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Haydn Analysis 104.4c

The document contains a series of analytical questions regarding the 4th movement of Haydn's Symphony 104, specifically focusing on bars 118-137. It asks for identification of sections, themes, differences, musical features, contrasts, and an analysis of tonality and harmony. Participants are required to reference specific bars and provide detailed responses based on their understanding of the score.

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2 views3 pages

Haydn Analysis 104.4c

The document contains a series of analytical questions regarding the 4th movement of Haydn's Symphony 104, specifically focusing on bars 118-137. It asks for identification of sections, themes, differences, musical features, contrasts, and an analysis of tonality and harmony. Participants are required to reference specific bars and provide detailed responses based on their understanding of the score.

Uploaded by

emilyyuxuanchen
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Haydn 104 4th movement score analysis questions

Bars 118-137 (104.4c)

You will need an unannotated score of Symphony 104 by Haydn. The following questions are on
movement 4. (15)
(a) What is the name of the section which begins in bar 118:
Section:…………………………………………………………………………………………………………………………….......................
...(1

(b) What is the name of the theme heard in violin II in bars 119-122?

Theme:……………………………………………………………………………………………………………………………........................
.(1)

(c) Give one difference between the theme named above in bars 119-122 and the first time it was
heard in this movement.

Difference:……………………………………………………………………………………………………………………..........................
.....

……………………………………………………………………………………………………………………............................................
..(1)

(d) Find examples of the following between bars 118-137. Remember to give complete bar references,
including beat numbers and instrument parts where required.
(3)
Features Location/bars
imitation

sequence

melodic inversion (give bar number of


original motif and its inversion, both within
bars 118-137)

(d) Describe how contrast is created in bars 118-137 (4)

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(e) Analyse the tonality and harmony from bars 118-137 (5)

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