Selected Poems of Sylvia Plath
Selected Poems of Sylvia Plath
of Sylvia Plath
Study Guide by Course Hero
h Characters .................................................................................................. 3
g Quotes ......................................................................................................... 17
The History of Psychiatry
l Symbols ...................................................................................................... 19
The development of psychiatry began in the 1800s when the
m Themes ...................................................................................................... 20 seriously mentally ill were institutionalized and treated with
nonscientific, sometimes cruel, and mostly ineffective methods,
b Narrative Voice ........................................................................................ 21
including medications. Psychiatry only dealt with patients
whose behavior was disordered enough to require them to be
institutionalized. Neurologists treated people with less severe
j Book Basics
mental health symptoms, who were considered to have
problems with their nerves. The advent of psychoanalysis led
by Austrian neurologist Sigmund Freud (1856–1939) meant
AUTHOR that less severely mental ill people were treated with
Sylvia Plath psychotherapy. This treatment focused on exploring
unconscious roots of psychological illnesses.
YEAR PUBLISHED
1953–63 Psychiatry for less severely mentally ill people grew over time
to focus on talk therapy. The more severely mentally ill
GENRE
continued to be institutionalized and often overly medicated.
Women's Studies
Psychiatry involving medication did not reach the treatment of
AT A GLANCE outpatients until the 1950s and 1960s. Policies to
American confessional poet Sylvia Plath (1932–63) wrote and deinstitutionalize the mentally ill began to dominate local and
published hundreds of poems during her life. Many were also state governments, and the population of mental institutions
published posthumously under the stewardship of her dropped severely. By the time Plath wrote her most well-known
estranged husband, English poet Ted Hughes (1930–98). The poems, the movement to deinstitutionalize the mentally ill was
21 poems selected for this guide represent work completed at in full swing.
Selected Poems of Sylvia Plath Study Guide Author Biography 2
a Author Biography
society are considered "waves" of feminism.
First wave feminism involves the struggle for the right to vote.
It began with the Seneca Falls Convention (1848), an assembly
of prominent leaders in the women's rights movement. The first Childhood and Family
wave achieved the right to vote for white women in 1920 with
the Nineteenth Amendment to the Constitution. Activists like Sylvia Plath was born in Boston, Massachusetts, on October
formerly enslaved religious orator and abolitionist leader 27, 1932. Plath's mother Aurelia Schober Plath (1906–94) gave
Sojourner Truth (c. 1797–1883) spoke out from the beginning birth to brother Warren Plath in 1935. Sylvia Plath wrote poetry
against the exclusion of women of color from the American and kept journals since childhood. Plath published her first
women's rights movement. poem at age eight. Her father Otto Emil Plath (1885–1940) was
a German immigrant who was an expert on bees. He taught at
Second wave feminism refers to women's rights movements of
Boston University where Aurelia had been one of his students.
the 1960s and 1970s. Feminism expanded its reach and
He died when Sylvia was eight years old. The experience of
included critiques of traditional family structures and gender
losing her father at a young age was a frequent topic in Plath's
roles. Second wave feminists focused on legal battles for equal
work.
pay, reproductive rights, access to childcare, and the end of
discrimination because of sex.
Plath's poetry deals with the problems second wave feminism Education and Psychiatric
tried to address. She struggled with the roles of marriage and
motherhood that are held out to women as ideal. Plath's issues
Treatment
with the dominance of both her deceased father and her
Plath published several works while still in high school, won
unfaithful husband affected her psychological health. Without
national writing contests, and in 1950 won a scholarship to
access to childcare she tried in vain to attend to both her
attend Smith College. As a college student Plath was selected
career and her family.
