HOME FOR THE CURIOUS MUSICIAN

PRODUCE

Setting Up 5.1 Surround Sound in Your

Home Studio
JULY 5, 2018 by GUEST WRITERS
Setting Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 

Setting Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 + Learning to record and mix at home? Soundfly’s intermediate and advanced mixing courses combine video content
with 1:1 coaching from a pro engineer, so you can improve your skills and get critical feedback on your work. Or, work
with a Mentor on your mixes in a custom month-long session.

By Kieran Kaye of Full English

Consumer audio is blowing up. The average person is now willing to spend more on audio gear than ever, and at the
same time, even basic speaker technology is getting better and better. The combination ultimately equates to more
people having home theaters and surround sound systems than ever before.

Other advances in technology make streaming multiple audio channels online easier and quicker, too. Dolby have a
codec called Dolby Digital Plus that content services such as Netflix use to stream surround sound with minimal
compromise on audio or video quality — simply plug in your home surround sound setup into your smart TV and you’re
good to go!

All of these factors together have created a new demand for content to be mixed in 5.1 surround sound. I’m here to
answer all your questions about setting up your home studio for 5.1 surround sound mixing, so let’s dig in.

Background
I come from a post-production TV, film, and commercial background. My studio, Full English Post, works almost
exclusively on sound design and mixing for various forms of visual content, such as commercials, branded content,
and documentaries. I work with 5.1 mixes a lot and adjusting your brain from two channels (stereo) to six (5.1) can
seriously mess with your head. Relax, take a breath, it’s not as bad as it seems. Although I’ll touch upon mixing in 5.1,
this article is focusing on how to set up your studio so it’s ready for surround sound projects.
Setting Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 Basics
What is 5.1 surround sound? Well, it’s exactly that… sound that surrounds you. The terms “5.1” and “surround sound”
are not exclusive though. You may have heard various number combinations being thrown around, including 7.1, 9.2,
5.1.4, etc. — each of which simply relates to the various speaker channel setups. For example, 5.1 means that there are
five speaker channels that surround the listener plus one Low Frequency Effects (LFE) channel, which is what
the “.1” references. This channel carries the bass information (<120 Hz) to a subwoofer in the speaker setup. So,
9.2 is nine surround speakers and two subs.

The somewhat new immersive audio that is trending right now is Dolby Atmos which has speakers above the listener, in
addition to the usual surrounding speakers. In this case, we add a third number that tells us how many overhead
speakers there are: 5.1.4 = five surrounds, one sub, four overhead speakers. That said, in my experience, 5.1 is still
the most common surround speaker combination you’ll be mixing for.

Speakers
If you already mix in stereo, be it for music or film, you will understand that speaker placement is crucial. Just as in a
stereo setup, the Left (L) and Right (R) speakers in a 5.1 setup still need to be positioned at 60 degrees to the
listening position in the classic equilateral triangle formation.

Setting Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 Image courtesy of Studio-Speakers.com.

Now we need to add the other speakers: one Center speaker (C) and two Surround speakers. These are known as Left
Surround (Ls) and Right Surround (Rs). The Center speaker is placed in between the Left and Right speakers facing the
mix position. There’s some varying opinions on the angle at which the surround speakers should be placed, but between
110° and 120° is fine for most applications.

Setting Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 Imagine the mix position being in the center of a circle, and facing forward is 0 degrees. The speakers should be placed
as follows:

L = -30°
R = 30°
C = 0°
Ls = -110° (±10°)
Ls = 110° (±10°)

Setting Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 Image courtesy of Arquen.

Now we need to place the subwoofer. Since bass frequencies technically have very little directionality, you can
place the sub wherever is convenient. I would recommend under your desk facing the mix position.

The choice of speakers is greatly up to the user, but I would recommend getting five identical speakers in order to mix
accurately and consistently. It’s not as important that the sub be in the same brand/family; just make sure that it’s not too
big or small relative to your surround speakers.

