MANUAL v.

MORE THAN LOGIC. UNITING ART + ENGINEERING.

C O N TAC T
email: info@meris.us phone: 747.233.1440 website: www.meris.us
TAB LE O F CONTENTS
SECTION 1 PG. 1 FRONT PANEL CONTROLS

SECTION 2 PG. 2-4 GLOBAL SETTINGS CONFIGURATION MODE

SECTION 3 PG. 5-7 CONTROLS IN DEPTH

3a - SIGNAL FLOW OVERVIEW

3b - KEYS AND SCALES
3c - PITCH CORRECTION AND GLIDE CONTROL
3d - TIME DIVISION CONTROLS

SECTION 4 PG. 8-10 EXPRESSION JACK MODES IN DEPTH

4a - EXPRESSION PEDAL
4b - TAP SWITCH
4c - 4 BUTTON PRESET SWITCH
4d - MIDI

SECTION 5 PG. 11 TRIGGERING PITCH VALUES WITH A MIDI KEYBOARD

SECTION 6 PG. 11 TEMPO IN DEPTH

SECTION 7 PG. 11 KNOB AUTO SCAN IN DEPTH

SECTION 8 PG. 12 PRESETS IN DEPTH

SECTION 9 PG. 13-18 MIDI CC TABLES

SECTION 10 PG. 19 FACTORY RESET

SECTION 11 PG. 19 TECHNICAL SPECIFICATIONS

SECTION 1 - FRONT PANEL CONTROLS

Micro Tune: Slightly detunes all three pitch shifted Mix: Adjusts the balance between Dry
voices and Wet signals
Alt Function: Pitch Correction and Glide Alt Function: Delay Feedback Controls
When the knob is between Min and Mid select delay feedback.
between: No Correction, Loose Correction, Strict Cor- Series delay modes: Pitch 3 sets the
Key: Selects key for diatonic harmonies. Set to rection. When knob is between Mid and Max selects feedback loop.
max for chromatic shifting amount of glide Dual delay modes: Pitch 1 and 3 both
Alt Function: Scale Type Select add to the feedback loop
(from Min to Max): Major, Minor, Melodic Minor,
Harmonic Minor, Double Harmonic,
Pitch 3: Sets interval for the third
Lydian Pentatonic, Minor Pentatonic
pitch shifted voice
Alt Function: Time Division 3 Sets a
Pitch 1: Sets interval for the first pitch shifted fraction of the main tempo for third
voice pitch shifted voice
Alt Function: Time Division 1
Sets a fraction of the main tempo for the first (Press to Select Mode)
7

pitch shifted voice

+OCT
+2 OCT
Dual: Splits the delay into 2 short
delays with a stereo output
Dual + Series: the same 2 short
delays as Dual mode,
Hold to access Alt Functions: now with cross-feedback
Alt Functions are accessible when this button is Series: One long series delay with
held standard feedback
Pitch Feedback: One long series delay
with the pitch
Tap: Sets the main tempo/delay time. Total shifters in the feedback loop
available time for the two Series
delay modes = 520 msec. For the Two Dual Bypass: Disables processing and
delay modes = 260 msec passes the input thru to the output
Alt Function: Half Speed Enables the delay to run Pitch 2 : Sets interval for the second pitch shifted Alt Function: Pitch Control Smoothing
at half speed voice Enables smoothing of the Pitch knobs.
Hold Tap: Momentarily enable an Alt Function: Time Division 2 Sets a fraction of the Turn the smoothing off
automatic volume swell based on your pick attack main tempo for second pitch shifted voice to hard step through the intervals.

1
SECTION 2 - GLOBAL SETTINGS CONFIGURATION MODE

TO START GLOBAL SETTING

INPUT MODE: LINE/SY
7

CONFIGURATION MODE
+OCT
+2 OCT

IN STER
NO EO

MO

IN
(TR
S)
7
+OCT

HOLD (L) LED switch on power up (power up takes 3 (L) LED indicates MONO (R)+2 LED
OCT
indicates TRS 7 (L)
+OCT
secs); all of the front panels LEDs will blink 3 times +2 OCT
INS
Power cycle to save setting
PRE
KILL DRY: *With DRY MUTED, the pedal delivers wet EXPRESSION AP MIDI TH

SE
T

only in active mode; in bypass, the entire pedal is muted. MODE:

