6 Draft - Writing Skills 2 - Innocent
6 Draft - Writing Skills 2 - Innocent
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WRITING SKILLS II
COURSE OUTLINE
Diction means the meaning of words in speaking or writing. Some writers use formal diction,
which we find in scholarly books and formal speeches. Some use informal diction, or the kind of
words and expressions we hear in casual spoken language. A few writers are fond of inflated
diction. As the term suggests, they use long, cumbersome words to produce the sort of writing
that is like a balloon - full of gas or hot air and not very substantial.
Other words are not look-alike but have such subtle distinctions in meaning that people often
become confused and use one word when they really mean the other. They may say imply, for
instance, when they really mean infer.
The second sentence uses the correct word. Antidote is a remedy for some unwanted condition
The word usually refers to a medicine that counteracts poison or relieves pain. Anecdote is
something else entirely – a brief story.
Exercise
Look up the following words and write a brief definition of each to show that you can distinguish
between the meanings in each pair.
1. Simulate – stimulate
2. Simultaneous – spontaneous
3. Different – diffident
4. Volatile – versatile
5. Proscribe – proscribe
6. Uninterested – disinterested
7. Emancipated – emaciated
8. Allude – elude
9. Allusion – illusion
10. Appraise – apprise
Vague
1. The day was nice.
2. Kagore is a great dancer.
3. I did the grass.
4. Ndagije said good night.
5. Simba went through the leaves.
Specific
1. The day was mild and breezy.
2. Kagore seems to glide when she dances.
3. I mowed and edged the lawn.
4. Ndagije whispered goodnight.
5. Simba shuffled through the leaves.
Exercise
Rewrite the following sentences, replacing the vague words in italics with specific words or
phrases.
From the obvious example, the denotation or strict dictionary definition of the word pig is "a
domestic animal (sus scrofa) with a long, broad snout, and thick, flat body covered with coarse
bristles." However, most speakers make certain associations with the word pig and have
emotional responses to the word. We might think "barnyard, mud, dirt, overeating, garbage, fat,
and snort." We might feel disgust. That is why it is such insult to call a person a pig.
Exercise
The animal in each of the following sentences has a favorable connotation. Describe the feelings
or associations each triggers for you.
Many synonyms – words that have similar denotative meanings – have very distinct
connotations. The following sentences say more or less the same thing, but they offer different
images of Kagore by changing one word. e.g. Kagore is the slender lifeguard.
Kagore is the skinny lifeguard.
Slender and skinny both denote "thin," but their connotative meanings are different. Skinny
suggest extreme thinness that is unattractive, perhaps bony. We react negatively to it.
Slender, on the other hand, carries positive connotations. It is a word we might associate with
the tender, supple shoot of a willow tree. Slender make us believe Kagore is attractive.
1.2. The Use of Words
1.2.1. Loaded Words
Writers can use words to manipulate our feelings. Suppose you want to describe someone who
is extraordinarily careful about saving money. If you decide to call that person a miser, you are
controlling your reader's feelings. Miser means a greedy, stringy character who selfishly hoards
money. We entertain harsh feeling about a miser. If, on the other hand, you call the person
thrifty, you do not force the reader to make a negative judgment. Thrifty is generally an
admirable characteristic.
Exercise
The sentences in each of the pairs that follow have more or less the same denotative meaning
yet they differ greatly in connotative meanings. Which words are loaded positively? Which
negatively?
1. The first witness was a showgirl. The first witness
was an actress.
2. Aunt Nyirashano's manners are antiquated.
Aunt Nyirashano's manners are old-fashioned.
3. The steak was rare.
The steak was bloody.
4. A handful of people showed up for the speech. A
loyal group of supporters heard the speech.
5. The Prime Minister is pigheaded. The Prime
Minister is firm.
1.2.2. Idioms
When diction is described as "idiomatic," it means that the writer uses many idioms expressions,
peculiar to his or her own language, that mean something beyond the definitions of the individual
words. The phrase dropped in, as in Who dropped in to see you today?" is an idiom. It cannot be
accepted literally.
Some idioms are metaphors: "It makes your blood boil” an example. Dictionaries label some
idioms as informal, colloquial, nonstandard, or even slang Others are in standard usage. Some
have become clichés and should be avoided in all writing.
