Cosmology in Old Norse Myth
Cosmology in Old Norse Myth
1. a version of this manuscript was presented at the fifteenth international Saga Con-
ference in Århus, Denmark, in august 2012. it has been partly modified based on
the feedback received there. Thanks to andreas nordberg for commenting on the
manuscript, to Pär Sandin for translating it into english, and to Helen leslie and
Christian etheridge for proofreading. The final version is in all ways my responsi-
bility. The english names of the folktales in asbjørnsen & Moe’s collection have
been translated for this article.
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i agree with løkka, and believe that the base model she refers to can be
induced from the primary sources (to which Snorri in this case can only
belong in part, as he, like most modern scholars, is trying to create a sys-
tem), – and that it must be the starting point of any attempt to under-
stand the system of cosmology. However, one cannot escape the criticism
of Clunies Ross, Brink and Wellendorf simply by admitting that the re-
gion outside of Ásgarðr consists of several sub-regions, it is still necessary
to account in greater detail for how the various out-regions are located
within the model. The other problem that Brink and Wellendorf have
observed remains as well: the information in the sources concerning the
location of the different out-regions in relation to each other seems to
deviate far in all directions. i will supply a number of examples of this,
before proposing a manner of understanding the apparent deviations as
part of a logically coherent structure, only on a different level in relation
to our normal thinking.
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4. Hel is the name both for a region and for its ruler.
5. The ‘complete’ story of Baldr is known only from Snorri, but many scholars
(overview in abram 2006) believe that his source value is high at this point, seeing
that a number of alliterated sentences with three stave-rhymes in Snorri’s text sug-
gests that he has followed a subsequently lost eddic poem (e.g. Vex viðarteinungr
einn fyrir vestan Valhǫll; lorenz 1984: 559–60 lists 8 examples). abram (2006) rejects
this view, arguing that alliteration appears also in prose that we know is not based
on poetry. The appearance of alliteration as such in the prose of Snorri is not the ar-
gument, however; what suggests that he here builds on a lost poem is that this part
of Gylfaginning differs from other parts of Gylfaginning by showing a distinctly higher
frequency of this kind of triple rhyme stave sentences.
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Hel; on the contrary she will sit in this manner on an ‘eagle’s tussock’
(ara þúfu á), i.e., in a high location.
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to follow the chief into the afterworld, and before she is slain, she is
raised above something that looks like a door frame, through which she
can see the chief seated in paradise.6 as it is a chieftain, one may surmise
that by ‘paradise’, valhǫll is intended. accordingly it is possible to see
this realm by supernatural means, apparently from an aspect in the hor-
izontal plane. Saxo and several old norse sources state or imply that
water has to be crossed, in the horizontal plane, in order to get to valhǫll.
Saxo describes a horse ride from the realm of men, across the ocean to
the home of Óðinn (fisher & ellis Davidson 1979–80, book 1, 6, and 7–
69). in the prose introduction to Grímnismál, two young brothers go
astray on a fishing expedition, landing on a coast where they are wel-
comed by Óðinn and his wife frigg, disguised as peasants. in a prose
section of Frá dauða Sinfjǫtla, the body of Sinfjǫtli is forded across a
fjord – and out of the story – by a mysterious boatman. Presumably he
goes to valhǫll, for Sinfjǫtli was a great hero; and the skaldic poem
Eiríksmál from the tenth century mentions him among the residents
there (finnur Jónsson 1912–15 B i: 165). further examples are given in
Heide (2011: 61–62). The information given in Lokasenna 34 about the
hostage njǫrðr means that the Æsir live (far?) to the east of læsø, an is-
land in the world of men, in the Kattegat. in Helgakviða Hundingsbana
ii 49, on the other hand, valhǫll is ‘west of Heaven’s bridge’ (fyr vestan
/ vindhjalms brúar), and the (human) hero Helgi arrives there by ‘the
flight road’ (flugstígr).
There is also a variant of the scenario that places the gods in heaven.
Snorri locates all the gods there, but this must be owing to Christian in-
fluence, as Schjødt has noted. nevertheless, it seems that the location in
the heavens was one of several variants also in pre-Christian times, as
Mundal (1991: 233, 242, note 4), abram (2003: 55), and Wellendorf
(2006) observe. These scholars present a number of examples, the most
obvious being strophe 21 of egill Skallagrimsson’s Sonatorrek from the
tenth century (finnur Jónsson 1912–15 Bi: 34 ff.): Óðinn has lifted the
deceased son of egill to the realm of the gods (...mank .../ es upp of hóf / í
Goðheim / Gauta spjalli). i may add that this is in accordance with the
scenario where the gods can be reached on Heaven’s mountain across the
rainbow bridge. Friggerocken, literally ‘frigg’s distaff’, the name of the
6. Montgomery 2000: 17–18. The door frame scenario finds a parallel in Vǫlsa þáttr,
as observed by Steinsland and vogt (1981); a woman there asks to be raised above a
door frame, apparently in order to be able to see into the otherworld.
