0% found this document useful (0 votes)
100 views24 pages

Grace Score Level 4 Banda

The document provides details about the symphonic band piece 'Grace' composed by Brian Balmages, including instrumentation and performance history. Balmages, an award-winning composer, reflects on the emotional context surrounding the piece's premiere, which coincided with significant events in Baltimore. The composition aims to evoke feelings of gracefulness and healing through music, featuring a notable moment where the melody of 'Amazing Grace' emerges unexpectedly.

Uploaded by

peca0405
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
100 views24 pages

Grace Score Level 4 Banda

The document provides details about the symphonic band piece 'Grace' composed by Brian Balmages, including instrumentation and performance history. Balmages, an award-winning composer, reflects on the emotional context surrounding the piece's premiere, which coincided with significant events in Baltimore. The composition aims to evoke feelings of gracefulness and healing through music, featuring a notable moment where the melody of 'Amazing Grace' emerges unexpectedly.

Uploaded by

peca0405
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
You are on page 1/ 24

FJH symphonic band Grade 4

Hear and download this


piece at www.fjhmusic.com

grace
Brian Balmages

Instrumentation

1 - Conductor’s Full Score 2-E  ≤ Alto Saxophone 1 2-B  aritone /


1 - Piccolo 2-E  ≤ Alto Saxophone 2 Euphonium
4 - Flute 1 2 - B≤ Tenor Saxophone 2 - Baritone T.C.
4 - Flute 2 2 - E≤ Baritone Saxophone 4 - Tuba
1 - Oboe 1 3 - B≤ Trumpet 1 1 - String Bass
1 - Oboe 2 3 - B≤ Trumpet 2 1 - Timpani
1 - Bassoon 1 3 - B≤ Trumpet 3 1 - Bells
1 - Bassoon 2 1 - F Horn 1 1 - Chimes
4 - B≤ Clarinet 1 1 - F Horn 2 1 - Vibraphone
4 - B≤ Clarinet 2 1 - F Horn 3 3 - Percussion
Crash Cymbals
4 - B≤ Clarinet 3 1 - F Horn 4
Suspended Cymbal
2 - B≤ Bass Clarinet 2 - Trombone 1 Outdoor Wind Chimes
1 - E≤ Contra Alto Clarinet 2 - Trombone 2 Triangle
1 - B≤ Contrabass Clarinet 2 - Trombone 3

Extra Conductor Score: $0.00


Extra Par ts: $0.00

FJH is now using a high-speed sorting system for parts.


As a result, all single page parts are collated before multiple page parts.

2525 Davie Road, Suite 360


Fort Lauderdale, Florida 33317-7424
www.fjhmusic.com
2

The Composer
Brian Balmages (b. 1975) is an award-winning composer, conductor, producer, and
performer. He holds a bachelor's degree in music from James Madison University
and a master's degree from the University of Miami in Florida. His compositions
have been performed worldwide at the state, national and international level.
His active schedule of commissions and premieres has incorporated groups
ranging from elementary schools to professional ensembles, including the Baltimore
Symphony Orchestra, Miami Symphony Orchestra, University of Miami Wind Ensemble,
Boston Brass, and the Dominion Brass Ensemble. In 2012, Mr. Balmages received
the prestigious Albert Austin Harding Award from the American School Band
Directors Association. He is also a 2010 winner of the Harvey G. Phillips Award for
Compositional Excellence, presented by the International Tuba-Euphonium Association.
As a conductor, Mr. Balmages enjoys engagements with numerous all-state and
regional honor bands and orchestras along with university and professional groups.
Notable guest conducting appearances have included the Midwest Clinic, Western
International Band Clinic, National Association for Music Educators, American
School Band Directors Association, CBDNA, the Kennedy Center, and Meyerhoff
Symphony Hall. He has also served as an Adjunct Professor of Instrumental Conducting
and Acting Symphonic Band Director at Towson University in Maryland.
Currently, Mr. Balmages is the Director of Instrumental Publications for The FJH
Music Company Inc. in Fort Lauderdale, Florida. He resides in Baltimore with his
wife Lisa and their two sons.

About the Music


This piece was commissioned by the Lincoln County (North Carolina) High School Honor Band. Initially, I
tried to take the piece in several other directions but found the music going nowhere. Eventually, I felt drawn
to the title Grace and proceeded in that direction. The music flowed and I was surprised how quickly I was
able to complete the work. Conceptually, it is my hope that everyone can identify with the gracefulness of
the music and feel their own personal “grace” while experiencing the piece. I delivered the composition on
April 21, 2015, and the band had their first rehearsal that evening. Two days later I arrived to rehearse the
work and ultimately premiere it on April 24. At the premiere, I gave the above description to the audience
and we had a very powerful premiere.
I flew back home to Baltimore on Saturday, April 25. That night, I watched as my home city was ripped apart
by violent protests prompted by the death of Freddy Gray while in police custody. The National Guard was
called in and I witnessed the unthinkable – armored National Guard vehicles patrolling the streets and
enforcing curfews. I grew up in this city – I met my wife here and many of my close friends still live here.
I was overcome with emotion as my city seemed to unravel before my eyes.
I was scheduled to conduct the Connecticut All-State Band the following weekend. I had sent them my
program months prior, but called Monday morning in hopes that I could make a last minute change.
They obliged, and we put Grace in the folder. On Saturday, May 2 (exactly one week after the violent protests
began), I conducted the second performance of Grace. It was one of the most emotional performances I have
ever conducted and the group received a standing ovation in the middle of the concert. I will never forget
this span of two weeks. It reminded me how music really can help to heal.
While the piece is largely original material, conductors will quickly notice the appearance of Amazing Grace
just before measure 88 (alto saxophone solo). I prefer not to explain this to the audience ahead of time since
it is not the focus of the piece. It is much more effective if the melody emerges without being expected. In my
mind, it is one of the most sincere moments in the work and sets the tone for the rest of the piece, ending in
a final “amen.”

B1654
Duration: 8:30 commissioned by the Lincoln All-County High School Symphonic Band
Lincolnton, North Carolina

grace Brian balmages


(ASCAP)

Dolce (Œ = 52) Solo


b ∑ ∑ ∑ ∑ ∑ ∑ Ó œœœœ
Piccolo &bb
p
‰ œ œ œ
Solo
b 4
∑ ∑ ∑ ∑ ∑ Ó œ œ œ ˙
Flute 1 &bb
4 p
bbb
3
2 players only
Flute 2 & ∑ ∑ ∑ ∑ ∑ Ó Œ œœ w
w
p
b ∑ ∑ ∑ ∑ ∑ ∑ ∑
Oboes
1
2 &bb
? b ∑ ∑ ∑ ∑ ∑ ∑ ∑
Bassoons
1
2 bb
œ
Solo
&b ∑ ∑ ∑ ∑ ∑ Œ Ó Œ
œ œ. ˙
1

B≤ Clarinets
p Solo
2
3 &b ∑ ∑ ∑ ∑ ∑ Ó Ó Œ œ
p œ œ. œ
B≤ Bass Clarinet &b ∑ ∑ ∑ ∑ ∑ ∑ ∑
B≤ Contrabass
Clarinet &b ∑ ∑ ∑ ∑ ∑ ∑ ∑
4 œœœœ œœ
Solo Jœ œ œ œ œ œ œ œ œ
E≤ Alto 1
& ∑ ∑ œ œ. œ œœœ w ∑
Saxophones 2
4 p
B≤ Tenor
Saxophone &b ∑ ∑ ∑ ∑ ∑ ∑ ∑
E≤ Baritone
Saxophone & ∑ ∑ ∑ ∑ ∑ ∑ ∑
Solo
Dolce (Œ = 52) cup mute

1 &b ∑ ∑ ∑ œœ. ˙. w ∑ ∑
B≤ Trumpets
p
4 Solo
cup mute
2
3 &b ∑ ∑ ∑ w w ∑ ∑
4 p
b ∑ ∑ ∑ ∑
Solo
œœ. ˙. ∑ ∑
1
2 &b
F Horns p
b ∑ ∑ ∑ ∑ Œ
Solo
∑ ∑
3
4 &b œœ. ˙
p
? b ∑ ∑ ∑ ∑ ∑ ∑ ∑
1
2 bb
Trombones 4
? b ∑ ∑ ∑ ∑ ∑ ∑ ∑
3 bb
4
? b ∑ ∑ ∑ ∑ ∑ ∑ ∑
Baritone /
Euphonium bb
? b ∑ ∑ ∑ ∑ ∑ ∑ ∑
Tuba
String Bass bb
? b ∑ ∑ ∑ ∑ ∑ ∑ ∑
Timpani bb
bb 4
(E¯, A¯, C)
˙˙ .. œœ
Bells & b ∑ ∑ ∑ Œ ∑ Ó Œ ∑
p
b bb 4 ∑
Chimes & w w w w w w
p
b œ ˙.
Vibraphone &bb ∑ ∑ ∑ ∑ ∑ œœ ∑
Tri.
p pedal
Percussion
(Crash Cymbals,
÷ ∑ ∑ ∑ ∑ Œ ±. ∑ Ó ±
p
Suspended Cymbal,
Outdoor Wind Chimes,
Triangle) 1 2 3 4 5 6 7

Copyright © 2016 The FJH Music Company Inc. (ASCAP).


