How To Punctuate
How To Punctuate
By Russell Baker
Russell Baker, winner of the Pulitzer Prize for his book, “Growing Up,” and for his essays in “The New
York Times” helps you to make better use of punctuation, one of the printed word’s most valuable tools.
© 1984 International Paper Co. Reprinted with permission.
When you write, you make a sound in the reader’s head. It can be a dull mumble--that’s
why so much government prose makes you sleepy--or it can be a joyful noise, a sly
whisper, a throb of passion.
That’s Edgar Allan Poe, a master. Few of us can make paper speak as vividly as Poe
could, but even beginners will write better once they start listening to the sound their
writing makes.
"My tools of the trade should be yours, too. Good use of punctuation can help you build a
more solid, more readable sentence."
One of the most important tools for making paper speak in your own voice is
punctuation.
When speaking aloud, you punctuate constantly--with body language. Your listener hears
commas, dashes, question marks, exclamation points, quotation marks as you shout,
whisper, pause, wave your arms, roll your eyes, wrinkle your brow.
In writing, punctuation plays the role of body language. It helps readers hear you the way
you want to be heard.
Don’t let the rules scare you. For they aren’t hard and fast. Think of them as guidelines.
Am I saying, “Go ahead and punctuate as you please?” Absolutely not. Use your own
common sense, remembering that you can’t expect readers to work to decipher what
you’re trying to say.
“Punctuation puts body language on the printed page. Show bewilderment with a
question mark, a whisper with parentheses, emphasis with an exclamation point.”
There are two basic systems of punctuation:
1. The loose or open system, which tries to capture the way body language
punctuates talk.
2. The tight, closed structural system, which hews closely to the sentence’s
grammatical structure.
Most writers use a little of both. In any case, we use much less punctuation than they
used 200 or even 50 years ago. (Glance into Edward Gibbon’s “Decline and Fall of the
Roman Empire,” first published in 1776, for an example of the tight structural system at
its most elegant.)
No matter which system you prefer, be warned: punctuation marks cannot save a
sentence that is badly put together. If you have to struggle over commas, semicolons and
dashes, you’ve probably built a sentence that’s never going to fly, no matter how you
tinker with it. Throw it away and build a new one to a simpler design. The better your
sentence, the easier it is to punctuate.
There are 30 main punctuation marks, but you’ll need fewer than a dozen for most
writing.
I can’t show you in this small space how they all work, so I’ll stick to the ten most
important—and even then can hit only highlights. For more details, check your dictionary
or a good grammar.
Comma [ , ]
This is the most widely used mark of all. It’s also the toughest and most controversial.
I’ve seen aging editors come almost to blows over the comma. If you can handle it
without sweating, the others will be easy. Here’s my policy:
Generally speaking, use a comma where you’d pause briefly in speech. For a long pause
or completion of thought, use a period.
If you confuse the comma with the period, you’ll get a run-on sentence: The Bank of
England is located in London, I rushed right over to rob it.
Semicolon [ ; ]
A more sophisticated mark than the comma, the semicolon separates two main clauses,
but it keeps those two thoughts more tightly linked than a period can: I steal crown
jewels; she steals hearts.
Warning! Use sparingly. The dash SHOUTS. Parentheses whisper. Shout too often,
people stop listening; whisper too much, people become suspicious of you.
The dash creates a dramatic pause to prepare for an expression needing strong emphasis:
I’ll marry you—if you’ll rob Topkapi with me.
Parentheses help you pause quietly to drop in some chatty information not vital to your
story: Despite Betty’s daring spirit (“I love robbing your piggy bank,” she often said),
she was a terrible dancer.
Quotation marks [ “ ” ]
These tell the reader you’re reciting the exact words someone said or wrote:
Betty said, " I can’t tango." Or: “I can’t tango,” Betty said.
Notice the comma comes before the quote marks in the first example, but comes inside
them in the second. Not logical? Never mind. Do it that way anyhow.
Colon [ : ]
A colon is a tip-off to get ready for what’s next: a list, a long quotation or an explanation.
This article is riddled with colons. Too many, maybe, but the message is: “Stay on your
toes; it’s coming at you.”
Apostrophe [ ’ ]
The big headache is with possessive nouns. If the noun is singular, add ’s: I hated Betty’s
tango.
If the noun is plural, simply add an apostrophe after the s: Those are the girls' coats.
The same applies for singular nouns ending in s, like Dickens: This is Dickens’s best
book. And in the plural: This is the Dickenses’ cottage.
The possessive pronouns hers and its have no apostrophe. If you write it’s, you are saying
it is.
Keep cool
You know about ending a sentence with a period (.) or a question mark (?). Do it. Sure,
you can also end with an exclamation point (!), but must you? Usually it just makes you
sound breathless and silly. Make your writing generate its own excitement. Filling the
paper with !!!! won’t make up for what your writing has failed to do.
Too many exclamation points make me think the writer is talking about the panic in his
own head.