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constellation orion’s belt in Swedish folk tradition, also implies that the
gods may be located in the heavens: the name suggests that frigg was
imagined to be sitting up there spinning.7 as far as i am aware, the name
Friggerocken is not attested before the 19th century,8 but it ought to stem
from pre-Christian times, as it is difficult to imagine why Christians
would invent such a name.9 instead one would expect Marirocken, which
is in fact attested (Sweden: Rietz 1862–67: 165, Zealand: grimm 1953
[1876–78]: 251), but likely to be a younger variant, as there are many ex-
amples of Maria substituting pre-Christan mythological women’s names
(e.g., lid 1946: 18, norn > Maria; grimm 1953 [1876–78]: 251). The place
and municipality Tysnes in Sunnhordland (Western norway) also ap-
pears to give witness to pre-Christian gods connected to heaven. The
name means ‘the headland of the gods’ or ‘the headland of Týr’. (in ad-
dition to Týr, the god’s name, old norse language had a masculine noun
týr meaning ‘god’, pl. tívar; see Marteinn H. Sigurðsson 2009.) The place
is characterized by a special relation to the sun at each of the four solar
turning points of the year. a few minutes after the sun has set behind
the mountains in each evening of either equinox or solstice, it makes an
‘encore’, as it were, appearing again above the mountain, and shines for
a few minutes right upon the Tysnes headland. The effect is most spec-
tacular at the winter solstice, as the sun then appears in a narrow gorge
not far from the headland, so that the sun during these few minutes sends
a precise beam of light right upon a large, man-made stone pile (norwe-
gian røys) situated here, while the rest of the area lies in shadow. inside
the stone pile, archaeologists have found a chamber with clear sacrificial
remains from the late iron age (Rage & agdestein 2007, Heide 2013
footnote 3). We have reason to believe that this ‘heavenly contact’ is the
reason for both the location of the sacrificial stone pile and for the sacral
name attached to the place (– and the unique concentration of place
names bearing witness to pre-Christian cult in the area surrounding the
headland; see olsen 1905 and Heide 2013.)
But in a passage from Saxo, the (human) hero Hadingus visits some-
thing that looks like valhǫll after following an old woman down through
7. in old days rokk(r) was not a term for a spinning wheel, as in Modern Scandinavian,
but a distaff; see Heide (2006: 235 ff. The spinning wheel did not appear until the
late middle ages.)
8. Hyltén-Cavallius 1863–68 i: 237, 305, ii: 124; Rietz 1862–67: 165.
9. Compare the Medieval Christian attempts to root out pagan astronomy, see Mc-
Cluskey 1990.
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the floor near the hearth (fisher & ellis Davidson 1979–80, book 1, 8,
14). Some old norse sources also indicate that Óðinn may be reached
by travelling down through water (Heide 2011: 67–68); some place
names and cult places indicate the same thing. The small lake Odensjön
in Scania, named after Óðinn, if indeed the name is ancient,10 is one ex-
ample. The water of the lake is gathered in a circular, crater-like hole in
the flat landscape; the lake lacks inflows, and in old times it was believed
to be bottomless (Nordisk familjebok 1888: 101). This has a similar char-
acter to the north Sami sáiva ponds (cf., e.g., Pakasaivo in northern fin-
land), which are typically small and without inflow, believed to be
bottomless and containing passageways to another pond rather than the
visible one (Wiklund 1916, Bäckman 1975, Mebius 2003: 82). There is
reason to believe that this passage was considered in the past to be a link
to the otherworld – the noaidis (Sami shamans) most often used the guise
of a fish as transport when they went to the land of the dead;11 they were
said to ‘dive’ when going there (olsen 1910 [etter 1715]: 45, cf. 46; Heide
2006: 232–33), and in southern Sami regions, sáiva – in the form
saavje(aajmoe) – means ‘ancestral mountain’ of a similar type to the old
icelandic Helgafell (Eyrbyggja saga: 19, Landnámabók: 125) and Kaldbak-
shorn (Njáls saga: 46). Judging from its name and from the examples of
the sáiva ponds, there is reason to believe that odensjön was imagined
to be a passageway to Óðinn / valhǫll. The argument is corroborated by
sáiva / saajve being to all appearances a loan from Proto-Scandinavian
saiwa-R ‘lake’ (the etymological ancestor of sea / sjö / See; Weisweiler
1940), which indicates that the ideas of such water passageways existed
in old germanic tradition. This is confusing in that one is able to travel
through water to a mountain visible on earth, but this is also the case in
Eyrbyggja saga and Njáls saga: both Þorsteinn Þorskabítr and Svanr of
10. Stig isaksson (1958: 29) believes that the name Odensjön is a learned invention from
early modern age, but if so, we ought to have heard of an older name. We have not,
and isaksson does not seem to have conclusive arguments. His strongest is that d- in
Oden- is pronounced, while it is not in Scanian legends about odin (Odens jakt). But
there are many examples of peculiarities in the pronunciation of place names, and
very many have had their pronunciation influenced by writing, without being for
this reason learned constructions. There are many examples that an inter-vowel d
because of spelling pronunciation is pronounced in ancient names (e.g. Eide in nu-
merous places in norway), in dialects that normally skip the d in this position.