to be a guest editor of popular women's magazine
Mademoiselle in the summer of 1953. She spent much of the
summer in New York City working there and was able to
Confessional Literature publish several poems in the magazine. Shortly after that
experience, Plath attempted to kill herself by taking sleeping
Plath is part of a long tradition of literature meant to confess
pills. She received electroshock therapy and other psychiatric
intimate personal truths. Confessions of St. Augustine (400
treatment in a mental health facility and was able to return to
AD), in which the Christian saint Augustine (354–430 CE)
Smith College. She graduated from Smith in 1955.
recounts his early days of sinful behavior and his ultimate
religious redemption, is an early example of confessional
literature. During the Enlightenment, Jean-Jacques Rousseau
Marriage, Children, and Poetry
(1712–78) published his Confessions (1782–89) which dealt in
part with intimate details of his personal life. Plath's poetry Plath moved to Cambridge, England, to study through a
expresses painful personal experiences with mental illness, Fulbright Fellowship. While in England she met English poet
Creative Expression her life. In "Daddy" the young woman speaker develops
strongly negative portrayals of both her father and her
By the time Nicholas was born the Hughes' marriage was husband. In "Morning Song" she addresses her newborn baby
disintegrating. Hughes left Plath for another woman and Plath and her mixed feelings about parenthood.
struggled as she attempted to manage her mental health, write
and publish poetry, and care for her two young children. In
1963 Plath published her only novel The Bell Jar. She used the
pen name Victoria Lucas rather than her own. The novel details
a fictionalized version of her experiences as an editorial intern
in New York City and her mental health treatment after she
attempted suicide. She wrote many poems during the last
months of her life, including those that make up the collection
Ariel which was published after her suicide on February 11,
1963.
"Waking in Winter"
"Mad Girl's Love Song" Plath uses imagery of cold, frozen landscapes to evoke the
emotional experiences she had while in psychiatric treatment.
The love the young woman speaker has for the person she
She portrays the frightening chaos and confusion of her
addresses is exhausting and damaging yet mesmerizing. Plath
intense episodes of mental illness, describing her experiences
uses large symbols like the moon, the sky, God, and "seraphim
with hallucinations, discomfort, and loneliness.
and Satan's men" to express how her own personal world is
overwhelmed by a person who has left and may never come
back.
"Widow"
A widow is a woman whose spouse has died. This poem
examines a widow's worst fear that her husband's soul is trying
to communicate with her and that she cannot sense it.
"You're"
Plath affectionately addresses a child as it grows in the womb.
Its future remains to be seen and will be determined by its
unique personality and outlook. The optimistic and nurturing
tone of "You're" is uncharacteristic of Plath's poetry.
The "it" that he is offered in marriage will shut his eyelids after
c Section Summaries his death. The applicant is offered a suit that is "black and stiff"
to marry, and the young woman speaker states that he will be
buried in it. Marriage for the woman is portrayed as servitude
The Applicant and fulfillment of the applicant's needs. For the applicant
marriage is a kind of death. The poem seems to suggest that
neither member of this couple would truly fulfill the other's
needs. Instead the two bring dread and suffocation to each
Summary other's lives.
Analysis protest of taxes. The young woman speaker in the poem feels
that her personal issues are disappearing as she flies through
"The Applicant" dwells on Sylvia Plath's central theme of the air on the horse. Then she hears a sound that brings her
women's oppression in intimate relationships as well as in back to reality to some extent. Her crying child rouses her
society at large. The woman in "The Applicant" portrays herself momentarily from her vision, but it quickly "melts in the wall."
as seeking broken men to help. She strives to give of herself in The poem ends with the young woman speaker declaring
order to support a man with missing aspects of himself. The herself "the dew that flies / Suicidal" into the sun.
young woman speaker describes herself in a dehumanizing
and detached way; she calls herself "it" and a "living doll." She
is defined here through the actions she can offer to a man Analysis
through marriage and is further degraded with a description as
"Ariel" was written toward the end of Plath's life. Her later
"your last resort."
