
line and swing out from
behind.
Fold and unfold to bisect Push in at the dot as the model Form a sunken
the angles. Mountain-told becomes three-dimensional. square on top.
along the creases.
Sunken Cube 93
Slide the paper inside The arrow shows the orientation of the Fold along the creases so
along the creases. layers. Repeat step 27 on the thee other two dots will meet. Push in
edges. Rotate the top to the bottom. at the dot in the center.
1. Fold behind.
2. Fold along the creases.
The dots will meet.
Fold and unfold Bring the left dot to the Unfold and rotate 180°.
on three edges. line. Crease on the left.
Sunken Dodecahedron 95
Bring the bottom edge to the Unfold. Fold and unfold.
left dot and the bottom right
corner to the top. Crease on
the edges.
Fold and unfold. Fold and unfold. Fold and unfold. The paper
is divided into 9ths.
Sunken Dodecahedron 97
Push in at the dot and tuck under Push in at the dot to form
the left side to form a sunken a sunken pentagon. Turn
pentagon. Turn over and repeat. over and repeat. Turn over and repeat.
Rotate to view the dot
at the top, center.
Rhinoceros
Rhinoceros 99
Fold and unfold
on the edge.
1. Tuck inside.
2. Repeat steps 18-21 at
Unlock the paper. the top.
Rhinoceros 101
Make squash folds. Rotate 90°.
Rhinoceros 103
Hippopotamus
Fold and unfold. Fold and unfold Bring the dot to the line.
on the edge.
Hippopotamus 105
This is a combination of squash folds. 1. Tuck inside.
2. Repeat steps 19-20 on the top.
Rotate 90°.
1. Crimp-fold.
2. Reverse-fold.
1. Pivot at the dot for this crimp fold. 1. Spread the upper layer, repeat behind.
2. Crimp-fold. 2. Reverse-fold.
3. Reverse-fold. 3. Reverse folds, repeat behind.
1. Reverse-fold.
2. Pleat-fold the ear, repeat behind.
3. Outside-reverse-fold.
4. Shape the legs, repeat behind.
5. Shape the neck.
6. Shape the head. Hippopotamus
Hippopotamus 107
Baby Elephant
Fold and unfold. Fold and unfold Bring the dot to the line.
on the edge. Crease on the top half.
Make reverse folds. 1. The dot will meet the line, spread
on the left.
2. Repeat steps 22-23 on the top.
Rotate 90°.
Mountain-fold
along the creases.
Unfold.
Elephant 113
Fold and unfold Fold and unfold.
on the diagonal.
1. Fold up.
2. Unfold. Fold up at the bottom
while folding the
comers in the middle.
Elephant 115
Fold and unfold so the Reverse-fold.
dot is in the middle.
1. Reverse-fold. 1. Reverse-fold.
2. Reverse-fold, repeat behind. 2. Reverse-fold.
3. Reverse-fold. Repeat behind.
Elephant 117
Lion
Fold and unfold. Fold to the center Fold and unfold to find
and unfold. the quarter mark.
Fold down as
far as possible.
Squash-fold. Mountain-fold
along the crease.
Lion 119
1. Petal-fold.
2. Reverse-fold.
Squash-fold.
1. Tuck inside.
2. Repeat steps 19-23
on the top.
The head is folded down so the 1. This is a combination of an 1. Tuck inside, repeat behind.
dot intersects the head and top outside-reverse fold with 2. Reverse-fold.
line of the back. squash folds on the front
1. Crimp-fold. and behind.
2. Fold the white paper inside, 2. Reverse-fold.
repeat behind.
1. Crimp-fold.
2. Thin the tail, repeat
behind.
3. Make squash folds,
repeat behind.
1. Fold inside.
2. Shape the mane.
Repeat behind.
Lion 121
Giraffe
Giraffe 123
1. Unfold. 1. Begin a petal fold.
2. Fold and unfold. 2. Fold and unfold.
Giraffe 125
1. Squash-fold. 1. Make reverse folds. 1. Fold behind.
2. Thin the leg and tail, 2. Thin the leg and tail, 2. Thin the white paper,
repeat behind. repeat behind. repeat behind.
1. Stretch and fold along 1. Fold up. 1. Fold the ears down.
the dotted line. 2. Double-rabbit-ear. 2. Shape the tail.
3. Thin and shape the legs.
2. Crimp-fold.
Repeat behind.
Giraffe 127
Welcome to the world premier first Origami Symphony. A musical symphony is an elaborate composition
typically in four movements, each with varied musical expression and form. The symphony brought music
to a new level. This origami symphony is also an elaborate composition with four movements of varying
themes from simple to complex, depicting the richness of origami.
Contained in this work are 38 original models, each a masterpiece by origami master John Montroll. Each
model can be folded from a single square using standard origami paper. Themes include cranes, bugs,
Platonic Solids, and African animals. A