*

e.
Full-featured, fully automated,
and fully compatible, it's the
Yamaha O3D Digital Mixing Console.
I
f you’re ready for a compact, comfortably priced,
full-featured digital mixer one especially made for professional project and
post production studios relying on modular digital multitrack recorders such as
TASCAM, ADAT, AES/EBU and YAMAHA digital formats then you’re ready
for the 03D Digital Mixing Console. Nestled between the popular ProMix
01 famed for bringing affordable digital mixing to the
masses and the award-winning, industry-
standard 02R Digital Recording
Console revered for defining a new age
in cost-effective professional digital
mixing the rackmountable 03D is a self-
contained, 26-input/18-output fully-
automated digital mixing console in its
own right, destined to set new standards
of its own. The 03D features an intuitive
user interface, ease of operation and a long
list of essential professional engineer’s
tools including fast 32-bit internal digital
audio processing, versatile analog and digital
I/O configuration with 20-bit ADs and DAs, 32-bit
onboard multi-effects processors with freeze
(sampling) and guitar amp simulation effects,
motorized faders, fader and mute grouping, surround
sound mixing, scene snapshot memories, onboard
automation, MIDI remote capabilities, plus convenient
cascading options which make it the ideal companion for
an 02R or another 03D.

Options
CD8-TDII CD8-AT CD8-AE-S CD8-CS KIT

Options Model Connector Options Model

TASCAM CD8-TDII D-sub 25pinx1 Rack Ear RK124
ADAT CD8-AT OPTICALx2
I/O Interface Card
AES/EBU CD8-AE-S D-sub 25pinx1
YAMAHA CD8-Y D-sub 25pinx1
Digital Cascade Kit* CD8-CS KIT D-sub 25pinx1
*...2xDigital Cascade Card, 1xD-sub Cascade Cable
 +48V
-16 -60
GAIN

25dB Streamlined but

naturally intuitive, the
03D provides instant
ATT
access to and easy
manipulation of
MIX.LEVEL FB.GAIN parameters via onboard
controls or a PC-
TIME compatible mouse
ON TYPE
(optional), plus a large,
backlit 320 x 240 dot
fluorescent graphical
THR RANGE
display. Four user-
defined switches are
ATK DECAY
ideal for controlling
external multitrack
HOLD
recorders via MMC
(MIDI Machine Control).
ON TYPE

20 F 20k

-18 +18 LPF

GAIN

20 F 20k

-18 +18
GAIN

of Q

20 F 20k

-18 +18
GAIN

20 F 20k

-18 +18 HPF

GAIN

EQ ON FLAT

PRE

ST

PRE

PRE Balanced analog inputs

ST and outputs, individual
PRE
phantom power
switches on channels
PRE
1-8, stereo AES/EBU
er and coaxial digital
PRE
inputs and outputs, TO
PAN
C
ROUTING
HOST and MIDI
terminals, YGDAI
L R
S
T D (Yamaha General
ODD EVEN
Digital Audio Interface)
ON
slot and more make the
- 03D suitable for
,
10
virtually any
5
professional mixing
0
application. Direct
5 METER