poems are well-known for their intense focus on death and
The poem begins with an inquiry about the applicant's dying. "Ariel" is spare in words and imagery; it builds up from a
brokenness but ends with the young woman speaker begging still and peaceful scene to a violent, suicidal explosion. Plath
for the applicant to marry a woman whose only role is to care pictures herself as a strong rider of a horse, becoming one
for his needs. The applicant is not expected to gain happiness with nature and shedding her daily emotional and mental
or peace through the arrangement. The poem portrays struggles. She pours herself into the riding to the point where
marriage as a necessity that both the applicant and the woman she ecstatically merges with the nature around her. At one
must endure. The young woman speaker urges the applicant point the incongruous cry of her child rouses her to thought,
that "it's your last resort. / Will you marry it, marry it, marry it." but she does not attend to the child and instead returns to her
fantasy about riding into the fiery and powerful sun. father Otto Plath (1885–1940) as a classical statue with "fluted
bones and acanthine hair" who is now "a ruin." The young
Plath's vision of a woman on horseback drawn to ride into the woman speaker pictures herself as protected within the
sun relates to the end of her life. She compares herself to "The father's presence as if she is inside his gigantic ear, sheltered
dew that flies / Suicidal." She feels that her very being is drawn from the wind. The entire world is suffused with the presence
toward extinction by a force greater than herself. The force of this overwhelming father figure.
becomes one with the rider as she travels "Into the red / Eye,
the cauldron of morning." The sun is portrayed as both a
powerful eye which suggests a godhead figure and as a
burning oven which suggests ending one's life through fire.
Crossing the Water
Plath identifies with the desire to ride into the sun and relates it
to the suicidal thoughts that have troubled her throughout her
life. After multiple suicide attempts Plath killed herself in 1962
Summary
by inhaling gas from an oven.
The poem begins with an image of the silhouettes of people on
a boat on a lake. The lake, the boat, and the "cut-paper people"
The Colossus are all black. The young woman speaker muses that the "black
trees ... that drink here" are so tall that their shadows cover
Canada. The poem extends the imagery of darkness and cold
as the water drips from the boat's oars. A hint of bright light
Summary enters the imagery in the form of stars and lilies. The young
woman speaker asks if her companion is "blinded by" the lilies
The young woman speaker speaks from the first person in the which she compares to "expressionless sirens." Sirens were
well-known poem "The Colossus." She describes a male figure mythological women whose beautiful singing lured sailors to
who she is trying to "put together" unsuccessfully. His their deaths. The silence of the beautiful lilies recalls an image
unruliness is described as "Mule-bray, pig-grunt and bawdy of "astounded souls" for the young woman speaker.
cackles ... It's worse than a barnyard." The young woman
speaker describes herself in a service role to the man who
takes a larger-than-life role in her life as she miserably Analysis
dedicates her life to repairing and cleaning him. The young
woman speaker cries out to her father. She affectionately says Plath paints a picture of darkness punctuated by the quiet
that he is as "pithy and historical as the Roman Forum." The thoughts and musings of two people on a boat in a lake. The
Roman Forum was the most important public meeting place in imagery refers to the nature around the two people in the boat,
Rome. It included impressive monuments and temples. as well as their inner lives. Darkness is in both of the people in
the poem as well as "in the fishes" and the rest of the natural
world.
Analysis
Their consciousness focuses on the water, the oar, the fish
The Colossus refers to an ancient wonder of the world that beneath the surface, and their own role in the scene. After a
was a giant statue of a man astride two islands. Plath uses the series of black and dark images, Plath describes blooming lilies
Colossus as a metaphor for her father who had a giant impact as stars in the water and as tempting sirens inviting seductive
on her life. She describes him as impressive and vast and thoughts of death. This juxtaposition of light and darkness
highlights her never-ending feelings of servitude in his ends the poem on an uncertain note.
