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DYLTGIR?

The document appears to be a transcription of song lyrics or a musical score, featuring various musical notations and lyrics about late-night feelings and romantic interest. The lyrics express emotions related to attraction and uncertainty in relationships. The structure suggests a performance with piano accompaniment.

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greenaaron153
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0% found this document useful (0 votes)
23 views3 pages

DYLTGIR?

The document appears to be a transcription of song lyrics or a musical score, featuring various musical notations and lyrics about late-night feelings and romantic interest. The lyrics express emotions related to attraction and uncertainty in relationships. The structure suggests a performance with piano accompaniment.

Uploaded by

greenaaron153
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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DYLTGIR?

Transcribed by Azul X. N. Rio Romeo

 = 130


         
                   


Voice

 
     
You know it feels good to stay out this late the last guy I knew said be home by eight

                  
   
          








Piano

   

 
          
5

                       



     
you know it's get tin' hard to not come up to you 'cause when I heard your voice you threw me out of tune

              
   
         








   

 
         
9

               


 

        
what do I do yeah what do I do yeah what do I do yeah what do I do and oh shit I

              


 
          








   

       
               
14  = 180

         
3 3 3 3

 


 
      
think it's time that I ad mit you're just my type do you get it so I got ta ask do you like the girl in

   
       





     

    


  
  

 
      

     
20

              


3 3 3 3



 
red and god damn things are get ting way out of hand and in the back ground there's a ba by grand

    


           




   




    
       
 


    
 

2

       
 
26  = 130

       


3 3


  
(You know I really like you

       
hyp ing me up so I just stood there and said but are you like... you know?)

                     
   
 
   


       






  
   
  
        
34

                 



      
She walks a way and laughs and I feel like an ass so then I go back home

               
   
         







   
        
 
38

                     



     
I don't check my phone I woke up the next day a D M said hey it was the girl from that

               
   
         








   
 
          
42

                   



      
par ty that I was at what do I do yeah what do I do yeah what do I do yeah what do I do

                  


    
           










    
   
            
47

           



      
I said hey sor ry if I was too straight for ward she said no it's not

                      
    
           










    
  
             
52

       



      
that ho nest ly I was ho nored I said then why'd you turn a way and

                     


    
           










    
 
3

         
   
57

       




      
sneer she said it's just that we al read y went on a date last year

                    


    
             









    

     
                 
64  = 180

         
3 3 3 3 3


      
                
oh shit I fucked this one up I will ad mit I've got the mem ory of a gold fish but since I'm here now do you

          
         
           
  
       

 
                 

       
70

    
3 3 3 3 3 3


   
         
wan na try this one a gain and god damn she tells me we had a one night stand and if she re calls it was

 
    
 
   


    


 
   

        
      
76  = 130

      


3

 
        
(No no no no no, hold on hold on hold on. Since I saw her

       
quite grand but I fuck ing swear that I've ne ver seen her be fore

               
   
    


        






   


         
84



   
like a year before, she grew out her hair and she like wearing makup again. So then I didn't feel like such a fucking asshole for not recognizing her)

    
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