International Copyright Secured. Made in U.S.A. All Rights Reserved.
Hear and download this WARNING! The music, text, design, and graphics in this publication are protected by copyright law.
piece at www.fjhmusic.com Any duplication is an infringement of U.S. copyright law. B1654
4
9

Picc. bb
& b w ∑ ∑ ∑ ∑ ∑ ∑
œ œ œ œ œ œ
Solo
b œ w
Fl. 1 &bb ∑ ∑ ∑ ∑ ∑
p
Fl. 2 & b bb ∑ ∑ ∑ ∑ ∑ ∑ ∑
b
Obs.
1
2 &bb ∑ ∑ ∑ ∑ ∑ ∑ ∑
˙ ˙˙ w
1 ? bb ˙ ∑ ∑ ∑ ∑ ∑
Bsns.
2 b ∑
p
1 &b w ∑ ∑ ∑ ∑ ∑ ∑
Cls.
2
3 &b w ∑ ∑ ∑ ∑ ∑ ∑

B. Cl. &b ˙ ˙ ∑ ∑ ∑ ∑ ∑ ∑
p
&b ∑ Ó w Ó ˙ w Ó ˙ w
C.B. Cl. ˙
p
œ œ. œ
Solo

A. Saxes
1
& ∑ ∑ Ó w ∑ ∑ ∑
2
p
Bsn. 1
˙ ˙ w
T. Sax. &b ∑ ∑
∑ ∑ ∑ ∑ ∑
p
Bsn. 2
˙ ˙
B. Sax. & ∑ ∑ ∑ ∑ ∑ ∑
p ∑
9

1 &b ∑ ∑ ∑ ∑ ∑ ∑ ∑
Tpts.
2
3 &b ∑ ∑ ∑ ∑ ∑ ∑ ∑

b tutti
˙
1
2 &b ∑ ∑ ∑ ∑ ∑ Ó ˙. œ
Hns.
p
b
tutti
3
4 &b ∑ ∑ ∑ ∑ ∑ Ó œ œ ˙ ˙
p
? bb ˙˙ w ˙˙ w˙ ˙ ˙˙ w
1
b ∑ Ó w Ó Ó w
2
Tbns. p
? bb ∑ ∑ ∑ ∑ ∑ ∑ ∑
3 b
? bb ∑ Ó w Ó ˙ w Ó ˙ w
Bar. /
Euph. b ˙
p
? bb ∑ Ó Ó Ó ˙
Tuba
St. Bs. b ˙ w ˙ w w
p
? bb ∑ ∑ ∑ ∑ ∑ ∑ ∑
Timp.
b
b œœ œœ .. ˙˙
Bells &bb ∑ ∑ ∑ ∑ ∑ Œ ∑
p
& bbb ∑ ∑ ∑ ∑
Chimes
w w w
p
b œ ˙.
Vibra. &bb ∑ œœ ∑ ∑ ∑ ∑ ∑
p
Perc. ÷ ∑ ∑ Ó ± ∑ ∑ Œ ±. ∑
8 9 10 11 12 13 14

B1654
5
21

Picc. & b bb ∑ ∑ ∑ ∑ ∑ ∑ ∑
b œ œ ˙
tutti
Fl. 1 &bb ∑ ∑ Ó Œ œ Œ ∑ ∑ Ó ˙
p p
b ∑ ∑ Ó Œ
tutti
œ œ œ Œ ∑ ∑ Ó
Fl. 2 &bb ˙ ˙
p p
w
b œ œ
Solo

Obs.
1
2 &bb ∑ ∑ ∑ ∑ ∑ Ó
œœ œœ ˙˙ p
? b ∑ ∑ Ó Œ Œ ∑ ∑ Ó ˙˙
Bsns.
1
2 bb
p stagger breathe p
tutti
&b ∑ Ó Œ Œ Œ
œ œ œ ˙ œ ˙ w w w
1

Cls. p play
∑ Bsns. ∑ tutti
2
&b ∑ ∑ Ó Œ
œ Œ
w Ó
œ œ œ œ w ˙˙
3
œ œ ˙
œ ˙
p p
B. Cl. &b ∑ ∑ ∑ ∑ ∑ ∑ Ó
˙
p
C.B. Cl. &b w ˙. œ œ ˙ Œ Ó Œ œ ˙ ˙ w Ó ˙
Solo
p
A. Saxes
1
& ∑ ∑ ∑ ∑ ∑ ∑ Œ œ œ. ˙
2

T. Sax. &b ∑ ∑ ∑ ∑ ∑ ∑ ∑

B. Sax. & ∑ ∑ ∑ ∑ ∑ ∑ ∑
21

1 &b ∑ ∑ ∑ ∑ ∑ ∑ ∑
Tpts.
2
3 &b ∑ ∑ ∑ ∑ ∑ ∑ ∑

b Œ ∑ ∑ ∑ ∑ ∑
1
2 &b w ˙.
Hns.
b Œ ∑ ∑ ∑ ∑ ∑
3
4 &b w ˙.
˙˙ .. ˙˙ .. œœ œœ ˙˙ Œ œœ ˙ œ ˙œ œ w
w ˙˙
? b Œ Ó Œ œ Ó
1
2 bb Œ
Tbns. p
? b ∑ ∑ ∑ ∑ ∑ ∑ Ó ˙
3 bb
p
Bar. / ? b w
bb ˙. œ œ ˙ Œ Ó Œ œ ˙ ˙ w Ó ˙
Euph.

p
? b Œ Ó Œ w Ó
Tuba
St. Bs. bb w ˙. œ œ ˙ œ ˙ ˙ ˙
p
? b ∑ ∑ ∑ ∑ ∑ ∑ ∑
Timp. bb
b ∑ ∑ ∑ ∑ ∑ ∑ ∑
Bells &bb
b ∑ ∑ ∑ ∑ ∑
Chimes &bb w w
p
bbb ∑ œ œœ ˙ Œ ∑ ∑ ∑ ∑ Ó
Vibra. & ˙˙
˙˙
p p
Perc. ÷ Œ ±. ∑ ∑ ∑ ∑ ∑ Œ ±.
15 16 17 18 19 20 21

B1654
6
con moto
œ œ. ˙ ˙. ˙ œ œ ˙
Picc. & bbb ∑ Œ œ œ œ ˙ œ œ ˙.
P F
3 ˙ œ œ ˙
Fl. 1
b
&bb w Ó ˙ ˙. œ œ œ ˙ œ œ ˙. 4

b
div. P
ẇ 4F œ 4
Fl. 2 &bb w
w
w ˙ œ ˙ œ œ œ ˙ ˙.
P F
b ˙ œ œ w w ˙˙ . ˙
tutti

Obs.
1
2 &bb
w w œ œ ˙. œ ˙˙ . œ œ ˙˙ ..
+ 2.
P F
˙˙ w˙ ˙˙ œœ ˙˙ .. ˙œ. ˙ ˙˙ ..
? b w ˙
Bsns.
1
2 bb w Ó
P F
˙ ˙ œ ˙ œ œ ˙
1 &b w w w œ œ
Cls.
F
Ó ˙˙ .. ˙˙ .. œ œ œ œ
2
&b w ˙˙ w œ œ˙ . ˙
3
w w F
P
&b Ó
˙.
B. Cl.

w ˙ w ˙. ˙. ˙.
P F
&b w Ó ˙ w ˙. ˙. ˙.
C.B. Cl.
˙.
P 3 F tutti 4
A. Saxes
1
& w Œ œ œ. ˙ w ‰ œj ˙ ˙ œ œ ˙˙ .. ˙˙ ..
2
P 4 play F 4
T. Sax. &b ∑ ∑ ∑ ‰ œj ˙ ˙. ˙. ˙.
F
play
˙ œ œ œ œ ˙
B. Sax. & ∑ ∑ ∑ ˙. œ œ
F
con moto
˙
œ œ ˙.
tutti

∑ ∑ Ó Œ œ œ
open
˙ œ œ œ ˙
1 &b
Ftutti
3 ˙˙ .. ˙˙
Tpts.