presence. The young woman speaker feels tiny and considers
herself the size of an ant in comparison with her father. She
uses language that evokes the imposing majesty of ancient
Greek or Roman classical architecture and art to describe her
father. The young woman speaker describes Sylvia Plath's
Daddy Edge
Summary Summary
One of Plath's most well-known poems "Daddy" explores her "Edge" is one of the last poems Plath wrote. It begins with the
problematic and painful relationship with her father. The poem image of a woman who "is perfected" in death. Her death
has several connections to intimate details of Plath's life. She seems to make sense to those who observe her body. Her feet
compares her father to a Nazi and calls him a "ghastly statue." seem to suggest that they have come a long way to have
The young woman speaker notes that "I was 10 when they reached this ending. However, there is no real reason or
buried you" and states that "at twenty I tried to die / And get justification for her death. The speaker in "Edge" describes the
back, back, back to you." Instead of joining her father in death, dead woman as a "Pitcher of milk, now empty," recalling her
the poet states that she married someone just like her father. role as a mother feeding her babies. She also compares the
She describes her husband as a "model" of her father who woman to a rose closing its petals "when the garden / Stiffens
loves to torture her. This man is described as a "vampire who and odors bleed." The cold and heartless character of nature is
said he was you" who "drank my blood for a year, / Seven shown in the moon which "has nothing to be sad about, /
years, if you want to know." The poem ends with "the villagers" Staring from her hood of bone."
of her father's youth showering him with hate, "dancing and
stamping" on him.
Analysis
Analysis Plath is well-known for her death by suicide which followed
several other attempts to take her own life throughout the
The young woman speaker makes connections between the years. "Edge" offers a glimpse into a mind preoccupied with
Nazi Holocaust (1939–45) in which six million Jewish people death. The speaker in "Edge" states that the idea that she
were killed and her personal inability to express herself to her needed to die is an illusion and yet she is dead and seems
father. She identifies with the Jewish people who are sent "to "perfected" in death. She pictures herself as a dead woman
Dachau, Auschwitz, Belsen" which were concentration camps who can no longer feed her children and, therefore, folds up
where men, women, and children were sent to their deaths her children back inside her body. Plath describes nature as
during World War II (1939–45). More Nazi comparisons serve unfeeling as it looks on at her life of inner misery. The moon
to build a portrait of a father who "bit my pretty red heart in seems to look without feeling at her struggles. The celestial
two." Details from Plath's life like the death of her father are body is often described as female in reference to its
woven throughout this poem, suggesting that the author may connection to tides and fertility. It observes the speaker in
be writing autobiographically. "edge" from a "hood of bone," suggesting a vision of the moon
as a skull staring down at her from the sky. Death permeates
A central theme in Plath's poetry is her negative experiences the poem both in the sense of the corpse it focuses on and in
with relationships with men. Both her father and husband are the wider natural world's indifference to human suffering.
portrayed as "fascists" and "brutes" who only serve to hurt and
use her. She addresses her father and says that her husband
finished the job that he started. Her father is portrayed as a
Nazi work boot that chafes the foot while her husband is
Elm
imagined as a vampire drinking her blood. The pain these men
cause to Plath is palpable throughout "Daddy." She blames her
suicidal tendencies at least partly on the mistreatment she
Summary
experiences at the hands of both of the influential men in her
The poem begins with the young woman speaker envisioning
life.
an elm tree and what it represents or might be "thinking." The
tree seems to communicate that "I know the bottom ... I know it dull, fat Cerberus / Who wheezes at the gate." Cerberus is the
with my great tap root: It is what you fear." The young woman three-headed, murderous watchdog of the underworld in
speaker pictures the tree telling her how foolish she is for ancient Greek mythology. The young woman speaker
waiting for her lover to return. The tree communicates to the expresses that "the tongues of hell" are as dull as those of
young woman speaker that love is elusive, that it is gone, and Cerberus. The young woman speaker pictures herself as "too
that she should accept this. As the young woman speaker pure for you or anyone" and alternately describes herself as
communicates with the tree, she pictures its sufferings as her delicate and dangerous.
