A Clean Well Lighted Place
A Clean Well Lighted Place
Lighted Place
Study Guide by Course Hero
d In Context ..................................................................................................... 1
in the aftermath of World War I—a war that brought unmatched greatly from the way World War I was fought. The technology
death and devastation upon the world. of war underwent an overhaul one could hardly have dreamed
of a century earlier. With these advancements in technology
came an even greater capacity for death and destruction due
Existential Nihilism to the invention of machine guns, poisonous gases, tanks, and
airplanes. The psychological toll the war took on soldiers and
civilians mirrored the magnitude of the physical toll it took, and
Existential nihilism is an analysis of existence based on the
the generation that survived the war came to be known as the
theory that life is meaningless and the world does not
"Lost Generation." They were described as such not only
necessarily have a moral order. As a branch of philosophy,
because of the large number of young men who perished but
existential nihilism began in the 20th century as a way to
because those who survived faced a sense of alienation and
explore how humanity experiences and understands the
disillusionment little described by previous generations.
condition of being human. It examines issues such as how free
will and personal choice affect one's sense of meaning in life. Hemingway worked as an ambulance driver in France during
Many literary critics view "A Clean, Well-Lighted Place" as a World War I, and he saw first-hand the devastating effects of
story that illustrates existential nihilism, as voiced by the two war technology. A number of Americans stayed in Paris after
waiters who argue about whether the old man's life has the war ended, including Hemingway and other writers and
meaning or whether he should have succeeded in killing artists who would become highly influential as modernists as
himself. The characters of the old man and the older waiter they established their literary and artistic reputations. This
seem to be contending with a kind of existential nihilistic group was also dubbed the "Lost Generation" by American
depression, staved off by the brightness and orderliness of the writer Gertrude Stein (1874–1946) and included members such
café, but hovering around the edges of the night. The older as short story writer and novelist F. Scott Fitzgerald
waiter must contend with it once again when he goes home, (1896–1940) and poet Ezra Pound (1885–1972). In
where he cannot sleep. Hemingway's 1954 book A Moveable Feast, he details how
Stein heard the term used by a garage owner in France who
French philosopher Jean-Paul Sartre (1905–80) believed that
referred to the younger generation as "Une Génération Perdue"
since life is ultimately meaningless, one can only strive for
while scolding an employee, a World War I veteran, who hadn't
dignity as a means for creating a sense of order. Such dignity
fixed Stein's car properly. These writers, and many of their
can act as a salve for the despair that comes with viewing the
characters, share certain characteristics: pleasure-seeking,
world as meaningless. The character of the older waiter does
rejection of traditional morality, search for meaning through
not seem to believe there is anything governing him or the
creativity, and transformation as a result of the war.
universe. Instead, he sees much of living (and dying) as
"nothing," or "nada" in Spanish. Because the older waiter and
the old man accept that both life and death are meaningless,
they conclude that all one can do is establish comfort and The Great Depression
dignity where one finds it. The older waiter attempts to define
whether he feels fear or dread over this condition, but he "A Clean, Well-Lighted Place" takes place during the Great
concludes his feeling is uneasiness or anxiety. Depression (1929–39). It was the longest economic depression
ever to take place in the Western world, resulting in high
unemployment rates and economic deflation. The causes of
the Great Depression had to do with financial panic—beginning
with the American stock market crash of 1929—and the
government's response to it. Even though Hemingway lived in
Europe and the characters in the story are European, the writers commented on the insecurities and lack of direction in
effects of the Great Depression rippled outward, causing a a world that seemed to have lost all meaning after the brutality
generation to question the value of hard work and money. of the war. Stein famously referred to this group as the "Lost
Generation" after the disillusionment felt as a result of the
Hemingway began writing "A Clean, Well-Lighted Place" in atrocities of World War I. Hemingway was often included in this
1926 before the Great Depression had begun. The story was so-called generation, but he remained fiercely independent of
finally published in 1933. Therefore, the discussion of money it. In 1923 when the Hemingways learned Hadley was pregnant,
and work in the story seem weighted toward the question of they moved temporarily to Toronto, Canada (believing the
their value—the old man attempts suicide despite having hospitals were better there). Already employed by the Toronto
money, which the younger waiter finds unfathomable. Star, Hemingway continued his work as a foreign
correspondent.
