LEGACY IN

CONSTITUTIONAL
H E R I TA G E
The Constitution Museum & the Rights and Freedoms
Academy, a Jindal Global University initiative, is an attempt to
delve into the cornerstone of India's democracy and the
fundamental rights and freedoms enshrined within it.

The Indian Constitution is not merely a legal document but a

sacred covenant that guides the nation towards justice, liberty,
equality, and fraternity. Through this museum, we embark on a
journey to explore the rich tapestry of rights and freedoms that
empower Indian citizens and shape the nation's ethos.
THE SITE
THE
CONSTITUTION
GARDENS
 OUTDOOR SCULPTURES
We, The People of India
This sculpture encapsulates the idea of ‘unity in diversity,’ a principle enshrined in the
Constitution of India. It celebrates the country’s rich mosaic of cultural traditions and
religions, drawing inspiration from historical monuments across India. The design
invites multifaceted interpretations from every angle.

Crafted from stone and bronze, the piece symbolises India’s cultural evolution, from
the Stone Age to the Bronze Age. Architecture serves as a vital medium for expressing
cultural heritage, as seen in historical monuments that reflect both material and
spiritual lifestyles. The sculpture features recognisable cultural buildings that
transcend religious symbols. Notable elements include the Charkha, which represents
self-reliance during India’s struggle for independence, and the Great Ashoka Chakra,
symbolising the philosophical cycle of ancient India. The lower section of the sculpture
resembles a gate, reminiscent of 'Chumadu Thaangi', a traditional resting place for
travellers in Kerala.

Rajesh P.S. is a practising artist based in Vadodara. He

completed his post graduation in sculpture from Kalabhavana,
Viswa Bharati University, West Bengal in 2004. Over the past
decade he has dedicated himself to sculpting and has actively
participated in solo exhibitions, group exhibitions, art camps
and art residences.
 OUTDOOR SCULPTURES

Insaaf Ki Devi
Insaaf ki Dev, crafted from scrap metal, is a metal sculpture symbolising justice. The
installation portrays a blindfolded woman holding scales, a powerful emblem of
impartiality in Indian law. The blindfold signifies objectivity, free from bias or
prejudice, while the scales represent balanced judgement and equity. Through its
rugged materials and form, the piece pays homage to the ideals of the Constitution,
reflecting the resilience and fairness embedded in India's justice system.

Nishant S Kumbhatil is a sculptor and the

founder of Leo Enterprises, renowned for his
innovative metal sculptures crafted from
repurposed materials. Based in Mumbai, he
specializes in creating awe-inspiring artworks,
including a notable six-foot Ganesha idol made
entirely from automobile scrap. With a deep
passion for metal art, Nishant excels in various
techniques such as wrought iron arts, bronze
casting, and kinetic sculptures. His work not only
showcases artistic excellence but also embodies a
commitment to sustainability. Through
collaborations with luxury brands and celebrities,
he transforms spaces into captivating galleries of
 OUTDOOR SCULPTURES

Triad of Unity features an intricately detailed form of three lions, their paws
connected at the center, forming a Y-like shape. This composition pays
homage to the Lion Capital of Ashoka, the revered national emblem of India,
subtly linking the sculpture to the principles of unity, justice, and sovereignty
enshrined in the Constitution of India. The sculpture’s tripartite structure,
combined with its choice of materials, serves as both a tribute to the
historical significance of the Lion Capital and a contemporary reinterpretation
of its themes.

Harsha Durugadda’s is known for his larger scale

sculptural works, where he incorporate various
materials and primarily wood as a material to
manifest his artistic productions.
He is the winner of the Rio Tinto Sculpture Award at
Sculpture by the Sea, Australia. Durugadda has
received several awards, such as Biafarin Award,
NordArt, Budeldorf, Germany; Rio Tinto Sculpture
Award, Sculpture by the Sea, Perth, Australia; The
Andrea Stretton Memorial Award, Sculpture by the
Sea, Sydney (2016); and Fellowship, Unbox Festival,
UK; among others.
 OUTDOOR SCULPTURES

Gautam Rahul, born in 1990 in

Echoes of Liberty Delhi, is a co-founder of Sancha Art
This striking mural is crafted from brass, showcasing a natural green patina finish that Studio and a practicing artist in
evokes a sense of timelessness and historical depth. The design harmoniously intertwines New Delhi. With a BFA and MFA
significant artistic elements drawn from the illustrated manuscripts of the Constitution from the College of Art, Delhi,
with contemporary artistic expression. Gautam has taught as a guest
lecturer at A.D. The Design School
At its centre, the Unicorn Seal of the Indus Valley Civilisation serves as a poignant and conducted workshops at The
reminder of India's ancient heritage and its enduring influence on modern governance. Creative Studio. A recipient of
Complementing this theme, the Sanchi Stupa is artistically represented, reflecting the awards like the Biswanath Mukherji
architectural inspiration behind the dome of the Supreme Court of India. This element Award, he has exhibited his work
symbolises justice and embodies the ideals of democracy, creating a powerful dialogue across Delhi, Hyderabad, and
between past and present. Jaipur, and his art is held in private
and corporate collections
 OUTDOOR SCULPTURES

Equality Before Law is a sculpture crafted from black marble, featuring

several intricately carved faces atop a white boat-like structure. This striking
piece serves as a poignant commentary on the principles enshrined in the
Constitution of India, particularly the ideals of equality and justice.

The contrasting materials symbolise the duality of justice—black marble

representing its severity and white conveying purity. The diverse faces embody
the multitude of identities within Indian society, emphasising that justice is
universal and not confined to any single identity. Each face tells a story,
reflecting the richness and complexity of human experience.
The boat-like structure signifies a vessel of hope, navigating through the
turbulent waters of societal challenges. It suggests that the quest for equality is
an ongoing journey requiring collective effort and resilience.