T
DR
E
Y
V

7
CTI

MIDI
MU

EXP

+OCT
DRY A

TED*

+2 OCT

7
+OCT
+2 OCT
Expression Tap

4 Button Switch MIDI

(L) LED indicates (R) LED indicates (L) LED indic

DRY ACTIVE DRY MUTED

2
 LINE/SYNTH LEVEL: BYPASS MODE: MID
EL LIN SS RE
LEV E/ PA L

Y
T

AY
SY

DB
MEN

NTH

BYP
BUFFERE
INSTRU

ASS
LEVEL

7 7
+OCT +OCT

7 (L) LED
+2 OCT
indicates (R) LED indicates LINE LEVEL
+2 OCT
(L) LED indicates (R)+OCT
LED
7 indicates LE
+OCT
2 OCT
INSTRUMENT LEVEL BUFFERED BYPASS RELAY
+2 OCT BYPASS7
+OCT
+2 OCT

MIDI THRU ON: Toggle (R) foot switch GLOBAL TEMPO: Toggle (L) foot switch TRA

Trails
Glide

Trails
Glide
(L) LED indicates MIDI OUT (R) LED indicates MIDI THRU (L) LED indicates (R) LED indicates per
GLOBAL TEMPO PRESET TEMPO

3
 6
(R)+OCT
LED
7 indicates LEDs on front panel blink to indicate binary
7
RELAY BYPASS
+2 OCT
MIDI
+OCT CHANNEL:
7

n
chan el 1-16 or Om 8
+2 OCT
MIDI CHANNELS
ct
ele n
(L) foot switch TRAILS & GLIDE: 1 9

i(
s
b to

kno
b at m
Turn kno

2 10

ax)
7 3 11
+OCT
+2 OCT
4 12
Trails (OFF) Trails (OFF)
Glide (OFF) Glide 5(ON) 13

6 14
LEDs on front panel blink to indicate binary
7 15
Trails (ON) Trails (ON)
Glide (OFF) Glide (ON)
8 16
(R) LED indicates per
PRESET TEMPO
TRAILS & GLIDE: 9

10
<-- Note: This configuration control provides four different combinations
of Trails and Glide. With Trails enabled, your echoes will decay naturally
11
when the pedal is bypassed. With Glide enabled, your delay buffer is
12
not cleared during a preset change. Glide allows your echoes to remain
in the algorithm as you smoothly transition from one preset to the next.
Trails (OFF) Trails (OFF) Additionally, with Glide enabled, delay times entered with tap tempo will
Glide (OFF) Glide (ON) 13
smoothly transition.
14

15
Trails (ON) Trails (ON)
Glide (OFF) Glide (ON)
16

4
SECTION 3A - SIGNAL FLOW OVERVIEW

The Hedra features 4 distinct Delay Line Modes:

1. Series Delay + Pitch Feedback (both LEDs off):

In this mode, Hedra is configured to have one delay line (520 msec) with three inputs and one output. In this mode, the repeats
are recycled through the pitch shifters

N P UT
FEEDBACK
I

SWELL MIXER
IG N A
S

FEEDB
N P UT PITCH 1 PITCH 2 PITCH 3
FEEDBACK
I

SWELL
AC K
MIXER
IG N A
S

TIME TIME TIME

DIVISION 1 DIVISION 2 DIVISION 3
FEEDB

PITCH 1 PITCH 2 PITCH 3

UT P U
O

DELAY LINE
AC K S

IG N A
L

TIME TIME TIME

DIVISION 1 DIVISION 2 DIVISION 3

N P UT
2. Series Delay (only the Series LED on):
I

UT P U
I G NDELAY
O

A LINE
S

In this mode, Hedra is configured to have one delay line (520 msec) with three
I G Ninputs
A and one output. In this mode, the repeats
S

are mixed in after the pitch shifting.

SWELL
N P UT
I

IG N A
S

PITCH 1 PITCH 2 PITCH 3

SWELL

FEEDBACK MIXER
F E E D B AC K

TIMEPITCH 1 TIMEPITCH 2 TIMEPITCH 3

DIVISION 1 DIVISION 2 DIVISION 3

UT P U
O

DELAY LINE FEEDBACK MIXER

IG N A
S

L
F E E D B AC K

TIME TIME TIME

DIVISION 1 DIVISION 2 DIVISION 3

UT P U
O

DELAY LINE
IG N A
S

5
 3. Dual with Cross-feedback (both LEDs on): In this mode, Hedra’s memory is split into two equal stereo delay lines
(260 msec). Each delay line has two inputs and one output. Here, the
N P UT feedback is cross-fed between the left and right channels.

