Frontmatter
Frontmatter
F O R L,
L L S T G I L
S K I S O B
R WIS
E R
O N N A L E N
E ,
ER EL LE
AT I S I O I L L IP C CHA
M I
IC
N OF E S PH AND
N
M U R LA WS O
O M S P CEL
ES TE
C NES
S I
BU Communication Skills for Business Professionals is a student-friendly introduction to the principles and practice
of effective communication in the workplace. Engagingly written and full of real-life examples, it explains the key
theories underpinning communication strategies and encourages students to consider how to apply them in a
contemporary business environment.
Every chapter features:
t learning objectives
t an opening case study or scenario to set the scene and highlight real-world challenges and implications
t ‘Pause and reflect’ and ‘Communication in practice’ boxed features
t an advanced section to extend students’ knowledge
t key terms defined in the margins for easy reference
t review questions and applied activities – ideal for use in tutorials.
After working through foundation topics such as understanding the audience, persuasion and influence, negotiation
and conflict management, and intercultural complexities, students will explore the various modes and contexts of
workplace communication including meetings, oral communication, written reports and correspondence. The text
incorporates discussion of new digital technologies such as virtual real-time communication, and dedicates an
entire chapter to the specific considerations involved in writing for the web.
With its emphasis on Australian contexts and examples, Communication Skills for Business Professionals is
an excellent introduction to the world of professional communication.
Additional resources for instructors can be found on this book’s companion website at www.cambridge.edu.
au/academic/communicationskills.
Phillip Cenere is Associate Dean of the School of Business and Senior Lecturer at The University of Notre Dame
Australia, Sydney.
Robert Gill is the Program Director for Public Relations and Advertising at Swinburne University of Technology,
Melbourne.
Celeste Lawson is a Lecturer in the School of Humanities and Communication at Central Queensland University,
Rockhampton.
Michael Lewis taught communication skills at Macquarie University for more than 20 years.
FO R
L L S
S I
K ALS ILL,
I O N I O N G
C A T S S B E
O WIS
RT
U N I O F E E E R
N AE
E , R
L L E
M M P R L L IP C
M IC H
O
C NE S S H I
P N AN
SO
D
US I S T E LAW
B C EL E
www.cambridge.org
Information on this title: www.cambridge.org/9781107656628
A catalogue record for this publication is available from the British Library
A Cataloguing-in-Publication entry is available from the catalogue of the National Library of
Australia at www.nla.gov.au
Cambridge University Press has no responsibility for the persistence or accuracy of URLs
for external or third-party internet websites referred to in this publication and does not
guarantee that any content on such websites is, or will remain, accurate or appropriate.
Please be aware that this publication may contain several variations of Aboriginal and Torres Strait
Islander terms and spellings; no disrespect is intended. Please note that the terms ‘Indigenous Australians’
and ‘Aboriginal and Torres Strait Islander peoples’ may be used interchangeably in this publication.
Contents in brief
Preface
About the authors
About the contributors
Acknowledgements
How to use this textbook
Guide to companion website
Glossary
Index
Contents
Preface xiii
About the authors xv
About the contributors xvii
Acknowledgements xix
How to use this textbook xx
Guide to companion website xxii
vi
Contents
Key terms 46
Review questions 47
Tutorial guide 47
Further reading 48
References 49
vii
Contents
viii
Contents
ix
Contents
Contents
xi
Contents
Glossary 412
Index 424
xii
Preface
Communication skills are widely recognised as being critical for business profession-
als. Our work and lives do not just happen; they happen because of our interactions
with people. Whether we write, speak or listen, how we do our work is influenced as
much by our communication with others as it is by the work itself.
Some people might assume that communication is easy and that studying the
concept is a waste of time. After all, if we can read and write, that means we can
communicate, right? Communication is more than reading and writing. It’s about
choosing the right message, it’s about presentation and it’s about context.
We are communicating all the time:
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If we can communicate well, we can do our jobs better, we can avoid confusion and
we can resolve conflict. Good communication skills make us employable, regardless
of the specialisation we are choosing within the business world.
Learning how to communicate well uses our knowledge of reading and writing,
and expands on it. We can learn how to recognise the strengths and weaknesses of
different communication methods. We can learn how to interpret context so that our
messages are not misunderstood. We can learn techniques of business communication
so that we can apply these skills in the workplace.
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xiii
Preface
Our aim, therefore, has been to provide teachers and students with a textbook that:
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workplace.
xiv
Dr Robert Gill is the Program Director for Public Relations and Advertising at
Swinburne University of Technology, Melbourne. Rob became an academic in 2007,
having spent 10 years in the communication industry working as a public relations
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management, marketing and communication in the tourism industry. Prior to this, Rob
was a teacher, working in Australia, the United Kingdom and Hong Kong for 15 years.