Pradeep Jogdand, born in 1987, is a Mumbai-based sculptor known for his

exploration of dualities through contrasting textures and forms. With a BFA
from J.J. School of Art and an MFA from Jaipur, his sculptures blend rough and
polished surfaces, embodying the rhythmic vitality of masculine and feminine
elements. His work has been exhibited at prestigious venues like Jehangir Art
Gallery and Lalit Kala Akademi. A recipient of multiple awards, Pradeep
frequently participates in workshops across India and currently lives and works
in Jaipur.
 OUTDOOR SCULPTURES

Intricately crafted using scrap metal, this piece presents a striking large-scale
depiction of the map of India. The Constitution’s principles of justice, liberty,
equality, and fraternity, deeply resonate with the artwork’s message of
inclusivity and harmony. The piece not only maps the geographical contours
of India but also traces the contours of its social fabric, emphasising that like
its diverse populace, every piece of scrap metal contributes to the rich
tapestry that is India.

By utilising scrap metal—often perceived as waste—the artist also challenges

viewers to reconsider notions of value and beauty. This reflects the
constitutional ethos that every individual, regardless of their background or
status, holds intrinsic worth and plays a vital role in the collective identity of
the nation. Deval Verma is an artist and mechanical engineer who
transforms metal scrap into captivating art. With a
postgraduate degree in product design from MIT Pune,
he merges design and artistry to create customized
artifacts. Through his brand "DEVAL'S," he focuses on
commissioned artworks and corporate gifting.
Committed to skill development, Deval conducts
workshops and offers a makers' space for aspiring
artists. He also champions sustainable development,
notably with his active solar cooker designed for rural
areas.
 OUTDOOR SCULPTURES

The Frame

The installation, crafted from black marble, presents

an interpretation of the Constitution of India. At its
core is the cover page of this foundational document,
intricately designed with an inverted "V" shape cut out
and hollowed, symbolising both strength and
vulnerability. The choice of black marble resonates
with depth and resilience, qualities that are integral to
the Constitution itself. The hollowed "V" serves as a
metaphorical void—representing the gaps that still
exist in society's realisation of constitutional ideals,
encouraging contemplation on the ongoing journey
toward justice and equality.
 C E L E B R AT I N G C O N S T I T U T I O N A L VA LU E S

Sohrai Gond Bhil Tanjore

Art Art Art painting
 C E L E B R AT I N G C O N S T I T U T I O N A L VA LU E S

Kalamka Pattachitr Madhuban Pichwa

ri a i i
GALLERIES IN THE MUSEUM

THE
THE MAKER’S FREEDOM’S
CONSTITUTION:
A KALEIDOSCOPE
G A L L E RY JOURNEY

GROUND FLOOR MEZZANINE FIRST FLOOR

This gallery is designed to provide This gallery takes visitors on a This gallery invites visitors to
a deep and engaging exploration journey through the story of how reflect on the significance of the
of the Constitution's essential India’s founding document came Indian Constitution, its role in
elements and key provisions that to be, paying tribute to the safeguarding citizen’s rights. This
every citizen should know. The visionary leaders, thinkers, and gallery aims to educate, engage,
aim is to make the Constitution advocates who dedicated and inspire visitors through
both accessible and relevant, themselves to crafting a various mediums, emphasising
demonstrating how its values and Constitution that would guide the the rights and freedoms which are
ideals have shaped the nation nation into an era of essential for all citizens to lead a
independence and democracy life with dignity.
THE CONSTITUTION: A KALEIDOSCOPE
GROUND FLOOR
GROUND
FLOOR PL AN
G AT E WAY T O T H E C O N S T I T U T I O N M U S E U M
The constitution enshrines timeless values that
remain our guiding principles. Each page comes
with hand drawn borders, some more ornate
than others. It is as though these borders
protect, preserve and treasure the words they
hold within them. The Preamble is held within
one such ornate border. This border consisting of
trellises of flowers, birds, animals and pattern Wolf is a Jaipur based
blocks then seems like a portal which leads you practice/co-creative engaged in
into the constitution. The Preamble is the entry- the pursuit of Aesthetics. Led by
point and so this idea of the border which Ritu and Surya Singh, whose
enshrines it becomes the doorway to access the entire art practice is based on
rest of the constitution or simply to delve deeper working with scrap, discards,
within its structure. and waste materials. They
dream up spaces connected to
“We the people of India” are the first words, the earth and engage in
addressing the nation as one people, as a force, storytelling through ephemeral
united as one. The artwork, Portal, is imagined experiences inspired from our
as a doorway replicating the border of the own lands. Public shows that are
preamble which one can walk through to enter made of intricate and large
and experience the constitution. Over the iron installations, all coming together
framework , the flower trellises will be made to tell a story based on social
using stainless steel scrap material from a metal issues they want to highlight.
factory. The animal motif on the corners will be
created by filling the shape with scrap brass
COPY OF THE
ORIGINAL
CONSTITUTION
AT T H E H E A RT
OF THE MUSEUM
THE HANDWRITTEN CONSTITUTION COPY

On display in the museum's center is one of the 1000

photolithographic reproductions of Constitution of
India.

The original, an elaborately crafted edition taking

nearly five years to complete, bears the signatures of
the nation's founders—the framers of the Constitution.

Prem Behari Narain Raizada rendered the calligraphy,

while Nandalal Bose and other artists illustrated the
text.