I
IG N A

L
N P UT

I
IG N A

L
SWELL

SWELL
PITCH 1 PITCH 2 PITCH 3

PITCH 1 PITCH 2 PITCH 3

TIME
DIVISION 2

TIME
FEEDBACK LEFT DIVISION 2 FEEDBACK RIGHT
H
K PAT
TIME B AC TIME
DIVISION 1 F EED DIVISION 3
FEEDBACK LEFT S FEEDBACK RIGHT
OS
CR
LE F T PAT
H R I GHT
TIMEDELAY LEFT CK TIME DELAY RIGHT
D BA
DIVISION 1 FEE DIVISION 3
SS
UTPU CR
O UTPU
O

T
O

LE F T R I GHT
DELAY LEFT DELAY RIGHT

UTPU N P UT UTPU
O

T
O

4. Dual Delay (only the Dual LED on): In this mode, Hedra’s memory is split into two equal stereo delay lines
I

IG N A (260 msec). Each delay line has two inputs and one output. The feed-
S

N P UT back for each delay line is independent.

I

IG N A
S

SWELL

SWELL
PITCH 1 PITCH 2 PITCH 3

PITCH 1 PITCH 2 PITCH 3

TIME
DIVISION 2

TIME
FEEDBACK LEFT DIVISION 2 FEEDBACK RIGHT
FEEDBACK PATHWAY
FEEDBACK PATHWAY

TIME TIME
DIVISION 1 DIVISION 3
FEEDBACK LEFT FEEDBACK RIGHT
FEEDBACK PATHWAY
FEEDBACK PATHWAY

LE F T R I GHT
TIMEDELAY LEFT TIME DELAY RIGHT
DIVISION 1 DIVISION 3

UTPU UTPU
O

T
O

LE F T R I GHT
DELAY LEFT DELAY RIGHT

UTPU UTPU
O

6
O

T
 UT P U

T
DELAY LINE
/4
IG N A

L
/6
SECTION 3B - KEYS AND SCALES
8

Along with the front panel Key selection available on Hedra, hold the alt button and turn the Key knob to modulate
through and select among the following scales:

HARMONIC
MELODIC MINOR
MINOR
DOUBLE
HARMONIC
HG
LI DE AMOU NT

MINOR

LYDIAN
PENTATONIC

MAJOR
MINOR
PENTATONIC

Major: Semi-tones: 2 - 2 - 1 - 2 - 2 - 2 - 1
Intervals: Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave

Minor: Semi-tones: 2 - 1 - 2 - 2 - 1 - 2 - 2
Intervals: Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Melodic Minor: Semi-tones: 2 - 1 - 2 - 2 - 2 - 2 - 1

Intervals: Root, Major 2nd, MInor 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave
Notes: When you ascend the melodic minor scale you use the above intervals, but depending on the composition, when you
descend you might want to use the intervals of the minor scale. Use an expression pedal with Hedra to choose how the scale
reacts to your playing.

Harmonic Minor: Semi-tones: 2 - 1 - 2 - 2 - 1 - 3 - 1

Intervals: Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Double Harmonic: Semi-tones: 1 - 3 - 1 - 2 - 1 - 3 - 1

Intervals: Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Lydian Pentatonic: Semi-tones: 4 - 2 - 1 - 4 - 1

Intervals: Root, Major 3rd, Tritone, Perfect 5th, Major 7th, Octave
Notes: This scale was inspired by the incredible music and playing of Marty Friedman and Jason Becker. One of the modes of the
Hirajoshi scale, Raga Amritavarshini, Malashri, Shilangi, and Batti Lydian.

Minor Pentatonic: Semi-tones: 3 - 2 - 2 - 3 - 2

Intervals: Root, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave
7
Section 4b. Tap Switch
For the Hedra, the external switch controls Tap Tempo and has all of the same functionality as the tap button on the
main pedal, this includes swell. As with the main tap switch, if you hold the externally connected tap switch it will enable the
volume swell.

Section 4c. 4 Button Preset Switch

This mode gives you access to and instant enabling of presets 1 through 4, when connected with a proprietary Meris 4
button switch.