Output from DAW to Speakers

Now we have speakers surrounding us, we need to start sending some signal through them. This requires six discrete
outputs from your DAW and interface. This is where the 5.1 home studio can start getting expensive. I’m strictly a Pro
Tools person and in the standard version
Setting Up 5.1you can only
Surround mix in
Sound in Your
stereo, even
Home if you have a suitable interface with 6+
Studio
outputs. In order to start mixing in 5.1, I had to make the pricey upgrade to Pro Tools | HD (now Pro Tools | Ultimate). I

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 know that other DAWs such as Reaper have surround mixing included in their standard software, which is a much
cheaper option if you want to go that route.

Let’s now assume you are able to output six channels discretely from your DAW, you will need an interface that not only
has six outputs, but ideally has a way to attenuate all six simultaneously. This, again, can break the bank a little when
finding a suitable interface and/or speaker management controller. Even if you do have six channels out (some very
affordable interfaces do) you will need a separate control for adjusting the overall 5.1 system volume, and that can be a
real commitment. Here are some examples of controllers:

SPL Surround Monitor Controller (849€ or $1,011)

Dangerous Music Monitor ST ($1,999)

Grace Design m906 5.1 Reference Monitor Controller ($6,265)

I personally use the Focusrite RED 4Pre interface that has an option for the eight outputs to be simultaneously controlled
via the monitor volume control, if you assign it properly (I actually use a BlueSky MediaDesk system for bass
management control, see below). The Avid OMNI has a similar built-in monitor management system and saves the need
for two separate pieces of gear, plus includes digital trim pots for each output which is very handy for calibrating the
system.

Often when you buy a subwoofer, it has six inputs to connect your DAW outputs to and then the five surround speakers
all connect into the woofer along with a connected volume remote. This is often referred to as “bass management” where
the subwoofer offloads some of the lower frequencies from the surround speakers. At this point I should make it clear that
the subwoofer and LFE are not the same thing. While the LFE channel in your mix will be output through the
subwoofer, if the mixer chooses to use bass management, the sub will also output the bass information sent to the
surround speakers, usually at a crossover frequency of 80Hz.
Setting Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 Dolby states that:

“The difference between the LFE channel and the subwoofer output is that
the LFE channel is used to carry additional bass information…while the
subwoofer output represents how some or all of the bass information will
be reproduced.”

This is why it’s important to calibrate the LFE channel correctly (see calibration below) so that your mix translates on all
systems.

Speaker Order
I’ve mentioned where to put your speakers and how to connect them, now I’m going inside the DAW to discuss what goes
where within the digital I/O. Each speaker has its own initials and the channel order that they are output to from the
DAW is critical. The two most common speaker orders are:

Setting Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 The Film format is more common in Europe and SMPTE/ITU more common in the US.

Setting Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 The reason why this order is so important is because if you are mixing a film in SMPTE order (L, R, C, LFE, Ls, Rs), for
example, and are sending the dialogue to the center channel (see mixing below), it will be sent to output 3 from your
DAW. If the 5.1 stems are then bounced out and labelled with the Film order (L, C, R, Ls, Rs, LFE), the dialogue will still
be coming out of channel 3 but will be labelled as R, not C, which would not translate to another system correctly and
would fail quality control when it goes to distribution.

Calibration
Calibrating the speakers simply means adjusting each speaker volume so that at the listening position, all speakers
have the same Sound Pressure Level (SPL). Which SPL to calibrate to depends on the room size. The graph below is
taken from a seminar I attended with Roger Guerin and is a great starting point for what level to set your speakers to.

Setting Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 Image courtesy of Roger Guerin.

For this stage you’ll need a Real Time Analyzer (RTA) or SPL meter. An SPL meter will need to be set to “C-Weighted”
and “Slow.” Set the meter up at ear height at the mix position (about 4’ from the floor). However you have your system set
up, each room and speaker is different, so you will need adjust each speaker volume manually so that each one hits the
same SPL reading. Via your DAW, route -20dBFS (to allow for head room) of pink noise signal through each speaker
channel output individually and adjust each speaker’s volume to hit the desired SPL. The idea is to ensure that all
speakers are hitting the mix position at exactly the same time, and at exactly the same level.