&b ∑ ∑ Ó Œ œœ
open
œ˙ . ˙ ˙˙ .. 4
œœ
2
3
F
4 4
bb ∑ ∑ ∑ ‰ œ œ œ ˙˙ ..
& œj œ œ œ ˙.
1
2
Hns. F
b ∑ ∑ ∑ ‰ œ œ œ
3
4 &b œj œ œ œ œ ˙ ˙˙ ..
F
˙˙ w˙ ˙˙ œœ ˙˙ .. ˙œ. ˙ ˙˙ ..
? b w ˙
1
2 bb w Ó
P F
3 ˙
Tbns.
? b w Ó ˙ w œ ˙. ˙. ˙. 4
3 bb
P F œ
œ œ œ œ œ ˙ œ œ ˙.
‰ œJ
4 4
? b w Ó ˙ w
Bar. /
Euph. bb
P F
? b Ó ˙.
Tuba
bb w ˙ w ˙. ˙. ˙.
˙.
St. Bs.

P F
? b ∑ ∑ Ó » œ Œ Œ ∑ ∑ ∑
Timp. bb ˙
P 3F (C to B¯)
˙. 4
b ˙. œ
Bells &bb ∑ ∑ Ó Œ
œœœ
œ Œ Œ œœœ ∑
b P 4F 4
&bb ∑ ∑ ∑ ∑ ∑ ∑
Chimes
w
b Ó ˙˙ w ∑ ∑ ∑ ∑
&bb w
w w
w
w P ˙˙ w
Vibra.
w Sus. Cym.
Perc. ÷ ∑ ±. Œ Œ ·». ¿ Œ Œ ∑ ∑ ∑
22 23 24
P 25
F 26 27 28

B1654
7
29 poco rit.

Picc. & b bb ∑ ∑ ∑ ∑ ∑ ∑ ∑
b 4 3
Fl. 1 &bb ∑ ∑ ∑ ∑ ∑ ∑ ∑
b 4 4
Fl. 2 b
& b ∑ ∑ ∑ ∑ ∑ ∑ ∑
b
Obs.
1
2 &bb ∑ ∑ ∑ ∑ ∑ ∑ ∑

? bb bw
w w bw
w ˙˙ ˙˙ ˙˙ .. Œ œ œœ ˙˙ ..
Bsns.
1
2 b w œœ œ
P P
1 &b ˙. œ œ ˙. œ ˙. œ œ ˙ ˙ ˙. Œ ∑ ∑
Cls. P
2
&b ˙˙ ˙˙ Œ ∑ ∑
3 bw
w w bw
w ˙˙ ..
w
P
&b œ œ ˙. ∑ ∑
B. Cl.
bœ œ ˙ . bœ œ ˙ . œ ˙.
œ œ
P P
C.B. Cl. &b bw w bw ˙ ˙ ˙. Œ ∑ ∑
P
4 3 œ˙ œ œ œ œ ˙ .
A. Saxes
1
2 & ∑ ∑ ∑ ∑ ∑ œ ˙.
4 4P
T. Sax. &b ∑ ∑ ∑ ∑ ∑ œ œ œ ˙.
P
∑ ∑ ∑ ∑ ∑ œ œ œ ˙.
B. Sax. &
P
29
poco rit.
1 &b ∑ ∑ ∑ ∑ ∑ ∑ ∑
Tpts.
4 3
2
3 &b ∑ ∑ ∑ ∑ ∑ ∑ ∑

b 4 4
1
&b Œ
˙ œ œ œ ˙. Œ ∑ ∑
2
˙ œ œ ˙ œ œ ˙
Hns. P
b ∑ ∑ ∑ ∑
3
4 &b ∑ ∑ ∑

? b ∑ ∑ ∑ ∑ ∑ ∑ ∑
1
2 bb
Tbns.
? b 4 3
3 bb ∑ ∑ ∑ ∑ ∑ ∑ ∑

? b
4
Œ œ œ bœ œ œ œ œ œ œ bœ ˙ ˙. Œ
4
∑ ∑
Bar. /
Euph. bb œ ˙
P
? b Œ ∑ ∑
Tuba
bb w ˙ ˙ ˙.
bw bw
St. Bs.

P
? b ∑ ∑ ∑ ∑ ∑ ∑ ∑
Timp. bb
b 4
˙˙ 3
Bells &bb ∑ ∑ ∑ ∑ Ó ∑ ∑
p 4
b 4 ∑ ∑ ∑ ∑ ∑ ∑ ∑
Chimes &bb
b Ó Ó ˙˙˙ Ó ∑ ∑ ∑ ∑
Vibra. &bb ˙˙˙ ˙˙˙
P
Perc. ÷ Œ ±. Œ ±. Œ ±. ∑ ∑ ∑ Œ ±
29 P 30 31 32 33 34 35
p

B1654
8
36 Tempo I
b
Picc. &bb ∑ ∑ ∑ ∑ ∑ ∑
œ œ œ œ œ œ œ
Jœ œ œ œ 4 œ œ œ œ ˙ 3 ‰ Jœ œ œ œ 3 ˙ œ œ ˙ œ œ
Solo tutti
b
&bb ‰ œ
Fl. 1
4
p P
4 Œ
play

b 4 Ob.
∑ div. 4
w
4
˙. ˙
Fl. 2 &bb ∑ ˙˙ œ
œ ˙˙ w œ
Ó
p p P
bbb œœ ‰ Jœ œ œ œ
Solo

Obs.
1
2 & ∑ Ó ˙˙ ˙˙ .. ˙˙ .. œ ˙
p P
1 ? bb ∑ ∑ ∑ ∑ ∑ ∑
Bsns.
2 b
1 &b ˙. w ˙. w ˙. ˙.
Cls.
p P
2
3 &b ∑ ∑ ∑ ∑
˙. ˙.
P
B. Cl. &b ∑ ∑ ∑ ∑ ∑ ∑

C.B. Cl. &b ∑ ∑ ∑ ∑ ∑ ∑


œJ œ œ
Solo
4 3 4 3
A. Saxes
1
2 & ∑ ∑ ∑ ∑ ∑ ‰ œ œ
P
4 4 4 4
T. Sax. &b ∑ ∑ ∑ ∑ ∑ ∑

B. Sax. & ∑ ∑ ∑ ∑ ∑ ∑
36 Tempo I
œ œ ˙.
harmon mute - stem in

1 &b ∑ ∑ ∑ Ó ∑
Tpts.
p P
œœ œœ 3 ˙˙ ..
harmon mute - stem in
4 3 4
2
3 &b ∑ ∑ ∑ Ó ∑
4 4 4 p 4P
b ∑ ∑ ∑ ∑ ∑ ∑
1
2 &b
Hns.
b
3
4 &b ∑ ∑ ∑ ∑ ∑ ∑

? b ∑ ∑ ∑ ∑ ∑ ∑
1
2 bb
Tbns.
? b 4 3 4 3
3 bb ∑ ∑ ∑ ∑ ∑ ∑
4 4 4 4
? b ∑ ∑ ∑ ∑ ∑ ∑
Bar. /
Euph. bb
? b ∑ ∑ ∑ ∑ ∑ ∑
Tuba
St. Bs. bb
? b ∑ ∑ ∑ ∑ ∑ ∑
Timp. bb
œ 3
Bells
b
&bb ∑ 4 Ó œ œ œ ∑ 4 ∑ 3 ∑ ∑
4 p 4 4 4
Chimes & bbb ˙. ∑
˙. ∑ ∑ ∑
p
b ˙˙ œœ ˙˙ ˙˙
Vibra. &bb Œ œ œœ ˙˙ ˙˙ ∑ ∑
p pedal
Perc. ÷ ∑ ∑ ±. ∑ ∑ ∑
36 37 38 39 40 41

B1654
9

œ œ œ œ
rit.

