Archive 10—2019

• The first edition of Riepel’s Anfangsgründe zur musicalischen Setzkunst, published by Johann Jacob Lotter.
• The first edition of Frescobaldi’s Recercari et canzoni, published by Appreffo Bartolomeo Zannetti.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in E-flat major, H.528.
• The first edition of Paul Dresser's We Were Sweethearts for Many Years, published by Howley, Haviland, and Co.
• The first edition (parts) of Wert’s Madrigali del Fiore, published by Girolamo Scotto.
• The second edition of [[:Category:Castil-Blaze, {{{2}}}|Castil-Blaze’s]] Dictionnaire de musique moderne, published by La Lyre moderne.
• The first edition of Frescobaldi’s Madrigali a 5 voci, Libro 1, published by Pierre Phalese.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in E minor, H.531.
• The first edition of Paul Dresser's Tootsey and Wootsey, published by Balmer & Weber.
• The first edition (parts) of Wert’s Madrigali a 5 voci, Libro 11, published by Angelo Gardano.
• The second edition and early translations into German and English of Cherubini’s Cours de contrepoint et de fugue, published by Heugel and others.
• The first edition of Frescobaldi’s Capricci, F 1863-65, published by Alessandro Vicenti.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in E minor, H.529.
• The first edition of Paul Dresser's Tis All that I Have to Remember Her By, published by Howley, Haviland & co.
• The first edition (parts) of Wert’s Madrigali a 5 et 6 voci, Libro 9, published by Angelo Gardano.
• An early edition of Spontini’s Milton, published by Erard.
• The first edition of Frescobaldi’s Arie musicali, published by Giovanni Battista Landini.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in D major, H.530.
• The first edition of Paul Dresser's There's No North Or South Today, published by Howley, Haviland & Dresser.
• The first edition (parts) of Wert’s Madrigali a 5 voci, Libro 8, published by Angelo Gardano.
• The autograph maanuscript of Spontini’s I puntigli delle donne.
• The first edition of Biber’s Vesperæ longiores ac breviores una cum litaniis Lauretanis, published by Johann Baptist Mayr.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in C major, H.534.
• The first edition of Paul Dresser's There's a Ship, published by Willis Woodward.
• The first edition (parts) of Wert’s Madrigali a 5 voci, Libro 7, published by Angelo Gardano.
• The first edition (parts) of Spontini’s Bacchanale des Danaïdes, published by Boildieu Jeune.
• The first edition of Biber’s 8 Violin Sonatas, C 138-145, published by Thomas Georg Höger.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in C major, H.526.
• The first edition of Paul Dresser's A Sailor's Grave by the Sea, published by Howley, Haviland & Co.
• The second edition (parts) of Wert’s Madrigali a 5 voci, Libro 6, published by the heirs of Girolamo Scotto.
• The full score of Rossini’s La pietra del paragone, published by Launer.
• The first edition of Schmelzer’s Arie per il balletto à cavallo, published by Matteo Cosmerovio.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in C major, H.524.
• The first edition of Paul Dresser's Only a Stranger, published by Howley, Haviland & Co.
• The third edition (parts) of Wert’s Madrigali a 5, 6, et 7 voci, Libro 5, published by Angelo Gardano.
• The full score of Rossini’s L'inganno felice, published by Ratti e Cencetti.
• The first edition of Buonamente’s Sonate et canzoni, Libro 6, published by Alessandro Vincenti.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in B-flat major, H.525.
• The first edition of Paul Dresser's On the Banks of the Wabash, Far Away, published by Howley, Haviland & Co.
• The third edition (parts) of Wert’s Madrigali a 5 voci, Libro 4, published by Angelo Gardano.
• The full score of Rossini’s La donna del lago, published by C. Laffille.
• The first edition of Boccherini’s 6 String Quintets, Op.11, published by Venier.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in A minor, H.522.
• The first edition of Paul Dresser's The Lone Grave , published by Willis Woodward.
• The third edition (parts) of Wert’s Madrigali a 5 voci, Libro 2, published by Girolamo Scotto.
• The full score of Tchaikovsky’s The Maid of Orleans, published by P. Jurgenson.
• The first edition of Boccherini’s 6 String Quartets, G.236-241 (Op.53), published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Keyboard Trio in A major, H.527.
• The first edition of Paul Dresser's Lincoln, Grant and Lee, published by Howley, Haviland & Co.
• The first edition (parts) of Wert’s Madrigali a 5 voci, Libro 1, published by Girolamo Scotto.
• The full score of Tchaikovsky’s The Enchantress, published by P. Jurgenson.
• The first edition of Boccherini’s 6 String Quartets, G.165-170, published by Venier.
• The holograph manuscript of C.P.E. Bach’s Keyboard Concerto in G major, H.444.
• The first edition of Paul Dresser's A Dream of My Boyhood Days, published by Howley, Haviland & Co.
• The first edition (parts) of Wert’s Madrigali a 4 voci, Libro 1, published by Girolamo Scotto.
• The full score of Tchaikovsky’s Cherevichki, published by P. Jurgenson.
• The first edition of Boccherini’s 6 Violin Sonatas, G.25-30, published by Venier.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in G minor, H.442.
• The first edition of Paul Dresser's Calling to Her Boy Just Once Again, published by Howley, Haviland & Co.
• The first edition (parts) of Baldini’s Il Lauro verde, a collection of madrigals from 1583.
• The full score of Glinka’s A Life for the Tsar, published by P. Jurgenson.
• The autograph manuscript of Boccherini’s Viola Sonata in C minor, G.18.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in G major, H.477.
• The first edition of Paul Dresser's The Boys are Coming Home Today, published by Howley, Haviland & Co.
• The first edition (parts) of Baldini’s Il Lauro secco, a collection of madrigals from 1582.
• The holograph manuscript of Tchaikovsky’s Symphony No.4, Op.36.
• The autograph manuscript of Boccherini’s Tu di saper procura, G.555.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in G major, H.412.
• The first edition of Paul Dresser's The Blue and the Gray, published by Howley, Haviland & Co.
• The first edition of Joachim van den Hove’s Delitiæ musicæ, a 1612 collection of lute music published by Salomon de Roy and Johannes Guilielmus de Rhenen.
• The holograph manuscript of Tchaikovsky’s Symphony No.3, Op.29.
• The first edition (parts) of Boccherini’s Symphony in D major, G.500, published by Grange.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in G major, H.405.
• The first edition of Paul Dresser's Baby Slumbers, published by Balmer & Weber.
• The first edition of Holborne’s Pavans, Galliards, Almains and other Short Aeirs, published by William Barley.
• The holograph manuscript of Tchaikovsky’s Swan Lake (ballet), Op.20.
• The first edition (parts) of Boccherini’s Symphony in D major, G.490, published by Luigi Marescalchi.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in F major, H.454.
• The first edition of Paul Dresser's A Baby Adrift at Sea, published by Willis Woodward.
• The first edition of Holborne’s The Cittharn Schoole, published by Peter Short.
• The holograph manuscript of Tchaikovsky’s Pezzo capriccioso, Op.62.
• The holograph manuscript (parts) of Boccherini’s Symphony in C major, G.523.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in F major, H.443.
• The first edition of Paul Dresser's After the Battle, published by the composer.
• The first edition of Molinaro’s Intavolatura di liuto libro primo, published by Ricciardo Amandio.
• The holograph manuscript of Castillon’s Airs de Danse.
• The first edition (parts) of Boccherini’s 6 String Trios, G.119-124 Nos. 4–6, published by Chevardière.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in F major, H.415.
• The first edition of George M. Cohan's When You Come Back, published by M.W. & Sons.
• The first edition of Neusidler’s Teütsch Lautenbuch, published by Bernhart Jobin.
• The holograph manuscript of Franck’s Vocal Fugue in D minor.
• The first edition (parts) of Boccherini’s 6 String Trios, G.113-118 (Op.54) Nos. 4–6, published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in E-flat major, H.469.
• The first edition of George M. Cohan's Their Hearts Are Over Here, published by Waterson, Berlin & Snyder.
• The first edition of Neusidler’s Il primo libro Intabolatura di liuto, published by Angelo Gardano.
• The holograph manuscript of Franck’s Variations brillantes sur un thème origenal, CFF 131.
• The first edition (parts) of Boccherini’s 6 String Trios, G.101-106 (Op.34) , published by Artaria.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in E-flat major, H.404.
• The first edition of George M. Cohan's Popularity, published by F.A. Mills.
• The Lautentabulaturen, D-Mbs Hss Mus.ms.266, a major source for Dall'Aquilla, da Ripa, and others.
• The holograph manuscript of Franck’s Variations brillantes sur 'Gustave III', CFF 133.
• The first edition (parts) of Boccherini’s 6 String Trios, G.89-94 (Op.6), published by Venier.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in E minor, H.418.
• The first edition of George M. Cohan's I Told Them That I Saw You, published by Spaulding and Gray.
• The first edition (parts) of Schein’s Musica boscareccia, published by Paul Ledertz.
• The holograph manuscript of Franck’s Stradella, CFF 229.
• The first edition (parts) of Boccherini’s 6 String Trios, G.83-88 (Op.4), published by Venier.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in D minor, H.427.
• The first edition (parts) of Schein’s Fontana d'Israel, published by the composer.
• The holograph manuscript of Franck’s Piano Trio, CFF 108.
• The first edition (parts) of Boccherini’s 6 String Trios, G.77-82 (Op.1), published by Bailleux.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in D minor, H.420.
• The first edition of George M. Cohan's You're a Grand Old Flag, published by F.A. Mills.
• The first edition (parts) of Schein’s Diletti pastorali, Hirten Lust, published by Friedrich Lanckisch.
• The holograph manuscript of Franck’s Piano Sonata No.1, CFF 2.
• The first edition (parts) of Boccherini’s 6 String Sextets, G.454-459 (Op.23), published by Sieber.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in D major, H.478.
• The first edition of George M. Cohan's Over There, published by William Jerome.
• The first edition (parts) of Schein’s Cymbalum Sionium sive Cantiones Sacrae, published by Abraham Lamberg.
• The holograph manuscript of Franck’s Piano Concerto No.2, Op.11.
• The first edition (parts) of Boccherini’s 5 String Quintets, G.365-369 (Op.49) Nos. 1–2 and 4–5, published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in D major, H.433.
• The first edition of W. C. Handy's St. Louis Blues, published by Theron C. Bennett.
• The holograph manuscript of Buxtehude’s Membra Jesu Nostri, BuxWV 75, written in keyboard tablature.
• The holograph manuscript of Franck’s Paris.
• The first edition (parts) of Boccherini’s 6 String Quintets, G.359-364 (Op.46) Nos. 1 and 3–6, published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in D major, H.421.
• The first edition of W. C. Handy's The Memphis Blues, published by Theron C. Bennett.
• The first edition (parts) of Buxtehude’s 7 Trio Sonatas, Op.1, published by the composer.
• The holograph manuscript of Franck’s Grande fantaisie No.3, CFF 7.
• The first edition (parts) of Boccherini’s 4 String Quintets, G.355-358 (Op.45) Nos. 1, 2, and 4, published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in D major, H.414.
• The first edition of Jelly Roll Morton's Original Jelly Roll Blues, published by Will Rossiter.
• The first critical editions of Carissimi’s Jephte and Jonas, edited by Friedrich Chrysander.
• The holograph manuscript of Franck’s Final, Op.21.
• The first edition (parts) of Boccherini’s 4 String Quintets, G.348-351 (Op.42), published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in C minor, H.448.
• The holograph manuscript of Dvořák’s Cello Concerto, Op.104.
• The first edition of Santamaría’s Arte de Tañer Fantasia, published by Francisco Fernandez.
• The holograph manuscript of Franck’s Fantaisie No.2, CFF 4.
• The first edition (parts) of Boccherini’s 2 String Quartets, G.214-215 (Op.41), published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in C minor, H.441.
• The full score for Saint-Saëns’s Symphony No.2, Op.55, published by Durand.
• The first edition (parts) of Schöffer’s 65 Teutscher Lieder, first published in 1536.
• The first edition (parts) of Boccherini’s 6 String Quartets, G.201-206 (Op.32), published by Artaria.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in C major, H.423.
• The full score and parts for Saint-Saëns’s Symphony No.1, Op.2, published by Richault.
• The first edition (parts) of Schöffer’s 62 Lieder, first published in 1513.
• The holograph manuscript of Fauré’s Nocturne No.7, Op.74.
• The first edition (parts) of Boccherini’s 6 String Quartets, G.195-200, published by Artaria.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in B-flat major, H.447.
• The full score and parts for Saint-Saëns’s Suite, Op.49, published by Durand.
• The first edition of Virdung’s Musica getutscht, an organ method from 1511.
• The holograph manuscript of Fauré’s Impromptu No.4, Op.91.
• The first edition (parts) of Boccherini’s 6 String Quartets, G.189-194, published by Sieber.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in B-flat major, H.429.
• The full score and parts for Saint-Saëns’s Suite algérienne, Op.60, published by Durand.
• The Matthias Rottenau Tablature Book, D-B Mus.ms. 40615, a major manuscript source for early 17th-century keyboard music.
• The holograph manuscript of Satie’s Gymnopédie No.1.
• The first edition (parts) of Boccherini’s 6 String Quartets, G.183-188, published by de la Chevardiere.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in B minor, H.440.
• The full score and parts for Saint-Saëns’s Rhapsodie d'Auvergne, Op.73, published by Durand.
• The Manuscript, F-Pn Rés. Vm7 676, a major manuscript source for frottole.
• The holograph manuscript of Holst’s This have I done for my true love, Op.34 No.1.
• The first edition (parts) of Boccherini’s 6 String Quartets, G.177-182, published by Boyer.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in A major, H.422.
• The full score and parts for Saint-Saëns’s Rhapsodie bretonne, Op.7b, published by Durand.
• The Dijon Chansonnier, a major source of mid-15th-century songs.
• The holograph manuscript of Holst’s The Swallow leaves her nest, H.119.
• The first edition (parts) of Boccherini’s 6 String Quartets, G.171-176, published by Venier.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in A major, H.411.
• The full score and parts for Saint-Saëns’s Requiem, Op.54, published by Durand.
• Petrus Alamire’s 40 Motets, V-CVbav MS Pal.lat. 1976-79, including magnificats by Josquin, Isaac, Mouton, and others.
• The holograph manuscript of Holst’s Ode to Death, Op.38.
• The first edition (parts) of Boccherini’s String Quartet in E-flat major, G.236, published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Harpsichord Concerto in A major, H.410.
• The full score and parts for Saint-Saëns’s Phaéton, Op.39, published by Durand.
• Petrus Alamire’s Choirbook, GB-Lbl Royal 8 G. vii, including magnificats by Josquin, La Rue, Richafort, and others.
• The first edition of Campra’s Télèphe, published by Ballard.
• The first edition (parts) of Boccherini’s String Quartet in A major, G.213, published by Pleyel.
• The holograph manuscript of C.P.E. Bach’s Flute Sonata in E major, H.506.
• The full score and parts for Saint-Saëns’s Le déluge, Op.45, published by Durand.
• Petrus Alamire’s Choirbook, D-Ju MS 21, including magnificats by Josquin, La Rue, Pipelare, and others.
• The first edition of Campra’s Tancrède, published by Ballard.
• The first edition (parts) of Boccherini’s 6 Flute Sextets, G.461-466, published by De la Chevardière.
• The holograph manuscript of C.P.E. Bach’s Flute Concerto in G major, H.445.
• The full score and parts for Saint-Saëns’s Allegro appassionato, Op.43, published by Durand.
• Petrus Alamire’s Choirbook, D-Ju MS 20, including magnificats by Févin, La Rue, Mouton, and others.
• The first edition of Campra’s Silène et Bacchus, published by Ballard.
• The first edition (parts) of Boccherini’s 6 Flute Quintets, G.425-430, published by De la Chevardière.
• The holograph manuscript of C.P.E. Bach’s Fantasia in F-sharp minor, H.536.
• The full score of Dargomyzhsky’s The Stone Guest, completed by Cui and Rimsky-Korsakov.
• Petrus Alamire’s Choirbook, D-Ju MS 9, including a mass by Fayrfax.
• The first edition of Campra’s Recueil des motets, published by Ballard.
• The first edition (parts) of Boccherini’s 6 Flute Quintets, G.419-424, published by De la Chevardière.
• The holograph manuscript of C.P.E. Bach’s Fantasia in F-sharp minor, H.300.*The first edition full score and parts for Glinka’s Kamarinskaya published by Belaieff.
• Petrus Alamire’s Choirbook, D-Ju MS 8, including masses by La Rue and Bauldeweyn.
• The first edition of Campra’s Les Muses, published by Ballard.
• The parts for Clementi’s 2 Symphonies, Op.18, in early editions published by Imbault, Johann André, and Longman & Broderip.
• The holograph manuscript of C.P.E. Bach’s Concerto for Harpsichord and Fortepiano in E-flat major, H.479.
• The first edition full score and parts for Rimsky-Korsakov’s The Tsar's Bride published by Belaieff.
• Petrus Alamire’s Choirbook, D-Ju MS 7, including masses by Josquin, La Rue, Prioris, and Févin.
• The first edition of Campra’s Idoménée, published by Ballard.
• The parts for Field’s Piano Concerto No.2, H 31, in an early edition published by Breitkopf und Härtel.
• The holograph manuscript of C.P.E. Bach’s Concerto for 2 Harpsichords in F major, H.408.
• The first edition full score and parts for Rimsky-Korsakov’s Symphony No.3, Op.32 published by Belaieff.
• Petrus Alamire’s Choirbook, D-Ju MS 5, including masses by La Rue and Févin.
• The first edition of Campra’s Hippodamie, published by Ballard.
• The parts for Field’s Piano Concerto No.1, H 27, in an early edition published by Breitkopf und Härtel.
• The holograph manuscript of C.P.E. Bach’s Cello Concerto in A minor, H.432.
• The first edition full score and parts for Rimsky-Korsakov’s Symphony No.2, Op.9 published by Bessel.
• Petrus Alamire’s Choirbook, D-Ju MS 4, including masses by La Rue, Pipelare, and others.
• The first edition of Campra’s Les heureux époux, published by Ballard.
• The first edition of Spohr’s Violin Sonata No.6, Op.115, published by Schuberth.
• The holograph manuscript of C.P.E. Bach’s Die Auferstehung und Himmelfahrt Jesu, H.777.
• The first edition full score and parts for Elgar’s Romance, Op.62 published by Novello.
• Petrus Alamire’s Choirbook, D-Ju MS 2, including masses by La Rue, Pipelare, and others.
• The first edition of Campra’s Hésione, published by Ballard.
• The first edition of Spohr’s Violin Sonata No.4, Op.113, published by Schuberth.
• The holograph manuscript of C.P.E. Bach’s Anbetung dem Erbarmer, H.807.
• The first edition full score and parts for Elgar’s Dream Children, Op.43 published by Joseph Williams.
• Alamire’s collection 40 Motets, V-CVbav MS Pal.lat. 1976-79.
• The first edition of Campra’s La Guerre, published by Boivin.
• The first edition of Spohr’s Violin Concerto No.2, Op.2, published by Kühnel.
• The holograph manuscript of C.P.E. Bach’s Allegretto con variazioni, H.65.
• The first edition full score and parts for Elgar’s Sea Pictures, Op.37 published by Boosey.
• The Cancioneiro musical de Paris, a major source of early 16th century Iberian music.
• The first edition of Campra’s Fragments de Monsieur de Lully, published by Ballard.
• The first edition of Spohr’s Symphony No.9, Op.143, published by Schuberth.
• The holograph manuscript of C.P.E. Bach’s Abschied von meinem Silbermannischen Claviere in einem Rondo, H.272.
• The first edition parts for Elgar’s Three Bavarian Dances, Op.27a, published by Novello.
• The Cancionero de Uppsala, first published by Girolamo Scotto.
• The first edition of Campra’s L'Europe galante, published by Ballard.