11. Skanke 1945 [1728–31]: 191–92, 195, cf. Solander 1910 [1726]: 26; cf. Heide 2006:
136 and Skanke 1945 [1728–31]: 195, Jens Kildal 1945 [1730 and later]: 140, Sigvard
Kildal 1807 [1730–t.?]: 456.
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Svanshóll drown before they can enter the mountain. accordingly this
does not run counter to what i have referred to previously so much as it
simply presents further examples of confusing information. The lake
Tissø on western Zealand (Holmberg 1986) also has traits in common
with the sáiva-waters and odensjön. The lake is only a metre deep along
the edges, but about 250 metres from the shore it deepens spectacularly
into a kettle of 10–12 metres’ depth. This is highly unusual in this region,
and it is the closest thing that western Zealand, flat as a pancake and poor
in lakes, has to ‘bottomless’ water with a steep pit depth. This makes it
reasonable to assume that this is some of the reason why the lake was
named ‘Týr’s lake’ or ‘the gods’ lake’. The many deposits of sacrifices
from Merovingian and viking ages found in the lake (outside a king’s
or chieftains’s building complex; Jørgensen 1998, 2002, 2008) also sug-
gest that contact with the gods was sought through the water. (Unfortu-
nately, odensjön has not been subject to archaeological investigation as
far as i am aware.) The name Goðeyjar ‘the god islands’ in Salten (north-
ern norway; Rygh 1905: 209) also indicates that people in pre-Christian
times imagined that contact with the gods was possible down through
water. The islands, which seem to have been a bastion of paganism dur-
ing the conversion of norway (Óláfs saga Tryggvasonar 1941: 324 ff.,
Rǫgnvalds þáttr ok Rauðs; Perkins 2001), are situated in Saltstraumen,
the strongest tidal current in the world, and there is reason to believe
that this is the reason for the name that associates the island with the
gods (and perhaps especially the many powerful whirlpools that occur
in the current; whirlpools have been regarded as passageways to the oth-
erworld in several traditions12).
This is certainly not an exhaustive list, but i have included more ex-
amples of contradictions than previous scholars, as i have been inten-
tionally looking for such examples, whereas the preferred method has
elsewhere usually been to search out information that may as far as pos-
sible be arranged into a coherent pattern. in any case, the above presen-
tation ought to show that it is futile to try to arrange all the cosmological
information found in the different sources into a coherent picture, for
they blatantly contradict each other.
12. Holmberg [Harva] 1927: 78–79, Patch 1970: 21, anttonen 1992: 36, nordberg 2003:
39; cf. ‘sucked down’ in some german tales, Siuts 1911: 54–55.
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mountain, preferably one that reaches into the sky and is steep and
smooth as glass; or a mountain may open, so that one may enter it. This
kind of variation is found also in norwegian folktales (e.g. asbjørnsen
& Moe 1965 ii: 7 ff., 248 ff., 322 ff.; iii: 55 ff.), and in other ethnic reli-
gions, and partly also in the large book religions (cf. Widengren 1953:
340 ff.). in ancient greek religion one imagined lands of the dead situated
both in the underworld (Hades) and on a western island or islands of
happiness (for the chosen), not unlike that imagined by the insular Celts,
or in or at the grave (Knight 1958: 227). in Christianity, Hell has some-
times been imagined to be situated beyond a large ocean bay and/or
below the land of the living (long 2005: 9454). in Jewish tradition, the
mythological purgatory gehenna seems to be located both under the sea
and/or under the ground; or at the foot of a mountain range (long 2005:
9453 f.).
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the island, and apparently reach home this way instead (asbjørnsen &
Moe 1965 ii: 52). in a Sami tale from nesseby in eastern finnmark it is
possible to sail, in the horizontal plane, through fog to the sea fairies,
but when their realm is reached, a (dry) land underneath the sea is en-
countered (Christiansen 1920: 19, cf. Heide 2011). in the german folktale
“Das Wasser des lebens” (grimm 1843 ii: 71–78) it is possible without
trouble to ride – very far – to the supernatural part of the world, but in
order to get back again, one has to take a ship across the sea. in another
german folktale, ‘frau Holle’ (grimm 1843 i: 155–58), the stepdaughter
reaches the otherworld by jumping down into a well, but returns in the
horizontal plane through a magical door.
13. Saga af Þorsteini Bæarmagni 1827: 176–78; cf. Jón Árnason 1958–61 [1862-64] i: 101
ff., iii: 162 ff. and Heide 2006: 222 ff. The elf queen legend is so clearly revised in
the þáttr that the later tradition can hardly be based on this version, ibid.