The manuscript was published in Dehradun and

photolithographed by the Survey of India.
 A P E D E S TA L
W O RT H Y O F
THE
CONSTITUTION
Designed by a leading contemporary
artist, Valay Gada, the pedestal
‘From the margins’ takes inspiration
from the imagery in the Constitution
of India. This centrepiece shall hold
the photolithographic copy of the
constitution.

Valay Gada is an artist who

primarily works as a sculptor in
recycled metal and glass. His design
practice is inspired by a classical
tradition seeking to preserve the
very best of Indian culture in terms
of both artisanal tradition and fine
craftsmanship, blending this with
the best of contemporary design.​
 WITH THE BLESSINGS
O F T H E M A H AT M A
The Layered Portrait of the Nation
This artwork, created from Khadi fabric, is a tribute to the vast and complex tapestry that
is India. Khadi, the handspun cloth advocated by Mahatma Gandhi, stands as a symbol of
resilience, self-reliance, and unity.

The artwork spans approximately 320 metres of layered fabric, representing the
multiplicity of identities that coexist within India. Through embroidery, delicate textures
emerge from the fabric, much like the intricate connections between people, places, and
histories. Gandhi’s philosophy of compassion, honesty, and non-violence acts as the
guiding motif, woven into the very fabric of this piece, reminding us of his unparalleled
contribution to building a nation rooted in ideology and harmony.

Debasish Mukherjee, born in 1973 in Chapra, Bihar, is a New Delhi-

based artist known for exploring India's social landscape and cultural
memory. Graduating in Painting from Banaras Hindu University,
Mukherjee draws inspiration from India’s built environment and local
communities. His solo exhibitions include Whispering Lanes (2023) and
River Song (2019) at Akar Prakar, New Delhi. Mukherjee’s works are
held in prestigious collections, including the Kiran Nadar Museum of Art
and The Partition Museum, Delhi. He has also contributed to group
exhibitions in India and abroad, showcasing his research with artisans
and weavers across India.
E V E RY C O N S T I T U T I O N H A S
A PHILOSOPHY OF ITS OWN
Introducing the Objectives Resolution in the Constituent Assembly on
December 13, 1946, Nehru memorably remarked in his inimitably elegant
prose: “words are magic things often enough, but even the magic of
words sometimes cannot convey the magic of the human spirit and
of a Nation’s passion.”

Individual Economic & Social Equality &

Freedom
The Indian Constitution ensures Justice
The Indian Constitution advocates Inclusivity
The Indian Constitution endorses
the citizens’ right to personal for fair distribution of resources, non-discrimination, harmony and
autonomy, privacy, and opportunities, and privileges, respect for diversity regardless of
protection from governmental aiming to ensure equal access to caste, creed, gender, or socio-
overreach. It encompasses their basic needs such as education, economic status, so as to create an
right to make choices, express employment and healthcare. It environment where everyone can
themselves, and pursue their mandates affirmative action thrive and contribute to their fullest
interests without undue through policies such as potential without barriers or
interference or oppression. reservations. prejudice.
UNDER THE PROTECTION OF THE
CONSTITUTION- CEILING SCULPTURE

A Tapestry of Innumerable Folds and Strands

The forms of this art installation depict the mellifluous movement and
melding of the sounds of India’s numerous languages, all weaving and
intertwining together to create the vibrant tapestry of our motherland with
780 metres of fabric and 22 pleated-folded panels. The artwork depicts the
pages of the Constitution - with text meticulously inscribed in various Indian
languages. Floating above us like the fragrance of incense in air, it invites
viewers to collectively look up and reflect on the guiding principles of the
Constitution. The colours of this installation and its pleated forms are
derived from the original drawings and paintings of the first Constitution
document - created by Nandalal Bose and his team of artists from
Santiniketan. Above all, the installation invites everyone to inhabit space
together, in mutual respect and veneration, each strand having its place,
together completing the artwork - widening our comprehension of all our
differences, and understanding that the masterful art that makes India what
it is - becomes incomplete if even one strand is removed from this
composition.
H A N D PA I N T E D
MURAL BELOW
THE MEZZANINE
CHILDREN’S
CORNER
For younger visitors, the children’s
corner features interactive
installations, animation videos,
quizzes, and graphic pamphlets
that make complex concepts both
accessible and engaging. Through
these experiences, we aim to ensure
that even the youngest minds grasp
the importance of the Constitution.
I L LU S T R AT E D PA N E L S &
D I G I TA L PA M P H L E T S
Digital pamphlets on various aspects of the Constitution to take
home.

Complex concepts explained in simple terms.

• The Preamble
• Fundamental Rights
• Separation of Powers
• Fundamental Duties
• Salient Features of the Indian Constitution
⚬ Federalism
⚬ Parliamentary form of government
⚬ Executive
⚬ Legislature
⚬ Judiciary
⚬ Doctrine of Basic Structure
HIGHLIGHTING THE WOMEN OF
T H E C O N S T I T U E N T A S S E M B LY

Animations about the life of each female

member of the Constituent Assembly
focusing on their contribution to the
Constitution as well as the making of
Independent India.
Top row (standing, from left): Kamala Chaudhari, Sucheta Kripalani, G. Durgabai, Qudsia Aizaz Rasul, Purnima Banerji, Dakshayani
Velayudhan.
Bottom row (sitting, from left): Renuka Ray, Hansa Mehta, Amrit Kaur, Annie Mascarene, Ammu Swaminathan.
DECODING THE
CONSTITUTION
An interactive installation on various
important terms associated with the
constitution. For example:
QUIZZES & GAMES

• Interactive quizzes and games to engage younger

Which Constitutional amendment lowered the audiences
voting age from 21 to 18 years?
• Leaderboard and Certificates generated with provision to
A) 42nd Amendment email yourself the result - creation of memorabilia
B) 44th Amendment
C) 61st Amendment
D) 73rd Amendment

Who emphasized, "Freedom of mind is the

real freedom" during the debates on
fundamental rights in the Constituent
Assembly?