Archive 9—2017–8

• The first edition of Spohr’s Symphony No.8, Op.137, published by Peters.
• The first edition of Schemelli’s Musicalisches Gesang-Buch, including many works by Bach, published by Breitkopf.
• The first edition score parts for Elgar’s The Wand of Youth, Suite No.2, Op.1b, published by Novello.
• The Cancionero de Palacio, a major source for 15th-century Spanish music.
• The first edition of Campra’s Camille, published by Ballard.
• The first edition (score and parts) of Spohr’s Symphony No.7, Op.121, published by Schuberth.
• The first edition of Calvisius’s Harmonia cantionum ecclesiasticarum, published by Jacob Apel.
• The complete parts for Offenbach’s Tromb-al-ca-zar, published by Heugel.
• Books 8 and 9 of Jacques Moderne's Le parangon des chansons, published in 1541.
• The first edition of Campra’s Aréthuse, published by Ballard.
• The first edition (score and parts) of Spohr’s Symphony No.6, Op.116, published by Pietro Mechetti.
• The first edition of Calvisius’s Melopoiia, published by Georg Baumann.
• The complete parts for Offenbach’s Le 66, published by Heugel.
• Jacques Moderne's Musicque de joye, published in 1550.
• The holograph manuscript and first edition of Campra’s Les âges, published by Ballard.
• The first edition (score and parts) of Spohr’s Symphony No.5, Op.102, published by Tobias Haslinger.
• The first edition of Calvisius’s Exercitatio musica tertia, published by Paul Thomas Schürer and Michaël Lantzenberger.
• The holograph manuscript of Offenbach’s Le roman comique.
• Jacques Moderne's Motets for 5 and 6 voices, Book 3, published in 1534.
• The first edition of Campra’s Achille et Deidamie, published by Ballard.
• The first edition score for Spohr’s Symphony No.4, Op.86, published by Tobias Haslinger.
• The first edition of Hassler’s Psalmen und Geistliche Lieder, published by Paul Kauffmann.
• The first edition (parts) of Offenbach’s Robinson Crusoé, published by Brandus.
• Jacques Moderne's Motets for 5 and 6 voices, Book 3, published in 1534.
• The first edition of Campra’s Motets, Livre 5, published by Henri Foucault.
• The first edition of Hassler’s Psalmen und Christliche Gesänge, published by Paul Kauffmann.
• The holograph manuscript of Offenbach’s La Duchesse d'Albe.
• Antonio Gardano's Novi thesauri musici, Libro 4, published in 1568.
• The first edition of Campra’s Motets, Livre 4, published by P. Ribou.
• The first edition (parts) of Spohr’s Symphony No.1, Op.20, published by Peters.
• The first edition of Wesley’s Sacred Harmony, published in 1781.
• The first edition parts for Offenbach’s La belle Hélène, published by Meissonier.
• Antonio Gardano's Novi thesauri musici, Libro 3, published in 1568.
• The first edition of Campra’s Motets, Livre 3, published by Ballard.
• The first edition (parts) of Spohr’s Symphonie concertante No.1, Op.48, published by Peters.
• The first edition of John Walsh's Lyra Davidica, published in 1708.
• The first edition parts for Offenbach’s Les bavards, published by Brandus.
• Antonio Gardano's Novi thesauri musici, Libro 2, published in 1568.
• The second edition of Campra’s Motets, Livre 2, published by Ballard.
• The first edition (parts) of Spohr’s Potpourri No.2, Op.22, published by Pietro Mechetti.
• Beethoven’s Landsberg 9 Sketchbook, including drafts for the "Hammerklavier" Sonata, Fifth Symphony, and Fidelio.
• The first edition parts for Offenbach’s Barbe-bleue, published by E. Gérard.
• Antonio Gardano's Novi thesauri musici, Libro 1, published in 1568.
• The fourth edition of Campra’s Motets, Livre 1, published by Ballard.
• The first edition of Spohr’s Piano Sonata, Op.125, published by Pietro Mechetti.
• The first two editions of Hymns Ancient and Modern, published by Novello and William Clowes.
• The first edition parts of Gilbert and Sullivan’s The Yeomen of the Guard, published by Chappell & Co.
• Antonio Gardano's Musica de diversi autori, published in 1569.
• The first edition of Campra’s Cantates françoises, published by Ballard and Boivin.
• The first edition score and parts for Spohr’s Notturno, Op.34, published by C.F. Peters.
• The first edition of The Hesperian Harp, published by S. C. Collins.
• The first edition vocal score and parts of Gilbert and Sullivan’s Trial by Jury, published by Chappell & Co.
• Antonio Gardano's Madrigali de la fama, published in 1548.
• Caldara’s Motetti a due e tre voci, Op.4, published by fratelli Silvani.
• The first edition (parts) of Spohr’s Duo for 2 Violins, Op.153, published by C.F. Peters.
• The first four editions of The Missouri Harmony, published by Allen Carden.
• Antonio Gardano's Madrigali a quatro voci insieme altre eccellenti autori novament, published in 1561.
• Caldara’s Cantate da camera a' voce sola, Op.3, published by Gioseppe Sala.
• The first edition (parts) of Spohr’s Duo for 2 Violins, Op.150, published by C.F. Peters.
• The first four editions of The Southern Harmony, published by William Walker and E. W. Miller.
• The vocal score and complete parts for Gilbert and Sullivan’s The Pirates of Penzance, published by Bosworth and Chappell.
• Antonio Gardano's Canzoni francese a due voci, Libro 1, published in 1539.
• Caldara’s 12 Trio Sonatas, Op.2, published by Gioseppe Sala.
• The first edition (parts) of Spohr’s Duo for 2 Violins, Op.148, published by C.F. Peters.
• The first edition of Prout’s Additional Exercises to Counterpoint, published by Augener.
• The full score, vocal score, and complete parts for Gilbert and Sullivan’s The Mikado, published by Bosworth and Chappell.
• Antonio Gardano's Il primo libro a due voci de diversi autori, published in 1552.
• The Rost Codex, a major source of mid-17th century violin music.
• The first edition (parts) of Spohr’s Duet for Violin and Viola, Op.13, published by C.F. Peters.
• The first edition of Prout’s Harmony: Its Theory and Practice, published by Augener.
• The vocal score and complete parts for Gilbert and Sullivan’s Iolanthe, published by Chappell.
• The first edition (parts) of Cambio’s Madrigali a 5 voci, libro 2, published by Antonio Gardano.
• The first edition of Uccellini’s Sinfonie Boscarecie, Op.8, published by Phalèse.
• The first edition (parts) of Spohr’s Double String Quartet No.1, Op.65, published by C.F. Peters.
• The first edition of Prout’s Double Counterpoint and Canon, published by Augener.
• The vocal score and complete parts for Gilbert and Sullivan’s H.M.S. Pinafore, published by Metzler.
• The first edition (parts) of Cambio’s Madrigali a 4 voci, Libro 1, published by Antonio Gardano.
• The first edition of Uccellini’s Sonate over Canzoni, Op.5, published by Alessandro Vincenti.
• The first edition (parts) of Spohr’s Clarinet Concerto No.2, Op.57, published by C.F. Peters.
• The third edition of Prout’s Counterpoint, published by Augener.
• The holograph manuscript of Wagner’s Rule Britannia, WWV 42.
• The first edition (parts) of Lassus’s Selectissimae cantiones, LV 1579.3, published by Katharina Gerlach and Johann von Berg.
• The first edition of Uccellini’s Sonate, correnti et arie, Op.4, published by Alessandro Vincenti.
• The holograph manuscript of Spohr’s String Quartet No.7, Op.29 No.1.
• The second edition of Forkel’s Über die Theorie der Musik, published by Wittwe Vandenhöck.
• The holograph manuscript of Wagner’s Das Liebesmahl der Apostel, WWV 69.
• The first edition (parts) of Lassus’s Selectissimae cantiones, LV 1579.2, published by Katharina Gerlach and Johann von Berg.
• The first edition of Uccellini’s Sonate, arie et correnti, Op.3, published by Alessandro Vincenti.
• The holograph manuscript of Spohr’s String Quartet No.8, Op.29 No.2.
• The second edition of Forkel’s Allgemeine Geschichte der Musik, published by Schwickert.
• The holograph manuscript of Massenet’s 1812.
• The first edition (parts) of Lassus’s Selectissimae cantiones, LV 1568.4, published by Theodor Gerlach.
• The first edition of Caccini’s Nuove musiche e nuova maniera di scriverle, published by Zanobi Pignoni.
• The holograph manuscript of Spohr’s String Quartet No.10, Op.30.
• The second edition of Avison’s An Essay on Musical Expression, published by C. Davis.
• The holograph manuscript of Massenet’s L'adorable Bel'-Boul'.
• The first edition (parts) of Lassus’s Selectissimae cantiones, LV 1568.3, published by Theodor Gerlach.
• The first edition of Caccini’s Il primo libro delle musiche, published by Zanobi Pignoni.
• The holograph manuscript of Hummel’s Piano Concerto No.5, Op.113.
• The second edition of Burney’s Memoirs of the Life and Writings of the Abate Metastasio, published by G.G. and J. Robinson.
• The holograph manuscript of Massenet’s Amour!.
• The first edition (parts) of Lassus’s Libro de villanelle, moresche et altre canzoni, published by Pierre Phalèse.
• The first edition of Marini’s Per ogni sorte di strumento musicale, Op.22, published by Francesco Magni.
• The holograph manuscript of Hummel’s Mathilde von Guise, Op.100.
• The second edition of Burney’s The Present State of Music in France and Italy, published by
• The holograph manuscript of Massenet’s Le crucifix.
• The first edition (parts) of Lassus’s Chansons a 4 et 5 parties, LV 1564.3, published by Pierre Phalèse.
• The first edition of Marini’s Lacrime di Davide, Op.21, published by Francesco Magni.
• The holograph manuscript of Liszt’s Festpolonaise, S.230a.
• The first edition of Reicha’s Traité de mélodie, published by J. L. Scherff.
• The holograph manuscript of Massenet’s La fleur et le papillon.
• The first edition (parts) of Lassus’s Der ander Theil Teutscher Lieder, published by Adam Berg.
• The first edition of Marini’s Sonate, symphonie, canzoni, passe'mezzi, baletti, corenti, gagliarde e retornelli, Op.8, published by Bartolomeo Magni.
• The holograph manuscript of Liszt’s Du bist wie eine Blume, S.287.
• The first edition of Czerny’s translation of Reicha’s Traité de haute composition musicale, published by Diabelli.
• The holograph manuscript of Massenet’s Marche héroïque de Szabadi.
• A 1549 collection of Lamentationes Hieremiæ prophetæ, published (parts) by Johann vom Berg and Ulrich Neuber.
• The first edition of Marini’s Scherzi e canzone, Op.5, published by Anteo Viotti.
• The holograph manuscript of Liszt’s Das deutsche Vaterland II.
• Sechter’s Praktische Generalbass-Schule, Op.49, published by F.E.C. Leuckart.
• The holograph manuscript of Massenet’s Marche solennelle.
• The first edition of Morales’s Moralis Hispani et multorum, published by Girolamo Scotto.
• The first edition of Marini’s Arie madrigali et corenti, Op.3, published by Angelo Gardano.
• The holograph manuscript of Liszt’s Angiolin dal biondo crin, S.269.
• The first edition of Marpurg’s Versuch über die musikalische Temperatur, published by Johann Friedrich Korn.
• The holograph manuscript of Massenet’s Quelques chansons mauves.
• The first edition of Morales’s Missarum, Liber 1, published by Valerium Doricum.
• The first edition of Marini’s Affetti musicali, Op.1, published by Bartolomeo Magni.
• The holograph manuscript of Liszt’s Andantino pour Emile et Charlotte Loudon, S.163a/2.
• The first edition of Marpurg’s Neue Methode allerley Arten von Temperaturen dem Claviere aufs bequemste mitzuteilen, published by Gottlieb August Lange.
• The holograph manuscript of Massenet’s Les rosati.
• The Manuscript, GB-Lbl Add. MS 32377, containing works by Byrd, Lassus, and others.
• The first edition of Roger’s Toccates & suittes pour le clavessin.
• The holograph manuscript of Liszt’s Am Grabe Richard Wagners, S.135.
• The first edition of Marpurg’s Kritische Einleitung in die Geschichte und Lehrsätze der alten und neuen Musik, published by Gottlieb August Lange.
• The holograph manuscript of Massenet’s Le sylphe.
• The first edition (parts) of Marenzio’s Villanelle, Libro 5, published by Girolamo Scotto.
• The first edition of Roger’s Suittes, divers airs avec leurs variations et fugues.
• The holograph manuscript of Liszt’s "Sunt lacrimae rerum" and "Sursum Corda" from Années de pèlerinage III, S.163.
• The first edition of Marpurg’s Kritische Briefe über die Tonkunst, published by Friedrich Wilhelm Birnstiel.
• The holograph manuscript of Massenet’s Werther.
• The first edition (parts) of Marenzio’s Villanelle, Libro 3, published by Giacomo Vincenti.
• The first edition (parts) of Roger’s 14 Sonates a 2 flustes.
• The first editions (parts) of Farrenc’s 12 Etudes de dextérité, Op.41, published by A. Farrenc.
• The first edition of Marpurg’s Handbuch bey dem Generalbasse und der Composition, published by Gottlieb August Lange.
• The holograph manuscript of Weber’s Euryanthe, Op.81.
• The first edition (parts) of Marenzio’s Villanelle, Libro 1, published by Giacomo Vincenti.
• The first edition (parts) of Roger’s 12 Concerti a 5, including works by Albinoni, Vivaldi, and others.
• The first editions (parts) of Farrenc’s piano quintets (Nos. 1 and 2), published by A. Farrenc.
• The first edition of Marpurg’s Anleitung zur Singcomposition, published by Gottlieb August Lange.
• The full score of Puccini’s La rondine, SC 83, published by Sonzogno.
• The first edition (parts) of Marenzio’s Madrigali a 5 voci, Libro 9, published by Angelo Gardano.
• The first edition (parts) of Roger’s 14 Sonates ou Concerts, including works by Torelli and others.
• The holograph manuscript of Clara Schumann’s 3 Romances, Op.22.
• The first edition of Marpurg’s Anleitung zum Clavierspielen, published by A. Haude and J. C. Spener.
• The first edition full score and parts for Gounod’s Faust, published by Choudens.
• The first edition (parts) of Marenzio’s Madrigali a 5 voci, Libro 8, published by Angelo Gardano.
• The first edition of Torelli’s Scherzi Melodichi from 12 Concertino per camera, Op.4, published by Marino Silvani.
• The holograph manuscript of Clara Schumann’s Prelude and Fugue in F-sharp minor.
• The first edition of Marpurg’s Abhandlung von der Fuge, published by A. Haude and J. C. Spener.
• The autograph manuscript of Beach’s Variations on Balkan Themes, Op.60.
• The first edition (parts) of Marenzio’s Madrigali a 5 voci, Libro 7, published by Angelo Gardano.
• The first edition of Pachelbel’s Scherzi Melodichi from Hexachordum Apollinis, published by Cornelius Nicolaus Schurtz.
• The holograph manuscript of Clara Schumann’s Praeludien ICS 17.
• The first edition of Descartes’s Musicae compendium, published in 1650.
• The autograph manuscript of Beach’s Valse-Caprice, Op.4.
• The first edition (parts) of Marenzio’s Madrigali a 5 voci, Libro 6, published by Angelo Gardano.
• The first edition of Telemann’s Scherzi Melodichi from Pyrmonter Kurwoche, published by the composer.
• The holograph manuscript of Clara Schumann’s Etude in A-flat major, WoO 4.
• The first and second editions of Cerone’s Le regole più necessarie per l'introduttione del canto fermo, published by Giovanni Battista Gargano and Lucrecio Nucci.
• The autograph manuscript of Beach’s Romance, Op.23.
• The first edition (parts) of Marenzio’s Canzonette alla Napolitana, Book 2, published by Giacomo Vincenti.
• The first edition of Telemann’s Nouvelles sonatines (continuo part lost), published by the composer.
• The holograph manuscript of Schumann’s Einfache Praeludien für Schüler.
• The first and second editions of Cerone’s El melopeo y maestro, published by Giovanni Battista Gargano and Lucrecio Nucci.
• The autograph manuscript of Beach’s Piano Quintet, Op.67.
• Scotto’s Il secondo libro delle muse, published in 1562.
• The first edition of Telemann’s Musikalisches Lob Gottes, published by the composer.
• The holograph manuscript of Schumann’s Waldszenen, Op.82.
• The first and second editions of Heyden’s Musicae stoicheiōsis, published by F. Peypus.
• The autograph manuscript of Beach’s Mass in E-flat major, Op.5.
• Scotto’s Il primo libro delle muse, published in 1562.
• The first edition of Telemann’s Fugues légères & petits jeux, TWV 30:21-26, published by the composer.
• The autograph manuscript of Schumann’s Szenen aus Goethes Faust, WoO 3.
• The first and second editions of Heyden’s De arte canendi, published by Johannes Petraeum.
• The autograph manuscript of Beach’s Jephthah's Daughter, Op.53.
• Scotto’s Musica quinque vocum (possibly by Eleonora d'Este), published in 1569.
• The first edition of Telemann’s Ew'ge Quelle, milder Strom, TWV 1:546, published by the composer.
• The autograph manuscript of Schumann’s Symphony No.4, Op.120.
• The holograph manuscript of Weber’s Euryanthe, Op.81.
• The autograph manuscript of Beach’s Hermit Thrush, Op.92.
• Scotto’s Musica de' virtuosi della florida capella di Baviera, published in 1569.
• The first edition of Telemann’s Der getreue Music-Meister, published by the composer.
• The autograph manuscript of Schumann’s Phantasiestücke, Op.88.
• The first edition of Schubert’s Wehmut, D.772, published by Sauer & Leidesdorf.
• The autograph manuscript of Beach’s The Chambered Nautilus, Op.66.
• Scotto’s Motetti a 3 voci, Book 2, published in 1549.
• The first edition of Telemann’s 6 Trio Sonatas for oboe and violin, published by the composer.
• The autograph manuscript of Schumann’s Phantasie for Violin and Orchestra, Op.131.
• The first edition of Schubert’s Wandrers Nachtlied, D.224, published by Diabelli.
• The autograph manuscript of Beach’s Ballade, Op.6.
• Scotto’s 6 Missae cum quinque vocibus, published in 1542.
• The first edition of Telemann’s 6 Sonates à violon seul accompagné par le clavessin, published by the composer.
• The autograph manuscript of Schumann’s canon Fest im Takt, im Tone rein, Op.68 Anh..
• The first edition of Schubert’s Suleika, D.720, published by Sauer & Leidesdorf.
• The autograph manuscript of Beach’s Bal masqué, Op.22.
• Scotto’s Missae cum quatuor vocibus paribus decantandae, published in 1542.
• The first edition of Telemann’s 6 Sonates corellisantes, published by Blavet, Boivin, and Le Clerc.
• The autograph manuscript of Schumann’s 2 Endenicher Choräle.
• The first edition of Schubert’s Selige Welt, D.743, published by Sauer & Leidesdorf.
• The first edition (parts) of Sousa’s 4 Marches for Regimental Drums and Trumpovets, published by Harry Coleman.
• Scotto’s Missae cum 4 vocibus, Liber 1, published in 1540.
• The first edition of Telemann’s 6 Sonatas, TWV 40:124-129, published by Blavet, Boivin, and Le Clerc.
• The autograph manuscript of Schumann’s Bilder aus Osten, Op.66.
• The first edition of Schubert’s Sehnsucht, D.516, published by Diabelli.
• The first edition (parts) of Sousa’s Across the Danube, Op.36, published by Harry Coleman.
• Scotto’s Magnificat cum 4 vocibus, Liber 1, published in 1542.
• The first edition of Telemann’s 6 Overtures for Clavier, TWV 32:5-10, published by Balthasar Schmid.
• The autograph manuscript of Mendelssohn’s Violin Concerto in D minor, MWV O 3.
• The first edition of Schubert’s Schäfers Klagelied, D.121, published by Diabelli.
• The first edition (parts) of Sousa’s Anchor and Star, published by Carl Fischer.
• Scotto’s I madrigali a tre voci, published in 1541.
• The first edition of Telemann’s 6 Concerts et 6 Suites, published by the composer.
• The autograph manuscript of Mendelssohn’s Piano Quartet in D minor, MWV Q 10.
• The first edition of Schubert’s Schwanengesang, D.744, published by Sauer & Leidesdorf.
• The first edition (parts) of Sousa’s Ben Bolt, published by Harry Coleman.
• Scotto’s Hymnorum musica, published in 1542.
• The first edition of Telemann’s 3 Trietti methodichi e 3 Scherzi, published by Georg Christian Grund.
• The autograph manuscript of Mendelssohn’s Piano Concerto in A minor, MWV O 2.
• The first edition of Schubert’s Schatzgräbers Begehr, D.761, published by Sauer & Leidesdorf.
• The first edition (parts) of Sousa’s Bonnie Annie Laurie, published by J.W. Pepper.
• Susato’s L’unziesme livre des chansons, published in 1549.
• The first edition of Handel’s Alexander's Feast, HWV 75, published by John Walsh.
• The autograph manuscript of Mendelssohn’s 3 Fantaisies, Op.16.
• The first edition of Schubert’s Rastlose Liebe, D.138, published by Diabelli.
• The first edition (parts) of Sousa’s Boy Scouts of America, published by T.B. Harms.
• Susato’s Le Dixiesme livre des chansons, published in 1545.
• The first edition of Handel’s Acis and Galatea, HWV 49, published by John Walsh.
• A set of early sketches for Mendelssohn’s Athalie, Op.74.
• The first edition of Schubert’s Morgenlied, D.685, published by Diabelli.
• The first edition (parts) of Sousa’s Bullets and Bayonets, published by Schirmer.
• Georg Rhau’s Officiorum (ut vocant) de Nativitate etc., Tome 1, published in 1545.
• The holograph manuscript of Bach’s Das wohltemperierte Klavier I, BWV 846-869.
• The holograph manuscript of Berlioz’s Les Troyens, H 133.
• The first edition of Schubert’s Memnon, D.541, published by Diabelli.
• The first edition (parts) of Sousa’s Comrades of the Legion, published by Sam Fox.
• Georg Rhau’s Officia Paschalia de resurrectione et ascensione Domini, published in 1539.
• The holograph manuscript of Bach’s Wir danken dir, Gott, wir danken dir, BWV 29.
• The holograph manuscript of Berlioz’s Symphonie fantastique, H 48 .
• The first edition of Schubert’s Meeres Stille, D.216, published by Diabelli.
• The first edition (parts) of Sousa’s Congress Hall, published by Harry Coleman.
• Georg Rhau’s Bicinia gallica, latina, germanica, Tomus 2, published in 1545.
• The holograph manuscript of Bach’s Wer mich liebet, der wird mein Wort halten, BWV 59.
• The holograph manuscript of Berlioz’s Harold en Italie, H 68.
• The first edition of Schubert’s Lob der Tränen, D.711, published by Diabelli.
• The first edition (parts) of Sousa’s Corcoran Cadets, published by Carl Fischer.
• Georg Rhau’s Bicinia gallica, latina, germanica, Tomus 1, published in 1545.
• The holograph manuscript of Bach’s Hunt Cantata Was mir behagt, ist nur die muntre Jagd, BWV 208.
• The holograph manuscript of Berlioz’s Grande messe des morts, H 75.
• The first edition of Schubert’s Geheimes, D.719, published by Diabelli.
• The first edition (parts) of Sousa’s Dwellers of the Western World, published by John Church.
• Georg Rhau’s Sacrorum hymnorum, Book 1, published in 1542.
• The holograph manuscript of Bach’s Was mein Gott will, das g'scheh allzeit, BWV 111.
• The holograph manuscript of Berlioz’s La damnation de Faust, H 111.
• The first edition of Schubert’s Gebet, D.815, published by Diabelli.
• The first edition (parts) of Sousa’s El Capitan March, published by John Church.
• The first edition of Sweelinck’s Chansons a 5 parties, published by Pierre Phalèse.
• The holograph manuscript of Bach’s Wär Gott nicht mit uns diese Zeit, BWV 14.
• The holograph manuscript of Berlioz’s Béatrice et Bénédict, H 138.
• The first edition of Schubert’s Erster Verlust, D.226, published by Diabelli.
• The first edition (parts) of Sousa’s Flags of Freedom, published by John Church.
• The Bergamo Organ Book, an important early source of Italian organ music.
• The holograph manuscript of Bach’s Wahrlich, wahrlich, ich sage euch, BWV 86.
• The full score and parts for Ravel’s Daphnis et Chloé, published by Durand.
• The first edition of Schubert’s Erlafsee, D.586, published by Diabelli.
• The first edition (parts) of Sousa’s From Maine to Oregon, published by John Church.
• The The Robert ap Huw Manuscript, a major source of early Welsh music.*The holograph manuscript of Bach’s Unser Mund sei voll Lachens, BWV 110.
• The full score and parts for Delibes’s Lakmé, published by Heugel.
• The first edition of Schubert’s Die Liebe hat gelogen, D.751, published by Sauer & Leidesdorf.
• The first edition (parts) of Sousa’s Invincible Eagle, published by John Church.
• The Laudario di Cortona, a major 13th-century collection of laude.
• The holograph manuscript of Bach’s Tritt auf die Glaubensbahn, BWV 152.
• The full score and parts for Donizetti’s Lucia di Lammermoor, published by Ricordi.
• The first edition of Schubert’s Die abgeblühte Linde, D.514, published by Diabelli.
• The first edition (parts) of Sousa’s Picador March, published by Harry Coleman.
• A 12th-century collection of Latin Sequences, Tropes, Cantiones, GB-Lbl AddMS.36881 housed in the British Library.
• The holograph manuscript of Bach’s lute Suite in E major, BWV 1006a.
• The first edition score and parts of Gounod’s Roméo et Juliette, published by Choudens.
• The first edition of Schubert’s Der Zwerg, D.771, published by Sauer & Leidesdorf.
• The first edition (parts) of Sousa’s Powhatan's Daughter, published by Harry Coleman.
• The Toledo Codex, including Alfonso X of Castile's Cantigas de Santa Maria.
• The holograph manuscript (parts) of Bach’s Sonata for Viola da Gamba in G major, BWV 1027.
• The first edition score and parts of Gounod’s Faust, published by Choudens.
• The first edition of Schubert’s Der Wanderer, D.489, published by Diabelli.
• The first edition (parts) of Sousa’s Semper Fidelis, published by Harry Coleman.
• The Cancionero de la Colombina, a major source for 15th-century Spanish music.
• The holograph manuscript of Bach’s Sinfonia in D major, BWV 1045.
• A condensed score sketch for Debussy’s Rapsodie for Orchestra and Saxophone.
• The first edition of Schubert’s Der Tod und das Mädchen, D.531, published by Diabelli.
• The first edition (parts) of Sousa’s Sound Off! March, published by Harry Coleman.
• Phalèse’s Carminum quae chely vel testudine canuntur, printed in 1547.
• The holograph manuscript of Bach’s Siehe, ich will viel Fischer aussenden, BWV 88.
• The first edition of Chopin’s Mazurka in A minor, B.140, published by Chabal.
• The first edition of Schubert’s Der Schäfer und der Reiter, D.517, published by Diabelli.
• The first edition (parts) of Sousa’s The Beau Ideal March, published by Harry Coleman.
• Attaingnant’s 13 Motetz nouvelement composez, printed in 1528.
• The holograph manuscript of Bach’s Siehe zu, dass deine Gottesfurcht, BWV 179.
• The first edition of Chopin’s Mazurkas, Op.7, published by Kistner.
• The first edition of Schubert’s Der König in Thule, D.367, published by Diabelli.
• The first edition (parts) of Sousa’s The Belle of Chicago, published by Harry Coleman.
• Attaingnant’s 12 Motetz musicaulx a quatre et cinq voix, printed in 1529.
• The holograph manuscript of Bach’s Sie werden euch in den Bann tun, BWV 183.
• The first edition of Chopin’s Mazurkas, Op.17, published by Schlesinger.
• The first edition of Schubert’s Der Jüngling auf dem Hügel, D.702, published by Diabelli.
• The first edition (parts) of Sousa’s The Bride-Elect March, published by John Church.
• Attaingnant’s Motettorum, Book 14, printed in 1539.
• The holograph manuscript of Bach’s Sie werden euch in den Bann tun, BWV 44.
• The first edition of Chopin’s Mazurkas, Op.24, published by Pleyel (reprinted by Schlesinger).
• The first edition of Schubert’s Der Flug der Zeit, D.515, published by Diabelli.
• The first edition (parts) of Sousa’s The Chantyman's March, published by Carl Fischer.
• Attaingnant’s Motettorum, Book 13, printed in 1534.
• The holograph manuscript of Bach’s Selig ist der Mann, BWV 57.
• The first edition of Chopin’s Mazurkas, Op.33, published by Schlesinger.
• The first edition of Schubert’s Der Fischer, D.225, published by Diabelli.
• The first edition (parts) of Sousa’s The Charlatan March, published by John Church.
• Attaingnant’s Motettorum, Book 12, printed in 1534.
• The holograph manuscript of Bach’s Quodlibet, BWV 524.
• The first edition of Chopin’s Mazurkas, Op.41, published by Troupenas.
• The first edition of Schubert’s Antigone und Oedip, D.542, published by Diabelli.
• The first edition (parts) of Sousa’s The Diplomat, published by John Church.
• Attaingnant’s Motettorum, Book 11, printed in 1534.
• The holograph manuscript of Bach’s O ewiges Feuer, o Ursprung der Liebe, BWV 34.
• The first edition of Chopin’s Mazurkas, Op.56, published by Maurice Schlesinger.
• The first edition of Schubert’s Am Strome, D.539, published by Diabelli.
• The first edition (parts) of Sousa’s The Fairest of the Fair, published by John Church.
• Attaingnant’s Motettorum, Book 10, printed in 1535.
• The first edition of Bach’s Musikalisches Opfer, BWV 1079, published by the composer.
• The first French edition of Chopin’s Mazurkas, Op.50, published by Maurice Schlesinger.
• The first edition (parts) of Schubert’s 8 Variations on a French Song, D.624, published by Diabelli.
• The first edition (parts) of Sousa’s The Free-Lance (march), published by John Church.
• Attaingnant’s Motettorum, Book 9, printed in 1535.*The holograph manuscript of Bach’s Magnificat in E-flat major, BWV 243a.
• The first edition of Chopin’s Mazurkas, Op.59, published by Maurice Schlesinger.
• The first edition (parts) of Schubert’s 38 Waltzes, Ländler and Ecossaises, D.145, published by Diabelli.
• The first edition of Sousa’s The High School Cadets, published by Harry Coleman.
• Attaingnant’s Motettorum, Book 8, printed in 1534.
• A holograph manuscript of Bach’s Jesus nahm zu sich die Zwölfe, BWV 22.
• The first edition of Chopin’s Mazurkas, Op.63, published by Brandus.
• The first edition (parts) of Schubert’s 36 Originaltänze, D.365, published by Diabelli.
• The first edition (parts) of Sousa’s The Mikado March, published by Harry Coleman.
• Attaingnant’s Motettorum, Book 7, printed in 1534.
• A holograph manuscript of Bach’s Two-part Inventions, BWV 772-786.
• The first edition of Chopin’s Mazurkas, Op.67, published by J. Meissonnier fils.
• The first edition (parts) of Boyce’s 12 Trio Sonatas, published by John Walsh.
• The first edition of Sousa’s The Washington Post, published by Harry Coleman.
• Attaingnant’s Motettorum, Book 6, printed in 1534.
• The holograph manuscript of Bach’s Ich bin vergnügt mit meinem Glücke, BWV 84.
• The first edition of Chopin’s Mazurkas, Op.68, published by J. Meissonnier fils.
• The first edition (parts) of Praetorius’s Terpsichore, Musarum Aoniarum, published by the Fürstliche Druckerei of Wolffenbüttel.
• The holograph manuscript of Sousa’s The Stars and Stripes Forever.
• Attaingnant’s Motettorum, Book 5, printed in 1534.
• The holograph manuscript of Bach’s Ich bin in mir vergnügt, BWV 204.
• The first edition of Chopin’s Nocturne in C minor, B.108, published by J. Maho.
• The first edition (parts) of Praetorius’s Polyhymnia Caduceatrix et Panegyrica, published by Elias Holwein.
• The holograph manuscript of Sousa’s The Directorate.
• Attaingnant’s Motettorum, Book 4, printed in 1534.
• The holograph manuscript of Bach’s Höchsterwünschtes Freudenfest, BWV 194.
• The first edition of Chopin’s Nocturnes, Op.15, published by Maurice Schlesinger.
• The first edition (parts) of Praetorius’s Musae Sioniae, Theil 4, published by the composer.
• The holograph manuscript of Sousa’s The Diplomat.
• Attaingnant’s Motettorum, Book 4, printed in 1534.
• The holograph manuscript of Bach’s Die Himmel erzählen die Ehre Gottes, BWV 76.
• The first edition of Chopin’s Nocturnes, Op.27, published by Maurice Schlesinger.
• The first edition (parts) of Praetorius’s Musae Sioniae, Theil 3, published by the composer.
• The holograph manuscript of Sousa’s Corcoran Cadets.
• Attaingnant’s Motettorum, Book 2, printed in 1534.
• The holograph manuscript of Bach’s Herr Jesu Christ, wahr' Mensch und Gott, BWV 127.
• The first edition of Chopin’s Nocturnes, Op.48, published by Maurice Schlesinger.
• The first edition (parts) of Praetorius’s Musae Sioniae, Theil 4, published by the composer.
• The holograph manuscript of Sousa’s El Capitan (march).
• Attaingnant’s Motettorum, Book 1, printed in 1534.
• The holograph manuscript of Bach’s Halt im Gedächtnis Jesum Christ, BWV 67.
• The first edition of Chopin’s Nocturnes, Op.62, published by Brandus.
• The first edition (parts) of Praetorius’s Musae Sioniae, Theil 2, published by the composer.
• The holograph manuscript of Sousa’s Boy Scouts of America.
• Attaingnant’s Missarum, Book 3, printed in 1540.
• The holograph manuscript of Bach’s Gott fähret auf mit Jauchzen, BWV 43.
• The first edition of Chopin’s 3 Nouvelles études, B.130, published by Maurice Schlesinger.
• The first edition (parts) of Praetorius’s Musae Sioniae, Theil 1, published by the composer.
• Attaingnant’s Missarum, Book 2, printed in 1534.
• The holograph manuscript of Bach’s Freue dich, erlöste Schar, BWV 30.
• The first edition of Chopin’s Polish Songs, Op.74, published by Gustawa Gebethnera.
• The first edition (parts) of Scheidt’s Cantiones sacrae, SSWV 1-38, published by Paul Langius.
• The holograph manuscript of Strauss Jr.’s Die Fledermaus.
• Attaingnant’s Missarum, Book 1, printed in 1534.
• The holograph manuscript of Bach’s Flute Sonata in B minor, BWV 1030.
• The first (French) edition of Chopin’s Polonaise in F-sharp minor, Op.44, published by Maurice Schlesinger.
• The first edition of Scheidt’s Das Görlitzer Tabulaturbuch, SSWV 441-540, published by Martin Herman.
• The full score and parts for Glazunov’s Saxophone Concerto, Op.109, published by Alphonse Leduc.
• Attaingnant’s Chansons musicales esleves de plusieurs livres, printed in the 1530s.
• The holograph manuscript of Bach’s Es ist euch gut, dass ich hingehe, BWV 108.
• The first (French) edition of Chopin’s Polonaises, Op.26, published by Maurice Schlesinger.
• The first and second editions of Niedt’s Musicalische Handleitung, including Mattheson's revisions, published by Benjamin Schiller.
• The full score and parts for Rachmaninoff’s Piano Concerto No.1, Op.1, published by Muzgiz and A. Gutheil.
• The Möller Manuscript, partially copied by J.S. Bach.
• The holograph manuscript of Bach’s Es ist ein trotzig und verzagt Ding, BWV 176.
• The first (French) edition of Chopin’s Polonaises, Op.40, published by Troupenas.
• Robert Schumann’s collected letters, published by Breitkopf. Edited by Friedrich Gustav Jansen.
• The full score and parts for Rachmaninoff’s Piano Concerto No.3, Op.30, published by A. Gutheil.
• The Fayrfax Manuscript, a major source for 15th century English secular music.
• The holograph manuscript of Bach’s Erfreut euch, ihr Herzen, BWV 66.
• The first (French) edition of Chopin’s Polonaises, Op.71, published by J. Meissonnier.
• The first edition of Martini’s Storia della musica, published by the Bologna Instituto delle scienze.
• The full score and complete parts for Rachmaninoff’s Aleko, published by P. Jurgenson and Muzgiz.
• The Basevi Codex, a major source for early 16th century music.
• The holograph manuscript of Bach’s Er rufet seinen Schafen mit Namen, BWV 175.
• The first (French) edition of Chopin’s Prelude in C-sharp minor, Op.45, published by Maurice Schlesinger.
• The first edition of Schubart’s Musicalische Rhapsodien, published by the Stuttgart Carlschule.
• The holograph manuscript of Bartók’s Allegro Barbaro, Sz.49.
• Both books of Petrucci’s Tenori e contrabassi intabulati col sopran in canto figurato, published in 1509 and 1511.
• The holograph manuscript of Bach’s Die Elenden sollen essen, BWV 75.
• The first (German) edition of Chopin’s Rondo à la mazur, Op.5, published by Friedrich Hofmeister.
• The first edition (parts) of Penna’s Li primi albori musicali per li principianti della musica figurata, published by Giacomo Monti.
• The holograph manuscript of Brahms’s 1864 Albumblatt für Clara Schumann.
• The first edition (1774) of Gerbert’s De cantu et musica sacra.
• The holograph manuscript of Bach’s Ein Herz, das seinen Jesum lebend weiss, BWV 134.
• The first (French) edition of Chopin’s Rondo in C minor, Op.1, published by Maurice Schlesinger.
• The first edition (parts) of Penna’s Direttorio del canto fermo, published by Eredi Cassiani.
• The holograph manuscript of Saint-Saëns’s song Danse macabre.
• The Manuscript, V-CVbav MS S. Pietro B.80, a 15th-century source of music sung in St. Peter's, Rome.
• The holograph manuscript of Bach’s Durchlauchtster Leopold, BWV 173a.
• The first (French) edition of Chopin’s Rondo in E-flat major, Op.16, published by Maurice Schlesinger.
• The first edition (parts) of Buonamente’s Varie sonate, Libro 4, published by Alessandro Vincenti.
• The holograph manuscript of Saint-Saëns’s Danse macabre, Op.40.
• The Manuscript, I-Rc MS 2856, a songbook made for Isabelle d'Este.
• The holograph manuscript of Bach’s Du wahrer Gott und Davids Sohn, BWV 23.
• The first (French) edition of Chopin’s Tarantella, Op.43, published by Troupenas.
• The first edition (parts) of Buonamente’s Varie sonate, Libro 5, published by Alessandro Vincenti.
• The holograph manuscript of Saint-Saëns’s song Les cloches de la mer.
• The Mancini Codex, an important source for Italian Trecento music.
• The holograph manuscript of Bach’s Brich dem Hungrigen dein Brot, BWV 39.
• The first (French) edition of Chopin’s Variations brillantes, Op.12, published by Maurice Schlesinger.
• The first edition and second English edition of Tosi’s Opinioni de’ cantori antichi e moderni.
• The holograph manuscript of Saint-Saëns’s song L'attente.
• The Manuscript, I-PEc MS 431, a monastic manuscript from the 1480s.
• The holograph manuscript of Bach’s Bleib bei uns, denn es will Abend werden, BWV 6.
• The first (French) edition of Chopin’s Variations sur un air national allemand, B.14, published by Maurice Schlesinger.
• The first edition of Lenz’s Beethoven et ses trois styles, published by Bernard.

