Hegel's Truth
Hegel's Truth
Abstract
In his Encyclopaedia Logic, Hegel affirms that truth is ‘usually’ understood as the agreement
of thought with the object, but that in the ‘deeper, i.e. philosophical sense’, truth is the
agreement of a content with itself or of an object with its concept. Hegel then provides
illustrations of this second sort of truth: a ‘true friend’, a ‘true state’, a ‘true work of art’.
Robert Stern has argued that Hegel’s ‘deeper’ or ‘philosophical’ truth is close to what
Heidegger labelled ‘material’ truth, namely a property attributed to a thing on the basis
of the accordance of that thing with its essence. It has since been common to think of
Hegel’s concept of ‘philosophical’ truth as ‘ontological’, ‘objective’ or ‘material’ in con-
trast to ‘epistemological’ or ‘propositional’ definitions. In this paper, I wish to add an
important nuance to the existing literature on this subject: even though things have a
truth-value for Hegel, the latter is always negative. I argue that Hegel’s criterion of ‘philo-
sophical’ truth, which is best formulated as ‘agreement with self ’, is first and foremost
intended to examine the truth-value of thought-determinations. I then argue that even
though this criterion may also be applied to examine the truth-value of things (namely,
even though things have a truth-value), things never fall under this definition. After
reviewing several of Hegel’s explicit remarks on the matter, I provide an alternative
explanation to those features of Hegel’s ‘philosophical’ truth which have led scholars
to view it as a truth in things. Especially, I argue that what are generally seen as Hegel’s
examples (‘true friend’, ‘true state’, ‘true work of art’) are not intended as examples
but only as imperfect illustrations of ‘philosophical’ truth.
In his Encyclopaedia Logic, Hegel affirms that truth is ‘usually’ understood as the
agreement of thought with the object, but that in the ‘deeper, i.e. philosophical
sense’, truth is the agreement of a content with itself or of an object with its con-
cept. He then provides illustrations of this second sort of truth: a ‘true friend’, a
‘true state’, a ‘true work of art’ (EL: §24A, 62; §172A, 246–47; §213R, 283;
§213A, 284).1 In an article which has become influential, Robert Stern (1993)
argues that when speaking of ‘truth in the deeper sense’, Hegel’s concept of
truth does not conform to the way we use this concept in modern theories of
truth. He adds that Hegel’s ‘philosophical’ truth is close to what Heidegger labelled
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‘philosophical’ truth. Hegel’s illustrations (‘true friend’, ‘true state’, ‘true work of
art’), for instance, appear solely in the Additions. It may almost be said that without
the latter, there would be no question of interpreting Hegel’s definition of
‘philosophical’ truth as defining a truth in things. Regardless of the authenticity
of the Additions, analysing them is thus required in order to discuss and eventually
refute this interpretation.
A second issue involves a definition. This article inquires whether, for Hegel,
truth is a property of things. By ‘thing’, I mean an individual phenomenon. This
definition includes natural (‘material’) as well as social phenomena (‘states’, for
instance) but not individual concepts, categories and propositions. This is how I
understand Hegel’s use of the term ‘object’ in the relevant passages. I add that
this definition appears to conform to Stern’s use of the term ‘thing’, since only
‘worldly’ objects have essences with which they can be in accordance. This is
also the meaning of the term ‘thing’ within the Aquinian expression veritas in
rebus used by Künne.
A third issue is that in speaking of truth in the ‘deeper, i.e. philosophical
sense’, Hegel takes considerable liberties in terms of vocabulary and phrasing.
In the Encyclopaedia Logic, in particular, we may find ‘philosophical’ truth defined
as ‘the agreement of a content with itself ’ (EL: §24A, 62); as ‘the agreement
with itself ’ (EL: §24A, 62); as ‘the agreement of the concept with reality’ (EL:
§24A, 62); as ‘the agreement of the object with itself, i.e. with its concept’ (EL:
§172A, 246); and as a situation where objectivity ‘corresponds to the concept’
(EL: §213R, 283) or where it ‘is identical with the concept’ (EL: §213A, 284). It
is tempting to resort to terminological differences in commenting on these differ-
ent formulations, especially since some of the above-mentioned terms have differ-
ent and at times antithetical meanings as Hegelian termini technici (e.g., object,
objectivity and reality). But the fact that this ‘deeper’ sort of truth is regularly
opposed to a ‘usual’ sort—namely to the classical definition of truth as the
correspondence of the intellect to a thing—and that this latter definition is also
formulated in many similar but distinct ways,4 leads to the conclusion that the
different formulations found both in the ‘Greater’ and ‘Lesser’ Logic are indeed
only different formulations of one and the same definition of truth in the ‘deeper,
i.e. philosophical sense’.