Picc. & b bb ∑ ∑ ∑ ∑ ∑ ∑ Œ
F
œ œ
b ˙ œ œ
Fl. 1 & b b ˙. ˙. ˙ œ œ œ œ œ ˙ ˙ œ œ
œ
b
& b b ˙. ˙. ˙ œ œ ˙ œ œ ˙ œ œ œ œ œ
Fl. 2
œ ˙
tutti
b œ œ ˙ ˙ œ œ ˙ œ œ œœ œœ
Obs.
1
2 & b b ‰ Jœ œ œ œ œ œ œ ˙ ∑ Œ
˙ ˙ .. ˙ .. F
Bsns.
1 ? b
bb ∑ ∑ ∑ ∑ Œ ˙ ˙ ˙
2
P œ
∑ ∑ Œ œ
&b ˙. ˙. ˙. œ
œ œ œ œ
1

Cls. P
Œ œœ œœ
&b ∑ ∑
˙˙ ..
2
3
˙. ˙. Œ œ˙ œ œ œœ
P
&b ∑ ∑
˙. ˙. ˙. ˙.
B. Cl.
˙.
P
&b ∑ ∑ ∑ ∑ ∑ Œ ˙
˙.
C.B. Cl.

P
˙. œ. Jœ œ œ œ œ œœ
tutti

œ œœ ˙˙ œœ ˙˙ œœ ˙˙ ˙˙ ..
A. Saxes
1
2 & Œ œ œ œ

T. Sax. &b ∑ ∑ ˙. ˙. ˙. ˙. ˙.
P
B. Sax. & ∑ ∑ ∑ ∑ ∑ ˙. ˙.
P
∑ ∑ ∑ ∑ ∑ ∑
rit.
Œ
œ
open
œ
1 &b
Tpts. open F
&b ∑ ∑ ∑ ∑ ∑ Œ œ œœ œœ
œ œ œ œ
2
3

F
b ˙˙ ..
&b Œ œœ œœ ∑ ∑ ∑ œ œ œ œ œ ˙.
1
2
Hns. P P
b
&b Œ ˙˙ ˙˙ .. ∑ ∑ ∑ œ œ œ œœ œœ ˙˙ ..
3
4
P P
˙˙ .. ˙˙ .. ˙˙ œœ ˙˙ ..
? b ∑ ∑ ˙˙ ..
1
2 bb
P ˙.
˙.
Tbns.
? b ∑ ∑ ˙. ˙. ˙.
3 bb
P
œ œ œ œ ˙. ˙.
? b ∑ ∑ ˙. ˙.
Bar. /
Euph. bb œ
P
? b ∑ ∑ ∑ ∑ ∑ Œ ˙
Tuba
St. Bs. bb
P ˙.
? b ∑ ∑ ∑ ∑ ∑ Œ ˙» ˙».
Timp. bb
œœ P
Bells
b
&bb ∑ Œ Œ ∑ ∑ ∑ ∑ Œ œ œ œ œ
p F f
bbb ∑ ∑ ∑ ∑ ∑ ∑ Œ œ œ
Chimes &
F
b
˙. ˙.
Vibra. &bb ∑ ∑ ∑ ∑ ∑ ˙. ˙.
» »
P
Perc. ÷ Œ ± ∑ ∑ ∑ ∑ ·. ·.
» »
P
42 43 44 45 46 47
P 48

B1654
10
˙. ˙
49 con moto
œ ˙. ˙.
Picc. & b bb ∑ ∑ ∑
f˙ ˙ >œ >œ . œ
œ œ œ œ ˙.
b
Fl. 1 &bb ∑ ∑ ∑
f˙ œ œ ˙ œ ˙ œ ˙.
Fl. 2 & b bb ∑ ∑ ∑
f >>
˙˙ œ. œ
Obs.
1
2
b ˙
&bb ˙ œœ œœ œ ˙œ œ
œ ˙˙ .. ∑ ∑ ∑
f. œ ˙
? b b ˙˙ . œ œ œœ œœ ˙ œœ ˙˙ ..
Bsns.
1
2 b œ ∑ ∑ ∑
f˙ ˙ >œ >œ . œ
œ œ œ œ ˙.
1 &b ∑ ∑ ∑
Cls. f
&b ˙˙ .. ‰ ˙˙ œœ ˙˙ .. ∑ ∑ Œ
œj ˙˙ œœ œœ .. œœ
2
3
f P
B. Cl. &b b˙ . ˙.
˙. œ ˙ ˙ œ ˙. œ œ œ œ
f P
&b ˙ ˙ œ ˙. ˙. œ œ œ
C.B. Cl.
œ b˙ . œ
f ˙. P
˙. œœ œ˙ . ˙
˙. ‰ œj ˙˙ ˙˙ ∑ ∑ ∑
A. Saxes
1
2 &
f >
T. Sax. &b ˙. œ œ> œ> œ ˙ œ œ ˙ ∑ ∑ ∑
f
œ > > >œ >˙ ˙.
B. Sax. & ˙. œ œ œ ˙. b˙ œ ˙ œ
f P
49 con moto
˙ œ œ ˙ >œ >œ . œ œ
1 &b œ ˙. ∑ ∑ ∑
f
Tpts.
œœ ˙˙ œ˙ œ œ œ ˙œ œœ œ ˙˙ ..
2
3 &b œ œ ∑ ∑ ∑
f > > >
> > >
b œ œ œ œ ˙˙ ˙ œ œ ˙ ˙.
1
2 & b ‰ Jœ œ ˙ œœ ˙˙ œ œ
f P
œ œ œ œ
Hns.
b ˙˙
3
4 & b ‰ Jœ œ ˙ ˙˙ œœ ˙. b ˙˙ .. œœ ˙˙ œœ
f P
. œœ œœ> œ>œ >œœ
>˙ œœ ˙œ. ˙ œœ b œœ ˙˙ ..
1 ? b b ˙˙ . ˙ œœ
œœ œœ œœ
2 b
f > > >œ >˙ P
œ œ œ œ ˙ ˙.
Tbns.
? bb ˙ . œ ˙. b˙ œ
3 b
f >œ >œ
> œ œ> P
? bb œ
œ div. ˙˙ œœ œ> >œ >œ œ >˙ . œ b˙ ˙. ˙ œ œ
b
Bar. /
Euph.
f P
? bb ˙ œ œ œ
Tuba
St. Bs. b ˙ œ ˙. b˙ . ˙.
f ˙. œ P œ
? bb Œ Œ Œ » Œ Œ Œ Œ ∑ ∑ ∑
Timp.
b œ ˙ œ œ
f
b
Bells &bb ∑ ∑ ∑ ∑ ∑ ∑ ∑
b ˙.
Chimes &bb ∑ ∑ ∑ ∑ ∑ ∑
f
b œ
Vibra. &bb œ Œ Œ ∑ ∑ ∑ ∑ ∑ ∑
f
Cr. Cym. ·. ±
÷ ¿ Œ Œ Œ ∑ ∑ ∑ Œ
»· ¿
Perc.
Œ Œ
f P
49 50
F 51
f 52 53 54 55

B1654
11
molto rit.

& b bb ∑ ∑ ∑ ∑ ∑ ∑
˙
Picc.