A) Sarojini Naidu
B) Maulana Abul Kalam Azad
C) Jawaharlal Nehru
D) Dr. B.R. Ambedkar
CONSTITUTION
DEMYSTIFIED
K N O W YO U R
CONSTITUTION!
By examining the intricacies of the Constitution, we hope to
foster a renewed appreciation for this document that has LOCAL ADMINISTRATION: THE PANCHAYATS, THE
steered India towards progress and prosperity. MUNICIPALITIES & THE CO-OPERATIVE SOCIETIES

CONSTITUTIONAL PROVISIONS RELATING TO

PARTS OF THE INDIAN CONSTITUTION
FINANCE, TRADE & COMMERCE

CITIZENSHIP SAFEGUARDING THE RIGHTS OF MINORITIES

THE LINGUISTIC TAPESTRY OF THE INDIAN

ELECTIONS
CONSTITUTION

DIRECTIVE PRINCIPLES OF STATE POLICY AMENDMENT TO THE CONSTITUTION

CONSTITUTIONAL TIDBITS

T.M. Kalliannan The expenses

Gounder was the last incurred on the
surviving member of Constituent
the Indian Constituent Assembly up to 22
Assembly. He died at November 1949
the age of 101 in May came to
2021. Rs. 63,96,729/-

Source: The Hindu, 28 May, Source: Lok Sabha Secretariat,

2021 Making of a Constitution, pg.
256
FA M O U S W O R D S

“Constitution is not a mere lawyers’ document, it is a vehicle of Life, and its spirit is always the spirit of
Age.”
- B.R. Ambedkar

“It will warm the heart of many a woman to know that free India will mean not only equality of status
but equality of opportunity.”
- Hansa Mehta
Constituent Assembly Debates, 19 December
1946

“The Constitution is not an ephemeral legal document embodying a set of legal rules for the passing
hour. It sets out principles for an expanding future and is intended to endure for ages to come and
consequently to be adapted to the various crises of human affairs.”
- Supreme Court of India
M. Nagaraj & Ors v. Union of India & Ors
 “We have given careful consideration to the argument that certain basic features of our Constitution cannot be
amended under Article 368 and have come to, the conclusion that no limitations can be and should be implied upon
the power of amendment under Article 368. One reason for coming to this conclusion is that if we were to accept
that certain basic features of the Constitution cannot be amended under Article 368, it will lead to the position that
any amendment made to any Article of the Constitution would be liable to challenge before courts on the ground
that it amounts to amendment of a basic feature.”

- Supreme Court of India in I. C. Golaknath & Ors. v. State of Punjab, 1967

“When we speak of the 'abrogation' or 'repeal' of the Constitution, we do not refer to any form but to substance. If one
or more of the basic features of the Constitution are taken away, to that extent the Constitution is abrogated or
repealed. If all the basic features of the Constitution are repealed and some other provisions inconsistent with those
features are incorporated, it cannot still remain the Constitution referred to in Article 368. The personality of the
Constitution must remain unchanged.”

- Supreme Court of India in Kesavananda Bharati Sripadagalvaru & Ors. v. State of Kerala, 1973

While the I. C. Golaknath v. State of Punjab judgement recognized that the Parliament would need a
“catalogue of basic features” to make amendments under Article 368, the Kesavananda Bharati
Sripadagalvaru & Ors. v. State of Kerala defined the doctrine of basic structure of the Constitution,
balancing the power of Parliament to amend the Constitution.
LANDMARK
CASES
I M P O RTA N T A M E N D M E N T S

The 16th Amendment (1963) The 24th Amendment (1971) The 52nd Amendment
(1985)
Empowered the states to restrict the Reaffirmed the Parliament's authority to
rights to freedom of speech and amend any part of the Constitution, Introduced the Anti-Defection
expression and peaceful assembly in the including fundamental rights. This Law to prevent elected
interest of the sovereignty and integrity amendment was a response to the representatives from switching
of India. The amendment also required Supreme Court's Golaknath case verdict, parties. This amendment was
candidates for legislative bodies to take which had previously restricted required to maintain the
an oath affirming their allegiance to the Parliament's power to alter fundamental sanctity of electoral
Constitution and the principles of rights. It made it obligatory for the mandates.
sovereignty and integrity. This President to give assent to Constitutional
amendment was important for Amendment Bills passed by Parliament.
safeguarding national unity and stability This amendment clarified the extent of
during a period of regional and political Parliament's amending powers, asserting
challenges. legislative supremacy in constitutional
changes.
I N S P I R E D A RT W O R K S - I N T H E C O N S T I T U T I O N
I N S P I R E D A RT W O R K S - B A S E D O N T H E C O N S T I T U T I O N

Genesis: The Constitution of India is an extremely beautiful and elaborate

work of art with brilliant calligraphic work and many contextual illustrations.
The text of the preamble of the Constitution of India along with its illustrations
is sculpted into a seed form which constitutes the core of the sculpture. The
border illustration is one of the botanical scrolls from the constitution, which is
animated by making it three dimensional, thereby giving it an appeal of the
borders coming alive and growing out of the pages of the constitution.
The entire installation is sculpted out of solid brass plates as a nod to the
golden artworks of the book. The polished brass will oxidise and take on a
patina over a period of time.