But what is this definition exactly? Many scholars, as has already been
stated, have taken ‘agreement of the object with its concept’ as an authorita-
tive formulation. Among other reasons, this is due to the fact that this
formulation best fits Hegel’s illustrations of ‘philosophical’ truth: ‘true friend’,
‘true state’, ‘true work of art’. In the next pages, I will argue that this formu-
lation is misleading and that another formulation, namely the more general
‘agreement with self ’, captures Hegel’s concept of ‘philosophical’ truth far
better.
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Reading the second Addition to §24 of the Encyclopaedia will help shed light on the
matter. In this Addition, Hegel introduces his notion of truth in the ‘deeper, i.e.
philosophical sense’. As he puts it shortly beforehand, Hegel is preoccupied
there with ‘the question concerning the truth of the thought-determinations’
(EL: §24A, 61). But what is at stake in this question?
Thought-determinations are the categories of Hegel’s Logic. They are not things,
nor are they propositions.5 For Hegel, they are ‘objective thoughts’ (EL: §24, 58),
which are also the basic forms of his ontology.6 Thought-determinations may
thus be compared, mutatis mutandis, to Plato’s Forms or Aristotle’s or Kant’s categor-
ies. Providing any detailed account of the role thought-determinations play in Hegel’s
metaphysics would take us far afield here. However, it is imperative to note that in
stark contrast to his idealist predecessors, Hegel holds that categories can be true
or false. For Kant, to give just one example, specific judgements have truth-values
but not the category of ‘causality’. For Hegel, on the contrary, the category of
‘causality’ (but also those of ‘quality’, ‘quantity’, etc.) has a truth-value.
For Hegel, accordingly, the set of the basic forms of ontology is composed
both of true and of false categories, in such a way that false or finite categories
still enjoy a constitutive status. They function, as Brady Bowman rightly notes,
as forms of finitude (Bowman 2013: 125).7 Given this unique feature of his
Logic, the ‘business of logic’, as Hegel puts it, is not restricted to the exposition
of the categories (as is the case for instance in Aristotle’s Categories); nor does it sup-
plement this exposition only with their deduction (as is the case in Kant’s transcen-
dental deduction). For Hegel, the ‘business of logic’ is the examination of the
truth-value of the thought-determinations. In his terms, it aims at ‘finding out
which are the forms of the infinite and which of the finite’ (EL: §24A, 62).
The ‘question concerning the truth of the thought-determinations’ is thus the
question of how to proceed and examine their truth-values. And its answer is far
from being self-evident. In the Phenomenology, for example, the philosophical exam-
ination consists in ‘seeing whether the concept corresponds to the object’ (PhG:
§85, 57). In other words, it consists in seeing whether the various certainties of
consciousness agree with experience. But this makes no sense in the Logic. It
would make no sense to see whether a thought-determination corresponds to a
given state of affairs, since in the Logic the reader already knows that
thought-determinations are constitutive of things. In this sense, the adoption of
idealism—being the result of Hegel’s Phenomenology—implies the rejection of the
method of examination Hegel employed in the Phenomenology and the adoption
of a new criterion for the sort of truth which is intended to capture the truth of
thought-determinations. In the Logic, Hegel suggests in the second Addition to
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After observing that, for Hegel, the criterion for ‘philosophical’ truth serves to
examine the truth-value of thought-determinations, we return to the question
about the truth-value of things. Hegel’s position on this matter is clear from his
statement in the second Addition to §24 that ‘God alone is the true agreement
of the concept with reality’ (EL: §24A, 62). Hegel goes so far as to add that, unlike
‘God’, ‘all finite things have an untruth: they possess a concept and a concrete exist-
ence that is, however, inadequate to the concept’ (EL: §24A, 62).