A
connection of a PC-
10

15
B compatible mouse
C

20 D
(available separately)
25
FADER permits even quicker
E

30 F The 03D provides all the familiar features of a traditional navigation and
40
G
analog mixer channel strip, plus the digital convenience parameter editing.
H
5
60
MUTE and flexibility of scene storage and recall, EQ, dynamics,
00
channel and effects libraries, full onboard automation, and
PAIR much more.
26-inputs and 18-outputs with highly flexible digital I/O 2
The 03D’s flexible configuration of analog and digital inputs and out- Coaxial and AES/EBU stereo digital I/O connectors permit direct con- T
puts makes it suitable for a wide range of professional mixing applica- nection to DAT recorders and other compatible digital devices. The th
tions. Included are 24 input channels and a fully-featured stereo in- stereo digital input signals can be routed to the stereo bus for submix- a
put for a total of 26 inputs plus 4 bus outputs, 4 auxiliary (and 2 in- ing, or to the stereo input channel for mixing and processing. The num- 6
ternal) effect sends, a main stereo mix bus and a solo bus. Stereo digi- ber of inputs can be v
tal inputs and outputs, plus 8 digital inputs and outputs (optional, via increased by digitally e
a YGDAI slot), provide a total of 10 digital inputs and 10 digital out- cascading two 03Ds p
puts. together, with both o
sharing bus, aux, ster- c
Input channels 1-8 have mic preamps, XLR and balanced stereo 1/4" eo, and solo busses. a
phone connectors, and individual phantom power switches, and can The 03D can also be (s
accept input levels from -60dB to +10dB. Inputs 9-16 feature balanced digitally cascaded s
stereo 1/4" connectors and support line level signals between -20 and with an 02R. p
+10dB. All 16 channel inputs feature input gain controls with 30 de- In
tents for precise and repeatable setting. Channels 1 and 2 include ana- m
log inserts for connecting external dynamics processors. Aux sends 9
and bus outputs can be paired together for stereo operation and can be
routed to the control room monitors for cue mixes, with onboard ef-
fects returns included. The four bus and four aux send signals are out- METER screen pages display all channel, stereo in and
effect 1 and 2 input levels visually, as well as aux and
put via balanced stereo 1/4" connectors. bus output levels.

5
Maximum compatibility through YGDAI open system M
2
The 03D’s YGDAI (Yamaha General Digital Audio c
Interface) slot which accepts the same single-size ti
YGDAI cards as the 02R provides 8 digital inputs
and 8 digital outputs for direct digital connection to
all major modular digital multitrack recorders (in-
cluding Alesis ADAT, Tascam DA88 and DA38),
disk-based recording systems, and AES/EBU and M
Yamaha format systems.
T
The YGDAI digital outputs can be configured as ti
bus outs, aux sends, direct outs, or stereo outs so b
although the 03D is essentially a four-bus mixer, s
you can assign the four busses and four aux sends d
to the YGDAI slot’s eight outputs to achieve eight- The Digital In Setup screen permits easy setting and The Digital Out Setup screen permits easy setting and s
confirmation of word clock source, stereo input confirmation of YGDAI output assignments, bus channel
track simultaneous recording. assignment and monitoring word clock locking status. direct, aux and stereo output. m
th
th
c
Individual channel PEQ and dynamics processors e
o
m
The 03D features an uncompromising array of onboard parametric copied between channels via the equalizer library. The EQ library’s col-
p
EQs and dynamics and effects processors, with signal processing per- lection of 40 preset EQ programs include specific settings which can be
in
formed by Yamaha’s custom 32-bit DSP chips same as in the applied to everything from acoustic and electronic instruments to per-
w
02R and available parameters selected in collaboration with professio- cussion to vocals. Including the 40 memories for storing your own EQ
A
nal sound engineers. Comprehensive libraries of preset EQ and dy- settings, a total of 80 EQ programs are available.
namics settings provide a great place to start or for reference, and plen-
ty of user programs are available to store your own. 40 four-band para- The onboard dynamics processors include compressor, expander, gate,
metric EQs and 40 dynamics processors are available for all 26 individ- ducker and compander functions, and a total of 80 dynamics memo-
ual channel inputs, the 2 onboard stereo effects returns, the 4 bus out- ries. Any input channel (1-24 or stereo input) can be used as a key trig- C
puts, 4 aux sends, and main stereo outputs. ger, and AUX 1 or AUX 2 can be used as a key-in signal for any chan-
nel. The dynamics li- A
Each EQ band has a brary’s collection of u
range from 20 Hz to 40 preset dynamics 0
20kHz which can be programs include set- b
adjusted in 1/12 oc- tings appropriate for p
tave steps and a 0.1-10 the mixing of strings, m
Q range. High and low brass sections, sam- a
EQ bands can be con- pled percussion, vo- o
figured as shelving or cals and more, and th
peaking, with the high 40 user dynamics pro- a
band capable of being grams are available M
configured as LPF, and for storing your own. s
the low band as HPF. ti
EQ gain settings range m
from -18 to +18dB. EQ The four-band EQ features a "quick-draw" graphic EQ The 03D allows fine-tuning of all dynamics parameters,
curve, providing the engineer with a clear and visual complete with gain reduction metering and a graphic
settings can also be image of the channel EQ. curve for visual monitoring of applied processing.
 2 effects processors with Freeze and Amp Simulator
n- The 03D’s two powerful new sets of effects processors which utilize The 03D also features channel input delays of up to 200ms which is
the same DSP and some of the same algorithms as Yamaha’s ProR3 useful for microphone-placement compensation for live recording and
- and REV500 feature video editing.
m- 64 basic presets, with Channel delays can
various reverb, delay, also be mixed with
echo, chorus, flange, the dry signal to
pitch shifting and provide delay and
other effects to echo effects. Output
choose from, as well delays, for the stereo
as the new freeze and 4 buses, of up to
(sampling) and amp 40ms are useful for
simulator, or guitar applications which
preamp, effects. require delay-
Including the 32 user compensation on the
memories, a total of outputs.
96 effects are on hand.
New Freeze (sampling) and Amp Simulator (guitar DELAY/ø screen pages allow access to channel input
preamp) effects greatly expand the 03D's onboard and output delay parameters as well as channel phase
sound processing power. settings.
nd
nd