When you use idioms, you must be sure you do so correctly. If you try to be idiomatic and say,
"Kagabo pitched off and helped make the cookies," you will confuse your audience. The idiom is
"pitched in."
Exercise
Write a sentence using each of the following idiomatic expressions.
1. Undercut
2. Dress down
3 Dress up
4. Give up
5. Give in
6. Carry out
7. Carry over
8. Carry on
9. Carry forward
10. Carry off
1.2.3. Colloquialism
Colloquialism comes from the Latin word "colloquium," meaning "conversation". A colloquialism
is a word or an expression used in informal conversation but not accepted as good usage in
formal written English. Some colloquialisms have acquired enough performance to be used in
informal writing, however. Colloquial language is, of course, often reproduced in literature to
create convincing dialogue as a reflection of character.
If you told someone a baseball "got" someone in the eye, you would be using a colloquialism. In
the formal report of the incident, you would write that the ball hit him or struck him in the eye.
If you announced you finally "got it" after struggling to understand a subject, you would be using
a colloquialism. If you were writing about your experience in a formal report, you would relate
that you finally understood or comprehend the material.
Exercise
Write one or two sentences of dialogue using each of the following expressions colloquially. Then
rewrite the sentences, replacing the colloquialism with the more precise words or phrases you
would use in a formal report.
1. Pretty much
2. Kind of
3. A lot of
4. Run out on
5. Get out from under
1.2.4. Slang
Slang is nonstandard language usually marked by three characteristics:
Its liveliness and inventiveness
Its quick popularity; and
Its almost equally rapid disappearance from the language, as a rule.
In any case, slang is used with great zest in informal spoken English, and it is used with skill – even
genius – in imaginative literature to reproduce dialects and reflect character. E.g. goo-goo eyes,
flappers, greasers, duds (=clothing), etc.
1.2.5. Clichés
A cliché is an expression that has been used so often that it has lost its original effectiveness.
Clichés are often called "tired and worn-out expressions a description that itself has become a
cliché. Some clichés are comparisons:
Writers who express themselves in clichés reveal they haven't made the effort to think very
carefully or originally.
Exercise
Replace each cliché in the following sentences with a fresh comparison of your own.
1. The investigator turned as white as a sheet.
2. Kanyere is as fresh as a daisy every morning
3. The producer's hand was as cold as ice.
4. Kabibi's teeth are like pearls.
5. Her eyes sparkle like diamonds.
6. She sings like a bird.
7. Rukundo drives like a wind.
8. Mary is just as cute as a button.
9. In August the weather is hot as Hades.
10. The baby was as quiet as a mouse.
1.2.6. Jargon
Jargon has more than one meaning. It can refer to the specialized vocabulary of a particular group
of people who do the same work or who share the same interests, such as computer users, social
workers, actors, short-order cooks, lawyers, doctors, government bureaucrats, teachers, and
sports writers. Jargon also can refer to language that is almost incoherent, especially language
that is full of unnecessarily long or obscure words and cumbersome, roundabout sentences. This
kind of jargon also uses a large number of clichés. It usually says much less than it first appears
to.
Jargon in the first sense is perfectly acceptable, especially when the person using it is addressing
a member of his or her own group. Writers must chiefly be aware of the second kind of jargon
the kind of language that obscures rather than clarifies meaning.
Exercise
The sentences that follow contain jargon that obliterates meaning. Rewrite each of them in plain,
precise English.
1 The pilot experienced some apprehensions as the plane fell toward the ground.
2. I am speaking in reference to your comment of yesterday
3. I have deemed it advantageous to terminate our association
4 The computer has been rendered inoperative and cannot be utilized.
5. Her uncle passed away during the armed conflict at Masisi.
1.3.1. Audience
In your lifetime, you will write for many different audiences. In a higher school, you write chiefly
to your lecturers, but you also write letters to personal friends, and perhaps you write for the
school newspaper. You might someday have to write a personal statement for the college you
wish to attend. In your adult life, you will address many other kinds of audiences. You will have
to consider the appropriate diction for each audience.
