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Kurslitteratur HT2020MVSWMU

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Kurslitteratur HT2020MVSWMU

Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Institutionen för kultur och estetik, Musikvetenskap

Beslut om kurslitteratur HT 2020 fattat av studierektor 2020-09-01

Kurs: MVSWMU, Swedish Music/Svensk musik, 7,5 ECTS credits

General articles on composers (biographies) and works are available in the following online
resources and will be presented during the course:

Naxos Music Library


https://www.naxosmusiclibrary.com/world/catalogue/item.asp?cid=CAP21484
[Find username and password to Naxos Music Library World at the course site or contact
your teacher.]

Oxford Music Online [https://www-oxfordmusiconline-com.ezp.sub.su.se] via www.sub.su.se

Swedish Musical Heritage


(Levande Musikarv, Royal Swedish Academy of Music)
http://www.swedishmusicalheritage.com

Journal articles, book chapters, etc.

Ander, Owe. “Amphions of the North: Court Kapellmeisters in the Musical life in Sweden
around 1800.” In Plays. Places and Participants – Light Opera, Dance and Theatre
around 1800, edited by Randi Selvik et al. Trondheim, forthcoming.

Ander, Owe (2010). “Aspects Concerning the Institutionalisation of Swedish Musical life in
the 19th Century and the Case of Grand Opéra in Stockholm.” In Musikleben des 19.
Jahrhunderts in nördlichen Europa. Strukturen und Prozesse/19th-Century Musical Life
in Nothern Europe. Structures and Processes, edited by Hrsg. von Toomas Siitan, Kristel
Pappel and Anu Sooro, 175-191. New York: Georg Olms Verlag, 2010.

Björnberg, Alf, and Bossius, Thomas, eds. Made in Sweden : Studies in Popular Music.
London: Routledge, 2016. Accessed September 19, 2019. ProQuest Ebook Central.
[selected chapters] https://ebookcentral-proquest-
com.ezp.sub.su.se/lib/sub/detail.action?docID=4766910&query=made+in+Sweden#

Jonsson, Leif, ed. Music in Sweden III. Stockholm: Fischer & Co, 1992–94. [selected
chapters]

Kaminsky, David. “Keeping Sweden Swedish: Folk Music, Right-Wing Nationalism, and the
Immigration Debate.” Journal of Folklore Research Vol. 49, No. 1 (January/April
2012): 73-96.

van Kan, Mischa. “Cooling down jazz: Making authentic Swedish jazz possible.” Jazz
Research Journal 10, 1-2 (2016): 35-53.
Kjellström, Birgit & Ternhag, Gunnar. Liner notes to Nordic Folk Instruments, Caprice,
CAP21484, CD. 1996. Naxos Music Library Online.
https://naxosdirect.se/items/prillarhorn-knaverharpa-193292 [Find username and
password to Naxos Music Library at the course site or contact your teacher.]

Milveden, Ingmar. “Liturgical ‘hystorie’ from Sweden’s medieval period.” Liner notes to
Gloria Sanctorum: Plainchants from medieval Sweden. Gloria Sanctorum, Stefan
Parkman. Proprius PRCD9115, CD. 1994. Naxos Music Library Online.
https://www.nml3.naxosmusiclibrary.com/catalogue/PRCD9115
[Find username and password to Naxos Music Library at the course site or contact your
teacher.]

Tagg, Philip. “The Göteborg Connection: Lessons in the history and politics of popular music
education and research.” Popular Music 17, 2 (1998):219-242. Minor editing 2013-07-
19.

Ternhag, Gunnar & Boström, Mathias. “The dissemination of the nyckelharpa: The ethnic and
the non-ethnic ways.” STM-online vol. 2 (1999).
http://musikforskning.se/stmonline/vol_2/Bost_Tern/index.php?menu=3

Åkesson Ingrid. “Re-creation, Re-shaping, and Renewal among Contemporary Swedish Folk
Singers. Attitudes toward Tradition in Vocal Folk Music Revitalization.” STM-online
vol. 9 (2006).
http://musikforskning.se/stmonline/vol_9/akesson/index.php?menu=3

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