50 scene memories
Mix snapshots of entire setups, or scenes, consisting of approximately scene memories. Scenes can be recalled manually, by MIDI, or using
2000 parameters including all input channel-to-bus routing and output the automix function. A Recall Safe feature permits selected channels
configurations, fader and pan positions, EQ and dynamics set- to be isolated from scene memory recalls. An UNDO/REDO function
tings everything can be stored and recalled instantly using the 50 permits undoing and redoing of scene memory recall operations.

Motorized faders, and fader and mute grouping

The 03D’s quick-response, positive-feel 60mm motorized faders func- number channels can
tion as conventional mixer faders, auxiliary send level controls, and on- be linked in pairs,
board effects aux with panning either
send level controls, independent or
depending on current ganged. You can con-
nd status. When a scene trol two adjacent
nel
memory is recalled, channels paired in
the faders position stereo using only one
themselves automati- fader.
cally to the levels stor-
ed. During playback
of an automix, fader
movements are re-
ol-
played automatically Panning and output bus assignments are displayed
be graphically and are easily accessed.
in synchronization
r-
with MIDI time-code.
Q 4 fader groups and 4 mute groups work independently
Adjacent odd/even to let you build up complicated mixes fast.

e,

g- Crossfade, auto-fade, and solo in place

A crossfade time of Comprehensive monitoring functions include Recording Solo mode,
up to 10 seconds, in where the SOLO bus feeds the monitor output, allowing nondestruc-
0.1-second steps, can tive soloing that doesn’t affect the main stereo mix. There’s also Mix-
be set for faders as down Solo mode, where the stereo output is connected to the monitor
part of a scene output, so solo affects the stereo output. And there’s Solo in Place,
memory. You can where the SOLO bus is connected to the monitor output, and also solo
auto-fade the stereo affects the stereo output.
output fader using
the built-in
automation based on
MTC time-code, or by
setting a crossfade
time in a scene
memory. SOLO function allows nondestructive soloing that
rs, doesn't affect the main stereo mix, plus Mixdown Solo
hic and Solo in Place.
Surround sound mixing
With the 03D, surround sound mixing suitable for
CD-ROM and DVD productions as well as audio
post applications is built right in. Three types of
surround sound configurations are available. The
dedicated pan page provides precise control.