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was folklore, cf., e.g., gunnell 2006, but we are not used to think about
it that way, as Christianity has introduced the idea of an antagonistic re-
lationship between authorized religion and folk belief.) accordingly it
ought to be possible to supplement to some degree the scarce old norse
corpus of texts with cosmological information found in folktales and leg-
ends. Here some might object that it is unnecessary to resort to folk tra-
ditions recorded as late as the nineteenth and twentieth centuries, as
basically the same system appears in legends from the high middle ages,
especially in ‘post-classical’ sagas of icelanders and legendary sagas, some-
times also in the ‘classical’ sagas of icelanders: supernatural creatures are
found in all kinds of remote locations, often at night on distant islands
(e.g., Ketils saga hængs: 172–73) or on a mountain in poor visibility (e.g.,
Bárðar saga: 133 ff.), or in all kinds of remote lands (cf. Røthe 2010,
lassen 2011, arngrímur vídalín 2012). But regarding cosmology, none
of the saga genres is as close to the myths as are folktales. only in folk-
tales, myths and legends, the relation between ‘us’ and ‘the others’ is the
principal motif, with the action based upon an oscillation across the border
between this and the other world. But the encounters with the other-
world in the sagas are also in accordance with the pattern found in folk-
tales and legends from later times. if we then examine this ‘enlarged
corpus’ of myths, and especially the folktales and legends, it will be even
more apparent that it is impossible to tweak and adjust the forthcoming
information so as to arrive at a logically coherent system of the type that
has been construed, with gods in one region of the cosmos, Jǫtnar in an-
other, men in a third and so on. This kind of system is not extant.
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of the same kind of passage (similarly in, e.g., Drobin 1991: 113 ff. and
nordberg 2003: 76 f.). nevertheless this does not solve the problem of
the sources often giving opposite directions to each other, for instance
locating the gods in the west and in the east, in the centre of the world
by the World tree as well as at the end of the Rainbow bridge in the far
west. it looks to me as if we are mistaken as to the very fabric of the
mythological landscape.
Men do not live in the same realm as the gods, as the structuralists
have supposed. We do not live in the ordinary sense in the mythological
world at all, as most scholars seem to take for granted (an exception is
nordberg 2003, e.g. p. 149; there may be others). Certainly some of the
eddic poems (Vǫluspá 4, Hárbarðsljóð 23) do appear to use Miðgarðr as
a designation of a place that is inhabited by both gods and men. This is
understandable since we and the gods are as it were ‘allied’ and share the
same purpose in the cosmos. But when we look at matters more closely,
a different picture emerges: Grímnismál 41 presents Miðgarðr as a place
created for humans only, and the mythology supplies different place
names (overview in løkka 2010: 147), and accordingly an entirely dif-
ferent geography than this world. only exceptionally do men appear
there, and then always when some kind of threshold has been crossed
which is normally impassable for humans – as in Gylfaginning 26, where
Þórr drives with his goats [across the sky] and arrives to a human family,
or when human heroes die and pass over water or other in a mystical
manner in order to reach valhǫll (Heide 2011: 61). it is also only excep-
tionally that gods appear in stories about men, and then only at places or
times that are removed from the normal: long, long ago, as in Rígsþula,
perhaps Grímnismál, and the legendary sagas (see Røthe 2010 and lassen
2011: 152 ff.); beyond the ocean, as in the prose preface to Grímnismál;
on læsø, a small, scarcely populated island far out in the sea (see Heide
2011: 62, 67, 72, 76 ff.); or on a headland jutting out into the ocean in a
gale, as in Reginsmál 15–19. normally, the gods in this world are repre-
sented only by cult places sacred to them and/or carrying their names.14
last but not least, the most dependable sources erect barriers impassable
to men between the realms of gods and humans: the latter may live below
the earth under the World tree (Grímnismál 31) or at walking distances
that are discouragingly long for gods (Hárbarðsljóð 56). The gods and the
14. in a manner, Þórr is in the human realm when he is creating thunder, but at the same
time he is in the heavens; that is not in the human realm at all.
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other mythological creatures do not live in this world; they live in what
scholars usually refer to as ‘the otherworld’. Here, in something that all
scholars are fully aware of, but which i believe not has been taken to its
full consequences bearing on the question of cosmology, the key may lie
to the understanding of the mythological world view.
– Through the air, flying or walking over a rainbow, usually far and
often into heaven.
– over the ocean.
– Travelling to the end of the world, often to the place of the sun
rising (east) or setting (west, in the ocean).
– Through darkness.
– over high mountains.
– Down into the earth or into mountains, often through natural
‘openings’, like clefts or holes or door-like passageways in the rock.
– into special mounds or mountains.
– Down into (special) lakes, brooks, wells, or bog holes.
– Traveling up or down along the World tree or something that
symbolizes it.
– Through sacrifice or ritual at unusual landscape formations – (spe-
cial) groves, waterfalls, mountains, glacial erratics, caves and crags,
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3.4 Passageways
To sum up: to the gods, Jǫtnar or fairies, it is possible to reach by trav-
elling west over the ocean, to the sunrise in the east, towards heaven,
down into a mountain or the earth, or down into water (of a special kind).
But this does not mean that the realm of gods or that of the Jǫtnar ‘is’ in
any one of these places, nor in fact that the information is contradictory.
What has been tended to be understood as the location of these other
realms, seems to me simply to be passageways there, since it is possible
to reach the same realm through several passages, and since they may be
exchanged with each other, as in the myth of gunnlǫð, where Óðinn has
to crawl in through the mountain, but may fly home.
