160 Aureole-2023
160 Aureole-2023
www.aureoleonline.in
Amrutha Hari
Integrated MA Student
Central University, Pondicherry
Email: ammuharisree1@gmail.com
INTRODUCTION
Contemporary discourses on family, relationships or society bring in terms such as
toxicity, narcissism, stonewalling and gas lighting among others into limelight. A
multitude of videos marking the traits that define a toxic personality abound in online
platforms. Remarkably, of late, the Merriam Webster Dictionary has also made
‘Gaslighting’ the ‘Word of the Year’. But these terms often fail to come out of the
domain of intellectual perusals to find space in a normal communication among
laypersons. Being contained to theory, the real life manifestations of these terms are
not even recognised by those who are doomed to perpetually pocket it.
Literature Review
Dr.Lillian Glass in her work 'Toxic People' delineates a toxic person as "anyone
who has poisoned your life, who is not supportive, who is not happy to see you grow,
to see you succeed, and who does not wish you well. In essence, he or she sabotages
your efforts to lead a happy and productive life". Further elucidating the concept, she
states:
“A toxic person is someone who seeks to destroy you. A toxic person robs you of
your self-esteem and dignity and poisons the essence of who you are. He or she wears
down your resistance and thus can make you mentally or physically ill. Toxic people
are not life supporting. They see only the negative in you. Jealous and envious, they
are not happy to see you succeed. In fact, they get hostile whenever you do well.
Their insecurities and feelings of inadequacy often cause them to sabotage your
efforts to lead a happy and productive life."
Though write-ups and research papers on toxicity and toxic relationships are
negligible in the Indian context, a movie dubbed 'Ammu', released of late, had taken
genuine effort at candidly depicting a toxic marital relationship between Ravindranath
(Ravi), an extremely toxic husband, naturally enacted by actor Naveen Chandra and
his wife Ammu, dexterously portrayed by actress Aiswarya Lekshmi. Their marriage
life which begins on a fine note turn for the worse once Ravi begins exhibiting his
toxicity as Ammu becomes so intimate to him. Ravi uses every opportunity to belittle
Ammu, insult her, make her feel guilty and insecure, thereby evincing a slavish
mentality towards his wife. The very first time when the physical assault she endured
reached an insufferable extreme, Ammu shows the fortitude to leave for her house,
only to come back midway from the railway station. The conversation she has with a
mendicant is pertinent in drawing out how a victim of toxicity is by and by slips into
submission. All through the talk which almost seems akin to that of a soliloquy,
Ammu is predisposed to vindicate Ravi's behaviour. She reflects on each day of their
life from the day of marriage and reaches the conclusion that they are in fact a happy
couple, keeping apart Ravi's occasional tantrums. Hence she becomes resolved to go
back to her husband and change his behavioural defects by proffering love and care to
him. This episode evidently depicts the usual mental state of victims of toxicity who
constantly tries to rationalise the behaviour of the perpetrator, simultaneously sticking
to the relation, hoping in vain that everything would change for good. Later, this
mindset of the victim is substantiated by the statement made by a police woman who
works in the police station where Ravi is the Sub-inspector. His college oblivious of
how her superior college treats his wife, comments that all those women complainants
of domestic violence who show up in the police station has a proclivity to rationalise
their husband's misbehaviour as they narrate the incidents. Further, many a time, in
the course of the movie Ravi reassures Ammu that he loves her and his behaviour is
due to momentary anger or just because she irritates him, a classic example of how
toxic people deceive the victim into trusting him/her.
In the public sphere, Ravi is initially shown as altogether a respectable policeman
with social commitment. He is so pleasing to Ammu's parents and even behaves so
passive as to ask her permission to drink in a gathering, only to insult her later
amongst his male colleagues and wives. Ravi even abhors seeing Ammu well-dressed
and callously humiliates her by questioning to entice whom she had dressed so
aesthetically. He is infuriated to find Ammu earning for herself by passionately
engaging in a bit of tailoring work. The toxicity reaches extend where she is being
constantly monitored by Ravi in-person or through the audio devices concealed inside
their house. It is as if her dignity, privacy, rights and liberty are all at stake. But in
deviation to the real life scenario, the movie puts Ammu among people who relates
with, supports and console her once she gathers the fortitude to open up. Still, she is
so mentally debilitated that Ammu becomes helplessly non-reactive when Ravi traces
her out at the Inspector General's office when she first venture to lodge a complaint
against him with the assistance of one of his women colleague. Ammu is quick to
realise that in actuality it is not Ravi but her own fear and insecurity that prevented
her from lodging the complaint. Armed with the realisation that it is she herself who
has to act for her cause, Ammu takes the time by the forelock to expose Ravi when
she encounters a prisoner on bail at her husband's police station, who is treated so
contemptuously by him, much akin to the manner in which she is dealt with. But it is
this inner force to act, by being audacious enough to let go of the toxic person that
many people are devoid of when entrapped in a toxic relation. As Ammu aptly puts it,
the thought of 'what's next' prevents a person from putting a halt to the toxicity that
engrosses them. The film also brings in the currently relevant question of bodily rights
of women. While Ravi perceives Ammu as just a body ordained to gift him a child,
the movie conjures up the notion that 'the decision to not have a baby doesn't make a
woman detestable’. A support system that Ammu had around her is a pre requisite to
reinvigorate a victim of toxicity to action. Ammu is seen to initially report the first
instance of physical harassment to her who trivialises it. By and by, she feels obliged
to keep up the pretext of 'all is well' in front of her family and this further curtailed
chances of exposing Ravi. The film, which is a brainchild of director Charukesh
Shekhar, could be considered as very sincere attempt at introducing the concept of
toxicity to the Indian audience or in the Indian context as such. It currently serves as a
reference to those trying to comprehend the multitudinal dimensions of toxicity,
thereby initiating further studies on this particular matter.