MIDI remote control

MIDI IN, OUT and THRU terminals permit control of all parameters Scene, EQ, dynamics,
(approximately 2,000) in realtime using MIDI Control Change and Sys- effects and channel li-
tem Exclusive messages. The 03D’s MIDI remote function is extremely brary user memory,
powerful. MIDI remote allows the 03D’s motorized faders to remotely and automix data can
control the internal levels in a digital audio workstation, or the faders be saved using MIDI
can be used to edit the internal parameters of an outboard effects pro- bulk dump opera-
cessor or synthesizer. tions to a MIDI data
filer (such as the Ya-
03D faders and four user definable buttons can be used to control oth- maha MDF2 MIDI
er MIDI devices such as digital audio recorders and processors via Data Filer) or MIDI
MMC (MIDI Machine Control). A TO HOST (RS422) port permits di- sequencer.
rect connection to a personal computer without a MIDI interface.

MIDI remote permits detailed control of parameters of

external devices.

MTC time-code based "automixing" provides full onboard automation

The 03D also allows full onboard dynamic automa-
tion unprecedented for a mixer in its price
range of all faders (including the AUX send fad-
ers) as well as channel on/off, EQ, pan and sur-
round pan, and scene, EQ, dynamics, effects and
channel libraries, can be automated by snapshot.
You can easily and quickly update dynamic
changes in realtime, and even insert and modify pa-
rameters "off-line" using the Event Edit function.
There are four automix memories and one current
memory. Recording and mixdown automation can
be synchronized to external MIDI time-code
(30NDF, 29.97NDF, 30DF, 29.97DF, 25, and 24).
Automixing lets you set up portions of a mix and then have them play back automatically as you work on other
automix dubbing. You can also insert and modify specific parameters "off-line".

Twin RISC CPUs with 32-bit DSP processing, and 20-bit AD/DA
The 03D’s twin RISC CPUs ensure fast and reliable control of LCD put and 20-bit, 8-times oversampling DA converters on the stereo out-
graphics, faders and automix. Internal audio processing is performed put and monitor output. Bus outputs and aux send outputs use 18-bit,
at 32 bits by the powerful Yamaha DSP chip, providing a dynamic 8-times oversampling DA converters. The audio dynamic range is an
range of 192dB. Uncompromising sonic quality and performance are impressive 105dB for analog input to analog stereo output.
guaranteed by 20-bit, 64-times oversampling AD converters on each in-
 Block Diagram
+48V
BUS AUX EFF ST SOLO
PHANTOM
1234 1234 12 LR LR Meter
1, 2 Meter Meter Meter Meter Meter COAXIAL
CH Fader DIGITAL
4Band PAN DITHER STEREO
IN PAD HA AD DC CUT DELAY Dynamics
PEQ OUT
ON AES/EBU
ATT AUX 1
1, 2 Meter Meter
26dB GAIN AUX 2

INSERT AUX 3 4Band Dynamics DELAY DA L

PEQ
AUX 4

EFF 1
+48V BALANCE ST OUT
PHANTOM EFF 2 ON
STEREO
3-8 OUT
AUX/EFF
INPUT PRE/POST
4Band Dynamics DELAY DA
PEQ R
3-8 PAD HA AD DC CUT Same as 1, 2

ed, 26dB GAIN

SOURCE
L

REC OUT
d 9-16
HA AD DC CUT Same as 1, 2
SELECT

as GAIN
from BUS OUT 1, 2

Meter Meter Meter Meter Meter Meter Meter Meter Meter Meter to REC OUT L

y L
HA AD DC CUT DELAY/
EFFECT
4Band
PEQ
Dynamics
ST IN
Fader
4Band
PEQ
Dynamics DELAY DA
1
ON