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In this context, two points are especially worth noting. First, we note that, in
Hegel’s words, ‘God’ is a technical term. It does not denote a religious object but
rather a thought-determination—the absolute idea.12 This is evident, among other
places, from Hegel’s Remark to §213 of the Encyclopaedia, where he states that the
absolute idea ‘is the truth; for the truth is this, that objectivity corresponds to the
concept’ (EL: §213R, 283). For this reason, and even though Hegel’s precise words
are that ‘all finite things have an untruth’, we should not assume that there are infin-
ite things that are true. Saying that only ‘God’ is true, accompanied with the clari-
fication that ‘God’ is not a thing, is thus equivalent to saying that things are never
‘philosophically’ true. Second, we note that, in the above citation, things are
deemed finite or untrue since they fall short of their concepts. This might appear
to contradict our conclusion from the last section, namely that Hegel’s criterion for
‘philosophical’ truth is ‘agreement with self ’. But for a thing, falling short of its
concept is a certain way of disagreeing with itself. Hegel points to this when he
speaks of ‘the agreement of the object with itself, i.e. with its concept’ (EL:
§172A, 246). In this sense, the agreement of the object with its concept is a variant
on Hegel’s universal criterion for ‘philosophical’ truth—‘agreement with self ’.
In this light, Hegel’s words in the second Addition to §24 appear as a textual
indication that, unlike the absolute, things are never ‘philosophically’ true since
they are never in ‘agreement with self ’. In his Remark to §213, Hegel makes similar
claims: the individual thing (which is the type of thing we are concerned with here13)
‘does not correspond to its concept; this limitation of its existence constitutes its
finitude and its demise’ (EL: §213R, 283). The adjective ‘finite’ is, in this context,
antonymous with the adjective ‘true’, given that the latter is used in the strict
sense of being ‘in agreement with self ’. This is consistent with Hegel’s words
from the Science of Logic: ‘finite [… that is] unfit to hold the truth’ (SL: 18/I: 17).
But what is the theory behind this position? This is not the place to go into
Hegel’s theory of finitude in any sufficient detail.14 But it is still possible to note at
least one sense in which, for Hegel, things inherently fall short of their concepts.
Think of a specific animal, say a tiger. For Hegel, any specific tiger falls short of the
concept of the tiger, since the universal concept of the tiger covers many cases of
particular tigers: Bengal tigers and Siberian tigers, young tigers and old tigers, etc.
In other words, things inherently fall short of their concepts since no individual
thing can ever fully incarnate the plurality inscribed in a universal. Robert Pippin
recently made this observation with the help of an example: ‘a particular horse
is not “what horseness is”’ (Pippin 2018: 96). There are more senses in which
things inherently fall short of their concepts, and even more senses in which
they inherently disagree with themselves, but we need not address them in this con-
text.15 From what has preceded, we may already conclude that things fall short of
their concepts inherently. In consequence, ‘philosophical’ truth is never a property
of things.
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But if things are never true in the ‘deeper, i.e. philosophical sense’, how are we
to understand Hegel’s illustrations of a ‘true friend’ or a ‘true work of art’? In order
to solve this difficulty, it is necessary to consider these illustrations in greater detail.
In the second Addition to §24, Hegel affirms that
Incidentally, the deeper (i.e. philosophical) meaning of truth can
already be found to some extent in the ordinary use of language.
Thus, for instance, we speak of a true friend and mean by that
someone whose way of acting conforms to the concept of
friendship. Similarly, we speak of a true work of art. (EL:
§24A, 62)
We note first Hegel’s use of the terms ‘incidentally’ (übrigens) and ‘to some extent’
(zum Teil). These words are there to alert us to the fact that Hegel’s illustrations are
only partially fit to illustrate ‘philosophical’ truth. In other words, they point to the
fact that a ‘true friend’ or a ‘true work of art’ are not cases of ‘philosophical’ truth
but only imperfect illustrations of the latter. But what do these illustrations illus-
trate? In my interpretation, they merely point to the fact that when we think of a
‘true friend’, we already think of a sort of ‘agreement with self ’. This is the case
since measuring the thing (‘friend’) as against its concept (‘friend’) equates to com-
paring two moments of one and the same thing—the friend. In this manner,
Hegel’s criterion for the truth of thought-determinations, ‘agreement with self ’,
can already be found ‘in the ordinary use of language’, but only ‘to some extent’.