œ œ. ˙. œ œ
Fl. 1 & bbb ∑ ∑ ∑ ∑ 4
F
4 œ œ. ˙. œ œ n˙
Fl. 2 & b bb ∑ ∑ ∑ ∑
F
Obs.
1
2
b
&bb ∑ ∑ ∑ ∑ ∑ Œ œœ n ˙˙
œœ œ œœ œœ œ œ F
. ˙˙ .. œœ œœ ..
? bb ∑ b ˙˙ . ˙˙ œ œ œ œ œ
3
1
Bsns.
2 b bœ bœ
p ˙.
>œ >œ œ>
œœ œœ .. ˙˙ œ
div.
1 &b ∑ ∑ Œ ˙ œ
P p
Cls.
˙˙ ˙˙
2
&b ˙˙ .. ∑ ∑ Œ ˙˙
3
˙˙ ˙˙
p
&b ∑ ∑ ∑
3
B. Cl.
˙. œ. œ œ œ œ œ
œj ˙ bœ bœ
P
&b ∑ ∑ Œ Œ œ œ œj ˙ œ œ œ œ œ
3

˙. œ.
C.B. Cl.
bœ bœ
P
Œ Œ pœ ˙œ b ˙ œ œ ˙œ œ œ ˙˙ ..
4
˙˙ ˙˙ # ˙˙
A. Saxes
1
& œ ˙˙
2
∑ p
˙. ˙ œ œ ˙.
4 >œ œ> >œ œ œ
T. Sax. &b ∑ Œ ˙
p F
˙. b˙ . ˙. ˙ œ ˙ b˙
B. Sax. & ˙. œ
p
>
œ
>œ >œ molto rit.
œ œ ˙
1 &b ∑ ∑ ∑ ∑ Œ
F
b ˙˙
Tpts.
4
2
3 &b ∑ ∑ ∑ ∑ Œ ˙˙ .. œœ œ
F
˙ # ˙˙
b 4
1
&b ˙. ∑ ∑ Œ œ œ. œ ˙ ˙
2
Hns.
p
3
4 & bb œœ ˙˙ ∑ ∑ Œ œ œ. œ ˙ ˙ ˙ b n ˙˙
p
˙. œœ œœ .. œœ œ œœ œœ œ œœ œœ .. Jœ n n ˙˙
? b ˙. ∑ ∑ Œ Œ
1
2 bb
P
Tbns.
? b ˙. ∑ ∑ Œ Œ
4
˙ œ ˙ b˙
3 bb œ œ
P œ ˙
? b ∑ ∑ ∑
4
Œ
˙ n˙
Bar. /
Euph. b b ˙.
F
? b ∑ ∑ Œ Œ œ œ œ œ œ
œ œ œj ˙
3
Tuba
St. Bs. bb bœ bœ
˙. P œ.
? b
Timp. bb ∑ ∑ ∑ Œ ˙» w» w»
p
w
b œœ œœ .. ˙˙ ..
4
Bells &bb ∑ ∑ ∑ ∑ w»
4 F P
Chimes & bbb ∑ ∑ ∑ ∑ ∑ ∑
b . ˙ w w
Vibra. & b b œœ œœ . ˙ ∑ ∑ ∑ w» w»
P P
÷ ∑ ∑ ∑
»· . ·» ·»
Perc.

56 57 58 59
p 60 61

B1654
12
62 With relentless passion (Œ = 52)
œ œ. œ œ. œ w w
bb ˙ Jœ œ œ œ ∑ ∑
Picc. & b
f
˙ œ œ. œ œ. œJ œ œ œ œ ˙ ˙ w ˙. œ œ œ ˙. œœ 3
Fl. 1 & b bb
f
A˙ œ œ. œ œ. œJ œ œ œ ˙ w w ˙. œœ 4
œ ˙
Fl. 2 & bbb
f w w w
b A ˙˙ œœ œœ .. œœ w w w ˙. œ œ œ ˙. œœ
Obs.
1
2 &bb
f
? bb w w w ˙˙ .. œœ w
w
1
b w w w w
fw
Bsns.
2

w œ. Jœ œ œ œ œ
˙.
œ œ. w ˙. œ œ œ ˙. œœ
1 &b
f
Cls.
w w
w œœ œœ .. ˙˙ w w ˙˙ ..
2
3 &b w Œ w w œœ
f
&b
œ œ ˙. œ
B. Cl.

fN w w w ˙. w
&b w
œ œ ˙. œ
C.B. Cl.

fw w w ˙.
w œœ œœ .. ˙˙ ˙˙ > > >
Œ œœ œœ .. ˙˙ Œ œ œ œ
3
A. Saxes
1
& w Œ œœ œœ .. œœ ˙ ˙
2
>
f 4
&b w w w w ˙. œ
T. Sax.
w
f
B. Sax. & w w w w ˙. œ w
f
62 With relentless passion (Œ = 52)
w w ˙ œœ œœ .. œœ
div.
w
w ˙. œ œ œ ˙. œœ
1 &b
Tpts.
f
&b w w
w ˙ œ œ. œ w
w ˙˙ .. œœ
3
w w˙ . œ œ. w
2
3
f
bb Œ œœ œœ .. ˙˙ w
w Œ
œœ œœ .. ˙˙ w
w
> >
Œ œ œ œ ˙
4
1
& ˙
2
f > >
Hns.
b > >
3
&b Œ œ œ. ˙ ww w
w ˙˙ œœ œœ .. œœ Œ œ œ œ ˙ ˙
4
> >
A˙ . f
A ˙. œ œœ .. w
w w
w w ˙˙ .. œœ w
? b w w
1
2 bb
f
Nw
Tbns.
? b w w ˙. œ w 3
3 bb w
>
f
w >œ œ œ> ˙ >˙
? b Aw w w Œ
4
Bar. /
Euph. bb
f
? b
Tuba
bb w w w ˙. w
œ œ ˙.
St. Bs.

f
œ
? b Œ Ó ∑ ∑ œ Œ Ó ∑
Timp. bb w»
fœ F f
œ
(B¯ to C)
œ w (Tune E¯, G¯, C¯)

b Œ ‰ œJ œ œ œ
3
Bells &bb œ Œ Ó ∑ ∑ ∑
f
bbb Œ ˙ œ œ ˙ œ œ ˙ œ œ ˙ œ œ ˙. ∑
4
Chimes & ˙ œ œ ˙ œ œ ˙ œ œ ˙ œ œ ˙.
œ f œ w
Vibra. & bbb œ Œ Ó Œ ‰ œJ œ œ œ ∑ ∑ ∑
f
· ·
Perc. ÷ ¿ ·» ¿ Œ Ó ·» ¿ Œ Ó ∑
Œ Ó
f
62 63
P 64
f
65
P 66
f 67

B1654
13
68 con moto
b˙ œœ œ ˙ œ œ bœ œ œ œ ˙ rit. poco a poco

Picc. & b bb ∑ ∑
f œ œ bœ œ œ
b˙ œœ œ ˙ œ ˙
b b 3 ∑ ∑
Fl. 1 & b
b 4
˙ bœ ˙. N˙ œ ˙.
Fl. 2 & b b ∑ ∑
b b˙ œœ œ ˙ œ œ bœ œ œ œ ˙
Obs.
1
2 &bb ∑ ∑

œ bœ œ œ œ œ bœ œ . œ œ œ˙ bœ œ œ œ ˙
Bsns.
1
2
? bb
b ‰ bœ bœ œ ≈œœ ∑ ∑
b˙ œœ œ ˙ œ œ bœ œ œ œ ˙
1 &b ∑ ∑
Cls.
2
3 &b b ˙˙ .. b ˙˙
œ ˙
œœ œœ œ N ˙ œœ b ˙˙ .. ∑ ∑

B. Cl. &b œ œ . œ œ œ bœ œ. œœ œ bœ œ ˙.
∑ ∑
bœ ˙
&b bœ ˙ œ œ. œ œ. œœ œ bœ œ ˙. ˙. b˙ .
œ œ bœ
C.B. Cl.

3 F
A. Saxes
1
2 & b œœ ˙˙ œœ œœ b œœ œœ .. œœ œœ ˙˙ œœ œœ b ˙˙ ∑ ∑

‰ bœ bœ œ œ bœ œ œ œ œ bœ œ . œ œ ≈œœœ˙ bœ œ œ œ ˙
4
T. Sax. &b ∑ ∑

B. Sax. & bœ ˙ ˙ œ œ bœ ˙ œ œ ˙ ∑ ∑

68 con moto rit. poco a poco


b˙ œœ œ ˙ œ œ bœ œ œ œ ˙ œ ˙ œ ˙
1 &b
Tpts. F
3 ˙. œ ˙
2
3 &b b˙ . b ˙˙ œœ œœ œ N ˙ œœ b ˙˙ .. b ˙˙ .. b ˙˙ ..
F
b 4 ‰ ˙ œ
1
&b œ bœ œ œ œ œ bœ œ . œ œ ≈
œœœ œ. œ œ ˙. b ˙˙ ..
bœ bœ œ
2
Hns. F
b ˙
3
&b ‰ œ bœ œ œ œ œ bœ œ . œ œ ≈
œœœ
bœ œ œ œ ˙ ∑ ∑
bœ bœ œ
4