Setting Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 The subwoofer should be calibrated to 10dB higher than the five main speakers if using a real-time analyzer
(RTA). If you’re using a sound pressure level (SPL) meter, the reading from the sub should be between +4dB and +6dB
SPL of whatever the appropriate level is for your room. This is to conform with theater speaker adjustments. Route band-
limited pink noise to the LFE channel through your DAW and adjust the sub until you hit the desired SPL number. Dolby
states that:

“The LFE channel is calibrated such that each 1/3 octave band between 20
and 80 Hz is 10 dB higher than the equivalent 1/3 octave bands for any of
the full-range speakers, assuming that the full-range speaker is ideally flat.”

BlueSky have some detailed instructions and test files to start calibrating your system.

Mixing
As promised, I’ll briefly go over the 5.1 mixing protocols for film and TV. There are certain rules that will put you in a
good place if you’re working on any visual content that needs a 5.1 mix.

1. Dialogue and voiceover always have to come from the Center speaker. In a cinema, this speaker or array of
speakers will usually be behind the screen so that it appears the characters are talking at you.

2. Any music tracks should be mostly coming from the front Left and Right speakers, although depending on the
content, it can be desirable to put
Setting Upa5.1little bit in the
Surround Left in
Sound and Right
Your Surround
Home Studio speakers with a high pass filter and small
delay to give an element of space. Sending some of the low end to the LFE will pack a nice punch, too.

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 3. Ambience and atmosphere sound effects, I find, are quite nice to place fairly evenly in the L,R, Ls, Rs
speakers. Spot sound effects and foley are all pretty subjective as to where in the mix they should be placed
depending on the content. A helicopter scene would make sense to pan around the listener. Some film mixers will
put most foley, footsteps for example, through the center speaker. I tend to use the LFE channel sparingly, but my
best advice is to play around with sending different sounds to different speakers. The Waves UM225/226 plugin is a
great little toy to stick on an effects or music track and see what works.

Conclusion
In conclusion, setting up a 5.1 home studio may not be particularly cheap, but it’s certainly fun and necessary if you’d like
to start offering alternative options for your mixes. It’s increasingly common for music to be mixed in 5.1 now, and can be
a fantastically immersive experience for the listener. Have fun with it guys and happy surround sounding!

New to Soundfly?

All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your
work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you,
or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to
help you achieve them.

What Is a Sound y Mentor?

Watch later Share

Setting Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 —

Full English is a Brooklyn-based post-production audio facility dedicated to outputting only

the highest standard of recording, sound design, and mixing. Owned by British sound
designer Kieran Kaye, Full English specializes in audio for all content including
commercials, trailers, documentaries and branded content. Offering a boutique experience,
working closely with the client from the offline stages to final mix, Full English provides
premium quality with a more reasonable price point.

Setting Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 Feed your musical curiosity with Soundfly Weekly.

Your email address SIGN UP

Setting Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 TAGS: BEGINNER'S HOME STUDIO GUIDE, DOLBY, FOLEY, FREQUENCIES, HOME STUDIO, MIX, MIXING, MONITORS, ROGER GUERIN,
SOUND, SOUND DESIGN, SPEAKERS, SURROUND SOUND

Guest Writers
Soundfly welcomes new voices each month to offer unique perspectives, shine a light on unexpected musical worlds, and
help our readers find their sound.

1 Comment Flypaper 
1 Login

 Recommend 4 t Tweet f Share Sort by Best

Join the discussion…

LOG IN WITH
OR SIGN UP WITH DISQUS ?

Name

Cédric • a month ago

A huge Thanks for this amazing article!
About monitor controller, I use Spill plugin from Neyrinck.
So you can adjust each speaker in Protools without need another hardware controller :)
△ ▽ • Reply • Share ›

✉ Subscribe d Add Disqus to your site 🔒 Disqus'

SettingPrivacy Policy
Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 Related Articles

The Art of Creating Audio Stems of Your You Can Make a Professional Song with 8 Tips for Mixing an Entire Album So It
Tracks $0 Sounds Consistent

How to Step Up Your Podcasting Game How to Avoid Muddiness in Your Mix Why Can’t You Tune Your Guitar?
Setting Up 5.1 Surround Sound in Your Home Studio

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD
 SO UNDF LY Get music news and tips delivered to
your inbox once a week.
ABO UT US
A different sort of music school for
CO URSES Your email address SIGN
today's musicians.
CO NTACT

Create PDF in your applications with the Pdfcrowd HTML to PDF API PDFCROWD