own, envisioning a "wind of such violence" that it noisily
destroys everything in its path. The young woman speaker
reflects on her inner state of unease and compares it to a Analysis
frightening, dark animal sleeping inside the tree. The poem
ends with the young woman speaker's frightening description Plath dwells on the notion of being "pure" and states that after
of a "face so murderous in its strangle of branches." When she long periods of sickness she feels a sense of purity and even
sees her lover's face within the tree's branches it slowly drives godliness. Throughout the poem the young woman speaker
the young woman speaker into a mentally unstable state. refers to torturous physical situations and then imagines
herself transcending them. For example, the dull tongues of
hell and of Cerberus are "Incapable / Of licking clean ... the sin."
Analysis While she lives and struggles, the young woman speaker
cannot transcend the pain of her life. She imagines an
Plath's description of her silent and intense conversations with existence in which she can simply float away from her
the tree provides a glimpse into her memories of her intense depression and suffering. As she meditates on her instability
experiences during psychiatric treatment. The young woman and hurt, she addresses her lover and states that he "hurts me
speaker makes several references to medicines and poisons as the world hurts God." The young woman speaker feels on a
including arsenic, evoking an atmosphere of sickness and certain level too "pure" to deserve the indignities that her
treatment. She refers to suffering, being "scorched," and partner has visited upon her. The poem ends with the young
breaking down into pieces. She envisions herself as the tree, woman speaker's imagined ascension to heaven as the
disturbed by a rustling animal or bird that never allows her unstable, highly flammable gas acetylene. Her ascension
peace. The dark creature that sleeps within her and gives her recalls Christianity's Virgin Mary. She says that she "may rise"
no reprieve may be a reference to the instability and as "a pure acetylene / Virgin," evaporating into the air.
depression that plagued Plath's life. The constantly rustling
sense of unease is replaced by terror as the young woman
speaker sees her lover's face in the branches of the tree as a Heavy Women
monstrous vision. She recreates the face with terror,
describing its "snaky acids" and how seeing it "petrifies the
will."
Summary
The speaker in "Heavy Women" describes pregnant women
Fever 103° who are "irrefutable" and "beautifully smug." Each of the
women possesses a "weighty stomach" and a face that "floats
calm as a moon or a cloud." The poem portrays these women
Summary as naturally confident and happy. The pregnant women are
described as "smiling to themselves" as they "meditate
Plath retells the emotional struggle she experienced while devoutly" and focus on the new life within them. The life the
physically ill and in bed. The young woman speaker shares women nurture is contrasted with "the axle of winter" which is
details about her pain and discomfort, like the heaviness of the "far off" and will bring the birth of the baby.
bedsheets. Eating or drinking becomes impossible. Even bland
foods and water make her vomit. She pictures the "tongues of
the man she is warning to both God and Lucifer, the fallen and fantasizes about the world represented by the sirens
angel of Christian lore who becomes Satan the leader of evil under the sea. In the poem the siren's song is "maddening" and
spirits and the enemy of God. "ice-hearted," suggesting "drunkenness of the great depths."
The young woman speaker is attracted to the force
represented by the underwater sirens, "those great goddesses
Analysis of peace." She addresses them directly and asks them to "ferry
me down there."