? bb b œœ ˙˙ œœ œœ b œœ œœ .. œœ œœ N ˙˙ œœ œœ b ˙˙
1
2 b ∑ ∑
Tbns.
? bb 3 bœ ˙ ˙ œ œ bœ ˙ œ œ ˙ ∑ ∑
3 b
œ bœ œ œ œ œ bœ œ . œ œ œ˙ bœ œ œ œ ˙
‰ bœ bœ œ ≈œœ ˙.
4
? bb b˙ .
b
Bar. /
Euph.
F
? bb œ œ. œ œœ œ bœ œ ˙.
Tuba
b bœ ˙ œ. ˙. b˙ .
œ œ bœ
St. Bs.
F
? bb ∑ ∑ ∑ ∑ ∑ ∑
Timp.
b
œ ˙ œ˙
b bœ ˙ œ˙ œœœ
3
Bells &bb bœ bœ œ œœœ œœœ ∑ ∑
b 4 f
Chimes &bb ∑ ∑ ∑ ∑ ∑ ∑
b
Vibra. &bb ∑ ∑ ∑ ∑ ∑ ∑
·. ∑ ·.
÷ ∑ ∑ ∑
»· . ¿
Perc.
Œ Œ
68 69
F 70
f 71 72 73

B1654
14
75 Tempo I

Picc. & bbb ∑ ∑ ∑ ∑ ∑ ∑


b ∑ 4 ∑
Fl. 1 &bb œ ˙ œ ˙ œ ˙ œ ˙
p
4
Fl. 2 & b bb ∑ ∑ ∑ ∑ ∑ ∑
b ∑ ∑ ∑ ∑ ∑ ∑
Obs.
1
2 &bb
? b ∑ ˙ .. ˙˙ .. ∑
Bsns.
1
2 bb ˙˙ .. ˙˙ .. ˙
p
1 &b ∑ ∑ ∑ ∑ Œ Œ
œ œ œ œ œ
Cls. π
2
&b ∑ ∑
3
˙˙ .. ˙˙ .. ˙˙ .. ˙˙ ..
p
B. Cl. &b ∑ ∑ ∑ ∑ ∑ ∑

C.B. Cl. &b ˙ œj ‰ ∑ ∑ ∑ ∑ w


π
A. Saxes
1
& œ œ bœ ˙. ˙. ∑ ∑ 4 ∑
2
P
4
T. Sax. &b ∑ ∑ ∑ ∑ ∑ ∑

B. Sax. & ∑ ∑ ∑ ∑ ∑ ∑
75 Tempo I

1 &b ˙. ˙. ∑ ∑ ∑ ∑
Tpts.
4
2
3 &b ˙˙ œœj ‰ ∑ ∑ ∑ ∑ ∑

b 4
& b ˙˙ œœj ‰ ∑ ∑ ∑ ∑ ∑
1
2
Hns.
b ∑ ∑ ∑
3
&b
4
œ œ bœ ˙. ˙.
P w
? b ∑ ∑ ∑ ∑ ∑ w
1
2 bb
Tbns.
? b 4 π
3 bb ∑ ∑ ∑ ∑ ∑ ∑
4
? b ˙ Jœ ‰ ∑ ∑ ∑ ∑ w
Bar. /
Euph. bb
π
? b
bb ˙ œj ‰ ∑ ∑ ∑ ∑
Tuba
St. Bs.
w
π
? b ∑ ∑ ∑ ∑ ∑ ∑
Timp. bb
b ∑ ∑ ∑ ∑ ∑
4

Bells &bb
b 4
&bb ∑ Œ Œ ∑
Chimes
œ ˙ œ ˙ œ ˙ œ
p
b ∑ ∑ ∑ ∑ ∑ ∑
Vibra. &bb

Perc. ÷ ∑ ∑ ∑ ∑ ∑ ∑
74 75 76 77 78 79

B1654
15
82

Picc. & b bb ∑ ∑ ∑ ∑ ∑ ∑

b Hn. Solo ∑ 3 4 3
Fl. 1 &bb ˙ ˙
∑ ∑ ∑ ∑ ∑
π 4 4 4
b
Fl. 2 &bb ∑ ∑ ∑ ∑ ∑ ∑
b
Obs.
1
2 &bb ∑ ∑ ∑ ∑ ∑ ∑

1 ? bb ∑ ∑ ∑ ∑ ∑ ∑
Bsns.
2 b
Solo

&b ∑ ∑ ∑ ∑ Œ Œ
œ
1
w p
Cls.
Solo
2
&b ∑ ∑ ∑ ∑ ∑ Œ Œ
3
œ
p
B. Cl. &b ∑ ∑ ∑ ∑ ∑ ∑

C.B. Cl. &b w ∑ ∑ ∑ ∑ ∑


3 4 3
A. Saxes
1
2 & ∑ ∑ ∑ ∑ ∑ ∑
4 4 4
T. Sax. &b ∑ ∑ ∑ ∑ ∑ ∑

B. Sax. & ∑ ∑ ∑ ∑ ∑ ∑
82 Solo

&b ∑ ∑ Ó œ œ œ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ
1
p
œ œ ˙ œ
Tpts.
3 4 3
2
3 &b ∑ ∑ ∑ ∑ ∑ ∑

b Solo 4 4 4
1
2 &b ˙ ˙ ∑ ∑ ∑ ∑ ∑
Hns. π
b
3
4 &b ∑ ∑ ∑ ∑ ∑ ∑

? b w
1
2 bb w ∑ ∑ ∑ ∑ ∑
Tbns.
? b 3 4 3
3 bb ∑ ∑ ∑ ∑ ∑ ∑
4 4 4
? b ∑ ∑ ∑ ∑ ∑
Bar. /
Euph. bb w
? b ∑ ∑ ∑ ∑ ∑
Tuba
St. Bs. bb w

? b ∑ ∑ ∑ ∑ ∑ ∑
Timp. bb
b 3 œœ œœ .. 4 3
Bells &bb ∑ ∑ ∑ Œ Œ ∑ ∑
p
b 4 4 4
Chimes &bb ∑ ∑ ∑ ∑ ∑ ∑

b w» w» w» ˙». w» ˙».
Vibra. &bb w w w ˙. w ˙.
π pedal Outdoor Wind Chimes

w» w»
(very slowly)

Perc. ÷ ∑ ∑ ∑ Œ ±
π p
80 81 82 83 84 85

B1654
16
88

Picc. & b bb ∑ ∑ ∑ ∑ ∑ ∑ ∑
œ œœœœœœ
b œ œ œ œ œ œ 3 œœœœœœ 4 w
Solo
˙. 4

3

2

4
Fl. 1 &bb
p
4 4 4 4 4 4
Fl. 2 & bbb ∑ ∑ ∑ ∑ ∑ ∑ ∑
b ∑ ∑ ∑ ∑ ∑ ∑ ∑
Obs.
1
2 &bb
œ ˙. w
Solo

Bsns.
1 ? b Œ
bb Œ ˙. w ˙˙ œœ œœ ˙˙
2
p + 2.