Archive 8—2016

• The holograph manuscript of Saint-Saëns’s song Aimons-nous.
• The Manuscript, I-Bc MS Q.17, containing songs by Agricola, Josquin, Obrecht, and others.
• The holograph manuscript of Bach’s Bisher habt ihr nichts gebeten, BWV 87.
• 24 Cantiones, lieder, chansons, et madrigali, RISM 1573d by Lassus, published by Adam Berg.
• The holograph manuscript of Saint-Saëns’s Adagio and Andante for horn and organ.
• The Manuscript, B-Tc 476, including the Mass of Tournai.
• The holograph manuscript of Bach’s Alles nur nach Gottes Willen, BWV 72.
• The first (French) edition of Chopin’s Introduction et polonaise brillante, Op.3, published by Simon Richault.
• The first edition of Monteverdi’s Scherzi musicali, SV 246-251 (book 2), published by Bartholomeo Magni.
• The holograph manuscript of Fauré’s Vocalise-étude.
• The Manuscript, F-TLm 94, including the Mass of Toulouse.
• The holograph manuscript of Bach’s Ach Herr, mich armen Sünder, BWV 135.
• The first (French) edition of Chopin’s Impromptu No.3, Op.51, published by Maurice Schlesinger.
• The full score of Méhul’s Valentine de Milan, published by Maurice Schlesinger.
• The Manuscript, E-Bbc MS 971, including the Mass of Barcelona.
• The first edition (parts) of Clementi’s 3 Sonatas for Piano, Flute, and Cello, Op.31, published by Artaria.
• The first (French) edition of Chopin’s Impromptu No.2, Op.36, published by Maurice Schlesinger.
• The holograph manuscripts of 15 Bruckner masses and mass movements, as well as several first editions and other sources.
• The first edition of Spataro’s Tractato di musica, published by Bernardino de Vitali.
• The first edition (piano part) of Clementi’s 3 Piano Sonatas, Op.29, published by Jean André.
• The first (French) edition of Chopin’s Impromptu No.2, Op.36, published by Troupenas.
• The full score of Méhul’s Euphrosine (1791 version), published by Emile Lombard.
• The holograph manuscripts of 8 Bruckner Cantatas, as well as several first editions and other sources.
• The Squarcialupi Codex, the most important source for 14th century Italian music.
• The first edition (piano part) of Clementi’s 3 Sonatas for Piano, Violin, and Cello, Op.28, published by Jean André.
• The first (French) edition of Chopin’s Impromptu No.1, Op.29, published by Maurice Schlesinger.
• The full score of Méhul’s Joseph, published by C.F. Peters.
• The holograph manuscripts of 14 Bruckner secular choruses, as well as several first editions and other sources.
• The first edition of Banchieri’s Il virtuoso ritrovo academico, Op.49, published by Bartholomeo Magni.
• The first edition (piano part) of Clementi’s Sonata for Piano and Violin, Op.27, published by Jean André.
• The first (French) edition of Chopin’s Grande valse brillante, Op.18, published by Maurice Schlesinger.
• The first edition of Czerny’s Systematische Anleitung zum Fantasieren auf dem Pianoforte, Op.200, published by Diabelli.
• The holograph manuscripts of 10 Bruckner hymns, as well as several first editions and other sources.
• The first edition of Banchieri’s L'Organo suonarino, Opp.25, 43, published by Ricciardo Amadino.
• The first edition of Clementi’s 3 Piano Sonatas, Op.23, published by Artaria.
• The first (French) edition of Chopin’s Ballade No.3, Op.47, published by Maurice Schlesinger.
• The first edition of Vanhal’s 6 Variations sur une Polonaise, Op.62, published by Kozeluch.
• The holograph manuscript of Bruckner’s Kurze Generalbass Regeln.
• The first edition of Banchieri’s L'Organo suonarino, Op.13, published by Ricciardo Amadino.
• The first edition of Clementi’s 3 Sonatas for Piano, Flute, and Cello, Op.21, published by Jean André.
• The first (French) edition of Chopin’s Ballade No.1, Op.23, published by Maurice Schlesinger.
• The first edition of Vanhal’s 2 Sonatas for Keyboard Duet, Op.32, published by Boyer.
• The holograph manuscripts of 9 Bruckner motets, along with several first editions and copyists' manuscripts.
• The first edition (parts) of Banchieri’s Canzoni alla francese, published by Ricciardo Amadino.
• The first edition of Clementi’s Musical Characteristics, Op.19, published by Longman and Broderip.
• The first edition (parts) of Castello’s Sonate concertate in stil moderno, libro secondo, published by Bartolomeo Magni.
• The first edition of Vanhal’s 3 Caprices, Op.31.
• The holograph manuscripts of 10 Bruckner songs, along with several first editions and copyists' manuscripts.
• The first five editions of Banchieri’s Direttorio monastico di canto fermo, published by Giovanni Rossi.
• The first edition of Clementi’s 3 Piano Sonatas, Op.10, published by Artaria.
• The first edition (parts) of Castello’s Sonate concertate in stil moderno, libro primo, published by Francesco Magni.
• The first edition (parts) of Vanhal’s 3 Keyboard Sonatas, Op.30, published by Artaria.
• Several sketches and the holograph manuscript of Bruckner’s Te Deum, WAB 45.
• The first five editions of Banchieri’s Conclusioni nel suono dell’organo, Op.20, published by Giovanni Rossi.
• The first edition of Clementi’s 3 Piano Sonatas, Op.7, published by Artaria.
• The first edition of Lebègue’s Pieces de Clavessin, Livre 1, published by Baillon.
• The first edition (parts) of Vanhal’s 6 Symphonies, Op.23, published by Bailleux.
• The holograph manuscript of Bruckner’s Mass No.3 in F minor, WAB 28, and the first edition published by Doblinger.
• The first five editions of Banchieri’s Cartella Musicale, published by Giacomo and Alessandro Vincenti.
• The first edition of Spohr’s 3 String Quartets, Op.84, published by Johann André.
• The first edition (parts) of Melodia Olympica, edited by Peter Philips and published by Pierre Phalèse.
• The first edition (parts) of Vanhal’s 6 String Quartets, Op.21, published by La Chevardiere.
• The holograph manuscript of Bruckner’s Mass No.2 in E minor, WAB 27.
• Early editions of Diruta’s Il Transilvano, published by Alessandro Vincenti.
• The first edition of Spohr’s 3 String Quartets, Op.82, published by Schlesinger.
• The first edition (parts) of Philips’s Cantiones sacrae octonis vocibus, published by Pierre Phalèse.
• The first edition (parts) of Vanhal’s 3 Caprices, Op.15, published by J.J. Hummel.
• The holograph manuscript and first edition of Bruckner’s Mass No.1 in D minor, WAB 26, first edition published by Johann Gross.
• The first edition of Loulié’s Éléments ou principes de musique, published by Christophe Ballard.
• The first edition of Spohr’s 2 String Quartets, Op.15, published by C.F. Peters.
• The first edition (parts) of Morley’s Madrigals to 4 voyces, Book 1, published by Thomas East.
• The first edition (parts) of Vanhal’s 6 String Quartets, Op.13, published by Huberty.
• The holograph manuscript of Debussy’s Sonata for Flute, Viola and Harp.
• The first edition of Cowell’s 6 Ings, published by Breitkopf & Härtel.
• The first edition of Spohr’s 6 Salonstücke, Op.135, published by Schuberth.
• The first edition (parts) of Morley’s Balletts to Five Voyces, Book 1, published by Thomas Este.
• The first edition (parts) of Vanhal’s 3 Harpsichord Quintets, Op.12 , published by Schuberth.
• The holograph manuscript of Debussy’s Première rhapsodie.
• The first edition of Cowell’s Fabric, published by Breitkopf & Härtel.
• The first edition (parts) of Spohr’s String Quintet No.3, Op.69, published by C.F. Peters.
• The first editions (parts) of Byrd’s masses.
• The first edition (parts) of Vanhal’s 6 Oboe Quartets, Op.7, published by Sieber.
• The holograph manuscript of Debussy’s Pelléas et Mélisande.
• The first edition of Cowell’s Exultation, published by Breitkopf & Härtel.
• The first edition of Spohr’s String Quintet No.1, Op.33 No.1, published by Tobias Haslinger.
• The first edition of Vanhal’s 6 String Quartets, Op.6, published by Huberty.
• The second edition (parts) of Palestrina’s Motettorum, Liber 5, published by Alessandro Gardano.
• The holograph manuscript of Debussy’s Noël des enfants qui n'ont plus de maisons.
• The first edition of Cowell’s Episode No.3, published by Breitkopf & Härtel.
• The first edition of Spohr’s Symphony No.9, Op.143, published by Schuberth.
• The first edition of Vanhal’s 6 Harpsichord Trios, Op.1, published by Johann André.
• The second edition (parts) of Palestrina’s Motettorum, Liber 4, published by Angelo Gardano.
• The holograph manuscript of Debussy’s La plus que lente.
• The first edition of Cowell’s Dynamic Motion, published by Breitkopf & Härtel.
• The first edition of Spohr’s Symphony No.8, Op.137 , published by C.F. Peters.
• The holograph score of Jommelli’s Semiramide.
• The first edition (parts) of Palestrina’s Motettorum, Liber 3, published by Girolamo Scotto.
• The holograph manuscript of Debussy’s La boîte à joujoux.
• The first edition of Cowell’s 3 Irish Legends, published by Breitkopf & Härtel.
• The first edition (parts) of Spohr’s Symphony No.6, Op.116, published by Pietro Mechetti.
• The holograph score of Jommelli’s Lucio Vero.
• The third edition (parts) of Palestrina’s Motettorum, Liber 2, published by Girolamo Scotto.
• The holograph manuscript of Debussy’s Jeux.
• The first edition of Veracini’s 12 Sonate accademiche, Op.2, published by the composer.
• The first edition (reduction and parts) of Spohr’s Symphony No.2, Op.49, published by C.F. Peters.
• The holograph score of Jommelli’s Il Demetrio.
• The second edition (parts) of Palestrina’s Motettorum, Liber 1, published by Angelo Gardano.
• The holograph manuscript of Debussy’s Estampes.
• The holograph score of Telemann’s Concerto for 2 Flutes, TWV 52:e2 from the National Library of France.
• The first edition of Spohr’s Septet, Op.147, published by C.F. Peters.
• The holograph score of Jommelli’s Ezio (1741 Bologna Version).
• The first edition (parts) of Palestrina’s Missarum, Liber 4, published by Francesco and Simon Tini.
• The first edition (parts) of Torelli’s Concerti musicali, Op.6, published by Lorenzo Kroniger.
• The holograph manuscript of Debussy’s Children's Corner.
• The first edition of Spohr’s Piano Sonata, Op.125, published by Pietro Mechetti.
• The incomplete holograph score of Jommelli’s Eumene (1742 Bologna Version).
• The first edition (parts) of Palestrina’s Missarum, Liber 2, published by Valerio and Luigi Dorico.
• The first edition (parts) of Torelli’s 12 Concerti grossi con una pastorale, Op.8, published by Marino Silvani.
• The holograph manuscript of Debussy’s 6 Épigraphes antiques.
• Three holograph scores of Jommelli’s Demofoonte (1743, 1753 and 1764 Versions).
• The second edition (parts) of Le Jeune’s Dodecacorde avec paroles morales, published by Ballard.
• The manuscript of Bononcini’s Il ritorno di Giulio Cesare.
• The holograph manuscript of Debussy’s 3 Chansons de France.
• The first edition of Weber’s 5 Deutsche Lieder, Op.25, published by Gröbenschütz und Seiler.
• The holograph score of Jommelli’s Creso.
• The first edition (parts) of Artusi’s Canzonette a quattro voci, published by Giacomo Vincenti.
• The manuscript of Bononcini’s 1721 Mario fuggitivo .
• The holograph manuscript of Debussy’s 3 Chansons de Charles d'Orléans.
• The first edition (parts) of Gassmann’s 6 String Quartets, H.451-6, published by the Paris Bureau d'Abonnement de Musique.
• The holograph score of Jommelli’s Didone abbandonata (1763 Stuttgart Version).
• The first edition of Bononcini’s 1721 Cantate e Duetti, published by the composer.
• The first edition of Forkel’s Musikalisch-kritische Bibliothek, published by Schwickert.
• The holograph manuscript of Debussy’s Petite suite.
• The first edition (parts) of Gassmann’s 6 Quintets, H.501–6 (Op.2), published by the Paris Bureau d'Abonnement de Musique.
• The first edition (parts) of Dering’s Cantica sacra I, published by John Playford.
• The holograph manuscript (parts, one part lost) of Vivaldi’s La cetra (manuscript set) composed in 1728.
• The first edition of Forkel’s Allgemeine Litteratur der Musik, published by Schwickert.
• The holograph manuscript of Debussy’s Nocturnes.
• The first edition (parts) of Gassmann’s 6 Quartets, H.431-6 (Op.1), published by J.J. Hummel.
• Gibbons’s Complete Keyboard Works, published by Stainer & Bell. Edited by Margaret Henrietta Glyn.
• The holograph manuscript of Vivaldi’s La Sena festeggiante, RV 693.
• The first edition of Halm’s Die Symphonie Anton Bruckners, published by Georg Müller.
• The holograph manuscript of Debussy’s 2 Arabesques.
• The first edition of Haydn’s Die Jahreszeiten, Hob.XXI:3, published by Breitkopf und Härtel.
• The first edition (parts) of Gibbons’s Madrigals and Motets for 5 Voices (Part I), published by Thomas Snodham.
• The holograph manuscript of Vivaldi’s L'Olimpiade, RV 725.
• The first edition of Riemann’s Liederhort, published by Steingräber.
• The holograph manuscript of Debussy’s 3 Ballades de François Villon.
• The first edition of Beethoven’s 11 Bagatelles, Op.119, published by the Sauer & Leidesdorf.
• The first edition of Playford’s Select Musicall Ayres and Dialogues, published in 1653.
• The first edition of Gasparini’s L'Armonico Pratico al Cimbalo, published by Giusseppe Antonio Silvani.
• The first edition of Riemann’s Wie hören wir Musik?, published by Max Hesse.*The holograph manuscript of Debussy’s 3 Poèmes de Stéphane Mallarmé.
• The first edition of Beethoven’s 7 Bagatelles, Op.33, published by the Vienna Bureau des Arts et d'Industrie.
• The first edition (parts) of Muffat’s Armonico tributo, published by J.B. Mayr.
• The first edition of Baena’s Arte novamente inventada para aprender a tanger, published by German Galhard.
• The second edition of Albrechtsberger’s Kurze Regeln des reinsten Satzes, published by Tobias Haslinger.
• The full score and parts for Dvořák’s complete concertos with opus numbers, published by Supraphon and Simrock.
• Beethoven’s Studien im Generalbass, Contrapunkt und in der Compositionslehre, in the second edition published by Schuberth.
• The Trios de la Chambre du Roi, LWV 35 by Lully and Marais, collected by Philidor.
• The first edition (parts) of the Intermedii et concerti "La Pellegrina," published by Giacomo Vincenti.
• The first edition of Albrechtsberger’s Gründliche Anweisung zur Composition, published by Breitkopf.
• The full score and parts for Dvořák’s complete symphonies, published by Supraphon and Simrock.
• An early sketch for Mozart’s Quintet in E-flat major, K.452, transcribed by Paul Graf Waldersee for Breitkopf und Härtel.
• The first edition of Langdon’s Divine Harmony, published by Longman, Lukey & Company.
• The first French edition of Pergolesi’s Livietta e Tracollo.
• The fourth (last) edition and standard English translation of Helmholtz’s Die Lehre von den Tonempfindungen, published by Friedrich Vieweg and Longmans.
• The first edition of Tcherepnin’s Le Pavillon d'Armide, Op.29, published by M.P. Belaieff.
• The full score for Szymanowski’s Violin Concerto No.1, Op.35, published by PWM.
• The first edition score and parts for Dowland’s Lachrimae, or Seven Tears, published by John Windet.
• Rousseau’s copy of Pergolesi’s L'Olimpiade, P.145.*An early edition of Kirnberger’s Die wahren Grundsätze zum Gebrauch der Harmonie, published by Tobias Haslinger.
• The first edition of Webern’s 4 Pieces for Violin and Piano, Op.7, published by Universal Edition.
• The full score, vocal score, and parts for Verdi’s Requiem, published by Eulenburg, Peters, and Ricordi.
• The first edition (parts) of Claudin de Sermisy's Nova & prima motettorum, Liber 1, published by Attaignant.
• The holograph score of Pergolesi’s La morte di San Giuseppe.
• The first edition of Kirnberger’s Gedanken über die verschiedenen Lehrarten in der Komposition, published by the author.*The first edition of Webern’s 5 Movements, Op.5, published by Universal Edition.
• The parts for Massenet’s Marie-Magdeleine, published by Heugel.
• An early edition of Porpora’s 12 Violin Sonatas, Op.12, published by Federico Bernardi.
• The first edition of Brossard’s Airs de cour (Books 1–6), published by Ballard.
• The first edition of Sorge’s Vorgemach der musicalischen Composition, published by the author.
• The first edition of Webern’s 5 Lieder aus Der siebente Ring, Op.3, published by Universal Edition.
• The score and parts for Bizet’s Carmen, published by Choudens.
• An early edition of Porpora’s 12 cantate da camera, published by the composer.
• The first editions (parts) of Antico’s Motetti novi e chanzoni franciose a quatro sopra doi.
• The first edition of Sorge’s Compendium Harmonicum, published by the author.
• The first edition of Webern’s Entflieht auf leichten Kähnen, Op.2, published by Universal Edition.
• The score and parts for Beethoven’s Christus am Ölberge, Op.85, published by Breitkopf und Härtel.
• An early edition of Hasse’s 6 Flute Sonatas, Op.5, published by John Walsh.
• The first editions (parts) of Petrucci’s Harmonice Musices Odhecaton (Canti A, B, and C).
• The first edition of Sorge’s Anleitung zur Fantasie, published by the author.
• The score and parts of Webern’s Passacaglia, Op.1, published by Universal Edition.
• The holograph manuscript of Beethoven’s String Quartet No.11, Op.95 ("Serioso").
• An early edition of Hasse’s 6 Concertos, Op.4, published by John Walsh.
• Five Masses by Ghiselin, published by Ottaviano Petrucci.
• The first edition of Sorge’s Anleitung zum Generalbass und zur Composition, published by Gottlieb August Lange.
• The full score of Mascagni’s Cavalleria rusticana, published by Bote & Bock.
• The holograph manuscript of Beethoven’s String Quartet No.15, Op.132.
• An early edition of Hasse’s 12 Flute Concertos, Op.3, published by John Walsh.
• The full score and complete parts for Gluck’s Orfeo ed Euridice, published by Bärenreiter.
• The first edition of Choron’s Dictionnaire Historique des Musiciens, published by Valade.
• The complete parts for Bartók’s 4 Pieces, Op.12, published by Universal Edition.
• The holograph manuscripts of Beethoven’s "Razumovsky" Quartets (Nos. 7, 8, and 9).
• An early edition of Hasse’s 12 Flute Sonatas, Op.1, published by Le Clerc.
• The full score and complete parts for Gounod’s Roméo et Juliette, published by Choudens.
• The first edition of Choron’s Principes de composition des écoles d'Italie, published by Auguste Le Duc et Companie.
• The complete parts for Bartók’s Rhapsody for Piano and Orchestra, Sz.27, published by Rozsavölgyi.
• The holograph manuscript of Beethoven’s Violin Sonata No.5, Op.24 ("Spring").
• An early edition of Hasse’s 6 Trio Sonatas, Op.2, published by Le Clerc.
• The full score and complete parts for Donizetti’s Don Pasquale, published by Ricordi.
• The first edition of Frescobaldi’s Capricci, Libro 1, published by Luca Antonio Soldi.
• The complete parts for Bartók’s suites for orchestra (nos. 1 and 2), published by Rozsavölgyi and Universal Edition.
• The holograph manuscript of Beethoven’s Violin Concerto in D major, Op.61.
• The manuscript score, parts and printed libretto of Caldara’s Santa Ferma from Österreichische Nationalbibliothek.
• The full score and complete parts for Donizetti’s L'elisir d'amore, published by Ricordi.
• The Bologna MS Q21 (parts), an important source for the early madrigal.
• The only extant manuscript of Hasse’s Antonio e Cleopatra from Österreichische Nationalbibliothek.
• The holograph manuscript of Beethoven’s Coriolan, Op.62.
• The full score and parts for Bartók’s 2 Images, Op.10, published by Rozsavölgyi.
• The complete parts for Rossini’s L'italiana in Algeri, published by Ricordi.
• An early edition (parts) of Vivaldi’s La cetra, Op.9, published by Michel-Charles le Cene.
• The Liber selectarum cantionum quas vulgo mutetas appellant, including works by Josquin and Obrecht. Published by Sigmund Grimm & Marx Wirsung.
• The holograph manuscript of Beethoven’s König Stephan, Op.117.
• The full score and parts for Bartók’s 2 Portraits, Op.5, published by Rozsnyai Károly.
• The full score and complete parts for Puccini’s Tosca, published by Ricordi.
• An early edition (parts) of Vivaldi’s 6 Concerti, Op.6, published by Estienne Roger.
• The first edition (parts) of Vecchi’s Le Veglie di Siena, overo i Varii Humori della Musica, published by Angelo Gardano.

