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Night Always Comes. Vanessa Kirby as Lynette in Night Always Comes. Cr. Allyson Riggs/Netflix © 2025
Filmmaker Interview
Director Benjamin Caron tells IndieWire about going against the grain of Hollywood thrillers.
Latest in Features
'Smoke' BTS
Flaming Hot
Director of photography Francois Dagenais tells IndieWire about the influence of "The French Connection" and how he balanced expressionism with realism on the Apple TV+ drama.
Behind the scenes for 'The Rebirth'
Keep Dreaming
IndieWire spoke with three filmmakers about personal storytelling through genre, from a folk monster hungry for breast milk ("Feed") to vaginoplasty administered by a witch ("The Dysphoria") to a vigilante service worker stuck waiting tables mid-abortion ("The Rebirth").
Owen Cooper as Jamie in 'Adolescence'
Craft Considerations
Watch how director Philip Barantini, cinematographer Matthew Lewis, casting director Shaheen Baig, and supervising sound editor James Drake constructed the Netflix series.
Helen Mirren as Cara in season 2, episode 2 of 1923 streaming on Paramount+. Photo credit: Trae Patton/Paramount+.
Consider This
Winter Westerns are rare: "The Great Silence," "The Hateful Eight," "Day of the Outlaw," "McCabe & Mrs. Miller." To their mix has been added a new classic in Season 2 of Taylor Sheridan's Paramount+ series.
Image of a woman operating a film camera at an angle.
Nineteen directors of photography nominated across cinematography categories for the 2025 Emmys share how they crafted the looks of their series.
Alien: Earth - Pictured: Babou Ceesay as Morrow -- CR: Patrick Brown/FX
Ready. Set. Go.
Production designer Andy Nicholson expands the look of an iconic franchise for “Alien: Earth.”
FIXED, from left: Rocco (voice: Idris Elba), Bull (voice: Adam Devine, Fetch (voice: Fred Armisen), Lucky (voice: Bobby Moynihan), 2025. © Netflix / Courtesy Everett Collection
Filmmaker Toolkit
Netflix’s “Fixed” was completed two years ago, and came very close to being the next “Batgirl.”
'The Pitt'
Filmmaker Toolkit
Creator R. Scott Gemmill discusses the self-imposed challenges of creating a series with no music, a cast of new faces, and writing in real time. 
Top of The Line Weekly
A weekly digest that captures the best of our Top of the Line coverage.

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