That these constitute passageways and not the otherworld as such
may also be seen in that the realm at which one arrives on the other side
does not have the same character as the passageway, being instead similar
to this world, only with richer qualities, such as greener grass, fatter cows,
greater wealth (and often inverted from this world to a greater or lesser
degree; Holmberg [Harva] 1925, Wiklund 1916: 55–57, Heide 2011). This
is especially obvious in folk tradition;15 whereas in the norse mytholog-
ical texts unfortunately few descriptions are to be found of the places in
the otherworld. one exception is the realm of elves in Þorsteins þáttr bǿ-
jarmagns (see footnote 13 here), taken to be from the end of the thirteenth
century but with much content that is ‘considerably older’ (Power 1993:
675–76).16 The hero and his companion jump into a river and pass down
through some sort of fog, until it brightens and they arrive at a place
where a waterfall falls from some cliffs, and they see a large settlement
and a castle. inside, a party is going on where people are drinking wine
from silver cups; in the high seat sit what appear to be a king and queen;
and everything looks as if it is made of gold and silver. it becomes clear
15. e.g., Jones 1930: 58 ff., grimm 1843 i: 155–158 (“frau Holle”), Straubergs 1957: 84.
16. Two parchment mss. (+ younger paper mss) are extant, one dating from ca. 1450–
75 (aM 343, 4to) and one from around 1550 (aM 510, 4to. Cf. Ordbog over det norrøne
prosasprog. Registre 1989: 452–53).
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that at least one of the party guests is a fairy (huldumaðr), and since the
episode is a legendary saga version of the elf queen legends attested on
iceland from the early nineteenth century (see footnote 13), it is apparent
that this is the realm of the elves. Perhaps this description is only ‘semi-
mythological’, since the elves keep a marginal position in old norse
mythology, but the mythological texts that tell of gods and Jǫtnar supply
many enough clues to allow the conclusion that the pattern is the same
as in folk tradition and Þorsteins þáttr: Óðinn and Sága ‘drink happily’
beneath the waves, so they too apparently sit in a dry world below a water
passageway, not in a world of water that mixes with the mead in their
cups. in Vǫluspá 43, Hel is not in the earth, but ‘below the earth’ (fyr jǫrð
neðan), which probably means ‘on the other side of a passageway leading
down through the earth (or through water?)’.17 Beyond the aerial passage-
way, the Jǫtunn Þrymr keeps a farm, as everyone else, but there is obvi-
ously more wealth in his world; for his cows have golden horns, and he
has gold in abundance (Þrymskviða 23). We are not told how things are
constituted at gunnlǫð’s place beyond the passageway through the
mountain or air, except that the wealth obviously is greater there than in
this world, since she sits on a golden chair (Hávamál 105).
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houses and the cultivated land, outside of which lay the areas that were
uncultivated but still resourceful, housing powers over which one did
not exercise control. This is in accordance with the world of gods, having
the World tree in the middle, surrounded by the homesteads of the gods,
outside of which are all ‘the others’, whom the gods do not fully control,
but which represent important resources and potential. This is the model
at which løkka 2010 arrives, entirely correctly in my opinion – except
that i believe that it stands in need of revision in one important aspect:
The other realms do not keep a (mytho-)geographical location in relation
to the realm of gods, nor in relation to each other. each realm – for in-
stance Hel and the individual Jǫtunn homesteads – is instead closed
within itself, like a ‘bubble’ (of the flat type i have described above). The
different realms are not situated in one or another direction from other
‘bubbles’, nor inside others, but they have interfaces with, and passage-
ways to, other ‘bubbles’. They are not located in any geographical coor-
dinates, but simply ‘beyond the passageways’. it may seem strange that
such a system could work without the realms having a geographical lo-
cation in relation to each other, but we must remember that mythological
geography is always tied to myths, and subordinate to narratives. Then
it works, since in the myths, only two realms are in focus at the time, or
to be more precise: the realm which one occupies and another one, which
is accordingly ‘the other’ seen from the point of view of the first one. as
one enters the other, that realm becomes ‘the present realm’, from which
one may again enter ‘the other’, that is yet another world. Here are some
examples: in Gylfaginning 26, Þórr drives with his he-goats [across the
sky] and arrives at the farm of a human family, spending the night there,
before travelling austr across the great ocean to the realms of the Jǫtnar.
in Frá dauða Sinfjǫtla (a prose tale transmitted with the poetic edda),
the human hero Sinfjǫtli dies. it seems that he then comes to the gods
after having crossed the sea (Heide 2011: 61), and there he may have wit-
nessed the dead Baldr being sent across the sea to Hel. Before this, in
Baldrs draumar, Óðinn wants to find out if it is true that Baldr is going
to die, and for this purpose rides on the magical horse Sleipnir, making
the foldvegr rumble, niðr to Hel, the land of the dead. But he does not
stop there; he takes another just as large a step, riding east before the en-
trance, coming to the grave of a vǫlva, whom he raises from death with
spells and interrogates about the future. – njǫrðr is a vanr, having come
a long time ago from the vanir to the Æsir (Vafþrúðnismál 38–39,
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Lokasenna 34, Gylfaginning 11), and he follows the gods along to a ban-
quet at Ægir’s place. The home of Ægir in the sea is then in the other-
world as seen from the realm of gods, Ásgarðr; but Ásgarðr beyond the
sea in the east is in the otherworld as seen from the realm of the vanir.