a Author Biography
Midcareer: World Travel and
Beginnings: Journalism and Rise to Fame
World War I Soon after the 1927 publication of The Sun Also Rises, a novel
heavily drawn on what Hemingway learned about bullfighting
during frequent trips to Spain, he and Richardson divorced. He
Ernest Hemingway was born in Oak Park, Illinois, on July 21,
married Pauline Pfeiffer later that year and returned to the
1899. In his career as a journalist he often covered wartime
United States to live in Key West, Florida. In 1928 their son
battlefronts. As a novelist he is acclaimed for works such as
Patrick was born, followed by another son, Gregory, in 1931.
The Sun Also Rises (1926), A Farewell to Arms (1929), For
During this marriage Hemingway published A Farewell to Arms,
Whom the Bell Tolls (1940), and The Old Man and the Sea
a novel about World War I.
(1952—for which he received the 1953 Pulitzer Prize for
Fiction). A year later he won the 1954 Nobel Prize in Literature. In the 1930s Hemingway engaged in adventurous outdoor
activities such as hunting in Africa, bullfighting in Spain, and
While still a teenager, Hemingway began his writing career as a
deep-sea fishing in the Gulf of Mexico. Always drawn to the
reporter for The Kansas City Star. Rather than go to college, he
sea, Hemingway bought a boat, the Pilar, in 1934. He equipped
volunteered for the American Red Cross in 1918 as an
it to catch big fish and traveled extensively around the
ambulance driver during World War I (1914–18). After being
Caribbean, gathering the experiences he would later use in his
severely injured in Italy in a noncombat role, he returned to the
novella The Old Man and the Sea.
United States and stayed at his family's home in Michigan to
recover and plan a return to his life as a writer.
Younger waiter
Death and Enduring Legacy The younger waiter shows little interest in the old man's life or
struggles. He pays little attention or respect to the older
Hemingway sustained many injuries (automobile, hunting,
waiter's argument as to the necessity of keeping their café
airplane, and household accidents) throughout his lifetime of
open late for those who need it. He seems unable to
adventures. He was a heavy drinker who suffered from
understand the concept of loneliness that the older waiter
depression and several chronic ailments, among them liver
describes. He is preoccupied with his own interests and
disease and hypertension (high blood pressure). When
concerns—chiefly, going home to his wife. The younger waiter
Hemingway and his fourth wife moved to Ketchum, Idaho, after
can't quite grasp that he, too, will be older and lonelier
buying a house in 1959, his mental health continued to
someday, and therefore dismisses the older waiter's argument.
deteriorate. On July 2, 1961, Hemingway committed suicide, like
He reveals himself to be insensitive when he claims the old
his father, sister, and brother before him.
man would have been better off killing himself. He also shows
this insensitivity when he shudders at the idea of being that old
A Moveable Feast, Hemingway's fictionalized memoir of his
and when he describes being an older man to his older
early years in Paris, was published in 1964 and is considered a
coworker as "a nasty thing." He doesn't recognize the luck
valuable addition to the Hemingway canon. His simple,
bestowed on him by his youth.
rhythmic prose style in it and many other works is one of the
20th century's most widely imitated styles by writers who
followed. Many critics and readers in the United States and
abroad consider him among the century's best authors. Old man
The old man comes to the café at night to sit in the shadow of
the trees made by the electric lights. Being deaf, he enjoys
sitting like this because he finds the quiet of the night relaxing.
Most of what the reader learns about the old man is through
the dialogue between the two waiters. A week earlier, the old
man attempted suicide, but he was saved by his niece who "cut
him down." Because the old man has "plenty of money," the
older waiter believes the suicide attempt was over "nothing." In
other words, the older waiter blames the incident on the old
man's despair about the meaninglessness or nothingness of
life. he drinks with the purpose of getting drunk, the older
waiter points out the dignified manner in which the old man
does so. He "drinks without spilling," and when he departs the
café his steps may be unsteady, but he walks down the street
with dignity.
Barman
The barman is annoyed by the older waiter and does not
engage in conversation.
