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Structure of A Screenplay: Dr. Sailesh Kolanu

This document discusses the structure of a screenplay. It explains that a screenplay needs more than just interesting scenes joined together - it needs a clear structure to guide the audience from beginning to end. The document then outlines the typical three-act structure with a beginning, middle, and end, and identifies some key components or plot points within each act, such as the catalyst, plot point 1, pinch points, and the all-important resolution. The overall message is that understanding structure is important for crafting a compelling narrative arc for the screenplay.

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0% found this document useful (0 votes)
230 views35 pages

Structure of A Screenplay: Dr. Sailesh Kolanu

This document discusses the structure of a screenplay. It explains that a screenplay needs more than just interesting scenes joined together - it needs a clear structure to guide the audience from beginning to end. The document then outlines the typical three-act structure with a beginning, middle, and end, and identifies some key components or plot points within each act, such as the catalyst, plot point 1, pinch points, and the all-important resolution. The overall message is that understanding structure is important for crafting a compelling narrative arc for the screenplay.

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Copyright
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We take content rights seriously. If you suspect this is your content, claim it here.
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Structure of a Screenplay

Dr. Sailesh Kolanu

Y
DISCLAIMER

I AM NOT A SCREENPLAY
GURU
My Story
Realisation
• Screenplay needs a structure.

• It is just not interesting scenes


joined together with interesting
transitions.
Why do we need a
structure?

• Story is a maze.
• Structure = holding the
hand of your audience
and guiding them.
• Beginning, middle and an
end
Books
• Syd Field did not work for me when I
first picked it up.
• Lost the motivation of learning the craft.
• Blake Snyder changed it for me.
• Save the Cat
• Reading every book will make you
complete a screenplay.
• Adapt to Indian films.
Process

• Idea
• Incubation time
• Log line
• Execution
• Character biographies
• World and set up
• Beginning middle and end
• Plot points
Idea
• People
• News
• Books
• Music
• Photography
• Movies and TV shows
• Idea journal is an
amazing tool
Incubation time

• Cork Board and Index Cards


• Keep the idea running at the
back of the mind
• Shower / Swimming pool is
my green house
• Keep putting everything on
paper
• Have a lot of alone time
Log Line

• What is your movie in two or


three lines
• Components of a log line
• Who is the protagonist
• Who is the antagonist
• What happens in the
movie
• Beginning, middle and the
end of the movie
Character Biographies

• Internal and External


• Professional
• Personal
• Private
• Writing a back story for every character will
dictate their dramatic choices in the
screenplay
• Performance boundaries will depend on
biographies of each character in the
screenplay
World and Set Up

• The idea and the


story will decide
the world and set
up
• Stay true to the
world
• Uniqueness and
authenticity
Evolution of the structure

• Beginning and an End


• Beginning, Middle and an End
• Beginning, Middle and an End
(Not necessarily in the same
order)
• Beginning, Middle and End
(Not necessarily in the same
order and not necessarily of
the same length)
Three Act Structure
• Act 1 (Beginning)
• Act 2 (Middle)
• Act 3 (End)

• Not a rule to follow this structure


Act 1
• Beginning of a story
• Setting up of the characters and the world
• Organically lead to a conflict
• What to achieve in Act 1:
• Establish
• Make the audience root for the protagonist / antagonist
• By the end of Act 1, the protagonist should be in a riveting conflict from which
she/he can not walk out.
• There is no going back now
Key Components of Act 1
• Opening Image

• Catalyst

• Plot point 1

• Connect these anchors in an


engaging and emotionally indulging
way and you have the beginning of
your screenplay sorted
Setting up the
protagonist
Catalyst
Setting up the antagonist
Plot point 1
Act 2
• Middle of the story
• Generally the lengthiest part of your screenplay
• Puts the protagonist on a journey to try and solve the conflict
• Proactive protagonist will indulge in the audience
• What to achieve in Act 2:
• Effort of the protagonist
• Proactive characters addressing the conflict
• Propel towards resolution of the conflict
• Plot and the sub plots should nicely lead way to a resution
Key Components of Act 2
• Pinch 1

• Mid Point (The Dreaded Interval)

• Pinch 2

• Plot point 2
Pinch 1
Mid Point
Pinch 2
Plot Point 2
Act 3
• Ending of the story
• The plot and all the sub plots slowly start moving towards a satisfying
resolution
• Try to make it reasonably unpredictable
• What to achieve in Act 3:
• The protagonist needs to have a clear path for resolution
• This path should have maximum resistance in every possible way
• Protagonist can fall and raise
• The conflict is resolved
Key Components of Act 3
• Initial burst towards resolution – hope

• All is lost moment

• Rise (The Knight in the Golden Armor)

• Final conflict and ending image


Initial Burst
All is lost
Rise
Final conflict
Resolution
Ending Image
• Start with the anchors in each act
• Connect them using interesting sequences
• Understand what is the emotional drive of your
audience at each part of your script
Summary • Maintain the emotional drive
• Key is to have the audience glued to the narrative

• If you have an idea, START WRITING. Do not


procrastinate.

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