Alex Davis is a contemporary Indian sculptor, artist and

Designer. His work has been shown at the India Art Fair
multiple times. He has had various solo and group shows in
India as well as in prestigious international fairs like Scenes
d’interieur at Maison et Objet, Paris, Salone del Mobile Milano
and Abitare il Tempo, Verona. He has exhibited multiple times
at the Maison et Objet Fair, Paris. He has received much
appreciation from prestigious clients of the stature of Le Bon
Marche, Paris, The Conran Shop, London, Galeries La Fayette,
Paris, MANGO, Barcelona and Plus BO, Paris.
I N S P I R E D A RT W O R K S - B A S E D O N T H E C O N S T I T U T I O N

Ravikumar Kashi, born in Bangalore

in 1968, is a versatile artist known for
his socially engaged and exploratory
Visceral Paths delves deeply into the theme of interconnectedness between our inner
approach to art. With degrees in
and outer worlds, using natural and anatomical imagery to highlight this complex web of
painting, printmaking, and English
relationships. At its core, the piece can be appreciated as a visceral image that evokes
literature, he has exhibited widely,
elements of the human body and nature.
including six solo shows in Mumbai and
Bangalore, and internationally in Hong
This artwork resonates profoundly with the Constitution of India, which embodies
Kong. Awarded by the Karnataka Lalit
principles of unity and diversity within the nation. The Constitution emphasises
Kala Academy and Bombay Arts
interconnectedness through its recognition of individual rights while promoting collective
Society, his works feature in major
responsibility. Just as ‘Visceral Paths’ explores connections within living systems, the
collections like Lalit Kala Academy and
Constitution guarantees fundamental rights that ensure individual dignity and freedom,
the British Museum. Kashi also writes
highlighting that each person contributes to the broader societal fabric.
for national publications and co-edits
I N S P I R E D A RT W O R K S - B A S E D O N T H E C O N S T I T U T I O N
Votus Indica
This installation intertwines the themes of citizenship, democracy, and
the essence of the Constitution of India. It features a collection of
intricately crafted fingers, each with the indelible voter’s mark - a
symbol of participation and empowerment in the electoral process.

The fingers converge to form a resplendent lotus flower, a powerful

emblem of Indian culture. Each finger not only signifies individual
voices but also embodies the collective strength of the electorate,
highlighting the fundamental role every citizen plays in shaping the
democracy.

Megha Joshi, born in New Delhi in 1973, studied

Sculpture at MSU, Baroda. With a decade of
experience as a Set Designer and Art Director in
film and television, she transitioned back to full-
time art practice in 2008. Megha’s work in
sculpture and installation art has been showcased
in numerous national and international exhibitions,
including the India Art Summit and India Art Fair.
Her recent residencies include Religare Arts in New
Delhi and an international residency in Iceland,
supported by Iceland’s Ministry of Science and
Culture.
I N S P I R E D A RT W O R K S - B A S E D O N T H E C O N S T I T U T I O N
Ascending-Descending is a poignant
sculpture by artist Sudipta Das. It serves as
a powerful reminder of the preamble’s
opening words: 'We the People'. These
words embody the collective spirit and
unity of all citizens, emphasizing that the
power and future of the nation rest in the
hands of its people. The Constitution stands
as a beacon of hope and a guiding
framework for ensuring the dignity and
rights of all individuals, including those who
are displaced and marginalized.
Sudipta Das transforms paper into
doll-like sculptures and is inspired by
This sculpture seeks to align with the
the Dakjee doll-making technique
constitutional values of empathy,
which she had learnt during her
understanding, and compassion. It
residency in Korea in 2017. Sudipta
underscores the importance of social justice
is a recipient of the Visual Artist
and the collective responsibility to support
Fellowship at Mittal Institute (Harvard
those in need. Ascending-Descending
University); the prestigious Visual
embodies the constitutional promise of a
Arts Award as part of Alpine
better tomorrow, where every individual,
Fellowship, Sweden; Greenshield
irrespective of their circumstances, has the
Fellowship, Canada.
opportunity to rise above adversity.
I N S P I R E D A RT W O R K S - B A S E D O N T H E C O N S T I T U T I O N

The wishing tree of justice

A stone mural by Sangam Vankhade that embodies the essence of unity in diversity, a
cornerstone of our nation's ethos, by utilizing a variety of colored stones, each
representing the diverse fabric of Indian society. Drawing inspiration from the exquisite
artwork of Shri Nandalal Bose, particularly the motif of the ‘Tree of Life’, it serves as a
profound symbol of growth, interconnectedness, and the nurturing spirit of the Indian
Constitution. This tree, much like the Constitution, stands as a powerful emblem of
strength, resilience, and inclusivity.

As it gets etched in memory, so it does in stone. Sangam

Vankhade is a Baroda-Based Sculptor. He has attended
international and national camps such as the 9th Tehran
International Stone Sculpture, Symposium Iran; Scogliera Viva-
Sculpturing The Sea, International Symposium Italy; Lalit Kala
Academy, regional centre woodcarving camp Vidyaagar;
International sculptural symposium, ITM Vadodara among others. He
has also been awarded many prestigious awards ‘Scogliera Viva-
Sculpturing The Sea’,International Award, Italy; Prafulla Dhanukar
Award; Abir Award, Ahmadabad; Gujarat State Award; Bombay Art
Society gold medal and HRD, Ministry of culture among others.
I N S P I R E D A RT W O R K S - B A S E D O N T H E C O N S T I T U T I O N
Territorial Sublime V
This artwork, meticulously crafted from wood and found stone,
takes the form of the letter "C," symbolising the Constitution of
India. The choice of materials reflects a connection to the earth
and tradition, grounding the piece in India's rich cultural
heritage. The curves of the "C" represent the myriad paths that
intertwine the people and the nation, highlighting the diverse
cultures, languages, and shared histories that bind them
together.
Born in Odisha in 1986, Pinaki R.
Mohanty is an interdisciplinary artist
from Bhubaneswar, with roots near Lake
Chilika. Known for his diverse material
use, he was awarded a research
scholarship and exhibited at the Rashtriya
Lalit Kala Akademi in 2015. Pinaki
primarily creates sculptures but also
explores installations, photography, and
drawing. Deeply influenced by Odisha’s
literature and heritage, he reflects on its
historical relevance in contemporary
contexts through his art
I N S P I R E D A RT W O R K S - B A S E D O N T H E C O N S T I T U T I O N

The Fabric
Many perspectives make a whole. Many colours make a rainbow. Many
identities make India.