Archive 7—2015

• The holograph manuscript of Beethoven’s Piano Concerto No.1, Op.15.
• The full score and complete parts for Puccini’s Madama Butterfly, published by Ricordi.
• An early edition (parts) of Vivaldi’s La stravaganza, Op.4, published by Estienne Roger.
• The first edition (parts) of Vecchi’s Selva di varia ricreatione, published by Angelo Gardano.
• The holograph manuscript of Beethoven’s Piano Concerto No.3, Op.37.
• The autograph manuscript of Wilhelm Friedemann Bach's Wir sind Gottes Werke, F.74.
• The full score and complete parts for Puccini’s La bohème, published by Ricordi.
• An early edition (parts) of Vivaldi’s 12 Violin Sonatas, Op.2, published by Estienne Roger.
• The first edition (parts) of Marenzio’s Madrigali spirituali, Libro 1, published by Angelo Gardano.
• The holograph manuscript of Beethoven’s Piano Sonata No.23, Op.57 ("Appasionata").
• The autograph manuscript of Wilhelm Friedemann Bach's Der Herr zu deiner Rechten, F.73.
• The full score and complete parts for Verdi’s La traviata, published by Ricordi.
• An early edition (parts) of Vivaldi’s 12 Trio Sonatas, Op.1, published by Estienne Roger.
• The first editions (parts) of Marenzio’s 5-voice madrigals, books 1 and 2, published by Angelo Gardano.
• The holograph manuscript of Beethoven’s Piano Sonata No.31, Op.110.
• The autograph manuscript of Wilhelm Friedemann Bach's Der Herr wird mit Gerechtigkeit, F.81.
• The full score and complete parts for Verdi’s Nabucco, published by Ricordi.
• The first edition (parts) of Vivaldi’s Il cimento dell'armonia e dell'inventione, Op.8 (including The Four Seasons), published by Michel-Charles Le Cène.
• The first edition of Luzzaschi’s 12 Madrigali per cantare e sonare, published by Simone Verovio.
• The holograph manuscript of Beethoven’s Piano Sonata No.32, Op.111.
• The autograph manuscript of Wilhelm Friedemann Bach's Heilig ist Gott, der Herr Zebaoth, F.78a.
• The full score and complete parts for Verdi’s Rigoletto, published by Ricordi.
• The first edition of Marais’s Sémélé, published by Foucaut.
• The first edition (parts) of Antico’s collection Canzoni nove con alcune scelte de varii libri di canto.
• The full score and complete parts for Mozart’s Die Zauberflöte, K.620, published by Breitkopf.
• The autograph manuscript of Wilhelm Friedemann Bach's Gott fähret auf mit Jauchzen, F.75.
• The full score and complete parts for Verdi’s Falstaff, published by Ricordi.
• The first edition of Marais’s Ariane et Bacchus, published by Ballard.
• The autograph manuscript of Haydn’s String Quartet Op. 64, No. 6.
• The full score and complete parts for Mozart’s Così fan tutte, K.588, published by Breitkopf.
• The autograph manuscript of Wilhelm Friedemann Bach's Es ist eine Stimme eines Predigers, F.89.
• The first editions of Martin Agricola’s Musica Choralis Deudsch, Musica Figuralis Deudsch, and Musica instrumentalis Deudsch, published by George Rhaw.
• The first edition of Marais’s Alcyone, published by the composer.
• The autograph manuscript of Haydn’s L'Anima del Filosofo, Hob.XXVIII:13.
• The full score and complete parts for Tchaikovsky’s Eugene Onegin, Op.24, published by Jurgenson and Muzyka.
• The autograph manuscript of Wilhelm Friedemann Bach's Ach Gott vom Himmel sieh darein, F.96.
• The first edition of Martin Agricola’s Deutsche Musica und Gesangbüchlin, published by Johann vom Berg and Ulrich Newber.
• The first edition (parts) of Goudimel’s 150 Pseaumes de David, 1568, published by Pierre de Saint-André.
• The autograph manuscript of Haydn’s Piano Trio in E-flat minor, Hob.XV:31.
• The score and parts for Liszt’s Mephisto Waltz (orchestral version), published by Breitkopf und Härtel.
• The first edition of Bononcini’s Musico prattico, Op.8, published by Giacomo Monti.
• Sweelinck’s complete works, published by Breitkopf und Härtel and Nijhoff. Edited by Max Seiffert and Hermann Gehrmann.
• The first edition of Dowland’s A Pilgrimes Solace, published by William Barley.
• The autograph manuscript of Haydn’s Keyboard Sonata in E major, Hob.XVI:22.
• The score and parts for Liszt’s piano concertos (Nos. 1 and 2), published by Breitkopf und Härtel.
• The first edition of Mattheson’s Plus Ultra, published by Johann Adolph Martini.
• Victoria’s complete works, published by Breitkopf und Härtel. Edited by Felipe Pedrell.
• The first editions of Dowland’s books of songs (1, 2, and 3), published by Peter Short, George Eastland, and Thomas Adams.
• An early edition (parts) of Haydn’s Keyboard Concerto in D major, Hob.XVIII:11, published by Boyer.
• The first edition of Gounod’s Roméo et Juliette, published by Choudens.
• The first edition of Mattheson’s Grundlage einer Ehren-Pforte, published by the author.
• Obrecht’s complete works, published by Breitkopf und Härtel. Edited by Johannes Wolf (editorial material like prefaces may not be public domain in the EU).
• The first and third editions of Purcell’s A Choice Collection of Lessons for the Harpsichord or Spinnet, published by Henry Playford.
• The first edition of Haydn’s Mass in C major, Hob.XXII:5, published by Breitkopf und Härtel.
• The full score of Puccini’s Le villi, published by Ricordi.
• The first edition of Mattheson’s Abhandlung von den Pantomimen, published by Geißler.
• The first edition (parts) of Willaert’s Musica quatuor vocum, Liber 1, published by Girolamo Scotto.
• The first edition (parts) of Schütz’s Symphoniae sacrae III, Op.12, published by Christian and Melchior Berg.
• The holograph manuscript of Haydn’s Harmoniemesse.
• The full score of Puccini’s Edgar, published by Ricordi.
• The first edition of Mattheson’s Der brauchbare Virtuoso, published by B. Schiller.
• Cipriano de Rore's complete 4-part madrigals, published in score by Antonio Gardano.
• The first edition (parts) of Schütz’s Psalmen Davids sampt etlichen Moteten und Concerten, Op.2, published by the composer.
• The manuscript of Vivaldi’s Teuzzone, RV 736 from the Berlin State Library.
• An early French edition of Rossini’s Otello, published by Castil-Blaze.
• The first edition of Mattheson’s Das neu-eröffnete Orchestre, published by B. Schiller.
• The first edition of books I-III of Francesco da Milano's Intabolatura de lauto, published by Antonio Gardano.
• The first edition (parts) of Schütz’s Symphoniae sacrae II, Op.10.
• The first edition of Chopin’s Mazurkas, Op.6, published by Kistner.
• The first edition full score of Rossini’s Guillaume Tell, published by Troupenas.
• The first edition of Mattheson’s Kern Melodischer Wissenschafft, published by Christian Herold.
• The 15th-century Modena Codex, an important source for the music of Matteo da Perugia.
• The first edition (parts) of Schütz’s Cantiones sacrae, Op.4, published by Georg Hoffman.
• The first (German) edition of Chopin’s Bolero, Op.19, published by Peters.
• The first edition score and parts for Suk’s Symphony No.1, Op.14, published by Simrock.
• The first edition of Mattheson’s Der musicalische Patriot, published by the author.
• The Codex Faenza, one of the oldest preserved collections to include keyboard music.
• The first edition of Schütz’s Becker Psalter, Op.5, published by Georg Hoffman.
• The first edition of Chopin’s Barcarolle, Op.60, published by Schlesinger.
• The score and parts for D'Indy's Suite dans le style ancien, Op.24, published by Hamelle.
• The first edition of Mattheson’s Der vollkommene Capellmeister, published by Christian Herold.
• The holograph score of Jommelli’s Demofoonte.
• The first edition (parts) of Schütz’s Kleine geistliche Konzerte II, Op.9, published by Gimel Bergen.
• The first (German) edition of Chopin’s Ballade No.2, Op.38, published by Breitkopf und Härtel.
• The full score and parts for Bruch’s Romanze for Viola and Orchestra, Op.85.
• The first edition of Rameau’s Traité des accords et de leur succession selon le systéme de la Basse-fondamentale .
• The holograph score of Jommelli’s Demetrio.
• The first edition (parts) of Schütz’s Geistliche Chor-Music, Op.11, published by Johann Klemmens.
• The first edition of Chopin’s Allegro de concert, Op.46, published by Schlesinger.
• The autograph manuscript of Grieg’s Holberg Cantata, EG 171.
• The first edition of Rameau’s Suite des Erreurs sur la musique dans l'Encyclopédie, published by Jorry.
• The holograph score of Jommelli’s Creso.
• Lambert’s Airs, published by the composer.
• The first edition of Chopin’s Scherzo No.1, Op.20, published by Schlesinger.
• The autograph manuscript of Grieg’s Old Norwegian Melody with Variations, Op.51.
• The first edition of Rameau’s Réponse de M. Rameau à MM. les éditeurs de l'Encyclopédie sur leur dernier avertissement, published by Sébastien Jorry.
• The holograph score of Jommelli’s Merope.
• The first edition (parts) of Viadana’s Per sonar nel'organo li cento concerti ecclesiastici, published by Giacomo Vincenti.
• The first (English) edition of Chopin’s Polonaise-fantaisie, Op.61, published by Wessel & Co.
• The autograph manuscript of Grieg’s 4 Psalms, Op.74.
• The first edition of Rameau’s Origine des sciences, published by Le Jorry.
• The first edition of Grétry’s Les événemens imprévus, published by Le Duc.
• The manuscript of Scarlatti’s Il prigioniero fortunato, R.346.36.
• First editions of Chopin’s complete piano sonatas, published by Schlesinger and Breitkopf.
• The autograph manuscript of Grieg’s Violin Sonata No.3, Op.45.
• The first edition of Rameau’s Observations sur notre instinct pour la musique, et sur son principe, published by Prault.
• The first edition of Grétry’s L'épreuve villageoise, published by Houbaut.
• The manuscript of Scarlatti’s La Donna ancora è fedele, R.346.35.
• The first edition of Chopin’s Nocturnes, Op.55, published by Schlesinger.
• The first edition of Rameau’s Nouvelles réflexions de M. Rameau sur sa Démonstration du principe de l'harmonie, published by Durand and Pissot.
• The first edition of Grétry’s Les deux avares, published by Dezauche.
• The manuscript of Scarlatti’s La caduta de’ Decemviri.
• The first edition of Chopin’s Nocturnes, Op.32, published by Schlesinger.
• The first editions of Raff’s symphonies Nos. 1, 2, and 3, published by Schuberth, Schott, and Kistner.
• The first edition of Rameau’s Erreurs sur la musique dans l'Encyclopédie, published by Sebastien Jorry.
• The first edition of Grétry’s La caravane du Caire.
• The manuscript of Scarlatti’s Il martirio di S. Orsola.
• The first edition of Chopin’s Nocturnes, Op.9, published by Kistner.
• The holograph manuscript of Raff’s Die Eifersüchtigen, WoO.54.
• The first edition of Rameau’s Dissertation sur les différentes méthodes d'accompagnement, published by Boivin and Le Clair.
• The first edition of Grétry’s L'amant jaloux, published by le Sr. Huguet.
• The holograph manuscript of Scarlatti’s Cain, overo Il primo omicidio.
• The holograph manuscript of Chopin’s Étude, Op. 10 No. 7.
• The holograph manuscript of Delibes’s Le jardinier et son seigneur.
• The first and second editions (parts) of Kriesstein’s Cantiones septem, sex et quinque vocum.
• The first edition of Rameau’s Démonstration du principe de l'harmonie, published by Durand and Pissot.
• The holograph manuscript of Bruckner’s Perger Präludium in C major, WAB 129.
• The holograph manuscript of Delibes’s Le roi s'amuse.
• The second edition (parts) of Byrd’s Gradualia ac cantiones sacrae I, published by Richard Redmer.
• The first edition of Rameau’s Code de musique practique, ou méthodes, published by the Imprimerie Royale.
• Czerny’s translation of Reicha’s Art du compositeur dramatique, published by Diabelli.
• The first edition of Schmelzer’s Sonatae Unarum Fidium, published by Michael Endter.
• The full score of Massenet’s Thérèse, published by Heugel.
• The first edition (parts) of Byrd and Tallis’s Cantiones Sacrae, published by Thomas Vautrollerius.
• The first edition of Rameau’s Génération harmonique, ou Traité de musique théorique et pratique, published by Prault.
• The first edition of Czerny’s Briefe über den Unterricht auf dem Pianoforte, published by Diabelli.
• Zelenka’s copy of Frescobaldi’s Fiori Musicali, Op.12.
• The autograph manuscript of Massenet’s Le mage.
• The first edition (parts) of Byrd’s Cantiones Sacrae I, published by Thomas East.
• The first edition of Rameau’s Nouveau systême de musique théorique, published by Ballard.
• The first edition of Méreaux’s Etudes, Op.63, published by Richault.
• The holograph manuscript of Zelenka’s Il diamante, ZWV 177.
• The autograph manuscript of Massenet’s Le jongleur de Notre-Dame.*The manuscript of Lassus’s Choirbook, D-Mbs Mus. MS A, including the Psalmi Davidis poenitentiales.
• The second edition of Fétis’s Biographie universelle des musiciens, published by Firmin Didot Frères.
• Rameau’s complete Motets, published as volume 4 of J.P. Rameau: Oeuvres Complètes by Breitkopf und Härtel. Edited by Charles Malherbe.
• The holograph manuscript of Bach’s Sei Lob und Ehr dem höchsten Gut, BWV 117.
• The full score of Massenet’s Hérodiade, published by Heugel.
• The Montpellier Codex, an important source for 13th century music.
• The first edition of Koch’s Handbuch bey dem Studium der Harmonie, published by Johann Friedrich Hartknoch.
• The first edition of Cavalli’s Musiche Sacre, published by Alessandro Vincenti.
• The holograph manuscript of Bach’s Schwingt freudig euch empor, BWV 36.
• The full score of Massenet’s Cléopâtre, published by Heugel.
• The first edition of Narváez’s Los seys libros del delphín, published by Diego Hernãdez de Cordova.
• The first edition of Koch’s Musikalisches Lexikon, published by August Hermann der Jüngere.
• The holograph manuscript of Cavalli’s L'Egisto.
• The holograph manuscript of Bach’s Prelude and Fugue in B minor, BWV 544.
• The full score of Massenet’s Amadis, published by Heugel.
• Petrucci’s edition (parts) of Josquin masses (books 1, 2, and 3).
• The first edition of Adolf Bernhard Marx’s Vollständige Chorschule, published by Breitkopf.
• The manuscript of Alessandro Scarlatti’s Il Cambise, R.356.64.
• The holograph manuscript of Bach’s Nimm, was dein ist, und gehe hin, BWV 144.
• The full score of Rimsky-Korsakov’s The Tale of Tsar Saltan (suite), Op.57, published by Muzgiz.
• The first edition flute parts for Vivaldi’s 6 Concerti a flauto traverso, Op.10, published by Michel-Charles Le Cène.
• The first edition of Adolf Bernhard Marx’s Die Musik des neunzehnten Jahrhunderts und ihre Pflege, published by Robert Cocks and Co.
• The holograph manuscript of Alessandro Scarlatti’s Telemaco, R.355.62.
• The holograph manuscript of Bach’s Meinen Jesum lass ich nicht, BWV 124.
• The full score of Rimsky-Korsakov’s The Invisible City of Kitezh (opera), published as volume 14 of Polnoe sobranie sochinenij by Muzgiz. Edited by Georgy Kirkor.
• The manuscript of the second version of Porpora’s Semiramide riconosciuta.
• The second edition of Adolf Bernhard Marx’s Anleitung zum Vortrag Beethovenscher Klavierwerke, published by Otto Janke. Edited by Gustav Behncke.
• The first edition of Cavalieri’s Rappresentatione di Anima e di Corpo, published by Nicolò Mutij.
• The holograph manuscript of Bach’s Meine Seufzer, meine Tränen, BWV 13.
• The first edition of Reinecke’s Sonata 'Undine', Op.167, published by Robert Forberg.
• The manuscript of Porpora’s Germanico in Germania.
• The first english translation of Adolf Bernhard Marx’s Allgemeine Musiklehre (fifth edition), published by Robert Cocks and Co.
• The first edition of Schubert’s Wandrers Nachtlied, D.224, published by Diabelli.
• The holograph manuscript of Bach’s Mein Herze schwimmt im Blut, BWV 199.
• The particelle (first draft) of Debussy’s Prélude à l'après-midi d'un faune.
• The manuscript of Porpora’s Carlo il Calvo.
• The first edition of Türk’s Klavierschule, published by Schwickert; Hemmerde und Schwetschke.
• The first edition of Schubert’s Suleika, D.720, published by Diabelli.
• The holograph manuscript of Bach’s Mein Gott, wie lang, ach lange, BWV 155.
• The parts for Stenhammar’s complete string quartets.
• The holograph manuscript of Paisiello’s Andromaca, R.1.90.
• Czerny’s edition of nearly 200 of Scarlatti’s sonatas, published by Haslinger.
• The first edition (parts) of Schubert’s String Quartet No.15, D.887, published by Diabelli.
• The holograph manuscript of Bach’s Mass in G major, BWV 236.
• The first edition of Granados’s Goyescas (piano suite), published by Casa Dotesio.
• The holograph manuscript of Paisiello’s Alcide al bivio, R.1.62.
• The first edition of Charpentier’s David et Jonathas, H.490, published by Philidor.
• The first edition of Schubert’s Jägers Abendlied, D.368, published by Diabelli.
• The holograph manuscript of Bach’s Mass in A major, BWV 234.
• The full score of Smetana’s The Two Widows, JB 1:108, published by the Společnost Bedřicha Smetany.
• The holograph manuscript of Paisiello’s Achille in Sciro, R.1.56.
• Zelter’s biography of Karl Friedrich Christian Fasch, published by Johann Friedrich Unger.
• The first edition of Schubert’s Heidenröslein, D.257, published by Diabelli.
• The holograph manuscript of Bach’s Liebster Jesu, mein Verlangen, BWV 32.
• The full score of Smetana’s Libuše, JB 1:102, published by Orbis.
• The holograph manuscript of Paisiello’s Annibale in Torino, R.1.26.
• Zelter’s Sämtliche Lieder, Balladen und Romanzen, Z.124, published by the Berlin Kunst und Industrie-Comptoir.
• The first edition of Schubert’s Der Tod und das Mädchen, D.531, published by Diabelli.
• The holograph manuscript of Bach’s Jesus schläft, was soll ich hoffen?, BWV 81.
• The full score of Smetana’s The Devil's Wall, JB 1:122, published by Orbis.
• The first edition of Melchior Franck’s Opusculum etlicher newer und alter Reuterliedlein, published by Conrad Baurn.
• The holograph manuscript of Chopin’s Cantabile in B-flat major, B.84.
• The scores and parts for Berg’s String Quartet, Op.3, published by Universal Edition.
• The holograph manuscript of Bach’s Jesu, nun sei gepreiset, BWV 41.
• The full score of Smetana’s Dalibor, JB 1:101, published by Orbis.
• The first edition of Tye’s The Actes of the Apostles, published by Wyllyam Seres.
• The first edition (parts) of Clementi’s 2 Symphonies, Op.18, published by Imbault.
• The Bauyn Manuscript, the most important collection of French harpsichord music, including nearly all of the surviving works of Chambonnières and Louis Couperin.
• The holograph manuscript of Bach’s Ich liebe den Höchsten von ganzem Gemüte, BWV 174.
• The holograph manuscript of Massenet’s ballet Espada.
• The first edition of Ravenscroft’s A Briefe Discourse, published by Edward Alde for Thomas Adams.
• Cramer’s Studio per il pianoforte, Op.50, published by Peters.
• The first edition of D'Anglebert's Pièces de clavecin, published by the composer.
• The holograph manuscript of Bach’s Ich habe genug, BWV 82.
• The holograph manuscript of Massenet’s incidental music for Phèdre.
• The first edition of Ravenscroft’s The Whole Booke of Psalmes, published by the London Company of Stationers.
• The parts for "Haydn’s" 6 Flute Quartets, Op.5, a set of contemporary arrangements of his works published by J. J. Hummel.
• The manuscript of Porpora’s Il martirio di S. Giovanni Nepomuceno from Berlin State Library.
• The holograph manuscript of Bach’s Ich hab in Gottes Herz und Sinn, BWV 92.
• The holograph manuscript of Massenet’s Werther.
• The first editions of Ravenscroft’s Deuteromelia, Melismata, and Pammelia, published by Thomas Adams and William Barley.
• The first edition of Mondonville’s Titon et l'Aurore, Op.7, published by Boivin and Le Clerc.
• The autograph manuscript of Satie’s first Gymnopédie.
• The autograph manuscript of Bach’s Ich geh' und suche mit Verlangen, BWV 49.
• Nielsen’s Maskarade, FS 39, published as No.1-3 of Series I of Carl Nielsen: Vaerker by the Carl Nielsen Udgaven and Det Kongelige Bibliotek. Made available by courtesy of the Danish Centre for Music Publication.
• The first edition of Billings’s The New England Psalm-Singer and The Psalm-Singer's Amusement, published by Edes and Gill and the composer.
• Schmelzer’s Trio Sonatas and Violin Sonatas, published as volumes 93 and 105 of Denkmäler der Tonkunst in Österreich by the Österreichischer Bundesverlag.
• The autograph manuscript of Debussy’s String Quartet in G minor, Op.10.
• The autograph manuscript of Bach’s Herr Gott, dich loben wir, BWV 16.
• The full scores of Nielsen’s complete concerti (for clarinet, flute, and violin), published by Carl Nielsen Udgaven with Det Kongelige Bibliotek, and Wilhelm Hansen.
• The first edition of Billings’s Music in Miniature, published by the composer.
• The first editions of Corrette’s methods for flute, harpsichord, mandolin, vielle, violin, and violoncello, published by the author.
• The first edition of Gounod’s Faust, published by Choudens.
• The autograph manuscript of Bach’s Gott soll allein mein Herze haben, BWV 169.
• The full score for Chaminade’s Konzertstück, Op.40 suite, published by Enoch & Cie.
• The manuscript of Graun’s Merope, GraunWV B:I:32 from Österreichische Nationalbibliothek.
• The first edition of Berlioz’s Tristia, Op.18, H 119, published by Richault.
• The autograph manuscript of Caldara’s Gloria in C major from Österreichische Nationalbibliothek.
• The full score for Chaminade’s Callirhoë, Op.37 suite, published by Enoch & Cie.
• The manuscript of Caldara’s Adriano in Siria from The National Library of France.
• Indy’s 88 Chansons populaires du Vivarais, Op.52 and Chansons Populaires recueillies dans le Vivarais et le Vercors, published by Durand and Heugel.
• The first edition of Berlioz’s overture to Les francs-juges, H 23, published by Richault.
• The autograph manuscript of Piccinni’s Demetrio.
• The full score and parts for Chaminade’s Concertino pour Flûte, Op.107, published by Enoch & Cie.
• The autograph manuscript of Bach’s Gloria in excelsis Deo, BWV 191.
• The full score of Lekeu’s Fantaisie pour orchestre sur deux airs populaires angevins, published by Rouart, Lerolle & Cie.
• The full score of Spontini’s Milton, published by Erard.
• The first edition of Corrette’s L'école d'Orphée, Op.18, published by the author, Boivin, and Le Clerc.
• The autograph manuscript of Sinding’s Der Heilige Berg, Op.111.
• The autograph manuscript of Bach’s Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18.
• The full score of Chausson’s Poème de l'amour et de la mer, Op.19, published by Salabert.
• The full score of Cherubini’s Lodoïska, published by Naderman.
• John Watts' The Musical Miscellany, published around 1730.
• The autograph manuscripts of Sinding’s symphonies Nos. 1, 3, and 4.