"Lady Lazarus" contains multiple approaches to discussing the
core theme of many of Plath's poems, her desire to die. She
begins by making controversial connections between her Analysis
personal emotional pain and the deaths of millions of Jews in
gas chambers in the Holocaust. Some critics consider it Plath returns to the theme of her desire to die as she connects
provocative or inappropriate to compare the immense scale of with a folk legend. Plath had split from her husband as a result
the crimes against humanity represented by the Holocaust of his affair with another woman. Lorelei is a mythical woman
with one's personal struggles with mental health. Later in the who kills herself in misery after discovering her husband's
poem Plath uses an almost comical tone at times to describe unfaithful activities and is able to take revenge on men in
her experiences with mental illness and her obsession with general by luring them to their watery deaths. Plath pictures
trying to kill herself. She adopts the words of a carnival barker death as peaceful and wishes that she could join the "great
announcing "Gentlemen, ladies" before a show that features a goddesses of peace" under the water. She addresses the
"big strip tease" where her bandages are unwrapped. Lazarus goddesses as "sisters," identifying with their stony silence even
is a figure from the Christian bible who dies and is brought as it disturbs her. Plath begs the sirens to "ferry me down
miraculously back to life. Plath seems to imply that she on there," revisiting her frequently stated strong desire to kill
some level dies and comes back to life when she herself. She is drawn to fall into the water like a heavy stone,
unsuccessfully attempts suicide. The young woman speaker is hoping that she will finally find peace in death.
disappointed and humiliated each time that she makes a
"theatrical / Comeback in broad day / To the same place, the
same face, the same brute / Amused shout: 'A miracle!' / That Love Letter
knocks me out." Her self-deprecating approach reflects her
intense frustration with the cyclical nature of her failed suicide
attempts.
Summary
Plath addresses a lover and describes how he has intensely
Lorelei affected her life. She states that it is "not easy to state the
change" that the lover caused in her life. The young woman
speaker says that she feels alive now but felt dead before she
Summary met her lover. She says that she was once a rock sitting firmly
in place "unbothered" by her inertia. Now she describes herself
"Lorelei" refers to a German legend in which a beautiful woman as a rock that is fully upturned and moved so that it sees the
throws herself into the sea in misery over a man who has world in a new way. By the end of the poem the young woman
cheated on her. The woman in the legend becomes a speaker is ascending from earth, changing "from stone to
dangerous siren of the sea, luring people to their deaths. The cloud" and "floating through the air."
mythical woman is named after a giant rock on the shore of the
Rhine River in Germany. The poem begins with the young
woman speaker looking at the water and feeling drawn to the Analysis
images it reflects. She sees a castle and imagines its turrets
and windows. The young woman speaker dreams of a world Plath's marriage is a frequent topic of her poetry. Though her
that is clearer and richer than the one she currently inhabits marriage is well-known for its strife and pain, her relationship
with English poet Ted Hughes (1930–98) is looked at in an unfavorably to a "thunderbird" a mythological bird in North
idyllic lens in "Love Letter" (1960). She pictures herself as American indigenous traditions that controls the weather and
inextricably bound with him in a way that changed her at her returns over the seasons. Plath would return frequently to the
core. At first she feels like a rock that is standing still and theme of a relationship that was once thrilling but is now
content to act the same way that it always has, "staying put painful and out of reach.
according to habit." When she meets her lover he moves her so
greatly that she sleeps and is transformed "from stone to
cloud." The transcendent happiness that she feels as a result Morning Song
of her love would soon be replaced by more negative
experiences as she suffered through mental health challenges,
Hughes' infidelity, and multiple suicide attempts.
Summary
The baby is addressed by its mother. The mother reflects on
Mad Girl's Love Song her feelings of fascination and exhaustion. The poem begins
with an announcement of the baby's new life which comes into
the world as a result of love. The abundant love that surrounds
Summary the baby's birth is compared to "a fat gold watch." The young
woman speaker compares the baby to a "new statue" whose
The love the young woman speaker has for the person she "nakedness / Shadows our safety." She portrays her
addresses is exhausting and damaging yet mesmerizing. Plath exhaustion when she must wake up to feed the baby in the
uses large symbols like the moon, the sky, God, "seraphim and middle of the night. The baby cries and the young woman
Satan's men" to express how her own personal world is speaker has to "stumble from bed, cow-heavy and floral." The
overwhelmed by this person. In the Jewish, Christian, and baby's "mouth opens clean as a cat's." The poem ends on a
Muslim traditions, seraphim are angels who attend to God. peaceful note with the baby babbling contentedly after being
Satan is a fallen angel who becomes the enemy of God in the fed.