Varied gestures, nuances and patterns weave a rich tapestry. Varied

languages create a symphony. Our diversity brings colour, vibrancy and
strength to our lives. Inspired by the Constitution's emphasis on secularism,
the installation will explore the concept of a nation built in its varied cultures,
perspectives, and identities.

With diversity as the underlying strength and beauty of our country, my

installation in ceramic will focus on the complexity of a nation bound in its
differences.
Rekha Goyal is a Mumbai-based ceramic artist whose
practice spans over 25 years, encompassing site-specific
installations, murals, and collaborative projects in craft and
design. A graduate of Sir JJ School of Art, with an MA in Art in
Architecture from London, Rekha’s work is emotive and rooted
in Indian heritage. She views clay as a mentor, using it to
channel and simplify complex emotions. Through The Pottery
Lab, her community studio in Mumbai, she fosters accessible
artistic expression and learning.
I N S P I R E D A RT W O R K S - B A S E D O N T H E C O N S T I T U T I O N
This artwork, titled Illusion, is a response to understanding how
dilution of power, territory, site, and community has been
continuously altered through images and iconographic
representations. The artwork shows a monumental image of Dr B. R.
Ambedkar. The scale of the artwork is crucial as it magnifies the
image to be more like a monument. It not only incorporates the
image of B.R. Ambedkar, but also engages with the questions
around the various relationships of the present, through which the
image of Ambedkar is being shaped as well as morphed in different
forms, histories and ideologies.

Sibdas Sengupta is a conceptual

Artist, Writer, Program Strategist and
Curator. He has done his BFA from B.
K. College of Art and Craft,
Bhubaneswar, and MFA from the
School of Humanities and Social
Sciences from Shiv Nadar University,
Dadri.
I N S P I R E D A RT W O R K S - B A S E D O N T H E C O N S T I T U T I O N

Story of Independent India

The charcoal painting encapsulates the journey of India over the past 75 years
of independence. It serves as a powerful visual narrative, capturing the Tufan Pramanik, an artist from Gangrai near
significant transformations that have occurred since 1947, all while Kolkata, holds BFA and MFA degrees in Painting from
emphasising the pivotal role of the Constitution as a foundation for progress. Rabindra Bharati University, Kolkata. Known for his
deep connection to Bengal's landscapes, Tufan has
The artwork showcases India’s political evolution and its transition from a earned numerous awards, including the Jogen
predominantly agrarian economy to one marked by substantial industrial Chowdhury Centre for Arts Scholarship and the 100
growth. It also highlights various infrastructure advancements that have Artist Grant Award. His work has been exhibited in
enhanced the quality of life for citizens. It underscores how the Constitution has significant shows like the Birla Academy Annual
shaped a democratic framework that fosters ongoing development across all Exhibition and CIMA Award Show (2022). Currently,
facets of Indian society. he researches landscape transformations around
Kolkata.
I N S P I R E D A RT W O R K S - B A S E D O N T H E C O N S T I T U T I O N

Unread Sentences

The installation "Unread Sentences" is a profound artistic commentary on

communication and accessibility, intricately linked to the values enshrined in the
Constitution of India. This thought-provoking piece is divided into two distinct
halves: one side features terracotta rolls that resemble ancient parchment, while
the other showcases text in braille. Together, they explore the themes of
expression, inclusion, and the often-overlooked narratives that shape our society.

Vijaya Chauhan, born in 1983 in Bilaspur, Chhattisgarh, is a

talented sculptor with a postgraduate degree from Indira Kala
Sangeet University. She has received numerous accolades,
including the Kalasankranti Puraskar, CIMA Art Award, and
various scholarships from the Ministry of Culture in India. Her
work reflects on the balance of social and moral behavior,
exploring communication through the lens of sensory disabilities.
Fascinated by the transformative power of Braille, she focuses on
the beauty of touch and social gestures in her art. Currently, she
is based at Kaladham in Greater Noida, U.P
S TA M P S
MUSEUM SHOP
This unique shop offers visitors a
chance to take home a piece of India's
rich constitutional history and
heritage. Designed to reflect the spirit
of democracy and the values
enshrined in the Indian Constitution.
The museum shop is an extension of
the educational and cultural journey
experienced within the museum.
A C U R AT E D C O L L E C T I O N
To cater to history enthusiasts, legal scholars, and curious minds of all ages

BOOKS & SOUVENIRS & EDUCATIONAL EXCLUSIVE

PUBLICATIONS MEMORABILIA KITS MERCHANDISE
 GRAFFITI ON
S TA I RC A S E

The graffiti in the staircase serves as a visually striking

transition space that connects the various galleries of the
museum. The artwork invites visitors to reflect on the
Constitution's core principles, values, and its historical journey.
It draws inspiration from the Constitution's rich history,
landmark cases through which it has been interpreted, and
also incorporates illustrations, iconography, and other abstract
elements derived from the Constitution