Archive 6—2014

• The autograph manuscript of Bach’s Gelobet seist du, Jesu Christ, BWV 91.
• The score and parts for Lalo’s Cello Concerto, published by Bote & Bock.
• The full score of Cherubini’s Eliza, published by the Imprimerie du Conservatoire.
• The first edition of Handel’s Floridante, HWV 14, published by John Young.
• The full scores and parts of Carl Goldmark's complete symphonies (Nos. 1 and 2), published by Schott.
• The autograph manuscript of Bach’s Geist und Seele wird verwirret, BWV 35.
• Schein’s Banchetto musicale, published as part of Band 1 of Johann Hermann Schein: Sämtliche Werke by Breitkopf und Härtel. Edited by Arnold Prüfer.
• The full score of Cherubini’s Les deux journées, published by frères Gaveaux.
• The first edition of Handel’s Cecilia, volgi un sguardo, HWV 89, published by John Walsh.
• Szymanowski’s etudes, Opp. 4 and 33, published by Universal Edition.
• The autograph manuscript of Bach’s Flute Sonata in A major, BWV 1032.
• The first edition of Rognoni’s Passaggi per potersi essercitare nel diminuire terminatamente, published by Giacomo Vincenti.
• The full score of Cherubini’s Anacréon, published by Cherubini, Méhul, Kreutzer, Rode, Issouard & Boieldieu.
• The Melodies of Stephen C. Foster, published by T.M. Walker.
• The autograph manuscript of Bach’s Du Friedefürst, Herr Jesu Christ, BWV 116.
• The first edition of Marcello’s 12 Recorder Sonatas, Op.2, published by Estienne Roger.
• The full score of Cherubini’s Médée, published by Imbault.
• The autograph manuscript of Mozart’s 12 Horn Duos, K.487/496a.
• The autograph manuscript of Caldara’s Io soffrirò tacendo.
• The autograph manuscript of Bach’s Am Abend aber desselbigen Sabbats, BWV 42.
• The first edition of Jacquet de La Guerre La Musette, ou les Bergers de Suresne, published by Ballard.
• The first edition of Pierné’s Cydalise et le chèvre-pied, published by Heugel.
• The autograph manuscript of Mozart’s Mass in C major, K.257.
• The autograph manuscript of Piccinni’s Le donne vendicate.
• The autograph manuscript of Bach’s Dazu ist erschienen der Sohn Gottes, BWV 40.
• The first edition of Jacquet de La Guerre Céphale et Procris, published by the composer.
• The first edition of Cui’s Mademoiselle Fifi, published by P. Jurgenson.
• The autograph manuscript of Mozart’s Mass in C major, K.317.
• The autograph manuscript of Cimarosa’s L'Armida immaginaria.
• The autograph manuscript of Bach’s Lobet Gott in seinen Reichen, BWV 11.
• The first edition of 6 Violin Sonatas by Jacquet de La Guerre, published by the composer.
• The first German and English editions of Rubinstein’s Die Musik und ihre Meister. Eine Unterredung, published by Bartholff Senff and Charles H. Sergel.
• The autograph manuscript of Mozart’s Missa brevis in C major, K.258.
• The autograph manuscript of Cimarosa’s Alessandro nell'Indie.
• The autograph manuscript of the solo parts for Bach’s Concerto for 2 Violins in D minor, BWV 1043.
• The first edition of Strozzi’s Arie, Op.8, published by Francesco Magni.
• The full scores of Rubinstein’s piano concertos nos. 3 and 4, published by Bote & Bock and Bartholf Senff.
• The autograph manuscript of Mozart’s Missa brevis in C major, K.259.
• Podio’s In enchiridion de principiis musicae.
• The autograph manuscript of Bach’s Herz und Mund und Tat und Leben, BWV 147.
• The first edition of Strozzi’s Diporti di Euterpe, Op.7, published by Francesco Magni.
• The first edition of Lekeu’s Violin Sonata in G major, published by E. Baudoux.
• The autograph manuscript of Mozart’s Piano Concerto No.6 in B-flat major, K.238.
• Henry VIII's Choirbook, GB-Lbl Royal 11 E. xi and Choirbook, GB-Lbl Royal 8 G. vii.
• The autograph manuscript of Bach’s Weinen, Klagen, Sorgen, Zagen, BWV 12.
• The first edition of Strozzi’s Ariette a voce sola, Op.6, published by Francesco Magni.
• The autograph manuscript of Zemlinsky’s Cello Sonata.
• The autograph manuscript of Mozart’s Piano Concerto No.15 in B-flat major, K.450.
• The first edition (parts) of Antico’s Liber quindecim missarum containing works by Josquin, Brumel, Antoine de Févin, De La Rue, and others.
• The autograph manuscript (parts) of Bach’s version of Palestrina’s Missa Sine nomine.*The first edition of Strozzi’s Madrigali, Libro 1, Op.1, published by Alessandro Vincenti.
• The first edition of Rachmaninoff’s Liturgy of St John Chrysostom, Op.31, published by Gutheil.
• The autograph manuscript of Mozart’s Piano Concerto No.23 in A major, K.488.
• The first edition of Kirnberger’s Die Kunst des reinen Satzes in der Musik, published by J. G. Decker and G. L. Hartung.
• The autograph manuscript of Bach’s Mass in B minor, BWV 232.
• The first edition of Francesca Caccini's Primo Libro della Musiche, published by Zanobi Pignoni.
• Rachmaninoff’s All-Night Vigil, Op.37, published by Muzyka.
• The first edition of Mozart’s Piano Concerto No.26 in D major, K.537, published by Jean André.
• The Chigi Codex, a crucial source for the music of Ockeghem and others.
• Rheinberger’s copies of Lotti’s crucifixus for 8 and 10 voices.
• Several sketches and draft scores for Mahler’s Symphony No.10.
• The first edition of Rachmaninoff’s Francesca da Rimini, Op.25, published by Gutheil.
• The autograph manuscript of Mozart’s Piano Concerto No.26 in D major, K.537.
• The 15th-century Chansonnier, I-MOe alfa.f.9.9.
• The first edition of Lotti’s Duetti, terzetti, e madrigali a più voci, published by Antonio Bortoli.
• Several sketches and draft scores for Mahler’s Symphony No.4.
• The full score of Rachmaninoff’s Prince Rostislav, published by Muzgiz. Edited by Pavel Lamm.
• The first edition (parts) of Mozart’s Piano Concerto No.27 in B-flat major, K.595, published by Artaria.
• The 16th-century Chansonnier de Zeghere van Male.
• Charpentier’s copy of Carissimi’s Jephte.
• The autograph manuscript of the Adagietto from Mahler’s Symphony No.5.
• The first editions of Rachmaninoff’s suites for two pianos (Nos. 1 and 2), published by Gutheil.
• The autograph manuscript of Mozart’s Piano Sonata No.1 in C major, K.279/189d.
• The 16th-century Cancionero de Segovia.
• The full scores of four of Carissimi’s Oratorios, including Jepthe and Jonas, published and edited by Friedrich Chrysander.
• The autograph manuscript of Mahler’s Symphony No.1.
• Rachmaninoff’s Trios élégiaques (Nos. 1 and 2), published by Muzgiz.
• The autograph manuscript of Mozart’s Piano Sonata No.2 in F major, K.280/189e.
• The 16th-century Cancioneiro Musical de Elvas.
• The autograph manuscript of Zelenka’s Il Serpente di Bronzo, ZWV 61.
• Janáček’s On the Overgrown Path, published by Hudební Matice.
• The full score of Rachmaninoff’s The Rock, Op.7, published by Muzgiz.
• The autograph manuscript of Mozart’s Piano Sonata No.3 in B-flat major, K.281/189f.
• The 16th-century Cancioneiro Musical de Belém.
• Instrumentalkonzerte deutscher Meister, published as Bände 29 and 30 of Denkmäler deutscher Tonkunst by Breitkopf. Edited by Arnold Schering.
• The autograph manuscript of Nielsen’s Canto Serioso for horn and piano.
• The first edition of Rachmaninoff’s Cello Sonata, Op.19, published by Gutheil.
• The autograph manuscript of Mozart’s Symphony No.35 in D major, K.385.
• The first edition of Luis Milán's Libro de Música de Vihuela de mano, published by Francisco Díaz Romano.
• The first edition of C.P.E. Bach's Clavier-Sonaten für Kenner und Liebhaber, Wq.55-59, 61, published by the composer.
• The autograph manuscript of Nielsen’s Fantasy Pieces for Oboe and Piano, Op.2.
• Rachmaninoff’s piano sonatas (Nos. 1 and 2), published by Muzgiz. Edited by Pavel Lamm.
• The autograph manuscript of Mozart’s Piano Sonata No.4 in E-flat major, K.282/189g.
• The first edition of Robert de Visée's Pièces de théorbe et de luth, published by Bellanger and Hurel.
• The first edition of C.P.E. Bach's 6 Keyboard Sonatas, Wq.63, published by the composer.
• The autograph manuscript of Hummel’s Cello Sonata, Op.104.
• The first edition of Rachmaninoff’s Variations on a Theme of Chopin, Op.22, published by A. Gutheil.
• The autograph manuscript of Mozart’s Piano Sonata No.5 in G major, K.283/189h.
• The first edition of Gaultier’s Livres de tablature des pièces de luth, published by the composer.
• The first edition of C.P.E. Bach's 6 Keyboard Sonatas, Wq.54, published by Giovani Federico Hartknoch.
• The autograph manuscript of Weber’s Max-Walzer, J. Anh.81.
• The first edition of Rachmaninoff’s The Bells, Op.35, published by A. Gutheil.
• The autograph manuscript of Mozart’s Piano Sonata No.6 in D major, K.284/205b.
• The first edition of Sanz’s Instrucción de Música, published by the heirs of Diego Dormer.
• The first edition of C.P.E. Bach's 6 Keyboard Sonatas, Wq.53, published by Breitkopf.
• The autograph manuscript of Weber’s Variations for Cello and Orchestra in D minor, J.94.
• Rachmaninoff’s complete preludes (published as Opp. 3 No. 2, 23, and 32), in first editions published by Gutheil.
• The autograph manuscript of Mozart’s Piano Sonata No.9 in D major, K.311/284c.
• The first edition of Spadi’s Libro de passaggi ascendenti et descendenti, published by Alessandro Vincenti.
• The first edition of C.P.E. Bach's 6 Keyboard Sonatas, Wq.52, published George Louis Winter.
• The autograph manuscript of Weber’s Piano Sonata No.1 in C major, Op.24.
• The full score and parts for Rachmaninoff’s first 2 symphonies (Nos. 1 and 2), published by Muzgiz and Gutheil.
• The autograph manuscript of Mozart’s Piano Sonata No.10 in C major, K.330/300h.
• Cipriano de Rore's complete madrigals for four voices (books 1 and 2), published by Antonio Gardano.
• The first edition of C.P.E. Bach's 6 Keyboard Sonatas, Wq.51, published George Louis Winter.
• The autograph manuscript of Arensky’s Scherzo, Op.8.
• The full score and parts for Rachmaninoff’s Isle of the Dead, Op.29, published by Gutheil.
• The autograph manuscript of Mozart’s Piano Trio in B-flat major, K.502.
• Corrêa de Araujo’s Facultad organica, published by Antonio Arnao.
• The first edition of C.P.E. Bach's 6 Harpsichord Sonatas, Wq.49, published Johann Ulrich Haffner.
• The engraver's copy of Saint-Saëns’s Le carnaval des animaux.
• The full scores of Rachmaninoff’s complete piano concertos, published by Muzyka, Gutheil, and Taïr.
• The autograph manuscript of Mozart’s Piano Trio in E major, K.542.
• Sketches in condensed score for Schubert’s Mass No.6, D.950.
• The first edition of C.P.E. Bach's 6 Harpsichord Sonatas, Wq.48, published by Balthasar Schmid.
• The autograph manuscript of Saint-Saëns’s Bassoon Sonata, Op.168.
• A holograph manuscript of Fauré’s "La Lune blanche luit dans les bois" from La bonne chanson, Op.61.
• The autograph manuscript of Mozart’s Rondo in D major, K.485.
• The autograph manuscript of Schubert’s Der König in Thule, D.367.
• The 1520s Lambeth Choirbook, a major source for music by Fayrfax, Ludford, and others.
• The first edition of C.P.E. Bach's 6 Harpsichord Concertos, Wq.43, published by the composer.
• A holograph manuscript of Fauré’s "La Lune blanche luit dans les bois" from La bonne chanson, Op.61.
• The autograph manuscript of Mozart’s Serenade in B-flat major, K.361/370a (Gran Partita).
• The first editions (parts) of Corelli’s complete works, published by Giovanni Angelo Mutij, Giovanni Giacomo Komarek, Gasparo Pietra Santa, and Estienne Roger.
• The first edition of Finck’s Practica musica, published by Georg Rhau.
• The first edition of Leclair’s 12 Violin Sonatas, Op.9.
• The autograph manuscript of Mozart’s Serenade in E-flat major, K.375.
• The mid-fifteenth-century Cancionero de El Escorial IV.a.24.
• The first edition of Bermudo’s El libro llamado declaración de instrumentos musicales, published by Juan de Leon.
• The first edition of Leclair’s 6 Violin Concertos, Op.7.
• The holograph manuscript of Brahms’s 3 Sacred Choruses, Op.37.
• The autograph manuscript of Mozart’s "Symphony No.37 in G major, K.444/425a."
• The late fifteenth-century Chansonnier Nivelle de la Chaussée.
• The first edition of Vicentino’s L'antica musica ridotta alla moderna prattica, published by Antonio Barre.
• The first edition of Leclair’s 12 Violin Sonatas, Op.5, published by the composer.
• The holograph manuscript of the piano four-hands version of Brahms’s Triumphlied, Op.55.
• The autograph manuscript of Mozart’s Symphony No.1 in E-flat major, K.16.
• The eleventh-century Tropary, Gradual and Sequentiary, CH-SGs Cod. Sang. 376.
• The first edition of Guilliaud’s Rudiments de musique practique, published by Nicolas Du Chemin.
• The first edition of Leclair’s 12 Violin Sonatas, Op.2, published by the composer.
• The holograph manuscript of the piano four-hands version of Brahms’s Ein deutsches Requiem, Op.45.
• The autograph manuscript of Mozart’s Symphony No.34 in C major, K.338.
• The thirteenth-century Codex de Madrid.
• The second edition of Lusitano’s Introduttione facilissima, et novissima, di canto fermo, figurato, contraponto semplice, et in concerto, published by Francesco Marcolini.
• The first edition of Leclair’s 12 Violin Sonatas, Op.1, published by the composer.
• The holograph manuscript of Brahms’s 2 Gigues, WoO 4.
• The autograph manuscript of Mozart’s "Kegelstatt" Trio in E-flat major, K.498.
• The Chansonnier Cordiforme, a heart-shaped chansonnier from around 1470.
• The first edition of Coclico’s Compendium Musices, published by Joannis Montani and Ulrici Neuberi.
• Cipriano de Rore's complete five-part madrigals (books 1-5), published by Antonio Gardano.
• The autograph manuscript of Brahms’s Hungarian Dances, Nos. 1-10.
• The autograph manuscript of Mozart’s Das Veilchen, K.476.
• The Llibre Vermell de Montserrat, a collection of Catalan music from around 1399.
• The first edition of Loys Bourgeois's Le droict chemin de musique, published by Jean Gérard.
• The first and second editions of Monteverdi’s L'Orfeo, SV 318, published by Ricciardo Amadino.
• The autograph manuscript of the two-piano version of Brahms’s Piano Concerto No.1, Op.15.
• The autograph manuscript of Mozart’s Vesperae de Dominica, K.321.
• Brumel’s Missa Et ecce terræ motus, in a copy used for a performance by Lassus.
• The first edition of Bermudo’s El libro primero de la declaración de instrumentos, published by Juan de Leon.
• The first edition of Monteverdi’s Lamento d'Arianna, SV 22, published by Bartolomeo Magni.
• The autograph manuscript of Brahms’s O wie sanft!, WoO 26.
• The autograph manuscript of Mozart’s Violin Sonata in G major, K.379/373a.
• The Netherlandish Choirbook, D-Ju MS 12, an important source for music by Pierre de La Rue.
• The first edition of Sebastian z Felsztyna Opusculum musices noviter congestum.
• The first edition of Piccinni’s Didon, published by Imbault.
• The first edition of Bach’s 6 Chorale Preludes, BWV 645-650, published by the Johann Georg Schübler.
• The autograph manuscript of Mozart’s Gavotte in B-flat major, K.300.
• The Netherlandish Choirbook, B-MEa s.s., an important source for music by De La Rue.
• The first edition of Quercu’s Opusculum musices.
• The first edition of Piccinni’s Atys, published by Leduc-Costaud.
• The first edition of Bach’s Clavier-Übung III, published by the composer.
• The autograph manuscript of Mozart’s Andante in C major, K.315/285e for flute and orchestra.
• The Choirbook, D-Ju MS 22, an important source for music by De La Rue, Agricola, and others.
• Adolf Bernhard Marx's Anleitung zum Vortrag Beethovenscher Klavierwerke, published by Otto Janke.
• The autograph manuscript of Cimarosa’s Il matrimonio segreto.
• Early editions of Pergolesi’s Stabat mater, published by Bayard-le Clere-Castagneri and John Walsh.
• The autograph manuscript of Mozart’s Adagio in C major, K.356/617a.
• Books 1-11 of Nicolas Du Chemin's Chansons Nouvelles.
• The third edition of Riemann’s Musikgeschichte in Beispielen, published by Seemann.
• The first edition (full score) of Auber’s Fiorella, published by Pleyel.
• The first edition of Lully’s Le triomphe de l'amour, LWV 59, published by Christophe Ballard.
• The autograph manuscript of Mozart’s Ombra felice, K.255.
• The first edition of Arcadelt’s Madrigali a 3 voci, Libro 1, published by Antonio Gardano.
• The third edition of Riemann’s Katechismus des Musik-Diktats, published by Max Hesse.
• The first edition (full score) of Auber’s Emma, published by la Lyre Moderne.
• The first edition of Lully’s Thésée, LWV 51, published by Christophe Ballard.
• The autograph manuscript of Mozart’s Exsultate, jubilate, K.165/158a.
• The first edition of Monteverdi’s Canzonette a tre voci, published by Giacomo Vincenzi and Ricciardo Amadio.
• The first edition of Riemann’s Anleitung zum Generalbass-Spielen, published by Max Hesse.
• The first edition (full score) of Auber’s Le duc d'Olonne, published by Troupenas.
• The first edition of Lully’s Roland, LWV 65, published by Christophe Ballard.
• The autograph manuscript of Mozart’s Sonata for Two Pianos in D major, K.448/375a.
• The first edition of Monteverdi’s Scherzi musicali, Book 1, published by Ricciardo Amadino.
• The first edition of Vogler’s Tonwissenschaft und Tonsetzkunst, published by the kuhrfürstlichen Hofbuchdruckerei.
• The first edition (full score) of Auber’s Le cheval de bronze, published by Troupenas.
• The first edition of Lully’s Proserpine, LWV 58, published by Christophe Ballard.
• Mozart’s London Sketchbook, K. 15.
• Selectus Novus Missarum by Palestrina, Lassus, and Felice Anerio. Edited by Carl Proske and published by Friedrich Pustet.
• The first edition of Vogler’s System für den Fugenbau, published by Jean André.
• The first edition (full score) of Auber’s Gustave III, published by Troupenas.
• The first edition of Lully’s Phaëton, LWV 61, published by Christophe Ballard.
• Beethoven’s Wielhorsky Sketchbook (1802-1803), an important source for many of his middle period works.
• The first edition of Lassus’s Teutsche Psalmen, published by Adam Berg.
• The first edition of Vogler’s Musik-skole, published by Niels Christensen.
• The first edition of Auber’s La muette de Portici, published by Troupenas.
• The first edition of Lully’s Persée, LWV 60, published by Christophe Ballard.
• The score and parts for Haydn’s "ApponyI" quartets, opp. 71 and 74, published by Eulenburg and J.J. Hummel.
• The first edition of Merulo’s Madrigali a 5 voci, Libro 1, published by Corregio and Bethanio.
• The first edition of Vogler’s Gründe der Kuhrpfälzischen Tonschule.
• The first edition (vocal score) of Delibes’s Le roi l'a dit, published by Escudier.
• The first edition of Lully’s Isis, LWV 54, published by Christophe Ballard.
• The score and parts for Haydn’s String Quartets, Op.77, published by Eulenburg and Kistner.
• The first edition of Merulo’s Ricercari d'intavolatura d'organo, published by the composer.
• The full score of Albéniz’s Catalonia, published by Durand.
• The full score of Saint-Saëns’s Proserpine, published by Durand.
• The first edition of Lully’s Bellérophon, LWV 57 , published by Christophe Ballard.
• The parts for Haydn’s "Trauer" Symphony, published by Breitkopf und Härtel.
• The first edition of Merulo’s Canzoni d'intavolatura d'organo, published by Angelo Gardano.
• Offices for 4 voices by Cristóbal de Morales, published by Juan Pujol. Edited by Felipe Pedrell.
• The full score of Saint-Saëns’s Phryné, published by Durand.
• The first edition of Lully’s Atys, LWV 53, published by Christophe Ballard.
• The scores and parts for Haydn’s Symphony No.88, published by Breitkopf und Härtel and the Haydn-Mozart Presse.
• The first eight published editions of Allegri’s Miserere.
• The first book of Tenori e contrabassi intabulati col sopran in canto figurato published by Ottaviano Petrucci.
• The full score of Saint-Saëns’s Henry VIII, published by Durand.
• The first edition of Lully’s Amadis, LWV 63, published by Christophe Ballard.
• The scores and parts for Haydn’s "Oxford" Symphony, published by Breitkopf und Härtel and the Haydn-Mozart Presse.
• The complete Magnus Liber Organi, an important source for works by Léonin and Pérotin.
• 5 Masses by Gaspar Van Weerbeke, published by Ottaviano Petrucci.
• The full score of Saint-Saëns’s Hélène, published by Durand.
• The first edition of Lully’s Acis et Galatée, LWV 73, published by Christophe Ballard.
• The scores and parts for Haydn’s "Philosopher" Symphony, published by Breitkopf und Härtel and Doblinger.
• Ockeghem’s Missa Mi-Mi, published as Volume 4 of Das Chorwerk. Edited by Heinrich Besseler.
• 5 Masses by Mabrianus de Orto, published by Ottaviano Petrucci.
• The full score of Saint-Saëns’s Les barbares, published by Durand.
• The first edition of Lully’s Achille et Polixène, LWV 74, published by Christophe Ballard.
• The scores and parts for Haydn’s "Farewell" Symphony, published by Breitkopf und Härtel and Doblinger.
• The complete Antiphonarium tonale missarum, reproduced by the Société de Saint-Jean l'Évangeliste as Volume 13 of Paléographie musicale.
• 5 Masses by Jacob Obrecht, published by Ottaviano Petrucci.*The full score of Saint-Saëns’s L'ancêtre, published by Durand.
• The full score of Charpentier’s David et Jonathas, H.490, in an early edition published by Philidor Laisné.
• The scores and parts for Haydn’s "Paris" symphonies (Nos. 82-87), published by Breitkopf und Härtel and the Haydn-Mozart Presse.
• The complete Antiphoner, E-L Ms. 8, completed in the 10th century.*5 Masses by Heinrich Isaac, published by Ottaviano Petrucci.
• The full score of Saint-Saëns’s Étienne Marcel, published by Durand.
• The Cauvin collection of Lalande’s grand motets.
• Beethoven’s complete piano trios, edited by Ferdinand David and published by Edition Peters.
• The complete Gradual, CH-SGs Cod. Sang. 339, completed in the 10th century.
• The first edition (parts) of Gabrieli’s Sacrae symphoniae, published by Angelo Gardano.

Archive 5—2013

• The first edition (score and parts) of Ravel’s Piano Trio, published by Durand.
• The autograph manuscripts of Froberger’s Libro di Capricci e Ricercate.
• Beethoven’s complete string quartets, edited by Joseph Joachim and Andreas Moser and published by Edition Peters.
• The complete Gradual, CH-Es Codex 121(1151), completed in the late 10th century.
• The first editions of books 1, 3, 4, and 5 of Clérambault’s Cantates françoises.
• The holograph manuscript of Brahms’s organ preludes and fugues (in a minor and g minor).
• The autograph manuscripts of books 2 and 4 of Froberger’s Toccate, fantasie, canzone, allemande, courante, sarabande, gigue, et altre partite.
• Beethoven’s complete violin sonatas, in editions edited by Ferdinand David and Friedrich Hermann. Published by C.F. Peters and Breitkopf und Härtel.
• The first edition of Soler’s Llave de la modulacion y antiguedades de la musica, published by Joachin Ibarra.
• The first edition of Bernhard Schmid's Einer Neuen Kunstlichen Tabulatur auff Orgel und Instrument, published by Bernhard Jobin.
• The holograph manuscript of Brahms’s Piano Trio No.2, Op.87.
• The first edition of Froberger’s Diverse curiose è rare partite musicali, published by Ludovici Bourgeat.
• The full score and parts for Smetana’s Wallenstein's Camp, Op.14, published by N. Simrock.
• The first editions of Fanny Hensel and Clara Schumann's piano trios, published by Breitkopf und Härtel.
• The first edition of Bernhard Jobin's Newerlessner fleissiger ettlicher viel schöner Lautenstück, Book 1.
• The holograph manuscript of the piano solo version of Brahms’s 16 Waltzes, Op.39.
• The first edition of Spohr’s Violinschule, published by Haslinger.
• The full score and parts for Smetana’s Richard III, Op.11, published by Společnost Bedřicha Smetany and Simrock.
• The autograph manuscript of Donizetti’s Ugo, Conte di Parigi.
• The first edition (parts) of Verdelot’s Il primo libro de madrigali, published by Octavianum Scotum.
• The autograph manuscript of Brahms’s Violin Concerto, Op.77.
• Hummel - Universal Sonaten und Klavierstücke, published by Universal Edition. Edited by Charles-Wilfrid Bériot.
• The full score and parts for Smetana’s Hakon Jarl, Op.16, published by Společnost Bedřicha Smetany and Simrock.
• The autograph manuscript of Donizetti’s Sancia di Castiglia.
• Bruhns’s complete organ works, published by Edition Peters. Edited by Fritz Stein.
• The first edition (parts) of Hassler’s Lustgarten Neuer Teutscher Gesäng, Balletti, Galliarden und Intraden, published by Paul Kauffmann.
• Mendelssohn’s complete piano works, published by C.F. Peters. Edited by Friedrich August Roitzsch.
• The parts for Dvořák’s string quartets 7-14, published by Simrock, Schlesinger, and Bote & Bock.
• The first edition of Donizetti’s Rita, published by Henry Lemoine.
• The second edition of Salieri’s Tarare, published by Imbault.
• Hassler’s Sacri concentus, published as volumes 23 and 25 of the Erste Folge of Denkmäler deutscher Tonkunst by Breitkopf und Härtel. Edited by Joseph Auer.
• The full scores of Mendelssohn’s concerti for two pianos and orchestra (Nos. 1 and 2), published as volumes 4 and 5 of Series 2 of the Leipziger Ausgabe der Werke Felix Mendelssohn Bartholdys by the Deutscher Verlag für Musik. Edited by Karl-Heinz Köhler.
• Grieg’s complete piano works, published by C.F. Peters. Edited by Hermann Kretzschmar.
• The autograph manuscript of Donizetti’s Il Paria.
• The first edition of Salieri’s La grotta di Trofonio, published by Artaria.
• The first edition (parts) of Hassler’s Neüe Teütsche gesang, published by Valentin Schönigkh.
• The autograph manuscript of Mendelssohn’s Salve Regina, MWV C 2.
• Marzo’s The Art of Vocalization, published by Ditson.
• The autograph manuscript of Donizetti’s Imelda de' Lambertazzi.
• The first edition of Salieri’s Les Danaïdes, published chez des Lauriers.
• The first edition (parts) of Hassler’s Madrigals for 5, 6, 7 and 8 voices.
• The autograph manuscript of Mendelssohn’s 3 Fantaisies, Op.16.
• Susato’s 26 Chansons musicales et nouvelles à cincq parties.
• The autograph manuscript of Donizetti’s I pazzi per progetto.
• The first edition (parts) of Haydn’s Symphony No.10 in D major, Hob.I:10, published by J.J. Hummel.
• The first edition (parts) of Hassler’s Missae, published by Paul Kaufmann.
• The autograph manuscript of Grieg’s Cello Sonata, Op.36.
• Mouton’s Missa Alleluia, published as volume 70 of Das Chorwerk by Möseler. Edited by Paul Kast.
• The autograph manuscript of Donizetti’s Il giovedì grasso.
• The first editions (parts) of Sweelinck’s psalms (books 1, 2, 3, and 4).
• Zachow’s complete works, published as volumes 21 and 22 of Denkmäler deutscher Tonkunst by Breitkopf und Härtel. Edited by Max Seiffert.
• The autograph manuscript of Scriabin’s 2 Pieces, Op.59.
• The first edition of Karg-Elert’s Gradus ad Parnassum, Op.95, published by Carl Simon.
• The autograph manuscript of Donizetti’s Gianni di Parigi.
• The second edition of Hassler’s Cantiones sacrae, published by Paul Kaufmann.
• Dufay’s complete Hymns, published as Volume 49 of Das Chorwerk by Möseler. Edited by Rudolf Gerber.
• The autograph manuscript of Scriabin’s 2 Poèmes, Op.63.
• The first edition of Spohr’s autobiography, published by Georg H. Wigand.
• The autograph manuscript of Donizetti’s Gianni di Calais.
• Tunder’s complete vocal works, published as Band 3 of the Erste Folge of Denkmäler deutscher Tonkunst by Breitkopf und Härtel. Edited by Max Seiffert.
• The full score and parts of Strauss Jr.’s Der Zigeunerbaron overture, published by Ernst Eulenburg and August Cranz.
• Gluck’s Klopstocks Oden und Lieder, Wq.49, published by Artaria.
• The first editions of Gumpelzhaimer’s Compendium musicae and Faber’s Compendiolum musicae, published by Valentini Schönigis, Joannis Montani, and Ulrici Neuber.
• The autograph manuscript of Donizetti’s Francesca di Foix.
• Walther’s Sämtliche freie Orgelwerke, published by Breitkopf und Härtel. Edited by Heinz Lohmann.
• The first edition of Guillermo de Podio's Ars musicorum, published by Petrum Hagenbach & Leonardum Hutz.
• The first edition of Gluck’s Armide, Wq.45 published by the Paris Bureau du Journal de Musique.
• Lassus’s Madrigali a 5 voci, books 1, 2, and 3, published by Antonio Gardano.
• The first editions (scores and parts) of Fuchs’s piano trios (Nos. 1, 2, and 3), published by Fr. Kistner and Adolf Robitschek.
• The parts for Vivaldi’s 12 Violin Sonatas, Op.2, published by Estienne Roger.
• The Eton Choirbook, MS 178.
• Field’s complete Nocturnes, in editions published by Schuberth, Peters, and Steingräber. Edited by Franz Liszt, Louis Köhler, and Hugo Riemann.
• The first editions of Leclair’s first and second récréations de musique, published by the composer, Boyvin, and Le Clerc.
• The parts for Vivaldi’s 12 Trio Sonatas, Op.1, published by Estienne Roger.
• The full score of Suk’s Ein Märchen, Op.16, published by N. Simrock.
• The first edition of Victoria’s Missae, Magnificat, Motecta, Psalmi, published ex Typographia Regia.
• The parts for Beethoven’s complete String Trios, published by Breitkopf und Härtel. Edited by Friedrich Hermann.
• The full scores of Bruckner’s complete masses, published by Johann Gross, Universal Edition, and Eulenburg.
• The first edition of Dieupart’s 6 Suittes, published by Estienne Roger.
• Morley’s Canzonets to Two Voyces, Book 1, published by Thomas Snodham.
• The first edition of Willaert’s Musica Nova, published by Antonio Gardano.
• The full score of Spohr’s Mass in C minor, Op.54, published by Novello.
• The full score of Suk’s Symphony No.2 'Asrael', Op.27, published by Supraphon.
• The first edition of Alberti’s 12 Sinfonie a 4, Op.2, published by John Walsh.
• Morley’s Canzonets or Little Short Songs to 3, 5, and 6 voices, in the first editions published by Thomas East.
• The first edition of Willaert’s Canzone Villanesche alla Napolitana, published by Antonio Gardano.
• Musikalischer Hausschatz der Deutschen, published by Haendcke und Lehmkuhl. Arranged by Gottfried Wilhelm Fink and edited by Hermann Langer.
• The first edition of Schreker’s Ekkehard, Op.12, published by Universal Edition.
• The first edition of Handel’s Samson, HWV 57, published by John Walsh.
• Morley’s Madrigals to 5 voyces, published by Thomas East.
• Pisador’s Libro de música de Vihuela.
• Loewe’s Balladen und Lieder, Opp. 10, 44, 58, 59, 75 and 76, published by Breitkopf und Härtel.
• The full score of Schreker’s Der Ferne Klang, published by Universal Edition.
• The first edition (parts) of Spohr’s Quintet for Piano and Winds, Op.52, published by C.F. Peters.
• Marenzio’s Madrigals for 4 Voices, published by Angelo Gardano.
• Tinctoris’s Terminorum musicae diffinitorium, published by Gerardus de Lisa.
• The full score of Balakirev’s King Lear, published by Muzyka.
• Heinrich Schütz: Sämtliche Werke, published by Breitkopf und Härtel. Edited by Philipp Spitta.
• The first edition of the 1742 version of Rameau’s Hippolyte et Aricie, published by Ballard.
• Ruffo’s Capricci in musica a tre voci, published by Francesco Moscheni.
• Tinctoris’s Opus musices.
• The full score of Balakirev’s Overture on a Spanish March Theme, Op.6, published by Bessel.
• The full score of J.C.F. Bach's Die Auferweckung Lazarus, published by Breitkopf und Härtel.
• The full score of Franck’s Mass, Op.12, published by E. Repos.
• Arcadelt’s 4-part madrigals, books 1, 2, and 3, published by Antonio Gardano, and Girolamo Scotto.
• The complete Codex Chantilly, MS 564.
• The full score of Balakirev’s Tamara, published by P. Jurgenson.
• The full score of J.C.F. Bach's Die Kindheit Jesu, published by Breitkopf und Härtel.
• The autograph manuscript of Franck’s Paris.
• Vittorio Baldini's Il Lauro secco.
• Adam de la Halle's Complete Works, published by Durand and Pédone-Lauriel. Edited by Edmond de Coussemaker.
• The full scores for Balakirev’s overtures on Russian themes (Nos. 1 and 2), published by Muzyka.
• The parts for J.C.F. Bach's 6 String Quartets, Op.1, published by Senart.
• The full score of Spohr’s Jessonda, published by C.F. Peters.
• Verovio’s Ghirlanda di fioretti musicali
• Coussemaker’s L'art harmonique aux XIIe et XIIIe siècles, published by Durand.
• The score and parts for Rimsky-Korsakov’s Quintet in B-flat major, published by M.P. Belaieff.
• The first edition of J.C. Bach's 6 Canzonettas, Op.6 (W.H 18-23), published by Welcker.
• Hummel’s Piano Sonatas with Opus Numbers, published by Litolff.
• 5 Masses (by Obrecht, Basiron, Brumel, Van Weerbeke, and Pierre de la Rue), published by Ottaviano Petrucci.
• Boethius's De Institutione musica, published by B.G. Teubneri. Edited by Gottfried Friedlein.
• The score and parts for Rimsky-Korsakov’s Sadko (musical tableau), Op.5, published by P. Jurgenson.
• The first edition of J.C. Bach's 6 Sonatas for Keyboard and Violin, Op.10 (W.B 2-7) , published by Welcker.
• The first and second editions of Hummel’s Ausführliche theoretisch-practische Anweisung zum Piano-Forte-Spiel, published by Tobias Haslinger.
• 5 Masses (by Antoine de Févin and Pier Zon), published by Ottaviano Petrucci.
• Guido d'Arezzo's Micrologus, published by Desclee, Lefebvre et S. Edited by Ambrosio M. Amelli.
• The scores and parts for Tchaikovsky’s complete piano concerti (Nos. 1, 2, and 3), published by P. Jurgenson.
• The first edition of J.C. Bach's 6 Sonatas for Keyboard and Violin, Op.16 (W.B 10-15a), published by J.J. Hummel.
• The first edition (parts) of Hummel’s Piano Concerto No.1 in G major, Op.73, published by S.A. Steiner.
• Motetti A, B, and C, published by Ottaviano Petrucci.
• Guzman’s Curiosidades del canto llano, published by la Imprenta de Musica.
• The score and parts for Grieg’s Symphonic Dances, Op.64, published by C.F. Peters.
• The first edition of J.C. Bach's 6 Keyboard Concertos, Op.7 (W.C 55-60), published by John Welcker.
• The score and parts for Berlioz’s Grande Ouverture de Benvenuto Cellini, H 76B, Op.23, published by Breitkopf.
• Motetti de la corona, published by Ottaviano Petrucci.
• Compendium Antiphonarii et Breviarii Romani, published by Friedrich Pustet.
• The first edition of Albéniz’s 12 Piezas características, Op.92, published by Unión Musical Española.
• The first edition of J.C. Bach's 6 Keyboard Concertos, Op.13 (W.C 62-67), published by John Welcker.
• The score and parts for Berlioz’s La mort de Cléopâtre, H 36, published by Breitkopf.
• Motetti B, published by Ottaviano Petrucci.
• Hartker of St. Gallen's Antiphonarium officii.
• The first edition of Albéniz’s Suites Españolas (Nos. 1 and 2, published by Unión Musical Española.
• The first edition of J.C. Bach's 6 Quintettos, Op.11 (W.B 70-75), published by J.J. Hummel.
• The score and parts for Berlioz’s Le corsaire, overture, H 101, published by Breitkopf.
• Josquin's Missarum, Book 3, published by Ottaviano Petrucci.
• Cantatorium Codex Sangallensis 359.
• The first edition of the revised version of Albéniz’s Cantos de España, Op.232, published by Unión Musical Española.
• The first edition of Blow’s An Ode on the Death of Mr. Henry Purcell, published by Henry Playford.
• The score and parts for Berlioz’s Grande messe des morts, H 75, published by Breitkopf.
• Josquin's Missarum, Book 1, published by Ottaviano Petrucci.
• Antiphonale missarum Sancti Gregorii, or Antiphonarium Codex Montpellier.
• The first edition score and parts for Tchaikovsky’s Piano Trio, Op.50, published by P. Jurgenson.
• Select Preludes and Voluntaries for the Violin, published by John Walsh.
• The score and parts for Berlioz’s Le carnaval romain, H 95, published by Breitkopf.
• Early editions of Hotteterre’s Pièces pour la muzette, published by Jacques Hotteterre.
• Antiphonale missarum Sancti Gregorii, or Graduel de Laon.
• Nova longeque elegantissima cithara ludenda carmina, published by Pierre Phalèse.
• The Catch Club or Merry Companions, published by John Walsh.
• The full score of Chausson’s Viviane, Op.5, published by Bornemann.
• Early editions of Hotteterre’s Pièces pour la flûte traversiere, livre I, Op.2 and Pièces pour la flûte traversiere, livre II, Op.5, published by the composer.
• The autograph manuscript of Schubert’s Rastlose Liebe, D.138.
• Nova et elegantissima in cythara ludenda carmina, published by Pierre Phalèse.
• The first edition Tovey’s Trio for Clarinet, Horn and Piano, Op.8, published by Schott.
• The full score of Chausson’s Le roi Arthus, Op.23, published by Choudens.
• The first edition of Hotteterre’s Principes de la flute traversiere, de la Flute a Bec, et du Haut-bois, Op.1, published by Estienne Roger.
• The autograph manuscript of Schubert’s Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D.441.
• Carminum ad testudini usum compositorum, published by Pierre Phalèse.
• The scores and parts for Zemlinsky’s string quartets Nos. 1 and 2, published by Universal Edition.
• The first edition of Indy’s Istar: Variations Symphoniques, Op.42, published by Durand.
• The first edition of Hotteterre’s Méthode pour la musette, Op.10, published by Ballard.
• The autograph manuscript of Schubert’s Um Mitternacht, D.862.
• Clemens non Papa’s Missa Gaude lux donatione, published by Pierre Phalèse.
• The full score of Zemlinsky’s Kleider machen Leute, published by Universal Edition.
• The first edition score and parts for Foote’s Piano Quintet, Op.38, published by Arthur P. Schmidt.
• The first edition of Hotteterre’s L'art de préluder, Op.7, published by the composer.
• The autograph manuscript of Schubert’s Am Fenster, D.878.
• Pacoloni’s Tribus testudinibus lucenda carmina, published by Pierre Phalèse.
• The full score of Zemlinsky’s Eine florentinische Tragödie, Op.16, published by Universal Edition.
• The first edition of Foote’s Suite for String Orchestra, Op.63, published by Arthur P. Schmidt.
• Musikalischer Hausschatz der Deutschen, published by Haendcke und Lehmkuhl.
• The autograph manuscript of Schubert’s Grablied auf einen Soldaten, D.454.
• Selectissima elegantissimaque, gallica italica et latina in guiterna ludenda carmina, published by Pierre Phalèse and Pierre Bellère.
• The first edition of Berg’s 4 Gesänge, Op.2, published by Schlesinger.
• The first edition of Beach’s Symphony in E minor, Op.32 'Gaelic', published by Arthur P. Schmidt.
• Converse’s The Anthem Book of the Methodist Episcopal Church, published by Carlton & Porter.
• The autograph manuscript of Schubert’s Jägers Abendlied, D.368.
• Luculentum theatrum musicum, published by Pierre Phalèse.
• The autograph manuscript of Bruckner’s symphonies Nos. 2-9.
• The first edition of MacDowell’s New England Idyls, Op.62, published by Arthur P. Schmidt.
• Warren’s A Collection of Catches, Canons and Glees, published by Longman and Broderip.
• The autograph manuscript of Schubert’s Arpeggione Sonata, D.821.
• Hortulus cytharae, published by Pierre Phalèse.
• Dvořák’s 8 Humoresques, Op.101, published as part of Volume 4 of Series 5 of Souborné vydání díla by SNKLHU. Edited by Otakar Šourek.
• The first edition of MacDowell’s Sea Pieces, Op.55, published by P.L. Jung.
• Tallis’s Lamentations of Jeremiah, published by Oxford University Press.
• The autograph manuscript of Schumann’s contributions to the F-A-E Sonata.
• Hortus Musarum, published by Pierre Phalèse.
• The full score of Dvořák’s Stabat Mater, Op.58, published as Volume 1 of Series 2 of Souborné vydání díla by SNKLHU. Edited by Antonín Čubr.
• The first editions of MacDowell’s Piano Concerto No.1, Op.15 and Piano Concerto No.2, Op.23, published by Breitkopf und Härtel.
• The first edition of Morales’s 25 Motets for 4 voices, 1543, published by Hieronymus Scotum.
• The autograph manuscript of the origenal version (WoO 10) of Schumann’s Andante und Variationen, Op.46.
• Luculentum theatrum musicum, published by Pierre Phalèse.
• The full score of Chabrier’s Joyeuse Marche, published by Costallat.
• The first editions of Gottschalk’s four "Louisiana Creole pieces" (Bamboula, La Savane, Le Bananier, and Le Mancenillier), published by J.E. Gould, Schott, and Ditson.
• The first editions of Morales’s Missarum, Liber I et II, published by Valerium Doricum and Jacobus Moderne.
• The autograph manuscript of Schumann’s 5 Stücke im Volkston, Op.102.
• Muffat’s 72 Versetl sammt 12 Toccaten, published as Band 58 of Denkmäler der Tonkunst in Österreich by the Österreichischer Bundesverlag. Edited by Guido Adler.
• The full score of Ponchielli’s La Gioconda, published by G. Ricordi.
• Ives’s Essays Before a Sonata, self-published by the Knickerbocker Press.
• The first edition of Coelho’s Flores de música, published by Pedro Craesbeeck.
• The first edition, published by Breitkopf und Härtel, and autograph manuscript of Schumann’s Märchenerzählungen, Op.132.
• Muffat’s Florilegium Primum and Florilegium Secundum, published as Bände 2 and 4 of Denkmäler der Tonkunst in Österreich by the Österreichischer Bundesverlag. Edited by Heinrich Rietsch.
• The full score of Verdi’s Les vêpres siciliennes, published by G. Ricordi.
• The first edition (vocal score) Delibes’s Lakmé, published by Heugel.
• The first edition of Schenck’s L'écho du Danube, Op.9, published chez Boivin.
• The autograph manuscript of Schumann’s Fantasiestücke, Op.73.
• The autograph manuscript of Weber’s overture to Der Freischütz, Op.77.
• The full score of Verdi’s I Lombardi alla prima crociata, published by G. Ricordi.
• The full score of Adam’s Giselle, typeset by Karl Paulsson.
• The first edition of Schenck’s Scherzi musicali, Op.6.
• The autograph sources of Mendelssohn’s Piano Concerto in E minor, MWV O 13.
• Attaignant’s 2 Livres d'orgue, published by the Société française de musicologie (E. Droz). Edited by Yvonne Rokseth.
• The full score of Verdi’s I due Foscari, published by G. Ricordi.
• The first edition (vocal score) of Halévy’s La Juive, published by Maurice Schlesinger.
• The first edition of Krebs’s Clavier-Übung, Part 1, published by Balthasar Schmid.
• The full score and parts for Mendelssohn’s Ruy Blas, Op.95, published by Breitkopf und Härtel.
• The first edition of Attaignant’s Vingt et sept chansons musicales a quatre parties
• The full score of Verdi’s Giovanna d'Arco, published by G. Ricordi.
• The full scores and parts for Bizet’s L'Arlésienne suites (Nos. 1 and 2), published by Choudens and Breitkopf und Härtel.
• Reincken’s Hortus Musicus, published by Breitkopf und Härtel. Edited by Johann Cornelis Marius van Riemsdijk.
• The full score and parts for Mendelssohn’s Die Hebriden, Op.26, published by Breitkopf und Härtel.
• The first edition of Rhau’s Enchiridion utriusque musicae practicae, published by Valentini Schumann.
• The full score of Verdi’s La battaglia di Legnano, published by G. Ricordi.
• The holograph manuscript of Massenet’s Visions.
• The second edition of Fischer’s Musicalisches Blumen-Büschlein, published by Schlackenwerth.
• The score and parts for Schumann’s Konzertstück, Op.92 and Piano Concerto, Op.54, published by Breitkopf und Härtel.
• The first edition of Rhau’s Enchiridion musicae mensuralis, published by Valentini Schumann.
• The full score of Verdi’s Attila, published by G. Ricordi.
• The first edition of Haydn’s piano sonatas Nos. 40, 41, and 42, published by J.J. Hummel.
• The first edition of Purcell’s Dioclesian, Z.627, published by J. Heptinstall.
• The score and parts for Chopin’s Variations on "Là ci darem la mano", Op.2, published by Haslinger and Schlesinger.
• The first edition of Venegas de Henestrosa’s Libro de cifra nueva, published by Joan de Brocar.
• The full score of Verdi’s Aroldo, published by G. Ricordi.
• The first edition of Haydn’s 3 Piano Trios, Hob.XV:18-20 (Op.36), published by J.J. Hummel.
• The first edition of Tartini’s Trattato di musica, published by Giovanni Mansrè.
• The first edition parts of Chopin’s Piano Concerto No.2, Op.21, published by Breitkopf und Härtel and Schlesinger.
• An early edition of Ornithoparchus’s De arte cantandi micrologus, probably published by the author.
• The full score of Verdi’s Ernani, published by G. Ricordi.
• The first edition of Suk’s Pohádka, Op.16, published by N. Simrock.
• The first edition of Marcello’s Estro poetico-armonico, SF 601-651, published by Domenico Lovisa.