Mix ST IN
GAIN
ATT ON BALANCE
*1 1 PAN

e R
HA AD DC CUT DELAY/
EFFECT
4Band
PEQ
Dynamics

- to REC OUT R
BUS OUT

ng FLIP
Same as 1 DA
2

e Same as 1 DA
3
COAXIAL

tal DIGITAL
STEREO
IN
De-
Emphasis ON/OFF
ST CASCADE IN Same as 1 DA
4
SELECT
AES/EBU
- Meter Meter
EFF RET
Meter

y- from EFF1
Meter 4Band
PEQ Dynamics
Fader
to INTERNAL
EFFECT 1, 2

its INTERNAL
EFFECT 1 ON BALANCE
*1 Meter Meter Meter Meter Meter
4Band

ds from EFF2
PEQ
Dynamics
4Band
PEQ
Dynamics
ON 1-4
DA AUX OUT
1-4

ve INTERNAL
EFFECT 2 Same as EFF1
Meter
SOLO/

ng DA
2TR IN

MONI L

r’s SINE 100Hz

SINE 1kHz
SINE 10kHz
PINK NOISE
TRIM MONO

DA
LEVEL MONITOR
OUT
ON LEVEL

l BURST NOISE
WAVEFORM
L
R

tal *1: INDIVIDUAL/GANG/INVERTED GANG

2TR IN
R
LEVEL PHONES

bit
ze
ts, Applications
nd
ADAT—CD8-AT DA88—CD8-TDII
rd DA38 ADAT/DA-88

nt YGDAI Card In
or or
D. 03D Digital Mixing Console
PHONES

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 ST IN MONITOR
OUT
PHONES
Hard Disk Recorder Computer
26dB 26dB 26dB 26dB 26dB 26dB 26dB 26dB SOLO/ 2TR IN

–16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 –16 –60 +10 –20 +10 –20 +10 –20 +10 –20 +10 –20 +10 –20 +10 –20 +10 –20 +10 –20 0 10 0 10
+10 GAIN –34 +10 GAIN –34 +10 GAIN –34 +10 GAIN –34 +10 GAIN –34 +10 GAIN –34 +10 GAIN –34 +10 GAIN –34 GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN LEVEL LEVEL

SCENE
MEMORY
SETUP
UTILITY MIDI
SCENE MEMORY
UNDO/
REDO
SOLO
SOLO
AES/EBU—CD8-AE-S
DIO GROUP/PAIR SOLO SETUP AUTOMIX STORE RECALL

SCENE MEMORY USER DEFINE

CHANNEL CONTROL
DELAY/Ø DYNAMICS PAN/ROUTING VIEW FUNCTION USER DEFINE
CEL CH

L STEREO R
CLIP
EQ LOW LO-MID HI-MID HIGH PARAMETER
–3
–6

T
EQ LIBRARY

FADER MODE
–9
–12
–15
–18
–24
(Pro Tools)
888I/O or 882I/O
AUX 1 AUX 2 AUX 3 AUX 4 –30 ENTER
–36
–42
–48

FADER EFFECT 1 EFFECT 2

CURSOR
FADER
STATUS

MIXING LAYER FADER 1~8 9~12 13~16 ST IN EFFECT RTN

1~16
17~24/MASTER
1 2

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 EFFECT
ST IN RETURN
ST OUT
17 18 19 20 21 22 23 24 AUX1 AUX2 AUX3 AUX4 BUS1 BUS2 BUS3 BUS4

SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL SEL

ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON Synthesizer Computer

6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 MIDI In RS422
10

20
10

20
10

20
10

20
10

20
10

20
10

20
10

20
10

20
10

20
10

20
10

20
10

20
10

20
10

20
10

20
10

20
10

20
10

20 MIDI I/F
MIDI Out
40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40 40
60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60 60
00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00

17
1 2
18
3
19
4
20
5
21
6
22
7
23
8
24
9
AUX1
10
AUX2
11
AUX3
12
AUX4
13
BUS1
14
BUS2
15
BUS3
16
BUS4
ST IN
EFFECT
RETURN
ST OUT To Host