The vǫlva in the grave is in the otherworld seen from Hel; Hel is in the
otherworld seen from valhǫll (to which Sinfjǫtli arrives and from which
Baldr departs); and valhǫll is in the otherworld seen from the realm of
men (from which Sinfjǫtli has departed). Similarly the human family that
Þórr visits is in the otherworld as seen from the realm of gods; and the
Jǫtnar beyond the sea is in the otherworld as seen from the human fam-
ily. Which realm is ‘this’ and which ‘the other’, and which realm borders
on which, are perpetually shifting; and if one attempts to place all the
realms in relation to each other, the result will only be confusion. But as
long as the focus remains on each separate narrative, featuring one inter-
worldly relation at the time, no problem will ensue.
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ingsbana ii 49, the hero reaches Valhǫll travelling to the far west (across
the sea? See above, 2.3). The direction down is ‘recycled’ in the same man-
ner: generally it is possible to go down to the elves (footnote 13), or the
fairies, or dwarfs, and occasionally Jǫtnar, but Grímnismál 31 locates the
humans in this direction, seen from the gods; and in Saxo, the (human)
hero Hadingus goes down into the ground next to the hearth in a house
and reaches something that looks like valhǫll (fisher & ellis Davidson
1979–80, book 1, 8, 14). The many cult places that are connected to spe-
cial geographical formations (like Tissø) also suggest that one imagined
that the gods could be contacted in a downward direction. not least
often, people have attempted to get into contact with gods and other
powers though springs and wells; and the same method was successfully
applied by Óðinn – that is, a god – when he sacrificed one of his eyes to
a Jǫtunn who is associated with the well beneath the World tree (Vǫluspá
27–28, Simek 2006: 281–82). Simultaneously there are myths that locate
some of the gods themselves under water (above, 2.3). The motif ‘im-
mensely far away’ is also often ‘recycled’; that passageway you can always
travel, no matter what version of the otherworld you want to go to. also,
‘death’ and the ‘land of the dead’ are often ‘recycled’: from there Óðinn
attains secret knowledge, like sorcerers (McKinnell 2005: 200 ff.), –
only he cannot get it from that land of the dead which he himself inhabits
(i.e. valhǫll); he goes instead to Hel; he raises corpses from the grave;
and he speaks with bodies dangling from the gallows (above 3.5; Há-
vamál 157, Ynglinga saga 18). Óðinn accordingly uses the same points of
contact with the land of the dead as are available to humans with special
abilities. This holds true in general: the gods use the same points of con-
tact with the otherworld as humans do, even in cases where it appears to
make no sense for the gods: for they have cult places and cult buildings
(Vǫluspá 7, Grímnismál 13 and 16, probably Hyndluljóð 1); and in
Lokasenna, it seems that the gods attend the same kind of inviolable, cul-
tic symposia as the humans use in their religious cult – even while the
gods do not have gods.18
This last phenomenon, and the fact that no matter in which world
one is situated, the other worlds and the passageways to them are always
placed in the same directions and at the same kind of geographical for-
18. in Vafþrúðnismál 38, the many hof and hǫrgar over which njǫrðr is said to be master
may be located in the human world, but in the mentioned eddic stanzas, it is clear
that the cult place / building is located among the gods.
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is the same as the underworld, where Hel is situated. nor do i think that
Schjødt’s analysis is on target (1990), which states that the gods are lo-
cated at the centre of the earth’s surface, Hel in the underworld, and the
Jǫtnar in the horizontal periphery. To associate the gods exclusively with
heaven must be attributed to Christian influences upon Snorri, as Schjødt
has made clear, even if this location was probably one of several variants
also in pre-Christian times. But to place the gods in an opposite relation
to the underworld is also problematic since frigg lives in Fensalir and
Sága in Søkkvabekkr, Ásmundr comes to Óðinn by jumping into the sea
at læsø, humans throw sacrifices to tívar or Týr down into lake Tissø,
and so on. (also one cannot claim that the humans are situated in an op-
posite relation to the underworld, when Grímnismál 31 locates us in this
very region.) it is not even necessarily the case that Hel is always located
in the underworld (as Schjødt claims, 1990: 47); there are examples of
Hel being simply in a place terribly far away, in the horizontal plane (ii
above). also, an outright opposition between heaven and the Jǫtnar does
not seem to exist. it appears to be unproblematic that the eyes of the Jǫ-
tunn Tjatse become stars (Hárbarðsljóð 19, Skáldskaparmál 4, Edda
Snorra Sturlusonar 1931: 81), and the vault of heaven was created from
the skull of the primordial Jǫtunn Ýmir (Gylfaginning 5). Christianity
has probably influenced us both directly and indirectly to see a model
with the gods’ enemies in the underworld and the gods situated upon
high. Snorri is an important source, and he claims this to be so; and from
our Christian background we are used to seeing it this way.
To me, it looks as if two ‘universal directions’ are essential to norse
religious cosmology: away in the direction of the otherworld, from a cen-
tre that is dependent on the circumstances, and back. This may be heavily
reminiscent of Meletinskij, who claims that down and away horizontally
mean the same thing, each in its own system of code, and that they may
be ‘translated’ into each other. But there are two important distinctions.