Section 4d. MIDI

The Hedra features both MIDI In and Out via the EXP jack, and has a rich and deep MIDI implementation. All the knobs,
7
+OCT
+2 OCT

alt functions, expression pedal, and switches are available via MIDI CCs. You can receive program change messages (MIDI PCs),
sync to MIDI Beat Clock(Hedra), you also have the ability to send and receive presets. Be sure to set the your desired MIDI chan-
nel in Global Settings Configuration Mode. If you have multiple devices connected to MIDI in a chain, you will probably want each
to device to set to listen to and send on its own channel. Also, be sure to check out MIDI CC table later in this manual.

7
+OCT
+2 OCT

1 2 3 4

MIDI

MIDI IN 9V

8
 1/6 5/6

A RANGE OF 7/8
MICRO TIME

SECTION 3C - PITCH CORRECTION AND GLIDE CONTROL

DIVISIONS
1

HARMONIC
STRICT MELODIC MINOR
OFF
CORRECTION MINOR
Hedra features 3 different pitchDOUBLE
corrections settings or a

PIT
CH
pitch glide amount as listed in the knob HARMONIC
graphic below. When Loose
LOOSE

GLI DE
CORRECTION
Correction
MINORis selected, the notes are forced into the current Key and
Scale but pitch bending is not removed from the input. When Strict

AMOU N
LYDIAN
Correction is selected, the notes are forced into the current Key and
PENTATONIC
NO PITCH Scale but pitch bending is removed from the input.
CORRECTION MAX
T MAJOR
MINOR
PENTATONIC
N P UT
FEEDBACK
I

SWELL MIXER
IG N A
S

SECTION 3D - TIME DIVISION CONTROLS

FEEDB
PITCH 1 PITCH 2 PITCH 3

AC K
TIME TIME TIME
DIVISION 1 DIVISION 2 DIVISION 3
1/2
3/8 5/8

1/3 2/3
UT P U
The Alt control
LINE under each Pitch knob is a corresponding

T
DELAY
1/4 3/4
Time Division. The Time Division Knobs sets theI Gdelay
N A of each pitch
S

L
shifted voice by a fraction of the overall delay time set by the Tap
1/6 5/6
Tempo switch. Ex: a dotted eighth note is ¾ of a beat.
A RANGE OF 7/8
MICRO TIME
DIVISIONS
1

HARMONIC
STRICT MELODIC MINOR
OFF
CORRECTION MINOR
DOUBLE
PIT
CH

HARMONIC
LOOSE
GLI DE

CORRECTION MINOR
AMOU N

LYDIAN
PENTATONIC
NO PITCH
T

CORRECTION MAX MAJOR

MINOR
PENTATONIC

9
 SECTION 4 - EXPRESSION JACK MODES IN DEPTH

The Expression Pedal Jack is a

multifunction jack that gives you 4
different modes of operation that
you can choose in Global Settings
Mode: Expression Pedal, Tap Switch,
4 Button Preset Switch, and MIDI.

Section 4a. Expression Pedal

The expression pedal works by morphing between two complete settings of all of the knob values (even the second
layer knob values). This gives you two complete and distinct presets in one that you can then use the expression pedal to morph
between. Put the expression pedal to the “toe up position” and set the knobs (including the 2nd layer ones) any way you wish,
and then put the expression pedal to the “toe down position” and set the knobs to create your seconds sound. Now sweeping the
expression pedal from heel to toe will smoothly morph between those two sets of settings. You can also manipulate the expres-
sion pedal using MIDI CC #04.

When using the expression pedal, if you ever want

7
+OCT
+2 OCT

to quickly copy the “toe up” to the “toe down”

settings of the expression pedal, just unplug the
cable from the Hedra at the EXP jack and then
plug it back in. It’s a really useful shortcut so you
don’t have to manually recreate your sound if all
you want the expression pedal to change is just
one parameter.

7
+OCT
+2 OCT

7
+OCT
+2 OCT

2 3 4

MIDI

9V

10

7
+OCT
+2 OCT
SECTION 5 - TRIGGERING PITCH VALUES WITH A MIDI KEYBOARD

Using our MIDI I/O, Hedra accepts MIDI Note On and Off messages to hard tune the pitch shift voices to the exact notes
you play. Sending a single Note On Message into the Hedra will just tune the Pitch 1 value, sending two Note On Messages
will tune Pitch 1 and Pitch 2, and (as expected) sending three Note On Messages will tune all three pitch values. When Note Off
messages are received, the corresponding pitch value will mute. Here are a couple of creative possibilities that open up when
connecting a keyboard: turn Time Divisions to zero and the MIX Knob to max and the keyboard will turn your input audio into a
whole new playable instrument, use a DAW or MIDI Sequencer to play a 3 part song along with your dry signal, or turn the delay
and feedback to max and use a MIDI note triggering foot controller to build sonic sculptures one note at a time.