Character Map
Younger waiter
Impatient, insensitive man;
wants to get home
Coworkers
Older waiter
Sympathetic man;
fears meaninglessness
Waiter
Patron
Main Character
Minor Character
The old man asks for another brandy, and the younger waiter,
k Plot Summary who is in a hurry to go home, tells him they are closed. The old
man pays for his drinks and leaves. The older unhurried waiter
asks why the younger waiter does not let him stay and drink,
since they are not actually closed yet. The younger hurried
A Deaf Old Man waiter says it is because he wants to go home to bed. They
argue about the difference an hour makes for themselves
It is late at night, and the only customer left at the café is a versus the old man. The older waiter argues that the younger
deaf old man who sits outside. He likes to stay late because it waiter has "youth, confidence, and a job,"—in essence, he has
is quiet and he can feel the difference in sound. The two "everything." The younger waiter asks the older waiter what it
waiters inside keep a close eye on him, for if he drinks too is he lacks, and he responds, "Everything but work," since he is
much, he will forget to pay. The older waiter informs the other not confident and young like the other waiter. He says he likes
that last week the old man tried to commit suicide because he to stay late at the café, "with all those who need a light for the
"was in despair." When the younger waiter asks about the night." He believes he and the younger waiter are "of two
cause of the old man's despair, the older waiter says it was different kinds." It is not necessarily about youth or confidence
over nothing, which he has deduced because the old man has but about the fact that every night he is "reluctant to close up
plenty of money. because there may be someone who needs the café." The
younger waiter points out "there are bodegas open all night
The two waiters sit at a table near the door and observe a girl long," but the older waiter argues that their café is clean,
and a soldier walk down the street. The older waiter notes "the pleasant, and well-lighted.
guard will pick [the soldier] up," and he had better get off the
street. The old man taps his glass and asks for more brandy.
The younger waiter warns the old man that he will be drunk,
but obliges. He tells the older waiter the old man should have
barman "the light is very bright and pleasant but the bar is story, repeating images such as "the shadows on the leaves"
unpolished." The barman does not respond but offers another and the words clean, pleasant, and well-lit. The older waiter
drink, which the waiter declines because he dislikes bars and most frequently utters these descriptions, and they seem to be
bodegas. He prefers a clean, well-lighted café. He decides to an antidote for the darkness of the night, which he equates
go home and imagines falling asleep with the daylight, with a kind of despair and anxiety over an existential nihilistic
Narrative Intent
The story is narrated by a third person omniscient narrator,
who merely reports the setting, dialogue, and inner thoughts of
the characters without emotion or judgment. It is within the
thoughts of the older waiter where the theme of the story
unfolds. Outwardly, he appears to be a middle-aged waiter
amused at the impatience of his younger coworker. But
internally he reveals the existential nihilistic dread he feels at
the "nothingness" of the night and at his own mortality, a dread
only alleviated by a "clean, well-lighted" place like the café. The
narration also reveals the older waiter's attempts to convince
himself that perhaps this pervasive dread is simply insomnia,
an affliction "many must have." The narration of the story is
less concerned with depicting a traditional plot structure than
with allowing readers to glimpse nameless characters in a
nameless café. By neglecting anything overly personal or
characteristic, the story is stripped down to its philosophical
questions.
Plot Diagram
Climax
2 7
1
Resolution
Introduction
Falling Action
Introduction
6. The older waiter goes to a well-lit, but dirty bar.
1. An old man drinks at a table in front of a café at night.
Resolution
Rising Action
7. Going home, the older waiter tries to sleep.
2. The older waiter reveals the old man attempted suicide.
Climax
Timeline of Events
Late at night
1:30 a.m.
Immediately after
Afterward
The younger waiter leaves the café, and the older waiter
turns off the electric light.
Soon after
Soon after
Immediately after
The older waiter feels the bar is well-lit, but not clean,
and decides to leave.
Later
Daylight
"He was in despair." "With all those who need a light for
— Older waiter
the night."
— Older waiter
Here the older waiter answers the younger waiter's question
as to why the old man tries to commit suicide. He goes on to
say the old man's despair is about "nothing," since the old man Here the older waiter distinguishes himself further from the
has plenty of money. The ideas of despair and nothingness younger waiter and aligns himself with people like the old
occur throughout the story, and here the older waiter's man—people who need a light for the night in order to stave off
response shows that he feels he understands why the old man despair and loneliness. For the older waiter, the café and other
would try to commit suicide over "nothing"—it is nothingness places like it represent order and safety during the questioning
that causes despair. night. His work there brings him a sense of purpose that
distracts him from thoughts about the kind of "nothing" that
brings the old man such despair.
