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MEMBRANE
BIOREACTOR
PROCESSES
P R I NCI P LE S AND A P P L I C AT I O N S
Seong-Hoon Yoon
MEMBRANE
BIOREACTOR
PROCESSES
P R I NCI P LE S AND A P P L I C AT I O N S
Advances in Water and Wastewater
Transport and Treatment
A SERIES
Series Editor
Amy J. Forsgren
Xylem, Sweden
Seong-Hoon Yoon
CRC Press
Taylor & Francis Group
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Boca Raton, FL 33487-2742
© 2016 by Taylor & Francis Group, LLC
CRC Press is an imprint of Taylor & Francis Group, an Informa business
This book contains information obtained from authentic and highly regarded sources. Reasonable efforts have been
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holders of all material reproduced in this publication and apologize to copyright holders if permission to publish in this
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To my wife, Mihyun Choi
Contents
Preface............................................................................................................................................xvii
Author..............................................................................................................................................xix
vii
viii Contents
xvii
xviii Preface
editorIrma Britton, and coordinator Hayley Ruggieri, for their great care and dedication in pre-
paring this book. I also want to thank Ms. Amor Nanas of Manila Typesetting Company for her
excellent and meticulous works.
Finally, I thank my family, Mihyun Choi, Seungjoon, Seungmin, and Inkyung, for their love,
moral support, and patience.
Seong-Hoon Yoon
Naperville, Illinois
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The Project Gutenberg eBook of The Mentor: The Incas,
vol. 6, num. 3, Serial No. 151, March 15, 1918
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Title: The Mentor: The Incas, vol. 6, num. 3, Serial No. 151, March 15, 1918
Language: English
*** START OF THE PROJECT GUTENBERG EBOOK THE MENTOR: THE INCAS, VOL.
6, NUM. 3, SERIAL NO. 151, MARCH 15, 1918 ***
THE MENTOR 1918.03.15, No. 151,
The Incas
THE
MENTOR
THE INCAS
By
OSGOOD HARDY, M. A.
DEPARTMENT OF VOLUME 6
HISTORY NUMBER 3
TWENTY CENTS A COPY
WORSHIPERS OF THE SUN
The deity whose worship the Incas especially inculcated, and which they
never failed to establish wherever their banners were known to penetrate, was
the Sun. It was he who, in a particular manner, presided over the destinies of
man; gave light and warmth to the nations, and life to the vegetable world;
whom they reverenced as the father of their royal dynasty, the founder of their
empire; and whose temples rose in every city and almost every village
throughout the land.
In addition to these, the subjects of the Incas enrolled among their inferior
deities many objects in nature, as the elements, the winds, the earth, the air,
great mountains and rivers, which impressed them with ideas of sublimity and
power, or were supposed in some way or other to exercise a mysterious
influence over the destinies of man.
But the worship of the Sun constituted the peculiar care of the Incas, and
was the object of their lavish expenditure. The most renowned of the Peruvian
temples, the pride of the capital, and the wonder of the empire, was at Cuzco,
where, under the munificence of successive sovereigns, it had become so
enriched that it received the name of “The Place of Gold.” It consisted of a
principal building and several chapels and inferior edifices, covering a large
extent of ground in the heart of the city, and completely encompassed by a
wall, which, with the edifices, was all constructed of stone.
The interior of the temple was most worthy of admiration. It was literally a
mine of gold. On the western wall was emblazoned a representation of the
deity, consisting of a human countenance looking forth from amidst
innumerable rays of light which emanated from it in every direction, in the
same manner as the sun is often personified with us. The figure was engraved
on a massive plate of gold of enormous dimensions, thickly powdered with
emeralds and precious stones. It was so situated in front of the great eastern
portal that the rays of the morning sun fell directly upon it at its rising, lighting
up the whole apartment with an effulgence that seemed more than natural,
and which was reflected back from the golden ornaments with which the walls
and ceiling were everywhere encrusted. Gold, in the figurative language of the
people, was “the tears wept by the Sun,” and every part of the interior of the
temple glowed with burnished plates and studs of the precious metal.
From Prescott’s “Conquest of Peru.”
ENTRANCE TO DOMINICAN CHURCH, CUZCO, PERU
THE INCAS
The Tellers of the Story
ONE
MENTOR GRAVURES
RUINS OF A TYPICAL INCA CITY · SACSAHUAMAN, THE INCAS’
GREATEST FORTRESS, CUZCO, PERU · ENTRANCE TO
DOMINICAN CHURCH, CUZCO, PERU · DOORWAYS IN INCA
RUINS OF ROSASPATA · LLAMAS COMING INTO CUZCO · RUINS
OF THE GREAT INCA TEMPLE OF VIRACOCHA, NEAR SICUANI,
PERU
NOTE.—All pictures in this Mentor are reproduced by permission of the National Geographic
Society and the South American Exploration Fund of Yale University, under whose auspices the
Peruvian Expeditions directed by Dr. Hiram Bingham have taken place.
NOTE ON PRONUNCIATION.—The letter “ä” with two dots above is pronounced as in “father”; the
“ā” with a horizontal line above is pronounced as in “ray.”
Entered as second-class matter March 10, 1913, at the postoffice at New York, N. Y., under the
act of March 3, 1879. Copyright, 1918, by The Mentor Association, Inc.
here is probably no part of the world that stimulates more curiosity in
an archeologist or even in a casual traveler than that part of South
America which was once inhabited by the Incas of Peru. Tiahuanaco’s
(tee-ä-wane-ä´-ko) finely carved gateway and its ponderous stone
platforms, Sacsahuaman’s (saks-ä-wa´-män) gigantic walls,
Ollantaytambo’s (ol-yän-tie-tam´-bo) monolithic fortress, and Machu Picchu’s (mä
´-choo peek´-choo) picturesque grandeur fill one with an admiration for their
builders which is only equaled by the sorrow that today, over three centuries after
the advent of Pizarro (pee-sä´-ro) and his conquistadores (con-kees-tä-do´-rays),
we can do little more than make conjectures concerning the ancient Peruvians.
And, furthermore, it is doubtful if we can ever go very far in solving the problem
of man in the Andes. Although they made great progress in architecture,
agriculture, engineering, and the science of government, the ancient Peruvians did
not achieve the art of writing, nor did they even reach the stage of hieroglyphics.
Their records were kept on quipus (kee-poos), variously colored strings with many
different kinds of knots. These seem, however, to have been used only for
accounting purposes. Thus far, the quipus in possession of our archeologists have
been of no particular aid in deciphering the
history of their makers. Accordingly, what we
know of the Incas consists of traditions
gathered together by early Spaniards, and the
work of present-day students who, by modern
archeological methods, are slowly bringing
some light to bear on this apparently
insolvable problem.
ALPACAS
A semi-domesticated animal
resembling sheep, and yielding a long,
fine wool, usually brown or black
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