SECTION 6 - TEMPO IN DEPTH

In the Hedra you can set the tempo using one of the following tapping in quarter notes using the integrated Tap switch,
External Tap switch, MIDI Beat Clock, Tempo MIDI CC, or Tap Switch MIDI CC.
Depending on the Delay Mode, different maximum delay times are available. In the two Series Delay Modes, 520 milliseconds is
available. In the two Dual Delay Modes, 260 millisecond is available. Whenever a tempo / delay time is entered that exceeds
the maximum time, Hedra will subdivide the tempo to fit the available time. For example, if you enter in a delay time of 1 second
with Hedra’s tap tempo button, then Hedra will divide the tempo in half (500 milliseconds) to fit.

SECTION 7 - KNOB AUTO SCAN IN DEPTH

Depending on the EXP Jack modes you have chosen, the Hedra will scan the top layer knobs and update the knobs on
power up. If your Hedra is set to either “Expression Pedal” or “Tap Switch” for its EXP mode, then it will scan the knobs at power
up. This means if you change the knobs whether the unit is off, those values will be how the pedal sounds next time you turn
the pedal is on. Additionally, the Tempo and the Delay Mode are auto saved and return to whatever they were set to last when
powering up the pedal. These behaviors are meant to mimic the behavior of how all classic guitar pedals work. If your Hedra is
set to either “4 Button Preset Switch” or “MIDI” for its EXP jack mode, then the pedal will simply recall the preset that is stored
in the current memory location. This setting makes sure that the Hedra functions like a standard multi-preset device, for those
who depend on recalling exact sounds for a performance.

11
SECTION 8 - PRESET IN DEPTH

The Hedra features 16 internal preset locations. The first four presets are accessible by a compatible 4 button footswitch
and all sixteen presets are accessible by MIDI Program Change messages. To save a preset simply hold the Alt button. The
preset is saved every time you edit the “Alt”/2nd layer knobs, this is how the Hedra is able to keep your sequencer step settings
in its memory after a power down. To save a preset to a different location than your current location, either press the desired
preset button on a compatible 4 button footswitch or send a Program Change message over MIDI to which ever preset you would
like to edit. After you are done with any changes, just press and hold the “Alt” button to save. The Hedra can send and receive
full presets for via MIDI Sysex Data. To send a preset from the Hedra to your computer by pressing the Bypass LED switch while
holding the Alt button. The Hedra is always listening for preset data, so simply send any presets you have backed up on your
PC back to the Hedra and it will overwrite that preset with the data you sent. If you are happy with the newly received preset,
simply press Alt and the Hedra will save that data to the current preset location.

***For MIDI preset users, all Meris pedals with a barcode serial number affixed to the back of the unit and packaging
include a way to change ALT parameters without auto-saving the current sound. You can now access the Alt parameters w/o
auto-saving by holding the Right LED/button while turning a knob. If your pedal has a barcode above the serial number (located
on the unit and packaging), your unit includes this feature.

12
SECTION 9 - MIDI CC TABLE
control change hedra control receive value range transmit value range
CC# 04 expression pedal 0 to 127 0 to 127
CC# 09 half speed enable 0 to 63 = normal speed 0 to 63 = normal speed
64 to 127 = half speed 64 = half speed
CC# 14 bypass 0 to 63 = fx bypass 0 for fx bypass
64 to 127 = fx enable 127 for fx enable
CC# 15 tempo (10 msec intervals) 0 to 127 0 to 127
CC# 16 key 0 to 127 0 to 127
CC# 17 micro tune 0 to 127 0 to 127
CC# 18 mix 0 to 127 0 to 127
CC# 19 pitch 1 0 to 127 0 to 127
CC# 20 pitch 2 0 to 127 0 to 127
CC# 21 pitch 3 0 to 127 0 to 127
CC# 22 scale type 0 to 127 0 to 127
CC# 23 pitch correction + glide 0 to 127 0 to 127
CC# 24 feedback 0 to 127 0 to 127
CC# 25 time division 1 0 to 127 0 to 127
CC# 26 time division 2 0 to 127 0 to 127
CC# 27 time division 3 0 to 127 0 to 127
CC# 28 tap 127 = tap press 127 = tap press
CC# 29 delay mode 0 - 31 = series + pitch fdbk 0 = series + pitch fdbk
32 - 63 = series 63 = series
64 - 95 = dual + cross fdbk 95 = dual + cross fdbk
96 - 127 = dual 127 = dual
CC# 30 pitch control smoothing 0 - 63 = smoothing off 0 = smoothing off
64 - 127 = smoothing on 127 = smoothing on
CC# 31 volume swell enable 0 - 63 = swell off 0 = swell off
64 - 127 = swell on 127 = swell on
13
CHROMATIC PITCH KNOBS
interval half step cc
off 0 0
two octaves down -24 1-2
one octave down -12 3-11
maj7 down -11 12-15
min7 down -10 16-19
maj6 down -9 20-23
min6 down -8 24-27
p5 down -7 28-31
aug4/dim5 down -6 32-35
p4 down -5 36-39
maj3 down -4 40-43
min3 down -3 44-47
maj2 down -2 48-51
min2 down -1 52-55
unison 0 56-71
min2 up +1 72-75
maj3 up +2 76-79
min3 up +3 80-83
maj3 up +4 84-87
p4 up +5 88-91