His research interests focus on branding, reputation and employee engagement.
Michael Lewis spent 25 years in the computer industry, in a variety of technical, sup-
port and management positions, before moving to academia. He then ran his own
consultancy in business communication for 10 years, joining Macquarie University
in 2001 initially to teach business communication and academic writing; he also
lectured in theoretical linguistics, and was convenor of Macquarie’s postgraduate
programs in editing and publishing, before retiring at the end of 2013. His doctoral
xv
xvi
Chapter 9 (with Robert Gill) – Justin O’Brien is an executive coach and facilitator
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management roles with notable multinational companies for a period of 13 years.
After joining an international communications agency in 2000, he founded his own
consultancy, the High Performance People Group, in 2003.
xvii
Acknowledgements
The authors wish to acknowledge the hard work and dedication of the editorial team
at Cambridge University Press, without whom this textbook would not have been
possible.
We are grateful to the following individuals and organisations for permission to
use their material in Communication Skills for Business Professionals.
5FYUFYUSBDUTBOEHSBQIJDTPOQQmGSPNHow People Read on the Web:
Eyetracking Evidence by Kara Pernice, Kathryn Whitenton and Jakob Nielsen.
Copyright © 2013 Nielsen Norman Group. Reprinted with permission. All rights
reserved by the copyright holder. Throughout: (paper texture) © shutterstock.com /
Paladin12; Figure 1.3: © shutterstock.com / Kahlua Milk; 1.5: © shutterstock.
com / GDM; 2.2: © shutterstock.com / YuanDen; 2.3: © shutterstock.com / Anan
Kaewkhammul; 2.5: © shutterstock.com / tkemot; 2.6: © shutterstock.com / winui; 2.7:
© shutterstock.com / Nata-Lia; 2.8: © shutterstock.com / Monkey Business Images;
2.9: © shutterstock.com / ImageTeam; 3.2: © shutterstock.com / Jorgen mcleman;
© shutterstock.com / 3.3: © shutterstock.com / T Cassidy; 3.4: © shutterstock.com /
blojfo; 3.6; 5.2, 9.2: © shutterstock.com / wavebreakmedia; 3.9: © shutterstock.com /
gpointstudio; 3.10: © shutterstock.com / PanicAttack; 3.11: © shutterstock.com /
Jule_Berlin; 3.12: © shutterstock.com / Gertan; 4.1: © shutterstock.com / Kbiros; 4.2:
© shutterstock.com / Ivelin Radkov; 4.3: © shutterstock.com / Andrey_Popov; 4.4: ©
shutterstock.com / kurhan; 4.5: © shutterstock.com / Maridav; 4.6: © shutterstock.
com / Lisa F. Young; 4.7: © shutterstock.com / TijanaM; 4.8, 8.2: © shutterstock.com /
Cartoonresource; 5.1, 5.3, 6.1, 9.1, 9.3, 11.3: © shutterstock.com / Pressmaster;
6.2: © shutterstock.com / StockLite; 7.1: © shutterstock.com / Ellagrin; 8.1:
© shutterstock.com / Niyazz; 8.3: © shutterstock.com / Anya Ku; 10.4: (man
silhouette) © shutterstock.com / VoodooDot, (thumbs up) © shutterstock.com / Evgin;
11.1: © shutterstock.com / Minerva Studio; 11.2: © shutterstock.com / JohnKwan;
13.9: © shutterstock.com / alexskopje; 13.10: © shutterstock.com / Maksim
Kabakou; 14.1: © shutterstock.com / Maxim Blinkov; 14.2: © shutterstock.com /
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images 2015 are used under licence from Shutterstock.com.
Every effort has been made to trace and acknowledge copyright. The publisher
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redress this situation.
xix
information in a real-world
stakeholders. This chapter provides an overview of Communication Skills for
community gardens. The organisation is staffed by volunteers and operates without a budget.
Business Professionals, including the benefi ts of good communications skills and
There are no office bearers and the organisation has no financial membership.
employer expectations of new business graduates.
But what is a ‘formal’ organisational structure, and how does it differ from an ‘informal’ one?
During the course of your studies, you will no doubt come across theories.
We will look more closely at these two quite different organisations throughout the chapter as
Theories are not dirty words or something to be feared. They are not, despite
we explore various organisational structures and cultures.
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25
2
programming’ of people (Hofstede, 2001). By this, Hofstede means that culture is made Table 14.2 Characteristics of ‘sticky ideas’ in oral presentations
up of particular values, beliefs, customs, attitudes, rules and tastes that are reflected CHARACTERISTIC EXPLANATION
in the institutions, frameworks, symbolisms and behaviours of the group or society.