Sayan Mukherjee is a muralist and illustrator

from India, specializing in character design and
lifestyle storytelling. After several years in the
advertising industry, he embarked on a solo career
to pursue his passion for illustration. Sayan's work
features bold, vibrant colors that vividly capture
the essence of life and movement. His impressive
client roster includes renowned brands like Nike,
Penguin Books, Hachette Books, Scholastic India,
Harper Collins, and Tanishq, showcasing his
versatility and artistic flair
T H E M A K E R ’ S G A L L E RY
MEZZANINE
MEZZANINE
PLAN
INTERACTIVE
PROJECTION
WA L L
I N T E RAC T I V E P R O J E C T I O N WA L L-
MAKING OF THE CONSTITUTION

Reference video:
 Cabinet Mission Plan
The Indian
lays down the Constituent
Mahatma Gandhi's National Congress Cripps Mission to
composition and Assembly of
Call for Swaraj demands a India
structure of the Undivided India
Constituent
Constituent Formed
Assembly
Assembly

Dr Rajendra Prasad B. N. Rau appointed

Constituent Objectives Inaugural
elected as the as Constitutional
Assembly Resolution moved Meeting of the
Permanent Chairman Advisor to the
Committees by Jawaharlal Constituent
of the Constituent Constituent
formed Nehru Assembly
Assembly Assembly

Transfer of Power: Constituent B. R. Ambedkar Draft Constitution

India and Pakistan Assembly Drafting Committee elected as is made available
become reassembled for formed Chairperson of the to the public
Independent divided India Drafting
Nations Committee

Adoption of the Debates on

Constitution of the Draft
India Constitution
T H E WA L L O F
BUSTS
PAY I N G T R I B U T E T O
THE MAKERS OF THE CONSTITUTION

An installation with the busts of the

members of the Constituent Assembly
CONSTITUENT
A S S E M B LY
D E B AT E S &
A RC H I VA L
CONTENT
CONSTITUENT
A S S E M B LY
D E B AT E S
Visitors can delve deeper into the
making of the Constitution through an
interactive display of Constituent
Assembly speeches and clippings. These
will provide a glimpse into the complex
and often tumultuous process of drafting
this monumental document, shedding
light on the challenges and triumphs that
marked its creation. LED touch screens with
headphones to listen to the
debates, speeches and archival
A/V content related to
Constituent Assembly members
ANTECEDENTS
& I N F LU E N C E S
The gallery also explores the global
inspirations and historical
frameworks that influenced the
creation of India’s Constitution,
highlighting how these ideas were
reimagined and adapted to suit the
unique needs and aspirations of
India’s diverse populace.
#AskMeAnything
with Dr AMBEDKAR!
The mezzanine also holds a hologram
exhibit of Dr B. R. Ambedkar. This
installation brings his words and You are called the Father of the Indian
vision to life, allowing visitors to Constitution. How were you able to create this
experience his legacy firsthand. The magnum opus document?
answers have been crafted based on
his speeches and writings. The credit that is given to me does not really belong to
me. It belongs partly to Sir B.N. Rau, the Constitutional
Adviser to the Constituent Assembly who prepared a
rough draft of the Constitution for the consideration of
the Drafting Committee. A part of the credit must go to
the members of the Drafting Committee who, as I have
said, sat for 141 days, and without whose ingenuity of
devising new formulae, and their capacity to tolerate
and to accommodate different points of view, the task of
framing the Constitution could not have come to so
successful a conclusion.
What according to you was the idea of India as a
nation?

Nationality, in the sense of political consciousness, is

the only acceptable basis of democracy. The
propagation of these ideals of liberty, equality, and
fraternity is nothing but the manifestation of the new
spirit of democracy which has animated the world in the
present age. I am of the opinion that in believing that
we are a nation, we are cherishing a great delusion.
How can people divided into several thousands of
castes be a nation? The sooner we realise that we are
not yet a nation in the social and psychological sense of
the world, the better for us. For then only we shall
realise the necessity of becoming a nation and seriously
think of ways and means of realising the goal.
FREEDOM’S JOURNEY
FIRST FLOOR
FIRST
FLOOR PL AN
TA K E A N O AT H

The visitor gets to feel like a part of the

Constituent Assembly by taking the oath
the leaders took at the stroke of
midnight on 14th August 1947.

"At this solemn moment when the

people of India, through suffering and
sacrifice, have secured freedom, I...., a
member of the Constituent Assembly of
India, do dedicate myself in all humility
to the service of India and her people to
the end that this ancient land attain her
rightful place in the world and make her
full and willing contribution to the
promotion of world peace and the
welfare of mankind."
A RC H I VA L
DEEP DIVE

Through LED touch screens,

access the repository of
archival data. such as
photographs and videos,
correspondences,
newspaper clippings, official
documents, news reels and
so on.
CONSTITUTION IN
INDEPENDENT INDIA
LED wall showcasing introductory video on 75 years of the Constitution and evolution of rights and freedoms
C R E AT I V E
EXPRESSIONS
I N S P I R E D BY T H E
CONSTITUTION
Column custom designed to incorporate a
range of arts and creative expressions
influenced by the Indian Constitution
including pop culture references, posters,
cartoons and caricatures.
IN THE NEWS!