The first is that away may be in any direction, not just down or horizon-
tally, but up as well, and not just in the case of the gods. i mentioned an
example of this in section 2.1 above: in Skírnismál 27, the Jǫtunn girl
gerðr is threatened with having to sit outside of society, with her back
on the world, ‘turned towards Hel’ – on an eagle’s tussock, that is on a
steep, preferably high, inaccessible crest. We find another example in
Fjǫlsvinnsmál, where the Óðinn-hero Svipdagr has travelled long roads,
arriving at a Jǫtunn homestead where the desired Jǫtunn maid resides
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on the top of a mountain (str. 35–36 & 49).20 This is one of the manners
in which she is located out of reach; trolls in the folktales are often both
terribly far away and situated on a high mountain (above, 2.4). Probably
this is the idea also behind Heimdallr’s residence, Himinbjǫrg, which we
considered above in part 2.3 That loki hides at the top of a mountain in
Gylfaginning 36, and that Þjazi and after him his daughter Skaði reside
on mountains, should probably also be understood in the same way, as
well as perhaps the general tendency of the Jǫtnar to reside in mountain-
ous regions. The other difference from Meletinskij’s model is that the
centre does not have to be Ásgarðr; the location of the centre is depend-
ent on the myth and situation. When the gods attend a banquet at the
Jǫtunn Ægir’s place in Lokasenna; or Helgi is to go to valhǫll from his
wife in the realm of men (Helgakviða Hundingsbana ii 49); or people in
the human realm make sacrifices to the gods or send one of their own
deceased to them, the centre is located at Ægir’s or somewhere in the
human realm, and the realm of the gods is instead ‘beyond the passage-
ways’: in the far east (Lokasenna 34), or beyond Heaven’s bridge in the
west (Helgakviða Hundingsbana ii 49), or beyond the ocean (human boat
funeral), or in the underworld (human cultic practice: the names Fensalir
and Søkkvabekkr accordingly make better sense seen from the point of
view of humans worshipping frigg and Sága than seen from the realm
of the gods). The relevant directions are accordingly not away from an
absolute centre and back again, but away from and back to the centre as
defined by the present circumstances, the starting point being, as
sketched above, the ‘bubble’ surrounding each human being and society
stretching in all directions as far a distance as ordinary human reach al-
lows. But the same goes for any realm, not just the world of men. When
it looks like other beings than gods properly live at the end of the world
and in the underground, this is probably because most myths are re-
garded from the point of view of the realm of gods. if they had offered
a perspective towards the realm of the gods, from any one of the other
realms, there is all reason to believe that it would be the realm of gods
that would most often have appeared to be situated at the end of the
world or in the underground.21
20. The idea that Fjǫlsvinnsmál is a late pastiche is on close examination not firmly based
on textual evidence: see Heide 1997.
21. The reason for supernatural powers being more often connected with the under-
ground, through passageways such as springs, caves, clefts, special mounds, etc., than
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with the sky, may be that a great part of the background of the idea of the otherworld
are mirror images in water, which show us just that, another world beneath us: see
Holmberg [Harva] 1925 and Heide 2011. other locations to which supernatural pow-
ers are especially connected are also inciting to the imagination or attract attention,
but in different ways: the place where the sun rises or sets; the rainbow; far away,
tall mountains, etc.
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(46) is one example. if the deceased returns, his or her ‘haunt’ is in this
world (e.g., Eyrbyggja saga 1935: 93 ff.). nevertheless, the grave, as the
residence of the deceased and as a closed space beneath the earth, is ob-
viously in the other world, and from there passages lead further to the
collective / mythological lands of the dead. Such an idea of a constant
connection between the grave and the mythological land of the dead is
probably inherent in the notions of grave mounds that kept green or bare
throughout the winter (Bárðar saga: 121, Gísla saga Súrssonar: 57, Ketils
saga hængs: 173; maybe others).
i believe that mounds or stones which are residences of elves
(fairies), and which are placed at central locations in human settlements,
should also be considered as the same kinds of border posts as these grave
mounds. Perhaps people imagined that they bordered on a collective
realm of elves beyond them, but this is not crucial to the argument. The
important thing as regards to my proposition is that such borderline cases
do not contradict the idea that a greater realm of elves existed in a uni-
verse of its own, in the same way as the idea of the dead residing in their
own graves does not contradict the notion of separate collective lands of
the dead situated in universes of their own. My investigation does not
concern such borderline cases but the problem of how to understand the
(mytho-)geographical relations between the different mythological races,
when the sources state that they inhabited realms of their own.
it may also be significant that the beings who appear to live in
mounds, cliffs, mountains, caves, etc., and have their outdoor areas in
this world, seem especially to belong to what used to be referred to as
the ‘lower’ mythology, which perhaps more properly (and less evolution-
istically) could be called ‘local mythology’, as opposed to the mythology
that was to a large degree common to all nordic or even north germanic
areas.
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the point of view of the gods (Gylfaginning 31), and from the point of
view of the Jǫtnar (Hymiskviða), and from the point of view of the men
(as seen in skaldic kennings; see Meulengracht Sørensen 1986: 271,
Bergsveinn Birgisson 1997). as it is the same serpent in all three cases,
we could say that it encircles all three worlds at the same time, and if so
there is a greater system than simply individual ‘bubbles’. Still i believe
that this is a modern conclusion that overlooks the mind-set of the past.