SIMPLICITY Become a master of exclusion. Strip ideas done to their core. During Governor
For instance, if we use Australia as an example there is a fundamental commitment Clinton’s run for the White House, campaign manager James Carville honed
the campaign’s message to one central theme – ‘It’s the economy, stupid!’ –
to the values of free expression, egalitarianism and leisure as a reward for hard work believing that ‘if you say three things, you say nothing’.
(which somewhat stem from Australia’s specific history as a colony). These values are
UNEXPECTEDNESS Violate people’s expectations. Generate interest and curiosity by opening gaps
reflected by an open press, the freedom for individuals to express their views without in people’s knowledge and then filling those gaps. In 2008, Apple launched
reprimand, love of the beach by many Australians, and time spent with friends. Thus, its Sydney store. Prior to the opening, it covered the storefront in large black
fabric creating suspense and speculation about the unveiling. Wrote one
these underlying values give rise to a visible culture that can be observed. commentator, ‘The tight, black fabric covering the site suggests a store at
least three storeys tall. That’s a massive space for a company whose catalogue
Many customs, beliefs, values and so forth are taken for granted within a culture features only four major product lines’ (Hanlon, 2008).
because these are embedded systems into which we are born and practise throughout
CONCRETENESS Relate your ideas to real-world things. Create mental pictures in the minds of
our lives. This process of learning the norms, beliefs and processes of cul- your audience. Take people to a place, show them an object, a smell, a taste –
our brains are wired to remember concrete data.
ture is referred to as socialisation (Billingham in Stretch & Whitehouse,
socialisation
2007). This process of socialisation can also occur in the business context CREDIBILITY Cite expert testimony, show figures and statistics and, best of all, demonstrate
The process it – let people ‘try before they buy’ and test ideas for themselves.
of learning the where, as many studies have shown, workplace or organisational cultures
Full-colour fi gures,
norms, beliefs and are driven by the same values, beliefs and attitudes that manifest similar EMOTIONS If you can make people feel and care about it, they’ll get it. Many fitness and
personal development coaches use emotion to inspire change in their clients.
processes of a rituals, symbolisms and behaviours as culture at large (Schein, 2010). They’ll ask their clients to think about all the pain they’ll continue to experience
culture, or cultures. if they don’t change, and all the positive feelings (self-esteem, pride) that they’ll
The iceberg analogy developed by Edward T. Hall in 1976 (whose work get if they do change their behaviour. People are also wired to feel things for
we discuss later) shows how many of our visible cultural patterns are other people (not for abstractions).
underpinned by much deeper assumptions, beliefs and ingrained values STORIES Since the beginning of human history, stories have been our most powerful
172 352
may be influenced by external factors (e.g. home life, family illness and personal relatively new technology. Indeed, it’s easy to forget just how recently many of the
issues) and their influences may be less rational. In professional communication, internet powerhouses we know today were launched.
we need to be able to recognise different contexts and background influences on the
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current environment, and make choices about persuasive text in line with the intrap-
August 2004).
ersonal influences of the person (or people) with whom we are interacting.
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much emotion can cheapen the factual and rational content. Many theorists (such as
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Persuasion versus coercion that technology determines the way we communicate – technological determinism
to consider.
using the strategy of providing an alternative that overwhelmingly limits
controlled versus uncontrolled media and media convergence. decides what,
coercion the will of that person (or people) not to comply. Coercion is often associ- when, where, how
The use of threats
ated with threatening and violent alternatives. Many autocratic govern- and, typically, to
and fraud to impose Controlled versus uncontrolled media
your will upon
ments use violent coercion as a powerful influence to maintain control whom something
over the people. A sad example of this is the use of threats of violence When an organisation uses controlled media it decides what, when, is published.
somebody else.
against children (particularly young boys) in some unstable countries in where, how and, typically, to whom something is published. Examples of
112 311
xx
ADVANCED SECTION One visible way in which difference is defi ned is through the use of stereotypes
(McGarty, Yzerbyt & Spears, 2002). The term stereotype refers to gen-
Pitching to clients or investors eralised assumptions or attitudes held about a certain group of people. stereotype
the text.
UPXJOUIFDMJFOUTBDDPVOU of exaggerated or incorrect assumptions that become merged into a stereotype.