Exercise
Complete one of the following assignments
1. Explain how to teach a vocabulary lesson to your uncle who has never heard of teaching
a lesson.
2. In a paragraph, explain the same lesson to your ELTM lecturer.
3. In a paragraph, do the same to your classmate.
1.3.2. Purpose
Writing, like any kind of communication, can have many purposes. The first and perhaps the most
common is to give information. That would be your purpose in answering essay questions or in
writing a report on AIDS for a biologic class. Another purpose may be to share an emotion to
capture an experience in words, perhaps in poetry or fiction. Still another might be to convince
someone to think as you do, perhaps to agree with you that "The Pear" has a happy ending. Most
difficult of all, your purpose may be to persuade someone to act in a certain way, such as to vote
for someone.
You will choose your diction with your purpose in mind. Informative writing must use words that
are precise and unambiguous.
Descriptive writing must use words that evoke emotions and appeal to the sense, particularly the
sense of sight.
Writing that argues a point or presents a persuasive case often uses words with strong
connotative associations in order to influence an audience's opinions.
Exercise
Complete one of the following assignments.
1. Write a paragraph in which your purpose is to convince a reader to accept your point of
view about a topic in the news today.
2. Write a paragraph in which your purpose is to describe as precisely as possible a Scene,
an animal, an object or a person. You could choose the window you see, the clothes you
are wearing, the book you are holding, the food that is cooking on the stove. Use at least
three words that will help bring the subject to life for your reader, calling upon whatever
senses are appropriate sight, sound, smell, taste, feeling.
1.3.3. Tone
Tone refers to your attitude toward your subject or your audience. Tone can always be described
by an adjective: formal, informal, lighthearted, serious, critical, bitter, condescending, mocking,
sympathetic, admiring, romantic ironic, emotional, disgusted, and loving. When you read, you
detect tone from the diction the writer chooses. In the same way, your own tone in writing will
be controlled by your diction.
If you want to convey an informal tone you will use an informal diction, possibly some
colloquialisms.
If you want to convey a formal, serious tone, you will avoid any diction that suggests a casua
conversation.
If you want to express a tone of admiration, you must find positive words that reveal your feeling.
If you want to express a tone of apprehension, you must find words that suggest fear or
uneasiness.
It you want to express a critical or mocking tone, you must use words that ridicule.
Almost all writing reveals some tone. Text books and scientific articles often have a neutral none,
because this suits the writers purpose. But in fiction, drama, essays, editorials, sport articles,
biographies, and autobiographies, you will detect a tone, an attitude that the writer is revealing
This tone is communicated largely through diction.
Exercise
Read the following paragraph and find words or phrases that refer to ideas presented earlier.
Sometimes when you face a multiple-choice question on a test, you realize that you do not know
the correct answer. You may, however, be able to determine it by a process of elimination. In this
process, you consider all the choices one by one, questioning the reasonableness of each. Some
will be obviously absurd and may be eliminated. The one that is left should be a safe guess.
The informal essay reveals its author's thoughts and feelings on a subject in a personal, informal,
and entertaining way. To create interest, the writer often relies on vivid incidents and anecdotes
to support the essay's central idea. Because the informal essay is so personal, its organization
may be looser than more formal essays. However, the writer of a successful informal essay is
careful to develop a main point about the subject and follow a distinct plan set out in the
prewriting stage. Otherwise, the essay would ramble, annoying and boring the audience with a
jumble of details.
Chapter Two: PREWRITINNG
Prewriting is the planning and preparation that you do before you write. This is the foundation
on which you will base your writing. During prewriting, you gather ideas, develop them, and
decide what to write about. You also consider what your purpose is and whom you are writing
for.
A writer’s notebook can be a folder or a binder in which you keep notes and clippings that might
give you ideas for writing assignments. Keep a writer s notebook in one way to identity your ideas
and have them at your finger-tips. In your notebook you can keep an inventory of your interests
and a list of your experiences, which can supply you with ideas to develop your writing. The
purpose of the notebook is to identify and record your ideas in a convenient place for later
development. Use the following strategies to collect ideas for your writer's notebook.
Take notes on anything that you see, hear, think, or do that you want to remember.