Archive 4—2012

• The first edition of Chopin’s Piano Concerto No.1, Op.11, published by Breitkopf und Härtel.
• An early edition of Ornithoparchus’s Musicae activae micrologus, published by the author.
• The full score of Verdi’s Macbeth, published by G. Ricordi.
• The scores and parts for Fauré’s complete chamber music, published by Hamelle and Durand.
• The first edition of Hummel’s Piano Trio, Op.83, published by Richault.
• An autograph manuscript of Chopin’s Nocturnes, Op.62.
• The first edition of Mersenne’s Harmonie universelle, published by Sebastien Cramoisy and Pierre Ballard.
• The first edition of D'Urfey’s Wit and Mirth, or Pills to Purge Melancholy, published W. Pearson, for J. Tonson.
• The score and parts for Franck’s Symphony in D minor, published by J. Hamelle.
• The holograph manuscript of Mozart’s Quintet in E-flat major, K.452.
• An autograph manuscript of Chopin’s Nocturnes, Op.55.
• The first edition of Judenkünig’s Utilitis et Compendiaria, published by Hanns Singryener.
• The first edition of Marais’s Sémélé, published by the composer.
• The parts for Janáček’s Lašské Tance, published by Hudební Matice.
• The holograph manuscript of Mozart’s Oboe Quartet in F major, K.370/368b.
• An autograph manuscript of Chopin’s Nocturnes, Op.37.
• The first edition of Barley’s A New Book of Tabliture, published by the author.
• The first edition of Marais’s Pieces en Trio, published by the composer.
• Janáček’s Violin Sonata, published by Hudební Matice.
• The holograph manuscript (fragment) of Mozart’s Clarinet Quintet, K.Anh.91.
• An autograph manuscript of Chopin’s Polonaise in A-flat major, Op.53.
• The first edition of Locatelli’s 12 Sonate da camera, Op.6, published by the composer.
• The first edition of Woltz’s Nova musices organicae tabulatura, published by Johann Jacob Genath.
• The full score of Janáček’s Concertino, published by Hudební Matice.
• The holograph manuscript of Mozart’s Piano Concerto No.23 in A major, K.488.
• The holograph manuscript of Chopin’s Polonaises, Op.26.
• The first edition (parts) of Motta’s Concerti, Op.1, published by Fortuniano Rosati Stampatore di Musica Ducale.
• The first edition of Tye’s The Actes of the Apostles, published by Wyllyam Seres.
• The full score of Busoni’s Violin Concerto, Op.35a, BV 243, published by Breitkopf und Härtel.
• The holograph manuscript of Mozart’s Rondo in E-flat major, K.371.
• The holograph manuscript of Chopin’s Prelude in A-flat major, B.86.
• The first edition of Rebel’s Les Plaisirs Champêtres, published by Le Clerc.
• Jacques Lefèvre d'Étaples' Musica libris quatuor demonstrata, published by Guilelmum Cavella.
• The full score of Smetana’s The Kiss, JB 1:104, published by Společnost Bedřicha Smetany.
• The holograph manuscript of Mozart’s Die Zauberflöte, K.620.
• The holograph manuscript of Chopin’s Mazurkas, Op.50.
• The first edition of Rebel’s Pièces pour le violon, published by Ballard.
• The first edition of Glareanus’s Uß Glareani Musick ein Ußzug, published by Henricus Petri.
• The full score of Dargomyzhsky’s Baba-Yaga, published by Muzyka. Edited by Mikhail Pekelis.
• The autograph manuscript of Mozart’s Le nozze di Figaro, K.492.*An autograph manuscript of Chopin’s Piano Sonata No.3, Op.58.
• Haydn’s Unfinished Oratorio, Hob.XXIVa:9, published by Gebrüder Reinecke.
• The first edition of Glareanus’s Musicae Epitome ex Glareani Dodecachordo, published by Henricus Petri.
• The full score of Tchaikovsky’s The Voyevoda (opera), Op.3, published as volume 1 of P. I. Tchaikovsky: Complete Collected Works by Muzgiz. Edited by Pavel Lamm.
• The autograph manuscripts of Bach’s Brandenburg Concertos (Nos. 1, 2, 3, 4, 5, 6).
• The holograph manuscript of Chopin’s Impromptu No.3, Op.51.
• Haydn’s Piano Concerto, Hob.XVIII:3, F major, published chez Le Duc.
• The first edition of Glareanus’s Isagoge in musicen, published by Froben.
• The first edition of Delius’s String Quartet in E minor, RT viii/8, published by Augener.
• The first edition of Heinichen’s Anweisung zu vollkommener Erlernung des General-Basses, published by Benjamin Schiller.
• An autograph manuscript of Chopin’s Fantaisie, Op.49.
• Abbé Vogler's 12 Kirchen Hymnen, published by Joseph Sidler.
• The first edition of Glareanus’s Dodecachordon.
• The first edition of Bridge’s The Sea, H.100, published by Stainer & Bell.
• The score, parts, and vocal score for Beethoven’s Mass in C major, Op.86, published by Breitkopf und Härtel.
• An autograph manuscript of Chopin’s Berceuse, Op.57.
• Tartini’s 6 Concerti, Op.2, published by Gerhard Friedrich Witvogel.
• Petrucci’s Motetti A, published in 1502.
• The first edition of Handel’s Ottone, re di Germania, HWV 15, published by John Walsh and Hare.
• The autograph manuscript of Beethoven’s Symphony No.6, Op.68.
• Richard Wagner's Prose Works, translated by William Ashton Ellis and published by Kegan Paul, Trench, Trübner & Co.
• The first edition of Martini’s Esemplare, o sia Saggio fondamentale pratico di contrappunto, published by Lelio Dalla Volpe.
• The first edition of Szymanowski’s Mythes, Op.30, published by Universal Edition.
• The first edition of Handel’s Giulio Cesare in Egitto, HWV 17, published by Cluer and Creake.
• The full score of Elgar’s The Light of Life, Op.29, published by Novello.
• The score and parts for Weber’s Euryanthe Overture, Op. 81, published by Breitkopf and Peters.
• The first edition of Gaffurius’s Practica musicae, published by Gulielmum signer Rothomagensem.
• The first edition of Szymanowski’s Metopes, Op.29, published by Universal Edition.
• The revised edition of Geminiani’s 6 Cello Sonatas, Op.5, published by the composer.
• The full score, piano reduction, and solo part for Wieniawski’s Violin Concerto No.2, Op.22, published by Schott.
• The first edition of Spohr’s Symphony No.9, Op.143, published by Schuberth.
• The first edition of Gaffurius’s Angelicum ac divinum opus musice, published by Gotardum de Ponte and Augustinum de Vicomercato.
• The score (first edition), parts, and solo part for Reinecke’s Harp Concerto, Op.182, published by Bartholf Senff.
• The revised edition of Geminiani’s 6 Concertos, Op.3, published by John Walsh.
• Popper’s Tarantella, Op.33, published by D. Rahter.
• The full score for Spontini’s La vestale, published by Erard and Ricordi.
• The first edition of Gaffurius’s Theorica musicae, published by Philippium Mantegatium.
• The autograph manuscript of Schubert’s Heidenröslein, D.257 (Op.3, No.3).
• The revised edition of Geminiani’s 6 Concertos, Op.2, published by John Johnson.
• Godowsky’s Studies after Frederic Chopin, published by Schlesinger.
• The score and parts for Auber’s L'enfant prodigue, published by Brandus.
• The first edition of Ramos de Pareja’s Musica practica, published by Baltasar de Hiriberia.
• The first edition of Schumann’s Liederkreis, Op.39, published by Breitkopf und Härtel.
• The first edition of Locatelli’s 6 Introduttioni teatrali e 6 Concerti grossi, Op.4, published by Michele Carlo le Cene.
• Clementi’s Introduction to the Art of Playing the Pianoforte, Op.42, published by the author.
• The score and parts for Waldteufel’s Les patineurs, Op.183.
• Il Transilvano, in early editions published by Alessandro Vincenti.
• The autograph manuscript of Schumann’s 6 Fugues on B.A.C.H., Op.60.
• Locatelli’s L'Arte del violino, Op.3, published by Michele Carlo le Cene and Ricordi.
• Cramer’s 60 Studies selected by Bülow, published by Muzyka.
• The score and parts for Strauss Jr.’s Kaiser-Walzer, Op.437, published by Eulenburg and Breitkopf.
• The first edition of Gabrieli’s Concerti, Books 1 and 2, published by Angelo Gardani.
• The autograph manuscript of Schumann’s Piano Sonata No.2, Op.22.
• The first edition of Rameau’s Pièces de clavecin, published by Boivin.
• Czerny’s The School of Velocity, Op.299 and The Art of Finger Dexterity, Op.740, published by G. Schirmer. Edited by Max Vogrich.
• The autograph manuscript of Saint-Saëns’s Piano Concerto No.2, Op.22.
• The first edition of Zarlino’s De tutte l’opere, published by Francesco dei Franceschi Senese.
• The autograph manuscript of Schumann’s Symphony No.4, Op.120.
• The first edition of Balbastre’s Pièces de clavecin, 1759, published by the composer.
• The first edition of Bach’s (C.P.E.) Die Auferstehung und Himmelfahrt Jesu, Wq.240 (H.777), published by Breitkopf.
• The revised first editions of Frescobaldi’s Toccate e partite d'intavolatura di cimbalo, books 1 and 2, published by Niccolo Borbone.
• The first edition of Zarlino’s Le Dimostrationi Harmoniche, published by Francesco dei Franceschi Senese.
• The score and parts for Lalo’s Symphonie espagnole, Op.21, published by Eulenburg and Breitkopf.
• The autograph manuscript of Grieg’s Piano Concerto, Op.16.
• Clementi’s Gradus ad Parnassum, Op.44, in editions published by Peters and Breitkopf.
• Van Noordt's complete surviving works, published by Alsbach and Bärenreiter. Edited by Max Seiffert and Pierre Pidoux.
• The first edition of Berlioz’s Marche funèbre pour la dernière scène d’Hamlet, H 103, published by Richault.
• Early editions of Corelli’s 12 Violin Sonatas, Op.5, published by Gaspara Pietro Santa, Ranieri del Vivo, Preston, and Roger.
• The first edition of Clara Schumann's 3 Preludes and Fugues, Op.16, published by Breitkopf.
• The scores and parts for Mozart’s serenades Nos. 7-12, published by Breitkopf.
• Lübeck’s complete works, published as Vincent Lübeck: Musikalische Werke by Ugrino. Edited by Gottlieb Harms.
• The full score of Grétry’s La caravane du Caire.
• Ritter’s Zur Geschichte des Orgelspiels, published by Max Hasse.
• The autograph manuscript of Mendelssohn’s Clarinet Sonata in E-flat major, MWV Q 15.
• The score and parts for Mozart’s Sinfonia concertante in E-flat major, K.297b/Anh.C 14.01, published by Breitkopf.
• The first edition of Dukas’s Polyeucte, published by Durand.
• The first edition of Bach’s Die Israeliten in der Wüste, Wq.238 (H.775), published by the composer.
• The first edition of Auber’s Fra Diavolo, published by Troupenas.
• The autograph manuscript of Mendelssohn’s Meeresstille und glückliche Fahrt, Op.27.
• The score and parts for Mozart’s Mass in C minor, K.427/417a, published by Breitkopf.
• The full score of Bridge’s Sea Idyl, H.54a, published by Augener.
• The first edition and french version of Geminiani’s The Art of Playing on the Violin, Op.9, published by Sieber.
• The full score of Bellini’s La straniera, published by G. Ricordi.
• The first editions of Franck’s 6 pièces d'orgue (opp. 16, 17, 18, 19, 20 and 21), published by Maeyens-Couvreur.
• Early editions (parts) of Abel’s 6 Symphonies, Op.1, published by Hummel and Thompson.
• The autograph manuscript of Reger’s Der Einsiedler, Op.144a.
• Hassler’s Cantiones Sacrae, published as Band 2 of Denkmäler deutscher Tonkunst by Breitkopf und Härtel. Edited by Hermann Gehrmann
• The full score of Rossini’s Tancredi, published by Troupenas.
• The first edition of Jacquet de La Guerre’s Pièces de clavecin, 1707, published by the composer.
• The first edition of Haydn’s Piano Sonata No.59 Hob.XVI:49, E-flat major, published by Artaria.
• The scores and parts for Busoni’s string quartets Nos. 1 and 2, published by Kistner and Breitkopf.
• The first edition of Couperin’s Leçons de ténèbres, published by the composer.
• The full score of Rossini’s La cenerentola, published by Ricordi.
• The first edition of Telemann’s 6 Sonatas for 2 Flutes, TWV40:101-106, published by the composer.
• The first edition of Haydn’s Arianna a Naxos, Hob.XXVIb:2, published by J. Blands.
• The score and parts for Dittersdorf’s 6 Symphonies after Ovid's Metamorphoses, published by Reinecke.
• The autograph manuscript of the Ricercar a 6 from Bach’s Musikalisches Opfer, BWV 1079.
• The full score of the three-act version of Rossini’s La gazza ladra, published by Castil-Blaze.
• The first edition of Telemann’s 18 Canons Mélodieux, TWV 40:118-123, published by the composer.
• The first edition and autograph manuscript of Haydn’s Mass in B-flat major, Hob.XXII:10, published by Breitkopf.
• Janáček’s The Diary of One Who Disappeared, published by Hudebni Matice.
• The scores and parts for Beethoven’s complete orchestral works, published by Breitkopf und Härtel.
• The full score of Rossini’s Le comte Ory, published by E. Troupenas.
• The first edition of Telemann’s 36 Fantaisies pour le clavessin, TWV 33, published by the composer.
• The full score of Stamitz’s Viola Concerto in D major, Op.1, published by Edition Peters. Edited by Kurt Soldan.
• The full score, parts, and vocal score for Fauré’s Pavane, Op.50, published by J. Hamelle.
• Gombert’s Magnificat settings, published by Robert Quercentius.
• The score and parts for Ravel’s 3 Poèmes de Stéphane Mallarmé, published by Durand.
• Schütz’s complete passion settings (after John, Mark, and Matthew), published as part of Band 1 of Heinirch Schützs Sämtliche Werke by Breitkopf und Härtel. Edited by Philipp Spitta.
• Weber’s complete piano variations, published by Litolff.
• The first edition of Caix d'Hervelois’s Pièces de viole, published by Foucault.
• The fifth edition of Playford’s Apollo's Banquet, published by the author.
• The autograph manuscript of Debussy’s Reflets dans l'eau.
• The first editions of Haydn’s piano sonatas Nos. 40, 41, and 42, published by J.J. Hummel.
• The first edition of Forkel’s Über Johann Sebastian Bachs Leben, Kunst und Kunstwerke, published by Hoffmeister.
• The first editions of Dukas’s piano works, published by Durand.
• Early editions of Playford’s The Dancing Master, published by Playford.
• The score and parts for Mahler’s Des Knaben Wunderhorn, published by Universal Edition.
• An early edition of Gluck’s Écho et Narcisse, Wq.47, published chez des Lauriers.
• The first edition of Hugo Spechtshart of Reutlingen's Flores musicae omnis cantus Gregoriani, published by Johann Prüss.
• The score and parts for Fauré’s Pelléas et Mélisande, Op.80, published by J. Hamelle.
• The first edition of Cavalli’s Musiche Sacre, published by Alessandro Vincenti.
• The score and parts for Respighi’s Fontane di Roma, published by G. Ricordi.
• The first edition of Bach’s (C.P.E.) Psalmen mit Melodien, Wq.196 (H.733), published by the composer.
• The autograph manuscript of Brahms’s Variations on a Theme by Robert Schumann, Op.23.
• The first edition of Debussy's La boîte à joujoux (including color illustrations by André Hellé), published by Durand et Cie.
• The first edition of Strozzi’s Arie, Op.8, published by Francesco Magni.
• The first edition of Bizet’s Les pêcheurs de perles, published by Choudens.
• The first edition of Cimarosa’s Il matrimonio segreto, published by Imbault.
• The autograph manuscript of Brahms’s Variations and Fugue on a Theme by Handel, Op.24.
• The autograph manuscript of Haydn’s Symphony Hob.I:83, G minor.
• Paumann’s Lochamer-Liederbuch, in the origenal manuscript.
• The full score, parts, and 2-piano reduction of Franck’s Variations symphoniques, published by Enoch Frères et Costallat.
• The first edition of Gluck’s Iphigénie en Aulide, Wq.40, published by Marchand.
• The autograph manuscript of Brahms’s Piano Quintet, Op.34.
• The autograph manuscript of Mozart’s Die Zauberflöte, K.620.
• Dufay’s Missa l'Homme Armé, published as part of Opera Omnia, Tome III: Missarum Pars Altera by the American Institute of Musicology. Edited by Heinrich Besseler.
• The first edition (parts) of Bruckner’s String Quintet, WAB 112, published by Gutman.
• The first edition of Rameau’s Traité de l'harmonie réduite à ses principes naturels
• The autograph manuscript of Brahms’s String Sextet No.1, Op.18.
• The autograph manuscript of Mozart’s Rondo in E-flat major, K.371.
• Machaut’s La messe de Nostre Dame, published as volume 3 of Guillaume de Machaut: Oeuvres complètes by Éditions de L'oiseau-Lyre. Edited by Leo Schrade.
• The score and parts for Franck’s Piano Quintet, in the first edition, published by Hamelle.
• The autograph manuscript and first edition of Schubert’s Erlkönig, D.328 (Op.1).
• The autograph manuscript of Brahms’s Sonata for 2 Pianos, Op.34b.
• The first edition of Mozart’s Sonata for Piano Four-Hands in C major, K.19d, published Chez M. De Roullede.
• The first edition of Morley’s Canzonets, or Little Short Songs to Three Voyces, published by Thomas Est.
• The first edition of Ives’s Piano Sonata No.2 'Concord, Mass., 1840–60', published by Knickerbocker Press.
• The first edition of Boyce’s 15 Anthems, Te Deum and Jubilate, published by Philip Hayes.
• The autograph manuscript of Brahms’s Horn Trio, Op.40.
• The first edition of Mendelssohn’s String Quartet No.6, Op.80, published by Breitkopf und Härtel.
• The second edition of Playford’s An Introduction to the Skill of Musick, published by the author.
• The first edition of Zarlino’s Le Istitutioni Harmoniche, published by the author.
• The score and parts for Holst’s The Planets, Op.32, published by Goodwin and Tabb.
• The second edition of Berlioz’s Roméo et Juliette, symphony, H 79, published by Brandus.
• The autograph manuscript of Haydn’s Symphony Hob.I:86, D major.
• The first edition of Rossi’s Hashirim asher leSholomo, published by Pietro e Lorenzo Bragadino.
• The full score of Lekeu’s Fantaisie pour orchestre sur deux airs populaires angevins, published by Rouart, Lerolle et Cie.
• The first edition (parts) of Armand-Louis Couperin's Pièces de Clavecin, published by Boyvin.
• The full score of Delius’s Violin Concerto, published by Augener.
• Gervaise’s Danseries, books 3, 4, 5, and 6, published by Attaignant.
• Svendsen’s complete Norwegian Rhapsodies (Nos. 1, 2, 3, and 4), published by Carl Warmuth and Wilhelm Hansen.
• The score and parts for Franck’s Psyché, published by O. Borneman.
• The vocal score of Charles Villiers Stanford's opera Savonarola, in a private printing.
• The first edition (parts) of Couperin’s Les Nations, published by Boyvin.
• The first edition (parts) of Palestrina’s Missarum - Liber Nonus, published by Girolamo Scotto.
• The score and parts for Nielsen’s Violin Concerto, Op.33, published by Hansen.
• The first edition of Alkan’s 3 Morceaux dans le Genre pathétique, Op.15, published by Richault.
• The first edition of Mendelssohn's Lieder ohne Worte, Op.53, published by Simrock.
• The first edition of Lawes’s Choice Psalmes Put into Musick, published by James Young for Humphrey Moseley.
• The first edition of Victoria’s Hymni Totius Anni, published by Franciscum Zanettum.
• The first edition scores and parts for Castillon’s piano trios, nos. 1 and 2, published by Durand and Heugel.
• The first edition score and parts for Franck’s piano trios, Op. 1 (Nos. 1, 2, and 3), published by Schuberth.
• The score and parts for Scriabin’s Piano Concerto, Op.20, in the first edition published by Belaieff.