1 &b ˙ ˙. œ ˙ œ œ ˙ w ˙ œ œ ˙
Cls.
œ
2
&b
3
˙ œ ˙ œ w ˙. w ˙˙ œœ œœ ˙˙
+ 3.
Bsn. solo
∑ œ ∑ ∑ ∑ ∑ play
B. Cl. &b Œ Œ ˙. w
˙.
p
w ˙ œ œ ˙
p
C.B. Cl. &b ∑ ∑ ∑ ∑ ∑ ∑ ∑

œ œ œ
4 ˙.
œ œ œ
Solo
œ 3 4 3 2 œ œ 4
A. Saxes
1
& Œ Œ œ ˙ œ ˙. œ
2
P
4 4 4 4 4 4
T. Sax. &b ∑ ∑ ∑ ∑ ∑ ˙ œ œ ˙
p
B. Sax. & ∑ ∑ ∑ ∑ ∑ ˙ œ œ ˙
p
88

&b ˙. ∑ ∑ ∑ œœœœ œœ ˙. ∑
1
p
œ
Tpts.
4 3 4 3 2 4
2
3 &b ∑ ∑ ∑ ∑ ∑ ∑ ∑
b 4 4 4 Solo 4 4 4
&b ∑ ∑ ∑ ∑ Œ œj ‰ ∑
œ œ œ
1
2 ˙
Hns.
p
b ∑ ∑ ∑ ∑
Hn. 1 Solo
∑ ∑

3
4 &b Œ œ œ ˙ Jœ

œ
p
? b ∑ ∑ ∑ ∑ ∑ ∑ ∑
1
2 bb
Tbns. 4 3 4 3 2 4
? b ∑ ∑ ∑ ∑ ∑ ∑ ∑
3 bb
4 4 4 4 4 4
? b ∑ ∑ ∑ ∑ ∑ ∑ ∑
Bar. /
Euph. bb
? b ∑ ∑ ∑ ∑ ∑ ∑ ∑
Tuba
St. Bs. bb
? b ∑ ∑ ∑ ∑ ∑ ∑ ∑
Timp. bb
œ. ˙
b b œœ œ . ˙ 4 3 4 3 2 4
Bells & b ∑ ∑ ∑ ∑ ∑ ∑
b 4 4 4 4 4 4
Chimes &bb ∑ ∑ ∑ ∑ ∑ ∑ ∑

b b b ˙». ˙». w» ˙». w» ˙». ˙»


Vibra. & ˙. ˙. w ˙. w ˙. ˙
Perc. ÷ ∑ ∑ ±. Œ ∑ ±. Œ ∑ ∑
86 87 88 89 90 91 92

B1654
17

b œ œ œ w
Picc. &bb ∑ Œ ∑ ∑ ∑
œ
tutti
p 4 P
b
4 œ œ 3
˙.
Fl. 1 &bb Œ ∑ ∑ ∑ ∑
4 p 4 4
b
Fl. 2 &bb Ó ˙ ˙. w ∑ ∑ ∑
p
‰ œ œ œ œ œ œ
Solo
b ˙. w
Obs.
1
2 &bb ∑ ∑ ∑
p

? bb
(1. only)
w
tutti
œœ œ˙ ˙ œ w
Bsns.
1
2 b Œ Œ ˙ w ∑ ∑
p P
tutti

1 &b w œ œ œ œ ˙ œ œ ˙. ∑ ∑
Cls. P
tutti
2
&b w Œ Œ
w
∑ ∑
3
w œœ w w
w
p P
B. Cl. &b ∑ Œ Œ ∑ Ó
œ w w ˙
π
p P
C.B. Cl. &b ∑ Œ Œ œ w w ∑ Ó ˙
p π
4 w 3 4 P
A. Saxes
1
2 & ∑ ∑ ∑ ∑ ∑
4 4 4
T. Sax. &b ∑ ∑ ∑ ∑ ∑ ∑

B. Sax. & ∑ ∑ ∑ ∑ ∑ ∑
tutti

&b Ó Œ œ œ œ œ ˙ w
1
œ œ œ ˙ œ ˙. œ œ
Tpts. p P p
4 3 4
2
&b ∑ ∑ ∑ ∑ w w
3
w w
4 4 4 p
b tutti
1
&b ∑ ∑ Ó Œ
˙. ˙˙ ˙˙ w
w
2
œ œ
Hns. P p
3
4 & bb ∑ ∑ ∑ ∑ ∑ ∑

? bb œœ ˙œ. ˙ œœ w
1
b ∑ Œ Œ w ∑ ∑
2
Tbns. p P
? bb 4 ∑
3
Œ Œ œ
4
˙ ∑ ∑
3 b ˙ w
4 4 p 4P
? bb ∑ ∑ ∑ ∑ ∑ ∑
b
Bar. /
Euph.

? bb ∑ Œ Œ ∑ Ó
Tuba
St. Bs. b œ w w ˙
p π
P
? bb ∑ ∑ ∑ ∑ ∑ ∑
Timp.
b
b 4 3 4 w
Bells &bb ∑ ∑ ∑ ∑ ∑ w
4 4 4 p
Chimes & bbb ∑ ∑ ∑ ∑ ∑ ∑
» »
b w ˙». w
Vibra. &bb w ˙. w ∑ ∑ ∑

Perc. ÷ ±. Œ ∑ ∑ Ó ± ∑ ∑
93 94 95 96
p 97 98

B1654
18
99
b
Picc. &bb ∑ ∑ ∑ ∑ ∑ ∑
Solo
b w ˙
Fl. 1 &bb ∑ Ó œ œ ˙ ∑ ∑
p
Fl. 2 & b bb ∑ ∑ ∑ ∑ ∑ ∑

b
Obs.
1
2 &bb ∑ ∑ ∑ ∑ ∑ ∑

1 ? bb ∑ ∑ ∑ ∑ ∑ ∑
Bsns.
2 b

‰ œ œ œ œ œ œ
Solo

1 &b ∑ ∑ ∑ w ∑
Cls. p
2
3 &b ∑ ∑ ∑ ∑ ∑ ∑

B. Cl. &b ∑ ∑ ∑ ∑ ∑
w
&b w w w w ˙. œ
C.B. Cl. w
p
A. Saxes
1
2 & ∑ ∑ ∑ ∑ ∑ ∑

T. Sax. &b ∑ ∑ ∑ ∑ ∑ ∑

B. Sax. & ∑ ∑ ∑ Ó ˙ ˙. œ œ ˙. œ
π p
99
Tpt. 2/3 ∑ ∑ ∑
1 &b w ∑ ∑ Ó
œ ˙ œ œ ˙ œ œ
œ
Tpts.
π p
2
3 &b ∑ ∑ ∑ Ó
œ œ ˙ œ œ ˙ œ œ
p
b
&b Ó
œ œ ˙. œ ˙ ˙ œ œ ˙ œ œ ˙
˙ œ œ
1
2
Hns.
p
b play
˙. œ œ
3
&b w w w w˙ ˙ ˙. œ
4
w w w p
π
w w w˙ ˙ ˙. œ œ ˙˙ .. œœ
1 ? bb ww w w w
2 b
π p
Tbns.
? bb ∑ ∑ ∑ ∑ w ˙. œ
3 b
p
? bb w w w ˙. œ œ ˙.
b w œ
Bar. /
Euph.
π p
? bb w
Tuba
St. Bs. b w w w w ˙. œ
p
? bb ∑ ∑ ∑ ∑ ∑ ∑
Timp.
b
b
Bells &bb ∑ ∑ ∑ ∑ ∑ ∑
b ˙ ˙ ˙ ˙ ˙ ˙ ˙
Chimes &bb Ó ∑ ∑
b p
Vibra. &bb ∑ ∑ ∑ ∑ ∑ ∑

Perc. ÷ ∑ ∑ ∑ ∑ ∑ ∑
99 100 101 102 103 104

B1654
19
107
#œ .
tutti
n Jœ œ
bb ∑ Ó Œ
Solo
˙ ˙
Picc. & b œ œ ˙
P f bœ . œJ œ
bb ∑ ∑ 3 ∑ 4 Ó œ œ. œ œ.
tutti
3 4
Fl. 1 & b
F fœ .
b œJ œ
bbb ∑ ∑
4

4
Ó œ œ. œ œ. 4 4
Fl. 2 &
F œœ f
Obs.
1 b
&bb ∑ ∑ ∑ œœ œœ .. ˙˙ b b œœ .. œœJ œœ
2
P œœ f bœ .
? b ∑ ∑ ∑ Œ ˙˙ œ. b œœJ œœ
Bsns.
1
2 bb
P f b œJ œ
œ œ bœ .
1 &b ∑ ∑ ∑ Ó
P f
b œœJ œœ
œœJ b œœ ..
Cls.
2
&b ∑ ∑ Œ œ œ. œ ˙ œœ ..
3
P f
&b ∑ ∑ ∑ Ó ˙ bœ .
B. Cl.