— Younger waiter
Hemingway does not distinguish between the ages of the
waiters until later in the story, and their conversation about the
old man allows the reader to locate the source of friction The younger waiter utters this sentiment to the deaf old man,
between the two of them. When the younger waiter acts who cannot hear him. Regardless, it shows how little
dismissively and cruelly toward the old man, he reveals he compassion and understanding the younger waiter has for the
cannot understand the old man's plight of "nothing" that old man, whose despair is alleviated by having a place like the
brought him such despair because of his own youth. He does café to go to at night. Instead, he is impatient and annoyed
not realize that someday, he will be an old man, too. because the old man will not leave.
"You have youth, confidence, and "He's lonely. I'm not lonely. I have a
a job ... You have everything." wife waiting in bed for me."
The older waiter says this in response to the younger waiter's The younger waiter understands the old man is lonely—the
claim that he is "all confidence." The older waiter points out older waiter points out that the old man probably had a wife
that youth and confidence may go hand in hand, and that once, too. Yet the younger waiter seemingly has no
confidence may be the quality that allows the younger waiter compassion for the old man, only caring about his own life and
to ignore or reject the "nothing" that the older waiter and the worries rather than a lonely old man who tried to commit
old man sense is waiting for them. The younger waiter is suicide. Here Ernest Hemingway points out the invincibility of
youth—until one suddenly finds himself old and fending off the Here the older waiter attempts to tell the younger waiter why
"nothing." they differ on wanting to leave early or keep the café open late.
The older waiter seems to understand people like the old man
who need the café in the way he is attempting to describe. The
"He did not wish to be unjust. He younger waiter can't grasp the concept of someone needing a
place like the café at night. But the older waiter understands
was only in a hurry." the café is a refuge for some against the feelings of dread and
despair that come at night.
— Narrator
The narrator offers a rare glimpse into the younger waiter's "You do not understand. This is a
mind, who comes off as uncaring and brash in the way he clean and pleasant café. It is well
treats the old man. Yet the younger waiter isn't trying to be
intentionally cruel or unjust, he just wants to put his own lighted."
concerns first—namely, closing the café so he can get home to
his wife. Since the waiter is young and hasn't yet experienced — Older waiter
the loneliness or "nada" that comes with getting older, he can't
understand the older waiter's or the old man's perspective on
The younger waiter points out that the café is not necessary at
life. If anything, he is repulsed by it and rejects it.
night because there are bodegas open all night long. The older
waiter argues that the younger waiter does not understand
that the café is not like bodegas since it is clean, pleasant, and
"We are of two different kinds." well-lit. A bodega or a bar is dark and loud, but a café provides
a bright light to counteract the darkness that is both literal and
— Older waiter metaphorical, such as the darkness the old man feels that
drives him to attempt suicide.
offers a glimpse into why the night is harder for the older
pues."
waiter—he can't sleep and so must lie awake with his thoughts
until morning.
— Narrator
Here the older waiter ponders how other people consider the "After all, he said to himself, it's
"nothing" he speaks about, and he comes to the conclusion
that although some live inside this meaninglessness, they don't
probably only insomnia. Many
feel its full gravity or care to understand the root of the feeling. must have it."
The older waiter slips into Spanish when he thinks he knows it
is all "nada y pues," or "nothing and then [nothing]." The waiter
— Narrator
shows his own understanding of this lack of meaning and its
implications on his life.
The older waiter tries to tell himself that all his feelings of
nothingness and his inability to sleep must just be insomnia. He
"Our nada who art in nada, nada tries to reassure himself that many people must have the same
condition, so that he doesn't feel so alone. This connection to
be thy name thy kingdom nada thy humanity seems to give him some solace that other rationales
cannot provide.
will be nada."
