4 Choruses (Chadwick, George Whitefield)

Movements/SectionsMov'ts/Sec's	4 songs 1. Inconstancy (G major) 2. It was a Lover and His Lass 3. Mary's Lullaby 4. Miss Nancy's Gown
Composition Year	1910
Genre Categories	Secular choruses; Choruses; For female chorus, piano; Scores featuring female chorus; Scores featuring the piano; For chorus with keyboard; English language

Sheet Music

PDF scanned by US-Wc
Cypressdome (2011/2/25)

Publisher. Info.	Composer's manuscript (holograph), n.d. (1910).
Copyright	Public Domain [tag/del]
Misc. Notes	Holograph from the A.P. Schmidt Company archives. Original scans: 300dpi losslessly-compressed, color tif images around 4000 by 3200 pixels.
Purchase	Javascript is required for this feature.

No.1: Inconstancy
*#94000 - 0.80MB, 8 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 758×⇩ - Cypressdome

PDF scanned by US-Wc
Cypressdome (2011/2/25)

Publisher. Info.	Boston: Arthur P. Schmidt, 1910. Plate A.P.S. 8823. Octavo Series, Women's Voices, No.482.
Copyright	Public Domain [tag/del]
Misc. Notes	Original scans: 300dpi, losslessly-compressed, color tif images around 2100 by 3200 pixels. Converted to black and white, cleaned up, deskewed, and re-sampled to 600dpi.
Purchase	Javascript is required for this feature.

Javascript is required to submit files.

Work Title	4 Choruses
Alternative. Title
Composer	Chadwick, George Whitefield
I-Catalogue NumberI-Cat. No.	IGC 16
Movements/SectionsMov'ts/Sec's	4 songs 1. Inconstancy (G major) 2. It was a Lover and His Lass 3. Mary's Lullaby 4. Miss Nancy's Gown
Year/Date of CompositionY/D of Comp.	1910
First Publication.	1910
Librettist	see listing 1. William Shakespeare (1564–1616) 2. William Shakespeare (1564–1616) 3. Cora A. Matson Dolson (1859–1936) 4. Z. Cooke
Language	English
Dedication	S. L. Herrmann and the Treble Clef Club of Philadelphia
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	see listing 1. Female chorus (SSAA), piano 2. Female chorus (SSA), piano 3. Female chorus (SSAA), piano 4. Female chorus (SSA), piano

No.1 from Shakespeare's Much Ado About Nothing (Act 2, scene 3).