A L L OF M E

for S . A . T . B . voices and piano

with optionui insirumeiiliil accumpanimcnl
or cassctte*

Airanged bv Bv SEVMOUR SIMONS

CARL STROMMEN and G E R A L D MARKS

Slowly, tempo ad lib

SOPRANO
ALTO
-r-T
You took the
' I í^' part thai
r oncc was niy heart, so

r rr r r
mp
TTNOR
I
BASS

Slowly. tempo ad lib

Cm^ Ctto7 Dni9 Dm'' Gl3 G9(bl3)

PIANO mp
o -áÊL.
1^

Tempo r-,-,
( J = 144) swingfcel ( Jj =J />)

why not take ali ol me?.

1
Tempo ^ ,^
Cm9 Cm7 Fl3 Fl3(|»9) = swingfcel { Fi
U|>13 G l 3 ( t 9 ) Cm9 I l 3 ( b 9)

3«t

42.
- 9 -

Performance time; approx. 2:30

NOTE: I f possibic. lhe pianisi shoulil "comp." raihcr i h a n play lhe noles e u c t i y a* w r i u e n .
*Sct o f pans for guitar. bass a n d drums. code no. LB-27(I
Accompanimenl/Full-Performancc cas.scllc. code no. M C - W
This « r r a n g e m e n t is also available for S A . B . voices. code no. f)-373

e (opyriphl M l M X X X I . I n i n g Ik-rlin. Inc. niiw Bonmc l o and MarUmp Muilic.

US. l op>riuhl Kciic»ctl. IIIÍN Arran|!i;nicMI O l iipyrifilil M< Ml.X.NXVlI. Hnuriic < 11
lnl«rnaiional l opvii^hl Sccurcd. AH Ri|!lils Kcscnrcd. L;.scU by pcriiiÍMÍ«n.
SOLE S E L L I N G A G E N T FOR THIS ARRANGEMENT: SHAWNEF PRESS. INI . l l l . L A W A R i ; WATER « A P . PA 111.127

ÍA-I827)
 'I

Ali of me,.
J r rr
why not take

B\>\3 Gl3(b9)Cm9 Fl3 ij[,n,3j7 Bbmaj?

w p
4í

all of me?.
(ums.)

Can't you see? I"m no good with -

D Em7 Fo7 D/KJl G Am7 BI»°7 G/B

—ty^

«r r r r
j ,j =
— j í J — ' 1—^ J 1

•"^ i! 1 — 1
T.llti- m y lips 1 want tn

— , , , . • . 7 ) 7 ,
1
r 1 1 — j — >
niit ynil

Cm 11 Cm7
-p-ri,—1 3Tn 1 1 J 1
»! yS:
J3

If r ^
(A-1S27)
4

:—- -n . t 3 !
—Mt
J Il i p* Jl — s
1 V i r ^
Take my arms,. r i l nev - er

Ar—-n^
lose. them
(unis.) •3 1

Gm11 Gm?

©
I use them. Your good-bye. left me with
, S ,

Cm^ Fl3 Bl>maj9

> >

-xy-

eyes that cry.. How can I . go on with •

( J 1

4 ^Ji,j J
1 3 1

Am7 D7 Gl3

1 ^

m
> • (A-1827)
 ia-

out. you?— You took the part. that oncc_

(no breath)
Cmll Cni7 EI> E°7

(2.: («—A -tX.

was my h e a r t , _ so whv not take ali of me'

F6 GI3 Cm7(l'5) Fl.3 Fl3(b9)B|7l3

SOLO finay be impwvhed)

(Bh3) Al3 A^IS Gl3 Cniaj9

1 -ai(i spi—#

(A-1827)
 6

E7 Em 7 A7(b9)

1 1^ F 1

©
J 1—(

Oo
ú ^1

Dm 7 Bm7 E7

f- j r n

^
1^ í Lr
iH-dh:) (Si tinis.)

(d) íbo'^ "T- Q-i ^ ^

;r v i » lu ' 9 — :=h^ '
r),^ •

4y ^

Am7 Dl3

1.4 r m i r r g-^-'
K ^'
—
\j L.J U" U-J
fA-1827)
 I 3—^
Your good-bye left me with
- , i-r—•í — •

Dm9 Gl3(b9) 4 Cmaj 7

i
(cndsoto)

I eycs that cry. liow can I go on with-

i 1^ W ^ r ' 1?"^ 1^
E Fj|m7 Go7 E/GJl Emil A7

#r r TT

( H ) You look tlic p:irt. that once.

out. you. Oo. that once.

You took the part, that oncc.

that once_
Dm I I Dm 7 F6 F#o7

>

"XT"
>
(A-IS27)
 É
was my heart, so why not take ali of,

Em7 A7 Dm7 G>3 G7

m m
p
1'' </ ^ why not take ali of me?
why not take ali of,

Em 7 A7(1'9) Dm7 Gl3

ÍÉ
Ali of me. Ycah!

ff
•2

c6
N.C.

(É V [çp]
(A-1827)