— Narrator
l Symbols
The older waiter continues his stream of consciousness about
the "nothing" or "nada" he knows too well. Here he recites the
Lord's prayer, but he replaces every few words with the
Spanish word "nada." The effect of this replacement
The Café
demonstrates that the older waiter finds this sense of nothing
so pervasive, not even religion can provide solace or
distraction—it is just as meaningless as everything else. By The café represents something different to the old man, the
contrast, the older waiter finds the clean, well-lit café a refuge older waiter, and the younger waiter. For the old man and the
against this sense of nothingness. older waiter, the café represents order, refuge, and a place to
distract them from the emptiness of the night. For the younger
waiter, the café is a place to leave as quickly as possible after
"He would lie in the bed and finally, his work is done, and he seems to find the fact that the old
man and the older waiter find comfort in it repulsive. The older
with daylight, he would go to waiter tries in vain to explain why the existence of the café is
so important to people like himself and the old man—it
sleep."
provides a clean, well-lit place in opposition to the nothingness
of despair.
— Narrator
The title of the story refers to the café—it describes the
qualities the older waiter believes are essential to a place that
The older waiter goes to a bar after the café closes and
stays open at night, differentiating it from bars and bodegas.
complains to the barman that the bar is unpolished and gets no
The cleanliness and light represent an antidote to the dark
response. He remembers why he dislikes bars and bodegas
night, which is when the older waiter senses "nada" the
and why places like the café are so important. He decides to
strongest. For both the old man and the older waiter, the café
go home and knows he won't fall asleep until daylight. This
symbolizes a brief escape from the "nada" or nothingness the story, beginning when the younger waiter asks the older waiter
older waiter describes. why the old man attempts suicide. The older waiter says it was
over "nothing." The older waiter understands the old man's
despair over "nothing," in a way the younger waiter does not,
due to his own experience. The old man is alienated from
The Lord's Prayer others even as he continues to frequent the café. The older
waiter tries to explain to the younger waiter why a "clean, well-
lighted" place like the café is necessary to offset this
The older waiter recites the Lord's Prayer to himself, replacing loneliness. To him, this sense of order in the café is the only
various nouns and verbs with the Spanish word nada, which antidote to the crisis is existential nihilism. The only meaning
means "nothing." By reciting it in this way, he mocks the notion the old man has left is his dignity (he doesn't spill his drink,
that religion can provide meaning and comfort—instead, he even when drunk), and the older waiter only finds meaning by
finds this meaning and comfort in being able to frequent a working at the café, which provides those like himself with
"clean, well-lighted" place at night to stave off loneliness, respite from their anxieties. Therefore, both of them cling to
insomnia, and thoughts of his own morality. Because he the ritual and location as an anchor to the meaninglessness
believes there is "nothing," or no larger purpose to life, he may they feel.
as well take comfort where he can. In this way, he understands
why the old man continues to come to the café to drink at night
after his failed attempt at suicide. The recitation of the
modified Lord's Prayer reflects the upheaval in religious belief
Youth versus Age
that began around the end of the 19th century, when
philosophers began to scrutinize the influence of industrialism
and science on spiritual belief. By having the older waiter mock The reader is introduced to the theme of age with the
the Lord's Prayer, Hemingway criticizes the notion that religion character of the deaf, drunk, old man when it is revealed he
provides solace and comfort against feelings of dread and tried committing suicide. The two waiters, whose age
futility. difference is not revealed until later, discuss the old man's
suicide attempt, with the younger waiter asking why the old
man attempted suicide—pointing out the old man has "plenty of
money," and the older waiter saying it was over "nothing."
m Themes
The younger waiter's attitude reveals he can only make sense
of the old man's despair in monetary terms, while the older
waiter recognizes the larger issue at play, one he himself is
Meaninglessness and familiar with. He may not be as old as the old man, but he
recognizes the trajectory of loneliness. The fact that the older
Loneliness waiter recognizes something of himself in the old man and
demonstrates compassion suggests that age brings
wisdom—youth does not last forever and loneliness and the
The older waiter repeats the Spanish word nada meaning search for meaning are constant in old age once the things the
"nothing" while reciting the Lord's Prayer. This change reflects aged have relied on (religion, money, or marriage) have
the older waiter's thought that religious belief and prayers do disappeared.
The concern over meaninglessness is woven throughout the lives have passed them by. The younger waiter brags that he is