Christian religion. The poem ends with regret that the person
has left and may never come back. The young woman speaker
laments that she thought the person would return but as the Analysis
years go by, she does not even remember his name. The
absent person now seems like a fantasy. The young woman The young woman speaker's life is consumed with her baby's
speaker feels like the lover had only existed in her mind. vulnerability and needs. She reflects on the love that protects
and nurtures her baby but also describes the feelings of
exhaustion and detachment that plague her. She describes
Analysis herself as similar to a cow, reduced to her animal ability to feed
milk to her young. Plath portrays the mixed feelings of love,
Plath spent the summer of 1953 as a guest editor of fascination, and revulsion that characterize her experience of
Mademoiselle magazine. She later fictionalized this experience motherhood. She describes some of the sacred moments of
in her novel The Bell Jar. This early poem written in 1953 uses motherhood such as listening to her babies breathing in the
repetition and rhyme to portray intense emotions about a loved middle of the night and responding to her children's cries for
one who causes emotional pain. The young woman speaker's food. Her detachment sits alongside her description of her very
repetition of "I shut my eyes and all the world drops dead" and real experiences, telling her baby that she is "no more your
"I think I made you up inside my head" demonstrate a more mother" than is a cloud.
traditional use of rhyme which lessened in her work over time.
Her later poems avoid traditional rhyme schemes and prize
personal expression over format. The theme of a man's
outsized influence on her life is one that is repeated many
times throughout Plath's work. She compares her lover
Tulips a "bowl of red blooms" that functions purely "out of sheer love"
for her continued existence. Life itself has become a source of
suffering for the young woman speaker, who finds
disturbances and inspiration in her surroundings and within her
Summary heart.
Analysis
"Mule-bray, pig-grunt and bawdy
Plath affectionately addresses a child as it grows in the womb.
She is proud of the baby, her "high-riser" and "little loaf." The
cackles ... It's worse than a
young woman speaker pictures her child as a "bent-backed barnyard."
Atlas," referring to the character in Greek mythology who holds
up the world with his back. She juxtaposes this strong
— The young woman speaker, The Colossus
muscular image to a more humorous and humble vision of her
baby as a "prawn," or a large shrimp. These images call to mind
In "The Colossus" the young woman speaker describes the
"The sun rises under the pillar of The speaker in "Edge" envisions herself as a dead woman who
your tongue." looks like an ancient Greek statue. People who observe the
body feel that the woman looks as if she had traveled a long
way and experienced much before reaching her time of death.
— The young woman speaker, The Colossus
to heaven. She says that she will rise like Mary, likening herself — The young woman speaker, Love Letter
to acetylene, a highly flammable and unstable gas.
"Love Letter" finds Plath musing about how much her lover has
changed her perspectives and experiences. She compares
"They listen for ... the knock of the herself to assorted natural phenomena like a rock and a snake,
searching for an image that accurately reflects her intense
small, new heart."
feelings toward her lover.
Nature
"Out of the ash / I rise with my red
hair / And I eat men like air." Plath envisions nature as cold and heartless. She frequently
returns to certain symbols of nature's uncaring and oblivious
— The young woman speaker, Lady Lazarus dominion over the world, including the moon, skeletal remains,
blood, fire, and water. She longs to be pulled under the water
to her death in "Lorelei." She describes the moon which is
"Lady Lazarus" ends with an image of a woman coming back to
traditionally a symbol of female fertility and power as
life again and again. The young woman speaker complains
"merciless" in "Elm." Plath describes nature as dark, cold, and
about her inability to kill herself but suggests that her strength
unfeeling, and she often identifies herself with lightness, gas,
and resolve remain.
and fiery explosions in poems such as "Ariel," "Fever 103°," and
"Lady Lazarus."