An editorial titled ‘Still a Nightmare for Domestic Violence Survivors’
underscores the reasons behind specific response of those victims or rather ‘survivors’
of domestic violence. Jointly authored by Philippa Williams,Swarna
Rajagopalan,Girija Godbole,Ruchira Goswami,the article observes:
“When it comes to help seeking, we found two main groups of women - those
who shared experiences of violence within six months, and those who shared after
five years or more. The first group of women mainly turned to their parents who, in a
majority of cases, insisted on their daughter preserving the family environment which
they should do by 'adjusting' to, or accommodating their husband's (and his family's)
needs better. In a minority of cases, the daughter's welfare was prioritised over the
well-being of the 'the family' and steps were taken to help mediate or exit the
relationship, and much more infrequently approach the police and lawyers”.
It further remarks, “So ingrained are social norms about gender inequality that
NFHS-5 data reports that women are more likely than men to justify a scenario in
which it is acceptable for a husband to beat or hit his wife.”
Methodology
Examination of the work ‘Toxic People’ by Dr.Lillian Glass and analysis of the
film ‘Ammu’. Additionally, observation of real life toxic relations as well as personal
experiences coupled with the understanding from one or two videos and newspaper
articles that pinpoint the traits of toxic people.
Objectives
The research titled ‘Tracing out Toxicity: Prioritising Life over Relationships’
aims to bring about the topic of ‘Toxicity’ into mainstream discussion and also makes
an attempt at pinpointing its characteristic traits. The study also traces the reasons that
prevent the victims of toxic relationships from coming out and drives in the fact that
the concept of toxicity is personal. Further, it asserts the need to treat toxicity as a
psychological problem and simultaneously encourages those who suffer such relations
to prioritise their own life over relationships.
Limitations
Though Dr.Lillian's work finds its essence in the western context, it dissects
toxicity, thereby pinpointing its characteristics, though not accurately defining it.
'Toxic People' is also to be relied in want of an authentic literature rooted in the Indian
context which addresses the topic. The author's omission of a befitting definition for
the notion of toxicity within the societal ambit' comes from the actuality that the term
couldn't be defined in its exactness, which is one of the reasons why it is not easily
discernible in our society. It is not only in the Indian context, but globally too,
nominal discussions take place on the topic of toxicity and toxic relations. Hence
awareness on the same is also scant.
International organisation like the United Nations or its auxiliary agencies such as
UN Women or UNDOC neither have any data on this issue nor do they try to generate
cognisance of the same. In India, there is no allusion to the toxic relations either in the
NCRB Crime in India Report or in the National Family Health Survey.Further,very
few scholarly articles are penned on the this topic due to the paucity of both primary
and secondary data. Due to the hesitation on the part of the victim to open, chances of
obtaining primary information are minimal which further generates a scarcity of
secondary data too. Dr Lillian Glass' 'Toxic People' and Charukesh's 'Ammu' had been
the only sources that had come handy in the endeavour to discern toxicity and they
tend to scrutinise the topic through western and Indian lens respectively. Hence the
diverse social norms, culture and facets of relationships offers a varied sense of
toxicity, its manifestations as well as solutions. 'Toxic People' seems to treat toxicity
at a more superficial level as compared to Ammu, though it is precise enough to list
out the traits of toxicity, which is certainly an uphill task. Moreover, comparative
analysis of a literary work with that of a film posseses restraint as both has its own
modus operanti and limitations.
CONCLUSION
Before the concept of toxicity finds space in our everyday discussions, there is a
lot of ground work to be done. The Indian society hasn't accustomed so as to imbibe
the notion of individuality. Hence it always fails to stand by the individual. It is to be
understood that breaking free from an uneasy marriage has nothing do with mortality
or the character of the individual rather the decision might come out of the realisation
that you have the right to live your life instead of merely existing as a victim of
toxicity. This applies not only to conjugal relations but to any other relationship in
general. Additionally, toxicity must be tagged as a psychological aberration,
contributing to behavioural disorder. The Mental Health Act must exhume this
disorder into it, subsequently promoting counselling and other therapeutic remedies to
treat toxic people.Moroever victims of toxicity may have suicidal thoughts which
should be addressed in the National Suicide Prevention Strategy launched of late.
Above all, the very consciousness about the concept of toxicity and existence of toxic
relations would help in tracing out the toxic terrors - as described by Lillian Glass -
amongst us. The right to life is inalienable. Therefore no one has the prerogative to
dabble with another person's life in accordance with their whims and fancies, neither
anyone have the right to decide how one should lead their life. But it always up to you
to decide when to actually start living it. Everything else is secondary.
WORKS CITED
1. Ammu. directed by Charukesh Sekar, performances by Aiswarya Lekshmi,
Naveen Chandra and Bobby Sinha, Stone Bench Films, 2022.
2. Glass, Lillian.Toxic People: 10 Ways of Dealing With People Who Make Your
Life Miserable. Simon & Schuster, 1995.
3. Williams, Philippa; Rajagopalan,Swarna;Godbole,Girija; Goswami,Ruchira.
“Still a Nightmare for Domestic Violence Survivors”. The Hindu,
Thiruvanathapuram, 29th Nov 2022, p.6.