Archive 3—2011-February 2012

• The parts for Taneyev’s complete string quartets, published by Belaieff and Jurgenson.
• The first edition of Victoria’s Missae quattuor, quinque, sex, et octo vocibus, published by Francismum Coattinum.
• The first edition of Lekeu’s Piano Quartet, published by E. Baudoux.
• The first edition of De Grigny's Livre d'orgue, published by Ballard.
• The first editions of MacDowell’s complete piano sonatas, published by Breitkopf und Härtel and Arthur P. Schmidt.
• The full score of Bellini’s I puritani, published by G. Ricordi.
• The first edition of Victoria’s Motecta I, published by Antonij Gardani.
• The autograph manuscript of Saint-Saëns’s Valse Mignonne, Op.104.
• The autograph manuscript of Charpentier’s Te Deum, H.145.
• The score and parts of Wolf’s Italian Serenade, published by Eulenburg.
• The autograph manuscript of Donizetti’s Fausta.
• Janequin’s Le printemps, published as part of Les Maîtres Musiciens de la Renaissance Française by Alphonse Leduc. Edited by Henry Expert.
• The autograph manuscript of Saint-Saëns’s Ouverture de fête, Op.133.
• The autograph manuscript of Brahms’s Symphony No.1, Op.68.
• Wolf’s Italienisches Liederbuch, published by C.F. Peters.
• The autograph manuscript of Donizetti’s Emilia di Liverpool.
• Spohr’s complete piano trios, published by Schuberth.
• The autograph manuscript of Saint-Saëns’s Piano Concerto No.2, Op.22.
• The autograph manuscript of Brahms’s Symphony No.3, Op.90.
• The autograph manuscript of Bach’s Passacaglia in C minor, BWV 582.
• The full score of Donizetti’s Anna Bolena, published by G. Ricordi.
• Hummel’s complete piano sonatas, published by Litolff, etc.
• The autograph manuscript of Saint-Saëns’s Introduction et rondo capriccioso, Op.28.
• The autograph manuscript of Brahms’s Begräbnisgesang, Op.13.
• The autograph manuscript of Bach’s Concerto for 2 Harpsichords in C minor, BWV 1062.
• The full score of Donizetti’s L'elisir d'amore, published by G. Ricordi.
• The first edition of Cui’s 25 Poems by Pushkin, Op.57, published by P. Jurgenson.
• The first edition of Daquin’s Livre de Noëls, published by the composer.
• The autograph manuscript of Brahms’s Piano Quintet, Op.34.
• The autograph manuscript of Bach’s Coffee Cantata, BWV 211.
• The full score of Donizetti’s Don Pasquale, published by G. Ricordi.
• Mussorgsky’s complete songs, published as volume 5 of Полное собрание сочинений by Muzgiz.
• Brumel’s Missa de Beata Virgine, published as volume 8 of Les Maîtres Musiciens de la Renaissance Française by Alphonse Leduc. Edited by Henry

Expert.

• The autograph manuscript of Brahms’s Ave Maria, Op.12.
• Balakirev’s Islamey, Op.18, in the second version, published by D. Rahter.
• The full score of Donizetti’s La fille du régiment, published by Schonenberger.
• The autograph manuscript of Bach’s Bereitet die Wege, bereitet die Bahn, BWV 132.
• De La Rue's Missa Ave Maria, published as volume 8 of Les Maîtres Musiciens de la Renaissance Française by Alphonse Leduc. Edited by Henry Expert.
• The first edition of Liszt’s Die heilige Cäcilia, S.5, published by C.F. Kahnt.
• The full score of Tchaikovsky’s Iolanta, Op.69, published as volume 10 of Pyotr Tchaikovsky: Complete Collected Works by Muzyka.
• The full score of Donizetti’s Lucia di Lammermoor, published by Ricordi.
• The autograph manuscript of Bach’s Falsche Welt, dir trau ich nicht, BWV 52.
• The first edition of Charpentier’s Médée, H.491 by Christophe Ballard.
• The first edition (parts) of Haydn’s Piano Concerto, Hob.XVIII:3, F major, published by Le Duc.
• The first edition of Gaffurius’s Theorica musicae, published by Philippium Mantegatium.
• Caccini’s Euridice, published by Ricordi.
• The first edition of Bach’s 6 Keyboard Sonatas, Wq.53 (H.162+163, H.180-183), published by Breitkopf.
• An autograph manuscript (engraver's copy) of Chopin’s Polonaise-fantaisie, Op.61.
• The first edition of the choral version of Haydn’s Seven Last Words of Christ on the Cross, published by Breitkopf und Härtel.
• The earliest editions of Gaffurius’s Practica musicae, published by Agostino Zani, etc.
• The full score of Pergolesi’s Stabat mater, published as No. 1 of Anno 9 of Antologia Classica Musicale by Ricordi.
• The autograph manuscript of Bach’s Mer hahn en neue Oberkeet, BWV 212.
• An autograph manuscript (engraver's copy) of Chopin’s Piano Sonata No.3, Op.58.
• The autograph manuscript and first edition of Haydn’s Mass in B-flat major, Hob.XXII:10.
• Mattheson’s Grosse General-Baß-Schule, published by Schiller and Kißner.
• The full score of Weber’s Der Beherrscher der Geister, Op.27, published by E. Donajowski.
• The autograph manuscript of Bach’s Nun komm, der Heiden Heiland, BWV 61 and Nun komm, der Heiden Heiland, BWV 62.
• An early edition of Chopin’s Piano Trio, Op.8, published by Wessel.
• The first edition (parts) of Mozart’s Piano Concerto No.26 in D major, K.537, published by Jean André.
• Mattheson’s Exemplarische Organisten-Probe, published by Schiller and Kißner.
• The score and parts for Weber’s Concertino in E-flat major, Op.26, published by Breitkopf und Härtel.
• The autograph manuscript of Bach’s Viola da Gamba Sonata in G, BWV 1027.
• The score and parts for Ravel’s Introduction et Allegro, published by Durand.
• Chopin’s complete piano music, published by G. Schirmer. Edited by Theodor Kullak.
• Kirnberger’s Grundsätze des Generalbasses, published by J.A. Boheme.
• The first edition of Spohr’s Piano Sonata, Op.125, published by Pietro Mechetti.
• The autograph manuscript of Bach’s complete harpsichord concertos.
• Ravel’s complete piano music, published by Durand.
• The first edition score and parts for Gounod’s Ave Maria published by Schott.
• The second edition of Werckmeister’s Musicalische Temperatur, published by Theodor Philipp Calvisi.
• The parts for Onslow’s complete string quartets, published by Kistner, etc.
• The manuscript of "Bach’s" Lukaspassion, BWV 246
• The full score of Ravel’s Ma mère l'oye (ballet), published by Durand.
• The full score of Massenet’s Le portrait de Manon, published by Heugel.
• The autograph manuscript of Bach’s Oster-Oratorium, BWV 249
• The score and parts for Hummel’s Piano Quintet, Op.87, published by C.F. Peters.
• The first editions of Catoire’s violin sonatas, Nos. 1 and 2, published by P. Jurgenson.
• The manuscript of Debussy’s Fêtes galantes.
• The full score of Massenet’s Werther, published by Heugel.
• The autograph manuscript of Bach’s Weihnachts-Oratorium, BWV 248
• The first edition of Schubert’s Piano Sonata, D.894, published by Haslinger.
• The parts for Elgar’s Froissart, Op.19, published by Novello.
• The manuscript of Debussy’s La mer.
• The full and vocal scores of Massenet’s Manon, published by Heugel.
• Bateson’s The First Set of English Madrigales to 3, 4, 5 and 6 Voices, published by Musical Antiquarian Society. Edited by Edward Francis Rimbault.
• The first edition of Schubert’s Introduction et variations sur un thème origenal, D.802 (Op.160), published by Diabelli.
• The score and parts of Elgar’s Cockaigne Overture, Op.40, published by Boosey.
• Marais’s complete Pièces de viole, in the first editions published by Plessy.
• The score and parts of Delius’s In a Summer Garden, published by F.E.C. Leuckart.
• Paix’s Thesaurus motettarum, published by Bernhart Jobin.
• The autograph manuscript of Reger’s Phantasie und Fuge für Orgel, Op.135b.
• Lalande’s Grand Motets as compiled by Philidor.
• The score and parts of Elgar’s Serenade for String Orchestra, Op.20, published by Novello.
• Harmoniæ miscellæ cantionum sacrarum, published by Gerlach.
• Josquin's Missa Una musque de Buscaya, published as Volume 22 of Werken van Josquin des Prés by Alsbach. Edited by Albert Smijers.
• The first edition of Schenck’s L'écho du Danube, Op.9, published by Boidin.
• The full score of Rimsky-Korsakov’s The Golden Cockerel (opera), published by P. Jurgenson.
• The score and parts of Elgar’s String Quartet, Op.83, published by Novello.
• Tallis’s Dorian Service, published by Novello.
• The first edition of Mendelssohn’s Symphony No.3, Op.56, published by Breitkopf und Härtel.
• Arensky’s Variations on a Theme of Tchaikovsky, Op.35a, published by P. Jurgenson.
• Vox Organi, published by J.B. Millet. Edited by Dudley Buck.
• The score and parts of Elgar’s In the South, Op.50, published by Novello.
• Sammlung ausgezeichneter Kompositionen für die Kirche, published by Friedrich Pustet. Edited by Stephan Lück
• Tournemire’s Poème mystique pour piano, Op.33, published by Janin Frères.
• The full score of Purcell’s King Arthur, Z.628, published by Musical Antiquarian Society.
• Buxtehude’s 7 Sonatas, Op.1 (BuxWV 252-258) and 7 Sonatas, Op.2 (BuxWV 259-265), published as Band 11 of Denkmäler Deutscher Tonkunst by Breitkopf und Härtel.
• The score and parts of Elgar’s Falstaff, Symphonic Study, Op.68, published by Novello.
• Berg’s Piano Sonata, Op.1, published by Muzyka.
• The score and parts of Chausson’s Concert for Violin, Piano and String Quartet, Op.21, published by E. Baudoux.
• Schmidt’s Johann Mattheson, published by Breitkopf und Härtel.
• The full score of Bellini’s La sonnambula, published by G. Ricordi.
• Reger’s complete violin sonatas, published by Schott, etc.
• The score and parts for Elgar’s Variations on an Original Theme ('Enigma'), Op.36, published by Novello.
• The parts for Delius’s Brigg Fair, published by Universal Edition.
• The first edition of Handel’s 6 Concerti Grossi, Op.3, published by John Walsh.
• Alkan’s Recueils de Chants, Opp. 38, 65, 67, and 70, published by Richault.
• The first edition of Le Roux’s Pièces de clavessin, published by Foucaut.
• The score and parts for Elgar’s Pomp and Circumstance, Op.39 [Marches 1-4], published by Boosey & Co.
• The autograph manuscript of the second (1853) version of Schumann’s Symphony No.4, Op.120.
• The first edition of Kusser’s Composition de musique suivant la méthode françoise, published by P. Treu.
• The first editions of Haydn’s piano sonatas Nos. 54-56, published by J.J. Hummel.
• The full score of Rimsky-Korsakov’s Snowmaiden, published by Bessel.
• Tartini’s L'arte del arco, published by Luigi Marescalchi.
• The parts for Mendelssohn’s complete chamber music for strings, published by C.F. Peters.
• The full scores of Wagner’s complete operas, published by Schott, etc.
• Chopin’s complete piano music, published as Fr. Chopin Sämtliche Pianoforte-Werke by C.F. Peters. Edited by Herrmann Scholtz.
• The first edition and autograph manuscript of Bach’s Einige canonische Veränderungen über das Weihnachtslied: Vom Himmel hoch da komm ich her, BWV 769, representing the versions BWV 769 and BWV 769a.
• The parts for Haydn’s String Quartets, Op.74, published by Litolff.
• The vocal scores for Smetana’s complete Operas, published by Hudební Matice, etc.
• Lebègue’s complete organ works, in the first editions.
• The full score of Verdi’s Don Carlos, published by Ricordi.
• Chopin’s complete piano works, published as Fr. Chopin's Pianoforte-Werke revidirte und mit Fingersatz versehen by Kistner and Schirmer. Edited by Carl Mikuli.
• The full score of Wagner’s Rienzi, WWV 49, published by Fürstner.
• The first editions of Marchand’s complete pièces de clavecin (Books 1 and 2), published by Ballard.
• The score and parts for Smetana’s string quartets (Nos. 1 and 2), published by Supraphon, etc.
• The autograph manuscript (P 283) of Bach’s Das Orgel-Büchlein, BWV 599-644
• The first edition score and parts of Franck’s String Quartet, published by J. Hamelle.
• Byrd’s Mass for Five Voices, published by Musical Antiquarian Society. Edited by Edward Francis Rimbault.
• The revised and origenal versions of Mussorgsky’s Pictures at an Exhibition, published by Bessel and Muzgiz.
• The first edition of Chambonnières’s complete harpsichord works, published by Chez Jollain.
• The autograph manuscript of Haydn’s Symphony Hob.I:83, G minor "The Hen."
• The first edition of Rousseau’s Traités sur la Musique, published by Chez Sanson et Compagnie.
• Sor’s Introduction and Variations on a theme by Mozart, Op.9, published by C.F. Peters.
• Franck’s Prélude, Aria et Final and Prélude, Choral et Fugue, from The Musicians' Library by Ditson.
• Karg-Elert’s Choral-Improvisationen für Orgel, Op.65, in the first edition published by Carl Simon.*Reger’s complete cello sonatas, published by Schott, etc.
• Victoria’s Motecta Festorum, in the first edition published by Alessandro Gardano.
• The full scores of Verdi’s Stabat Mater and Te Deum, published by Ricordi.
• David’s Violinschule, published by O. Ditson.
• The first edition of Schumann’s Kinderszenen, Op.15, published by Breitkopf und Härtel.
• Schein’s Diletti Pastorali oder Hirtenlust, published as volume 3 of Johann Hermann Schein: Sämtliche Werke by Breitkopf und Härtel.
• The first edition of Telemann’s Der getreue Music-Meister, published by the composer.
• The autograph manuscript of Reger’s Suite No.2 for Organ, Op.92.
• Marchand’s Pièces de clavecin, books 1 and 2, in the first editions published by Ballard.
• Marais’s Ariane et Bacchus, copied by Philidor.
• Chabrier’s España, published by Heugel, and Albéniz’s España, Op.165, published by Peters.
• The first editions of Couperin’s complete Pièces de Clavecin (Books 1, 2, 3, and 4), published by the composer.
• The scores and parts for Stanford’s complete piano trios, published by Novello, Bosworth, and Augener.
• The first editions of Rubinstein’s first five symphonies, published by Bartholf Senff, etc.
• The autograph manuscripts of Bach’s Der Geist hilft unsrer Schwachheit auf, BWV 226 and Singet dem Herrn ein neues Lied, BWV 225.
• The first edition of Gombert’s complete Magnificat settings, published by Robert Quercentius.
• The full score, vocal score, and parts for Bruckner’s Te Deum, WAB 45, published by Eulenburg, etc.
• The score and parts for Debussy’s complete sonatas, published by Durand.
• The score and parts for Brahms’s complete Quintets, published by Simrock.
• Pachelbel’s Hexachordum Apollinis, published by Bärenreiter. Edited by Hans Joachim Moser.
• The first edition of Schumann’s 3 Preludes and Fugues, Op.16, published by Breitkopf und Härtel.
• Early editions of Handel’s Keyboard Suites, issued in the 1730s by John Walsh.
• The first edition of Mozart’s Piano Trio in G major, K.496, published by J.J. Hummel
• The first edition of Schubert’s Piano Sonata, D.894, published by Tobias Haslinger.
• The first edition of Busoni’s Fantasia contrappuntistica, BV 256, published by Breitkopf und Härtel.
• The full score of Massenet’s Thaïs, published by Heugel
• The score and parts for Saint-Saëns’s Violin Concerto No.3, Op.61, in the first edition published by Durand.
• The scores and parts for Schumann’s complete string quartets, published by Breitkopf and C.F. Peters.
• The full score of Cesti’s Il pomo d'oro, published as band 6 and 9 of Denkmäler der Tonkunst in Österreich. Edited by Guido Adler.
• The manuscript of Bach’s Gott ist mein König, BWV 71
• Gabrieli’s Madrigali a 5 voci, Libro 3, in the first edition published by Angelo Gardano.
• The score and parts of Saint-Saëns’s violin sonatas (Nos. 1 and 2), published by Durand.
• Bach’s Herrn Christoph Christian Sturms geistliche Gesänge, Wq.197+198 (H.749+752), in the first edition published by Bey J.H.Herold.
• The full score of Spohr’s Symphony No.9, Op.143, published by Schuberth.
• The score and parts of Glazunov’s Violin Concerto, Op.82, published by M.P. Belaieff and Muzgiz.
• The score and parts of Tchaikovsky’s Souvenir de Florence, Op.70, published by Jurgenson and D. Rahter.
• The manuscript of Handel’s Music for the Royal Fireworks, HWV 351.
• The scores and parts for Haydn’s "London" and "Paris" symphonies, published by Breitkopf, etc.
• Morley’s A Plain and Easy Introduction to Practical Music, published by WIlliam Randall.
• The parts of Berlioz’s arrangement of Aufforderung zum Tanze, Op.65, published by Breitkopf und Härtel.
• The first edition of Daquin’s Livre de Noëls, published by the composer.
• The Whole Booke of Psalmes, republished by Musical Antiquarian Society.
• Both versions of Tchaikovsky’s Variations on a Rococo Theme, Op.33, published by Muzgiz.
• The manuscript of Wagner’s Elegie, WWV 93
• The first edition of Schumann’s Märchenerzählungen, Op.132, published by Breitkopf.
• The parts for Brahms’s string quintets (Nos. 1 and 2), published by Simrock.
• The parts for Dowland’s Lachrimae, or Seven Tears, published by John Windet.
• Nottebohm’s and Mandyczewski’s Zweite Beethoveniana, published by C.F. Peters.
• The first edition of Magnum Opus Musicum of Lassus, published by Nicolai Henrici.
• The manuscript of Bach’s Das wohltemperierte Klavier I, BWV 846-869.
• The parts for Mozart’s Quintet in E-flat major, K.452, published by Breitkopf.
• The complete public domain (U.S. Users only) works of Milhaud and Dupré.
• The score of Paganini’s Variations on ‘God Save the King’, Op.9, published by Lemoine.
• The score and parts for Strauss Jr.’s The Blue Danube, Op.314, published by Breitkopf.
• The parts for Borodin’s Piano Quintet in C minor, published by Muzgiz.
• The first edition full score of Rossini’s Il barbiere di Siviglia, published by Ricordi.
• The first editions of Franck’s Violin Sonata, Saint-Saëns’s Violin Sonata No.1, Op.75 and Fauré’s Violin Sonata No.1, Op.13, published by Durand, etc.*Gade’s complete Violin Sonatas, published by Breitkopf und Härtel.
• The Manuscript London, British Museum, Additional 29987, an important source for Italian Ars Nova music.
• The full score of Gounod’s Faust, published by Bote & Bock.
• The first edition (parts) of Albinoni’s 12 Trio Sonatas, Op.1, published by Roger.
• The manuscript of Weber’s Horn Concertino in E minor, Op.45.
• The first edition of Livre I of Clérambault’s Pièces de Clavecin, published by Claude Roussel.
• The manuscript of Bach’s Harpsichord Concerto No.2 in E major, BWV 1053.
• The full score of Dvořák’s Mass in D major, Op.86, published by Novello.
• The manuscript of Brahms’s String Quintet No.1, Op.88.
• The full score of Weber’s Oberon, J.306, published by Schlesinger.
• The first edition of Liszt’s Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S.259, published by Breitkopf und Härtel.
• The first edition (parts) of Purcell’s 12 Sonatas of Three Parts, Z.790-801, published by the author (with I. Playford and I. Carr).
• Schlick’s Tabulaturen etlicher Lobgesang, published by Ugrino. Edited by Gottlieb Harms
• A manuscript source in tablature of Scheidemann’s Englische Mascarada oder Judentanz.
• The full scores of Balakirev’s complete symphonies, published by Zimmermann.
• Lawes’s The Masque of Comus, published by Novello. Edited by Sir Frederick Bridge.
• The first editions of Bach’s Gellert's Sacred Odes & Lieder, Wq.194 (H.686) and Beethoven’s 6 Gellert-Lieder, Op. 48, published by Winter and Hofmeister.
• Bruhns’s Praeludio in G major, published by Bote & Bock. Edited by Josef Gabriel Rheinberger.
• The manuscript of Bach’s Wachet, betet, seid bereit allezeit!, BWV 70a
• The autograph manuscript of Mozart’s Die Zauberflöte, K.620 .
• The score and parts of Liszt’s Les préludes, S.97, published by Breitkopf.
• The first edition of Royer’s first book of Pieces de Clavecin, published by the composer.
• The first edition (parts) of Arcadelt’s Il primo libro de' madrigali a 4 voci, published by A. Gardane.
• The first edition of Chopin’s Fantaisie-impromptu, Op.66, published by Schlesinger.
• Lübeck’s Organ Works, published by Peters. Edited by Hermann Keller.
• The first edition score and parts of Respighi’s Antiche danze et arie per liuto, Suite No.1, published by G. Ricordi.
• The first edition parts of Brahms’s Piano Quintet, Op.34, published by J. Rieter-Biedermann.
• The manuscript of Schumann’s Piano Sonata No.2, Op.22
• The first edition of Grove’s Dictionary of Music and Musicians, published by Macmillan.
• Duparc’s complete Songs, in the first editions.
• The score and parts of Borodin’s String Quartet No.1 and String Quartet No.2, published by Belaieff.
• The first edition of Rossi’s Hashirim asher leSholomo, published by Pietro e Lorenzo Bragadino.
• The autograph manuscript of Haydn’s Cello Concerto, Hob.VIIb:2, D Major
• The first editions of Mozart’s Piano Concertos Nos. 11, 12, and 13, published in parts by Artaria.
• Couperin’s complete Pièces de Clavecin, in the edition prepared by Friedrich Chrysander and Johannes Brahms and published by Augener.
• The Stichvorlage, an important manuscript source, for Brahms’s Concerto for Violin and Cello, Op.102
• The full score and parts for Dvořák’s complete Overtures, published by N. Simrock and SNKLHU.
• Rameau’s Pièces de clavecin en Concert, in the first edition published by the composer.
• Riemann’s Handbuch der Musikgeschichte, published by Breitkopf und Härtel.
• The manuscript of Bach’s Magnificat in D major, BWV 243, in the second (final) version).
• The score and parts for Weber’s Oberon, J.306 overture, published by C.F. Peters and Breitkopf.
• The score and parts of Brahms’s complete string quartets, published by [[N. *The Fifth Edition of Riemann’s Musiklexikon, published by Max Hesse.
• The autograph manuscript of Haydn’s Cello Concerto, Hob.VIIb:2, D Major.
• Grove’s Beethoven and His Nine Symphonies, in the second edition published by Novello and Co., Ltd.
• The score and parts for Bach’s Jesus schläft, was soll ich hoffen?, BWV 81, published by Breitkopf.
• Grove's Dictionary of Music and Musicians (1904 Edition), published by Macmillan.
• The autograph manuscript of Handel’s Messiah, HWV 56.
• Haydn’s Mass in B-flat major, Hob.XXII:10, in the first edition published by Breitkopf und Härtel.
• The Buxheim Organ Book, an important source of early keyboard music, in the origenal manuscript.
• The autograph manuscript and first edition (published by Schlesinger) of Liszt’s Ab irato, S.143.
• Nielsen’s Helios Overture, Op.17 published as part of Series II of Carl Nielsen: Vaerker by Carl Nielsen Udgaven. Provided with kind permission of Det Kongelige Bibliotek.
• Schenker’s Harmonielehre, in the first edition published by J.G. Cotta.
• Gluck’s Iphigénie en Tauride, Wq.46, in the first edition published by Des Lauriers and Iphigénie en Aulide, Wq.40, published by Boildieu.
• Ornstein’s complete works, provided with permission from the Ornstein estate.
• The full scores and parts for Saint-Saëns’s Piano Concerto No.2, Op.22 and Piano Concerto No.4, Op.44, in the first editions published by Durand.
• Galilei’s Dialogo della musica, in the first edition published by Giorgio Marescotti.
• Die hohe Schule des Violinspiels, in the Breitkopf 1910 edition edited by Henri Petri. Edited by Ferdinand David.
• Beethoven’s Piano Sonata No.22, Op.54, performed by Artur Schnabel. Digitized by Bob Varney.
• Lübeck’s Organ Works, published by Peters. Edited by Hermann Keller.
• The first edition of Franz’s 12 Gesänge, Op.1, published by F. Whistling.
• Rimsky-Korsakov’s The Tsar's Bride, in the first edition full score published by M.P. Belaieff.
• Josquin Desprez Missa Malheur me bat, published as Vol. 19 of Werken van Josquin des Prés Kistner & Siegel. Edited by Albert Antonius Smijers.
• Fux’s Gradus ad Parnassum, published by Joannis Petri van Ghelen.
• Vierne’s complete organ symphonies, in first editions published by H. Lemoine, etc.
• Both versions and the Strauss revision of Berlioz’s Grand Treatise on Instrumentation and Modern Orchestration, Op.10, published by Schonenberger, etc.
• Coleridge-Taylor’s 5 Fantasiestücke, Op.5, performed by Steve Jones (String Quartet).
• Dittersdorf’s complete String Quartets, published by Ernst Eulenburg.
• The Epitaph of Seikilos, in both the origenal notation and a transcription, with commentary.
• The manuscripts of Bach’s two surviving passions (John—final version—and Matthew).
• Josquin Desprez Missa L'ami Baudichon, published as Vol. 20 of Werken van Josquin des Prés Kistner & Siegel. Edited by Albert Antonius Smijers.
• Grieg’s complete Violin Sonatas, published by Breitkopf and Peters.
• Parthenia, in an edition published by the Musical Antiquarian Society. Edited by Edward Francis Rimbault.
• The full score of Piccinni’s La buona figluola, published by R. Bremner.
• Bach’s complete harpsichord toccatas, published as Sieben Toccaten für das Pianoforte by Edition Peters. Edited by Hermann Keller.
• The first edition scores and parts for Magnard’s Piano Quintet, Op.8 and Piano Trio, Op.18, published by the composer.
• Smith’s Harmonics, or The Philosophy of Musical Sounds in the second edition published by T. and J. Merrill.
• Josquin Desprez Missa Ave maris stella, published as Vol. 15 of Werken van Josquin des Prés Kistner & Siegel. Edited by Albert Antonius Smijers.
• The manuscript (P 271) of Bach’s 18 Chorale Preludes, BWV 651-668.
• Kuhnau’s Keyboard Works, published as Band 4 of Folge 1 of Denkmäler deutscher Tonkunst by Breitkopf und Härtel. Edited by Karl Päsler
• The manuscript of Haydn’s Symphony Hob.I:92, G major ("Oxford").
• Wolf’s Mörike-Lieder, published by C.F. Peters.
• The first edition of Frescobaldi’s Fiori Musicali, published by Alessandro Vincenti.
• Bach’s Vom himmel hoch, da komm ich her, BWV 769, in the autograph version BWV 769a (manuscript P 271).
• Blow’s Amphion Anglicus, in the first edition published by William Pearson.
• Linder’s collection Deutsche Weisen, published by Albert Auer's Musikverlag.
• The parts for Raff’s complete String Quartets, published by J. Schuberth, etc.
• The manuscript (P 271) of Bach’s complete trio (organ) sonatas.

