With thanks to rhe Parkrose Educational Foundation Welcome To The Choir This picce is dedicated to the past, present and future students of Parkrose High School May your singing serve as a healing clement to the waltie of life. giving you Ifelong fricndsbi and show you the importance of beauty in out lives through music. Chris Lawry Con moto « /=90 SOPRANO = ALTO TENOR BASS Let's start with thebass line, on beat. Thebass line, —3— ——. f SS we ee os ft oe tS And add in the te-nor rhy-thm, off beat SS ——— on beat. The bass line, on beat. Thete-norrhy-thm, offbeat te-nor rhy-thm, offbeat bass line, ‘on beat. Thebass line, on beat. The 2 te-nor rhy-thm, off beat ‘te-nor rhy-thm, off = beat bass line, on beat. Thebass line, on beat. The‘te-nor rhy-thm, off = beat te-nor rhy-thm, off beat bass line, on beat. Thebass line, on beat. The 20. ee bo ee Beau-tif-ul mel-o - dy. ca je oe + = te-nor rhy-thm, off = beat te-nor rhy-thm, off beat 3 Sh rs bass line, on beat. Thebass line, on beat. TheoI 3 — —— a ae eS te-nor rhy-thm, off beat te-nor rhy-thm, off beat , = fe? = tie — ba rE a bass line, on beat. Thebass line, on beat. The =p —" A fa f =e oe _be —s =e But don't__. for - get. the Ale tos, who —__ be bee bow | te-nor rhy-thm, off = beat te-nor rhy-thm, off = beat = == Foes bass line, on beat. Thebass line, on beat. Thete-nor rhy-thm, te-nor rhy-thm, off beat bass line, on beat. Thebass line, on beat. The “he * oP jp TT 4 a+ : + te-nor rhy-thm, offbeat te-nor rhy-thm, offbeat fe bass line, on _ beat. Thebass line, on _ beat. The40 Me-lo-dy and har - Me-lo-dy and har - te-nor rhy-thm, offbeat te-nor rhy-thm, off beat. bass line, on _ beat. Thebass line, on beat. 44 [shout] . sToP! - [Shout] We sing in ho - mo - phon-y — (Ah)__49 nf — f => mf Ho -mo - phon-y — (Ah)__ From mi - nor nf ——_. f > —— (Ah)_—_ [= - mo - phon - y t= nf —. Ho -mo - phon-y (Ah) ____ From mi - nor — : —SS SSS to ma - jor, and chang - ing the key!__ — E E = to ma - jor, and chang - ing the key!__ => . SS] =F | to ma - jor, and chang - ing the key!__ Se to ma - jor, and chang - ing the key! Heyy TH— c—3— | 4 — e + —_ to sing in po - ly - — pho- ny, __ —== f —— SS SE = == oy e — to sing in po - ly pho - ny, — f —s3 = - eI | ¥ — to sing in po - ly pho — f —3I— — — eet ——| — to sing in po - Vy pho - f a - - pho - ny, po - ly-pho-ny, po eS SS =| po - ly-pho- ny, po- — ¢ —— le Ale yo: pho - ny, po-mp — ty Te SS mei - is - mat - ic po - ly-pho- ny, mp SS a - mel - is- ma, mel - mp Fe to mel - is - ma, mel - is - mat - kc, ot leee threes paieee | ly = pho~ my, mel - is___ ma, molto rit. (Sreulae ie » Sf =——__ ¥ —— f>— & y _ - pho ny! Ff —_ of — _ f= ™ 4 ve — ~ lis-mat-ic po - ly-pho- ny, po-ly - pho - ny! St —__ of —_ f= ™p W A = mel ft ly = pho - ny! en A po-ly - pho - ny! po : ly - pho - ny,10 Steady & Rhythmic ( -=c.112 ) ; + = = = * SSS SS SS to the. choir!__ Wel-come to__ the choir! =—: = —= S foe to___ the choir! Wel-come to the choir! — Se Lobe 2 se = ¥ 7 to. the choir!__ Wel-come to. the choir! —— = a z be ae — Wel-come to__ the choir!__ Wel-come to__ the choir! molto rit, — Wel - come to.Molto piu mosso (.=c.110) i bass line, on beat. The [Optional Can be shouted rather than sur 89 lop ng) Wel-come to the choir! [Optional Can be shouted rather than sung] . ss st = Wel-come to the choir! Optional: Can be shouted rather than sung) Wel-come to the choir! Optional: Can be shouted rather than sung) bass line. = Wel-come to the — choir!