Modern Classical Music
Modern Classical Music
Music
Modern Era of Music
Music Appreciation
Characteristics
A break with the past / “rules” are made to be broken
Dissonance / atonal
Aleotoric Music = Chance Music
Use of prepared pianos, sprechstimme, & musical use
of non-instruments
Modern Era of Music
Music Appreciation
Notable Composers:
Neo-classicist: Stravinsky
Modernist: Schoenburg
Neo-Romantic: Mahler
Aleotoric composer: Cage
Minimalist: Glass
Electronic: Stockhausen
Many composers write music for films: John Williams
Igor Stravinsky
Seen as the musical
counterpoint to
Picasso
Firebird Suite
https://www.youtube.com/watch?v=RZkIAVGlfWk
Arnold Schoenberg
Developed twelve-
tone music
Pierrot Lunaire
(see next slide)
Note use of “sprechstimme” in
song
Pierrot lunaire, Op. 21, No. 8 “Nacht” (“Night”) –1912 [2:06]ARNOLD SCHOENBERG (1874–1951)
Poetic 1/13/14 4:00 PM
Timeline Musical Features Poetry Translation
Structure
0:20 Bass clarinet resumes the ostinato; reciter enters Finstre, schwarze Dark, black
Refrain (A) 0:25 Cello resumes the ostinato Riesenfalter Töteten der giant moths Killed the
Ein geschlossnes Zauberbuch, Like a closed book of magic spells, The horizon
0:35 Reciter re-enters
Ruht der Horizont— rests—
B
:55 All performers sustain a silent fermata
Ostinato in different speeds in piano & bass clarinet; Aus dem Qualm verlorner
:58 Out of the vapor of lost depths Arises a
trembling effect in bass clarinet & cello Tiefen Steigt ein
1:04 Upward leap on “Duft” word- paints “steigt” Duft, Erinnrung mordend! fragrance, murdering all memory!
1960’s Genre
2000’s – today
Popular Music Presenation
Instructions (continued) The song that you choose must:
Based on your performance on the modern
classical music assessment, each student will be Be approved by your teacher
given the chance to choose one song from the
following eras: Be from an era that is different from
Pre-1920’s your first song
1930’s NOT be from the same artist as
1940’s someone else’s song
1950’s
1960’s
Must be presented in a Prezi that
1970’s included all the same info as your
1980’s first song (see previous slide)
1990’s READY???
2000’s – today
Modern Popular Music
Pre -1920’s
John Phillip Sousa
“The March King”
Emphasized brass
instruments
Beale Street
Modern Popular Music
1920’s
Jimmie Rogers
“Father of Country
Music”
Guitar, voice
Yodel
Strange Fruit
Modern Popular Music
1940’s
Bill Monroe
The Father of Bluegrass
Music
‘Round Midnight
Ella Fitzgerald
“The First Lady of Song”
Focused on Big
Band sound
15 #1 hits on the
Billboard Top 40 in
one year
Peggy Sue
Elvis Presley
King of Rock
and Roll
Huge teen idol
and heart throb
Performed
older African-
American blues
songs
Jailhouse Rock
Ray Charles
Rhythm and blues
Mess Around
Johnny Cash
“The Man in
Black”
Boom-chick-a-
boom sound
Folsom Prison
Blues
Louis Armstrong
“Satchmo”
Reinvented himself as
both Big Band performer,
pop singer, and jazz
trumpeter
Summertime
Miles Davis
Bebop– Throttled notes
Cool jazz—Improvisation
Modal jazz– No keys, just
notes.
Jazz fusion—Soul, R&B,
and jazz added with
electric instrumentation
Tempus Fugit
Modern Popular Music
1960’s
Frank Sinatra/ The Rat Pack
Big Band Sound
Experimentation
with musical
instruments
Experimentation with
musical time
signatures, music
Good Vibrations
Motown
Berry Gordy
Black sound
Soul music
Funk music
Volume to 11
Kashmir
Bee Gees
Disco genre
Stayin’ Alive
Sugar Hill Gang
MC– Master of
Ceremonies
Rapper’s Delight
Modern Popular Music
1980’s
Bob Marley
Reggae genre
Redemption Song
Michael Jackson
Changed pop music
into upbeat numbers
with synthesized
beats
Thriller
Modern Popular Music
1990’s
Modern Popular Music
2000’s - now