A pitch is the process of persuading somebody to invest in your ideas, goods or Stereotypes are dangerous because they do not accurately depict people and cul-
TFSWJDFT1JUDIFTDBOCFGPSNBM BTQBSUPGBDBMMGPSUFOEFST PSJOGPSNBM tures and often negatively distort our perception of others. In a business context,
(an elevator pitch, for example, is an informal, persuasive presentation stereotypes potentially create a barrier to effective communication because, in
elevator pitch
EFMJWFSFEJOBTIPSUUJNFTQBOTVDIBTEVSJOHBOFMFWBUPSSJEF using stereotypes, the assumption base upon which we approach individuals is
An informal,
A pitch is much more than a presentation (although presentations often wrong.
persuasive
presentation BSFPGUFOLFZFWFOUTJOBQJUDIQSPDFTT 5IFQJUDIQSPDFTTCFHJOTXIFO Another way in which dealing with difference underpins a barrier to commu-
delivered in a a client decides to engage outside services (such as strategic, operational nication is through the experience of culture shock (Bochner, 1982).
short time span PSNBSLFUJOH PSBOBHFODZEFDJEFTUPHPQSPTQFDUJOHGPSOFXCVTJOFTT*U Culture shock occurs when encountering a new culture where the lack
such as during an FOETXIFOBOBDDPVOUJTBXBSEFEBOEBDPOUSBDUJTTJHOFE culture shock
of familiarity causes a period of confusion, distress and anxiety. Culture
elevator ride. Occurs when a
Pitches can be non-linear and sometimes clients or agencies will take shock tends to move through a series of stages before reaching the point
lack of familiarity
UXPTUFQTCBDLGPSFBDITUFQGPSXBSETEVSJOHUIFQSPDFTT5IFZDBOCFDZDMJ- of accepting the differences of a new culture and learning to work within with a new culture
DBM SFPDDVSSJOHFWFSZGFXZFBST5IFZDBOCFTVTQFOEFEXJUIOPDPOUSBDUTFYDIBOH- them (Table 8.3). causes a period of
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comfort zones. This means abandoning friends, family and familiar places and anxiety.
Why do clients ask for a pitch?
There can be several reasons a client will put an account to tender and invite agen- but also perhaps language, food, rituals customs and so forth. To lose every-
DJFTUPQJUDIGPSUIFCVTJOFTT4PNFSFBTPOTNBZCFUIBU thing familiar at once, only to find ourselves in a completely unfamiliar
situation, is a lot to consider. It is inevitable that the kind of emotional response
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represented by culture shock will happen. While culture shock poses a barrier to
is due
effective communication as we learn to adapt and overcome anxiety, it is nonetheless
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a temporary barrier that eases with time. Once the stages of adaption and accul-
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turation have started and we become more familiar with a new culture, our sense of
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shock eases and we can start to communicate more effectively. Equally, we become
its current agency
more confident in our setting such that new relationships, social networks and learn-
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ing opportunities can be established. This is particularly so in moving to a culture
362 183
Chapter summary 3. Discuss the relevance of cultural and gender differences to both confl ict and
Each chapter concludes with a PGTVDDFTTGVMSFTPMVUJPOT 8. How can reviewing objective criteria during negotiation strengthen the fi nal
agreement?
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9. Explain the difference between BATNA and WATNA.
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Why or why not? Justify your answer through an example that uses one of the Fisher, R. & Ury, W. (2011). Getting to Yes: Negotiating Agreement Without Giving In (3rd
styles as a strategy. ed.). New York, NY: Penguin Books.
146 147
Glossary
Glossary Index
acculturation The process by which members of one culture come to adopt and practise accountants primary, 88–9
the behaviours, customs and beliefs of another culture. skills for, 10 responses, 86
acculturation, 175 secondary, 89–91
action list A summary of the decisions made at a meeting, identifying actions to be acknowledgements, 232–3, 265, 269 See also role performance
taken together with the person(s) responsible for each action and the date the action is action lists, 386, 389–400 audio books, 359
to be completed. actuation, 108 audiovisual aids, 356–8
adjourning stage, 166 audits, 250
agenda From the Latin for ‘things to be done’; the list of items of business for a meeting, adjudication, 136 See also communication audits
agenda, 380, 385–94 AusBank, 106, 110
and the order in which they are to be dealt with.
agreements, 139, 140 Australia Post, 246
amendment A change to the wording of a motion. One directly opposed to the original alliteration, 350 Australian City Farms Community
A glossary of important
ambiguity, 184 Gardens Network, 25, 26, 35, 41
motion (e.g. changing ‘will’ to ‘will not’) is not permissible. If the mover and seconder of
amendments, 403 Australian Drug Foundation, 246
the original motion accept the amendment, the motion is immediately changed; other- Amy’s Baking Company, 199–200, 207 Australian Securities and Investments
wise, the amendment must be put to a vote. analysis, 253 Commission (ASIC), 273
anaphora, 350 Australian Stock Exchange (ASX), 273
412 424
xxi
PowerPoint® slides
An overview of each chapter with additional teaching notes, ready for you to custom-
ise to suit your course.
Test bank
A suite of short-answer, multiple-choice and true/false questions organised by chap-
UFS*OBEEJUJPOUP8PSEàMFT 3FTQPOEVTSFBEZàMFTBSFBWBJMBCMFTPUIBURVJ[[FTDBO
be customised to suit your course.
xxii