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One Hand Warm Ups

The document is a warm-up guide for a drumline, detailing various patterns for different sections including snare, tenor, bass, and marimba. Each section includes specific rhythmic patterns such as 12 in, 3 in, Bucks, Ah Bucks, 3-3-2, crescendos, and decrescendos. The guide serves as a structured practice tool for enhancing drumming skills across different instruments in the ensemble.

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thatchernelsoncornwell
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19 views1 page

One Hand Warm Ups

The document is a warm-up guide for a drumline, detailing various patterns for different sections including snare, tenor, bass, and marimba. Each section includes specific rhythmic patterns such as 12 in, 3 in, Bucks, Ah Bucks, 3-3-2, crescendos, and decrescendos. The guide serves as a structured practice tool for enhancing drumming skills across different instruments in the ensemble.

Uploaded by

thatchernelsoncornwell
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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One Hand Warm Ups

DHS Drumline Warm Up Book

                                 
Snare Line  
Patterns: 12 in, 3 in, Bucks, Ah Bucks, 3-3-2, Crescendos, Decrescendos

R R R R R R R R L L L L L L L L R R R R R R R R R R R R R R R R

           


 
  
    
 
 
 

 
Patterns: 12 in, 3 in, Bucks, Ah Bucks, 3-3-2, Crescendos, Decrescendos

Tenor Line 
R R R R R R R R L L L L L L L L R R R R R R R R R R R R R R R R

                                 
Patterns: 12 in, 3 in, Bucks, Ah Bucks, 3-3-2, Crescendos, Decrescendos

Bass Line

           
R R R R R R R R L L L L L L L L R R R R R R R R R R R R R R R R

      
Marimba 1         
            
Patterns: 12 in, 3 in, Bucks, Ah Bucks, 3-3-2, Crescendos, Decrescendos

        
L L L L L L L L L LR R

                                 
S. L. 
5

L L L L L L L L R R R R R R R R L L L L L L L L L L L L L L L L

                   
T. L.              
L L L L L L L L R R R R R R R R L L L L L L L L L L L L L L L L

B. L.                                  

            
L L L L L L L L R R R R R R R R L L L L L L L L L L L L L L L L

                    
Mrm.1 
               
R L R R R R L L L L

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