Record interesting comments that you hear people make and your reactions to their
comments.
Include articles, advertisements, pictures and cartoons.
An interest inventory is an itemized list of your interests. It can include subjects about which you
would like to know more and subjects in which you are now interested. Part of interested
inventory might look like this:
a) Making Lists
When you have chosen a subject to write about, begin developing it by writing down all the ideas
and information about it that come to your mind. Then expand your list by writing down any
related ideas that your imagination connects with the subject. Do not discard any idea or try to
organize the list. At this point, your purpose is to let your ideas flow freely and to get them down
on paper.
b) Asking Questions
Asking and answering questions about your subject will help you to develop it further. With your
list of ideas in front of you, write questions that begin with who, what, when, where, why, and
how. If you do not have the answers to your questions, ask someone who might know, or look
for the answers in a book, a magazine, or another source.
Most paragraphs are made up of a topic sentence, a series of supporting sentences, and a
concluding sentence.
A topic sentence states the main idea of a paragraph. It is usually best to place it at the beginning
of a paragraph so that your readers will know immediately what the paragraph is about.
The supporting sentences explain or develop what is stated in the topic sentence. Each
supporting sentence should provide information that is related to the main idea.
A concluding sentence usually summarizes the supporting sentences, states a conclusion related
to the main idea, or otherwise brings the paragraph to a close. In some paragraphs a concluding
paragraph is not needed.
One of the most important characteristics of a paragraph is unity. A paragraph has unity when all
the supporting sentences relate to the main idea.
A topic sentence is too general if it leads you readers to believe that the paragraph will discuss
more than it actually does discuss. An example of a topic sentence that is too general is "every
season of the year has its specific beauty," followed by sentences that describe the beauties of
only two of the four seasons.
Your topic sentence also should not be too narrow. An example of a topic sentence that is too
narrow is "television networks do a fine job of covering sports, followed by sentences that discuss
not only television sports coverage but also television news coverage.
Before writing a topic sentence, you should look over the list of details that you have chosen for
your limited topic. This will give your clear picture of what you are and are not going to discuss in
your paragraph and will help you to write an appropriate topic sentence.
If your purpose is to explain, then your supporting sentences will probably give examples. You
may develop a paragraph with facts on examples, or you may use a combination of the two.
a) Chronological Order
Chronological order is a way of organizing events or steps in the time order in which they take
place. When you use chronological order, you begin with what happens first, and end with what
happens last. Chronological order is useful for telling a story or explaining how to do something.
The following are among the most commonly used transitional words and phrases: after, after a
while, afterward, as soon as, at first, before, earlier, first, finally, in the end, in time, later,
meanwhile, next, then, while, etc.
b) Spatial Order
Spatial order is a way of organizing details according to their location in space. To use spatial
order, you choose a starting point, decide on a direction, and then move in that direction.
Chapter Four: DESCRIBING, EXPLAINING, AND NARRATING
4.1. Describing
a) Describing a Place
When you write a description of a place, your purpose is to make your readers feel as though
they were there. The following suggestions will help you to describe a place effectively.
Model
Located near the Prince William Sound in southeastern Alaska, Columbia Glacier is an impressive
sight. At its top, three hundred feet in the air, are jagged peaks of ice and snow that seem to
blend into the gray sky behind them. Farther down, the face of the glacier is marked with many
horizontal and vertical lines, but it also contains large, flat smooth areas. Shadows on the middle
on the middle of the face make the snow there appear to be a bright blue. At the bottom of the
glacier, the ice cliff meets the ocean. There the ice seems to be as deep blue as the ocean is. Often
large chunks of ice break off the glacier. They crash down into the water creating a great spray.
b) Describing People
When you write a description of a place, your purpose is to make your readers feel as though
they have met that person. The following strategies will help you to describe a person effectively.
i. Introduce in your topic sentence the person whom you will describe.
ii. Choose the best details. You should include details that capture the uniqueness of that
person. Using the details from several senses will help you to reveal a person's
uniqueness. For example, you can describe the sound of the person's voice, the texture
of the hair or skin, or smell of soap or perfume.
iii. Include details that describe your subject's motions. Tell how the person stands, sits,
walks, moves hands and head, and use facial expressions.
iv. Arrange the details in a logical order. (For example, group together related details, put
the groups in a logical order use spatial order going from head to foot or from foot to
head.)
v. Use specific words.