DA-88 and DA-38 are registered trademarks of TEAC Corporation. Adat is registered trademark of ALESIS Corporation. Pro Tools®, 888I/O and 882I/O are registered trademarks of Digidesign, a division of Avid Technology, Inc. "Dolby", "AC-3",
"Pro Logic", and the double-D symbol are trademarks of Dolby Laboratories Licensing Corporation. Copyright 1992, Dolby Laboratories, Inc. All rights reserved.
Specifications
General Specifications Analog Input/Output Specifications
Frequency Response 20 Hz–20 kHz+1, –3 dB (+4 dB into 600 Ω) Input Actual Load For Use with Input level Connector in
Terminals Pad Gain Impedance Nominal Sensitivity* Nominal Max. before Clip Console
110 dB min. STEREO OUT D/A converter
0 –60 –72 dB –60 dB –46 dB
105 dB typ. STEREO IN to STEREO OUT 50–600Ω (0.194 mV) (0.775 mV) (3.88 mV)
Dynamic Range (AD/DA) CH INPUT
Mics XLR-3-31 type**
0 –16 3kΩ & –28 dB –16 dB –2 dB or
CH 1-8 (30.9 mV) (0.123 V) (0.616 V) TRS Phone Jack**
100 dB min. STEREO IN to STEREO OUT 600Ω
Lines
(AD/DA) 25 –16 –2 dB +10 dB +24 dB
(0.616 V) (2.45 V) (12.3 V)
Less than 0.1% (20 Hz-20 kHz @ +14 dB
–32 dB –20 dB –6 dB
THD (Total Harmonic into 600 Ω) CH INPUT
–20
(19.4 mV) (77.5 mV) (0.388 V)
10kΩ 600Ω TRS Phone Jack**
Distortion) Less than 0.01% for STEREO IN to STEREO CH 9–16 Lines –2 dB +10 dB +24 dB
+10
OUT (1 kHz @ + 18 dB into 600 Ω) (0.615 V) (2.45 V) (12.3 V)

–128 dB equivalent input noise –20 –32 dB –20 dB -6 dB

600Ω (19.4 mV) (77.5 mV) (0.388 V)
ST IN (L, R) 10kΩ TRS Phone Jack**
–94 dB regidual output noise from STEREO Lines –2 dB +10 dB +24 dB
+10
OUT (STEREO OUT = OFF) (0.615 V) (2.45 V) (12.3 V)
Hum & Noise* (20 Hz-20 kHz)
Rs = 150 Ω, –94 dB (98 dB S/N) STEREO OUTPUT. CH INSERT IN CH 1, 2 10kΩ 600Ω –8 dB +4 dB +18 dB Phone Jack***
Lines (0.309 V) (1.23 V) (6.16 V)
input gain = max. Master fader at nominal level and all CH faders
input pad = off, input at minimum. 2TRACK IN (L, R) 10kΩ 600Ω –10 dBV –10 dBV +4 dBV RCA Pin Jack***
Lines (0.316 V) (0.316 V) (1.58 V)
sensitivity = –60 dB
–64 dB (68 dB S/N) STEREO OUTPUT.
Master fader and one CH fader at nominal level. Actual Source For Use with Output level
Output Terminals Connector
Impedance Nominal Nominal Max. before Clip
76 dB CH IN to STEREO OUT/BUS OUT
STEREO OUT (L, R) 150Ω 600Ω Lines +4 dB +18 dB XLR-3-32 type**
76 dB CH IN to AUX OUT (pre fader) (1.23 V) (6.16 V)
Maximum Voltage Gain
12 dB STERTEO IN to STEREO OUT +4 dB +18 dB
BUS OUT 1-4 150Ω 10kΩ Lines TRS Phone Jack**
76 dB CH IN to MONITOR OUT (via Stereo bus) (1.23 V) (6.16 V)
+4 dB +18 dB
Adjacent AUX OUT 1-4 150Ω 10kΩ Lines TRS Phone Jack**
–70 dB (1 kHz) (1.23 V) (6.16 V)
Channels
Crosstalk CH INSERT OUT CH1, 2 600Ω 10kΩ Lines +4 dB +18 dB Phone Jack***
Input to –70 dB (1 kHz)
(1.23 V) (6.16 V)
Output -10 dBV +4 dBV
REC OUT (L, R) 600Ω 10kΩ Lines RCA Pin Jack***
(0.316 V) (1.58 V)
Internal 48 kHz/44.1 kHz
Sampling Rate
External 32 kHz–48 kHz ±6% MONITOR OUT (L, R) 150Ω 10kΩ Lines +4 dB
(1.23 mV)
+18 dB
(6.16 V)
TRS Phone Jack***