aug4/dim5 up +6 92-95

14
p5 up +7 96-99

min6 up +8 100-103

maj6 up +9 104-107

min7 up +10 108-111

maj7 up +11 112-115

octave up +12 116-123

octave+fifth +19 124-125

two octaves up +24 126-127

SCALE TYPE
scale steps cc
major 7 0-11
minor 7 12-37
melodic minor 7 38-58
harmonic minor 7 59-78
double harmonic minor 7 79-97
lydian pentatonic 5 98-119
minor pentatonic 5 120-127

15
DIATONIC PITCH KNOBS
scale degree half-steps cc
off based on scale 0
-2 octaves 1-7
-1 octave 8-11
-7 12-19
-6 20-27
-5 28-35
-4 36-43
-3 44-51
-2 52-59
unison 60-67
+2 68-75
+3 76-83
+4 84-91
+5 92-99
+6 100-107
+7 108-115
+1 octave 116-119
+2 octaves 120-127

16
PENTATONIC PITCH KNOBS
scale degree half-steps cc
off based on scale 0
-2 octaves 1-19
-1 octave 20-27
-5 28-35
-4 36-43
-3 44-51
-2 52-59
unison 60-67
2 68-75
3 76-83
4 84-91
5 92-99
+1 octave 100-107
+2 octaves 108-127

17
TIME DIVISIONS KEY
time division rhythmic value cc key cc
off 0 0 C 0-2
micro range range of short values 1-14 D 3-11
1/6 16th note triplets 15-25 D 12-25
1-4 16th note 26-36 E 26-37
1/3 8th note triplet 37-47 E 38-47
3/8 dotted 16th note 48-58 F 48-58
1/2 8th note 59-69 G 59-66
5/8 dotted 16th note tied to 70-80 G 67-77
16th note
A 78-87
2/3 8th note triplet tied to 81-91
an 8th note triplet A 88-97
3/4 dotted 8th note 92-102
B 98-108
5/6 8th note tied to two 103-113
B 109-119
16th note triplets
7/8 double dotted 8th note 114-124 chromatic 120-127
1 quarter note 125-127

18
SECTION 10 - FACTORY RESET

Holding down the “Delay Mode” button (or R LED button) on power up resets all of the presets and all of the global set-
tings back to their original factory values. Once the reset is complete, simply recycle the power on the unit.

SECTION 11 - TECHNICAL SPECIFICATIONS

Conversion 24 bit A/D and D/A

DSP 32 bit floating point
Sample Rate 48000 Hz
Input Impedance 1 Meg Ohm
SNR 115dB
Frequency Response 20Hz-20kHz
Max Input Level +9 dBu (instrument level setting)
+12.5 dBu (line/synth level setting)
Power 9V DC center-negative, 150mA, 2.1mm jack
Bypass Selectable True Bypass (Relay) or Analog Buffered Bypass
Dimensions 4.25” wide, 4.5” long, 2” tall
Weight 14.6 ounces

Federal Communications Commission Radio Frequency Interference Statement

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference
in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications.
However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment
off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

—Reorient or relocate the receiving antenna.

—Increase the separation between the equipment and receiver.
—Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
—Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including
interference that may cause undesired operation.

This equipment requires shielded interface cables in order to meet FCC class B limit.
Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment.

19