Model
John Cleaver enters his brilliantly lit barn. He pauses momentarily as his pupils contract and then
strolls into a maze of sturdy wire enclosures. Beads of perspiration slowly work their way out on
his forehead and start journeying down the wrinkles in his aged face. His clean white coveralls
begin to stick to his dampened skin. The heat makes his face redder and shinier than usual, setting
off his white hair and yellowish eyes.
4.2. Explaining
a) Explaining What Something Is
One basic kind of explanation is the definition of a word. You usually define a word by placing it
in a general class and pointing out one or more of its characteristics. Study the following
examples.
Word: eland
Class: African antelope
Characteristics: light brown or gray coat, spirally twisted horns.
Definition: an eland is an African antelope with a light brown or gray coat and spirally twisted
horns.
Although you can often define a word in a single sentence, some words require more explanation.
You can expand a definition by presenting examples and details that may include information
about the origin and history of the word. The writer of the following model paragraph defines a
word and then expands that definition.
Acronyms are words formed from the first letters of titles or series of words. An early acronym
was scuba, which stands for "self-contained underwater breathing apparatus." Because
acronyms are much easier to say than the series of words that they stand for, they are widely
used. Other commonly used acronyms are NASA (National Aeronautics and Space
Administration), UNICEF (United Nations International Children's Education Fund), and laser
(light amplification by stimulated emission of radiation). Acronyms make it possible to identify
and say long titles quickly. Today some new organizations choose their official names so that they
will become easily recognizable acronyms.
b) Explaining How to Get to a Place
Another type of explanation tells how to get from one place to another. Writing directions for
someone to follow requires care and attention to details. If you follow these guidelines, you will
write directions that are clear to your reader.
i. Begin with a topic sentence. For example, you might write, "Here is the best way to get
from your house to Mt Goma Institute by taking public transportation."
ii. Divide the explanation into steps, and present them in chronological order.
iii. Use transitional words to make clear the order of the steps. Transitional words such as
first, then, next, now, and finally signal your reader that a new step is beginning. You can
also make use of these expressions: go straight ahead, turn right/left, go past
iv. Give complete and accurate information.
v. Include only the essential details.
A third kind of explanation tells how to make or do something. When you write this sort of
explanation, you should follow the guidelines that you use when you write directions for getting
from one place to another. You need to keep in mind three additional guidelines, however.
4.3. Narration
a) Planning your Narrative
Choosing a Topic
Choosing a suitable topic, or story idea, is the first step in planning a narrative. You may decide
to tell a story about something that happened to you or to someone whom you know. In either
case, you will write about the real people who participated in the actions of the story.
On the other hand, you may decide to write a fictional narrative, for which you will make up the
actions, the characters, or both. However, a fictional narrative does not have to come entirely
from your imagination. It may come from one of your experiences, which you can narrate as
fiction by changing the details. It could also come from the experiences of other people.
Whether you are writing a true or a fictional story, you must build it around a specific problem
or situation. Otherwise, your narrative will wonder aimlessly.
Listing the Characters
After you have chosen a topic, the next step is to make a list of the important characters in your
story. If you write a story about something that happened to you, you will be one of the
characters along with the other people who were part of that experience. If you write a fictional
story, the characters will come from your imagination, but you may model them on people whom
you know.
Every story that you write – whether it has one paragraph or many paragraphs – must have a
beginning, middle, and an ending.
i. The beginning
At the beginning of your story, you must introduce the characters and the setting. You should
also present the situation or problem that must be settled by the end of the story.
ii. The middle
In the middle of your story, you must narrate the actions that include the high point- the action
that create the most excitement or suspense.
ii. The ending
At the end of your story, you must make clear how the situation or problem is settled. The ending
should be definite. It should tell your reader how the action concludes and what happens to the
characters.
In your prewriting notes, list the actions that you plan to include in all the parts of your story. List
the actions in chronological order, the order in which they happen.