Plath uses examples of cruelty and violence on a global scale Plath explores her troubled relationships with the two most
to represent her total contempt for certain people and certain important men in her life, her father and her husband. "The
aspects of her existence. She frequently returns to the Nazis Colossus" envisions her father as having an enormous
as symbols of male dominance and sadism. The Nazis came to influence over her life and towering over her psychological
power in Germany in 1933. During World War II (1939–45) they development like the ancient Greek statue. The Colossus was
killed six million Jews and millions of others including people a gigantic bronze statue of the sun god Helios that stood in the
who were mentally disabled, homosexuals, and political ancient Greek city of Rhodes. At the end of "The Colossus,"
opponents. Their "Final Solution" was a comprehensive plan to she expresses a strong sense of abandonment and feels
rid Europe completely of Jews. The Nazis built concentration despair that her father has left and will not return. In "Daddy"
camps and gas chambers in which they murdered millions of Plath takes a more negative approach, comparing her German
men, women, and children. Their plan came to an end with the immigrant father to a Nazi. "Daddy" concludes with Plath's
defeat of Germany in 1945, but by then the Nazis had killed bitter reflection that she ended up marrying someone who was
about two-thirds of Europe's Jewish population. Plath's just as cruel and sadistic as her father. Plath's husband left her
decision to use such a symbol in connection with her father for another woman shortly after she gave birth to their two
and her estranged husband demonstrates her intense children. In "Elm" she hallucinates her lover's face as a
emotions against the harmful influence of both of these men monstrous vision while looking at tree branches. Plath
on her life. frequently explores the overlapping feelings of fear, anger, and
sadness she experiences in relation to both her father and her
husband.
Ascension
Conflicted Motherhood
Plath frequently envisions herself ascending from earth as an
explosive fiery or gaseous substance. In "Fever 103°" she says
"I think I am going up, / I think I may rise." She evokes the Plath faced struggles as she attempted to raise her two young
Christian bible's revered female figure the Virgin Mary who is children without help after her husband abandoned them. Her
the mother of Jesus. She says she becomes "a pure acetylene poetry reflects both positive and negative emotions related to
/ Virgin" who rises into the air. The imagery of "Lady Lazarus" motherhood. She writes about the fascination and deep love
culminates with the poet emerging from the fire with renewed that she feels for her babies. Plath describes pregnant women
strength and power, announcing that "Out of the ash / I rise as possessing a peaceful and life-giving confidence in "Heavy
with my red hair / And I eat men like air." "Ariel" portrays a rider Women." Yet she also describes her children as distractions
of a horse who is barreling into the sun on a "suicidal" mission. from her free and expressive nature, as when she ignores the
Ascension can be a symbol of strength but more frequently child's cry through the wall in "Ariel." Her poem "Stillborn"
relates to Plath's central obsession with death. expresses her conflicted thoughts about motherhood by
envisioning herself as the loving and frustrated mother of her
stunted poems.
m Themes
b Narrative Voice
Plath's poems are written from varying voices including first,
second, and third person. Plath applies varying narrative
perspectives in her poems depending on the content and
people involved. The young woman speaker speaks from the
first person in the well-known poem "The Colossus." She cries
out to her father in a personal expression of her feelings of
servitude and smallness in his presence. "Lady Lazarus" is a
deeply personal account of Plath's series of suicide attempts; it
is another poem written from the first-person perspective. In
the poem "You're" the young woman speaker uses second-
person voice to speak to her unborn child. The poem deals
with her expectations and her love for the child, and she
addresses him directly to express these feelings. Many of
Plath's poems are written from a third-person perspective. For
example, "Ariel" describes a scene of a horse and rider flying
swiftly into the sun. Its third-person perspective involves a
detailed description of the image as well as a more detached
view of the speaker herself and how she ignores her child's
cries to continue dwelling on the horse-and-rider fantasy. Plath
varies the perspectives, voices, and approaches in her poetry
to fit her intensely confessional and personal expressiveness.
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