Hegel’s reserve on this issue is fully comprehensible, since strictly speaking things
always fall short of their concept.
The conclusion that a ‘true friend’, a ‘true state’ or a ‘true work of art’ are not
examples or cases of ‘philosophical’ truth can be strengthened by taking a closer
look at Hegel’s discussions of what functions here as an illustration. Here I will
confine myself to Hegel’s discussion of artworks from the Encyclopaedia and
from the Lectures on Fine Art. Turning to this discussion will help us confirm our
hypothesis that artworks are never true in the ‘deeper, i.e. philosophical sense’,
since they are never in ‘agreement with self ’. The following paragraph, it should
be noted explicitly, will not be dedicated exclusively to showing that artworks
fall short of their concept, but—more generally—that they disagree with
themselves.
Hegel’s position on the truth-value of artworks is clearly negative, despite the
fact that artworks have their place in Hegel’s system as one of the forms of the
absolute. In his discussion of art from the Encyclopaedia, Hegel explicitly refers
to the various art forms as cases of ‘incongruity between the idea and the figur-
ation’ (PM: §562, 261). In other words, they are cases of disagreement ‘with
self ’. This is especially clear in Hegel’s discussion of symbolic art ‘which throws
itself in shape after shape, since it cannot find its goal’ (PM: §561, 261). Hegel’s
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verdict is equally clear with regard to the most advanced art form, romantic art,
where the shape stands ‘in a contingent relation to its meaning’ (PM: §562, 261).
In his Lectures on Fine Art, Hegel argues even more explicitly that art inherently
fails to achieve its purpose and hence to agree with its concept or definition.
Art, Hegel declares, ‘has no other mission but to bring the truth before sensuous
contemplation’ (LFA: 623/II: 257). But this is an impossible mission in so far as
‘the truth is in fact contaminated and concealed by the immediacy of sense’ (LFA:
9/I: 23). In other segments from his Lectures, Hegel further argues that on account
of art’s dysfunctionality ‘the mode in which artistic forms appear is called a decep-
tion in comparison with philosophical thinking and with religious and moral prin-
ciples’ (LFA: 9/I: 23). For this reason, Hegel concludes, ‘art counts no longer as
the highest mode in which truth fashions an existence for itself ’ (LFA: 103/I: 141).
These short remarks are not intended as a thorough discussion of the finitude
or untruth of artworks.16 Their role is simply to confirm our hypothesis that art-
works suffer from some sort of internal contradiction and hence disagree with
themselves. In like manner, they confirm our hypothesis that when Hegel speaks
of a ‘true work of art’, he does not refer to a case of ‘philosophical’ truth but rather
elucidates the latter with the help of an imperfect illustration that is only valid ‘inci-
dentally’ and ‘to some extent’. This is also the place to note that in so far as the
artistic sphere is more developed and hence truer than the social and political
spheres, the demonstration that artworks are never ‘philosophically’ true may be
considered valid a fortiori with respect to states, friends, etc.
IV. Conclusion
Notes
1
Abbreviations used:
EL = Hegel, Encyclopedia of the Philosophical Sciences in Basic Outline Part I: Science of Logic,
trans. K. Brinkmann and D. Dahlstrom (Cambridge: Cambridge University Press, 2010).
LFA = Hegel, Lectures on Fine Art, 2 vols., trans. T. M. Knox (Oxford: Calderon Press, 1975)/
Ästhethik, 3 vols. (Frankfurt: Suhrkamp, 1986).
PhG = Hegel, Phenomenology of Spirit, trans. T. Pinkard (Cambridge: Cambridge University Press,
2018).
PM = Hegel, Philosophy of Mind, trans. W. Wallace and A. V. Miller (Oxford: Oxford University
Press, 2007).
SL = Hegel, Science of Logic, trans. G. di Giovanni (Cambridge: Cambridge University Press,
2010)/Wissenschaft der Logik (Hamburg: Meiner, 1981, 1985, 2 vols.).
2
Compare: ‘let me first introduce a distinction used by Heidegger between propositional truth
and material truth (1977: 118–22). Truth is propositional when it is attributed to statements, jud-
gements or propositions on the basis of their accordance with the way things are. Truth is mater-
ial when it is attributed to something on the basis of the accordance of the thing with its essence.
