Content-Length: 54009 | pFad | http://imslp.org/wiki/Quintet_in_B-flat_major_(Reichard,_Heinrich_Gottfried)
| Movements/SectionsMov'ts/Sec's | Allegro. Andante. Menuet. Presto assai. |
|---|---|
| Genre Categories | Quintets; For 2 violins, viola, cello, continuo; Scores featuring the violin; |
| Work Title | Quintet in B-flat major |
|---|---|
| Alternative. Title | Quintetto |
| Composer | Reichard, Heinrich Gottfried |
| I-Catalogue NumberI-Cat. No. | IHR 3 |
| Key | B-flat major |
| Movements/SectionsMov'ts/Sec's | Allegro. Andante. Menuet. Presto assai. |
| Composer Time PeriodComp. Period | Classical |
| Piece Style | Classical |
| Instrumentation | 2 violins, viola, cello obligato, cello (unfigured continuo part? ripieno cello?) |
Basso here seems more likely to mean ripieno cello as opposed to concertino cello. Hypothesis: consider that "chamber music" in the early-middle Classical era was as likely to be performed by medium-sized string ensembles as by actual string quartets/quintets - Mozart brought his first few string quartets on tour (K.80 e.g.) with him for performance as string symphonies as-needed - and there was still an element of "concerto grosso" in them (so concertino cello, ripieno cello - though since no other sections are so subdivided- violins I/II doesn't count - hrm. ... ah well. Then again, an "unfigured [basso] continuo" is a contradiction in terms, and not loosely speaking, either. ("Basso continuo" = "continuous bass" uses figurations to provide harmony and bass precisely through such figurations.)
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