Signal Delay Less than 2.5 ms input to output (fs = 48 kHz) 8Ω Phones 1 mW 25 mW Stereo Phone
PHONES 100Ω
Digital Output Dither 16–24 bit 40Ω Phones 3 mW 75 mW Jack***

Type 60 mm motorized * The lowest level will produce an output of +4dB (1.23V) or the nominal level when the unit is set to maximum gain.
Faders ** Balanced.
Resolution +6 to –90, –∞ dB *** Unbalanced.
• 0dB=0.775 Vrms, 0dBV=1Vrms
320 x 240 dot backlit LCD (with contrast
Display
control)
±18 dB, 20 Hz–20.1 kHz, HPF, peaking,
High
shelving Digital Input/Output Specifications
High-Mid ±18 dB, 20 Hz–20.1 kHz, peaking Terminals Format Level Connector
EQ DIGITAL STEREO IN AES/EBU AES/EBU RS-422 XLR-3-31 type
Low-Mid ±18 dB, 20 Hz–20.1 kHz, peaking DIGITAL STEREO IN COAXIAL S/P DIF * 0.5 Vpp/75Ω RCA Pin Jack
±18 dB, 20 Hz–20.1 kHz, LPF, peaking, DIGITAL STEREO OUT AES/EBU AES/EBU RS-422 XLR-3-32 type
Low DIGITAL STEREO OUT COAXIAL S/P DIF * 0.5 Vpp/75Ω RCA Pin Jack
shelving
TO HOST —— RS-422 Mini DIN 8pin
Scene 51 (1 preset, 50 user) MIDI (MTC**) IN-OUT-THRU —— —— DIN 5pin
MOUSE (MS) —— D-SUB 9pin male
Channel 51 (2 preset, 49 user)
Memories/ TO EDITOR (REMOTE) —— —— D-SUB 9pin female
Libraries EQ 80 (40 preset, 40 user) WORD CLOCK IN —— TTL/(75Ω IN/OUT) BNC
Effects 96 (64 preset, 32 user) WORD CLOCK OUT —— TTL/75Ω BNC

Dynamics 80 (40 preset, 40 user) * IEC958, EIAJ CP-1201 (Consumer)

** IN only
Steteo Output Meters 12–segment LED meter x 2 • To HOST and To EDITOR connectors cannot be used at the same time.
USA &
Power 120 V AC, 60 Hz
Canada
Requirements
European 230 V AC, 50 Hz
Power Consumption 85 W
Dimensions (W x D x H) 460 x 516 x 204 mm (18.1" x 20.3" x 8")
Weight 16 kg (35.3 lbs)
Free-air operating 10°C to 35°C (50°F to 95°F)
temperature
Relative Humidity 25%–80%
* Hum and noise measured with a 6 dB/octave 12.7 kHz filter; equivalent to a 20 kHz
filter with an infinite dB/octave attenuation.

Specifications and appearance subject to change without notice.

For details please contact:

For more information about the 03D Digital Mixing Console, other Yamaha products, dealer network and more, visit:
Yamaha PA Web Site—http://www.yamaha.co.jp/product/proaudio/homeenglish/