P œj œ
f
&b w ˙ ˙ ∑ Ó ˙ œj œ
C.B. Cl.
bœ .
P P f
˙˙ .. w œœ œœ .. œœ 4 ˙˙ bœ œ œ
œ bœ
tutti

A. Saxes
1
& Œ w 3 Œ œœ b œœ 3

4
2
p P
œ œ œ œ ˙. œ œ. œ 4 ˙ 4 f œ
Œ
4
Œ bœ bœ œ
4
T. Sax. &b ˙ œ bœ
p P f œ bœ
w ∑ Ó œ œ œbœ bœ œ
B. Sax. & ˙ ˙
P P f
∑ ∑
107
œ
play œ bœ . œJ œ
1 &b w w ∑ Ó
P f
œœJ 3 b >œœ b >œœ .. œœ œ
Tpts.
2
&b w w 3 ∑ 4 Ó œœ .. bœ œœ 4
3
P P
œ œ 4 4 4 f bœ œ œ 4
1
2 & bb Œ œ œ ˙. ∑ Ó Œ œ bœ œ bœ
Hns. P f
3
& bb w ˙˙ ˙˙ ∑ Ó bœ œ bœ œ
4
P ˙ œ bœ
P
b b Jœœ
w w œœ b œœ .. œœ
? b w w ∑ Œ
˙˙
1
2 bb
P P f
3 bœ .
Tbns.

3
? b
bb w ˙ ˙ 3 ∑ 4 Œ ˙ œ œJ œ 4
P P f
bœ œ bœ œ
? b w ˙
4

4
Ó œ œ
4
œ bœ
4
Bar. /
Euph. bb ˙
P P f
? b ˙ ∑ Ó
Tuba
bb w ˙ ˙ œj œ
bœ .
St. Bs.

P P f
? b ∑ ∑ ∑ Ó bœ .
Timp. bb ˙
»
œj« œ»
3 4 P 3 f 4
Bells & bbb ∑ ∑ Œ ˙˙ ∑ ∑
b 4 p 4 4 4
Chimes &bb Ó ˙ ˙ ˙ ∑ ∑ ∑
b p ˙˙ ˙˙ bœ . œJ œ
Vibra. &bb ∑ ∑ ∑
»
P f
Perc. ÷ ∑ ∑ ∑ Œ ·. ¿ Œ ¿
» »
105 106 107 108 P 109 f
B1654
20

Aw w 114

Picc. & b bb ∑ ∑ ∑ ∑
ƒ
bw w
tutti

b 4 w
w
div.
w
w
Fl. 1 &bb ∑ ∑
ƒ p
b 4 w w div.
Fl. 2 &bb ∑ ∑ w
w w
w
ƒ p
bbb
Solo

Obs.
1
& bbww w
w ∑ Ó ˙ w ∑
2
ƒ p
? bb w w
Bsns.
1
2 b bw w ∑ ∑ ∑ ∑
ƒ
w w Solo
1 &b ∑ Œ bœ
bœ . ˙ w

ƒ
p
bbw w
Cls.
w w Solo
2
3 &b ∑ Ó Œ ∑
ƒ œ œ. w
p
B. Cl. &b ∑ ∑ ∑ ∑
bw w
ƒ
C.B. Cl. &b ∑ ∑ ∑ ∑
bw w
ƒ
4 b œ>œ >œœ .. ˙˙ .. ˙˙ .. Solo
b˙ œ œ w w
A. Saxes
1
& bœ ∑
2
Œ
4 ƒ
bw w p
T. Sax. &b ∑ ∑ ∑ ∑
ƒ
w w
B. Sax. & ∑ ∑ ∑ ∑
ƒ 114
bw w
Ob. solo (cup mute)
Ó
1 &b ∑
∑p
˙ w


Tpts.
ƒ
b œœ œœ .. ˙˙ .. w
4
2
&b w ∑ ∑ ∑ ∑
3
>>
ƒ>
b œ>œ œœ .. ˙˙ ..
Solo
b 4 w
w œ œ. ˙
mute
1
2 &b ∑ ∑ ∑ Œ
ƒ p
b
Hns.

&b w w ∑ ∑ ∑ ∑
bb
3
4 w w
ƒ
bw
w w
w
1 ? bb ∑ ∑ ∑ ∑
2 b
ƒ
? bb 4 bw
Tbns.

3 b w ∑ ∑ ∑ ∑
4 ƒ w w
? b ∑ ∑ ∑ ∑
Bar. /
Euph. bb
ƒ
? b ∑ ∑ ∑ ∑
Tuba
St. Bs. bb bw w
bw w
ƒ
? b ∑ ∑ ∑ ∑
Timp. bb b w» w»
4 ƒ
b œ bœ bœ œ œ œ bœ œ
Bells &bb bœ œ bœ œ œ œ œ ∑ ∑ ∑ ∑
ƒ
b bb 4 bœ œ bœ bœ ∑ ∑ Ó ∑
Chimes & bœ bœ ˙˙ ˙
ƒ p
b bw ∑ ∑ ∑ w ∑
Vibra. &bb w
ƒ
· p
Perc. ÷ ¿ ∑ ∑ ∑ ∑ ∑
Œ Œ
110 ƒ 111 112 113 114 115

B1654
21
Solo

‰ œJ œ œ
U
Picc. & b bb ∑ ∑ Œ œ œ ˙. ∑ ∑ ∑
w˙ p
b w
w ˙ 3 ˙˙ .. 4 w
w U
Fl. 1 &bb ∑ ∑ ∑

b w w 4
˙˙ ..
4
w
U
Fl. 2 &bb w w w ∑ ∑ ∑

‰ œJ œ œ œ œ
b
Solo
U
Obs.
1
2 &bb ∑ ∑ w ∑ ∑ ∑
p , U
1 ? bb ∑ ∑ ∑ ∑ ∑
w
w w w
Bsns.
2 b
π
tutti U
&b ∑ ∑ ∑ ‰
œ œ œ ˙
1

w w w
Cls. p π , U
tutti
2
&b ∑ ∑ ∑ ∑ ∑
w
3
w w
w
π , U
B. Cl. &b ∑ ∑ ∑ ∑ ∑
w w
π , U
C.B. Cl. &b ∑ ∑ ∑ ∑ ∑
w
π w
3 4 U
A. Saxes
1
2 & ∑ ∑ ∑ ∑ ∑ ∑ ∑
4 4 U
T. Sax. &b ∑ ∑ ∑ ∑ ∑ ∑ ∑
U
B. Sax. & ∑ ∑ ∑ ∑ ∑ ∑ ∑
Solo
cup mute U
1 &b ∑ Œ œ œ. ˙ ∑ ∑ ∑ ∑ ∑
Tpts. p U
3 4
2
3 &b ∑ ∑ ∑ ∑ ∑ ∑ ∑
4 4 tutti
, U
bb
open
1
& ∑ ∑ ∑ ∑ ∑ w w
2 w w
Hns. π , U
b
3
&b ∑ ∑ ∑ ∑ ∑
4
w w
π
? bb
w
w , U
w
w
1
2 b ∑ ∑ ∑ ∑ ∑
Tbns. 3 4 π , U
? bb ∑ ∑ ∑ ∑ ∑ w w
3 b
4 4 π , U
? bb ∑ ∑ ∑ ∑ ∑ w
Bar. /
Euph. b w
π
, U div.
? bb ∑ ∑ ∑ ∑ ∑
Tuba
St. Bs. b w w
π
w U
? bb ∑ ∑ ∑ ∑ ∑ ∑ ∑
Timp.
b
3 ˙. 4
b ˙. U
Bells &bb ∑ ∑ ∑ ∑ ∑ ∑
b 4 p 4 U
Chimes &bb Ó ˙ ∑ ∑ ∑ ∑ ∑ ∑
b U
Vibra. &bb ∑ ∑ ∑ ∑ ∑ ∑ ∑
U
Perc. ÷ ∑ Œ ±. ∑ ∑ ∑ ∑ ∑
116 117
p 118 119 120 121 122

B1654
B1654

You might also like

pFad - Phonifier reborn

Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


Alternative Proxies:

Alternative Proxy

pFad Proxy

pFad v3 Proxy

pFad v4 Proxy