[…] Hegel’s remark concerns material truth, and that it is a mistake to equate the two’. (Stern
1993: 645). See also Stern 2009: 78.
3
Here are several relatively recent examples of scholars using the epistemological/ontological
truth duality: Schnädelbach 1998, 802ff; Halbig 2003: 40; Puntel 2005: 213ff; Martin 2012:
517ff; Bowman 2013: 216; Pippin 2018: 95, 153ff.
4
In the Science of Logic, the adaequatio—sometimes labelled ‘correctness’—is formulated as ‘the
agreement of thought with the object’ (SL: 24/I: 28); as ‘the agreement of cognition with its
object’ (SL: 523/II: 26); as ‘the agreement of the concept and reality’ (SL: 557/II: 60); or as
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‘the agreement of representation with the object’ (SL: 562/II: 65). In the Encyclopaedia Logic, we
can find it to be ‘the agreement of an object and our representation of it’ (EL: §24A, 62) but also
‘the formal agreement of our representation with its content’ (EL: §172A, 246–47). Later
passages also read that ‘usual’ truth is ‘that external things correspond to my representations’
(EL: §213R, 283) or that ‘by truth one understands at first that I know how something is’
(EL: §213A, 284).
5
By proposition, I mean the predication of a subject. The predicate ‘white’ is not a proposition,
nor is the category ‘quality’ of which ‘white’ is a kind. This is still true even if, as it is the case for
Hegel, both ‘white’ and ‘quality’ are thoughts.
6
Compare Düsing 2009: 317ff.
7
Similar points can also be found in Bowman 2017: 237–41.
8
‘we […] let these [thought-]determinations, alive in themselves, count for themselves. The
question concerning the truth of the thought-determinations must appear strange to ordinary
consciousness for, after all, they seem to obtain their truth only from being applied to given
objects. Consequently, it would make no sense to inquire about their truth independently of
such an application. This, however, is exactly the point at issue. To be sure, one must first
know what is to be understood by truth here. Usually we call truth the agreement of an object
with our representation of it. Thus we have an object as a presupposition, and our representation
is supposed to conform to it. — In the philosophical sense, by contrast, truth means in general
the agreement of a content with itself, to put it abstractly. Consequently, this is a meaning of truth
entirely different from the one just mentioned’ (EL: §24A, 61–62).
9
For a fuller discussion of the transition from ‘being’ to ‘nothing’, see Houlgate 2006: 263ff.
10
This is also Pippin’s position, though Pippin has different reasons to prefer this formulation
(Pippin 2018: 145n19).
11
It is clear, for instance, that ‘the agreement of the object with itself, i.e. with its concept’ cannot
be applied to thought-determinations and could not play the same methodological role.
12
Sans made this point as well (Sans 2016: 400).
13
See endnote 5 above.
14
For a fuller discussion of this point, see Stern 2009. I note parenthetically that it is hard to
reconcile Stern’s position that ‘material’ truth ‘is attributed to something on the basis of the
accordance of the thing with its essence’ (Stern 1993: 645) with his own interpretation of
Hegel’s idealism of the finite—namely, that finite things lack ‘veritable being’ (Stern 2009: 62).
In my eyes, it appears that saying that finite things lack ‘veritable being’ is synonymous with say-
ing that things like ‘friends’, ‘states’ and ‘works of art’ cannot be ‘materially’ true.
15
Think for example of what Hegel refers to as the ‘flawed individuality’ of objects, namely that
objects are both ‘self-subsistent’ and determined by their dependence on other objects and con-
cepts. In their ‘lack of self-sufficiency, the objects remain equally self-sufficient, resistant, external
to one another’ (EL: §195–96, 270–73).
16
It should be noted that, for Hegel, art plays a significant spiritual role despite (and perhaps on
account of) its finitude. For a fuller discussion of this point, see Moland 2017.
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17
Bowman already made considerable progress in this direction when he discussed the inherent
limitations and imperfections Hegel attributes to nature under the title of the ‘underdetermin-
ation of the finite sphere’ (Bowman 2013: 125–28). It should be noted, however, that the finite
sphere is not limited to nature but covers, among other things, the political and artistic spheres.
Bibliography
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