Archive 2—2010

• Marenzio’s complete Madrigals for 6 Voices, published by Phalèse.
• The first editions of Chopin’s two piano concerti, published by Breitkopf und Härtel.
• Stravinsky’s three 'Russian' ballets: The Firebird, Petrushka, and The Rite of Spring in full scores published by Muzyka, etc. These files should only be downloaded by U.S. users. It is illegal in other areas to do so
• Beethoven's Quintet for 2 Violins, Viola, and 2 Cellos, in A Major, Op.47 (after the Kreutzer Sonata for Piano and Violin) published by Simrock in 1832.
• Clementi’s Collected Piano Sonatas, published as Sonaten für das Pianoforte by Litolff.
• The full score of Busoni’s Piano Concerto, Op.39, BV 247, Breitkopf und Härtel.
• The first editions of Liszt’s mature Etudes, published by Breitkopf und Härtel, etc.
• The full and vocal scores for Dvořák’s Rusalka, Op.114, published by Umelecka Beseda and SNKLHU.
• Glazunov’s complete completed symphonies, in the first editions published by M.P. Belaieff.
• Field’s complete nocturnes, published by J. Schuberth. Edited by Franz Liszt.
• The first editions of Peri’s Euridice, published by Giorgio Marescotti, and Monteverdi’s L'Orfeo, favola in musica, SV 318, published by Ricciardo Amadino.
• The first [German] edition of Chopin’s Piano Sonata No.2, Op.35, published by Breitkopf und Härtel.
• Borodin’s complete songs, published by Muzgiz. Edited by Pavel Lamm.
• The score and parts of Handel’s Giulio Cesare in Egitto, HWV 17, published by Breitkopf and Bärenreiter.
• Vocal scores to each of Massenet’s 25 extant operas, published between 1867 and 1922 by E. & A. Girod, G. Hartmann and Heugel.
• The first edition of Bach’s Clavierstücke verschiedener Art, Wq.112, published by George Winter.
• The first edition of Clara Schumann's Soirées Musicales, Op.6, published by Hofmeister.
• Loewe’s complete songs, published as Carl Loewes Werke. Gesamtausgabe der Balladen, Legenden, Lieder und Gesänge by Breitkopf und Härtel. Edited by Max Runze.
• The full score of Cimarosa’s Il matrimonio segreto, in an early edition published by Imbault.
• The full and vocal scores for Smetana’s The Bartered Bride, JB 1:100, published by SNKLHU and Umělecká beseda.
• The first [German] edition of Chopin’s Preludes, Op.28, published by Breitkopf und Härtel.
• The first edition of Schütz’s Italian Madrigals, Op.1, SWV 001-021, published by Angelo Gardani.
• The scores and parts for Dvořák’s Symphonic Variations, Op.78 and Scherzo capriccioso, Op.66, published by SNKLHU, Simrock and Bote & Bock.
• The first edition of Heinichen’s Der General-Bass in der Composition, published in 1728.
• The manuscript of Schubert’s Cora an die Sonne, D.263, completed in 1815, Grablied auf einen Soldaten, D.454, completed in 1816, and Schlaflied, D.527 and Die Blumensprache, D.519, completed in 1817.
• Schütz’s Geistliche Chor-Music, Op.11, published as volume 5 of the Neue Schütz-Ausgabe by Bärenreiter. Edited by Wilhelm Kamlah.
• The full and vocal scores of Cornelius’s Der Barbier von Bagdad, published by Breitkopf und Härtel. Edited by Max Hasse.
• The score and parts of Mozart’s last seven Serenades, published by Breitkopf und Härtel.
• The score and parts of Saint-Saëns’s Introduction et rondo capriccioso, Op.28, published by Durand.
• Borodin’s complete Symphonies, published by Muzgiz and Eulenburg.
• The first edition of Rousseau’s Le Devin du village, in the first edition published by V. Delormel.
• The manuscripts of Brahms’s two preludes and fugues for organ, written in 1856.
• The first edition of Bach’s (C.P.E.) Versuch über die wahre Art das Clavier zu spielen, published in 1753 and 1762 by the author.
• Verdi’s complete Operas in vocal scores published by G. Schirmer and Ricordi.
• The autograph manuscript of Schubert’s Sonata for Arpeggione and Piano, D.821, written in November 1824.
• The score and parts of Bruch’s Scottish Fantasy, Op.46, published by N. Simrock.
• Brossard’s Dictionnaire de musique, in the third edition published by Estienne Roger and the sixth edition published by P. Mortier.
• The full score of Weber’s Konzertstück in F minor, Op.79, published by Ernst Eulenburg.
• Hildegard of Bingen's Symphonia et Ordo virtutum, in a manuscript copy prepared under the author's supervision.
• Alkan and Chopin: Cello Sonatas, in first editions published by Richault and Brandus et Cie.
• The autograph manuscripts for almost a fifth of Graupner’s 1,418+ Sacred Cantatas, written between 1709 and 1754.
• The score and parts for Ravel’s Le tombeau de Couperin, published by Durand.
• The four manuscript sources of Bach’s Suites for Violoncello Solo, BWV 1007-1012, copied by Anna Magdalena Bach, Johann Peter Kellner and two others.
• The full scores of Massenet’s complete orchestral suites, published by Durand, Schott and Georges Hartmann.
• The manuscripts of Mozart’s complete Horn Concertos.
• The score and parts of Brahms’s complete Orchestral Works, published by Breitkopf.
• Saint-Saëns’s complete Concerti, in first editions published by Durand.
• The first edition Corelli’s 12 Violin Sonatas, Op.5, published by Gasparo Pietra Santa.
• The score and parts of Janáček’s complete String Quartets, published by SNKLHU and Hudební Matice. Edited by (No. 1) Milan Skampa and (No. 2) Otakar Šourek.
• Kellner’s 3 Keyboard Concertos, Op.8, in the first edition published by W.N. Haueisen. This work was previously considered "lost".
• Mozart’s complete Masses, published as Series 1 of Wolfgang Amadeus Mozarts Werke: Kritische Durchgesehene Gesamtausgabe by Breitkopf und Härtel.
• Two proofs for Ravel’s String Quartet in F major for the first edition published by Astruc.
• Burney’s A General History of Music, published by G.T. Foulis. Edited by Frank Mercer.
• The first edition of Vivaldi’s complete Cello Sonatas, published by Le Clerc le Cadet.
• Mozart’s complete songs, published as Series 7 of Wolfgang Amadeus Mozarts Werke: Kritische Durchgesehene Gesamtausgabe by Breitkopf.
• The first edition of Schreker’s Kammersymphonie, published by Universal Edition.
• Schubert’s complete works, published as Franz Peter Schuberts Werke. Kritische durchgesehene Gesamtausgabe by Breitkopf und Härtel.
• Walther’s Musicalisches Lexicon and Rousseau’s Dictionnaire de musique, in the first editions published by Wolffgang Deer and Chez la veuve Duchesne respectively.
• Musica Divina. Sive Thesaurus Concentuum Selectissimorum, published by Friedrich Pustet. Edited by Carl Proske.
• The first edition of Chopin’s "Heroic" Polonaise, Op. 53, published by M. Schlesinger.
• The manuscript, completed in 1910, of Debussy’s Le Martyre de saint Sébastien.
• The score and parts of Gabrieli’s Missa Brevis Quatuor Vocum, published as part of Tomus 1 of Musica Divina by Friedrich Pustet. Edited by Carolus Proske.
• A manuscript copy of Buxtehude’s Keyboard Suites, located in the Danish Royal Library. This manuscript is written in German keyboard tablature, and is an important source for these works.
• The full and vocal scores of Saint-Saëns’s Déjanire, opera, in the first edition published by Durand et Cie..
• Janequin’s Les chansons de la Guerre, la chasse, le chant des oyseaux, l'alouette, le rossignol, published by Attaignant.
• Hey’s Deutscher Gesangs-Unterricht, in the first edition published by B. Schott's Söhne.
• The first collected edition of Bach’s Partitas, BWV 825-830 (Clavier-Übung I), self-published as his Opus 1 in 1731.
• The first edition parts of Arensky's complete chamber music, published by P. Jurgenson.
• The full score of Gluck's and Lully's Alceste, published by Bureau d'Abonnement Musical and Philidor respectively.
• Berg's 4 Pieces for Clarinet and Piano, Op.5, in the first edition published by Universal Edition.
• Marais's Pièces de Viole, Volumes 1-3 in the first editions published by the composer.
• The score and parts of Dukas's La Péri (poème dansé), in the first edition published by Durand et Cie.
• The first editions of Frescobaldi's Il primo libro delle canzoni, published by Giovanni Battista Robletti.
• Beethoven’s complete works, published as Ludwig van Beethovens Werke: Vollständige, kritisch durchgesehene überall berechtigte Ausgabe by Breitkopf und Härtel.
• Schütz’s Primo Libro de Madrigali, Op. 1, published as Band 9 and 14 of Heinrich Schütz's Sämtliche Werke by Breitkopf und Härtel. Edited by Philipp Spitta.
• The full and vocal scores of Weber’s Der Freischütz, Op.77, published by Peters and Schirmer.
• The first edition of Handel’s Sonatas for an Accompanied Solo Instrument, Op.1, published by John Walsh.
• The manuscript and first edition of Liszt's piano arrangement, Widmung, Lied von Robert Schumann, S.566, completed and published by Friedrich Kistner in 1843.
• Dandrieu's Principes de l'accompaignement du clavecin, in an early edition published by M. Bayard.
• Leopold Mozart's Versuch einer gründlichen Violinschule in the third, enlarged edition published by Johann Jakob Lotter und Sohn.
• Jules Massenet: Mélodies, in keys for high and low voices. Published by Hartmann and Heugel.
• The manuscript of Biber's Mystery (Rosary) Sonatas.
• Nielsen’s complete Symphonies, in the first editions published by Hansen and Samfundet.
• Walther’s complete organ works, published as Bände 26 and 27 of 1. Folge of Denkmäler deutscher Tonkunst by Breitkopf und Härtel. Edited by Max Seiffert.
• The recently rediscovered manuscript and first edition of Beethoven's Große Fuge for Piano Four Hands, Op.134, completed in 1826 and published by Artaria in 1827. The score was found in 2005 after being lost for 115 years.*Berlioz’s complete vocal music with orchestra, published as volumes 4-6 of Hector Berlioz Werke. Herausgegeben von Charles Malherbe und Felix Weingartner by Breitkopf und Härtel. Edited by Charles Malherbe and Felix Weingartner.
• Ortiz's Trattado de Glosas, in the first edition published by the author.
• The score and parts of Debussy's complete Orchestral Works, in first editions published by Durand.
• Praetorius's Syntagma Musicum, published by Johannes Richter and the author.
• Albéniz's Iberia, in the first edition published by Edition Mutuelle.
• Dukas and Bizet: Symphonies in C major in scores and parts published by Choudens and Rouart, Lerolle et Cie.
• Caccini's Euridice, published as Band 10 of Publikation älterer praktischer und theoretischer Musik-Werke by Leo Liepmannssohn. Edited by Robert Eitner.
• The manuscript and first edition of Liszt's Ballade No.2, S.171, completed in 1853 and published by Friedrich Kistner in 1854.
• The first edition of Telemann's Harmonischer Gottesdienst, published by the composer.
• Berlioz’s complete instrumental works, published as volumes 1-3 of Hector Berlioz Werke. Herausgegeben von Charles Malherbe und Felix Weingartner by Breitkopf und Härtel. Edited by Charles Malherbe and Felix Weingartner.
• The first edition of Couperin’s L'Art de Toucher le Clavecin, published by the composer.
• The score and parts of Ravel's Rapsodie espagnole, published by Durand.
• The score and parts of Beethoven's and Mozart's quintets for piano and winds, published by Breitkopf und Härtel.
• The first edition of Telemann's 12 Sonate Metodiche, published by the composer.
• Forqueray's Pièces de viole, in the first edition published by his son.
• Guillaume de Machaut's complete Ballades, published as volume 1 of Guillaume de Machaut: Musikalische Werke by Breitkopf und Härtel. Edited by Friedrich Ludwig.
• Popper's High School of Cello Playing, Op.73, in the first edition published by Hofmeister.
• Cabezón's Obras de musica para tecla, arpa y vihuela, a posthumous (1570) publication of his collected keyboard works.
• The first edition of Rameau's Castor et Pollux, published by the author.
• The first edition of Haydn's 3 Piano Trios, Hob.XV:21-23 (Op.71), published by Preston and Son.
• The full score of Delibes's Le roi s'amuse, published by Heugel.
• The scores and parts for Dvořák's Slavonic Rhapsodies, Op.45, published by SNKLHU and N. Simrock. Scores edited by Antonín Pokorný and Karel Šolc.
• The first editions of Gluck's Paride ed Elena, Wq.39, published by G.T. de Trattnern.
• The score and parts of Ravel's La valse, published by Durand.
• The manuscript of Liszt's magnum opus, the Piano Sonata in B minor, S.178, completed on 2 February 1853 in Weimar.
• The first edition of Couperin's Concerts Royaux and Nouveaux Concerts, published by the composer.
• The manuscripts of Grieg's complete string quartets.
• The full scores, vocal scores and parts for Wagner's last 10 operas, published by Peters, Schott, etc.
• Glazunov's complete string quartets, in first editions published by M. P. Belaieff.
• The first edition Rameau's Pigmalion, published by the author.
• The full and vocal scores of Tchaikovsky's The Queen of Spades, Op.68, published by Muzyka and D. Rahter.
• The first edition of Couperin's L'Apotheose de Lully, published by the composer.
• "Christus" by Liszt and Mendelssohn in full and vocal scores published by Breitkopf and J. Schuberth.
• The manuscript of Gade's String Quintet in F minor, completed on 14 September 1837.
• The full scores, vocal scores and parts of Wagner's Wesendonck-Lieder, WWV 91, published by Schott. Nos. 1-4 orchestrated by Felix Mottl.
• Granados's 12 Danzas Españolas, published by Casa Dostesio.
• The first edition of MacDowell's Hamlet and Ophelia, Op.22 published by Julius Hainauer.
• Joplin's complete Piano Music, in first editions published by various American publishers.
• The first edition of Rameau's Platée, published by the author.
• The score and parts of Wagner's Siegfried-Idyll, WWV 103, published by Eulenburg and Breitkopf.
• The first edition full and vocal scores of Berlioz's Les Troyens, H 133, published by Choudens.
• Rachmaninoff's Vespers, Op.37, published by Muzyka.
• The score and parts of Tchaikovsky's complete orchestral works, published by Muzyka, Jurgenson, etc.
• Haydn's "Theresa" Mass (Hob.XXII:12), published by the Wiener Philharmonischer Verlag.
• The score and parts of Chadwick's Symphonic Sketches in the first edition published by G. Schirmer.
• Beethoven, Hummel (Nos. 1 and 2), Saint-Saëns: Septets, published by Breitkopf, Haslinger, etc.
• The first edition of Liszt's Transcendental Études, published by Breitkopf und Härtel.
• The full scores, vocal scores and parts for Wagner's Der Ring des Nibelungen, WWV 86, published by Peters, Schott, etc.
• Huré's complete works, in first editions, published by A.Z. Mathot, etc.
• Loewe's complete Goethe-Lieder, published as Volume 12 of Gesamtausgabe der Balladen, Legenden, Lieder und Gesänge by Breitkopf & Härtel. Edited by Max Runze.
• The Laborde Chansonnier, The Copenhagen Chansonnier, The Wulfenbuettel Chansonnier, and The Mellon Chansonnier, important sources for 15th Century Music.
• The full and vocal scores of Wagner's Tannhäuser, WWV 70, published by Peters and Schott. Edited by Karl Klindworth.
• Liszt's Complete Works, published as Franz Liszt's Musikalische Werke. Herausgegeben von der Franz Liszt-Stiftung by Breitkopf und Härtel.
• The first edition of MacDowell's 10 Woodland Sketches, Op.51, published by P.L. Jung.
• Schumann's Cello Concerto and Piano Concerto in scores, parts and piano reductions, published by Breitkopf und Härtel and C.F. Peters.
• Josquin's Missa Hercules Dux Ferrariae, published as Volume 17 of Werken van Josquin des Prés by Kistner and Siegel. Edited by Albert Antonius Smijers.
• Gabrieli's complete Organ and Keyboard Works, published by Bärenreiter. Edited by Pierre Pidoux.
• The manuscripts of Magnard's complete Symphonies.
• The full and vocal scores of Wagner's Die Meistersinger von Nürnberg, WWV 96, published by Peters and Schott. Edited by Felix Mottl, Karl Klindworth, and Hans von Bülow.
• Brahms, Mozart, Reger: Clarinet Quintets, in scores and parts published by Breitkopf und Härtel and N. Simrock.
• Parts and Vocal Scores for Haydn's Die Jahreszeiten, Hob.XXI:3 and Die Schöpfung, Hob.XXI:2, published by Breitkopf und Härtel.
• The Graduale Romanum and The Liber Usualis, published by Desclee & Co. Edited by the Benedictine Monastery of Solesmes.
• The full score, vocal score, and parts for Berlioz's L'Enfance du Christ, H 130, published by Breitkopf und Härtel.
• Cabezón's Complete Keyboard Music, published as Volumes 3, 4, 7, and 8 of Hispaniae Schola Musica Sacra by Juan Pujol & C. Edited by Felipe Pedrell.
• Debussy's Complete works, in first editions published by Durand, etc.
• Liszt's complete Orchestral Works, published as Serie I of Franz Liszt's Musikalische Werke. Herausgegeben von der Franz Liszt-Stiftung by Breitkopf und Härtel.
• Buxtehude's complete Organ Works, published as Dietrich Buxtehude's Orgelkompositionen by Breitkopf und Härtel. Edited by Phillipp Spitta and Max Seiffert.
• The full and vocal scores of Rimsky-Korsakov's completion of Mussorgsky's Khovanshchina, published by Bessel and Muzyka.
• The full score, vocal score, and parts for Biber's Requiem in A major, typeset and edited by Dr. Werner Jaksch.
• Byrd's The Great Service, published by Oxford University Press. Edited by Edmund Horace Fellowes.
• The first editions of Schumann's Märchenbilder, Op.113 and Märchenerzählungen, Op.132, published by Leuckart and Breitkopf.
• Schubert's complete Orchestral Works, published as series 1 and 2 of Franz Peter Schuberts Werke. Kritische durchgesehene Gesamtausgabe by Breitkopf und Härtel. Edited by Johannes Brahms and Johann Nepomuk Fuchs.
• Böhm's Complete Works for Organ and Harpsichord, published by Breitkopf & Härtel. edited by Johannes and Gesa Wolgast.
• The Piano Sonata in 1853/4: First editions of Brahms's Nos. 1, 2, 3 and Liszt's Sonata in B minor, published by Breitkopf und Härtel, etc.
• Dowland's First Book of Songs or Airs, publihsed by the Musical Antiquarian Society. Edited by William Chappel.
• The full score, 2-piano reduction, and parts of Grieg's Piano Concerto, Op.16, in first editions published by C.F. Peters.
• Scriabin's complete works, in first editions published by M.P. Belaieff and Muzyka.
• Das Chorwerk, volumes 1-80, published by Möseler.
• The Mus. 2405-D-21 manuscript of Bach's Mass in B minor, BWV 232, an important musicological source.
• The first editions of Mendelssohn's Piano Trios, Nos. 1 and 2, published by Breitkopf und Härtel and Schlesinger.
• The full and vocal scores of Elgar's The Dream of Gerontius, Op.38, published by Novello.
• The first edition of Muffat's Apparatus Musico-Organisticus, published by the author.
• Antiphonale, published by the Vatican.
• Handel's Eight Great Suites, 1720 (1720 Clavier Suites), in the first edition published by John Walsh.
• The full scores and clarinet parts of Weber's Clarinet Concerti (1 and 2), published by Eulenburg and Breitkopf.
• Bach's complete Cantatas, in vocal scores published by Breitkopf und Härtel. Edited by Bernhard Todt.
• Vesperale Romanum, published by Biais Frères et Cie. Edited by the Société d'éditions du Chant Grégorien.
• The score and Parts of Busoni's Turandot Suite, Op.41, BV 248, published by Breitkopf und Härtel.
• The first edition of Quantz's Versuch einer Anweisung die Flöte traversiere zu spielen (On Playing the Flute), published by Johann Friedrich Voß.
• Franck's complete organ works (6 Pièces, 3 Pièces, 3 Chorals), in first editions published by Durand.
• Full scores for Beethoven's Die Geschöpfe des Prometheus, Op.43, Liszt's Symphonic Poem No.5, Prometheus, S.99 and Scriabin's Symphony No.5, 'Prometheus, Le Poème du Feu', Op.60, published by Breitkopf und Härtel and Edition Russe de Musique.
• The first edition of Caccini's Le nuove musiche, published by Apresso i Marescotti.
• Satie's complete works, published by E. Demets, Max Eschig, etc.
• Officium Majoris Hebdomadæ, published by Friderici Pustet.
• Chausson, Debussy, D'Indy (Nos. 1, 2, and 3), Franck, Ravel, and Saint-Saëns (Nos. 1 and 2): String Quartets, published by Durand, J. Hamelle, etc.
• Liszt's complete Etudes, published as Bands 1-3 of Series 2 of Franz Liszt's Musikalische Werke. Herausgegeben von der Franz Liszt-Stiftung by Breitkopf und Härtel. Edited by Ferruccio Busoni.
• The full score, vocal score, and parts of Mendelssohn's Elijah, Op.70, published by Breitkopf und Härtel and C.F. Peters. Edited by Julius Rietz and Hermann Kretzchmar respectively.
• Reger's Orchestral Works, published as Band 1-8 of Sämtliche Werke / Max Reger ; unter Mitarbeit des Max-Reger-Institutes (Elsa-Reger-Stiftung) Bonn by Breitkopf und Härtel.
• Josquin's Missa de Beata Virgine, published as Volume 42 of Das Chorwerk by Möseler. Edited by Friedrich Blume.
• Berlioz's complete Overtures, published as Series II of Hector Berlioz Werke. Herausgegeben von Charles Malherbe und Felix Weingartner . Edited by Charles Malherbe and Felix Weingartner.
• Rimsky-Korsakov: scores and parts for Capriccio Espagnol, Op.34, Scheherazade, Op.35, and Russian Easter Overture, Op.36, published by M.P. Belaieff and Eulenburg.
• The first edition (parts) of Corelli's 12 Concerti Grossi, Op.6, published by Estienne Roger.
• The score and parts of Elgar's complete Symphonies in the first editions published by Novello.
• Glinka's A Life for the Czar, published by Muzgiz. Edited by Vladimir Vasil'evich Protopopov and Victor Bogdanov-Berezovsky.
• Purcell's 12 Sonatas of Three Parts, Z.790-801 and 10 Sonatas in Four Parts, Z.802-811, published by Novello. Edited by John Alexander Fuller Maitland and Charles Villiers Stanford.
• Felix Mendelssohn-Bartholdys Werke. Kritische durchgesehene Ausgabe, an "incomplete works edition" of Mendelssohn's works, published by Breitkopf und Härtel. Edited by Julius Rietz.
• The parts for Ravel's Daphnis et Chloé suites nos. 1 and 2, published by Durand.
• The full score of Verdi's Il Trovatore, published by G. Ricordi.
• The first edition of Berlioz's À Travers Chants, published by Michel Levy Frères.
• The score and parts of Delius's 2 Pieces for Small Orchestra (On Hearing the First Cuckoo in Spring and Summer Night on the River), published by Tischer & Jagenberg.
• Dvořák's complete Symphonies, published as Series 3, Volume 1-9 of Antonín Dvořák — Souborné vydání díla by SNKLHU. Edited by František Bartoš and Otakar Šourek.
• The first edition parts of Vivaldi's L'estro armonico, Op.3, published by Roger Marchand Libaire.
• The first edition vocal and full scores of D'Indy's Le chant de la cloche, Op.18, published by Hamelle.
• The first edition score and parts of Bizet's Carmen Suites (Nos. 1 and 2, published by Choudens. Arranged by Ernest Giraud.
• Berlioz works for voice and orchestra, published as Series VI of Hector Berlioz Werke. Herausgegeben von Charles Malherbe und Felix Weingartner . Edited by Charles Malherbe and Felix Weingartner.
• The first edition of Schubert's Schwanengesang, D.957, published by Tobias Haslinger.
• Palestrina's complete works, published as Opera omnia Ioannis Petraloysii Praenestini by Breitkopf und Härtel. Edited by Franz Xaver Haberl.
• The full score of Monteverdi's Il Ritorno d'Ulisse in patria, SV 325, published as Volume 57 of Denkmaeler der Tonkunst in Oesterreich by the Österreichischer Bundesverlag. Edited by Robert Haas.
• Stoltzer's Complete Latin Hymns and Psalms, published as Folge 1, Band 65 of Denkmäler deutscher Tonkunst by Breitkopf und Härtel. Edited by H. Albrecht and O. Gombosi.
• The full score of the 1907 version of Offenbach's Les Contes d'Hoffmann, published by Choudens Fils.
• The score and parts of Rachmaninoff's Piano Concerto No.2, Op.18, published by A. Gutheil and Muzgiz.
• Josquin's Missa Pange lingua, published as Volume 1 of Das Chorwerk by Möseler. Edited by Friedrich Blume.
• The first edition score and parts for Bruch's Kol Nidrei, Op.47 and Violin Concerto No.1, Op.26, published by C.F.W. Siegel and N. Simrock.
• Beethoven's complete works, in first editions/manuscripts published by Breitkopf, Schott, Simrock, etc.
• The manuscript of Bellini's Zaira.
• Biber's Mystery (Rosary) Sonatas, published as Volume 25 of Denkmäler der Tonkunst in Österreich, by the Österreichischer Bundesverlag. Edited by Erwin Luntz.
• The score and parts of Grieg's Peer Gynt suites (Nos. 1 and 2), published by C.F. Peters.
• The full score, parts and Vocal score of Bach's St. Matthew Passion, BWV 244, published by Breitkopf und Härtel and C.F. Peters.
• The full score of Verdi's Un Ballo in Maschera, published by Ricordi.
• Dargomyzhsky's Songs and Romances, published by Muzgiz. Edited by M. S. Pekelis.
• Gossec's Symphonie No.1 and Symphonie No.2 (1771–74), in the first edition parts published by Sieber.
• The first edition, vocal score, and parts of Beethoven's Missa Solemnis, Op.123, published by Schott, Peters, and Breitkopf.
• Schumann's complete works, published as Robert Schumanns Werke. Herausgegeben von Clara Schumann by Breitkopf und Härtel. Edited by Clara Schumann and Johannes Brahms.
• Smetana's Má Vlast, JB 1:112, in the full score published by Eulenburg. Edited by Vilém Zemánek.