Chapter Five: WRITING LETTERS
4.1. Writing Social Letters
The purpose of a social letter is to convey friendship, and sometimes thanks to a friend, a relative,
or an acquaintance. A good social letter can be as rewarding as an actual visit. In this section you
will learn how to make your letters interesting and entertaining.
ii. Salutation. The salutation is a greeting. Capitalize the first word and all names. Put a
comma after the salutation
iii. Body. The body of the social letter contains your message. Refer to events, people or
places that you and your reader have written or talked about in the past, and include
current news. Write the body in paragraphs.
iv. Complementary close. Place the complementary close below the body and to the right.
Use a phrase that expresses your affection courteously, such as yours truly or
affectionately or with love, and follow it with a comma.
v. Signature. Sign your name bellow the complementary close.
Focus on a limited aspect for instance, narrow it down from "Education/Teaching" to "Linguistics"
to "Pragmatics finally to "Speech Acts" Obtain teacher approval for your topic before embarking
on a full-scale research.
Select a topic you can manage, avoid subjects that are too technical, learned, or specialized. Avoid
topics that have only a very narrow range of source materials.
Exercise
List five possible subjects for a research paper. Then select one for the subject of your research
paper.
2. Find Information
Take notes on your research, checking out print materials available in the library:
Almanacs, Atlases, AV Catalogues;
Encyclopedias and Dictionaries;
Government Publications, Guides, Reports; Magazines, Newspapers, etc.
Check out outlines sources, web based information services, or special resource materials on CDS:
Online Reference Materials;
Google Scholar;
Index to Periodicals and Newspapers (e.g. Mag Portal. Com, Online Newspapers.com,
etc.)
Answers.com an online dictionary encyclopedia all-in one resource that can install on your
computer free of charge and find one -click answers quickly;
Encyclopedias (e.g. Britannica, Canada Encyclopedia, etc.)
Magazines and Journals;
Newspapers;
International Public Library;
Subject Specific Software (e.g. discovering authors, exploring Shakespeare, etc.)
Check out public and university libraries, businesses, government agencies, as well as contact
knowledgeable people in your community.
Read and evaluate. Bookmark your favorite internet sites. Printout, photocopy, and take notes of
relevant information.
As you gather your resources, jot down full bibliographical information (author, title, place of
publication, publisher, date of publication, page numbers, URLS, creation or modification dates
on web pages, and your date of access) on your work sheet, printout, or enter the information
on your laptop or desktop computer for later retrieval, If printing from internet, it is wise to set
up the browser to print the URL and date of access for every page. Remember that an article
without bibliographical information is useless since you cannot cite its source.
Since your thesis statement should reflect the formal, objective tone appropriate to a research
paper, choose your words carefully. Avoid slang and words that suggest an informal, personal
tone (1 think, why like, in my opinion, etc.). Remember that you may revise your thesis statement
as you work on your research paper.
It is important to create a thesis statement immediately when you have just started fulfilling your
assignment. Before you write a thesis statement, you should collect, organize, and analyses
materials and your ideas. You cannot make a finally formulated statement before you have
completed your research paper. It will naturally change while you develop your ideas.
The purpose of an outline is to help you think through your topic carefully and organize it carefully
before you start writing. A good outline is the most important step in writing a good paper. Check
your outline to make sure that the points covered flow logically from one to the other. Include in
your outline an introduction, a body, and a conclusion. Make the first outline tentative.
a) Introduction
State your thesis and the purpose of your research clearly, What is the chief reason you are
writing the paper? State also how you plan to approach your topic. 1s this a factual report, a book
review, a comparison, or an analysis of a problem? Explain briefly the major points you plan to
cover in your paper and why readers should be interested in your topic.
b) Body
This is where you present your arguments to support your thesis statement.
c) Conclusion
Restate or reword your thesis. Summarise your arguments. Explain why you have come to this
particular conclusion
All points of a research paper outline must relate to the same major topic that you first mentioned
in your capital Roman numeral.