&

L I T E R AT U R E WA L L
AAPKA
ADHIKAAR

Through 6 comprehensive videos playing on

6 different screens, this exhibit aims to
educate, engage, and inspire visitors.
Emphasising the Fundamental Rights
guaranteed by the Indian Constitution,
these videos touch upon how each of these
have evolved and have been interpreted in
various contexts.
 FLAG CORNER

This section depicts the story of the National Flag of India,

from its adoption in the Constituent Assembly to the
present day. It also highlights the amendments in the flag
code that were made following the historic judgment of
Union of India v. Naveen Jindal (2004).
E X P E RT S S P E A K

• Screens showcasing interviews of experts

• Dynamic archive

Visitors can delve into the meaning,

importance, and evolution of various themes
associated with the constitution over the past
75 years, gaining insights from constitutional
experts who shed light on the impact of the
Constitution on our daily lives. This section also
pays tribute to the generations of judges,
advocates, and academicians who have shaped
India’s legal landscape.
T E N TAT I V E T O P I C S F O R E X P E RT I N T E RV I E W S

• Founders of the Constitution and their ideas on • Idea of Secularism in the Indian context, religious freedom
fundamental rights in India and changes over 75 years

• Objectives with which the founding fathers framed • Constitutional remedies available for Indian citizens; impact
the Constitution of public interest litigation and writ petitions on social
justice in India
• Important markers of the Indian Constitution
• Current State of Constitutional Law in India in upholding the
• Doctrine of the basic structure of Constitution rule of law and protecting constitutional values

• Constitution as a living document, changes in the • The subject of human rights and its understanding through
Constitution in these 75 years and its impact the Preamble

• Principles of liberty, fraternity and the • Evolution of the Constitution to protect the rights of women
Constitutional provisions in enabling citizens
• Comparison of the Indian Constitution with Constitutions of
• Democracy and separation of powers among other democracies
Executive, Legislature and Judiciary
• Landmark constitutional cases which changed the • Mechanisms for judicial accountability and
course of our democracy transparency

• The need for judicial reforms in the country and • Defence of civil liberties and the balance between law
accessibility of the Indian judicial system enforcement and Constitutional rights

• Constitutional expectations for freedom of speech and • Evolution of individual rights with respect to that of
expression in India and legal protections for it freedoms given by the state

• Laws for the protection of minorities in the country • Role of technology and its impact on the evolution of
our rights and freedoms
• Fundamental rights, civil liberties and constitutional law;
Supreme Court judgments related to civil liberties and • Indian legal system in the next decade driven by
human rights technological advancements, legal education, judicial
reforms; shape of the legal industry in India
• Access to justice; Legal reforms required to protect
women’s rights, personal laws, and the intersection of • Concept of dual constitution – the civil and the
gender and law in India military
T R I B U T E T O E X P E RT S
IT HAPPENS
O N LY I N I N D I A !

Animated video clips on

interesting cases that have
invoked the Indian Constitution.

Representational Image
 AAJ KE
SAMACHAR
Aaj Ke Samachar is an interactive experience featuring a vintage radio setup
designed to transport users through the decades of constitutional history in India.
The installation allows users to select a decade between the 1920s and 2020s. It
allows users to turn the knob to a specific decade and hear the radio broadcast
of the significant events and changes of that period in either English or Hindi.

Aaj Ke Samachar provides an engaging way to learn about the historical

milestones in India's constitutional history. The interactive elements foster an
engaging learning environment that appeals to both younger and older
audiences, making the experience both educational and enjoyable.
YO U K N O W ,
“RIGHT”?

An interactive physical
installation where visitors can
test their knowledge about their
Fundamental Rights and Duties.
IMMERSIVE
EXPERIENCE
The visitor can Immerse
themselves in the sights and
sounds of pre-independence
India, through 360 degree visual
spectacle. Through cutting-edge
technology and multimedia
storytelling, our exhibit unfolds
the chronological tapestry of
events leading to the drafting of
the Indian Constitution.

Reference video
SAMVIDHAA
N
T HEA
Screening TR
of the E
“Samvidhaan”
TV Series, which is based on the
making of the Constitution of
India, directed by Shyam
Benegal.

Representational Images
Image
TIMELINE
75 YEAR
JOURNEY
A combination of
graphics and screens,
timeline depicting the
evolution of the
Constitution of India,
since its adoption.
VIDEO
FEEDBACK
KIOSK
 BALCONY
SCULPTURE

Representational image
 1.National Archives of India
2.Parliament Library and Museum
3.Prasar Bharati
4.Photo Division, Ministry of Information and Broadcasting
5.India Photo Archive Foundation
6.Sansad TV
INSTITUTIONS 7.Prime Ministers Museum and Library
8.Films Division, Ministry of Information and Broadcasting
C O N TA C T E D 9.Department of Delhi Archives
10.Department of Justice, Ministry of Law and Justice
FOR 11.British Library
12.The National Archives, UK
A RC H I VA L 13. Chatham House, Royal Institute of International Affairs
14. London University: London School of Economics, The Women's Library
CONTENT 15.Labour History Archive and Study Centre (People's History Museum,
UK)
16. Plymouth Archives, The Box
17. National Records of Scotland (formerly National Archives of Scotland)
 • The National Cultural Audiovisual • Directory Of Archives
Archives • PIB Archives (1947-2001)
• Ideas Of India • Parliament Digital Library
• South Asian Open Archives Print • People's Archive Of Rural India (PARI)
D I G I TA L • Library of Congress (South-Asian) • South Asian Literary Recordings Project
• Tasveer Ghar • Internet Archive : TOI
D ATA B A S E S • Indian Memory Project • DD Prasar Bharti
• Punjab Digital Library • Prime minister Museum & Library
BEING USED • Asia Art Archive • Constitution Of India
• Granthapura • New York Times
FOR • British Newspaper Archive : Times of india • Centre for Research Libraries
• Ministry of IB, Publication department : • South Asian American Digital Archive
R E S E A RC H Collected works of Mahatma Gandhi • The Caravan
• Wilson Centre : Digital Archive (India) • Abhilekh Patal
• Indian Labour Archive • BJP library
• National Digital Library of India
T H A N K YO U !