Just as pre-modern people imagined the dead to be present at the same
time in the grave and in a collective mythological land of the dead, he
may also have regarded each realm as complete in itself, yet surrounded
by the same serpent, without reflecting on this being problematic. This
follows in a manner from the other realms being generalized from the
present one, i.e., the ‘bubble’ we are surrounded by: ‘just as things are
here, so are they also in the other realms (only qualitatively greater)’. This
paradox – that the same Miðgarðr Serpent encircles different universes
– is of a similar type to that of the other realms surrounding the realm
of the gods seen from the point of view of the latter, but the realm of the
gods most likely surrounding each of the other realms seen from the
point of view of them.
a similar case is presented by the sun. in Gylfaginning, the Jǫtunn
master builder demands among other things the sun and the moon as
payment for building a wall around Ásgarðr (Edda Snorra Sturlusonar:
45–47, cf. Vǫluspá 21–26), and this indicates that the Jǫtnar have the same
sun as the gods. But the question is whether this is not simply the case
of the other realms being generalized from the present one. in folk tra-
dition, there are several examples of a unique sun in the otherworld (e.g.,
“The king’s three daughters in the Blue Mountain”, asbjørnsen & Moe
1965 ii: 7 ff.). This has to be the case when the otherworld is reached
through a passageway down through the ground, and also when
Þorsteinn Bǿjarmagn goes to heimrinn niðri (see above) – there is no ex-
plicit mention of a sun, but light appears when the passageway of water
and fog is exited (Því næst birti þeim fyrir augum). on the other hand, when
one only has to travel terribly far in order to reach the troll, the same sun
stance great and important things in the universe, but it is not clear whether the same
earth, sun and moon are present in all the realms, or if each has its own separate ver-
sions, or if the questions exclusively consider the earth, sun and moon of the realm
of the gods.
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is above one’s head all the time, and this means that this and the other-
world are not separate ‘bubbles’ or universes. accordingly, Hel has its
own sun and universe when it is described as situated below the ground,
but when it is located terribly far away in the horizontal plane, it has the
same sun as the realm of the gods, and shares its universe.
To observe such contradictions is subtlety of a modern academic
kind. Clear notions about these things probably did not exist, nor the
idea that such notions should be necessary. Still i believe that the ‘bubble
model’ best captures and describes the system that yet exists: ‘This world
stretches to the outer limits of our normal reach, in all directions, and
beyond it lies the otherworld, which is basically similar, but with quali-
tatively greater properties, and which may be reached by supernatural
means through certain anomalous locations that constitute passageways.’
This system entails paradoxes, but is still what may be abstracted from
most of the sources.24
another question is to what degree the system outlined here was
something that people in general saw, or reflected upon. as the reader
may have observed, i have not, even after having formulated a theory
about it, been able to say consistently that everything is just passageways;
i sometimes say that the different mythological races live in this or that
direction. This is of course because the sources often express matters in
this way. Did not people then actually imagine that the Jǫtnar quite sim-
ply lived in the far east? Well, the sources also state that the gods live in
the east, and that the gods live in the west, and that the sea Jǫtunn Ægir
lives in the west, and so on. Would not accordingly ‘beyond what you
and i can reach’ be a simpler way to understand the notion that lay behind
these formulations, the passageways to the beyond being ‘re-cycled’ again
24. Some may perhaps say that the World tree has to be common to all of the realms,
but there is hardly ground for this supposition, as the World tree is first and foremost
simply a centre, and little universes have centres as well. Therefore it is reasonable
to believe that each world had its own central location – if it was at all structured in
a centralizing manner. one might imagine that the Jotnar had a central location with
a World tree of their own, but as løkka (2010: 242) observes, fragmentation is one
of the characteristics of Jotunn society; i.e., that it lacks a central organisation. Rather,
the Jotnar have many ‘world trees’, the farmyard tree of each Jotunn farm constituting
a centre of its own, just as each Jotunn homestead seems to be in a ‘bubble’ of its
own in the sources. (The model that i outline in fact means that one central location
did not exist in our world (the world of humans), only local and regional centres, in
part with symbolical equivalents of the World tree, as for instance the sacred grove
in Uppsala [Adam av Bremen 1984 [1075]: 224, Buchner & Trillmich 1961: 470] and
irminsūl of the Saxons [Simek 2006: 222].)
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and again, because this manner of thinking was useful and economical
as long as only one version of the beyond featured in any given case?
How aware, or unaware, any given person was, is not, to my mind, cru-
cial.
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Samandrag
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dellen ser dermed ut til å vera ein motsetnad mellom ‘oss’ og ‘dei andre’,
med ei stadig skiftande grense. Dette systemet kjem til syne når vi un-
dersøker ikkje berre dei avgrensa norrøne tekstane, men ser dei i lys av
det kolossale korpuset av eventyr og segner nedskrivne i nord-europa
etter mellomalderen.
eldar Heide
associate professor in norwegian
Bergen University College
P.o. Box 7030
no-5020 Bergen
norway
eldar.heide@hib.no
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