Example of an outline:
I. Introduction (Brief Thesis Statement on Shakespeare) II.
Body Shakespeare's Early Life
1. Early life in Stratford
1.1. Shakespeare's Family
1.1.1. Shakespeare's Father
1.1.2. Shakespeare's Mother
1.2. Shakespeare's Marriage
1.2.1. Life of Ann Hathaway
1.2.2. Reference in Shakespeare's Position
2. Shakespeare's Works
2.1. Plays
2.1.1. Tragedies
2.1.1.1. Hamlet
2.1.1.2. Romeo and Juliet
2.1.2. Comedies
2.1.2.1. The Tempest
2.1.2.2. Much Ado About Nothing
2.1.3. Histories
2.1.3.1. King John
2.1.3.2. Richard III
2.1.3.3. Henry VIII
2.2. Sonnets
2.3. Other Poems
3. Shakespeare's Late Years
3.1. Last Two Plays
3.2. Retired to Stratford
3.2.1. Death
3.2.2. Burial
3.2.2.1. Epitaph on his Tombstone
III. Conclusion
Do not include any information that is not relevant to your topic, and do not include information
that you do not understand. Make sure the information that you have noted is carefully recorded
and in your own words, is possible. Plagiarism is definitely out of the question. Document all ideas
borrowed or quotes used very accurately. As you organize your notes, jot down detailed
bibliographical information for each cited paragraph and have it ready to transfer to your works
cited page.
Devise your own method to organize your notes. One method may be to mark with a different
colour in or use a hi-liter to identify sections in your outline, e.g., IA3b meaning that the item
"Bahunde's formal greetings belongs to the formal location of the outline:
I. Hunde culture
A. What is Hunde Culture?
3. Bahunde's Lifestyle
b. Bahunde's Formal Greetings
Group your notes following the outline codes you have assigned to your notes, e.g., IA2, IA3, IA4,
etc. This method will enable you to quickly put your resources in the right place as you organize
your notes according to your outline.
Summarise, paraphrase or quote directly each idea you plan to use in your essay. Use a technique
that suits you, e.g. write summaries, paraphrases or quotations on note cards, or separate sheets
of lined paper. Mark each card or sheet of paper clearly with your outline code or reference, for
instance, 1B2a or IIC, etc.
Put all your note cards or paper in the order of your outline, e.g. IA, 1B, IC. If using a word
processor, create meaningful filenames that match your outline codes for easy cut and paste as
you type up your final paper, e.g. cut first introduction paragraph and paste it to IA. Before you
know it, you have a well organized term paper completed exactly as outlined If it is helpful to
you, see a symbol such as " to mark the spot where you would like to check back later to edit a
paragraph. The unusual symbol will make it easy for you to find the exact location again. Delete
the symbol once editing is completed.
Reread your paper for grammatical errors. Use a dictionary or a thesaurus as needed. Do a spell
check. Correct all errors that you can spot and improve the overall quality of the paper to the
best of your ability. Get someone else to read it over. Sometimes a second pair of eyes can see
mistakes that you missed. Then, find out responses to this checklist:
Read the assignment again to be sure that you understand fully what is expected of you, and that
your essay meets the requirements as specified by your teacher. Know how your essay will be
evaluated.
Proofread final paper carefully for spelling, punctuation, missing or duplicated words. Make the
effort to ensure that your final paper is clean, tidy, neat, and attractive. Aim to have your final
paper ready a day or two before the deadline. This gives you peace of mind and a chance to triple
check. Before handing in your assignment for marking, ask yourself. "Is this the very best that I
can do?"
COURSE BIBLIOGRAPH
A.J. Thomson and A.V. Martinet (1986) A Practical English Grammar, OUP, Oxford
Ann Cole Brown et all. (1984) Grammar and Composition, Boston, Atlanta
Arnold J. at all. (1990) Advanced Writing Skills, London: London
Chaphen F. (1970) Paragraph Writing, London, Oxford
Ingram B. (1988) From Writing to Composition: An Introduction Composition Course for Students
of English, CUP
John E. Warriner (1986) English Composition and Grammar, USA, Harcourt Brace Jovanovich,
Publishers
Jordan RF (1990) Academic Writing, London Collins - ELT
Phyllis R. (1995) God's Gift of Language Writing and Grammar: Work Text for Christian Schools
USA
William Strunk, Jra (1918) The Elements of Style, Bartleby.Com